Reaction paper about the Korean movie Parasite

"Parasite" by Bong Joon-ho is a cinematic masterpiece that deftly blends genres and examines

social institutions. The film's unrelenting investigation of class inequality captivates viewers from the

very first to the very last frame. It is more than just a theme. "Parasite" excels at being both a sharp

societal critique and a gripping thriller at the same time. The story develops naturally, progressively

highlighting the sharp difference between the wealthy Park family and the impoverished Kim family. The

film deftly explores the limits of morality as the Kims use lies and manipulation to penetrate the Parks'

lives, placing audiences in a condition of persistent moral ambiguity.

The film's visual storytelling is one of its many achievements. Cinematographer Hong Kyung-pyo

and director Bong Joon-ho create a visually captivating environment that reflects the sharp contrast

between the two families. The story gains complexity through the use of spatial symbolism and

metaphorical imagery, creating a visually stimulating experience that begs for repeated viewings. The

ensemble cast gives outstanding performances, bringing realistic and complicated characters to life. In

particular, Song Kang-ho's portrayal of Kim Ki-taek, which alternates between desperation and cunning

to capture the spirit of a parent required by circumstances to make ethically questionable decisions,

anchors the movie.

The film "Parasite" highlights the unsettling realities of societal hierarchy. It exposes the structural

problems that support inequality and compels viewers to face the unpleasant reality experienced by

individuals on the periphery of society. In summary, "Parasite" breaks out from the limitations of a

traditional movie and becomes a worldwide cultural phenomenon. The film masterpiece by Bong Joon-ho

is more than just a story that limited to the screen; it is a mirror reflecting the underlying problems in our

own world and making a lasting impression on the audience's mind long after the credits have gone.