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  • Deadly Omen Rhapsody of Fire

    Uploaded by

    Maria Carolina Rigoni
    5 views2 pages
    The document is a musical score titled "Deadly Omen". It consists of musical notation across 51 lines, including staffs with notes, rhythms, dynamics, and other musical markings. The score has a dark, ominous tone established through the use of minor keys, dissonant intervals, and dramatic swells in volume and intensity.

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    Deadly_Omen__Rhapsody_of_Fire

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    The document is a musical score titled "Deadly Omen". It consists of musical notation across 51 lines, including staffs with notes, rhythms, dynamics, and other musical markings. The score has a dark, ominous tone established through the use of minor keys, dissonant intervals, and dramatic swells in volume and intensity.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    5 views2 pages

    Deadly Omen Rhapsody of Fire

    Uploaded by

    Maria Carolina Rigoni
    The document is a musical score titled "Deadly Omen". It consists of musical notation across 51 lines, including staffs with notes, rhythms, dynamics, and other musical markings. The score has a dark, ominous tone established through the use of minor keys, dissonant intervals, and dramatic swells in volume and intensity.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 2

    Deadly Omen


     
         
    Rhapsody of Fire

        
     
    Andante

            
          
    3


                 

       
    7

         
                
      


                   

    13

             

       
               


             

    18

               
           
      
      

      


                     
      

    23

        
        



            
    2

       
    25

        
        
         
      
    3



                      

     
    32

     
      

    
          
      


                      

     
    38

              
             
         


            

     
    44

     
    

            
       
      
      

    


                
     

    49

      
       
         


        
        

    51

     
          
    
    


     

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