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Sad Lott 2 cera pontoon tte latin Gr 7 F Media Resch othe Unive of Rostock, Sk ceomded he Fn Fes Film Festivals NEC tir amchinane vise fly stole geen comme ndmeée ‘History, Theory, Method, Practice Ini She hs woved whe Hanbun incon Gc ln Fs Sale 2002 Edited by Marijke de Valck, Brendan Kredell and Skadi Loist Rieaeces, 208 L Csuh 4 heed rhe word ‘con’ pened nd ster ay inh day nner ese ton ah fan ul a eh pee ace '5 Thee gota det fom wton cs» cd erro sel with me, Fetes he we ppcaiesmn ep ‘np paphicundeer com warflm preproduction ara ee Ie ed wth maby ed References Se neh eae omen Fe ne rte Heche, AR. 2003 (1983) he Neel a Coe Hh at 4) G21) Cb hs 0 Fea Noa Ye: Pron Further reading Boom: P 205) Pgs: Cain Fr Chee, Fesil Ai, a Sl New Yor Walfloner (A season of i arcing nt eat ‘Svea fia) CaEh'L Gato Yelm Festa, Pogrming sth Boing of + Non ‘ine The aie bn Hea thn sein fe we a et ee tiga hee ncn) pater: Amer Useiy P(A pwn ad lei af Exon ln ar sd the feral ca) ‘Ginn. J 201) Bend eS men Ree Pi Wahine Ren, rence ih fo ron Fea peg te jopenmang heron prrce 12 The “festival film” Film festival funds as cultural intermediaries Tamara L. Fatcow {na dukes movie theater the Thai ln Lie Boe Ihe Ct Real ie Po Lies (Apcinpong Weert, 2010} end Bete the howe lig ses ide on. he fil aconador res nth seas tough te ce and view what fas become an all2oo-Gmir sigh in the tea of bode worl cine: lip fogs ling sou fim finds macy spon sored by European tn ft, ace doting the screen: fom wii se Finan ceed suppor vo develop. producer post poe tre fee In thi rica cae” hey see fd "brnde” whi we might doses “eadoncments of quali” sth the Hubert Bal Fond (teats Fil exit Retedam). Weel Ciacma Fund (Bern Intemational Fam Fee ‘al pls she Fach Film tne (CRC) Fond Sud (wow elle de wer ‘ines dn aud or World Canons Suppo) which ecognized. Wee Seth's potent © make a andi fl And 20, win oe 2 the ine Asi since 17 wo win the Pde oP Ov aed the Cane ly ei "Mullen hve become iavlusle samp ef approval for the die exo fl corto nd for he Fnding hod hen who mg sd Fans projet thes now dt te maker 3 por gran recipi of one of many fonds asst with in fesak, These fm fund re ‘rious finctons: one tht 3t the mow ba level they provide cca ene o fading for decir om energy eles the ok ave stem Gnd ther dios. elon pate lavessore: Ling these fans a the end of tee ly ihn ak serves» "eke pin seen ‘sition vents and dstuon channeswacined within ad esd of these tne fm final Fils fanded by these festa abo have the Pencil oe a exc “icone fox Emopen sn! ar fa rogram ‘Stinger 2001: 6-138) who thn can “chim them pet tnd thee tequst ae ee drctorpremiee thie pty funded lo Ae Snaleong An posto film fase increaing stn ee intense” BOUL: 11-112) i hepng to shape the Li in: hee think wil hw promise spd demote» picu or. te ‘combina of the t80, The Bbmaker eigen do ne sens comps ‘vith the equst to pein ther 3 he “Rnding™ eal a oe WW 1 bal ‘ter he ims ae no imately sled, but becoming a race lp hem {in ace tthe nner track ofthe fal ec Tht chopter wil emi te phesorenon of ln fats nds which see om spon inittives of aus iteration fl sal pincpaly ‘troughout Europe, some inthe United Sse and some Et Ata nd the Mile ae, sbned ating fixmaker fom she "Clb South” oF the “developing word The tem Gla South, scoring ocala theorist Sion Grovogs inpics “x symbole desigsion of fonn cloil ents Sneed ir psliiel projec ot decolonzaton toward te reazaon ett oweelnial intentional ere" (Grovopat 2010) and pes that thee oust ae emerging economies tha at ll wrerding with the kacks of ‘onan "Tar ey will hate what dhe lm fads ref, and some of the deine easing shout whee they ep hinder pstouional Seep ‘ent ers in various undewerved pas ofthe poe. Ate er ofthis d= {sion the od prod eh Kindo i peal sete or ac “evelopment exhbion dibution suppor so be surored by. and lk ‘noe eid (nd come eer uted by) i eta ‘Since the 19% there eben 3 prolfertion of ln fecal nacs Ba ‘ep make film eva oprodoce and lima sl fie the evel ‘of preproduction (osring intatives for newer ecto, reknc, and ‘eminas,end production and pos-qeoduton inte (fm fim. co- ‘rodton mater, and pos prodconcompesony). ive ti there 3 Peepondersnce of thre progam tha Fs cure ll ets these Sites more gener wth the major ofthe ess being exacted ‘fom the Lain American region, given his audhors are ofespete, By crchesoting fend eompeston for Clea South makers sac 3 ‘he Werld ines Fund a Bes, the Huber Bat Ford sc Reterdam, ot the Aan Ginama Fund at Buse. or ting progrine ach «the Camee Residence Pope. the Berle Tales (named 214 from Bednle Tale Camp} othe Pro Sud workshop b the Faldo 3 Comte nen Nantes Francs, ti changing the See of im eit by adding the need eataldng wo late che fl fal oc mace fo (ree Scion, icadng serge development and neering ht abo depening ‘estan! codbortion. Gancal exiang, and del making fr wns ‘ol i production il evar, more than eve sting 3 baker ‘between sonetiona! producers been tented seta prod nd rete Global South dretor-poducen. and berwech rex ited Ai ‘hoo rector sod fis Ral easton trouhoue Eup sd ther far Stine wel This eave recent phenomenon demonstrates the munya 8 whch Sin eval now faneon apr fom spy exibing ine. They ae no" ror sie ple io developing nv projec behing» Hand a= ‘nfm pees helping fr! them, anche lungs lv pre ineres 0d hop ont ac real nd nancial ein, tn ce, ms tf finds 208 ofthese high profile i fivalsmanage to create mil nin to bp shepherd promising Fs by Global South flakes tong diene pines ofthe flnmaking cle fom the inal sept wens deesopeee races. trough the prodecton phe site the pose prcton sf ‘isusbaion phase. Hype, one could imagine ay funded io pe diced olds within the confines of one or more lm eer hoa thos tthe finding amaunt rr each kane il quite ow) Wel bs ‘ith itor overew of thaw fanée nd thn every deere ‘des somounding tem, Historical overview of film festival funds tagcat lm x ch Canes, Vee Toa, Sans nd cn fen hae lm mates rnd essere kc Ras, inn wor cong ate aos fame ae leon nd pore, bel cl canes ad apn te tou enc and hel Ounne2ubs Oon Shi come ron Hone oy hv a se nnn tering fim Tho ga se po separa eee ne tol King an wk ve bce ay ed Fis Eve cn the he soe 19 ‘Wists nth etl coors ear pd of acs co ies wiho se fg oer Sck aur Tein in aot Sea tring co-production: conmonpe alin one tee esa tg ‘home fr mmr round hie {oh te econ a he ek ‘ats ete Une Ses In: Han Kon nd oe coi was ‘slr fim suns eer veer, Deed ae Bas tnd Ene Yh he sed Hin ech “he mone Beatie tion lpg ano cn eae oe ee imersionl ei ef anton ims podecton ieee po Sood xn (Dr an Veh Sus frond seas Sind coprodacion hte become dian tos nhc oa eae stn ng ay rng mote a Poston che itn oll ony Bes inh Ti ‘Marge de Vids wth onthe hoy ote fy Rh shows tht ther f fl ot on neni ovat Sa ‘sl pee when fh jrodce sam te Seedopng ea Mle So Wh the am fang th he roca as te sien the udenerdprs ofce .shsfs er fort hve adhe wna the ae Works ree A ea “ih tmnt ln fang oe ‘Sect irn Hlwl cea o macs ct si ‘eae pie sce rf ros and ree el a ti wont aspects nape ae wees ae ake ‘based potential, " “ 212 TL Faw “Ths, ove 3 fr fl ete to sii cei rand sw ep fand 2 pce Sd of eval fl tha ite profile o thee eel Ths fig bodies Beco curl rere” hat el spe the Aisin ook of the fel "This er, which comes out of rola ltr, aug st impor vole oneal lye, which hi ose tie fils fn amino mediate the selecson proces in sabjecie ‘tye David Heong presto use re crm “teat manager” which Ie dfies bn or menor bate the teresa ore snd oes ties feg the Word Cinema Fund andthe of ereive pesanne. who ‘vill amt io acer acces s/o il ter repustion br producing oF {Gna moraine ano acomplited works (Hemondhalh 213-78). Eich fond suppor dire pect ofthe production proces (expt developmen, proacion, pest pofaction), and sn some ci leer Smpote eran win mie ne rm vais (andi some cae the ‘Ss finds or deren sage ofthe prodacton esl (or example, scp ‘Erclopment gant nm Sindince * residency grant from Cannes se Sarounks 2010 Gx moe on thi topic), 2 production rane roms Huber Bal (be Seine 2006; Fico 2010; sd Re 2011, fr mere on thst) 2d Teles Fn Inte Latin Ares Meda Ans Fd gat. See Table {D1 at the end ofthe chpar detaing 4 skeson of abe fs fil finde and heir claret) TFehe oesve of he lm oil and maage ie ane the son of ew works by bl South males et ight sre tind ‘cinema tht woud be “3 good fora (pial. Europeu) fn sia, then we mat merge wht Kind of “est beng produced wih the hep ofthe fal Yo, Ae Thoma Elaeucr buen the “etal Fin ao sg ls "ne o tear” pnd to order” to soc a0 {et ha sre could even “iter” and “are” cera fm fal or Ral ie seeder thle work (Eber 200558. But fw nig we apprnsate the definition of 2 "el fn” and what ae the pets aod avs by hich fil fond ae “eur nerd SHIT Wet ae deen fr Hl” lJ thoy vary by ln i Tal Gnding mechanen? Filly. ow are these fesil fim prodored ‘irr n Eorope. hey mgt Bein the ned Secor debe? Definitions of the “festival film” Cites Joy, omer poet of the Canes fk fv pf descr the suposed eins fie "eal lin 2013 nempopr comin eg ing eh los ho a l,l cae a the won ft move thence” He pins ou the the fal Fs over news defined 5 Fle masked by eacon” nome cae, and nternlnton of expresins” tn] the, site, he “lf fem] fe by the wayside and ‘we retumed ro making the bet fs posible Gach 213). Thi nomeme pPeve dow noun mach cate the og ofthe tr, bot pst tothe et ila jie fants 245 spepiesttumesarees diferent constituencies, For example, lm eric Jonathan Rexeutoun ee reso har wees iodo ocak are Smtr hein, boo tas ae a ou a denise pene oduct” The te Soe " esc by ‘Qn he ane a he em il ln ton and sing 2 ms hi fi eshined ar exivak On the ees Band eke oe ee sin to iden er osumed vo be prced feat. Enact a ‘eh ofthe age reveah much about the production of abort ier seis of exe onan itor! nd an imental eae ‘Seger 2008 148 ‘Atmenvond prev his hae wil chap wil focus on Sein ater dion of feta ns, Mae de Val ny ters fea and oa te: raf meaning th el "Yaa lm” thee ln mesa ooh

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