Modern American drama ranges in style from hyper-realistic to experimental, exploring themes like the deterioration of the modern family and post-9/11 Islamophobia. Works such as August: Osage County examine the breakdown of family, while Disgraced looks at Islamophobia and the American-Muslim experience. Drama remains an important part of American literature used to investigate identity and social issues in how Americans relate to one another.
Modern American drama ranges in style from hyper-realistic to experimental, exploring themes like the deterioration of the modern family and post-9/11 Islamophobia. Works such as August: Osage County examine the breakdown of family, while Disgraced looks at Islamophobia and the American-Muslim experience. Drama remains an important part of American literature used to investigate identity and social issues in how Americans relate to one another.
Modern American drama ranges in style from hyper-realistic to experimental, exploring themes like the deterioration of the modern family and post-9/11 Islamophobia. Works such as August: Osage County examine the breakdown of family, while Disgraced looks at Islamophobia and the American-Muslim experience. Drama remains an important part of American literature used to investigate identity and social issues in how Americans relate to one another.
Drama continues to be an important part of modern American literature.
Modern American drama ranges in style from the hyper-realistic to the completely experimental and deals with a myriad of themes and ideas. Works such as Tracy Letts’ August: Osage County (2007), for example, delve into the deterioration of the modern American family, while Ayad Akhtar’s Disgraced (2012) explores post-9/11 Islamophobia and the American-Muslim experience.
Drama in the United States continues to be a place to explore identity, current
social issues, and how Americans interact with and relate to one another.