Lascia Ch'io Pianga

for Flute, Cello, and Piano

G. F. Händel (1685 - 1759)

        
   
  
 = 60
Flute

           
La scia ch'io



Cello

            
              


          

                   
                              
3
Piano

      

          
               

  
10


Fl.

            
3

 
pian ga mia cru da sor te, e che so spi ri la li ber ta, e che so spi ri

  


 
  
Vc.

                         
     
                
   
                     

Pno.

 

 
                          
  
19


Fl.

   
       
  
   
e che so spi ri la li ber ta; la scia ch'io pian ga mia cru da sor te,


 
   
Vc.


                           
  

                     

   
              
       
Pno.

      
           
          
 
 
27

   
  
Fl.

                
3

  


  
e che so spi ri la li ber ta.

    


   
Vc.

               

               
3





     
  
                  
  
Pno.

 

          
           
    
36


       
Fl.

         


 
Il duol in fran ge ques te re tor te de' miei mar

  
    



Vc.


              
 

          

     


       


   
   
   
            
     
Pno.

 

    
                 
     
   
44


Fl.

         
 
 
ta.

   
ti ri sol per, pie ta, si, de' miei mar ti ri sol, per, pie

    



Vc.

 
                    
            


           


                 
     
Pno.

   

2
   
        
                               
 
51


Fl.

           

    
3 


3


3


   
Vc.

                    

 
        


      

   

            
   
Pno.



                                
       
58

Fl.

 
           
3


3 3

  


3

Vc.



                      
 

      

        
         
Pno.

    

                          

    
65


Fl.

  
        
3 3

    


3

   
Vc.

                
                   
 

   
   
              
 

Pno.

 

3
  
           
 
71

 
Fl.

   
3 3


 
Vc.

    
    
  
 
Pno.

