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ARABESCA

Marcia caratteristica

FRANCESCO EMANUELE VARANESE


  = 112           
         
2

      

                 

 


       
Ottavino

                               
               

Oboe

                
        
                       

  
 
  
         
Clarinetto in Mi♭

                       
     
               
  
             
Clarinetto in Si♭ 1

                 
             

  
 

Clarinetto in Si♭ 2

         
  
        
     
      
 
                      
Clarinetto Basso in Si♭

           
 

            
Sax Soprano

            
          

                    
Sax Contralto

       
      
    
  
Sax Tenore e Flicorno tenore

     
                  

Sax Baritono

       
   
     
        
      
 
Sax Basso

         
     
        
  


 
    
Corno in Mi♭ 1

                     
         
   
Corno in Mi♭ 2

               
 
          
   
Corno in Mi♭ 3

             
                                  
      

Flicornino in Mi♭

                            
        
  
              
Tromba in Si♭ 1

              
      

                    
Tromba in Si♭ 2

             
      
        
 

             
Flicorno Soprano 1

 
                   


        


  


Flicorno Soprano 2


          
              

    



   
             
Trombone Tenore 1

  
       
   
     
 
Trombone Tenore 2

            
  
    
   
     
     

 
Trombone Tenore 1

        

      
      
              
 
Trombone Tenore 2

     
         
         
                  
 
       

                                
Flicorno Baritono

                    
  
    
Flicorno Baritono

     
                  

Flicorno Basso Grave in Fa-Mi♭

  
   
          
            

Flicorno Contrabbasso in Si♭

      
    
                      
     
Flicorno Contrabbasso in Si♭
            
10                    
3
 
  
 
            
                  
Ott.

  

  
           
Ob.

 
                     
 
Cl. in Mi♭

                                       
    
    
Divisi

 
Cl. in Si♭ 1

                                 

 
           
          
Cl. in Si♭ 2

                
      
    
                    
  
Cl. b. in Si♭

    
 
           
Sax. s.

  
    
suona la 2a volta


Sax. a.

      
            
suona la 2a volta

  
                                  
Sax. t.

    
        
 
 
 
                  

Sax. bar.

                  
        
 
Sax. b.

                                         

   
Cor. in Mi♭ 1

                                      

   
Cor. in Mi♭ 2

                                      
          
  
Cor. in Mi♭ 3

           
Flic. in Mi♭


           
Tr. in Si♭ 1


           
Tr. in Si♭ 2


           
Flic. s.


                     
       
Flic. s. 2

   
                                 
Trb. t. 1

 
                              
Trb. t. 2

  
         
Trb. 1

Trb. 2                     

                 
suona la


2a volta


Euf.

      
           
suona la


2a volta


            
Euf.

    
        
         
  


          
     
Ba. Tb. Mi♭

           
       
  
 
          
      
   
 
     
    
Cb. Tb. Si♭

      
    
                 
             
Cb. Tb. in Si♭

                                      
                   

CP

                                         
Tamb

20                                 
4

        
1. 2.

                                 
Ott.

    
    
   
Ob.

                              
    
 
Cl. in Mi♭

              
                                    


          
    
  
Cl. in Si♭ 1

                                   
     
   
                               
Cl. in Si♭ 2

 
Cl. b. in Si♭
          
                     
                      
  
  
Sax. s.

                
   
            
Sax. a.

        


 
Sax. t.



  

                    
                   
            
Sax. bar.

                       
Sax. b.
          
   
                                  
 
Cor. in Mi♭ 1

                


  
 
 
Cor. in Mi♭ 2

      


   
          
         
    
Cor. in Mi♭ 3

           
Flic. in Mi♭


           
Tr. in Si♭ 1


           
Tr. in Si♭ 2

 
            
Flic. s.


            
         
      
Flic. s. 2

  
   
    
Trb. t. 1

            


 
   
Trb. t. 2

                        
    
Trb. 1

 
        
            

Trb. 2

                   
      

  
Euf.

                    
   
                 
Euf.

         

             
 
  
Ba. Tb. Mi♭

              
                   
    
Cb. Tb. Si♭

      
                              
Cb. Tb. in Si♭
        

           
                        

                  
                   
CP


Tamb
 
30                                            
5



                                            
Ott.

 
  
Ob.

                                            

                                            
Cl. in Mi♭

                                         


Cl. in Si♭ 1


                                           
divisi

    
se possibile

       
Cl. in Si♭ 2

          
    

       
    
                
     
 
Cl. b. in Si♭

                                            
 
Sax. s.

                                             
       
Sax. a.

          
    
                      
   

        


                              
                
Sax. t.

    
   
      
Sax. bar.

     
              
                           
                                    
           
Sax. b.

      
 
  
  
Cor. in Mi♭ 1

    
                           
             

Cor. in Mi♭ 2

            
           
 
Cor. in Mi♭ 3

                                            
Flic. in Mi♭


 (facoltativo)
Tr. in Si♭ 1

                                            
 (facoltativo)
Tr. in Si♭ 2

           
           
Flic. s.


                                          
 
Flic. s. 2

        
          
                                   
Trb. t. 1

        
    
    
          
Trb. t. 2

   
                            
     
    
Trb. 1

         
 

   

                       

 

   
   
                                       
Trb. 2

         
   
    
          
Euf.

              
                       
                 
Euf.

             
     

Ba. Tb. Mi♭

                     
    
Cb. Tb. Si♭

   
Cb. Tb. in Si♭
                     
                      
                      

CP

                                       



           
tamburo
Tamb
41                     
6
   
   
                           
Ott.

 
 
                         
Ob.

  
                       
          
Cl. in Mi♭

       
                            
Cl. in Si♭ 1

            
      
            
Cl. in Si♭ 2

                  
 
  
Cl. b. in Si♭

                           
                          
  
Sax. s.

                                 
Sax. a.

     
    
  
   
                 
Sax. t.

            
  
      
Sax. bar.

              
                   

Sax. b.

                                        


    
Cor. in Mi♭ 1

                        
              
 
Cor. in Mi♭ 2

     
                           

Cor. in Mi♭ 3

                                 
 

                                                  
Flic. in Mi♭



                             
Tr. in Si♭ 1

              
          

Tr. in Si♭ 2

                                 


    
Flic. s.

                       
      

Flic. s. 2

                                    
   

                                        
Trb. t. 1


                                 
Trb. t. 2

        
     

         
Trb. 1

           
         

 
       
    

Trb. 2

                           
            

                               
Euf.

 
        
  
    
Euf.

           
   
                        
   
Ba. Tb. Mi♭

        
                              
    
Cb. Tb. Si♭

         
                 
                  
     
Cb. Tb. in Si♭

                  
                  
    
CP

                             


51
7


            
            
Ott.



   
Ob.

         
 
            
Cl. in Mi♭

 
            
Cl. in Si♭ 1

 
               
Cl. in Si♭ 2

     
                    
    
Cl. b. in Si♭

         

         
   
Sax. s.

 
                               
          
Sax. a.

  
            
              
Sax. t.

                   
     
              
Sax. bar.

   
                  
     
     
                             
Sax. b.

            
           
                      
Cor. in Mi♭ 1

   

          
 





         

    
Cor. in Mi♭ 2

        
                                  
 
                           
Cor. in Mi♭ 3

                 
   
                               
          
Flic. in Mi♭

  
               
Tr. in Si♭ 1

                
         
                               
        
Tr. in Si♭ 2

  
 
               
Flic. s.

                
         
                               
Flic. s. 2

 
           
    
         
                      
     
Trb. t. 1

         
    
                                        
Trb. t. 2

            
                         
Trb. 1

               
           
                  
           
Trb. 2

       
     
                                      
  
Euf.

   
   
          
Euf.

          
      
             
        
Ba. Tb. Mi♭

           
    
 
                
 
            
Cb. Tb. Si♭

   
                  
   

Cb. Tb. in Si♭

 
                  
                      
   
CP

                           


     

Tamb
61         
8
        
 
     
           
Ott.


 
  
Ob.

                

 

Cl. in Mi♭

          
           
divisi

 

Cl. in Si♭ 1

               
      
 
divisi

 
        
Cl. in Si♭ 2

 
                                          

                        
Cl. b. in Si♭

                      
  
Sax. s.

                               
         
   
    
                             
      
Sax. a.

    
 
      
Sax. t.

 
                                      
        
                                  
Sax. bar.

   
 
Sax. b.

                                         
                   
                                         
Cor. in Mi♭ 1

   
                    
Cor. in Mi♭ 2

                                         
          
Cor. in Mi♭ 3

 
         
Flic. in Mi♭

 
         
Tr. in Si♭ 1

 
             
Tr. in Si♭ 2

    
 ( facoltativo)

Flic. s.

              
  
 ( facoltativo)   
                       
Flic. s. 2

     
         
     
Trb. t. 1

                                    
                   
                 
Trb. t. 2

                                         
 
                  
                 
Trb. 1

                  
                
                     
Trb. 2

   

              
                      
Euf.

      

           
Euf.

              
                    
 
                                   
Ba. Tb. Mi♭

              
       

                             
Cb. Tb. Si♭

        
      
          
Cb. Tb. in Si♭

 
CP                    
                                         
Tamb
                    
71           
9
             
     
       
      
Ott.

             
   
  
      
Ob.

         
             

Cl. in Mi♭

              
                 
8va alta

 
ad libitum

 
Cl. in Si♭ 1

              
     
           

           
                                  
Cl. in Si♭ 2

      

                     
      
Cl. b. in Si♭

                 
    
         
Sax. s.

             
               
                
                  
Sax. a.

          
 
Sax. t.

                
               
    
         
Sax. bar.

                      
             
  
Sax. b.

     
                                 
                   
     
          
           
        
  
Cor. in Mi♭ 1

        
 
     
                        
Cor. in Mi♭ 2

   
                
 
     
Cor. in Mi♭ 3

              
 
    
             
Flic. in Mi♭

  

Tr. in Si♭ 1

                  
   
      
                   
Tr. in Si♭ 2

    

Flic. s.

              
               

                           
Flic. s. 2

   
  

         
Trb. t. 1

                              
              
             
Trb. t. 2

                                       
  
 
                               
Trb. 1

            
                
           
Trb. 2

   
           
   
                      
           
Euf.

        

Euf.

              
             
         

 
    
         
Ba. Tb. Mi♭

      
                  
        
   
       
Cb. Tb. Si♭

   
                   
  
            
           
Cb. Tb. in Si♭

                            
       

CP

                                        
                   
Tamb
81  
     
10
                  
     
 
 

Ott.

               
               
  
Ob.

                         
Cl. in Mi♭
      
         
                    
come scritto

  
   
Cl. in Si♭ 1

           
    
            
               
Cl. in Si♭ 2

                               
          
Cl. b. in Si♭

          
    
     
 
              
                  
Sax. s.

    
 
          
Sax. a.

      
                   
                        
Sax. t.

 
              
 

 
  
                         
Sax. bar.

                    
 
Sax. b.

                                        
                   
               
                 
Cor. in Mi♭ 1

                  
                                 
Cor. in Mi♭ 2

                 
 
    
Cor. in Mi♭ 3

            

             

         
Flic. in Mi♭

                  
    
 
                
Tr. in Si♭ 1

                
              
Tr. in Si♭ 2

               
  
 
             
Flic. s.

        
         
                     
Flic. s. 2

    
         
Trb. t. 1

                  
            
            
      
            
      
Trb. t. 2

                           
            
     
                                
Trb. 1

         
                
            
Trb. 2

      
 
            
                     
Euf.

   
                       
Euf.

  
                        
              
Ba. Tb. Mi♭

     
                 
   
    
  
         
           
              
Cb. Tb. Si♭

          
                      

Cb. Tb. in Si♭

                                        
                                       
                   
CP

                                        
Tamb
                    
       
            
11
         
          
91 1. 2.



Ott.


  
               
    

             

    
Ob.

                        
      
   
 
   
Cl. in Mi♭

             
   
   

    
  
    

 
Cl. in Si♭ 1

                  
 
 
                
      
                    
Cl. in Si♭ 2

                    
 
Cl. b. in Si♭

         
    
          
 
   

   
Sax. s.

              
          
 

Sax. a.

          
               
  

        
Sax. t.

     

    
                   
  
Sax. bar.

        
                                
 
 
Sax. b.

                
                               
  

      
Cor. in Mi♭ 1

       
                                  
 
Cor. in Mi♭ 2

            
       
                            
Cor. in Mi♭ 3


                                        
  

                               
  
Flic. in Mi♭

 
       
  
                             
Tr. in Si♭ 1


   
       

                               
  
Tr. in Si♭ 2

 
       
  
                             
Flic. s.


   
       

                           
Flic. s. 2

                 
  
 
                           
Trb. t. 1

                  
       
                                  
Trb. t. 2

                
 
Trb. 1

              
                                   
 
    
Trb. 2

                                 
       
 
       
                           
Euf.

                  
 
                 
Euf.

   
                      
 
Ba. Tb. Mi♭

                    
                        
  
Cb. Tb. Si♭

        
100                         
12

    


       
             
Ott.

      
 
                
Ob.


             
   
       
              
Cl. in Mi♭

       
       
           
Cl. in Si♭ 1

        
   
Cl. in Si♭ 2

    
                   
     
             
Cl. b. in Si♭

    

             
      
Sax. s.

        
    
            
Sax. a.

     
     
Sax. t.

    
                   
   
Sax. bar.

    
                    
        
Sax. b.

             
                   
       
     
Cor. in Mi♭ 1

         
                  
    
Cor. in Mi♭ 2

           
                     
              
Cor. in Mi♭ 3

           
        
                   
               
Flic. in Mi♭

     

                 
        
Tr. in Si♭ 1

        
               
               
Tr. in Si♭ 2

       
                 
        
Flic. s.

        
 
                            
Flic. s. 2

        
                                
Trb. t. 1

     
                             
Trb. t. 2

      
 
        
Trb. 1

       
                  
                          
    
Trb. 2

      
                              
Euf.

       
 

Euf.

         
                  
    
Ba. Tb. Mi♭

     
                  
   
Cb. Tb. Si♭

     
   
   
            


Cb. Tb. in Si♭

                 
               
  
CP

                     


Tamb
 
Ottavino ARABESCA
Marcia caratteristica

          
FRANCESCO EMANUELE VARANESE

 = 112       
                               
       

 
                                          

       
13

                      


      
24 1. 2.


                                         
    
36

                   
       
             
58

 
   
                           
    
      
1.

  
81

                          
                  
            
2.


94


Oboe ARABESCA
Marcia caratteristica

 
FRANCESCO EMANUELE VARANESE

      

                                    
    
     
 = 112
   

                         

                  
   
13

                               


24
1. 2.


  
                                     
   
37


        
                                        
    
70


              
       
  
      
                     
85 1. 2.


              



    
     
       
99
Clarinetto in Mi♭ ARABESCA
Marcia caratteristica

   
FRANCESCO EMANUELE VARANESE

                 
                           
         
 = 112
       

                           
    
              
13

 
                      
     
24
1. 2.


                                                 
   
36

                     
                          
 
69

   
   
 
   1.         
                       
      
  
2.

  
84

 
                        
              
  
98


Clarinetto in Si♭ 1 ARABESCA
Marcia caratteristica

 
                                          
FRANCESCO EMANUELE VARANESE

       
 = 112
 
 
       
  
                                        
                  
Divisi

      
12


                                                     
           
1. 2.

 
23


                                         
                                           
  
36

divisi
                            
 
                          
 
8va alta

 
58
ad libitum

 
 
 
   1. 
                                         
   
2.


come scritto

  
81


                                    
             
95


Clarinetto in Si♭ 2 ARABESCA
Marcia caratteristica

   
FRANCESCO EMANUELE VARANESE

           
                               
 = 112
    
 
 
                              
              
13

 
  
              
divisi

                   


24
1. 2. se possibile


      divisi
                         
                         
 
37

 
  
                             
                         
70


       
    1. 
    
                       
             
84 2.


                        
      
        
98
Clarinetto Basso in Si♭ ARABESCA
Marcia caratteristica FRANCESCO EMANUELE VARANESE

                        
                           
 = 112
               
   
                                
                        
15

         
                                                  
1. 2.

           
28

       
             
                                   



 
42

               
      
                                           
57

   
                  
         

                
                       
68


            
              
                      
81

    
  2.        
  
                                                        
93 1.

 
Sax Soprano ARABESCA
Marcia caratteristica

       
FRANCESCO EMANUELE VARANESE

                       

 
      

 = 112
      
            
                           
      

14

                   
         
24 1. 2.


      
             

36

                                          
            
58


    
                                        
          
72

   
  
   
     
                    
        
1. 2.

  
84


          
           
     
     
98
Sax Contralto ARABESCA
Marcia caratteristica
 = 112    
                              
FRANCESCO EMANUELE VARANESE

          
  
suona la 2a volta

 
             2.     
               
18

  
1.



                                                     
33

      
                             
       
      
46


     
                               
                
70


                      
         
     
    
1.


82

 
                      
     
                
94 2.

 
Sax Tenore e Flicorno Tenore ARABESCA
Marcia caratteristica


FRANCESCO EMANUELE VARANESE

                                       
 = 112
      
suona la 2a volta

 
              
          
                     
18

  
1. 2.

                 
   
               

     
   
       
   
  
33


                                                   
  
47

              
                                        
57


               
                                       

70


                1. 
     
                         
82

        
         
               
        
94 2.


Sax Baritono ARABESCA
Marcia caratteristica FRANCESCO EMANUELE VARANESE

 = 112                       
         
     
 
  
        
         


                           1.   
                     
                
15

  
                            

   
  
              

       
    
2.

  
29


                       
                               
   
 
44

     
          
                                                 
59

           
          
                                    
72

             
    
                                             
  
     
85

  
1. 2.

     
 
  
                    
 
98

          
Sax Basso ARABESCA
Marcia caratteristica

 
FRANCESCO EMANUELE VARANESE

 = 112          
                                                  
        

                                1.     2. 
                       
16

   
              
                                                  
   
30

             
           
                                   
45



                     
       
                                        
59

                      
                                     
72


               1.   2.   
    
           
                  
               
85

 
    
                

    
    
99
Corno in Mi♭ 1 ARABESCA
Marcia caratteristica FRANCESCO EMANUELE VARANESE

        
   

                           
 = 112
           
   

                                                
14

 2.     
 
                              
                               
  
26
1.


                                               
 
39


                                              
 
     
 
51

       
              
 
                         
62


                                                   
75

                
                     1.     2.  
                       
            
88

           
                                     
99


Corno in Mi♭ 2 ARABESCA
Marcia caratteristica FRANCESCO EMANUELE VARANESE

 = 112  
                                                  
      
 
              
15

  
  
                          
                              
28 1. 2.

   
         
                                
           
  
      
  
  
       

 

42

  
                                                
      
                        
55


                                       
                         
68


                                                 1.    
                           
81


            
                                                   
94 2.

   
   
106


Corno in Mi♭ 3 ARABESCA
Marcia caratteristica FRANCESCO EMANUELE VARANESE

      
 = 112
          
     
                    
       



            
15

 
    
                                           
28 1. 2.

 

                  
                                              
54

 

                                   
                       
66

                                    
                        
78


             1.     2.  
          
90

                            
   
                   
                      
100
Flicornino in Mi♭ ARABESCA
Marcia caratteristica

  
FRANCESCO EMANUELE VARANESE

              
  

    

   

  
        
 = 112
                

                               
     
13
1. 2.

                                 
             
     
51

 
                                            
77

 

                                              
    
90 1. 2.

                         
          
 
100

 
Tromba in Si♭ 1 ARABESCA
Marcia caratteristica

 
FRANCESCO EMANUELE VARANESE

                        

      
    
 = 112
 
   
             
 
28 1. 2.

(facoltativo)
                                                        

41


                                     
       
 
52


   
  
                                    
    
79

                                          

      
1. 2.


92


               
       
   
102
Tromba in Si♭ 2 ARABESCA
Marcia caratteristica

 
FRANCESCO EMANUELE VARANESE

            
                          
 = 112
         
1. 2.


               

30

(facoltativo)
                    
                                     
                      
45


         
                                    
    
57


                           

                 
   
86 1. 2.

                        
                  
 
99


Flicorno soprano 1 ARABESCA
Marcia caratteristica

 
                                                
FRANCESCO EMANUELE VARANESE


 = 112
  

                                     
     
13
1. 2.

                                    
             
 
52

 ( facoltativo)
 
                                         

  

72



 
   1.                       
           
    
2.

 
87


                                
    
       
99
Flicorno soprano 2 ARABESCA
Marcia caratteristica


FRANCESCO EMANUELE VARANESE

              
                            
         
 = 112
 


        
                   
     
13
1. 2.


                          
   
                       

52

 ( facoltativo)
 
                                        
 
72


                       

               
        
86 1. 2.

                            
                  
 
98


Trombone Tenore 1 ARABESCA
Marcia caratteristica

  


                                 
 = 112
FRANCESCO EMANUELE VARANESE

   
   
                        
                           

14

                                                 
             
1. 2.

 
27

                                             
      
   
   

42

  

                    
    
             
                            
53


  
                                       
              
67


           
            
                 
        
   

        
83
1. 2.

 

                                               
                
     
97
Trombone Tenore 2 ARABESCA
Marcia caratteristica
FRANCESCO EMANUELE VARANESE

                                       
 = 112
 
    
 
                                                 

13

                                                  
       
   
25
1. 2.

 
        
                                       
38

   
                                                    
           
50

     
                                                       
                   
61

     
              
      
       1.   2.         
74


                                                    
              
87


 
                                             
      
 
98
Trombone Tenore 1 ARABESCA
Marcia caratteristica
FRANCESCO EMANUELE VARANESE

                   
                         
 = 112
   
    
 
 
                                                 
 
14

            
                                                   
1. 2.

                          
28


                                                      
     
  
43


                   

             
                        
56


                      
                  
                         
69

    
                    1.   2.     

                                             
   
83

 
                                                     
    
96
Trombone Tenore 2 ARABESCA
Marcia caratteristica
FRANCESCO EMANUELE VARANESE

 = 112                 
                             
     
  
                                 
14
1.

              
                                          
     
2.

                          
29

                 
                                     
                        
44

  
                                                  
                              
57


                        
                          
70


                       
                                                      
83
1. 2.

 
          
                                                     
96


Flicorno Baritono ARABESCA


                                          
Marcia caratteristica
 = 112

FRANCESCO EMANUELE VARANESE

      
suona la
2a volta

 
            1.
  
                    
  
14 2.


                         
                          

   
  
     
30

                                                   
    
45


          
                            
            
          
56

            
                         
                  
 
70

   
             
    
         
                
 
1. 2.


83

 
                                                     
      
     

96
Flicorno Baritono ARABESCA
Marcia caratteristica


    
FRANCESCO EMANUELE VARANESE

 = 112              
                                         
    
suona la

  
2a volta

 
          
                               
     
15


1. 2.

     
    
 

 
   
   
                             
              
31

                                                         
  
46


                                   
          
        
57


            
                                     
        
70


                             1. 
   
2.
 
     

           
83

 
                                                       
             
96
Flicorno Basso Grave in Fa-Mi♭ ARABESCA
Marcia caratteristica
FRANCESCO EMANUELE VARANESE

                        
 
 = 112

                             
      
     
                        
                  
15


                           
                    
            
28
1. 2.


       
                     

                                   
44


   

   
                                               
 
                       
58


                      

                        
70


                                     1.      2.  
                    
83


             
    
                               
95

 

Flicorno Contrabbasso in Si♭ ARABESCA
Marcia caratteristica
FRANCESCO EMANUELE VARANESE

                  

 = 112

                             
 
                                 
                         
15

        
        
28

     
1. 2.

 
  
 
   
 
 
 
 
 
 
   
  

    

                        
 
                                   
44

     

 
                                              
  
                       
58


           
                                              
70

         
                      1.      2.  
             
83

       
     

             
   
                                
95


 

Flicorno Contrabbasso in Si♭ ARABESCA
Marcia caratteristica
FRANCESCO EMANUELE VARANESE

          
                                              
 = 112
        

                                
                        
15

       
     
          
                   
1. 2.

        
28

                      
      
         
             
                         
45

 
                                                
               
58


                     
                                        
71


                               1.      2.    
                          
84

 
     
                                     
97
Cassa e Piatti ARABESCA
Marcia caratteristica

 = 112     
FRANCESCO EMANUELE VARANESE

      
                        
    
  
              
            

     
            1.   2.     
                   
16

                          
   
                                  
                                 
32

       
                            
                                     
50

              
                             
                    
           
68

           
                     1.  2. 
                                                   
                        
83

                        
     
     
 
 
 
 
 
 
 
 
 
            
           
96

     
Tamburo ARABESCA
Marcia caratteristica
FRANCESCO EMANUELE VARANESE

                                                  
 = 112
  
bacchette


                                                     
12

                                             


        
25
1. 2. tamburo

                                 


       
37


                                                       
   
49

                     
                         
60

              
            1.   2.            
73

                                                      
              
87


                     

99

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