Prelude #1

Well Tempered Klavier II

Bb Clarinet I J.S. Bach
Arr. Marten King

  
                          
    

4

                 
       
 

   
7


 
            

 

                       
 
10

           
   

     
    
          
         
  
13

 

                   
                 
16


               
19

     
 
 
                       
         
22

 


                             
      
25

         


        
28
                   




    
 
                   
31

 

poco a poco rit. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

-2-
 Prelude #1
Well Tempered Klavier II
Bb Clarinet II J .S. Bach


Arr. Marten King


2

      
        


      
6

      
   
          

                  
9

       
 


            
               
13

       
 
 

                                      
16

    


                       
19

         
 

          
22

                               
  
                                         
26

 
 


                                
30

             
 
poco a poco rit. - - - - - - - - - - - - - - - - - - - - - - - - - -

-2-
 Prelude #1
Well Tempered Klavier II
Eb Alto Clarinet J.S. Bach


Arr. Marten King


         
   
           
 

                  
8

         
          
  

 
                                        
13

      
 
 
            
17

             
                  

 
               
21

               
     
 

  
                                    
27

   



     
30


                            
 
poco a poco rit. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
 Prelude #1
Well Tempered Klavier II
Bb Bass Clarinet J.S. Bach


Arr. Marten King

 
*

                 
 
       

    
6

                      
   
                         
 

                      
11


     
             



17

 
                                
     
 

       
22

   
 
             
              


                 
28

          
            
          

poco a poco rit.---------------------------------------------------

* For the performer without a low C extension, certain notes have been raised an octave.
 Prelude #1
Well Tempered Klavier II
Bb Bass Clarinet J.S. Bach


Arr. Marten King

  
          
*

          
 

        
                
6

  
              
   

     

                     
11

  
 

              
                     
16

      
 


      
                
21

  

 
                               
25

  



                
30

      
 
poco a poco rit. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
* For the performer without a low C extension, certain notes have been raised an octave.


-2-
 Prelude #1 from
Well Tempered Klavier II
J.S. Bach
Arr. Marten King

  
                          
   
Bb Cl. I

 

   

   
Bb Cl. II



  
  
Eb Alto Cl.


    
       
  
Bb Bass Cl.


4

            
      
 
4


          


     
4

 
         

  
4

                 
 
 
7




  
              



       
7

     
            

  
   
7

    
   
     
  
 
     
7


           


                   
   
10

        
   

              
10

   
       

 
10

          
        

  
              
10

   

-2-
     
                  
        
13

 
 

                         
      
13

   
 

          
13

         
                
 
          
              
13


 
 
                              
16




                             
  
16

      

    
16

        
           
     

             
         
16

  

-3-
 
                
19

   
 

                 
19

       
  
 

     
19

                 
        
  

   
      
19

      
 
 


                                
22

 

                  
22

  

 
 

      
22

      
  


       
   
22

        


-4-
                 
                
 
      
25

 

                      

25

    

 
                  
25

  


             
25



        
                   
28




                          
28

   

  
                       
28

      
        

                         
28

       


-5-
    
 
 
                      
31

 
 poco a poco rit. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -


31

                     
              


poco a poco rit. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

 
31

                   
   
   
 
        
poco a poco rit. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
31

   

poco a poco rit. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

-6-