Violins I

“Lezginka” from Gayane

Chamber Orchestra
Aram Kachaturian
Adap. 2023

 
   3          
          
arco

       
 = 90
pizz

    
A

  

3 3 3

        3                            

6

                           

3 3 3 3 3 3 3
3 3 3

          
9


3

3 3 3 3 3 3 3 3 3 3
3

                     
              
12 pizz

     
B

   
3 3 3



3
                   3  
  
arco

                
18


C

   3 3 3 3 3 3


                          
          
23

3 3 3 3 3 3 3 3 3
3 3


        3                            

26


3 3 3 3 3 3 3
3 3 3

A.Kachaturian Adap. 15112023

2 “Lezginka” from Gayane
Violins I


              
D

  
                     
3 3

32 
 3   
        
3 3 3 3 3 3

    
3 3 3 3

                    
   
3 3 3 3 3 3 3 3
3 3 3


 
 3                    

 
to Coda

 
3 

                  3 3 3 
35


3

   
E

 3 3


3 3 3 3 3

39 
                     
            
F

  

           

                          
3 3 3 3 3 3 3
3 3 3 3

       
42


G

46 

           
3 3 3

  

3 3

                       
3 3 3 3 3 3 3 3 3 3

        
      
                            
3 3 3 3 3 3
3 3 3 3 3 3 3 3 3

          
50

 
H

                    

3 3 3 3 3
3 3 3 3 3 3 3 3

                        
54


  3
3 3 3 3 3 3

     
  
                     
60 3

 
I J

 crescendo 
 “Lezginka” from Gayane 3
Violins I


  3
                   

                  
66 3

   

K


3 3 3 3 3 3 3 3
3 3


                          
            
      
70


3 3 3 3 3
3 3 3 3 3 3 3 3 3 3


                                      

      
74

 
3 3 3 3 3 3
3 3 3 3 3 3 3 3 3

D.C. al Coda 

        


                                
78

 
L

3 3
3
3
3
3
3 3 3 3 3 

82
                          



85
                          



      

                     3   3     
    
88


3 3 M

 

3 3 3
3

 
    
        
92

  


Violins II
“Lezginka” from Gayane
Chamber Orchestra
Aram Kachaturian
Adap. 2023

                     
     
 = 90
pizz

         
A

           
 
                     
    
7

   
          
     

 3              

B

  
                     
arco
3 3


   

         
     
3 3 3 3 3

     
3 3 3 3

            
16
3

3 3

 
3 3 3 3 3 3 3 3 3

 
 3  C 3 
     

 

arco

                                  

19
3 3

   

                          
3 3 3 3 3
3 3 3 3 3

         
23

        3                            
3 3 3 3 3 3 3 3 3
3 3


26


3 3 3 3 3 3 3
3 3


3

                 

D

                     
3 3

3 3 3 3 3 3 3 3 3 3

A.Kachaturian Adap. 15112023

2 “Lezginka” from Gayane
Violins II

         

 3  
 
    
   
                  
32

 
  to Coda 3  3  3                    
3 3

 
3 3 3 3 3 3 3 3 3

                    3 3 3 
35

   
E

 3 3


3 3 3 3 3

                     
            
  
39
F

                          

            
3 3 3 3 3 3 3

 
3 3 3 3

    
42


G


                                      
3 3 3


3 3 3 3 3 3 3 3 3 3 3 3

     
46

 
                          
   H        
3 3 3 3 3 3


3 3 3 3 3 3 3 3 3

  
50

 

                        

  
3 3 3 3 3
55 3 3 3 3 3 3 3 3

    
I


               
3 3 3 3 3 3

            
     
62

 
J

 3
3 3 3

                K                   
crescendo 3

            
67


 3
3 3 3 3 3 3

  
3

 
3 3 3 3 3

                                           
71

 
                 
                       
3 3 3 3 3

 
3 3 3 3 3 3 3 3 3 3

  
75


3 3 3 3 3 3 3
3 3 3 3 3 3 3 3
 “Lezginka” from Gayane 3
Violins II

D.C. al Coda 

                     


      

       
79

   
L


3 3
3 3 3 3 3

   
                                
83

   
                   3      3  3    3 
          
87

 3 3
3
3

 3                         

M

  
                              
  

3 3 3 3 3 3 3


  

94




Violas
“Lezginka” from Gayane
Chamber Orchestra
Aram Kachaturian
Adap. 2023

3  3  3  3 
 = 90

        
           
                                       
3 3 3 3 3 3 3 3 3 3 3 3


    
       
A B

3  3    
             
          
17 3 3 3 3 3 3 3 3

                             
C

          
3 3


       
                                        
23 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

                                       
 3
  
   
                      
           
27 D

 
3 3 3 3

          
3 3 3 3

                  
 3  3  3  3  3 3  3
    
to Coda

                 
32

            
               

3 
                        
E

 
                       
F


               
         
3

      
3 3 3 3

            
43

   3  
G

3 3 3 3

A.Kachaturian Adap. 15112023

2 “Lezginka” from Gayane
Violas

                      
                       
 
48

 3      
H

 
3 3 3 3

         3 3
                
       
54

    

3 
            3                          
3  3 3  3

I

                                      
 
J

   
   

3 3 3 3 3 3 3 3

           3       
   
                            
66

 
K


                
         
3 3 3 3

               
72

 3 3 3 3
   3

3 3 3 3
                  
D.C. al Coda

                          
77

  
    
L


3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3

                                          
82

              
3               
M     
   
   
   

                                  
  
87

 


3 3 3 3 3 3 3

   


 
   
92

 

Violoncellos
“Lezginka” from Gayane
Chamber Orchestra
Aram Kachaturian
Adap. 2023

        
 = 90

           

                                       
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3


      
       
A B

   3  
       
 
16

      
                
3 3 3 3 C



 3   3
       
 
23

           

                          
3 3 3

 

    3     3  3    3
     
D

          
                     
       

  
    3 E      F  
  
to Coda

        
35

  
  
  
  
  


       
                       
42 G

       
          
         
50

            
H

A.Kachaturian Adap. 15112023

2 “Lezginka” from Gayane
Violoncellos

     I   
                    

59

     
J

3 3  

    K
   
          
67

         
  
D.C. al Coda 

           
75

       
L

                
84

             
M

       

  
       
92

    
