Clarinette 1

How to train your dragon
Clarinette en Sib 1
'Symphonic Portrait" John Powell
Ton van Grevenbroek
 
Moderato maestoso Poco piu vivo
   
8
            

                    
14 18
     
    
 Agitato 
                        
21

26
        
     
              

    
                           
27

  

                        
            
30


                     
36
     

   
         
39
 
    
38
     

3 3
  
3
           
     
40
 
                                
      

43

 
     
     
47
           
 
46
     
   

3 3
3

50
                           
50
           
©2010 DWA songs
                 
253

      

   
  
                          
   
56
         
2 2
      
61
            
60
     
  

62
                                       
  

                                   
65


     
  
68
     

         
73
             
71
   
    
              
solo
   
74 all
  
       
       
        
77
    

77

 
       
      
80
  
                        

83
       
2 2 2
  
Allegro appassionato 
 
87
             
7

86
    
8 
      
Scherzando 
    
3
         
91 solo

  

            
   
99
        
3
    
       

106
      
        
105 all

3
   
Misterioso

112
         
                             
3
112
   
 
 
3 3
       
120 3
                          
119
 
           
 
133 Moderato misterioso
   
127

 
    
140
    
     
solo

134
   
 
      
               
141
   
 
    
 
153
     
146 all

Larghetto 
   
Poco più mosso  
  
157
                
156 solo 3

3
     

      
            
163
         
  

             
170
170 Poco Agitato  180
     
  
 
                       
   
4181
  

   
poco accel.
       
rit.
186
      


   

     Allegrovivo        
192 196
 

                                
   
201
                 

218
           
 
205
    
 
 
               
 
220

 
     
3
               
      
224
 

  
           
233
     
 
227
  


3
                              

233
 
 3
  
3
 
                   
237
     
235
  
 
      
3
                

238

  
             
      
242

     
                 
5
             
247
 

                
3
254
         
Allegretto espressivo 

251
  

       
  
255
  
       
     
         
       
263
   
 
                       
271
  
270

     
                 
7
   
276
  
        

283
    
282


                       
     
289
  

          
295
       
295
       
  
      
      
    
Marcia festivo 
      
   
5

303
   
5
 
 

      
                
            
307
 
                             
                              
312
312


                               


6315

                              
318
   

   
321
           
        
  

 


              
listesso tempo 
    
329
    
   
327

 
         
        
331

              
337
   
335
 

         
348
    
        
343
 
               
     
349
 
     
 
356
             
355
       
Poco rall.
     
361
     
Tempo primo  rall.
      
368
                  
367

   
     
7
              


370



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How to train your dragon

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