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  • Recuerdos de La Alhambra by Francisco Tarrega

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    nafiel.hl
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    This document is a musical score for the guitar piece "Recuerdos de la Alhambra" by Francisco Tarrega. It contains musical notation for both the cello and classical guitar parts. The piece is in Andante tempo and alternates between the cello and guitar, with the guitar playing arpeggiated chords and the cello playing melodic lines. It is a romantic instrumental work that was inspired by Tarrega's memories of the Alhambra palace in Granada, Spain.

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    Original Title

    Recuerdos de La Alhambra by Francisco Tarrega (1)

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    This document is a musical score for the guitar piece "Recuerdos de la Alhambra" by Francisco Tarrega. It contains musical notation for both the cello and classical guitar parts. The piece is in Andante tempo and alternates between the cello and guitar, with the guitar playing arpeggiated chords and the cello playing melodic lines. It is a romantic instrumental work that was inspired by Tarrega's memories of the Alhambra palace in Granada, Spain.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    4 views3 pages

    Recuerdos de La Alhambra by Francisco Tarrega

    Uploaded by

    nafiel.hl
    This document is a musical score for the guitar piece "Recuerdos de la Alhambra" by Francisco Tarrega. It contains musical notation for both the cello and classical guitar parts. The piece is in Andante tempo and alternates between the cello and guitar, with the guitar playing arpeggiated chords and the cello playing melodic lines. It is a romantic instrumental work that was inspired by Tarrega's memories of the Alhambra palace in Granada, Spain.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 3

    Recuerdos de la Alhambra

    Francisco Tarrega

       
        
    trascr. Francesco Cipriani



    Andante

                   
    Violoncello

                   

        
    Chitarra classica

              
     
    6

                             
    Vc.

    
                   
      
    Chit. cl.

           
       
    12


                                
    Vc.

          
     
    
    Chit. cl.

                 
    17

         
    Vc.

       

                                
       
    Chit. cl.


    22
           

      
    Vc.

                          
    

                 
    Chit. cl.

    F.Cipriani
      
             

    27

                     
    Vc.

              

          
       
    Chit. cl.

                
      
      


    32
    1.

           
    Vc.

          
                           
        
     
    Chit. cl.

    2.

               

    

    37 D.C. al Coda
    Vc.

                   
          
                
         
    Chit. cl.

           
    43


    Vc.

             
                                 
           
    Chit. cl.

    48
             
    Vc.

                    
      
         
                 
    Chit. cl.

    2 F.Cipriani
           
    53

    Vc.

                   
                         
    

      
          

    
    Chit. cl.

    F.Cipriani 3

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