Chaconne - posicionamentos

c. 68 - 70
II III II V I II V

      1 2 1 4 1 2 42-  0  0
2-  2 
4 1 2

   m a i    m a m
13 1 02

            
0 24

p i  i p i  i   
3 4

 
1
2 012

  3  4    2
m 1


2 0 2 1 2 4 4
ma i a


i i 4
m m 01 2


m m m m m
i i m i i i i

1 p-
p

Prelude BWV 995 - dedo guia

c. 10

            
2 1- 1

 
2 4

    
3 2- 4 2 2
1 3 1-



i

Allemande BWV 995 - contração

c. 8


  m        i 
  
₵2

 
4 4 1 4 0

 
2 1 2 4 1

 
0 m m


3

Prelude BWV 995 - distensão

c. 6

          
4


2 1 4 1

 1
 
m


2 m
2

()

Gigue BWV 995 - sobreposição inversa

c. 66

  i   
 
1

2
  
0 4 2
m i m
 2

 

16