IGOR SARDI 500 EXERCISES FOR ELECTRIC BASS - NEW EDITION - RI ii a - COORDINATION - STRING SKIPPING - RIGHT AND LEFT HAND TECHNIQUE - SPEED - ARPEGGIOS - SCALES AND MUCH MOREIndex - Preface - 4 Short biography - 6 - Exercises for the left hand - 8 Left hand stretching - 21 The legato - 22 Enlargements - 22 - Right hand exercises - 23, Ghost Notes - 26 String skipping - 32 Various rhythmic subdivisions - 33 Dynamics - 38 The 'staccato' - 39 Accents - 39 - Exercises on triads and arpeggios - 43 Inverse and voicings - 47 Ninth Arpeggios - 52 Eleventh Arpeggios - 53 Thirteenth Arpeggios - 53 - Major scales and modal scales - 54 - Pentatonic and blues scale - 63 - Harmonic minor scale and modal scales - 65 - Melodic minor scale and modal scales - 71 - Whole tone scale - 77 - hw and wh diminished scales - 80 - The Walking Bass - 83 I V=1 (Major) - 84 I= V=1 (minor) - 85 'Scalar' approach - 86 Chromaticisms - 86 Walking on 2 chords per bars - 87 Playing a standard (part 1) - 89 Typical Rhythmic Variations - 90 Playing a BluesiJazz - 91 Walking on Static Chords - 91 Playing a Standard (Part 2) - 92 - Miscellaneous Insights - 94 Patterns - 95 ‘Arpeggios on the tritone - 96 Intervals - 97 Coordination - 97 Hammer on and Pull off (Legato) - 99 Fretboard fluidity - 101 Chords on bass - 103, Open’ chords - 106 "Double stops" - 106 Speed - 109> ase es geet pet er aE od per aa a ees ey Ce aa 1 ree 4 ees fees = dl va ves SE as saucer an =o o its itr Let os weft cbt for Ete ] po ee Ws “= » a se a a ie ae ae wes 1 — mie oot mime 4 HE SS = “4er hi maa a Aah | rrectreber el ariel rrr chit d A é G only iP Paar Ek, — eee Pi Ft ae Fla ppate aoe : Fe rata eee See pict cbhtot d eaaEA PRE ery ye SS SS Foo ae | 40Fale, = a ik. a — G Dim s Bedi pe bee bee Ga 4 SSS " | oe ee ee eat Leet i rete Wrote 4 Se ——— ‘| {EX 301 - Triads (Root sth -108) alermated whit er relative descending iad distane augmented fourth above ilo (8 - ro - st) fore penn pet) Ute od Ute eS Es ik er fo |BX 348 Major pentatonic ale exerts (example in 26) pater Seep eee See Se eee SSS SS owe a petit ee Po a {EX 350 - Minor pentatone exerts (example in Ge minor) owt Wyk = e Poteet ee |, Pe mye eee dd parr EG Oth A | SP yt te att Never ts pate ' satiate =f eto np ———— 64{2 364 ~ 7h arpeggios om medi minor zales (example fA) ‘Ammajz) ‘Bmz majr(ts) Dy puree Set Get i a Grate ‘Am(majz) m(majz) Grale pe ER Gris OM oer es, Cmajr(6s) ‘Bmz ‘am(majz) rest pp et a —< — —— | age in le ‘Am9(maj7) Bm(b9) cm mal === a oe a = Graft ‘Amg(majz) . putt Cebit Cee 4 seals (example in 8) EX 566-1 arpeggios om mec ‘amss(ngi7) BmasGo) Cmajo(ts31) ee Soo leat DE, | hale ‘amss(ngj7) — = = = a |$EX 420 - Walking on maj) chord atlases for many bars airing Garmonic and maladie minor scale maz) a ft boo et DAT p ed HD de ie ad dl td ee SSS Se a EX 421 - Walking on 7h chord sing Maolydan scale (example in C7) SS boa ae fs i fey uy Ihotop ad dep dd ——— {BX 422 - Apply te concepts studied on other ace standard (Rut Leaves) of tre yr ee cw ” pe naj eel ope ie pd jl de po tt eS ” Dro) Gmz G7 pet for he tp tir pp Se yp 4 Poe fe ee cw Br amr pei Ope tp irs ye ip ip ip fet co ce = a—fs oe ” Drbs) Gmz a ee Po :Chords - Augmented triads (examples in B) x40 ‘Fist imei” = De aygmanta Son ines” = ee aygentlnmave ecg e : e = 2 : 8 tg fe py = & I 4 4 % ¢ e % g 4 Chords - Diminished triads (examples in G) xan Voctngs 7-5 second version ‘rate vleng Gdim Gdim/ Gdimr Gdim ane 8 be bg. $B s a | * . # = a a Major 7th chords (Example in C) Exarz ‘Alternative voicing Cnajr Das Ig (8 co ie Ht “Minor 7tfi chords (Example in C) xan arnt vey on oe L Dy 8 fe fe Fi Et Et ‘Dominant 7th chords (Example in 6) axa ‘rate veeng ay ~ Dy 8 y Ee 104IGOR SARDI Pee Mi ee Cm Reece hares eu eel Lizard, in Fiesole (Florence), studying with bassists of the calibre of Matteo Giannetti eee une Un cect ei ate ae ocr Deer au ee Ree ce de eed activity. | also approached the world of jazz and started playing almost exclusively Cees MR eR RRs ace oe OMe oom Nec see eect ce eR od Del ea gee eee Re) See cma eae RR Dee ee tetra eeu oe aac Re ee em eC ese Bee ee ce nasa en) Seat aM Re oe ec ke un) Se Cs ee eet tenet eat) ee em re ce Ca Se uu eC Ca) Sree coun Ce Deusen c a) SR A oe ete Le) ~The electric bass workshop (Learn how to make setups, modifications, etc (2021) eget ea) Reem Re CRNA CoE tee) - Red Canzian (Pooh): 40 Bass transcriptions (2022) rele hoac(ol2]] P07 Bel Re BE ROP REC EDe RI) Ba oa BIE Di