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Arnav Sharma - Rhetorical Analysis Wri 111
Arnav Sharma - Rhetorical Analysis Wri 111
Arnav Sharma
Professor Littlejohn
WRI 111
well-designed view into one of America’s most prestigious institutions. Employing rhetoric to
convey the school’s identity, the website appeals to a diverse audience of prospective students,
faculty, and the general public. It approaches viewers with a deeply personalized appeal, using its
multifaceted design to complement the values of those interested in the university. As such, the
website shapes its content around the viewers themselves; it shines an engaging light on the
school, given the multitude of priorities and beliefs it aligns with. Vanderbilt’s homepage is
successful in its appeal, as it uses Aristotelian patterns of rhetoric to highlight the school’s legacy
The site’s aim, in essence, is to persuade the general public of Vanderbilt’s notability and
high bar of education. Suggesting that the university offers a prestigious and well-tailored
pathway to knowledge, the homepage projects itself to an audience of the school’s prospective
community members. Undergraduate students constitute the bulk of this community, although
graduates and faculty are no less part of it. In the context of advertisement, the website thus
fosters a connection between its viewers, Vanderbilt’s appeal, and Vanderbilt itself. The website
addressesits viewers, moreover, by often using theword “you” and other personal pronouns in
describing a Vanderbilt education. Pairing “you” with actions such as “thrive,” “inspire,”
“nurture,” and “grow,” there is a significant emphasis on the benefits of Vanderbilt to the
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individual. The university is essentially “speculating about the reader’s expectations” in relation
to the college experience, writing in the second-person to emphasize how it fulfills them
(Roskelly 8).
towards learning, situated within a “competitive” academic environment. Stressing the collective
nature of Vanderbilt’s accomplishments, the frequent use of “we” and “us” informs the viewer of
the university’s priorities. The same is done with imagery on the homepage, given that most
photos are candid shots of students enjoying one another’s company. Depicting students sitting in
the grass, smiling and laughing, these pictures all denotetogetherness. In particular, one photo
shows three students with their arms around each other, posing for a camera while holding up
Vanderbilt’s hand sign. Just as the students have their hands on each other’s backs, it is clear that
the university intends to illustrate a similar message of support for its prospective community
members.
A playful blend of colors in the homepage’s banner creates an ethos, or perception of
credibility, for Vanderbilt itself. One of the first claims on the website is that of the university’s
“rich history,” seeing as the school is celebrating the 150th anniversary of its founding. As such,
the banner juxtaposes black-and-white and color photos next to each other to validate the nuance
of Vanderbilt’s history. Pictures of the university’s construction are placed adjacent to photos of
students conducting research with computers, and thus, the viewer can understand the school’s
well-established image and authority. Vanderbilt’s roots give credibility to itsstandards, seeing
as the institution has lasted the test of time and (in the eyes of the viewer) is likely to continue
doing so in the future. Further ethos arises from the accomplishments of the university’s alumni,
mentioned in bold headlines near the middle of the homepage. The names of two alums, Mark T.
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Esper and María Magdalena Campos-Pons, are brought up in regard to their prominence. For
Esper, the website highlights his title as the 27th U.S. Secretary of Defense; with Campos-Pons,
the site underscores her win of a 2023 MacArthur Fellowship. Vanderbilt uses the work of its
alumni to again emphasize the output of its education, accumulating ethos through the
achievements of those from the school itself. Viewers may begin to prioritize theresultsof
attending Vanderbilt, appreciating the school’s productive nature above most else. The ability to
shape promising futures fulfills any viewer’s appetite for success, enticing them to join
The homepage establishes logos, a separate appeal based on logic or reason, by including
facts and figures related to Vanderbilt’s prestige. In explicitly mentioning Vanderbilt’s top
rankings and statistical attributes, the webpage uses data-driven rhetoric to convince viewers of
the school’s distinction. Stating that Vanderbilt is the “nation’s #13 ranked university” and has an
subjective appeal (through language), empirical evidence provides a more straightforward route
to persuasion. The same idea is also applied to a description of Vanderbilt’s academic breadth,
emphasizing that the university “offers more than 70 undergraduate majors and a full range of
graduate and professional degrees across 10 schools and colleges.” Rather than simply stating to
the viewer that Vanderbilt has vast academic offerings, the website uses numerical details to
support its claim. The viewer is allured to the school’sesteem, in other words, by first learning of
Regarding pathos, moreover, the homepage uses a combination of linguistic and iconic
rhetoric to evoke an emotional response from the viewer. Mentioning a “beautiful, intimate
research, the page reflects the sentimental experiences associated with a Vanderbilt education.
is evident that the website focuses on the more “nurturing” aspects of the university’s culture.
The connotative side of the website’s imagery also contributes to this focus, with images
designed to reflect the ways in which Vanderbilt fosters growth and well-being. For instance,
there is a picture of a student smiling while adjusting his graduation cap. The image connotes, in
expression of joy with the crest on the student’s gown, the photo instills a belief in the viewer
that they could experience similar emotions if they were to complete a degree from Vanderbilt.
The same is done with the engaged expressions of students pictured in classrooms or between
stacks of books. Images of such expressions are meant to convey the enthusiasm of Vanderbilt’s
academic community towards learning, ideally aligning with a similar level of enthusiasm from
the viewer. The meanings of images, in any form, are designed with clear intent and purpose by
those incorporating the images into their work; in the case of Vanderbilt’s homepage, this intent
The website uses clear, easily understood messages in order to exemplify Vanderbilt’s
values. With no more than one sentence written in any given section, the webpage requires
minimal attention to detail to comprehend thoroughly. It is a simple process for the reader to
jump between ideas on the page, given that headers are no longer than a few words. More
extended details are consolidated into hyperlinks, such that descriptions of more specific events,
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news, and attributes do not cloud a general overview of the university. From a broader view, the
website’s openness and lack of clutter make it less complicated for the reader to understand its
content. Its well-structured design reflects the similarly well-structured nature of a Vanderbilt
Vanderbilt’s homepage, a well-crafted lens into the university itself, relies on viewers to
identify with the aims and values it puts forth. Banking on the viewer’s ability to envision
themselves in the shoes of current students, faculty, and alumni, the website incorporates an
illustrativefocus into its rhetoric. It exhibitsthe worth of a Vanderbilt education, with the
effectivenessof its message tied to theeffectivenessof attending the school. Painting a Vanderbilt
degree as a means to further oneself, the homepage acts as an effective terminal through which to
publicize the university. It portrays Vanderbilt under the spotlight of its renown, using
Works Cited
Barthes, Roland. "Rhetoric of the Image." Image, Music, Text. Ed. and trans. Stephen Heath.
Roskelly, Hephzibah, and David A. Jolliffe. Everyday Use: Rhetoric at Work in Reading and