PRINCIPIA APOCRYPHA

Lost Principles of Old School Gaming

Modern Principles and Advice for running

Tabletop RPGs in the Old School Style from
Ben Milton & Steven Lumpkin
curated, presented, & expounded upon by David Perry
with miscellany from Bryce Lynch & Chris McDowall
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PRINCIPIA APOCRYPHA
Lost Principles of Old School Gaming
 Version 0.9ish
September 17, 2017
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Attribution Key
✦: Ben Milton
Maze Rats - drivethrurpg.com/product/197158

☆: Steven Lumpkin
Agendas for Old School Gaming - roll1d100.blogspot.com

✻: David Perry
The humble additions of a fan of both Old School and New School gaming

NOTE: Some principles have their title changed, and some editing,
trimming, and recombination has been done to the original source text to
better fit context. The symbol indicates the source of the majority of the
text in the paragraph preceding it.

Cover artist unknown

Fonts used: IM Fell English SC, Averia Serif Libre
This work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike 4.0 International License

Introduction
World of Dungeons was the first
widely-available RPG system that
attempted to emulate an OSR-style game in
the Apocalypse Engine. However, I felt like
the lack of GM Agenda and Principles
tailored to this style was an unfortunate
omission. I imagine new gamers looking at
World of Dungeons and being quite lost,
and even (especially?) if they are familiar
with Dungeon World, they may be quite
thrown off track by the lack of context.
Likewise, many OSR rules-light systems
(such as The Black Hack) lack advice for
how to run the game as a GM, and most of
those that do (such as Whitehack) provide
very basic practical advice, rather than the
codified stylistic and procedural framework
that I find so useful from the Agendas and
Principles of Apocalypse Engine games
(Maze Rats being a welcome exception).
So, I decided to compile and piece together
some of these principles. They are
primarily pulled from two sources that are
excellent in their own right: Maze Rats by
Ben Milton (PWYW on DriveThruRPG), and
some posts and vlogs on Steven Lumpkin’s
blog, roll1d100.blogspot.com. These sources
are attributed using the symbols noted in
the frontmatter. I’ve taken some liberties to
edit them for context, trimming, rewording,
and combining some, to produce a more
cohesive whole, as well as adding a few
pieces myself.
If you’re familiar with Apocalypse Engine
games and are interested in playing The
Original or another Old School game, not
all the principles may be applicable, but
they should help distinguish how they play
differently from Apocalypse Engine games.
If you’re familiar with Old School gameplay
and want to bring that mindset to an
Apocalypse Engine or OSR rules-light
system, these principles may help you
identify where your ingrained GM habits
might clash with the system, and get a
handle on how a set of principles can aid in
running these games, especially if your
players are new to Old School play.
If you like the Old School play paradigm
and want to instantiate it within an
Apocalypse Engine or rules-light system, or
want to run pre-written Old School
adventure modules with these systems, this
should make a perfect Agenda.
It should go without saying, of course, that
the principles may not all apply equally to
your game or a certain adventure,
depending on its style, tone, scope, etc.
In the Addenda is a list of games that
support Old School style play, which you
might consider running with these
principles, and other sources of inspiration
and advice. I would personally recommend
against simply switching out Dungeon
World’s principles with these as it may
clash with the intentions of DW’s design. If
you wish to run a PbtA game with them, I
recommend instead using Freebooters on
the Frontier or World of Dungeons.
 to which these Principles are addressed;

Old School many Old School games use Judge or

Referee. I decided that none of them have
quite the right connotations or truly align

Principles with all the Principles. So, I will default to

the most commonly used term, GM.

for GMs
Note: I’ve gone back and forth on what
term to use for the person running a game,

Honor the dice Challenge them

Divest yourself of their fate Offer tough choices
Build responsive situations Build challenges with
answers...
Ponder the next chapter
...And challenges without
Embrace chaos...
Subvert their expectations
...But uphold logic

Make them think Instill fear, deal death

Player ingenuity over Deadly but avoidable combat
character ability
Keep up the pressure
Cleverness rewarded, not Telegraph deadliness
thwarted
Let the dice kill them
Oblige fictional positioning
Ask them how they do it
Let them manipulate the
world
Make tools unique
Don’t mind the fourth wall
Fill their senses
Reveal the world
Layer environments
Bring the world to life
See your world as real
Make your details matter

Honor the dice
Divest yourself of their fate
You are not an antagonist to the players or
characters. Honestly portray the world and
its denizens as they would react to the
characters’ behaviour. Don't intend to
orchestrate the characters’ actions.✻
Be fair and impartial. Do not fudge rolls, do
not roll in secret. This keeps the game
honest and dangerous, and prevents any
accusations of favoritism or railroading. It
also encourages the players to manipulate
and engage with the fictional world, rather
than with the GM.✦
Build responsive situations
Don’t detail a plot to be played out; rather,
establish situations with multiple actors
pursuing their own ends. Let the players’
actions affect this environment, and have
those changes affect the players. Let the
situations worsen if the players don’t
address them.✻
During open sandbox play, create a number
of nearby situations that contain a reason
to get involved, some problems to
overcome, and optionally a threat that will
worsen the PC’s lives if not dealt with.✦
One way to create interesting situations is
to draw a grid that maps the relationships
between the elements of a situation and
how they relate and interact, or how the
party might intervene.✦
Ponder the next chapter
Don’t prepare a plot for the players to
follow. During the game, observe how the
players deal with a situation, and
extrapolate the effects of their actions
based on what you know. Don’t plan the
results ahead of time; players rarely do
what you expect them to.✦
Don’t overdo the preparation! Keep your
situation ideas loose enough that they can
be adapted to the PC’s choices and the flow
of the game. Remember that unused prep
can always be recycled in later sessions.
After each session, ask the players what
they plan on doing next and prep a few
situations related to that. The direction of
the game should be guided by the player’s
decisions, not the GM’s.✦
Embrace chaos...
Listen to that capricious muse, the dice.
Relying exclusively on your own
imagination can be exhausting and
predictable, and can feel less like an
objective world to the players. And external
inspiration and random results help you
divest yourself of their fate.✻
Use random tables to keep the game fresh.
The surprising twists that random tables
add can bring an energy and mystery to the
game that is hard to improvise.✦
Collect random tables. NPCs, names, items,
plot hooks, complications, relationships,
locations, etc. Some great sources of tables:
Maze Rats, Perilous Wilds, Dungeon
Alphabet, Dungeon Dozen, and Abulafia, a
wiki where you can automate your own, at
www.random-generator.com ✻
...But uphold logic
If there is an obvious reason for a particular
wandering monster to be here, that's why
they're here; don't bother rolling a random
activity or reaction. This can help maintain
verisimilitude and let players make
reasonable plans. It also emphasizes the
surprise and intrigue of the instances of
randomness when you do use them.✻

Make them think
Player ingenuity over
character ability
Old School PCs are very minimalistic
because the character sheet is mostly there
for when players make a mistake. Players
are not meant to solve problems with die
rolls, but with their own ingenuity.
Therefore, present them with problems
that:
● Can be solved with common sense
● Have no simple solution
● Have many difficult solutions ✦
For example: Cross a moat full of
crocodiles. A door in the bottom of a
dungeon will only open if sunlight shines
on it. Retrieve a key from the bottom of a
lake of acid.✦
Cleverness rewarded, not
thwarted
Clever solutions to a problem should
usually work, as long as they are within the
realm of possibility. Be generous. If the
action is unlikely or dangerous, call for a
save or ability check, but only forbid a
creative solution if it is clearly
impossible.✦
If players tend not to think this way,
present them with situations that are
nearly impossible to tackle head on, and
strongly reward even slightly creative
solutions. One of your goals as a GM is to
encourage this mentality. Feel free to tell
your players that cleverness will get them
farther than brute force.✦
Oblige fictional positioning
Give them the benefit of the doubt when
they’ve worked to give themselves the
upper hand in the fiction. Don’t shy away
from translating this into mechanical
advantage.✻
Ask them how they do it
Assume characters have common sense, but
don’t assume their specific actions.
Encourage or require the players to
interrogate the fiction of the environment
“manually” rather than eliding it via a roll
or assumed character skill. But if they give
up, let them roll for a chance at a hint.✻
Let them manipulate the
world
The focus of the game should be on creative
problem solving, not brute force, so give
players the tools to make that appealing.
When you give players tools, you give them
new ways to engage with the world. ✦
For example: rival factions to manipulate,
potions with weirdly specific effects, items
that can be combined or repurposed,
dungeons with shortcuts and back
passages. Add elements that allow the
players to bend the world to their will.✦
Make tools unique
A good tool doesn’t increase PCs’ damage or
add an ability bonus; it does an odd, very
specific thing that is only powerful when
used cleverly. This turns every problem into
a puzzle and encourages creative
solutions.✦
Examples: A rope that becomes as rigid as
steel on command. A coin that lands on any
result you wish when flipped. A bell that
produces a 1-foot sphere of silence around
it. A ring that instantly grows you a
different beard for each finger you put it
on.✦
Don’t mind the fourth wall
Don’t worry too much about meta-gaming,
or what the characters should know or
realistically deduce about a situation. Favor
player ingenuity over character
embodiment.✻
Challenge them
Offer tough choices
Make the players weigh risk versus reward.
The deeper players go into the wilderness
or dungeon, the more perilous things
should become. Whether because their
resources are running low (food, health,
equipment, light, etc.) or because danger
builds the longer they linger, keep the
players asking if it is worth pushing their
luck just a little bit farther. The greatest
treasures are always the hardest to reach.✦
Risk and reward are also at the heart of
combat. The PCs’ low health is meant to
push combat quickly toward the point
where players ask themselves, “Should I
retreat to fight another day, or do I risk it
all to finish them now?” The thrill of that
choices is at the heart of combat.✦
Look for situations where all obvious
choices come with a heavy cost. These
situations encourage unorthodox solutions
and lateral thinking.✦
Build challenges with
multiple answers...
Avoid singular chokepoints to progress.
Give them obvious and
equally-but-differently difficult
alternatives. You can also keep an extra
option in your pocket that they have to dig
for. Maybe it’s obscure, but preferable.
Maybe it’s just as difficult, but more
beneficial.✻
characters have a core capability to get past
the challenge, or maybe you've just placed
the solution somewhere else for them to
find. Use these to encourage players to dig
into the fiction, and explore. If a challenge
is critical for the continuation of the
adventure, consider placing a few solutions.
Three is a good number. "Okay, a key, a
potion of Eat Metal... and if they befriend
the Bisected Serpent, it can bore a hole
through the stone."☆
...And challenges with no
answer
"The deeps are stalked by a living
maelstrom of ravenous psychic energy. If
the players want to get the Golden Falcon
they'll have to get past it, but I have no idea
how they'll manage that." These are critical
for old school gaming. These exist to force
players to be creative in ways that surprise
everyone at the table. Be cautious with
placing these as challenges critical for the
continuation of the adventure (unless you
intend for players to retreat and come back
later), but sprinkling them around can
surprise everyone at your table.☆
Subvert their expectations
It’s inevitable that players will have
knowledge about common fantasy elements
from pop culture and other games. Inject
common monsters, locations, and situations
with your own unique twists for them to be
surprised by. This encourages players to
explore these differences and solve new
problems that they don’t know the solution
to already.✻

"There's a magically locked iron gate the

players have to get past... how could they? I
guess one of the NPCs has a key... and
there's a potion of Eat Metal hidden in
room 12C." When you build your
adventures, seed them with challenges that
you know the answer to. Maybe the player
 likes their death to be random chance.
Instill fear, deal When a PC dies, it should be their fault.✦
death Let the dice kill them
Remember, we're not antagonists to the
Deadly but avoidable combat players, but their survival is on them.☆

Combat in Old School RPGs is neither
balanced nor fair, and PCs should
encounter foes far more powerful and
numerous than they are. Players should
learn to treat combat like real-world
warfare and use ingenuity, preparation and
underhanded tactics to rig the results in
their favor. Encourage the players to
outsmart and out-plan their enemies if they
want to survive.✦
Megadungeons especially are not about
endless combat encounters or “clearing the
dungeon”. Dungeons constrain and focus
possibilities, so that (while difficult to
choose between and difficult to face), they
are easy for both the players and the GM to
identify, reason about, and plan around.
This ensures that clever solutions can be
discovered and rewarded.✻
If the dice say that someone is dead, they’re
dead. Protecting the PCs from death results
in games that lack tension and players who
only solve problems with brute force. When
a PC dies, tell its player to roll up a new
character and have them re-enter the scene
as soon as plausible.✦
Absolute and unambiguous character death
is essential for both the risks and rewards
of play to have weight. Character creation is
simple and quick in these games for a
reason, not to mention they may have
hirelings or retainers to inhabit if they die.
And don’t worry about players not feeling
attached to their characters; they will once
they gain something to lose.✻

Keep up the pressure

Whether it’s through random encounter
rolls when time passes, or because the
dungeon is filling with sand, or because a
PC will die in 10 turns from poison, keep
the players desperate and on a clock.
Maintain a tension between the desire to
explore and loot, and the terror of
remaining too long.✦

Do be sure to let them breathe; back in

town, on long trips through the wilderness,
or if they seek and find (or build) safe
asylum. But always consider a chance for
trouble, be it 1-in-6 per hour, day, week, or
otherwise.

Telegraph deadliness
Give players the chance to think their way
around threats and obstacles by
telegraphing them ahead of time. No one

Be their senses
Reveal the world
Don’t hide important information from the
players. If the PC could reasonably know
something, tell the player and move on. The
game is about making decisions, and
players can’t make good decisions without
good information.✦
Layer Environments
What are the PCs aware of already? What
do they notice at their first glance? Which
of those "first glance" things hides
information revealed on closer inspection?
How would players get that information?
What's obvious, what's subtle, what's
hidden, and what's invisible? Create layers
of information for the players to peel back
and explore.☆
Some pre-written adventure modules
handily indicate the obvious stuff in a
location most clearly, so you don’t need to
parse these layers yourself. If that’s not the
case, take care not to blurt out the secrets
in a list of the contents of a room.✻
Bring the world to life
Old School RPGs shine with improvisation
and extrapolation, not rigid plots. During
the game and in between sessions, think
about how the other characters and factions
would respond to what the PCs are doing,
and develop them accordingly. Your
guiding principle should be “What are the
logical consequences?”✦
Treat NPCs like real people. Think about
what NPCs want, especially in combat.
NPCs want to stay alive, and will rarely
start fights that they don’t have a high
chance of winning. Only fanatical NPCs will
fight to the death; most will try to retreat or
surrender if they are losing. Also,
remember that enemies and allies can be
made to switch sides if given the right
motivation.✦
Give the players a stake in the world. As the
game goes on, players may accumulate a lot
of money from completing jobs and looting
treasures. Encourage them to use this
money to buy property, hire retainers, or
found factions. This can open up new ways
for the players to interact with the world
and affect its history.✦
See your world as real
This place you've created, or are reading
about–it's a real place. It exists! You could
go there, if you had the technology! You
don't, though, so it's up to you to
communicate it to others. What do you see,
when you're there? Hear, smell, taste, feel,
sense? What do you know about that's
hidden, and what subtle signs are there?
The players will be probing your vision of
this place for useful information. Put your
mind into that world, explore, and bring
back what's valuable. Likewise, apply a
real-world logic to populations and
challenges, rather than building a carefully
balanced sequence of fights. If an encounter
is too tough to fight, it's up to the players to
deal with some other way.☆
Make your details matter
When you're seeing your world as real and
building layered environments, also
remember to keep details of your world
gameable. Players should be able to act on
the information you're telling them: "Her
eyes are a shifting mottled green" helps
players remember the NPC, sure–but "...and
you notice she never stands more than one
long step away from the table and its
contents" gives them information they can
act on. "The pillars are ornately carved
marble... the furthest one is crossed with a
latticework of cracks." Your details should
allow players to make informed decisions
and take effective action. You can hide
these details within your layered
environments for players to discover, but
remember to make them matter.☆

Old School Principles
for Players
Your sheet has no answers
Rules and mechanics are only triggered by
the fiction. To do something, describe your
character doing it; if you need to roll
anything, the GM will let you know. When
presented with a problem, instead of
“using” skills or abilities on it, look to the
environment and investigate the situation
by asking the GM questions.✻
Heroism is proven
Unlike many modern RPGs, your character
doesn’t start a hero. Your meager means
and abilities at first (or zeroth) level
encourage lateral thinking to get you out of
trouble. And rising to a challenge means
something when lives are on the line. ✻
Live your backstory
Don’t put too much work into establishing a
backstory for your characters. Their
experiences at level 1 (or 0) will feel much
more real. Their likely early death won’t
sting quite as much, and the survivors truly
have tales to tell, and levels to cherish. ✻
Dig into the fiction
Discard your assumptions about D&D, and
be curious about the game world. Pay
attention to details- about characters, the
environment, social situations, and more.
Take notes on them! Make maps of them!
Those details can save your life. When you
write your notes, write questions for
yourself too- What do they eat? Do they
have any social rituals? What's that smell?
Why is there a breeze in this room? Is there
an empty space where a room should be?
Information is leverage, my crafty friend.☆
Engage the fantasy as real
If you were in a room with a heavy vase in
one corner, and you wanted to know what
was behind it, what would you do? Probably
drag it to the side, right? Looking for an air
current? Lick a finger and hold it up.
Judging the slope of a floor? Spill a little
water on the ground. Engage the fiction of
the game world as real. Describe the real
actions you take to achieve the effect you're
looking for. Remember, other games may
have dice rolls to do this for you- many old
school games don't, so engage!☆
Dead ends are opportunities
That dead-end hallway may hide a secret
door, or maybe there's another passage to
investigate. The gargantuan monstrosity in
the courtyard? Maybe you can get around
it, or negotiate. A recalcitrant noble? Maybe
someone knows how to get some leverage.
Couldn't pick that iron door? Maybe one of
those unidentified potions will help. Old
School games have lots of hard blockers.
When your first attempt fails, change
tactics- the dead end is just the beginning
of your solution. Often, digging into the
fiction and engaging the world as real will
open up new and unexpected avenues.☆
Let your creativity flow
Your class and/or race can do some unique
things the other folks can't. Learn to
recognize when it's your turn to shine, and
when it's someone else's. When it's your
turn, really go for it. Outside of the game
mechanics of your character, what are your
unique inspirations and ideas? Do you see a
clever use for a magic item? Do you want to
try negotiating with the ferocious monster?
Do you see a weakness in the defenses the
others don't immediately recognize? Could
you combine a few of these opportunities in
a unique way? Open up your brain, and let
in the weird and the creative. The world is
so bizarre... it just might work.☆
Combat is war, not sport
Don’t expect encounters to be “balanced”.
Approach combat with as much trepidation
and preparation you would in real life. Nor
are encounters self-contained. Think
outside the box, outside the encounter area,
outside the dungeon.✻

Know when to run

Old school adventures often present
encounters that, to a modern gaming eye,
look like fights- only, if you fight them,
you'll just die. Learn to dig into the fiction
to see the relative power of what you're
facing, and don't be afraid to cut your
losses. A party that drags away one dead
body is a party on their way to a Cleric,
instead of on their way through a monster's
digestive system.☆

Play to win, delight in loss

Everyone wants to succeed, and certainly
everyone wants to play with friends they
feel are aiming to succeed- but that may not
always happen. Your characters may get
turned into frog-people, lose limbs, be
stricken by leprosy, turned into stone,
cursed to burp up slugs, entombed in the
earth for 10,000 years, or just die from
being stabbed in the gut by a farmer with a
pitchfork. Learn to love the disgusting,
horrifying, shocking, surprising, and even
disappointing ways your characters are set
back.☆
 Miscellaneous
Addenda
A Procedure for Play
Chris McDowall - Into the Odd
When you're Refereeing Into the Odd and
the players do something, look at the list
below. Work from top to bottom, and when
you find a solution to what you're trying to
resolve, don't go any further down.
1. Can you make this into a Dilemma? If
so, do it. Give a clear choice between
two desirable outcomes. The players
pick one or try to come up with a way
to get both, usually by expending a
resource or taking a risk.
2. Does it make sense for it to just
happen? If so, go right to the
Consequences. Make their action
matter in the world and push things
forwards. Give them information
about the new situation they find
themselves in. If the consequences
can ripple out to effect the world, all
the better.
3. Is it still uncertain? If so, call for a
Save. Saves always carry a risk, so
explain what's at stake before the
players commit to their action.
4. I guess it was impossible; give the
players more Information to help
them come up with reasonable action.
If in doubt, give the players more
information and ask them frankly
what they're actually trying to
achieve with their actions. Don't be a
distant referee, get down in the mud
with them and discuss the situation.
30 Principles of
Adventure Design
Bryce Lynch, summary by Jon Miller
I. General Tips: The 5 C’s
1. Color: The referee should give brief but
evocative descriptions of locations,
monsters, NPCs, and treasures. Avoid the
vague or generic.
2. Context: In order for their actions to be
significant and purposeful, players must
generally have some information about the
likely consequences of their actions, such as
likely reactions of monsters or NPCs.
3. Choices: There should be more than one
course of action available to players in
order for the adventure to continue. Avoid
choke points—both literal choke points in
the physical layouts of dungeons and other
locations, and figurative choke points
which require a unique decision or solution
in order for the adventure to proceed.
4. Consequences: Player actions should be
allowed to make a real difference in the
adventure and in the campaign. Avoid a set
storyline or sequence of events immune to
player interference.
5. Creativity: Related to (3) and (4), reward
player creativity by allowing them to
pursue unanticipated courses of action or
to produce unanticipated consequences,
rather than restricting player action and
player creativity by setting up arbitrary
constraints in the location layout or course
of events.
II. Hooks
6. Don’t rely on a single hook; use multiple
kinds (treasure; reward; magic; glory;
political power).
7. Create a rumor table with hooks and
color.
8. Hooks should appeal to the players (not
just their characters).
9. Hooks can and should be made complex /
nuanced; e.g., working for an evil NPC, or
working for rival factions.
10. To support sandbox play, particular
dungeon, town, and wilderness locations,
monsters, and NPCs should all have hooks.
III. Locations
11. Location descriptions should be terse
(not verbose) but evocative (not boring,
obvious, generic).
12. Only include background info that
affects gameplay. Avoid long descriptions of
irrelevant info.
13. Rooms should have features that players
can interact with to produce meaningful
consequences. Give concrete descriptions of
secret doors, traps, etc.
14. Floor plan tips:
a. Multiple routes (vs. choke points or
linear, one-way paths).
b. Multiple entrances / exits.
c. Multiple stairs per floor.
d. Open spaces with balconies,
galleries, and ledges at various
elevations.
e. Pools and rivers that connect
different rooms or levels.
f. Bridges and ladders.
IV. Monsters and NPCs
15. Create interesting, believable
motivations for monsters and NPCs.
16. Create factions of monsters and NPCs
(which lead to a dynamic, interconnected
strategic situation).
17. Give players the choice of allying,
attacking, or having other relationships
with monsters and NPCs.
18. Create schedules, routines, tactics, and
orders of battle for monsters and NPCs.
19. Wandering monsters too should be
given motives, goals, hooks, and tactics.
20. Avoid standard monsters. Failing that,
describe standard monsters in a a verbal description in the location key.
non-standard way (e.g., don’t just name
their species).
21. Give evocative descriptions of monsters.
Give concrete descriptions of their
appearance and activities. Go for the
telltale sensory detail, rather than the
generic abstract trait. Show, don’t tell.
Example: Instead of stating that “One of the
guards in the camp is a cruel bully,” say
that “The burly Manfred takes a leak on
poor Tobias’s bedroll, and then he snatches
Tobias’s roasted chicken dinner from his
hand and quickly gobbles it down.”
22. Use truly evil monsters to evoke a Sense
of Terror.
V. Treasure
23. Treasure should be valuable enough to
motivate players and to make the
challenges worthwhile.
24. Non-magical treasure should relate to
the setting and give clues or information
about monsters, NPCs, locations, etc.
25. Avoid standard magic items.
26. Give evocative descriptions of magic
items. Give concrete descriptions of their
appearance and how they must be
manipulated to produce their magical
effects.
27. Use magic items to evoke a Sense of
Wonder.
VI. Format and Functionality
28. Include the following kinds of
references:
a. Rumor / hook table.
b. Monster / NPC table which lists
their main traits, motivations,
location, etc.
c. Room / building table which lists
the rooms in a dungeon (or other
keyed locations).
29. In published modules, put maps and
monster stats on separate sheets (so they
are easy to refer to in play).
30. On maps, use keyed symbols to indicate
standard features (e.g., lit / unlit, locked /
unlocked, secret, trapped, etc.), rather than
Games Supporting Old More Free Old School
School Style Play Resources
The Original Fantasy A Quick Primer for Old
Adventure Game School Gaming
● Dungeons & Dragons, particularly the Matthew Finch
Basic & Expert sets, aka B/X, and other
lulu.com/content/3019374
early editions such as 0e/OD&D and
1e/AD&D A classic introduction to playing Old School
style RPGs for modern gamers.
Closely inspired by early D&D
● Basic Fantasy Role Playing Philotomy’s OD&D Musings
● Dungeon Crawl Classics
Jason Cone
● Labyrinth Lord
● Lamentations of the Flame Princess save.vs.totalpartykill.ca/grab-bag/philotomy
● Microlite81
Another classic collection of thoughts on
● OSRIC
Old School gaming. Half is specific to
● Swords & Wizardry
OD&D but the bits on dungeon design and
the mythic underworld are widely
Apocalypse Engine Games
applicable but often ignored in modern
inspired by early D&D games.
● Freebooters on the Frontier
● Funnel World Tomb of the Serpent Kings
● World of Dungeons
Skerples
OSR Rules-Light Systems coinsandscrolls.blogspot.ca/2017/07/osr-to
mb-of-serpent-kings-20.html
● The Black Hack
● Into the Odd Excellent introductory dungeon covering
● Macchiato Monsters many aspects of Old School play in action.
● Maze Rats
● Whitehack
● Searchers of the Unknown

By no means is this an exhaustive list!

A guide to editions of D&D:

web.fisher.cx/robert/rpg/dnd-id/

A huge list of games inspired by D&D:

taxidermicowlbear.weebly.com/dd-retroclo
nes.html