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  • Vorrei Le Pelle Nere

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    Emanuele Noschese
    9 views2 pages
    The document appears to be sheet music containing musical notation. It includes musical notes, rhythmic indications, dynamics, and other musical markings across 28 lines of staff. The title "Vorrei la pelle nera" and composer/arranger information are included at the top, but no other text is present to provide context about the piece.

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    vorrei le pelle nere

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    The document appears to be sheet music containing musical notation. It includes musical notes, rhythmic indications, dynamics, and other musical markings across 28 lines of staff. The title "Vorrei la pelle nera" and composer/arranger information are included at the top, but no other text is present to provide context about the piece.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    9 views2 pages

    Vorrei Le Pelle Nere

    Uploaded by

    Emanuele Noschese
    The document appears to be sheet music containing musical notation. It includes musical notes, rhythmic indications, dynamics, and other musical markings across 28 lines of staff. The title "Vorrei la pelle nera" and composer/arranger information are included at the top, but no other text is present to provide context about the piece.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 2

    Vorrei la pelle nera

    Sottotitolo
    Compositore / arrangiatore

                                   
     = 130
                                     

                   
                                    
    5

        


                               
    9

     
                        FILL                
                   
    Ascolta ritmica fiati

     
    14

     
       
                                
    19

                                   
                        
    24

                           
                  
    28


        FILL                        
               
             
     
    32


                                        FILL
                              
    36

      
        
                             
    Ascolta ritmica fiati
    41
                   
    2

                             
       

    46

                         
                     
      
     
    50


                        FILL        
         
           
    54

                                           
                   
    58

      
                FILL                        
                            
    Ascolta ritmica fiati
    63


      
                                   
    68

                            
                 
    73

                                   
                    

    77

                                   
                
    81

                                   
                                    
    85


                                FILL 
           
    89

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