Musiknoten Johanna Lindner & Sohn Thiringer Str. 53 34128 Kassel Telefon: 0561 / 639 66 kundenservice@lindner-music.de www.lindner-music.de BA Alfred Reed FULL SCORE EL CAMINO REAL cooar3e9 A Latin Fantasy vussian0 INSTRUMENTATION 1 Fl Seore 3 Piccolo (3rd Fat) Bin Puce 3 ane Flute 1 Is Oboe 1 Sn Oboe 1 Engish Hom 2 Clarins, Tee Gainct 4 dnd Bp Clann, 4 rd Be Garnet 2 Boao Charme 3 Bo Bass Clarinet i Be Conirabas Cacinet 1 Ise Basoon | 2x Bassoon 1 Gontraastoon (opt) 2 Ist Alto Ssxophone 3 2ng E> Alto Stuophone 2 Bb Tenor Sexophone 1 > Bastone Sekophone 1 at Hom in F 1 dod Hor in F 1 Sea Horn sn 14S Hom in F 3 lst Be Trumpet 5 Ins Trumpet 3 nd Bo Trompet 1 1s. By Cornet 1 2a Bo Comes 2 Ist Trombone 2 ine Trombone 3 ya Trombone 2 Baritone Treble Clef 2 Bantone Bas Cll 6 Bases (Tuba) 1 Suing Bass 1 Tizmpant 2 Persson L ‘Snare Drum, Bass Drum 1 Pereasion IT Pair of Cymbals, Suspended Cymbal, Tangle Per Bel, Avlophone, Vbraphons, Marimba 1 Harp (opt) Guitar or Piano Program Note EL CAMINO REAL (literally “The Royal Road” or “The King's Highway”) wascomimissioned by. ands ded cated tothe SBlst ic Force Band (AFRES) and it Com tuande# Lt. Col. Ray E. Toler, Composed during theater Ia of 1984 and completed in ealy'BS, it bear the sub. tiles" Latin Fantasy “The musi s bate oma series of chord progressions common to countless generations of Spanish flamenco (God other guitars, whose fiery syle and bilan pay {ng have captivated mains of musi lovers throughout the world. These progression andthe resulting key rel tionships have bosoms prataly synonymous with what ve el tobe the true Spanish som, Together with the ok melodies they have underscored in pat derived by & pro: cedure Known 10 musicians asthe *meoticing of harmo. nyo" they Rave ereted a vast body of what most people ‘would consider suthentie Spanien music “The frst section ofthe musics based upon the dance form known a the Jota, he second, contrasting see tions derived from the Fandango but here altered consid grin bone an mo fon etl fm. Oval the musie follows a traditional three-part pattern: fast-slow-fast. pene “The st public performance of EL CAMINO REAL took place on Apri sth, 1983, in Sarsor, Florida, wth the S6Ist Ai Fore Band under the direction of Lt, Col. Ray E Toler ARI i Th Hit tH "| eT il ql AN a ECE 1 it RT UN A TTA Be HY ATT fal iaaHi | I t : I ie il i i Hi | |A ee | In | WM i fl \ ‘ll iT 1} ; a TAY a te— / emee WEat ee DEE MN) I “ bh | . ri) We aR | | WHAT ed We IW HA “| LLM |! li \ "| 7 Wil AE i j Ma | | : | i Hil | h i (| cI RI RES TO im tH) ti iva iN) el 11) ae rT iF Nai Ei et eee os ]