CONCERT BAND GRADE 5 BULGARIAN DANCES Franco Cesarini Witropa music© Copyright 2006 by Mitropa Music P.O. Box 60, CH-6332 Hagendorn, Switzerland 4286-06 M - Bulyarian Dances - Franco Cesarini Alright ess No pot fs pubcaon ray be ered sy for, by pi cps mb as thar mss wen union permision of he ihe. Ale wshion ween Nets er dese wigan mag worden eros ef nur ema dor id va dr, apc, of op whe ae we an cok kr wade nie seman an dt Ale Rae halen, Verlag slider Veen deer Anse, ch cancer Teel: Dac, Fis, Mii de fiche ging des essays eho Teas does nin pour tus pos, Aacine pe de ene i ne pe fe repress acne forme £ anime, owe, mf par ot ae moe sms Foertaie de Fe Ta és vat, Ness pre dé gusta slime pu ese nats sat ks firs, samp, faery, mina, sede Pra oe ELBulgarian Dances Bulgarian Dances was commissioned to Franco Cesarini by the Swiss Wind Band Association as a test piece for the first 1 isa free rhapsody, divided into fo 19 folk songs. These songs have a very old tradition and stem from both the jon at the 32nd Federal Wind Music Contest in Luzern in 2006. The compo distinct movements of several famous Bulga antique world of Byzantium and even earl beginning they were monodic songs, then diaphonic, with characteristic dissonances of major and minor second which make them unique. What makes these songs so fascinating are also the seductive and complex irregular chythms. The composer, while remaining fa hful to the original spirit of the songs, has not hesitated to broaden the musical ideas, enriching them and making them more suitable to the rich palette of colors of contemporary wind bands. Notes to the conductor Ac the beginning of the piece the soli must be performed freely, with an improvisational character, almost as a cadenza. As from 17, the rhythm needs to be underlined and precise. Keep through the entice passage (until 107) the same grouping (24243), dirvcting the measures as uneven three beat. At 116 choose a flowing and regular tempo, but not too quick. The ehythm must be divided in 24242. At 126 and 142, the 11/8 must be divided so as to obtain on the whole an uneven five beat (242434242). In the Finale the 8/8 measures (for example as from 1845 2305 305), must be directed simply in 4/4 (underlining the rhythmical grou execution. uneven three beat (34243), of more ), according to the conductor's taste and the functional capacity of As in the case of other compositions by the same author, the trumpet parts have to be considered as the main “brilliant” on with a “mellow” sound. The propor between trumpets and cornets needs to be 2 t0 1, with two trumpet players for each cornet player. component of the upper brass choir, whereas the cornets complete the se DEUTSCH Franco Cesarini erhick den Aultray Bass Es Bins Es ne BS Bs B> BULGARIAN DANCES Besetgung / Instrumentation Blasorchester / Concert Band FRANCO CESARINI Op. 35 Fall Score Piccolo Flute 1, 2 Oboe ish Horn Engl Be Clarinet 2 Be Clarinec 3 B Alto Clarinet Be Bass Clarinet Be Contra Bass Clarinet Bassoon 1 B, Alto Saxophone 1 B Alte Bs Tenor Saxophone B Baritone Saxophone Be Trumpet 1 Be Trump Be Trumpet 3 BeComet | B F Horn 1,2 FHor 3,4 Trombone | Trembon Trombone 3 Exphonium B. Euphonium 6 “ur Double Ras Timpani Malle Percusion | Mallet Pereussion 2 Pereusion 1 Percusion 2 BHom | Born 3,4 Be Trombone 16 BeTrombone 17 B. 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