Professional Documents
Culture Documents
Nick de Firmian,
John Fedorowicz
BATSFORD
First published in 2004
© Nick de Firmian and John Fedorowicz 2004
Page
Introduction 5
Definitions of Symbols 6
The NajdorfVariation 15
For more than half a century, the Najdorf has been one of the most
popular defenses in the open Sicilian. What attracts players of all strengths
is its uncompromising approach with an unbalanced pawn structure and
wide open play. It has been a favorite weapon of great World Champions
like Bobby Fischer and Garry Kasparov as well as super GMs Vishy Anand,
Veselin Topalov and Peter Leko among others.
This fine opening has produced more than its share of chess masterpieces
from both the White and Black point of view. 1 e4 c5 2 lLlf3 d6 3 d4 cxd4 4
lLlxd4 lLlf6 5 lLlc3 a6. From this position we've seen White try many moves
6 ..tg5, ..i.c4, ..i.d3 and f4 being the sharpest attempts. 6 ..i.e2 (Karpov's
favorite) and g3 being solid choices, while 6 h3 and 6 .l:tg 1 are too slow to
give White chances for an edge. In recent times the move 6 ..i.e3 (or f3 ) has
become White's move of choice, with the idea of getting into something
similar to a Keres Attack. Combining kingside space-gaining play with
queenside castling, the English Attack has breathed new life and ideas into
an already complicated opening.
I recall the first time I saw an English Attack was at the 1 984 Chess
Olympiad in Thessaloniki, Greece. I was the USA men's team captain and
saw the Romanian IM Barbulescu playing it against GM Walter Browne. To
tell you the truth I thought it was weird to play the Yugoslav Attack against
the Najdorf! Who knows if it was Romanian team preparation or not, but I
know one thing .. .it took about 1 5 years before it seriously caught on.
Now there is an incredible amount of material to break down. What I've
tried to do here is provide an objective view of all the lines where Black
plays 6 ... e6 and to suggest improvements for both sides. Meanwhile Nick,
the guy writing the other half of this book and a leading authority and life
long practitioner of the Najdorf, analyses lines with 6 . . . e5 and chasing the
bishop by . . . lLlg4. Every variation presented here has been looked at and
evaluated even if for obvious reasons we couldn 't comment on every game.
The English Attack is being used as a weapon against the Taimanov
Variation as well, also offering lively play and leading to new and relatively
untouched territory. I believe these sections represent the first time this line
has been extensively analyzed in book form. I hope you enjoy our work and
find it useful.
GM John Fedorowicz
June 2004
Definitions of Symbols
+ check
++ double check
! slight advantage for White
+ slight advantage for Black
± clear advantage for White
+ clear advantage for Black
+- decisive advantage for White
-+ decisive advantage for Black
equal game
good move
!! excellent move
!? move deserving attention
?! dubious move
? weak move
?? blunder
<Xl with compensation
� with counterplay
t with initiative
<Xl unclear
The English Connection
While working on this book I couldn't help but notice how often this line
had been played in the mid 80s into the 90s, especially by English
grandmasters Dr John Nunn, Nigel Short and to some extent Murray
Chandler. Of late Michael Adams has continued the tradition, as we'll see
shortly and with spectacular results. I'd like to pay tribute to these strong
GMs for their contributions to this complicated and rich variation and to
chess in general. Now we have reached 2004 and it has become the most
frequently played and analyzed variation around, featuring in literally
thousands of chess battles. Over the years the English Attack has been
refined, tinkered with, had its ups and downs, but has persevered.
One thing we can always count on from the system is exciting chess so
here by way of introduction are some illustrative examples of those earlier
games by English players and the progress the line has made since then.
Chandler - Howell
Lloyds Bank Open, London, 1 985
10 tt:lxc6
1 0 0-0-0 l:tc8 1 1 g5 ( 1 1 tt:lxc6 ! ?) 1 l . . .tt:ld7 1 2 h4 tt:lce5 (White has let the
tt:lc6 hang around too long, now Black gets play.) 13 �d3 tt:lb6 14 h5 tt:lbc4
1 5 �xc4 tt:lxc4 1 6 lid3 b4 1 7 tt:la4 e 5 ! ? ( 1 7 ... lia5 !+) 1 8 tt:lf5 g6 1 9 tt:lc5
gxf5 20 ..Wxc4 'ike7 (20 .. Jhc5+) 2 1 exf5 dxc5 22 f6 'ike6? 23 'ikxe6+ fxe6
24 g6 �d5 25 �g5 'iti>d7 26 g7 .l:tg8 27 �h6± L 'Ami-Pelletier, Koelln
2004. White is going to have a protected passed pawn on the seventh and
Black will have to deal with it for a very long time to come.
10 ...�xc6
This is a bad mix of ideas for Black. The �c6 is blocking the c-file,
making tt:ld7 to e5 less effective.
11 g5
1 1 0-0-0 .l:tc8 1 2 �d3 (I believe White can wait on this. 1 2 'iti>b 1 is a
natural alternative.) 1 2 ... �e7 ( 1 2 ...tt:ld7 !? looks like better timing than the
game. Black can take d3, forcing White to capture with a piece.) 1 3 tt:le2
li'ld7 14 'iti>b 1 tt:le5 1 5 tt:ld4 �b7 1 6 'ike2 0-0= Sulskis-Graf, Moscow 200 1 .
ll . tt:ld7 12 0-0-0 fL.e7 13 h4 0-0 14 h5li'le5 15 f4!
. .
15...b4
A _good try under the circumstances, but White's reply is very strong.
1 5 ... li'lc4 1 6 �xc4 bxc4 (Most of the time having a pawn on c4 limits
Black's counterplay.) 1 7 'iti>b 1 .l:tb8 1 8 'iti>a l ± White can defend b2 with .l:tb 1
then attack on the kingside with no worries.
16 tt:ld5! exd5 17 exd5 �b7 18 fxe5 dxe5 19 g6±
Now Black has two problems. Firstly the passed d5 pawn and secondly
his king.
19...'ikd6 20 �h3 f5 21 gxh7+ 'iti>h8 22 .l:thg1 f4 23 �f2 'ikh6 24 d6! �f6
25 d7 e4 26 �c5 .l:tfd8 27 .l:tg6 'ikxh5
The English Attack 9
28 l:lxf6!
Very nice, White eliminates an important defender.
28...gxf6 2911i'xf4 11i'g5
This loses, but it was hopeless anyway.
30 11i'xg5 fxg5 31 .irs 1-0
Short - Ribli
World Cup, Barcelona 1 989
7 f3
711i'd2 b 5 8 f3 .ib7 9 g4 l2Jc6 1 0 l2Jxc6 .ixc6 1 1 g 5 l2Jd7 1 2 0-0-0 fkc7
1 3 h4 l:lc8 14 a3 ! ? (Black's pieces are out of position for the b4 hit so
White takes care of c2.) 14 ... .ib7 1 5 .id4 l2Je5 1 6 11i'e3 l2Jc4 1 7 .ixc4
11i'xc4 1 8 l:r.d2 e5 1 9 .ia7 h6 20 l:lg 1 hxg5 2 1 hxg5 g6 22 �b 1 l:lh3 23 'Wb6
'*kc7 24 'i'f2 .ie7 25 .ie3 'i'c4 2611i'g2 l:.h5 27 l:lh 1 l:lxh 1 + 28 fkxh 1 a5 29
11i'h8+ 'iti>d7 30 'i'xe5 'i'fl + 3 1 ltJd 1 'i'xf3 32 'ir'xb5+ .ic6 33 fkxa5 .ixe4
34 fka4+± Short-Ribli, Candidates, Montpellier 1 985. In this position it's
all about king safety.
10 The English Attack
14...h5?!
White was going to play g5 anyway. Black wants to shut down the
kings ide.
14 . .l2Jbd7
.
A) 1 5 'ii'e 2 ! ? a5 1 6 l:tg l a4 ( 1 6 ... g6 ! ? keeping thel2Jg3 out of f5 . 1 7l2Jd2
'ii'c7 1 8 g5 hxg5 1 9 hxg5 l2Jh5 20 l2Jxh5 l:r.xh5. Black's play has been
directed at White 's f4 break. 2 1 f4. White tries it anyway, but it lacks the
punch of other examples. 2 1 . . . exf4 22l2Jf3 il..g 7 23 l2Jxd4l2Jc5 24 ..ic4 l:tc8
25 ·o-0-0 f3 ! Creating a diversion gives Black a winning game. 26 'ii'fl
l2Jxe4 27 il..xe6 fxe6-+ Brunner-Vera, Luzem 1 993.) 1 7lLJd2lLJc5 1 8 ..ib5+
l2Jfd7 19 f4 . (The f4 break becomes an important idea when Black p_lays
d4.) 19 ... exf4 20 lLlf5 b3 2 1 ..ixd4 bxc2 22 l2Jc4 'ii'b 8 23 l:tc1 f3 24 'it'xf3
..ixc4 (24 ... ..txf5 25 exf5+- Black can't take the ..ib5 because the l:ta8
hangs .) 25 ..ixc4 'ii'b4+ 26 'ii'c 3 l2Jxe4 27l2Jxg7+ 'it>d8 28 'ii'xb4 il..xb4+ 29
'it>e2+- Nunn-Neurohr, Bundesliga 199 1 ;
B) 1 5 l:tg l ..ie7 1 6 g 5 hxg5 1 7 hxg5 tt::lh7 1 8 f4 exf4 1 9 tt::lh 5 il..xb3 20
axb3 tt::le5 21 tt::lxg7+ �f8 22 tt::lf5 l2Jxg5+ Fedorowicz-Browne, Chicago
1 989. It is White's king that is in the most danger.
14 . . . g6 1 5 'ii'e2 h5 1 6 gxh5 tt::l xh5 1 7 tt::lx h5 l:txh5 1 8 f4 ! ..ixb3 1 9 axb3
exf4 20 ..ic4 ..ie7 2 1 0-0-0 ..if6 22 e5 il..xe5 23 ..ixd4 'ii'c7 24 il..d 5+- Van
der Vorm-Lazarev, Biel l 992.
15 g5 tt::lfd7 16 f4!
White wants to open the position to exploit his superior development.
16.....ig4 17 ..ie2 exf4 18 tt::lxh5 ..ixe2 19 'ii'xe2 d3!?
The English A ttack I I
Nunn - Polugaevsky
Hastings 1 992
13...'ii'a5
12 The English Attack
This fine move collapses Black's f7-e6 pawn complex, giving White a
won position.
22...l:t.h2
The fork 22 ... lllg3 fails simply to 23 .txb7+ �xb7 (23 . . .'Wii'xb7 24 'ii'c4+)
24 'ii'g2+.
23 l:txti l:t.xg2 24 l:txc7+ .txc7 25 'Wii'c4 l:txg6 26 l:tfl e5 27 llle6 l:t.xe6 28
'ii'xe6+ �b8 29 ike7 aS 30 l:tf8 1-0
Forcing the rook trade ends any hope Black had.
Adams - Sheldon
British Championship, Hove 1 997
As this game shows Black must pay attention to the e6 square. White's
pawn sacrifice guarantees open lines against the black king.
1 e4 c5 2 tllf3 e6 3 d4 cxd4 4 tllxd4 lllc6 5 lllc3 'Wii'c7 6 .te3 a6 7 ikd2
lllf6 8 f3 .te7 9 g4 d6 10 0-0-0 0-0 11 g5 tlld7 12 h4 b5?!
This move is the cause of Black's horrible difficulties. 1 2 ...lll xd4 ! ?
followed by llle 5 and b 5 i s Black's best continuation.
14 The English Attack
13 g6!?
An important thing to note for both sides is that in such positions the e6
point can be undermined. So this pawn sac deserves serious consideration.
13".tZ:l f6
13 ... hxg6 14 h5 is simple and strong. Black is going to be fiercely
attacked on either an open h-file or g-file. Neither promises much hope for
survival.
14 gxh7+ �xh7
After l4 . 'iti>h8 White will start pounding on g7.
. .
This is the traditional Najdorf reaction to 6 i.e3. It was the standard reply
until the late 1 980s when the English Attack started to gain popularity.
Black stakes out territory in the center at the cost of allowing a weakening
of the d5 square. The black queens ide pawns control light squares while the
center pawns control dark squares. Black's pieces will be placed to
complement the pawn structure, which includes a distinct regard for the
weakened d5 square. Black 's plan is both logical and sophisticated, so was
regarded for many decades (before the English Attack) as a way to gain
equality for Black without undue problems. We must include a historical
note here on White's attacking plan. Though it became popular in the late
80s and early 90s, it was in the usual repertoire of former candidate Robert
Byrne as far back as the 1960s. Some of those games are still relevant to
theory today.
7 tiJb3
This is the move of the English Attack. 7 tiJf3 was often played in the
1980s and is still seen today. It leads to a slower positional game rather than
an attacking one. We will not explore it here as it is outside the scope of this
book and anyway, for the record, it is not reckoned to be as troublesome as
the English Attack.
7 i.e6
...
Developing while covering the d5 square is the most flexible and logical
move and nearly always played. 7 ... il..e 7 is seen occasionally but it has
nearly always been followed up by ...i.e6. Other 7th moves are inferior as
they fail to address the strategic demands of the position.
1 6 The English Attack
8 f3
This supports e4 and prepares the push g4-g5 which is the key plan of the
English Attack.
White can also employ another order of moves: 8 'ii'd2li:lbd7 (or 8 ... .i.e7)
9 f3 since 8 . . . lt:lg4?! 9 .i.g5 makes little sense for Black.
Instead of 8 f3 White could reasonably transpose into other systems
against the Najdorf, e.g. 8 .i.e2 .i.e7 9 0-0 0-0 1 0 f4, but that again is
outside the scope of this book.
After 8 f3 we have the basic position for beginning our discussion of the
English Attack against the Najdorf.
8 lt:lbd7
...
This line is very trendy among leading players. Years ago this knight
move was played simply to vacate the d7 square for the king's knight when
it was attacked by 1 0 g5. However that strategy didn't equalize as White
could gain an aggressive position with a straightforward build-up. The
current strategy behind 9 ... tllb 6 is more sophisticated. The first idea is that
Black has enough pieces covering d5 to effectively threaten the pawn
advance d6-d5. This threat compels most White players to continue with an
immediate 1 0 g5 which somewhat reduces White's attacking options. The
second idea behind 9 ... lt:\b6 is that Black is often happy that the b pawn is
on its safer starting square instead of the more aggressive but vulnerable b5.
However this is counter-intuitive since Black's usual counterplay is on the
queenside. The problem is that a white pawn often arrives on d5 after White
plays lt:\d5 and it is captured. Then the other white knight can post itself on
the c6 square if b7-b5 has been played. In these 9 ... tllb6 lines it is more
common for Black to seek play on the kingside. This occurs after White has
pushed g5, when at some point Black can play the advance ... f5 to battle for
kingside squares.
10 g5
In the Melody Amber Tournament 2003, Topalov (playing against
Ivanchuk) chose to delay kicking the knight and continue developing with
1 0 'ii'd 2. Now if Black plays passively with I O ... �e7 1 1 0-0-0 l:tc8 White
has the option of advancing h4-h5 so that the black knight cannot go to h5
when attacked. But instead came the aggressive I 0 . . . d5 !
20 The English Attack
lO tiJhS!
...
The old and compliant IO ... tiJfd7 allows White to control the opening.
Black has a bad score with this move as he cannot easily gain counterplay.
Hracek-Trichkov, Czech Republic 2003, continued 1 1 'ii'd 2, when:
The English A ttack 2 1
12 0-0-0
12 'ii'f2 ! ? was Peter Leko's idea against Kasparov at Linares 2004. White
immediately attacks the b6 knight to play for control of the d5 square. After
1 2 . . .l2Jc4 13 ..ixc4 ..ixc4 14 h4 0-0 1 5 l2Ja4 f5 ! 16 l2Jb6 i.xb3 1 7 axb3 fxe4
1 8 l2Jxa8 lixa8 1 9 'ii'd2 Kasparov played 19 ... b5 with roughly equal
chances. Alternatively 1 9 ...l::tx f3 20 "it'd5+ 'ifi>h8 21 lixe4 'ii'f8 22 �d2 l2Jg3
24 'ii'd5.(Leko) produces a sharp, dynamically balanced position.
12 :cs
...
Black could vary the move order somewhat (e.g. 12 ... 0-0), although the
text is the most flexible. Note that the black queen is presently actively
placed on d8 so there is no rush to move it to c7. 12 ... 0-0 was in fact seen in
Fakhiridou-Grapsa, Asproyyrgos 2003, 1 3 'it>b1 lic7 14 ..id3 :ac8 15 .l:.hg 1
l2Jc4 1 6 ..ixc4 i.xc4 17 0a4! ? (To chase the rook off c 8 and play l2Jd5 at
the proper moment.) 17 . . .i.xb3 (This loses control of d5 without a fight.)
18 axb3 d5 19 l2Jb6 d4 20 l2Jxc8 dxe3 2 1 l2Jxe7+ 'ii'xe7 22 'ii'xe3+- .
13 :gt
White has proceeded with the systematic English Attack plan but now
must cover the g pawn with the rook as 1 3 h4 allows.... l2Jg3. Anand tried a
different plan against Gelfand, Melody Amber 2003 : 13 �b 1 0-0 14 l2Ja5 ! ?
when 14 . . .lic7 (instead o f Gelfand's 14 . . . l2Jf4?! 1 5 l2Jxb7 ! ) 1 5 '1W f2 l2Jd7
looks equal. e.g. ( 1 5 . . .l2Ja4?! 16 l2Jd5 !;!;) 1 6 l2Jd5 .i.xd5 17 :xd5 l2Jc5 18
l2Jb3 l2Je6 1 9 i.b6 'ii'd7 20 h4 l2Jhf4 2 1 :d2 ..id8 'h-'12.
Illustrative Game with 10 t2Jh5! ...
Leko-Anand
Dortmund 2003
14...g6
This pawn move is constructive in that it secures some light squares on
the kingside. It indicates that Black is not just playing defensively but
aiming to win the battle of squares on that flank. 14 . . . g6 could eventually
tum out to be a small weakness, exposing the king's position sl ightly, but
that would be a long way down the line.
IS'ir'f2
White could play more simply 1 5 ltJd5 ltJxd5 1 6 exd5 .i.f5 17 �d3 il.xd3
1 8 'ir'xd3 and reach the game continuation a few moves earlier.
IS ltJc4 16 .i.xc4 .i.xc4 17ltJa4
.•.
The English A ttack 23
This is White 's idea, hopping the knight over to b6 where it controls
queenside squares as well as keeping d5 covered. The immediate 17 lL!d5
ii.xd5 is similar to the other examples and too routine to cause Anand
problems.
1 7 . i.e6 18 lL!b6 �c7
. .
This is probably a bit more preci �e than 18 . . .�c6 19 lL!d5 ..ixd5 20 exd5
and 2 1 lL!d2 when White is quicker to reorganize.
19 'iVd2
This discourages Black's plan of ... f6. though it looks like White has not
gained (or lost) anything from his maneuvers. 1 9 h4 'ife8 20 lL!d5 ..ixd5 21
�xd5 f6 22 lL!d2 fxg5 23 hxg5 lL!f4 24 ..ixf4 �xf4 was Leko-Akopian,
Wijk aan Zee 2004 but readers may wish to try instead 19 lL!c 1 ! ? to start the
knight on a journey to a more aggressive square.
19...�c6
Now that the queen occupies the d2 square, this is better than 20 . . . f6.
20 lL!dS i.xdS 21 exdS
The alternative is the natural-looking 21 'ifxd5 but Black has equal
chances after 2 l . . .'ii'c 8 22 �d2 'iVh3 23 lL!a5 �c7 24 i.b6 .l:td7.
2I....I:tc8 22 'ii'd3
By a circuitous route we have arrived at the position that usually occurs
by 15 lL!d5 lL!xd5 1 6 exd5 ..if5 1 7 i.d3 i.xd3 18 'ifxd3 .
22.. .'ii'd7 23 c4 f6
Black's last two moves are thematic in this line. The black queen is
preparing to infiltrate the kingside along the c8-h3 diagonal, while the
opening of the f-file pressures White's f3 pawn.
24 gxf6 �xf6 25 lL!d2
White has followed the plan of clearing the e4 square for the knight and
creating the pawn duo d5-c4 which creates possibilities of queenside and
central play. Though this gives chances for an advantage, the weakness of
the f3 and h2 pawns along with Black's well placed pieces allows
counterplay.
24 The English A ttack
2s .:.n
...
Safer is 25 ...1i'f5 26 lt:le4 l:.f7 when there is the solid 27 l:.gfl or 27 c5!?
dxc5 28 d6 c4 29 'ii'c 2, resulting in an unclear position.
26 l:.cl ?!
Here White has the opportunity for an aggressive breakthrough, as played
in the game Bacrot-Lautier, Aix les Bains 2003 : 26 c5 ! l:.d8? (Black must
try 26 ... dxc5 27 lt:lc4 'ii'f5 28 'ii'x f5 l:.xf5 29 d6 ..td8 30 d7 l:.c7 3 1 h4,
planning 32 ..tg5, when White is for choice with the annoying d pawn.) 27
cxd6 ..txd6 28 ..tg5 l:.df8 29 �h6 lt:lf4 30 'ii'b 3 l:.d8 3 1 ..txf4 l:.xf4 32
lt:le4± and White went on to win with the powerful knight and d pawn.
26...1i'f5!
Simplification to an endgame would take the sting out of a possible c4-c5
advance. Black has no worries now and White must watch his weak f pawn.
27 .l:tc3
27 'ii'xf5 l:.xf5 28 a4 is more defensive-and more comfortable for Black.
27 ... b5! 28 b3
28 cxb5? l:.xc3 29 _.xf5 l:.xf5 30 bxc3 axb5 leaves the d pawn ready for
harvest with ... lt:lf6 and ... lt:lxd5.
28...1i'h3
The English A ttack 25
40 .l:txf4?
The last move of the time control settles the fight. With 40 .l:tg I the battle
would still not be over.
40...'ii'hl+! 41 ..ti>a2 exf4
The long dark diagonal is open, clearing the way for the final king hunt.
42 .l:tg4 ..ig7 43 b4 aS! 44 ..ti>b3
There is no way out.
44...axb4 45 �xb4 'ii'el+ 46 'iti>b3 'ii'cl 0-1
8 f3 tlJbd7 9 g4 tlJb6 10 gS tlJhS 11 'ifd2 il..e 7
12 0-0-0 .:cs 13 .:g1 0-0 14 <it>b1 g6 15 tt:Jd5
Here we will consider many of the different plans that have been tried for
both sides.
14...g6
There are two other reasonable attempts.
1 ) 1 4:.....c7 1 5 'ii'f2 ltJc4 (Also 1 5 . . . i.d8 keeping the b6-knight in
position for a trade on d5, 16 h4 g6 1 7 'ii'd2 fi.e7 1 8 'ii'h2 ltJc4 1 9 i.xc4
i.xc4 20 ltJa4 b5 2 1 lLlb6 l:tb8 22 ltJd5 i.xd5 23 .:xd5 f6! (When the
queenside play is stymied Black can tum to this break.) 24 'ii'e2 fxg5 25
hxg5 :n 26 ltJd2 ltJf4 27 i.xf4 .:xf4 28 .:g3= Leko-Topalov, Linares
2004, and it's difficult to see progress for either side.) 16 i.xc4 'ii'xc4 was
first played in T.Paehtz-Epishin, Bad Woerishofen 2000, which continued ...
A) 1 7 lLld2 'ii'c 7 18 'ii'h4 g6 1 9 lLlfl 'ii'd 8 20 ltJd5 (20 ltJg3?! .:xc3 ! 2 1
bxc3 ltJxg3 22 hxg3 'ii'a5 is good for Black.) 20... i.xd5 2 1 .:xd5 h6 22 .:d2
Ac4 23 "6'g4 and now instead of 23 .. .'�'h7?! 24 gxh6 Black can play
23 ... hxg5 24 i.xg5 i.xg5 25 'ii'xg5 'ii'xg5 26 .:xg5 Ac6 27 ltJe3 lLlf4 with
just a minute disadvantage in the endgame. Note that 28 lLlf5?! 'it>h7 29
ltJxd6? AdS 30 ltJc4 l:txc4 ! 3 1 l:txd8 lLle6 wins for Black.
B) 1 7 f4 exf4 1 8 i.xf4 ltJxf4 19 'ii'xf4 a5!?, Bologan-de Firmian, Selfoss
2003, now 20 ltJxa5 "6'b4 21 ltJb3 (not 2 1 ltJd5? i.xd5 22 Axd5 llc5 !
winning a piece) 2 I . . ..:xc3 22 bxc3 "6'xc3 is unclear, though not worse for
·
White.
The English A ttack 27
15lt::ld5
No advantage comes from 15 h4 'ifc7 16 'ii' f2 lt::lc4 I 7 ..ixc4 ..ixc4 I 8
..ib6 'ifb8 I 9 'ifd2 'iti>g7 2 0 lt::lc I f6 2 1 ..ie3 fxg5 1/z-1/z, Magem
Badals-Zagorskis, Elista I 998; or I 5 iff2 lt::lc4 I 6 ..ixc4 ..ixc4 I 7 f4 ( I 7
ifd2 ! ? ifc7 I 8 llg2 'iti>h8 19 lt::la4 ..ie6 20 lt::lb6 l:f.cd8;!; Wedberg
Gudmundsson, Reykjavik I 990; 17 lt::la4 is seen in the Leko-Anand game.)
17 ...exf4 18 i.xf4lt::l xf4 19 ifxf4 f6 !? 20 gxf6 i.xf6 21 .l:.xd6 'ii'e7 22 'iWd2
:tcd8 23 l:!.xd8 l:!.xd8 24 'ii'e l l:f.e8 25 'ii'd2 l:f.d8 26 ife1 l:f.e8 27 'iWd2 l:f.d8
1/z-1/z Smirin-Savchenko, Istanbul 2003.
15...lt::lxd5 16 exdS i.fS 17 i.d3 i.xd3 18 'ii'xd3 'iWd7 19lt::ld2
Note that here 1 9 c4 transposes into the previous illustrative game,
Leko-Anand.
Another try is 1 9 h4, met by the standard break 19 . . . f6!? 20 lt::ld2 fxg5 21
hxg5 b5 22 l:f.c1 'ifb7 23 c4 bxc4 24 l:!.xc4 l:!.xc4 25 'ifxc4 l:f.c8 26 'ii'd3 l:!.b8
27 b3 a5 28 a4 i.d8 29 l:f.c1 i.b6 30 l:f.c6 i.xe3 31 'ii'xe3 lt::lg7= Mortensen
De Finnian, Copenhagen 2004.
19...'iWh3
19 . . . f6 is again the thematic alternative which would once more transpose
into Leko-Anand after 20 gxf6 (20 h4 fxg5) 20....l:.xf6 2 1 c4.
20 c4 bS
This looks logical but does not gain equality. If instead 20 . . . f6 2 1 c5!?
fxg5 22 cxd6 i.xd6 23 i.xg5 is sharp and probably better for White.
21 cxbS axbS 22 'iWxbS -..rs+ 23lt::le4!
23 'iti>a I l:!.b8 24 'ii'e2 'ifc2 25 l:!.b 1 l:f.fc8 leaves Black with active play for
the pawn.
23...'ifxf3 24 'ifd3
28 The English A ttack
White has traded the weak f3 pawn for one on the queenside and while
his wonderful white knight remains on e4 he will be better. Black could
chase it away with 24 ... f5 but he doesn't like the pawn structure that results
after 25 gxf6lLlxf6 26lLlg5.
24...�h8?! 25l:lgfl '1Wg4 26l:lc1l:lxcl+ 27 ..ixc1 �g8 28 a4
A good plan. White has the advantage on the queenside and can push this
pawn up the board. His king is safe enough with one pawn to protect it as
the black pieces are on the other side of the board. What is Black to do
now?
28 h6
.•.
Black has found a plan other than 28 ... f5 29 gxf6 lLlxf6. Clearing away
White's g pawn allows the central pawn duo to advance. However a rapid
advance could undermine the safety of the black king.
29 gxh6 f5 30 lLlc3l:lb8 31 '1Wc2 lLlf6 32l:ld1 .U.c8?!
32 ... ..t(8 33 lLlb5 'ii'e4 34 '1Wxe4 lLlxe4 leaves White only slightly better in
the endgame.
33 'ii'd3 .U.xc3?
This doesn't quite work. Again, 33 . . ...tf8 keeps Black in the game.
34 bxc3 '1Wxa4 35 .U.d2! 'ii'e4
The problem is that 35 ... 'Wb3+ 36 .U.b2 '1Wxd5 37 'ii'xd5+ lLlxd5 38 c4
lLlc3+ 39 �c2lLle4 40 l:lb8+ ..if8 4 1 h7+ wins.
36 c4 f4?! 37 Wc2 'iti>h7 38 '1Wxe4 lLlxe4 39l:le2 1'3?! 40 .U.e3! lLlg5 41
'iti>d1 e4 42 �e1 1-0
White plays 43 h4 to win the e pawn. Smirin-Lutz, Olympiad, Elista
1 998.
8 f3 tiJbd7 9 g4 h6 10 'ifd2 i.e7
Black holds up the kingside advance, ensuring that the knight can stay on
f6 for a while to come and allow Black time to smoothly develop the
queenside. The negative point of 9 . . . h6 is clear-White now has a clear
target on the kingside. If White could complete his development and
achieve the pawn advances h4 and g5, the black kingside might open like a
breaking dam. As usual, the success of this plan comes down to timing. The
questions are whether Black's queenside and perhaps central counterplay
will affect White 's piece coordination, and whether Black can find further
ways of blocking the kings ide advance.
10 'ii'd2
The usual move. After 10 'ii'd2 Black has a strategic choice: to finish
kingside development with I O ....ie7, or to push on with queenside play
immediately by 10 ... b5 (considered in the next section).
In the blitzlblindfold Melody Amber Tournament, Shirov tried the
immediate kingside advance against Lautier. 10 h4! ? b5 I I l:g i b4 12li'ld5
.ixd5 13 exd5 lt'lb6 I4 'ii'd3 liJfxd5 I 5 0-0-0 .ie7 16 g5. Here White has
interesting compensation for the pawn sacrificed. Objectively he is not
better, but the game is messy and difficult to play so this deserves further
tests. 16 ... hxg5 1 7 hxg5 g6?! (Here Black could try 17 ...lt'lxe3 18 'ii'xe3
l:.h5 I 9 f4 exf4 20 'ii'd4 .ixg5 2 1 'tlt'xg7 .if6 22 'ii'g2 when Black should
have an objective advantage. In a blitz game one may still prefer to be
playing White.) 1 8 f4 'tlt'c7 (18 . . . exf4 19 .id4 l:.h5 20 l:.e I 'it!E 2 I .ie2 is
messy and unclear.) 1 9 .ixb6lt'lxb6 20 f5 gxf5 2 1 'ii'xf5 'ii'd7 22 'ii'f2 ir'c7
23 g6;!; Shirov-Lautier, Monte Carlo Blindfold/Blitz 1 997.
30 The English Attack
10 ..�e7
.
13 iifl
Black is able to gain equal chances after 1 3 i..xb6 iixb6 14 liJd5 �xd5
1 5 exd5 a5 16 iid3 l:tb8. Wedberg-Kucznski, Novi Sad 1 990 continued
thematically- 1 7 liJd2 iic5 18 ltJe4 ltJxe4 1 9 iixe4 a4 20 'iti>b 1 b4 21 i..d3
a3 22 f4 exf4 23 l:tde 1 l:tb7 24 g5 �d8 25 iixf4 hxg5 26 hxg5 l:txh 1 27
l:txh 1 'ii'xd5 28 �e4 iid4 29 l:th8+ �c7 30 l:tc8+ 'iti>b6 3 1 l:c6+ <3;a7 32
l:ta6+ �b8 33 l:ta8+ 'iti>c7 34 l:tc8+ <3;b6 35 l:tc6+ The finish is an amusing
dance of the black king and white rook.
13 ...l:tb8
Defending b6 the other way is less aggressive: 13 ...liJfd7 14 �b 1 l:tc8 1 5
liJd5 �xd5 1 6 exd5 ltJc4 1 7 i. e 1 'ii'h6 1 8 iie 1 a5 1 9 i..xc4 bxc4 20 ltJxa5
c3 2 1 liJc6 cxb2 22 �e3 'ii'a6 23 'ii'b4 llxc6?! (23 ... l:tc7;!;) 24 dxc6 'ii'xc6 25
'ii'b3 0-0 26 g5± Kasparov-Huzman, Tel Aviv 1998.
14 ltJc5
14 'iti>b 1 iic7 1 5 l:tg 1 ltJa4! 16 liJe2?! l:tc8 17 ltJec 1 .!Dd7 1 8 g5 .!Ddb6+
Socko-Ftacnik, Koszalin 1 998.
14 ... b4?!
This lets White in on the queenside. Normal play would be 14 . . .�c8
when either 1 5 i..e 2 or 1 5 .!Dd3 ltJc4 16 .!Llb4 ltJxe3 17 'iVxe3 leaves White
slightly better.
The English Attack 31
19 gxh6
Now the game is a rout. It is such positions that one dreams about when
playing the English Attack.
19 ... g6 20 ltJd2 d5 21 exd5 ltJxd5 22 ltJb3 'ii'd 6 23 i.c4 ltJhf6 24 h7+
�xh7 25 h5 g5 26 l:txd5! ltJxd5 27 l:td 1 ttJxe3 28 l:txd6 ttJxc4 29 l:td7 i.f6
30 'ii'a7 1-0
Shirov-Sadler, Monte Carlo 1 998.
8 f3 etJbd7 9 g4 h6 10 'ifd2 b5
Black immediately expands on the queenside, for the moment leaving the
bishop on f8.
11 0-0-0
An offbeat line is 1 1 a4 b4 1 2 lt:ld5 .txd5 1 3 exd5 lt:lb6 14 .txb6 ifxb6
1 5 0-0-0 .te7 1 6 h4 lt:ld7 17 'it>b 1 which may also bring White a slight
edge, Stocek-Neverov, Prerov 200 1 .
n . :lt:lb6 1 2 'iWfl
.
Black now has three choices about what to do with the attacked knight.
1 2 ... lt:lfd7
This is our main move.
The English A ttack 33
Instead
1) 12 ... ttJc4 13 ..ixc4 bxc4 14 tLlc5 'ikc7 15 tLl5a4! l:tb8 16 h4 'ikc6 17 g5
tLld7 18 a3 hxg5 (18 ... h5 19 f4 exf4 20 ..ixf4 ..ie7 21 •g3;!; Movsesian
Womacka, Germany 1998.) 19 hxg5 l:txh l 20 l:txh l d5 21 exd5 ..ixd5 22
l:th3 !;!; ..ie7?! 23 f4 exf4 24 lth8+ tLlfll 25 •xf4± Shirov-Womacka,
Germany 1998.
2) 12 ... :b8 13 ttJc5 ..ic8 14 ttJd3 ttJc4 15 ..ia7?! (15 ttJb4 ttJxe3 16
•xe3;!; looks better.) 15 ... ltb7 16 tLlb4 'ika5 17 ..ixc4 bxc4 18 a3 ..ie6 19
..ie3 d5 20 tLlc6 'ikc7 21 exd5 tLlxd5 22 tLlxd5 'ikxc6 23 tLlc3 �e7+
Klovans-Womacka, Schoeneck 1996.
13 �b1 :cs
Messy was 13 ... g6 ! ? 14 h4 h5 15 tiJd5 ..ixd5 16 exd5 'ikc7 17 f4 tLlc4 18
gxh5 :xh5 19 ..ie2 :f5 20 h5 gxh5 21 .te l tLlf6 22 ..id3 e4 23 'ike2 'ike7
24 ..ixc4 bxc4 25 •xc4;!; Kasparov-lvanchuk, Frankfurt 1998.
14 tiJd5 ..ixd5 15 exd5 tLlc4 16 .tel
1 6...�6
16. . .g6 has merit as it seeks to keep the kingside closed. After 17 h4 ..ig7
18 ..id3 tiJdb6 (18 . . . h5 19 •e1 llldb6 20 tLla5;!; was Hracek-Babula,
Lahucovice 2003.) 19 •e1 (19 f4 !? seems more forcing.) 19 ... 0-0 20 h5 g5
chances were roughly equal in Fressinet-Van Wely, Enghien les Bains
2001.
1 7 -e1;!;
Morozevich-Rashkovsky, St. Petersburg 1998 continued ...
1 7 ... ..ie7 18 ..id3 a5 19 •e2 a4 20 tLld2 tLle3 2 1 ..ixb5 tLlxd 1 22 :xd 1
'ikc7 23 ..ixa4 0-0 24 tLle4
and the two pawns were worth more than the exchange.
8 f3 i.. e 7 9 'iVd2 0-0 10 0-0-0 'iVc7
This simple and logical developing move was the standard in the 1 980s
and 90s (though often ...liJbd7 would be played first). Black is ready to
castle kingside and start queenside operations-classical Najdorf strategy.
The 21st century has brought Black various strategies aginst the English
Attack yet this classical approach must still be considered to be the main
line.
·9 �d2
Jumping in to d5 immediately is less dangerous and removes the attacking
flavor of the game. 9 liJd5 .i.xd5 (9 . . . ltJxd5 1 0 exd5 .i.fS 11 'ii'd 2 ltJd7 1 2
ltJa5 'ii'c 7 1 3 c4 0-0 1 4 .i.e2 e4 1 5 fxe4 .i.xe4 1 6 0-0 .tf6 1 7 l:.ac l l:tfe8 1 8
b4 ..i.g6 Kalod-Kuczynski, Czech Republic 1 998) 1 0 exdS 0-0 11 .te2
liJbd7 1 2 c4 ltJe8 13 0-0 a5 14 liJd2 .tgS Arizmendi Martinez
Shchekachev, Montpellier 2002; White should take care not to advance at
once on the kingside. 9 g4?! dS!+ similar to Khalifman-Lautier below.
9 0-0
...
Black has three dubious alternatives to castling and the major alternative
9 . . . ltJbd7 which will be dealt with separately. In general the reader should
be aware that the lines with 9 . . . 0-0 and 9 ...liJbd7 may transpose. Yet many
lines are also very distinct.
1 ) 9 ... ltJc6?! 10 liJd5 .i.xd5 11 exd5 is at least sl ightly better for White.
2) 9 ... a5?! 10 .tbS+ .td7 1 1 a4± Feygin-Gutman, Recklinghausen 1 999.
3) 9 . . . d5 ! ? 10 exdS ltJxdS 11 ltJxdS 'ii'xdS 12 'ii'xdS .i.xdS 13 0-0-0 .i.e6
14lba5 b5 15 ..id3 f5 16 l:.he I ;l; Shirov-Ljubojevic, Linares 1 995.
The English Attack 35
10 0-0-0
Here White should hold the center. The natural-looking 10 g4? runs into
10... d5! when Black is already better. 1 1 g5 (11 exd5 ltJxd5 1 2 ltJxd5 .th4+
+) 1 l .. .d4 12 gxf6 .txf6 13 .tf2 .tg5 14 'iid3 dxc3 15 'iix d8?! �xd8 16
bxc3 .txb3 17 axb3 .i.d2+ .18 We2 .i.xc3+ Khalifman-Lautier, Moscow
2001.
1 0 'iic7
...
Developing the queen so that the king's rook can come to c8. This is the
main line (disregarding . . .ltJbd7 which transposes to the next section). Two
alternatives have been investigated, the first reasonable and the second now
dubious.
1) 10 ... b5 1 1 g4 ( 1 1 ltJd5 .i.xd5 12 exd5 ltJbd7 13 ltJa5 'iic7 14 ltJc6
.td8 ! 15 �b 1 ltJb6) 1 l . ..b4 presents White with an important choice on
where to place the knight. Both choices bring chances for the advantage.
A2) 14 �b 1
A2a) 14 ... a4 1 5 lLlc 1 'ii'a5 16 g5 lLlfd7 1 7 h4 lLla6 1 8 h5 lLlac5 1 9 l::th4
( 1 9 i.h3 lLlb6 20 b3?! axb3 2 1 cxb3 lLlba4 ! 22 bxa4 lLlxa4 23 'ita 1 lLlc3
with an attack worth at least the piece, Kaminski-Gutman, Bad Endbach
1 995) 1 9 ...l::tfb8 20 i.h3 �5 2 1 i.f5 b3 22 a3 e4 23 c4! 'ii'a 6?! (23 . . . 'i1Vxc4
24 i.xd7 lLlxd7 25 l::txe4 'ii'c2+ 26 'ii'xc2 bxc2+ 27 'it>xc2±) 24 i.xd7 lLlxd7
25 lhe4+- Movsesian-Kempinski, Polanica Zdroj 1 996.
A2b) 14 . . . 'ii'c7 1 5 g5 tLlfd7 ( 1 5 . . . lLlh5 16 i.h3 f5 17 gxf6 l::txf6 1 8 i.g4;!;
Gallagher-Outman, Bad Woerishofen 1 994) 16 h4 lLlb6 1 7 h5 ( 1 7 lLlc5?!
a4+ Vorobiov-Vaulin, St Petersburg 2000) 17 ... a4 18 lLlc 1 lLlc4 19 i.xc4
'ii'xc4 20 l::thg 1 b3 2 1 cxb3 axb3 22 lLlxb3 lLld7 23 lLlc 1;!; Yagupov-Vaulin,
Tula 2000.
B) After 1 2 lLla4 Black has also problems. 1 2 . . .lLlc6 ( 1 2 ... a5 1 3 lLlb6 a4
14 lLl c5 ! b3 1 5 axb3 'iVxb6 1 6 lLlxe6 axb3 17 'ii'c3 'ii'b 7 1 8 lLlxf8 bxc2 1 9
'iftxc2 lLlc6 20 i.c4± Svidler-Hansen, Groningen 1 995; 1 2. . .d 5 1 3 i.c5 d4
14 'iVxb4 lLlc6 1 5 i.xe7 'i1Ve8 16 'ii'a3 lLlxe7 1 7 lLlbc5 lLlg6 1 8 c3±
Kasparov-Ricardi, Buenos Aires 1 997) 1 3 g5 lLlh5 14 l2Jb6 l::tb8 15 l2Jd5
i.xd5 16 exd5 lLla5 1 7 lLlxa5 'ii'xa5 1 8 �b 1 i.d8 1 9 'ii'd3 i.b6 20 i.e 1 l::ta8
2 1 'i1Ve4 i.c5 22 i.h3 'ii'c7 23 i.g4 tLlf4 24 h4;!; Gofshtein-Gruenfeld,
Rishon Le Zion 1 994.
2) On 1 0 ... a5
13 �bl
13 l:tg1 tL!d7 14 tL!d5 ..ixd5 1 5 exd5 a5 was played in Atalik-Nakamura,
San Francisco 2002 but perhaps White's most promising continuation is 13
tL!d5 .txd5 14 exd5 tL!d7 15 ..ih3
A) 1 5 . . . a5 16 �b 1 a4 ( 1 6 ..."ir'd8 17 .tg4 tL!f4 1 8 .txf4 exf4 19 h4 a4 20
tL!d4 l:tc5 Fontaine-Lautier, Val d'Isere 2002) 1 7 tL!c 1 a3 18 b3 tL!f4 1 9
..ixf4 exf4 20 ..ixd7 �xd7 2 1 h4 .tf8 22 tLle2 �f5 23 l:the1 l:tc7 24 "ir'c 1
l:tcc8 25 "ir'd2 l:tc7 1h-1h, Adams-Vallejo Pons, Bled 2002.
B) 15 . . . g6 16 �g4 (16 �b1 �f8 17 ..ig4 [Adams' new 17 "it'c l ! looks
promisng. See illustrative game Adams-Zhang Zhong] 17 ... tt::J f4 18 �xf4
exf4 19 �xd7 "ir'xd7 20 �xf4 �g7 21 .l:.he l a5 22 a4 b5 23 l:te4 ..ie5 24
l:txe5 dxe5 25 11Vxe5 bxa4 26 tL!d2 �f5 27 "ir'xf5 gxf5 28 c4;!;;
Hautot-Ftacnik, Rethymnon 2003) 1 6 ... a5
Bl) 17 ..ixh5?! was harshly dealt with. I feel compelled to show a nice
game which illustrates the potential of Black's attack: 17 ... a4! 18 tt::Ja1 a3
Bla) 19 .tg4 axb2+ 20 �xb2 tL!b6 21 ..ixb6 'ii'xb6+ 22 tLlb3 ..ixg5 23
�d3 (23 "ir'xg5 l:txa2+ 24 �xa2 l:txc2+ 25 �a3 "ir'a6+) 23 ... "ir'b4+.
Bib) 19 b3 gxh5 20 �b1 b5 21 "ir'd3 tL!c5+ 22 �f5? tL!a4 ! 23 bxa4 "ir'c3
24 ..ic 1 bxa4 25 "ir'd3 l:tab8+ 26 tt::Jb3 axb3 27 cxb3 l:txb3+ 28 axb3 a2+ 29
38 The English Attack
14 .U.gl
Again, White has alternatives to try to beat down Black's position.
I ) I4 ltJd5 .txd5 I5 exd5 liJb6
2 ) 1 4 'ii'f2
14...b5
This is the most direct but Black has choices here.
1 4 ... g6 15 lDd5 .ixd5 16 exd5
A) 16 ... ..ifE 1 7 ..ih3 (or 17 l:.g4 .l:te8 18 .l:tc4 'ifb8 19 lDa5t Lutz-Ftacnik,
Cologne 2003) 17 . . . l:.e8 1 8 .ig4 lDf4 1 9 .ixf4 exf4 20 .ixd7 'it'xd7 21
'it'xf4 l:te5?! 22 lDc5 'it'c7 23 lDe4± Sandipan-Sareen, Calicut 2003.
B) 16 ... lDf4 ! 17 h4 (White should try 1 7 .ixf4 exf4 1 8 ..ih3) 17 . . . ..ifE 1 8
lDa5 .ig7 1 9 c4 lDc5 Dominguez-Sutovsky, Bled 2002.
14 . . .lDb6 15 �f2 lDc4 (15 . . . ..id8 16 h4 g6 17 l:td2 'it'c6 1 8 f4 exf4 1 9
.ixf4 lDxf4 2 0 'it'xf4 'it'e8 2 1 lDd4 l:txc3 ! 2 2 bxc3 lDa4 2 3 l:tg3 ..ia5 24
lDxe6 'it'xe6 25 l:.d4 lDxc3+ 26 l:bc3 .ixc3 27 .ic4 'it'e7 28 'it'xd6
Topalov-Kasparov, Leon 1 998) 16 ..ixc4 'ii'xc4 1 7 lDa5 'it'c7 1 8 lDd5 ..ixd5
1 9 .l:txd5 b5 20 'ii'd2 g6 2 1 l:tc 1 .id8 22 lDb3 .ie7 23 c4 bxc4 24 lDa5 'it'd7
25 lDxc4 'it'h3 Apicella-Kempinski, Rethymnon 2003.
14 ... a5 15 a3 lDb6 16 f4 lDxf4 17 .ixf4 exf4 1 8 'it'xf4 lDc4 1 9 l:tg3 g6 20
lDd4 .ifE 21 lDdb5 'iib6 22 ..ixc4 llxc4 23 lDxd6 l:.d4 24 l:.xd4 •xd4 25
lDdb5 'ifb6 26 lDc7 l:.d8 27 lD3d5± Svidler-Kempinski, Moscow 2003 .
1 5 lDd5 .ixd5 1 6 exd5 lDb6 1 7 lDa5 lDxd5 18 'it'xd5 'it'xa5
This pawn sacrifice is a motif for White. He controls the d5 square and
has the bishop pair. This is usually enough for at least equal chances.
19 ..ih3
19 .ic4 l:.fE 20 .ib3 �h8 2 1 l:tg4 'ii'c 7 22 c3 llac8 23 ..ic2 'it'c6 24 'it'd3
g6 25 'it'e2 f5 26 gxf6 lDxf6 27 l:th4 lDd5?! (27 ...lDh5 28 l:.xh5 gxh5 29 f4
'it'c4 30 'it'xh5 'it'f7 leaves White on the short side) 28 l:.h3 'it'd7 29 'ii'g2
lDf6 30 l:.g1 l:.g8 31 ..ixg6 ..ifE 32 llh4 1 -0 Nunn-Popovic, Internet 2003.
19 ...l:.f8 20 ..ig4 lDf4 21 ..ixf4 exf4 22 l:tge1 l:ta7 23 h4 'ii'b6 24 'it'f5
l:tc7?!
24 . . .'ii'f2! .
25 'ifxf4 'iff2 26 ..if5 g6 2 7 ..id3t
Gashimov-Popov, Batumi 2002.
8 .i.e3 .i.e7 9 'tWd2 0-0 10 0-0-0 tiJbd7
9 0-0
...
(Having already played . . . Jl.. e7 it makes less sense now to try 1 0 . . .ltJb6
e.g. 1 1 0-0-0 'i!lc7 1 2 h4 l:tc8 1 3 'it>b1 tt:\c4 14 Jl..xc4 'i!lxc4 1 5 h5 h6 1 6 g5
hxg5 1 7 i.xg5;l; Stocek-Dydyshko, Ostrava 1 998) 1 1 a4! b4 1 2 tt:\d5 Jl..xd5
1 3 exd5 tt:\b6 14 a5 ! tt:\bxd5 1 5 g5 tt:\xe3 16 gxf6 Jl..xf6 17 'ii'x e3± is a
discovery of John Nunn's which relegates IO ... b5?! to a sideline.
10 0-0-0 tiJbd7
1 1 g4
After 1 1 g4 there is a branching of variations. The main moves are
11 ... 'i!lc7 and 1 1 ... b5 which require involved investigation. The g pawn
advance is routine. 1 1 'it>b 1 will often just transpose to later variations, but
there can be slight differences, e.g. 11 <t>b l Ilc8 1 2 g4 b5 (12 . . . tt:\b6 1 3 h4
'ikc7 14 h5 tt:\fd7 1 5 g5 f5 16 gxf6 tt:\xf6;j; Sadvakasov-Alekseev,
Skanderborg 2003) 13 g5 tt:\h5 14 tt:\d5 ..ixd5 1 5 exd5 tt:\b6 16 tt:\a5 'ikc7
17 l:.g1 g6 1 8 h4 lt:Jxd5 19 'ikxd5 'ikxa5 20 c4 tt:\f4 2 1 i.xf4 exf4 22 cxb5
axb5 23 'ikxb5 'ika7 24 i.c4 'ikf2 25 ..ib3 'ikxf3 26 'ika4 'ii'f2 Bologan
Vallejo Pons, Selfoss 2003.
l l ...'ikc7
1 1 ... b5
The English A ttack 43
A) 1 2 �b l
Al) l 2 . . . tl'lb6 1 3 g5
Ala) l 3 ... ll'lfd7 14 h4 'ir'c7 1 5 h5 b4 l 6 ll'ld5 .ixd5 1 7 exd5 a5 1 8 'ir'd3
a4 l 9 ll'ld2 a3 20 'iff5 axb2 ! ? (20 ... l:tfc8!) 2 1 .id3 g6 22 hxg6 l:txa2 ! 23 c4
ll'lxd5 24 .id4 'ifa7? (24 . . . exd4 25 'ifxd5) 25 g7 ! l:ta l + 26 'itc2 l -0
Grischuk-Vaulin, St Petersburg 1 999.
Alb) 13 . . .ll'lh5 14 ll'ld5 ( 1 4 h4 l:tc8 15 l:tg l 'ifc7 1 6 'iff2 ll'lc4
Tolnai-Moiseev, Kecskemet 1 99 1 ) 14 ... .ixd5 1 5 exd5 'ikc7 1 6 l:tg l ( 1 6
lba5 ll'lxd5 1 7 ,.xd5 'ir'xa5 1 8 .ih3 'ii'b4 1 9 .if5 ll'lf4 2 0 'ike4 'ir'xe4
Lutz-Kuczynski, Germany 1 995) 16 ... g6 1 7 h4 l:tab8 1 8 .ixb6 'ir'xb6 1 9
.id3 1h- 1h Khalifman-Kuczynski, Germany 1 994.
A2) 1 2 ... b4 l 3 ll'ld5 ( 1 3 ll'le2 ! ?) l 3 . . . .ixd5 14 exd5 ll'lb6 15 .ixb6 'ir'xb6
allows Black reasonable counterplay- 1 6 h4 ( 1 6 'ir'e2 l:tfc 8 ! ? 1 7 f4 a5 1 8
fxe5 dxe5 1 9 'ii'x e5 a4 2 0 ll'ld4 b3 i s dangerous for White, lenni-Gallagher,
Lenk 2003) 16 . . . a5 1 7 ll'lc I l:tfc8 1 8 .id3 a4 1 9 g5 ll'lh5 20 .if5 l:tc5+
Sadvakasov-Bologan, Skanderborg 2003.
B) 12 g5 b4 ( l 2 ... ll'lh5 13 ll'ld5 .txd5 14 exd5 transposes into the
previous 8 ... .ie7 section) l 3 ll'le2 ! ll'le8 ( 1 3 ...ll'lh5 14 ll'lg3 ll'lf4 1 5 h4 a5 1 6
�b l a4 1 7 ll'ld4;!; Topalov-de Firmian, Polanica Zdroj 1 995) 1 4 f4 a5
( 14 ... exf4 15 .ixf4 ll'lc5 16 .ig2 ll'lxb3+ 1 7 cxb3 a5 1 8 �b I a4 19 bxa4
l:txa4 20 b3 l:ta6 2 1 ll'ld4! Zaitsev-Loginov, St Petersburg 2003) 1 5 �b l a4
1 6 ll'lbc I b3 1 7 f5 bxa2+ 1 8 �a I .ic4 1 9 ll'lc3 l:tc8 20 h4± Bruzon-Vera,
Havana 2003.
We briefly consider other l i th moves for Black.
l l ... l:tc8 is reasonable and may transpose to lines of l l ... b5 or l l ... 'ikc7.
The disadvantage is that Black may wish to place the king's rook on c8 and
leave the queen's rook on a8. An independent example is 12 g5 (this should
probably wait until Black plays . . . b5 so the c6 square is weakened)
1 2 ...tLlh5 1 3 tLld5 .ixd5 1 4 exd5 f5 1 5 h4 'ikc7 Giorgadze-Ubilava,
Tashkent 1 984.
l l . . .a5 12 a4 ll'lb6 1 3 �b I ll'lc4 14 .ixc4 .ixc4 1 5 g5 ll'le8 1 6 h4 'ikd7 1 7
f4± Tolnai-Loginov, Budapest 1 99 1 .
44 The English Attack
12 'it>bl
The main line, though the alternatives are worth consideration.
1 2 gS liJhS 1 3 liJdS .i.xdS 14 exdS ( 1 4 'illxdS ltac8 1 S 'ii'd2 fS 1 6 exfS
l:txfS Zezulkin-Hracek, Czech Republic 200 1 ) 14 . . . aS 1 S 'it>b 1 l:tfc8 1 6 �h3
_.d8 1 7 .i.g4 liJf4 1 8 �xf4 exf4 1 9 h4 a4 20 liJd4 l:tcS 2 1 �xd7 'ii'xd7 22
_.xf4 a3 23 b3 l:txdS 24 c4 l:teS 2S l:the 1 �f8 Fontaine-Lautier, Val d 'Isere
2002.
12 h4 bS 13 liJdS ( 1 3 hS b4 14 liJdS �xdS 1 S exdS liJb6 1 6 �xb6 'il/xb6
W.Watson-Kuczinski, Bundesliga 1 99S; 13 gS liJhS 14 'fi'f2 b4 1 S liJdS
�xdS 1 6 l:txdS aS 1 7 �b 1 a4 1 8 lDc1 l:tfb8 Alekseev-Kempinski, Istanbul
2003) 1 3 . . . �xdS 14 exdS l:tfc8 1 S 'it>b 1 liJb6 1 6 .i.xb6 'il/xb6 1 7 'ii'e 1 aS 1 8
gS liJhS 1 9 a3 liJf4 Adams-Kobalija, Moscow 200 1 . Though Adams won
the game the chances here are about even.
l � l:tfc8
...
A) The less played alternative is to transfer the knight to g3: I 4 ltJe2 l:tfc8
( l 4 . . .a5 I 5 ltJg3 a4 I6 ltJc I ltJf4 I7 h4 b4;!; Degraeve-Kuczynski, Ohrid
200 1 ) 1 5 ltJg3 ltJf4 1 6 h4 ltJb6 ( l 6 . . . g6 may be better) 1 7 i.xf4 exf4 1 8
ltJh5 ltJc4 1 9 ..txc4 bxc4 20 'ii'c3 ! .i.f8 2 1 ltJd4 l:tab8 22 ltJxf4 l:te8±
Blehm-Kuczynski, Plock 2000;
B) 14 ltJd5 ..txd5 15 exd5 ltJb6 I6 ltJa5 ( 1 6 l:tg I g6 17 h4 l:tab8 1 8 i.xb6
'ii'xb6 I9 i.d3 1/z - 1/z Khalifman-Kuczynski, Germany 1994) 1 6. . . ltJxd5 1 7
'ii'xd5 'ii'xa5 i s a now thematic pawn sacrifice where White obtains the d5
square and the bishop pair in compensation. There are many tests of this:
B1) Less threatening is 1 8 ..th3 'ii'a4 ( 1 8 . . .'ii'b4 19 ..tf5 ltJf4 20 'ii'e4
'ii'xe4 2 1 i.xe4 l:tab8 Lutz-Kuczynski, Germany 1 995) 1 9 ..tg4 ltJf4 20
'ii'b 7 ..txg5 2 1 l:txd6 l:tab8 22 "fia7 l:ta8 23 'Wb7 l:tab8 24 'Wa7 1/z- 1/z
Acs-Roeder, St Vincent 2002.
B2) 1 8 c4 l:tab8 ( 1 8 ... 'ii'b4 19 l:tg 1 l:tab8 20 cxb5 axb5 2 1 a3 'ii'a4 22 l:tg4
ltJf4 23 i.xf4 exf4 24 l:td4 'ii'a5 25 l:te4 'ii'd8 26 ..txb5 �h8 27 l:texf4±
Bologan-Fressinet, Pamplona 2002)
B2a) 19 i.d3 'ii'b4 (or 19 ...'ii'a4 20 cxb5 axb5 21 l:tc 1 ltJf4 22 ..txf4 'ii'xf4
23 h4 i.d8 24 'ii'xd6 1/z- 1/z Ponomariov-Sutovsky, Ohrid 200 1 ) 20 l:td2 bxc4
2 1 i.xc4 a5 22 �a1 l:tbc8 23 i.a6?! ltJf4! 24 'We4 (24 i.xf4 l:tc5)
24 ... l:tc7+ Fressinet-Kuczynski, Germany 2002.
B2b) I9 cxb5 1 9 . . . axb5 20 l:tg1 g6 2 I l:tg4 ltJg7 22 ..td2 'ii'b6 23 l:tb4
lLle6 24 l:lxb5 'ili'£2 is a messy position with chances for both sides,
Spasov-Cvitan, Leon 200 1 .
1 3 'ii'f2
Shifting the queen to a square nearer the kingside while controlling the
g I -a7 diagonal . More straightforward are the pawn advances:
I 3 h4 ltJb6 14 h5 a5 I 5 a4 ( 1 5 g5 ltJfd7 1 6 ltJc 1 ;!;) 1 5 ...ltJc4 I 6 i.xc4
'ii'xc4 Vescovi-Sakaev, Istanbul 2000.
13 ... b5 14 g5 ltJh5 15 h4
1 5 ltJd5?! i.xd5 1 6 l:txd5 l:tcb8 leaves Black prepared to roll on the
queenside. 1 7 ltJc 1 ltJb6 1 8 l:td 1 ltJc4 1 9 h4 a5 20 l:th2?! a4 2 1 ltJd3?! b4 22
46 The English A ttack
This is one of White's significant strategic ideas. The position with the
white knight coming to e4 against the dark squared bishop is usually good
for White, as in this case.
23 :ii'd4 'ii'b5 24 lL'le4 b3 25 cxb3 axb3 26 a3 l:ta4 27 'ifd3 l:tc4 28 lL'lc3
'ii'c5 29 l:the1 .i.f8 30 l:te4±
Karjakin-Pavlov, Simferopol 2003.
Illustrative Game : 8 'iVd2 ltJbd7 9 f3 j_e7
Byrne - Balashov
Alekhine Memorial, Moscow 1971
This is one of the early games with the English Attack. American GM
Robert Byrne was a pioneer of the opening and one sees that this game of
more than 30 years old is instructive even today. White's conduct of the
game is still theoretical but Black's play, though apparently reasonable and
logical, is lacking in the coherent defense that makes up the modem plans
for Black.
1 e4 c5 2 lLlf3 d6 3 d4 cxd4 4 ltJxd4 lLlf6 5 lLlc3 a6 6 ..ie3 e5 7 lLlb3 ..ie6
8 'il'd2 lLlbd7
8 .ltJg4?! 9 ..ig5 is clearly in White's favor.
..
9 f3 ..ie7 10 0-0-0
Today 1 0 g4 is considered more precise so I O . . b5 can be met by I I a4.
.
10...l:tc8
This move is certainly playable though nowadays we consider there is no
rush to place this rook on the open file.
1 1 g4 lLlb6 12 g5
White's move is thematic but I would prefer 12 h4 as there is no need to
advance immediately.
1 2 ...ltJfd7?!
After this White begins to take control of the board. We cannot be too
hard on Balashov though. It was 30 years of theory later that top players
decided that the best move was 1 2 .. ltJh5 ! .
.
24 lLld4! 'ii'xd4
24 ... exd4 25 .l:.de l+ .te7 26 lbe7+ �d8 27 'ii'g8+ lLlf8 28 'ii'x h8.
25 lbd4 lbc2
Black has a nasty discovered check coming. How should White continue?
26 lLlc7+! .txc7 27 'ii'a8+ 1;e7 28 .l:.g7+ �f6 29 'ii'x h8! 1-0
The discovered check is not mate and White's queen is safe on h8.
Illustrative Game: 8 f3 l2Jbd7 9 i¥d2 b5
Movsesian Lutz
-
Budapest 2003
13 ltJe2?!
This would be positionally good if White gets time to play ltJg3 and g5.
However it turns out to be too slow and White should play 13 llld5 as we
have shown already in the variations.
13 ... a5! 14 �b 1
A concession in order to provide a good retreat square for the knight. One
can say things have already gone a bit wrong for White as he has transferred
to defense. On the more aggressive 14 g5, 14 ... a4 ! leaves Black ahead. 1 5
gxf6 ( 1 5 ltJd2 ltJh5) 1 5 ... axb3 1 6 fxg7 .l:tg8 1 7 axb3 'ifc7+.
14 ... a4 15 ltJbc1 b3 !
Clearly Black wants to pursue the initiative.
50 The English Attack
1 6 cxb3
16 axb3 axb3 1 7 lt:)xb3 .ixb3 18 cxb3 'ii'xb3 1 9 lt:)c3 d5 and ... .ib4 is a
strong threat.
1 6 ... axb3 1 7 a3
White has locked the pawns on the queenside. In the endgame the black
pawn on b3 can be a serious weakness. In the middle game the question is
whether Black can make use of this pawn to attack the white king.
1 7...d5 !?
A reasonable alternative is l 7 . . ."6b7 I 8 lt:)g3 ( I 8 lt:)c3 d5+; 1 8 g5 lt:)xe4 ! )
1 8 . . .0-0 1 9 g5 lt:)e8.
18 g5
White must go ahead since 1 8 exd5 lt:)xd5+ is no good.
18 ... .ixa3?!
1 8 . . .'ifc7 ! J 9 lt:)xb3 ( 1 9 gxf6?? 'ifc2+ 20 'itta l .C.xa3+) 19 ... lt:)h5 provides
excellent compensation for a pawn and is much safer.
19 gxf6 .ixb2! ?
Having gone this far Black must carry on and sacrifice a second piece.
20 �xb2
Also good seems 20 fxg7 .l:.g8 2 1 �xb2 1Wb4 22 .ia7.
20 .. .'ii'b4 21 .ia7 0-0!?
Objectively this may be wrong, but it is hard to criticize.
2 l . ..d4 22 fxg7 l:tg8 23 lt:)xd4 exd4 24 'ifxd4 'ii'a5 25 lt:)xb3 'ii'xa7 26
'ii'xa7 l:.xa7 27 lt:)d4 lhg7 leaves White a pawn ahead but with all the
pawns being on the kingside there are drawing chances.
The English Attack 51
22 .ih3?
The incredible complications finally upset Movsesian 's equanimity. 22
exd5 l:.fc8 23 dxe6 (also 23 liJxb3 .if5 24 l:.c l ) 23 ...l:.c2+ 24 �b l 'il'a3
17 'ii'c l !
It is strange that this can b e a strong move-the queen retreats to the first
rank to hide from the battle in the center of the board. The point is that
White is now able to make the knight maneuver ltJd2-e4 while the queen
defends c2.
1 7 ...lLlf4?!
This allows White to head for a position where he trades off his two
bishops for Black's two knights, leaving the white knight to sit untouched
when it comes to the e4 square. It is strange, but this may be the only
mistake Black makes in the game. Black could try 1 7 ...b5 1 8 ltJd2 ( 1 8
i.xd7 'i'xd7 1 9 ltJa5 'i'f5 20 l:thfl lLlf4) 1 8 ... a5 1 9 lLle4 a4 !? 20 a3 b4 2 1
axb4 l:Icb8 with messy play. In general White has the easier task as Black
must do something to counter White's focused positional plan.
18 i.xf4 exf4 19 lLld2
Not getting distracted with the pawn offer. 19 i.xd7 'i'xd7 20 'ii'xf4 .i.g7
allows Black activity for the pawn. Adams might have considered this if the
game continuation had not been favorable to him.
The English Attack 53
Adams has achieved his strategic goal and stands clearly better. The
knight on e4 is a powerhouse-it holds kingside squares to promote the
attack, blocks the e file and pressures d6 and c5. It can always hop into f6
when Black will be forced to trade it for the bishop.
23 ... .1:[c7 24 hS nac8 25 .l:[h4 ! �fS 26 .l:[dh2
Adams has placed the rooks efficiently to attack on the h file and defend
c2. Zhang Zhong has played we11 and actively since his dubious 1 7th move,
but he has no serious attacking plan and must guard against the h file threats
(note 27 hxg6 fxg6 does not break through).
26....1:[e7
Defense before pressing on with the attack.
27 a3 bS
This turns out to be weakening, but it is hard to suggest anything good.
28 'ii'd 2 .l:[c4 29 ifaS! �c8
30 tt::l f6+!
This is precisely calculated to increase his advantage. Otherwise Adams
would not give up the tremendous knight.
54 The English Attack
The queen comes to e6 with decisive effect. Black cannot trade it off and
allow two connected pawns on the 6th rank.
33 . .'iVf8
.
9 .ixd5!
...
White seems to gain an edge after 9 ... tDxd5 I O exd5 .if5 I I i.d3 .ixd3
I 2 �xd3 lDd7 I 3 0-0-0 .ie7 I4 'it>b l;!;. Shirov-Anand, Leon 200 I continued
I4 ...l:.c8 I 5 f4 �c7 I6 lDd2 0-0 I 7 f5 tDf6 I8 .ig5 ! ? tDxd5 I 9 .ixe7 tDxe7
20 f6 lDg6 2 1 fxg7 �xg7 22 tDe4 "iVc4 (22 ... d5 !?) 23 tDxd6 �xd3 24 l:.xd3
l:.c7 25 l:.fl 'it>g8 26 il:lf5 l:.e8 27 l:.d6;l; and White eventually won the
endgame.
10 exd5 lDbd7 1 1 c4
White has the bishop pair and an advanced pawn on d5. His strategic plan
is to advance the queenside pawn majority after due preparation. The pawn
break c4-c5 is usually desirable but Black has a surprisingly resilient
position. The black minor pieces coordinate well within the pawn structure
and the extra kings ide pawn can lead to attacking chances on that side of the
board. Black has better control of the dark squares so if White 's c4-c5 break
can be prevented he will have good chances.
l l �c7
...
The English Attack 57
20 ...'Wd8?!
This position is difficult to play. White's plan of c4-c5 has been held up,
yet there is some possibility of White switching at an opportune moment to
the kingside with g2-g4. Neither side wants to advance pawns that create a
weakness, so for the time being the play is about shifting pieces around.
Black's move causes no harm but I would prefer 20 . . . .l:ae8 as 2 1 g4? e4
leaves White more exposed. A general plan for Black would be to effect the
trade of dark-squared bishops.
21 i..g5 'ii'e8 22 .l:cel 'it>h8 23 a3 lDh7 24 ..ie3 'ii'e7 25 tL\a4 .l:fb8 26
tDc3
It is still difficult to carry out a breakthrough. White could try 26 g4 b5 27
lDb2 e4 28 fxe4 fxg4 29 hxg4 hxg4 but Black seems to be fine.
26...i.. f6 27 g3 .l:e8 28 �g2 'ii'd8 29 .l:cl tL\g5?!
Provocative play in the approaching time pressure. More circumspect is
29 ... i..g 5 30 f4 i..h6 and if 3 1 g4?! exf4 32 ..txf4 i.. xf4 33 .l:xf4 lDe5 with
good play.
30 f4 tL\n 31 i.. e 2?!
31 g4! would put Black under pressure. Black's kingside will be more
difficult to defend than White's, e.g. 3 l ...e4 32 i..e2 .l:g8 33 .l:g l .l:c8 34
'it>h2±.
58 The English Attack
39 ll:\xb6?
A time-trouble mistake. It was necessary to play 39 ll:\c3 or 39 :ta I , still
retaining approximately even chances. Now suddenly the black pieces come
to life, making use of all of the slight negatives in White's position-the
somewhat vulnerable white king with only two pawns to protect it, the
slightly bad white bishop, the momentarily inactive rooks and offside
queen.
39 ... ll:\xb6 40 'ii'xb6 ll:\d7! 41 'ii'f2 axb4 42 :tfe1
Time trouble is over but White has no way to put right his position. On 42
axb4 :ta2 43 :tfe 1 'ii'e 5! 44 �g 1 f4 45 ..ifl fxg3 ! 46 'ii'xa2 (46 'ii'e3 :txfl +
47 �xfl 'ii'f5+ 48 �g l 'ii'f2+) 46 ... 'ii'd4+ 47 �h 1 'ii'xh4+ 48 �g 1 :tf2
wms.
42 ...l:ba3 43 ..ixh5 ll:\e5
Pawns are even but the black pieces have taken up ideal positions.
44 ..id1
44 ..ie2 f4 45 gxf4 'ii'd7 46 :th l 'ii'f5 is also a winning attack.
44 ...'ii'd 7 45 ..ic2 f4 0-1
Rytshagov-Areshchenko, Istanbul 2003.
8 f3 h5 9 1id2 ttJbd7 10 0-0-0 .l:.c8
The most frequent choice for players of the white pieces. White places the
queen on its normal English Attack square while retaining his strategical
options. White can still castle either kingside or queenside, play for a
kingside pawn storm, a queenside pawn advance or central play. However
after the usual...
9...tt::lb d7
. . . White must choose a plan. Four moves are employed here, 1 0 0-0-0, 10
tt::ld 5, 1 0 i..e 2 and 1 0 a4. The first is the attacking plan leading to castling
on opposite wings. 1 0 tt::ld 5 can lead to king or queenside castling. The last
two moves, 1 0 i.e2 and 1 0 a4, aim for a more positional treatment in which
White castles kingside, and so will be considered together in the next
il lustrative game.
60 The English Attack
1 0 0-0-0
I 0 tLld5 is similar to 9 tLld5, and indeed there is no particular advantage
for White delaying this move. The white queen may well be best placed on
d2, but still takes away an option or two. l O ... ..txd5 (Here I O ... tLlxd5 I I
exd5 ..if5 makes a lot of sense and is probably good enough for equality.
Now if White plays 1 2 ..td3 .i.xd3 1 3 'ii'xd3 the white queen will have
moved twice, so I 3 . . . ..te7 14 0-0-0 ..tg5 levels the chances.) I I exd5 "Wc7
( l l ...g6 I 2 .i.e2 h4 ! ? 1 3 tLla5 'ii'c7 1 4 c4 l2Jh5 1 5 0-0-0 lDf4 1 6 ..tfl h3 1 7
gxh3 Bologan-Ashley, New York 2000, now l 7 ... l2Jxh3 is about equal.) 12
tDa5 ( 1 2 c4 a5 13 ..td3 g6 14 0-0 ..tg7 Kovchan-Areshchenko, Kramatorsk
2002.) I 2 . . . b6
A) 1 3 lt:Jc6 tLlxd5 ! 1 4 'ii'xd5 lDf6 1 5 'ii'b3 ( 1 5 "Wc4 b5 1 6 "Wc3? l2Jd5+)
l 5 .. .'�xc6 I 6 'it'xb6 'it'xb6.
B) l 3 lDb3 g6 14 ..te2 'iib 7 1 5 .l:td l ..tg7 I 6 0-0 0-0 1 7 f4 exf4 1 8 .ixf4
.l:.fe8 ! I 9 c4 tDe4 with good play, Alekseev-Areshchenko, St. Petersburg
2002.
1 0 l:tc8
...
White now has a large choice of moves, but the choice of plans is either
to advance the kingside pawns or play 1 2 lL'ld5.
12 ..id3
The main alternative strategically is 1 2 lLld5. This move has more venom
that one would guess at first sight. It looks as if Black should gain easy
equality but it is not so simple.
1 5 ...lt:Jb6
After this Black cannot reach equality.
Other moves are:
I S . . .b4 1 6 lt:JdS ltJxdS 1 7 exdS .txdS 1 8 fxeS ltJxeS 1 9 ..ixa6 ..ib7 20
..ibS+;!; Zontakh-Areshchenko, Alushta 2002.
A good try is I S . . ...ic4 when White must come up with a plan to make
progress. 1 6 'fi'f2 ( 1 6 fS dS 1 7 exdS ltJxdS 1 8 ltJxdS ..ixdS seems to hold up
for Black. 1 9 ..ixbS axbS 20 'fi'xdS 'fi'xc2+ 2 1 �a l 'fi'c6) 1 6 ... b4 1 7 ltJdS
lt:JxdS 1 8 exdS .txd3 19 ltxd3 0-0 is about equal. Mastrovasilis-Efimenko,
Istanbul 2003, continued 20 ltc I ?! aS 2 1 c4 a4 22 ltJd2 fS !+.
1 6 ..ixb6 'ii'xb6 17 lt:Jd5 ! 'lidS
It is sad to retreat the queen. Perhaps Black should deal with the central
problem immediately, although 1 7 ...ltJxdS 1 8 exdS ..ixdS 1 9 fxeS dxeS 20
ltxeS ..ie6 2 I lt:Jd4 ! ..if6 22 lte4 leaves Black with an unsafe king after both
22 . . . 0-0 or 22 . . . ..ixd4 23 ltxd4.
18 c3 0-0 1 9 ..ic2
The English A ttack 63
Now Black must do something inventive as White has a central grip that
is hard to shake off. Ftacnik plays a normal move and falls into a deadly
passive position.
1 9 ....U.e8?
19 ... ltJh5 20 ltJxe7+ ..Wxe7 2 1 f5 �xb3 22 �xb3 would keep Black in the
game.
20 liJxf6+ �xf6 2 1 fS �xb3
2 l . ..�c4 22 ..Wxd6 ..Wxd6 23 .U.xd6 leaves Black a pawn down, though it
may offer better practical chances.
22 �xb3 ..WaS 23 .U.g1 .U.ed8 24 g4 hxg3 25 .U.xg3
With the tremendous light-squared bishop and the g file the attack plays
itself.
25 'it>f8 26 h4 �6
•.•
White is winning, but how to end it? Lutz finds a stunning combination.
32 ..Wxf6+! 'it>xf6 33 .U.g6+! fxg6 34 .U.xg6+ 'it>e7 35 f6+ 1-0
Lutz-Ftacnik, Germany 200 1 .
8 f3 h5 9 'iVd2 liJbd7 10 .i.e2 �c8
White can play for kingside castling with the idea of trying to expose
8 ... h5 as a kingside weakness. Many times the position is like a 6 .i.e2 e5
Najdorf so play is similar to that-positional without too many sharp
attacking lines. However there are specific differences with the addition of
White's pawn on f3 and Black's on h5 so one should not exactly copy a 6
i.. e2 strategy.
1 0 i..e2
An equally good move order would be I 0 a4. However there is no rush to
prevent Black from playing ...b5?! as the pawn would just be hit by White's
a2-a4. White players have sometimes quickly advanced the pawn to a5 to
prevent the maneuver . . . l2Jb6 and . . . l2Jc4. True, Black could play an
immediate 1 0 ...l2Jb6 but White should not be too worried about that plan.
A) 10 ...l2Jb6 1 1 'ikf2?! (White should play 1 1 a5 l2Jc4 1 2 i..xc4 i..xc4 1 3
l2Ja4 with a slight edge-see below after 1 0 ...l:tc8 .) 1 1 . . .ltJc4 1 2 i..xc4
i..xc4 1 3 ltJd2 i..e6 14 0-0 i.e? 1 5 l::tfd 1 �c7 1 6 ltJfl h4 1 7 h3 �c6 etc was
Movsesian-Gelfand, Malmo 1 999.
B) 10 ... l:.c8 1 1 i..e2 l2Jb6 12 a5 l2Jc4 13 i..xc4 i..xc4 ( 1 3 ... l:txc4 14 l2Ja4
d5?! 1 5 l2Jb6 l:tc6 1 6 exd5 l2Jxd5 1 7 0-0-0 l:td6 1 8 l2Jc4±) 1 4 l2Ja4 ! ? (With
this maneuver White immediately looks to gain firm control of the d5
square.) 14 ...l2Jd7 1 5 ltJc l i.e? 16 b3 i..b 5 17 c4 i..xa4 1 8 l:txa4 l2Jc5 1 9
l:.a2 l2Je6 2 0 0-0 i.g5 2 1 i..xg5 l2Jxg5 2 2 l2Je2 h4 2 3 l2Jc3;l; Ni
Hua-Nikolaidis, Istanbul 2000. The white knight on d5 will be powerful.
The English Attack 65
C) 10 ... i.e7, developing, seems to be the best idea. The knight tour to c4
via b6 loses time. Then 1 1 a5, when:
C 1) An inferior plan is 1 1 ...l:lc8 12 i.e2 g6 13 0-0 h4 14 ltJc 1 ! ( 14 ltJd5
i.xd5 1 5 exd5 'it>f8 16 c4 ltJh5 17 .l:tfd 1 'it>g7) 14 . . .ifc7 15 .:td 1 'it>f8 16 i.fl
1;g7 17 i.f2 l:th5 18 'ii'e 1 l:te8 19 l:ld2 l:th7 20 'ii'd 1 l:lh5 2 1 l:ta4 l:tc8 22
ltJ 1 a2 ltJc5 23 l:ta3 ltJcd7 24 ltJb4 and White has a distinct advantage,
having acheived his goal of controlling d5, Grischuk-Popov, Elista 2000.
With the center under control Grischuk shifted his forces to the kingside
and won with a decisive breakthrough.
C2) 1 1 . . .0-0 12 i.e2 l:tc8 1 3 0-0 ltJc5 This move frees Black's game.
Usually the knight exchange on c5 results in a poor pawn structure for
Black. This position is slightly different from a usual 6 i.e3 e5 Najdorf and
Black gains enough play on the a7-g1 diagonal to hold the balance. Note
however that Black may do even better with 1 3 ...ifc7 and 1 4 ... l:tfd8 as in
our main line. 1 4 ltJxc5 dxc5 1 5 'ii'xd8 ( 1 5 'ii'e 1 c4 1 6 'it>h 1 ltJd7 1 7 ltJa4
i.d6 I/2-Ih Bologan-Sakaev, St Petersburg 1 995) 1 5 . . J:Uxd8 1 6 ltJa4 c4 1 7
�f2 ( 1 7 ltJb6 i.c5 ! ) 1 7 . . . 'it>f8 1 8 c3 l:tc6 1 9 ltJb6 i.c5 20 l:tfd1 l:txd 1 2 1
l:txd 1 'it>e7 2 2 h4 g6 2 3 l:ta 1 ltJd7 24 ltJxd7 'it>xd7 with only a minimal edge
to White, Kobalija-Jobava, Dubai 2000.
IO l:tc8 1 1 0-0 i.e7
...
1 2 .l:r.fdl
12 a4 is the more usual move order, when Black can transpose into our
main continuation with 1 2 . . . 0-0 1 3 l:tfd 1 ikc7 14 a5 1Hd8. Black has also
played 12 ... ltJb6 (suspect is 1 2 . . . ifc7?! 1 3 ltJd5 ltJxd5-not 13 . . . i.xd5 14
exd5 "ii'xc2?? 15 l:tc 1-14 exd5 i.f5 15 c4;!; ltJc5?! 1 6 ltJxc5 dxc5 1 7 f4 e4
1 8 a5 l:th6 1 9 l:tfc 1 ! i.d6 20 b4 ! ± Bologan-Martin del Campo, Elista 1 998.)
Then:
A) 1 3 a5 ltJc4 14 i.xc4 i.xc4 1 5 l:tfd 1 l:tc6 1 6 ltJc 1 d5 1 7 exd5
A I ) 1 7 . . .ltJxd5 ! ? 1 8 ltJxd5 i.xd5 1 9 i.b6 ( 1 9 'ii'x d5? .:td6) 1 9 ...'ifb8 20
ltJd3 i.e6.
A2) 1 7 ...l:td6 1 8 ltJd3 ltJxd5 19 ltJe4 .l:r.e6 20 ltJdc5 l:lc6 2 1 i.f2 f5
Schmaltz-Nakamura, Bermuda 2003.
66 The English A ttack
16 exdS
The alternative capture was played in Hracek-Ftacnik, Bundesliga 1 999-
16 tt:lxd5 i..xd5 1 7 exd5 'fixc2 1 8 d6 .tf8. Here Black is somewhat better
since White's d pawn needs protection. The continuation was 1 9 tt:la2?!
'ii'xd2 20 .:.xd2 .:.c6 21 :ad ! tt:lb8 22 .ia7 .:.cxd6! 23 .:.xd6 .ixd6+.
The English Attack 67
27 c4?
Weakening the queenside, though the defense had already become
unpleasant. White has passively swapped off pieces to reach a simpler but
inferior position. Still, 27 Uel would have kept the defense together.
27..Jldl+ 28 l:txdl 'ifxdl + 29 'ifn 'ifc2
Now a pawn goes.
30 g3 'ifxb2 31 'ifd3 it)d4 32 f4 it)e2+ 33 �n it)cl 34 'Wd2 'ifxd2 35
it)xd2 exf4 36 gxf4 ..ib4
The endgame is lost. Zhang Zhong wraps it up with fine technique.
37 it)e4 it)b3 38 c5 it)d2+! 39 it)xd2 �xd2 40 �c7 �b4 41 �b6 �f8 42
We2 �e7 43 �d3 �d7 44 �d4 �c6 45 f5 gxf5 46 'iPe5 i.xc5 0-1
Shomoev-Zhang Zhong, Ulan Bator 2002.
8 f3 li:Jbd7 9 �d2 b5 10 a4 b4 11 li:Jd5 �xd5
12 exd5 li:Jb6 13 �xb6 �xb6 14 aS �b7
15 �c4 g6
White's overall plan in the English Attack is 'ii'd 2, g4, 0-0-0 in some
order. 9 'iid2 could reach the same positions as 9 g4 if Black plays 9 . i..e 7,
. .
but usually the variations are different. With 9 'iid2 there are more options
for White if Black plays ... l2'lb6 without . . .b5. An important line that Black
can make use of is the immediate 9 . b5 which brings the focus of attention
. .
to the queenside and avoids the main lines of the English Attack Najdorf.
Yet these may be quite as promising for White as the main lines, so it is
well worth investigating this move order.
9 b5
...
The English A ttack 69
Black does not have to make this advance immediately. With 9. . ..ie7 1 0
.
Najdorf play. The b pawn is ready to attack the knight on c3 at the right
moment and if White castles queenside the pawns can press the
counterattack.
10 a4
We take this as the main line since it is the most difficult for Black to
handle. The alternatives are nearly as popular for White, but they pose
fewer problems.
A) 10 g4 lDb6 1 1 g5 l2Jfd7 Here the black knights have regrouped in a
cohesive way and removed from the white pawn onslaught while still
covering the d5 square and helping with the queenside attack. Black has
fully equal chances: 12 l2Jd5 ( 1 2 f4?! g6 ! 13 0-0-0 l2Jc4+ Leko-Shirov
1 999) 1 2 . . . -l:tcB ! 13 lDxb6 lDxb6 14 ..Wa5 l2Jc4 1 5 ..ixc4 bxc4 1 6 ..Wxd8+
�xd8 Adams-Kasparov, Grand Prix 2000.
B) 10 0-0-0 lk8 (1 O . .l2Jb6 1 1 ..Wf2 l2Jc4 1 2 ..ixc4 bxc4 13 l2Jc5! has been
.
Black attacks the d pawn, when the only way for White to defend it is to
give back the bishop pair. A bad mistake would be 12 . . . a5? 13 ..ib5 when
White dominates the light squares.
13 ..ixb6 "il'xb6 14 a5
This fixes both the black a and b pawns as targets. These weaknesses will
give White a substantial edge if Black's dark square play can be kept to a
manageable level.
14..."il'b7 15 ..ic4
White defends the d pawn while at the same time continuing with his
development. His general strategy is to round up the b pawn. This can be
done by attacking it with l:tb4 followed by the knight maneuver lDc 1 and
lDc2 (or d3). This is time-consuming so Black will have a chance to stir up
70 The English A ttack
significant trouble on the dark squares. One should remember the general
rule that the presence of bishops of opposite colour allows greater attacking
chances. Thus here Black will often lose a pawn in pursuit of an attack. The
positions arising can be very difficult to judge since compensation for the
pawn lies in long-term factors. The sharp and unbalanced nature of the
position contrasts with a negative practical feature from Black's side that it
runs the risk of White settling for a draw by repetition: 1 6 l:!b4 l:!b8 1 7 'ir'd3
l:!a8 1 8 'ir'd2 l:!b8. Some fighters have successfuly sacrificed the a pawn to
continue battle, but objectively that is dubious.
Black has two good tries after 15 i.c4- 1 5 . . . . g6 and 15 ... i.e7 (next
chapter).
18 tb a2
Black seems to have less trouble with 1 8 tiJd3 i..h6 19 'itxb4 'ir'c7 20
'ita3 (20 'ir'c3? tbxd5 ! 2 1 i.xd5 'itxc3+ 22 bxc3 l:!b 1 + 23 'it>e2 l:!xh l +
lvanchuk-Gelfand, Monaco Blitz/Blindfold 2002) 2 0. . . 0-0 2 1 tiJ f2 i.c1
The English A ttack 71
Quick disaster came after 19 'ii'd 3?! 0-0 20 'it>d 1 'ika7 2 1 h3 'ii'f2 22 :xb4
e4 23 fxe4 lDxe4 24 :e1 lDc5 25 'ii'c 3 'ii'xg2 26 'ii'd4 :be8 0- 1
Iordachescu-Navrotescu, Bucharest 200 1 .
1 9 0-0 2 0 lDxb4 e4
...
White is a pawn ahead and can take the a6 pawn when given time. Black
is opening lines for attack while White has not yet castled and has a distant
rook on a4. It is a difficult question to answer whether Black has enough
play for the material. The position defies an easy solution.
21 0-0
Interesting is also to keep the kingside blocked at the cost of a pawn : 21
f4 i.xf4 22 0-0 i.g5 23 i.xa6 'ii'd7 24 b3 lDg4 25 lDc6 :be8 Black is
doomed on the queenside, but he may get there first on the kingside.
'Unclear' or roughly equal chances is my evaluation. After 26 :b4 lDe3 27
:b7 'iig4 28 'ilfxg4 hxg4 29 i.c4?! (29 :f2 lDd 1 30 :e2 lDc3 3 1 :e 1 i.d2
32 :a 1 e3 33 b4 e2 34 lDe7+ rj;;g7 35 i.xe2 lDxe2+ 36 'it>f2 lDc3 37 rj;;g 3)
29 ... f5 30 a6! lDxc4 3 1 bxc4 f4 32 a7 f3 33 ::tb8 (33 gxf3 gxf3 34 h4 i.xh4
35 lDb8 e3 36 a8='iV f2+ 37 rj;;g2 e2 3 8 ::tbb1 e 1 ='ilf-+) 33 ... i.e3+ 34 'it>h 1
i.xa7 3 5 ::txe8 ::txe8 36 lDxa7 e3 37 gxf3 gxf3 38 �g 1 f2+ 39 :xf2 exf2+
40 �xf2 ::te4 41 lDb5 ::txc4 42 lDxd6 ::txc2+ 43 'it>g3 ri;g7 and Black won,
Miroshnichenko-Kovchan, St. Petersburg 2002.
21 exf3 22 gxf3
...
Trying to keep out the black knight by controlling the e4 and g4 squares.
After 22 'ilfxf3 lDg4 23 lDc6 'ii'x b2?! (23 . . . ::tbe8 ! 24 h3 lDe3 25 ::tb4 'ii'a8 !
looks like it gives Black enough play due to the chances of invading on the
e-file.) 24 lDxb8 'ikxb8 25 i.d3 'ii'e8 26 ::te4 'ii'd8 27 'ii'g 3?! (27 i.xa6
72 The English Attack
32 .tn ! l:.xf3
On 32 ...'iff5 or 32 . . . 'ilr'c8 33 'ilfxe3 ! .txe3 34 liJe7+.
33 .i.xh3 l:.xf2 34 .:tn ! l:.xn + 35 .i.xfl liJxd5 36 .i.xa6 .td2 37 .tb7
Pawns are even again, but White 's a pawn will cost a piece.
37 ... liJb4 38 liJd4 .i.e3 39 c3 h3
Desperation.
40 a6 liJd3 41 a7 liJf2+ 42 'ittg 1 1 -0
Anand-Gelfand, Blindfold/Blitz, Monte Carlo 200 1 .
8 f3 ctJbd7 9 �d2 bS 10 a4 b4 11 ctJdS .1Lxd5
12 exdS ctJb6 13 .1Lxb6 �xb6 14 aS �b7
15 .1Lc4 .1Le7
The traditional move is also the quickest development of the bishop. The
advantage over 1 5 ... g6 is that the bishop can be useful on the queenside
after a later ... .idS. Black is also ready to castle at once. The downside is
that Black does not develop a kingside attack as quickly as with 1 5 ... g6.
1 6 .U.a4 l:tb8 17 tLlcl
17 ii'd3 will cause most players to make a draw after 17 . . . .U.a8 1 8 ii'd2
.U.b8 19 ii'd3 etc. Courageous fighters have tried to fight on and not without
success-though I believe this is theoretically dubious.
A) 1 7 ... 0-0 1 8 0-0 ( 1 8 .ixa6! ii'xd5 1 9 ii'xd5 tLlxd5 20 'it>f2±) 1 8 ... e4 1 9
fxe4 tLlg4 20 .ixa6 ii'a7+ 2 1 'it>h 1 .if6 2 2 ii'e2 .ixb2 23 .id3 1h-1h
Gipslis-Tseshkovsky, Riga 1 98 1 .
B) l 7 ...e4 1 8 fxe4 tLlg4 1 9 ii'e2 (Again 1 9 .ixa6! ii'd7 20 l:ta2 or
19 ... ii'a7 20 ii'e2 both look good for White, albeit complicated.) 1 9 ... ii'd7
20 l:ta2 .if6 2 1 0-0 .ie5 22 h3 ii'a7+ 23 'it>h1 tLle3 24 l:tf3 tLlxc4 25 ii'xc4
0-0 26 ii'd3 l:tfc8 with at least equal chances, Thorhallsson-Sadler, Gausdal
1994.
74 The English Attack
17 0-0
...
1 8 ... lLld7 ( 1 8 ... 0-0 l 9 lLla2 lLld7 20 'it.od l ! so that 21 .l:txb4 ii.xa5 22 .l:txb7
ii.xd2 is not with check. After 20... '1i'c8 2 1 lLlxb4 lLlc5 22 .l:ta2 ii.g5 23
lLlc6!± Rytshagov-de Firmian, Stockholm 1 998; l 8 ... '1i'a7 1 9 lLld3 'li'd4 20
lLlxb4 'li'xd2+ 2 1 'it.oxd2 .l:txb4 22 .l:txb4 ii.xa5 23 'it.oc3 'it.od7 24 .l:ta l ii.xb4+
25 �xb4 .l:ta8 26 �a5± Hracek-Lutz, Bad Homburg 1 997.) 1 9 lLld3 lLlc5 20
l2'lxc5 dxc5 2 1 �d3 0-0 22 ii.xa6 'ii'd7 23 d6 ii.f6 24 0-0 e4 25 fxe4 ii.d4+
The English A ttack 75
22 ..ixa6
22 'iic3 .!:.cS 23 We2 e4 24 fxe4 tt'le5 25 ..ixa6 'ilt'xc3 26 tt'lxc3 .l:.xc3 27
Wd2 .l:.c7 Anka-Nguyen, Budapest I 999.
22 ...'iia3 23 tt'lc1 1h-1h
Magem Badals-Zhang Zhong, Beijing I 99S.
The game might have gone on a little longer with 23 ... -tdS 24 0-0 ..ixa5
25 'iie2 'iic 5+ 26 �h I 'iixd5 being the likely continuation.
Chasing the Bishop-Introduction
6 �e3 ctJg4 7 �g5 h6 8 i.. h4 g5 9 i.. g3 i.. g7
liJb6 l:tb8 14 c3 ltJe5 1 5 i.e3 liJd7 1 6 ltJxc8 l:.xc8 1 7 i.e2 ltJe5 1 8 l:.ad 1
ltJc4 is only a tad better for White;
B) 10 i.e3 'ii'x dl + ( 1 0 ... 1Wb4 1 1 0-0 i.xg4 12 'ii'xg4 'ii'xb2 1 3 liJd5 is
very risky for Black) 1 1 i.xd 1 b5!? ( 1 l ...e6 12 ltJa4! .i.e7 13 liJb6 l:tb8 14
c3;!;) 12 a4 b4 13 liJd5 l:tb8 1 4 i.e2 ( 1 4 a5 e6 15 liJb6 i.b7 leaves Black at
least equal chances as the dark-squared bishop intends to go to f6 where it
will exert pressure on the White queenside.) 14 ... e6 1 5 liJb6 ..tb7 1 6 0-0-0t.
In conclusion, it seems that 7 . . . ltJc6 8 i.e2 1Wb6 allows White to gain a
small endgame advantage. One should note that Black could play 8 i.e2
liJf6 transposing to the Scheveningen Variation which one player or the
other may not be familiar with.
7 h6
...
Chasing the bishop is played 99 percent of the time. There has been some
experimentation with 7 . . . ltJc6 which sets up the threat 9 ...1Wb6 when the
white bishop does not defend £2. 7 . . .ltJc6 8 h3 (8 ltJxc6 bxc6 9 ..te2 h6 1 0
..llf4 g5 1 1 ..tg3 ltJe5 1 2 ..txe5 dxe5 1 3 'ii'xd8+ 'it>xd8 14 0-0-0+ <l;c7 1 5
78 The English A ttack
This is the starting position for the main line of the 6 ... l0g4 variation.
1 0 li'd2
After this White is ready for queenside castling which will bring pressure
to bear on the d file. Now an attack with h4 will quickly pry open lines on
the kingside. A negative aspect of White's plan is that Black gets good play
on the central dark squares as well as gaining space on the queenside since
the bishop on g3 does not guard the d4 square. There seems to be enough
counterplay here for Black to at least hold the balance.
10 ...tL!c6 1 1 tLlb3
I I tL!xc6 bxc6 solidifies Black's center and gives him the b file.
1 1 ...tL!ge5
The timing of Black's regrouping is important. The plan is to gain play
from this knight jumping to c4 at the right moment.
1 2 f3
I 2 h4?! g4 I 3 .te2 b5 threatens 14 ... tL!c4, causing problems on the
queens ide.
12...b5 13 .tf2 :b8!
80 The English Attack
A precise move that adds power to the plan of ...tt:lc4 and guards the b6
square in case a white knight hops to d5. In practice Black has gained at
least equal chances.
14 tt:ld4?!
The threat was l4 ... tt:lc4 1 5 .ixc4 bxc4 and the b2 pawn goes. Better
choices are
1 ) 14 tt:ld5 f5 1 5 exf5 .ixf5 1 6 tt:ld4 0-0 1 7 h4 ( 1 7 tt:lxf5 l:hf5 1 8 0-0-0
tt:lc4 19 .ixc4 bxc4+) 1 7 . . . e6 1 8 tt:lc3 tt:lxd4 1 9 .ixd4 gxh4 with a slight
edge for Black, Aronian-Jobava, World Junior Championship 2000.
2) 14 0-0-0 tt:lc4 1 5 .ixc4 bxc4 1 6 tt:ld4 'ii'b6 1 7 tt:la4 'ii'c7 with roughly
equal chances.
14 ... b4 15 ti:ld 1
It is already evident that White is not controlling the game since on the
natural 1 5 tt:ld5 e6+ leads to serious difficulties.
1 5 tt:lxd4 16 .ixd4 d5!
..•
17 exd5
Black is also for choice after 1 7 .ixe5 .ixe5 1 8 'ii'xd5 'ii'c 7 1 9 'ii'c4
.ixh2. This is probably the best idea as the game continuation allows Black
powerful centralization.
The English A ttack 81
17 .. .'i'xd5 18 c3?!
After this it becomes very hard to blunt Black's initiative. 18 �a7 'ii'xd2+
1 9 �xd2 l:[b7 would offer better chances of holding out.
18 ... 0-0 19 i.e2 .l:td8 20 'ii'e3 �b7!
Strong and precise play-Kasparov develops with great effect. Now 2 1
0-0 tt:lg4! hurts. There is no good way to break Black's grip on the position.
21 tt:lf2 bxc3 22 i.xc3 'ii'e6
Threatening 23 ... tt:lxf3+.
23 �fl �dS 24 b3 .l:tbc8 25 .l:tdl
Clearly the most popular move. This advance defends the knight while
trying to make the kingside pawns into an aggressive force. The only other
move that has been tried is 1 0 ...lL:le5. This is not too bad, but is somewhat
compliant and probably allows White some edge. White does best to jump
in with the knights: I I lL:ld5 ( 1 I h4 lL:lbc6 I 2 lLlb3 .i.e6 I 3 hxg5 hxg5 14
�xh8+ .i.xh8 I5 ._d2 .i.xb3 16 axb3 lL:ld4! 1/z- ih Bruzon-Abreu, Guillermo
Garcia Premier II 1 999) I l .. .lZ::lbc6 ( 1 l . ..e6 1 2 lL:le3 'iib6 1 3 lLlb3 lL:lbd7 14
'ir'd2;!;; I I . . .lL:lec6 I 2 lL:lf5 .i.xf5 I3 exf5 .i.xb2 14 �b 1 .i.d4 is risky but
possible. If White wants to avoid this he could start with 1 1 lLlf5 .i.xf5 1 2
exf5 lL:lbc6 1 3 llld 5.) I 2 lLlf5 .i.xf5 1 3 exf5 lL:ld7 ( 1 3 . . . .!:c8 14 c 3 e6 I 5 fxe6
fxe6 I 6 .i.h5+ �d7 I 7 lLle3 'iib6 1 8 0-0±) 14 c3 lbf6 1 5 .i.f3 .!:b8 1 6 0-0
lbe5 1 7 .i.xe5 dxe5 I 8 ._a4+± Nevednichy-Ardeleanu, Romanian
Championship I 999.
84 The English Attack
1 1 i.xg4
The main line is to remove the knight from the board and deal with
Black's pawn advance. After the alternative 1 1 i.xg4 there are two ways to
recapture and both are playable. First we shall look at the bishop's
recapture, the original plan for Black. The recapture with the pawn is
covered in the next game. I I ll:lf5 i.xf5 I 2 exf5 is tricky and Black has
often gone wrong.
l l ...i.xg4 1 2 f3
Black must play with care: 14 ...h4?! 1 5 tL'ld5 .l:tb8 1 6 0-0-0 e6? 1 7 lL'lf5 !
exf5 1 8 i.b6 'ii'c8 1 9 tL'lc7+ �f8 20 'ii'xd6+ wins, Movsesian-Akeson,
Malmo 1 999.
15 0-0-0
Castling kingside is also possible. Black's kingside pawns then become
partly weak and partly an attacking force, so chances would be even.
15 .l:tc8 16 �b1 i.e6
...
86 The English Attack
This covers the d5 square so White cannot get a better ending with ltJd5.
Black is not afraid of 1 7 ltJxe6 ..ixc3.
17 ltJxc6
This allows Black to gain solid control over the central squares so that
White finds it hard to make any headway. More usual would be 1 7 a3 when
interesting complications could begin with 1 7 ... ltJe5 ! ? 1 8 'ii'x g5 ..if6 1 9
'ii'g3 ltJc4.
17 ... bxc6 18 ..id4 f6! 1 9 b3 g4 20 l:.he1 c5 2 1 .if2 ..ih6 22 ..ie3 ..ig7 23
�f2
The players see no route to an advantage, so decide it is well to repeat
moves. White could play the endgame with 23 ltJd5, but he is not better.
23 ... ..ih6 24 ..ie3 1/z-1/z
Adams-Topalov, Linares 1 999.
6 ..te3 ltJg4 7 ..tg5 h6 8 ..th4 g5 9 ..tg3 ..tg7
10 ..te2 h5 11 ..txg4 hxg4
The recapture with the pawn is a plan devised by Kasparov. The doubled
pawns hold kingside squares, preventing any easy pawn advances by White
on that side of the board. The white bishop on g3 is not threatened but it has
trouble moving to a place where it can influences play on the queenside.
The main continuation involves a temporary pawn sacrifice by Black but
the positional factors are so strong that this is not risky.
1 2 0-0 tLlc6
There is a risky sideline with 12 . . . e6 when Shirov, playing White against
Kasparov at Wijk aan Zee 1 999, immediately played for unclear
complications with 1 3 'iWd2 (Instead 1 3 tLlb3 .txc3 14 bxc3 e5 1 5 'iWd5 !
llh6 1 6 l:.fd l looks very good.) 1 3 . . . tLld7 ! ? 1 4 .txd6 tLle5 1 5 tLlcb5 ! ? axb5
1 6 tLlxb5 f6 1 7 l:.fd I rl;fl 1 8 'iWe2 �d7 1 9 �xe5 fxe5 20 tLld6+ rl;g6 with
an obscure position.
13 tLlfS
With this White will win the g4 pawn. There is no other active move in
the position.
13 ...�xc3
Taking the knight that could jump into d5 is the right decision. Black
intends to establish a pawn chain on the black squares, so trading this
bishop to weaken the white pawns fits into the plan.
88 The English A ttack
24 tt:lxd6+!
Shirov finds a clear route to a drawn endgame.
24 ... exd6 25 l::te l "ifxc3 26 l:hc3 d5 27 f3 'it>n 28 fxe4 l:the8 29 l::tc7+
<Ji>g6 30 l::tfl dxe4 3 1 l:r.c6 l:tf8 32 l:te6 l:tae8 33 l:tfxf6+!
Finally pawns are even again.
33 l:txf6 34 l:txe8 'it>f5 35 'it>f2 l:th6 36 l:tf8+ 'it>e5 37 l:te8+ 'iti>f5 38 l:r.f8+
.••
Among grandmasters this has become the most popular move of recent
years. 1 0 h3 pushes the knight back so the long dark-squared diagonal is
blocked for the moment. The white pawn on h3 is useful to combat an
attack by the black kingside pawns and to fix them in their advanced and
slightly weakened position. The question for Black now is on which square
to put the knight. At first sight 1 O ... lLle5 looks more active. The prosaic
I O .. lLlf6 returns to the knight's 'natural' square and covers the weak light
.
I O lLlf6 will be considered in the next game. After I O . lLle5 White has
... . .
I I ltJf5
This is a sharp move which gains the bishop-pair. The alternative is more
straightforward and not as unbalanced: 1 1 f3 lLlbc6 12 i.f2 and Black can
l:hoose between two reasonable moves. Black's simpler alternative may be
just as good:
A) 1 2 ... i.e6 13 1i'd2 ( 1 3 lLlxe6 fxe6 leaves Black too solid in the center.)
1 3 . . .1i'a5 ( 1 3 ... .U.c8 14 0-0-0 '6'a5 1 5 lLlb3 'ilc7 16 a3 i.xb3 1 7 cxb3 lLla5
l !l 1i'c2 lLlg6 1 9 �b 1 ! ! Topalov-Gelfand, 1 5th ECC Final 1999) 14 lLlb3
( 14 i.e2 lLlg6 1 5 g3 l:tc8 16 a3 lLlxd4 1 7 i.xd4 i.xd4 18 'ilxd4 1i'e5
Adams-Fressinet, Grand Prix Rapidplay 2000) 14 ... i.xb3 1 5 cxb3 lLlb4 1 6
a J lLlg6 1 7 l:td 1 lLlc6 1 8 ltJd5 '6'xd2+ 1 9 l:txd2 0-0 20 b4 b 5 2 1 lLlc7 l:tab8
22 lLlxa6 l:tb7 23 l:td5 lLla7 24 i.xa7 Axa7 25 i.xb5 i.xb2 26 0-0 i.xa3
1/l- 1/z Leko-Kasparov, SuperGM 2000.
B) 1 2 . . .lLlxd4 13 i.xd4 i.e6 14 'it'd2 'it'a5 15 a3 .U.c8 ( 1 5 ... 0-0 1 6 h4 lLlg6
1 7 hxg5 hxg5 1 8 b4 'ikc7 1 9 lLle2 f6 20 i.b2 i.f7 2 1 ltJd4!
Akopian-Kramnik, Wijk aan Zee 2004.) 1 6 0-0-0 0-0 1 7 h4 lLlg6 1 8 hxg5
hxg5 1 9 l:th5 i.xd4 20 'ikxd4 '6'c5 2 1 'ikd2 f6 22 g3 1;g7 23 i.h3 i.xh3 24
J:txh3 Ah8 1/z-1/z Hracek-Dydyshko, Czech Republic 2002/3 .
l l i.xf5 12 exf5
...
This leaves Black extremely solid on the central dark squares, but
somewhat lacking on the central light squares. Black often feels compelled
to play . . . e6 after which the question arises-is the black center vulnerable
o r is it strong? One thing Black gets is direct and full development.
12 lLlbc6
...
The natural and most common move. Alternatives are riskier: 1 2 . . .lLlbd7
1 3 i.e2 .U.c8 1 4 0-0 0-0 1 5 h4 lLlf6 1 6 hxg5 hxg5 1 7 1i'd2!
Goloshchapov-Jobava, Open 2002; 1 2 ... 1i'a5 1 3 'it'd5 tLlbc6 14 1i'xa5 lLlxa5
1 5 lLld5 l:tc8 16 0-0-0 e6 1 7 f6! i.f8 1 8 i.xe5 dxe5 1 9 lLlc3 lLlc4 20 i.xc4
lhc4 2 1 f3 leaves White with a distinct endgame advantage, Fontaine
Fressinet, French Championship 2000.
13 lLld5
92 The English A ttack
The problem with simple development is that 1 3 i.e2 4:\d4 ! allows Black
to take the initiative.
13 ...e6
1 3 ... 0-0 has not been seen, though it looks reasonable. 14 c3 e6 1 5 4:\e3
d5 16 fxe6 fxe6 is one possibility.
14 fxe6 fxe6 1 5 4:le3 0-0
Active play is also interesting here: 1 5 . . . 'ili'a5+ 1 6 c3 d5 1 7 i.e2 d4 1 8
i.h5+ �e7 gives chances for both sides. The endgame with 1 6 'ili'd2 may be
White's best choice.
16 i.e2 dS
16 . . .'ti'e7 17 0-0 .l:tad8 (Dolmatov-Sakaev, Moscow 2002/3) and now 1 8
c3, instead of 1 8 c4 as played, should keep a slight edge for White.
17 0-0
1 7 ...'ifb6
Attacking the queenside Eawns distracts White from building up pressure
on the center. Instead 1 7 . . . 4:\g6 1 8 c4 4:ld4 1 9 cxd5 exd5 20 i.g4 4:lf4 2 1
i.xf4 .l:txf4 22 'ti'd3 'ii'd6 23 .l:tad l;\; was Shirov-Gelfand, Monaco Rapidplay
2000.
18 4:\g4!?
It is typical of Shirov's style to play for the active possibilities in the
position. 1 8 .l:tb 1 l:r.ad8 1 9 .l:te1 4:ld4 20 c3 would be more in the style of
Karpov and seems slightly better for White.
18 ... l:r.f5
Black should probably take the b2 pawn at once. 1 8 ... 'ili'xb2 1 9 .l:tb 1 'ili'xa2
20 .l:txb7 .l:tf7 avoids the problem of the passed white a-pawn that occurs in
the game continuation.
19 c3 'ili'xb2 20 .l:tb1 'ili'xc3 21 .l:txb7
White's activity fully compensates for the pawn. Black has trouble
consolidating as the kingside and center pawns are somewhat loose.
2 1 ... l:r.f7 22 'ti'b1 .l:txb7?!
The English A ttack 93
White has acheived his strategic goals with the opening. The black center
is not a strength as it is under pressure. Also the black king is less safe than
its counterpart. Still Black could contain this disadvantage with 26 . . . ltJf5 ,
which stops the bishop pair becoming too powerful.
26...'iic 2? 27 llb7 'iig6 28 a4
White's plan is to simply queen this pawn. Black must try something
active or go down without a fight.
28 ... h5 29 ..td1 h4 30 �d6 e5 31 lia7!
The black position is now too loose to hold the game.
3 1 ...ltJf5 32 �c5 e4 33l::tb6l::te6 34 �b3!
This final tactic ends resistance. The white bishops simply dominate.
34 ... l:txb6 35 �xd5+ 'iti>h7
35 ...l:te6 36 'Wd7.
36 'iixb6 "ifh5 37 'iib 1 'ith6 38 �xe4 1-0
Shirov-J.Polgar, EuroTel Trophy 1 999.
6 i.. e3 ltJg4 7 i.. g S h6 8 i.. h4 g5 9 i.. g3 i.. g7
1 0 h3 etJf6
l O ... lLlf6 is positionally more focused than I O... l2Jge5 in that Black covers
the weak light squares on d5, g4 and h5. The game has similarities to a
Dragon although the difference of the advanced black kings ide pawns alters
the strategy. There are several choices for White here with no particular one
clearly the main line, although we present the most trendy line for the game
continuation.
1 1 ..0
In most Sicilians it is odd to move the queen to this square in front, rather
than behind, the kings ide pawns. The specifics of the position lend sense to
this unusual foray which logically prepares for queenside castling. The
alternatives for White deserve close investigation.
a) 1 1 'il'e2 l2Jc6 1 2 lLlxc6 bxc6 1 3 e5 dxe5 14 �xe5 0-0 1 5 h4 g4 (Black's
kingside pawns are now well advanced but strangely his king is quite safe
as the kingside squares are covered by his pieces.) 1 6 g3 (Here Black's
pawn structure is split, so he will be clearly worse if the game becomes
static.) 1 6 ...'fib6 ( 1 6... a5 1 7 �g2 �a6 1 8 'ii'e3 1i'd7 to detain the king in the
center looks better. This line depends on 1 9 1i'd4 1i'xd4 20 �xd4 e5 ! 2 1
�c5 l:.fd8 which is equal-although Black must play actively. Note that 22
�e7 l:.d4 23 �xc6 l:.b8 leaves Black happy.) 17 0-0-0 �e6 1 8 �g2 l:.fd8
(The position is roughly equal. Black has good enough control of the central
squares so that his split pawns are not a focus of attack.) 1 9 l:.he 1 h5 20 b3
l:.ac8 2 1 l2Ja4 l:.xd 1 + (2 1 ...'fib5 22 'ii'xb5 cxb5 23 lLlb6 l:.xd 1 + 24 l:.xd 1 !)
22 l:.xd l 'fib5 23 �fl ? (23 1i'xb5 ! cxb5 24 �b7±) 23 . . . �c4! 24 1i'xc4
1i'xe5+ Ponomariov-J.Polgar, Superstars, Hotel Bali 2002.
The English A ttack 95
Black need have no fear of the sharp 1 4 e5 'ii'x f3 1 5 gxf3 dxe5 1 6 i.xe5
..id7! when 1 7 . . . ..ic6 is threatened. Shirov-Kasparov, Bosna SuperGM
2000, then continued 1 7 lL"Id5 lL"Ixd5 1 8 i.xg7 .l:th7 1 9 i.e5 f6 20 l:txd5 i.c6
2 1 .l:td3 fxe5 etc.
96 The English A ttack
14...'ii'c 5!
Black has also tried to fight for the dark squares by 14 . . . ltJd7 1 5 ltJd5
ltJe5 but this allows White an advantage after precise and prosaic play: 1 6
'6'e3 (Not the over ambitious play that several 2700 players have tried- 1 6
'6'a3 .:tb8 1 7 l:td4 b 5 1 8 l:thd 1 '6'b7 1 9 f4 gxf4 2 0 i.xf4 i.e6 2 1 'ii'g3 ltJg6
Ivanchuk-Shirov, Melody Amber 2003 .) 1 6 ... i.e6 1 7 h4 l:tc8 1 8 c3 '6'c5 1 9
'6'xc5 l:txc5 20 f3 i.xd5 2 1 exd5 ltJg6 22 hxg5 hxg5 23 l:txh8+ i.xh8 24
i.f2 when the two bishops and weak g5 pawn condemn Black to a long
hard defense, Van den Doei-Vanderstricht, Vlissingen 2003.
IS .l:f.hel
15 e5 dxe5 1 6 '6'e3 '6'xe3+ 1 7 fxe3 e4 Gallagher-Xu Jun, Bled Olympiad
2002.
IS ...i.e6 16 eS dxeS 1 7 i.dJ
The big question is whether White can play more aggressively by 1 7
'6'xb7 0-0 1 8 i.f3 when Black must find attackin g chances for the p awn he
_
is about to lose. 1 8 ... e4 ( 1 8 . . . .:tab8 1 9 l:txe5!) 1 9 ltJxe4 ltJxe4 20 'ifxe4 (20
i.xe4 l:ta7 2 1 'ii'c6 '6'a5 22 i.d5 l:tc8) 20. . . .:tac8 2 1 '6'a4 leaves Black with
pressure, though White could still be a bit better.
1 7 ...e4! ? 18 ltJxe4 ltJxe4 19 'ii'xe4
The English A ttack 9 7
19 . 0-0-0!
. .
This rare queenside castling solves all Black's problems. With pieces so
l:cntralized there is no attack against the black king.
20 a3
20 ..txa6? 'ifb6.
20. .:.ds 21 'iib4 l:rhd8 22 ..xc5+ l:rxc5 23 ..te2 ..trs 24 c3
..
This move order is another way for White to head for the English Attack
setup. Most players as Black will continue 6 ... e6 7 ..ie3 or 6 ... e5 7 tt:lb3
..ie6 8 ..ie3 when play transposes into one of the main lines of the English
Attack covered in the previous chapters. The point of White's move order is
to avoid the lines of 6 ..ie3 tt:lg4, chasing the bishop. However 6 f3 gives
Black a different option to avoid the main lines and this is the subject of the
present chapter.
6 .. :ir'b6
The queen sortie takes advantage of the fact that the bishop cannot
develop to e3 right now because b2 would be hanging. White must continue
somewhat differently to develop his pieces but will regain the tempo when
the bishop finally comes to e3.
7 tt:lb3
The English Attack 99
We take this as our main line. There may be equally good alternatives
since this whole line is only a few years old.
I) Not too difficult for Black is 7 a4 e6 (also 7 ... tt::lc6 8 tt::lb 3 e6 9 a5 'ii'c7
I 0 �e3 d5 1 1 exd5 tt::lb4 1 2 �b6 'ii'e5+ 1 3 'it>f2 tt::lfxd5 14 �d4 'ii'h5 1 5 h4
tt'lxc3 16 bxc3 tt::lc6 1 7 g4 'ii'd5 1 8 �b6 1h-1h lvanchuk-Sakaev, Halkidiki
2002) 8 a5 'ii'c7 9 �e2 d5 10 exd5 exd5 1 1 'ii'd3 tt::lc6 1 2 ..ig5 'ii'e5 1 3
..ixf6 gxf6 1 4 tt::lxc6 bxc6 1 5 0-0 ..ih6 1 6 l:f.ae 1 0-0 1 7 ..id1 ..if5 ! 1 8 'ii'e2
l::tfe 8 + Solozhenkin-Popov, St Petersburg 2000.
2) Rare is 7 a3 ! ?
A) 7 . . e5 ! 8 tt::lf5 (8 tt::lb3 �e6) 8 . . . �xf5 9 exf5 tt::lc6 i s unclear though
.
8 'ii'e2
8 ..ig5 tt::lbd7 9 'ii'd 2 'ii'c7 10 0-0-0 b5 1 1 h4 ..ib7 1 2 ..id3 ..ie7 was
Kovchan-Aiexikov, Simferopol 2003.
8 g4
1 00 The English A ttack
l l ....i.b7
The favorite move of Judit Polgar is l l . . .tLld7 which she has played many
times, p articularly against Anand. 1 2 'ii'f2 ( 1 2 �b l tLlb6 1 3 'ir'f2 l:.b8 1 4 f4
b4 1 5 tLle2 e5 1 6 f5 a5 1 7 tLlg3 a4 1 8 tLld2 a3 1 9 .i.xb6 .l:r.xb6 20 tLlc4 l:tb8
2 1 b3s Anand-J.Polgar, Rapid match, Mainz 2003) 1 2 . . . b4 1 3 tLle2 ( 1 3 tLla4
l:tb8 1 4 l:t_g 1 .i.e? 1 5 'it>b 1 tiJd8 16 tLld2 1i'c6 1 7 b3 0-0 1 8 g5 tLlb7 1 9 f4
tLlbc5 20 liJxc5 tLlxc5 2 1 f5 l:te8 22 g6± Leko-J.Polgar, Cap D'Agde 2003)
102 The English A ttack
13 'it>b1
1 3 g5 l2Jd7 1 4 'ii'f2 l2Jce5 1 5 a3 'ii'd 8 1 6 .ltd4 (for 1 6 h5 .l:txc3 see the next
illustrative game) 1 6 ... l2Jc6 1 7 !i...e3 l2Jce5 1 8 !i...d4 l2Jc6 1 9 !i...e3 l2Jce5 20
J.d4 1h-1h Grischuk-Kasparov, Cannes 200 1 .
1 3...l2Jd7 1 4 Ag1 ?!
1 4 'ii'f2 immediately is better.
1 4 ... l2Jce5 1 5 'ii'fl b4 16 liJa4 liJxf3!
16 ... !i...e7 ! threatening both 17 ... ..txh4 and ... l2Jxf3 looks even better.
1 7 'ii'x f3 'ii'c6
The English A ttack 1 03
28 ...l:[f4??
This is a howler. Black must play 28 ... hxg6 29 'ii'g4 l:[f6 30 e5 l:tf5 3 1
'ii'xg6 l:he5 32 l:[gl ..ig5 ! which is about equal since 33 a3?! bxa3 34
l:[xg5? a2+! actually mates ! .
2 9 'ii'h 2 1-0
It's mate or the rook, Grischuk-Shirov, New Delhi/Teheran 2000.
Illustrative Game: 6 f3 'ifb6
Black retreats the queen so that he can play the exchange sacrifice
... l:.xc3. Grischuk prevented this against Kasparov by 1 6 i.d4 lLlc6 1 7 �e3
lLlce5, repeating the position. Here he attempts to gain the full point.
16 h5
1 6 �b I is another way to proceed.
16 ... l:.xc3 1 7 bxc3 d5
Black now wins a pawn for the exchange. With the doubled white c
pawns there is near material equality.
18 exd5 �xa3+ 19 �b1 �xd5 20 l:.xd5!?
This certainly makes the game more fun for White. Now he has at least as
many attacking chances as Black. The alternatives were slow defense with
20 �g2 or 20 l:lh3 when Black has an active game.
20 ... exd5 2 1 'iWg2
The English Attack 105
Now there is no way out. The black king does not reach saftey and is
caught in the center.
27 'iWd6
.•.
This, combined with b5, is a bad mixture of ideas. Black's best chance is
to transpose into the lt:Jc6 l ine quickly.
8 'ir'd2 b5 9 0-0-0 .ib7 10 g4 lt:Jfd7 1 1 g5
ll lt:Jc6?!
...
One of Black's problems is how to get the piece play going. Black should
give l l ...lt:Jb6 !? a try. While .ie7 is slow so is White's g5. With these
moves offsetting each other l l ...lt:Jb6 gives Black the proper play.
1 2 h4
1 2lt:Jxc6 !? .ixc6 1 3 h4 'ir'a5 1 4 'i3tb l b4 1 5 lt:Je2 d5 1 6lt:Jd4 .ib7 and I
like White.
12 .. Jlc8 13 'ii'g 2?
1 3lt:Jxc6!?
/08 The English A ttack
13 ...ltJce5!
Now White's knights start stumbling over one another due to the l:f.xc3
sac.
14 ltJce2 ltJc4 15 �g1 'ikc7 16 ltJg3 ltJdb6+
White's forces don't paint a picture of coordination.
1 7 ltJh5 0-0 18 .i.d3?
1 8 .i.xc4, removing one intruder, is best.
18 ...ltJxb2!
Shattering White 's queenside puts a rapid end to the proceedings.
1 9 �xb2 'ikc3+ 20 �c1 d5-+ 2 1 l:f.fl 'ii'xd3 22 g6 hxg6 23 ltJf4 .i.a3+ 24
'it>b1 'ikc3 25 ltJd3 dxe4 26 fxe4 l:f.c4! 27 h5 l:tb4+ 28 ltJb3 .i.xe4
White missed several opportunities to play ltJc6, ltJe2, ltJd4 with a slight
pull.
0-1
White 's inaccurate play combined with missed chances led to an
instructive disaster. V. Georgiev-K. Georgiev, Bulgarian Championship,
Tsarevo 200 1 .
Najdorf Variation 6 i.. e3 e6 7 f3 i.. e 7
8 "iVd2 ttJc6 ! ?
With this move Black attempts active piece play. Black should be on the
lookout for ... d5 breaks that would free his game. One of the difficulties
Black faces in this line is how the attack is handled. White's kingside pawn
storm is all ready to go, but Black's isn't so easy. Black must be prepared to
handle g6 pawn sacrifices in certain situations and can try a variety of ideas
which I'll do my best to sort out. 8 . . . 0-0 9 0-0-0 tt'lc6 is another move order.
8 . . . b5?! doesn't fit in well with this move order as after 9 0-0-0 �b7 1 0 g4
White can pawn storm the kingside and undermine e6.
White can't expect any kind of advantage from the passive approach
9 a4?!. Moves like this don't fit into the aggressive nature of the English
Attack, e.g. 9 . . .0-0 10 ..ie2 d5 I I exd5 tt'lxd5 1 2 tt'lxd5 'i'xd5 1 3 tt'lxc6
'ifxc6 14 0-0 e5 1 5 ..id3 �e6 Zavalishin-Ivanov, Salekhard 2003.
9 g4! ? is possible, but should transpose into 9 0-0-0. I see no reason why
this should be superior to the normal move.
1 1 0 The English A ttack
9 .i.e2!? looks like a bad mix of ideas. The English Attack attempts a
kingside pawn storm. White managed it anyway.
Al) 1 6 .txc4 'ii'xc4 (After 1 6 ... bxc4 1 7 tt:lde2± sooner or later Black's
king will come under attack.) 17 g5±.
A2) 16 'ii'e2 d5 1 7 .tc 1 'ii'xg3 1 8 .txc4 dxe4 1 9 .tb3 exf3 20 tt:lxf3 .tc6
2 1 tt:le5 .txh I 22 tt:lxfl .to 23 'ii'xe6 0-0?? (Absolute insanity!
23 . . . .txg4 ! -+) 24 tt:le5+ �h8 25 tt:lg6+ 'iti>h7 26 'ii'f5 +- Hodzic-Cicic, Neum
2002.
The English A ttack 1 1 3
B) I O ... h6?! i s a horrible move that gift wraps a huge advantage for
White. I I h4 'WaS I 2 'Llb3 ( I 2 'iti>b l !?} I 2 ... 'ii'd 8?! Black should at least
p lay I 2 .. .'�c7 I 3 ..ig2 ( I 3 'ii'g2 !?) 1 3 . . . bS 14 'Lle2 lLleS I S lLlaS 'Llc4 16
lL!xc4 bxc4 I 7 gS hxgS 1 8 hxgS 'LlhS I 9'Llf4 g6 20 lLlxhS gxhS 2 I 'ifc3 eS
22 'ir'xc4± Cartelle Cudillero-Rodriguez Bujones, Ferrol 2002.
C) IO . .'Llxd4
. I I ..ixd4 eS I 2 ..ie3 ..ie6 1 3 gS 'Lld7 I 4 h4 .l:r.c8 IS 'it>b i
'ifaS I 6 'LldS 'ir'xd2 I 7 .l:r.xd2 lLlcS I 8 b4 'Lla4 I 9 c4 ..ixdS 20 exdS 0-0 2 I
l::tc2l:Hd8 22 ..ih3± Erdogdu-Hatipoglu, Izmir 2003.
10 g4
A) I O... bS
Al) I 1 h4'LleS I 2 gS
Ala) I 2 ...'LlhS 1 3 l::tg i 'Llc4 I4 ..ixc4 bxc4 IS f4 l::tb 8 I 6 'ife2 g6 I 7 fS
0-0 I 8 'ifg4 ( I 8 'it>b I ! ? White should defend b2 first then tum his attention
to the kingside.) I 8 ...'ifb6+ Kupczyk-Balkiewicz, Zakopane 200 1 .
Alb) 1 2. . 'Llfd7
. 1 3 hS (The weakness of Black's e6 square shows that
White already has dangerous threats.) 1 3 ...'Llc4 ( 1 3 ...'Llb6!?, protecting e6,
looks logical.) I 4 ..ixc4 'ifxc4 I S b31r'c7 I 6 g6 !
1 14 The English A ttack
A3a) 1 2 ltJf5 ! ? (We see similar ideas in the Velimirovic Attack in the
Sozin Sicilian. With correct play Black should have no problem defending.)
1 2 ... exf5 (There's no point in declining this offer.) I3 lLld5 1i'd8 I4 exf5
:b8+ (The ltJd5, combined with the f5 and g5 _ pawns, carries more bark
than bite.) 1 5 f6 gxf6 1 6 gxf6 .i.xf6 1 7 lLlxf6+ 'tfxf6 1 8 �e I 0-0 1 9 �g 1 +
cJith8 20 .i.h6 .i.b7 (Black shows no defensive urgency . 20 . . . ltJce5 ! ,
threatening to cover up with ltJg6, forces White's hand. 2 I .i.g7+ 1i'xg7 22
l:txg7 cJitxg7;!;) 2 I .i.g7+ 1i'xg7 22 l:lxg7 cJitxg7 23 .i.d3 f6 24 �gi ++
Sanikidze-Yusubaliev, Denizli 2003.
A3b) I 2 f4?!," loosening the e4 point, hands Black easy counterplay.
I2 ...ltJa5 ( I 2... .i.b7 I3 .i.g2 �c8 I4 �he i ltJc5 I5 a3? b4 16 axb4 ltJxb4+
Zengin-Cappon, Leopoldsburg 2000) 1 3 h4 b4 14 ltJa4 .i.b7 1 5 1i'd3 ltJc5
1 6 lLlxc5 dxc5 I 7 ltJf3 l:td8 1 8 'ir'e2 .i.xe4+ Coratella-Drei, Arco 2000.
A3c) I 2t"Llxc6 'ir'xc6 13 ltJe2 ltJe5 I 4lt:ld4;!;.
A3d) 1 2 h4 .i.b7 1 3 ltJxc6! ? ( 1 3 .i.h3 ltJde5 14 'ir'f2 ltJc4 I 5 �hg i ltJxe3
1 6 1i'xe3 1Wb6 1 7 1i'd2 ltJxd4 1 8 'ir'xd4 1i'xd4 1 9 l:lxd4 d5 ! + Koc-Gurshwin
Twi gg, Denizli 2003; 1 3 h5 gives Black decent counterchances after
1 3 ...llld e5 I4 'ir'g2 b4 I 5 ltJa4 'ii'a5 I6 b3 ltJxd4 1 7 ..ixd4 ..ixg5+ 1 8 �b 1
ltJc6 1 9 .i.xg7 �g8 20 .i.b2 0-0-0 2 1 1i'f2 .i.f4 Staszko-Michenka, Ostrava
2002.) 1 3 ...'tfxc6 1 4 ltJe2 !? ltJe5 1 5 ltJd4 1i'c7 1 6 h5 ( 1 6 'iftb 1 0-0-0 1 7 1i'f2
d5) I 6. . . 0-0-0
The English A ttack 1 1 5
(This position i s a good example o f how Black should react when piece
play and pawn pushes fail. Playing for d5 is a reasonable try for activity.)
1 7 "ii'h2 ( 1 7 'iti>b 1 ! ?) 1 7 . ..lt'lc4?! (Letting White cash in the .if! for the
knight _g ives White the advantage. 1 7 ... d5!? looks pretty good for Black.) 1 8
..ixc4 'it'xc4 1 9 'iti>b 1 d5 20 l:td3 b4 2 1 e5 �b8 22 f4 a5 23 f5 ..ic8 24 l:tfl
.l::.df8 25 f6+- Laznicka-Urbasek, Olomouc 2003.
B) 10 ... tiJd7 1 1 h4 b6? (Obviously 1 l . . .b5 should be played.) 1 2 g5 tDc5
13 h5 ( 1 3 tDxc6! "iWxc6 14 tDe2±) 1 3 ... ..td7 1 4 l:tg 1 tDxd4 1 5 ..txd4 l:tg8;!;
Slavicek-Ling, Ostrava 2002.
C) 10 ...tDxd4 1 1 'ifxd4 0-0 1 2 g5 tiJd7 1 3 h4 tDe5 1 4 f4 tDc6 1 5 'ifd2 b5
1 6 h5 l:td8?! (If Black can't get in d5 then he shouldn't play this.) 1 7 g6
..if6 1 8 ..id3 l:tb8 1 9 e5 dxe5 20 tDe4 ..ie7 2 1 gxf7+ 'iti>h8? After this
Black's king gets brutalized in the comer. (2 l . . .'it>xf7 ! ? looks OK) 22 'it'g2
..ib7 23 'ii'g 6! (Very nice!) 23 . . . tDb4 24 l:tdg 1 ..if8 25 tDf6 tDxd3+ 26 �b 1
hxg6 27 hxg6+ ..ixh 1 28 .l::.xh l mate.
1 9 f6 gxf6 20 gxf6 i.xf6) 1 7 ... bxc3 1 8 i.xc3 .idS 1 9 fxg7 .l:le8 20 g6 fxg6
2 1 l:.hfl e5 22 'ii'xd6 i.g5+ 23 'it>b 1 'ii'e6+ Gaponenko-Galliamova, Halle
2000.
E) 10 . . . h6?! is a waste of time since White 's g5 push can't be stalled. 1 1
h4 i.d7?! 1 2 'it>b 1 ltJe5 1 3 'ii'g2 0-0-0 (Black's treatment is just too
passive.) 1 4 g5 hxg5 1 5 hxg5 l:txh 1 1 6 'ii'xh 1 ltJe8 1 7 f4 ltJc4 1 8 i.xc4
'ii'xc4 1 9 'ii'h 5 ltJc7 20 'ii'x f7+- Mazi-Nierlich, Bled 200 1 . Black never took
a chance on active play.
F) 10 ... 0-0 1 1 h4 (White can delay this move while p ursuing a kingside
initiative. 1 1 'iti>b 1 b5 1 2 h4 [ 1 2 i.d3 ltJde5 1 3 'ii'g2 .i.b7 1 4 h4 l:r.fc8 1 5
g6!? ..tf6 1 6 gxh7 + 'ifi>h8 17 ltJce2 ltJxd3 1 8 cxd3 ltJxd4 1 9 ltJxd4 d5 20
lLib3 a5 2 1 i.g5 ! i.xg5 22 'ii'xg5 f6 23 'ii'g6 i.c6 24 l:.c 1 ± Grosar-Barlov,
Yugoslav Championship 1 99 1 ; 1 2 ltJxc6 'fixc6 1 3 tt:\e2;;!;] 1 2 . . . ltJde5 1 3 f4
ltJxd4 14 i.xd4 ltJf3 1 5 'ii'e3 ltJxd4 1 6 'ii'xd4 b4!? 1 7 ltJe2 i.b7 1 8 ltJg3
l:.fd8+ Black is in good shape for either a d5 or e5 break.
Grosar-Kupreichik, Val Maubuee 1 990.) 1 l .. .ltJd7 (If Black isn't getting in
the d5 p ush then 1 1 . . .l:.d8?! amounts to a loss of time. 12 g5 ltJh5?! 1 3 i.h3
b5 14 lLixc6 'ii'xc6 1 5 i.g4 g6 1 6 i.xh5 gxh5 1 7 ltJe2 e5 1 8 ltJc3 .i.e6 1 9
tiJd5± Maupin-Horak, Pilsen-Lobzy 2003.) 1 2 g5
Fl) 1 2 ... b5
Fla) 1 3 ltJxc6! ( 1 3 i.d3 gives Black chances for a timely liJxd3.)
13 ... 'ii'xc6 1 4 ltJe2;;!; (Sorry folks .. .! hate repeating myself but this gives
White an edge.) 1 3 . . . tiJde5 14 ltJxc6 'ii'xc6 1 5 'ii'g2 ..ib7 1 6 'iti>b 1 l:r.ac8 1 7
.l:ld2 liJxd3 1 8 cxd3 b4 1 9 liJe2 d5 20 ltJd4 'ilic7 2 1 'ii'h3 e5 2 2 tiJf5 b3 23
i.b6 'ii'xb6 24 tiJxe7+ 'iti>h8 25 ltJxc8 'ii'a 5-+ Yap-Mikhailuk, Las Vegas
2003.
Fib) Also 13 g6 !? which illustrates an important idea. In positions where
the e6 point can be undermined this pawn sac deserves serious considera
tion. See the game Adams-Sheldon, British Championship, Hove 1 997, in ·
10 g4
1 0 �b 1 tt:lxd4 1 1 'iVxd4 'Wic7 1 2 g4 b5 1 3 .ic 1 (A little too defensive for
this position.) l 3 ... .ib7 14 g5 tt:ld7 1 5 'Wif2 b4 ( 1 5 .. Jbc8 1 6 ..id3 tt:lc5 is
also _good counterplay.) 1 6 tt:le2 �fc8 1 7 tt:ld4 d5 !? 1 8 ..ih3 ..ic5
( 1 8 ... lZk5 ! ? 1 9 exd5 ..ixd5+ i s a slightly stronger alternative.) 1 9 1li'e2
.ixd4 20 �xd4 dxe4 2 1 �xb4 (2 1 fxe4 tt:le5) 2 l . . .exf3 22 lWf2 ..id5+
Aleksieva-Peptan, Varna 2002.
IO tt:ld7
...
Anticipating White 's g5 and transferring the knight to a more active post.
l l h4
1 1 �b 1 tt:lde5 1 2 'iVg2 is I think the best placement for White's queen.
12 ... b5 1 3 g5 i..d7 14 f4 tt:lxd4 I 5 i..xd4 tt:lc6 I6 ..if6 .ixf6 I7 gxf6 'Wixf6
I 8 �xd6 �ad8 1 9 tt:ld5 lWh4 20 tt:lc3 ..Wxf4-+ was Bergstrom-Lundin,
Sweden 2002; and I I f4 tt:lxd4 I 2 i..xd4 b5 1 3 �gi ..ib7 I 4 ..id3 tt:lc5 I 5
a3 tt:lxd3+ 1 6 'ifxd3 �b8 1 7 g5 a5 I 8 h4 b4 1 9 tt:lb 1 f5 20 gxf6 i..x f6 2 I
'ifh3 'ife7 22 i.. xf6 �xf6+ Makoli-Cvitan, Zurich 2002.
ll. ..tt:lde5
The English A ttack 1 1 9
Al) 1 5 �bl i.d7 ( 1 5 ... b4 1 6 tLla4 l::tb 8 1 7 �f2 d5 1 8 exd5 exd5 1 9 i.f4±
Gonzalez-Leyva, Las Tunas 200 1 ) 16 g5 �a5 17 h5 b4 1 8 tLle2 f5 !? (Black
has accomplished nothing on the queenside so he turns his attention to
defense.) 1 9 gxf6 ..ixf6 20 f4 i.xb2 2 1 �xb2 �a3+ 22 �b 1 �xe3 23 l::td3
'ir'a7 24 llg3 ..ie8 25 llg 1 llf7 26 h6 g6 27 l::tx g6+! hxg6 28 'ir'xg6+ �f8 29
h7± Berkes-Stevie, Rabac 2003.
A2) 1 5 g5 'ir'a5 16 �b 1 b4 17 tLle2 e5 (At this point Black's best chance
for counterplay.) 1 8 tLlc 1 i.e6 1 9 h5 �c7 20 g6 i.f6 2 1 gxh7+ �h8 22 l:lg 1
�e7 23 ..id3 a5 24 ..ib5 tLla7 25 ..ia4 �xh7 26 f4 exf4 27 ..ixf4 :adS 28
tLle2± Tiviakov-Johansen, Catalan Bay 2003. White has a massive initiative
while Black can only defend.
B) 12 �f2
Bl) 1 2 ... ..id7
120 The English A ttack
The queen is exposed but it's not easy to take advantage of it.
A) l l . . . b5
A1) 1 2 h4
A2a) 1 3 h4 .l:lb8
A2al) 14 f4 b4 1 5 lLle2 'ii'c7 1 6 '1t>b l lLlc5 1 7 lLlg3 .id7 1 8 h5 .l:lfc8 1 9
.ic4 lLlxe4 2 0 lLlxe4 _.xc4 2 1 _.xc4 .l:xc4 2 2 lLlxd6 .l:lc7+ Rezan-Cebalo,
Kastel Stari 1 997.
A2a2) 14 'iid2 .ib7 (Again Black should play 14 ...lLle5, before lLle2
happens. If 1 4 . . . b4 1 5 lLle2 lLle5 1 6 lLld4 '6'c7 1 7 '1t>b 1 d5 1 8 exd5 exd5 1 9
b3 .id6 20 h5 .l:le8 2 1 .ie2 .id7 22 .l:ldg l .l:le7 23 g6 .l:lbe8 24 gxh7+ �xh7
25 i.g5+- Farkas-Szilagyi, Budapest 2003) 1 5 h5 ltJe5 16 f4 ( 1 6 'ir'g2 !? b4
17 lLle2 lLlc4+) 1 6 . . .b4 !? 1 7 lLld5 exd5 1 8 fxe5 '6'a5 1 9 'it>b l d4 20 ..tf2
..txe4 21 .l:lg 1 dxe5 22 l:te 1 ..tf5+ Rodriguez-Ricardi, Villa Gesell 1 996.
A2a3) 1 4 'iii'b l '6'c7 1 5 h5 b4 16 lLle2 lLlc5 1 7 lLlc l e5 1 8 'ir'd2 .ie6 1 9
..ih3 lLla4 2 0 lLlb3 _.d7 2 1 '6'g2 f5 2 2 gxf6 ..ixf6 2 3 ..txe6+ '6'xe6 2 4 '6'e2
l:lb5 25 llhg l ;!; Mahia-Vasquez, Asuncion 2003.
A2b) 1 3 l:lg l '6'a5 14 'iii'b l b4 ( 1 4 ... .ib7 1 5 h4 lLle5 16 l:tg3 .l:lfc8 1 7 a3
lLlc4 1 8 ..ixc4 l:lxc4 1 9 '6'b6 '6'xb6 20 .ixb6= Gaponenko-Mkrtchian,
Istanbul 2003) 1 5 lLle2 e5 1 6 'iid 2 lLlc5 1 7 lLlc l .ie6 1 8 .ig2 .l:lfd8 1 9 f4
exf4 20 ..ixf4= Socko-Stevic, Plovdiv 2003.
B) l l ...lLld7
124 The English A ttack
ll b5
...
After ll . . . e5? ! at the very least White will be positionally better due to his
control over d5. 1 2 i.e3 i.e6
A) 1 3 �b l b5 1 4 h4 b4 1 5 lt'ld5 i.xd5 1 6 exd5 a5 1 7 i.h3± preventing
rooks going to c8 and eying e6, Degraeve-Nuhren, Cappelle Ia Grande
200 1 .
B) 1 3 g 5 lt'lh5 1 4 h4 ( 1 4 �b l White can play with Black's lt'lh5 out of
play.) 1 4 ... .:.c8 1 5 Wb l lt'lg3 (Getting rid of the lllh 5 is a wise decision.) 1 6
l:lg I lt'lxfl 1 7 l:lgxfl i.c4 1 8 l:lf2 f5 1 9 lt'ld5 l:lc6 20 b3 i.xd5 2 1 �xd5+
�h8 22 f4 fxe4 23 'tixe4 exf4 24 .:.xf4 .:.xf4 25 i.xf4;!; Black has a passive
game. Bischoff-Reeh, Hamburg 1 984.
I I . . .lt'ld7 1 2 h4 b5 13 h5 lt'le5 14 �f2 "fic7 1 5 f4 (White does best to
avoid this loosening move.) 1 5 . . . lt'ld7 1 6 h6 g6 1 7 i.g7 l:le8 1 8 i.g2 i.b7
19 llhfl b4 20 f5 i.g5+ 2 1 �b 1 lt'le5 (This simple protection of f7 puts
Black clearly on top.) 22 lt'le2 lt'lxg4 23 'i'g3 exf5 24 exf5 i.xg2 25 "fixg4
i.xfl 26 l:lxfl "fie7-+ Chandler-Govedarica, Belgrade 1 982.
12 <Ji>bl
1 2 lt'le2
126 The English Attack
Bl) 1 3 .i.e3 ..ib7 1 4 l:th3 !? (I'm not sure what this is about. Anticipating
lLle5 would be my guess.) 1 4 ... l:tc8 1 5 'it>b l 'ikc7 1 6 .i.g5 ! (This strong idea
causes Black serious difficulties.) 1 6 ... lLlf6 (White has succeeded in
distracting Black from his plans. The alternative 1 6 ... ..txg5 !? _g ives Black a
very passive game after 1 7 hxg5 b4 1 8 lLle2 l:tfd8 1 9 lLld4 lll f8) 1 7 �d3
.ttfe8 1 8 lLle2 lLld7 1 9 .i.xe7 l:txe7 20 g5 d5 2 1 exd5 �xd5 22 lLlf4±
Sladek-Hrbolka, Pilsen-Lobzy 2003.
The English A ttack 127
C) 12 ... b4
1 3 tDe2 e5 ( 1 3 ... a5 1 4 'itb 1 lbd7 1 5 lbg3 lDe5 1 6 'iie3 lDc6 1 7 .ib6 'iid7
1 8 f4 'iib 7 1 9 g5 l:tb8 20 .td4 e5 2 1 fxe5 dxe5 22 .tc5 .te6 23 .txe7 lDxe7
24 i.. h3 .txh3 25 l:txh3 a4+ Oral-Berezjuk, Czech Republic 2002.) 1 4 .ie3
i..e6 1 5 'itb 1 'ii'a 5 1 6 tDc1 (Black has no time for d5.) 1 6 ... l:tfc8?!
Accomplishing nothing and letting White roll on the other wing.
( 1 6 . . .l:tfd8 !?, playing for d5, looks best.) 1 7 h5 l:tab8 1 8 g5 lbe8 1 9 .id3
l:tc6 20 l:tdg 1 'iic7 2 1 g6 lDf6 22 f4 i..c4 23 f5± Mouradian-Benkhaled,
Cairo 2003 . White has all the play, while Black faces a grim defense.
12 .id3 b4 13lUe2 (13 lUa4 l:tb8 14 eSlUdS 1S .ie4 .ib7 16 exd6 i.xd6
17 lUeS .ie6 18 lUe4 .if4 19 'ir'f2 'ir'aS 20 gS eS 21 .ieS l:fd8 22 l:thg1
�h8 23lUd6± Choeenka-Tokmaehev, Birstonas 2002)
23 ....i.xc3?? (An absurd blunder, just handing White the full point.
According to Fritz 23 ...g6!? saves the day and isn't it obvious no matter
what happens? 24 ltJe4 .i.e7 25 ltJc3 .i.b4 26 lL!e4 .i.e7 27 d6 .i.xe4 28
'it'xe4 l:tab8 29 .i.e1 .i.xg5 30 .i.xg5l:txb2+ 31 'it>xb2 l:tb8+ 32 'it>c 1 l:tc8+
33'it'c2 l:txc2+ 34 �xc2 'ii'xa2+ 35 'it>c l 'ii'a3+;!; This unbelievable line is
also courtesy of Fritz!) 24 '6'xh7+ 'it>f8 25 d6 l:txd6 26 l:txd6 'ii'h5 27 l:tb6
'ii'fl+ 28 .i.e! .i.c8 29 'ii'e4 .i.d4 30 l:th8+ 1-0 Apicella-A.Sokolov, French
Championship, Aix les Bains 2003.
Why not? A pawn is a pawn. In return Black gets aggravating play on the
open b file and White must defend. 16....l:tfc8 (16... .i.c6!? looks like the best
of a number of tries. Ideas like .l:tfb8 and lLle5 force White on a full retreat.
17 lLlc3 .l:tfb8 18 'ii'c4 lLle5 19 'il'e2'it'a5 20 f4 lLlg6 21 'ii'f3 e5 22 .tf2 'ii'b4
23 b3 lLlxf4 24 .tel 'ii'c5 Anand-Akopian Wijk aan Zee 2004) 17 1i'd2 d5
18 exd5 ..txd5 19 .i.e2 .i.b4 20 c3 .i.f8 21 c4 .i.c6 22 lLlc3 l:tab8 23 g6 fxg6
24 h5 e5 25 .i.e3 gxh5 26 l2Jd5 'ii'b7 27 .l:txh5 .ta4 28 .l:tg1 .ta3 29 .td4±
Prokopchuk-Dvorak, Millfield School 2003.
Naj dorf Variation 6 ..te3 e6 7 f3 ..te7
8 'iVd2 tt:Jc6 ! ? 9 0-0-0 0-0 1 0 g4 tt:Jxd4
1 1 ..txd4 bS 1 2 gS ti:Jd7 1 3 h4
1 e4 c5 2 ll:lf3 d6 3 d4 cxd4 4 ll:lxd4 ll:lf6 5 ll:lc3 a6 6 ..ie3 e6 7 f3 ..ie7 8
fr'd2 ll:lc6!? 9 0-0-0 0-0 10 g4 ll:lxd4 1 1 ..ixd4 b5 12 g5 ll:ld7 13 h4
Now: 13 ... f:Va5 14 �b1 b4 15 ll:le2 ll:le5 (15... e5 16 ..ie3 ll:lc5 17 c4 ..ie6
18 ll:lc 1 f:Va4 19 b3 'ii'c6 20 ..ih3 a5 2 1 ..ixc5 'ii'xc5 22 ll:ld3 'ii'c8 23 i.xe6
fxe6 24 .l:thf l a4 25 ll:lb2 axb3 26 axb3 .l:tf4+ Jenni-Babu1a, Plovdiv 2003)
16 'ii'e3 (16 f4 ll:lf3 17 "ii'd3 ll:lxd4 18 ll:lxd4 ..id7 19 ..ih3 'ii'c7 20 f5 e5 21
f6 ..ixh3 22 fxe7 'ii'xe7 23 ll:lc6 'i'Vb7 24 'ii'xd6 ..ig2 25 .l:the1 .l:tfe8 26 .l:td2
.l:tac8 27 'ii'xb4 'ii'xc6 28 .l:txg2± Hoeksema-Levin, Dieren 2003) 16...ll:lc4
17 'ii'd3 e5 18 'ii'xc4 ..ie6 19 ..ib6 'ii'xb6 20 'ii'd3 'ii'a5 21 ll:lc 1 .l:tfc8 22
'ii'd2 .l:tc6+ Ciomei-Podgurkii, Techirghiol 2003.
13 ...b4
The English A ttack 135
A) I 4 lLle2 aS
AI) IS lLlg3 lLleS I6 'ii'f2 'ii'c7 I7 f4 lLlg4 I 8'it'f3 eS I9 lLlfS exd4 20
'ii'xg4 b3! 2 I axb3 a4 22 �d3 dS 23 g6 �xfS 24 exfS axb3 Ponomariov
Akopian, Bled 2002 (24... �f6+; 24...hxg6 2S fxg6 axb3+).
A2) I5f4 �b7 I6 lLlg3'it'c7 I7 �b i
B) I4 lLla4
81) I 4...'ii'aS (l 4...l:.b8 IS �b i 'it'aS I 6 b3 lLlcS I7 lLlb2 eS I 8 �e3 �e6
I 9 h5 l:.fd8 [Hoping for dS] 20 �c4! [Putting an end to Black's hope for
activity.] 20... �xc4 2 I lLlxc4 'ii'c7 22 g6 fxg6 23 hxg6+- Teran
Alvarez-Portalo, Seville 2003) IS b3 lLlcS I6 �xeS dxcS I7 'iff4 l:.a7 I 8
�b I l:.d7 I 9 l:.xd7 �xd7 20 lLlb2 �bS 2 I �c4 �xc4 22 lLlxc4;!;
Kulaots-Seeman, Tallinn 2003.
82) I 4...�b7 I S lLlb6!? l:.b8 ( I S...lLlxb6 I 6 'ii'xb4 dS I7'it'xb6 'ii'xb6 I8
�xb6± Capturing e4 gets hit with l:.d7.) I6 lLlxd7 'ii'xd7 I7 �bi 'it'c7 I8
�d3 �c8?! I 9 h5 eS 20 �e3 �e6 2 I l:.dgi aS 22 g6 White's initiative is
too far advanced. 22...�f6 23 gxh7+ �h8 24 �gS+- Fischer-Spassky, St
Stefan/Belgrade I992.
13 ...l:.b8
Unless Black intends to play lLlb6 this wastes time.
A) I4 l:.g I 'ii' c7 IS hS b4 I 6 lLla4 lLleS I7 'ii' f2 b3! I 8 axb3 l:.xb3 I9 lLlc3
l:.b8 20 f4 'ii'aS 2 I fxeS dxe5 22 lLld5? (22 �e3) 22...exdS 23 .ixeS �cS+
Sigalas-Mastrovasilis, Aspropyrgos 2003.
I 36 The English A ttack
13 i.. b7
...
have to go nuts. 16 lt::le 2!? 'ii'a5 1 7 �b1 lt::le5 18 l:tg1± leaves Black in
serious difficulties.) 1 6... exd5 17 ..ixg7+ �xg7 18 l:tg 1 + �xh7 19 ..ih3 f5
20 'fi'f4 l:tf6 21 l:tg5 (21 ..ixf5+ �h8 22 l:tg5 'ii'e8 23 l:tdg1 'ir'f7 24 'ir'g4
l:txf5 25 l:txf5 lt::lf 6 26 'ii'f4 l:tg8 27 l:txg8+ 'ir'xg8-+ Muhren-Chistiakova,
Halkidiki 2000) 2I...'ii'f8 22 l:th5+ �g8 23 ..ixf5 �f7 24 1Wg4 lt::le5 25
l:th7+ �e8 26 'ii'h5+ �d8 27 l:th8 �c7 28 l:txf8 l:taxf8+ Vazquez-Abreu,
Holguin City 2002.
E) 1 4 ..ie2? !
More often than not the bishop is terribly misplaced here. 14...b4 15 lt::lb1
(Certainly lt::le2 would be better, but it's not possible.). The lt::lb 1 leaves the
white king feeling a little queasy on the open c line. (15 lt::la4!? 'ii'a5 1 6 b3
i.c6 17 �b1 ..ixa4 1 8 bxa4 'ii'xa4 19 ..ic4 'ii'c6 20 ..ib3 a5-+) 15...a5 (With
White's king uncomfortably placed Black has the better chances.) 16 l:r.dg1
l:tc8 17 h5 e5 18 ..ie3 f5!
13 'fi'c7
...
14 a3
Avoiding this move at all costs would keep White's king in better shape.
Two strong players Gelfand and Akopian reached this position. Both got
good play, but which move gets the nod? I prefer 1 9...'fi'a5 because it keeps
the tension. 1 9 ...-tbS ( 1 9 ... 'ifa5 20 f4 ltJg6 21 'fi'f3 e5 22 i.. f2 'fi'b4 23 b3
ltJxf4 Anand-Akopian, Wijk aan Zee 2004. Black went on to lose this
game, but here he is fine.) 20 ltJxb5 axb5 21 c3 ltJc4 22 b3 'fi'a5 23 l:th2 e5
24 ..ie3 ltJa3+ 25 'it>b2 ltJc4+ 26 'it>bl ltJa3+ 27 �b2 b4 28 l:td5 bxc3+ 29
'it>c l 'fi'b4 30 'fi'd3 l:ta5 3 1 l:txa5 'fi'xa5 32 'ii'a6 'fi'b4 33 'ii'a7 d5 34 exd5
..id6 35 h5 tiJb5 36 'fi'd7 ..ic5 37 ..ixc5 'fi'f4+ 38 'it>d1 'ifxh2 39 ..ie3 ltJd4
40'it'c7 'ii'c2+ 0-1 Iordachescu-Gelfand, Bermuda 2004.
When this break happens Black gets more than enough play. White must
be constantly concerned about king safety.
17 axb4 lLlxb4 18 h5 l:.b8 19 'itbl e5 20 lLld5 lLlxd5 21 exd5 i.f5 22
.id3 .ixd3 23 'fixd3 l:.b4 24 l:.hgl l:.lb8 25 .icl �7 26 'iVa3
White's queen is awkwardly placed but it's needed for defense.
26 ... l:.b5 27 'ii'a2
27 ... f5
27 ...id8!? would allow the last piece to attempt to join the attack without
.
Sandor - Kaiser
Austrian Team Championship 1998
9 ll:ld7
...
14 h5!
14 l:tgl ?! (If White wants to play h5 then it should just be played.) 14...b4
15 ll:lb1?! (Putting the knight on e2 is nearly always better as the king
The English Attack 141
belongs on bl. The situation is getting crowded near White's king.) 1S...aS
16 hS ltJcS 1 7 g6 fxg6 1 8 hxg6 h6 (This gives Black plenty of time for
queenside action.) 1 9 �c4 l:lx£3 20 'ii'e2 l:.f4 21 liJd2 dS 22 �xeS �xeS 23
exdS �xg 1 24 l:txg1 'ii'e7+ Zakurdjaeva-Sebag, Dresden 2004 and White
doesn't have enough for the exchange.
14 �b 1 b4 1 S ltJe2 llb8 16 hS ltJeS 17 ltJg1 (I've seen this move work
occasionally, but can 'undeveloping' be good? I never thought so. 17 ... ltJc6
18 �e3 eS 19 g6 �e6 20 �h3 .i.xh3 21 ltJxh3 liJd4 22 �xd4 exd4 23 ltJgS
�xgS 24 'ii'xgS .l:tbS 2S gxh7+ +- Dochev-Ennenkov, Plovdiv 2004.
14 ... b4 15 liJe2 ltJe5
16 liJg1 ! ?
1 6 f4 ltJ £3 ( 1 6...ltJc4!? 1 7 'ii'd3 e S gives Black proper counterplay.) 1 7
'ii'e3 ltJxd4 18 ltJxd4 eS!? (Other moves look too slow.) 1 9 liJfS �xfS 20
exfS exf4 2 1 'ii'xf4 .l:.fc8 22 .id3 dS 23 'ii'g4±
16...b3?!
This is clearly overdoing it. White's demonstration isn't so threatening
that Black has to panic.
16 ...�b7!? looks playable, then 1 7 'ii'xb4 .ixgS+ 18 �b 1 .l:tfc8 17 'ii'd3;
16...aS!? 17 h6 g6 18 f4 ltJc4 19 �xc4 'ii'xc4 20 b3 'ii'c6 is pretty good
for Black as well.
1 7 axb3 a5 18 f4 a4 1 9 bxa4 l:ha4 20 b3! llxd4 2 1 'ii'xd4 liJc6 22 'ii'c3
�b7 23 h6+- e5 24 hxg7 �xg7 25 'ii'h3 l:.h8 26 'ii'h6+ ..tg8 27 g6!
The undeveloping worked out in this game, but with Black's cooperation.
1-0
N aj dorf Variation 6 �e3 e6 7 f3 b5 8 g4 h6
9 �d2 ti:Jbd7 1 0 0-0-0 �b7 1 1 �d3
8 h6
.•.
9 'i!Vd2
The English Attack 1 43
9 ltJbd7
...
19...l:tc8 (19... b4 20 fxe6 bxc3 [20 ... fxe6 is Black's best chance. After 2 I
ltJe2 �xe4 22 ltJd4 White's development compensates for the pawn minus.]
2 I 'Wxt7+ �d8 22 �xd7+ �xd7 23 exd7 cxb2+ 24 �xb2±.) 20 g5 hxg5 2 I
fxe6 fxe6 22 i.xg5 ltJe5 23 lLie2 'ii't7 24 ltJf4 i.e7 25 i.xe7 'ii'xe7 26 ltJg6
ltJxg6 27 l:txg6± llxh4 28 'Wg3 (Keeping queens on will make Black's life
difficult.) 28...'Wt7 29 �b1 �f4 30 llxe6+ �t7 31 �g6+ �g8 32 l:te7 'Wf6
33 l:.xg7+ �xg7 34 �e6+ 'it>h7 35 �xc8 �e5 36 a3 �xe4 37 l:txd6 lth1+
38 'ifi>a2 'Wc4+ 39 �xc4 bxc4 40 ltxa6 l:r.h2 41 l:r.c6 l:r.xc2 42 �b1 1-0
Komeev-Barria, Seville Open 2004.
1 0 0-0-0 i.b7 1 1 i.d3 ltJe5
A) 12 lLlce2 d5!? 1 3 exd5 lLlxd5 (This looks stronger than the alternative
13 ....txd5?! 14 lLlf4 when White quickly piles up on e6. 14...lLlc5 15 'itb1
lLlxd3 16 'ii'xd3 .i.e7 17 h4 'ii'a5 18 lLlxd5 lLlxd5 19 .te l 'iVb6 20 lLlxe6!
lLlc3+ 2 1 bxc3 bxc3+ 22 �a 1 fxe6 23'it'g6+ �fE 24 l:.d7 l:.d8 25 l:.xe7
rt.xe7 26 'ii'xg7+ �d6 27 .i.a3+ +- Lastin-Yuferov, St Petersburg_ 2000) 14
lLlf4 ( 1 4 l:.he 1 lLlc5 15 lLlb3 lLlxb3+ 16 cxb3 lLlxe3 17 'ii'xe3 ifg5 18 f4
'it'c5+ 19 'ii'xc5 .i.xc5+ Spoljar-Stevic, Bizovac 2002; 14 �b1 e5?! [With
the king in the middle and lagging development this is a dangerous grab.]
15 lLlf5.i.xf3 16 llhfl .id5 [ 16... �xg4!?] 17 lLleg3 'ii'a5 18 b3 'ifc7 19 g5
hxg5 20 .i.xg5 'ii'c6 2 1 lLle3 .i.c5 22 lLlxd5 lLlxd5 23 .i.c4 .id4 24 .ixd5
'ii'xd5 25 �xb4+- Yudasin-Figiel, Dreszer Memorial, Gdynia 1987; 14
lLlxe6!? fxe6 15 .ig6+ �e7 16 lLJd4t)
A2) 1 4... .td6 (Black's pieces are coming out in good shape and Black's
king is well protected.) 1 5 tt'lh5 .te5 16 :r.hel 'il'a5 ! 17 �bl? ( 1 7 .tc4!?
Extremely forced 17 ..Jlc8 18 .tb3 g6 1 9 tt'lf4 tt'lc3!+) 17...tt'lc3+ 18 bxc3
bxc3 19 'We i .txd4 20 .txd4 .td5 2 1 a3 :r.b8+ 22 '1t>al l:tb2+ Nunn
Ftacnik, Naestved 1985.
B) 12 tt'la4 d5 13 exd5 tt'lxd5
12 l::th el
12 �b l
A) 12 ...g5?! (Cementing the lLJe5 is a fine idea, except here it gets under
mined quickly. Black's king lacks safety as well.) 13 h4 gxh4 14 g5 hxg5
15 ..ixg5 ..ie7 16 ..ixh4 lLJxd3 17 �xd3 b4 18 lLJxe6! fxe6 19 e5 bxc3 20
exf6 �6 21 �xc3 l:tc8 22 �d3 �5 23 �g6+ �d7 24 fxe7+- Chandler
Ribli, Bundesliga 1986.
B) 1 2...lLJfd7 13 'ii' £2 l::tc8 14 lLJce2 d5 1 5 lLJg3 ( 1 5 exd5 ..txd5 16 lLJf4
lLJxd3 17 lLJxd3 ..te7+) 15...lLJc4 16 l::th el �c7 17 f4 lLJc5 1 8 .te l lLJa4 19
f5 lLJcxb2 20 .ixb2 lLJxb2 21 fxe6 lLJxd l 22 l:txd l ..ic5+ Laznicka-Brkic,
Pula 2003.
12 h4 b4 13 lLJce2 d5 14 exd5 lLJxd5 15 �b l g6!? (I don't understand
this, while it might not be bad why waste time? Black has very nice alterna
tives. 15...l:tc8; 15...lLJxd3 16 'ii'xd3 e5 17 lLJf5 g6+) 16 h5 g5 17 l::thg1 ..tg7
18 f4. lLJxd3 19 'ii'xd3 0-0 20 .tel l::tc8 (20 ...lLJxf4!? 21 lLJxf4 gxf4 22
g5!?t; 20...gxf4!?) 21 fxg5 hxg5 22 l:tgfl ;l; Chandler-King, Bundesliga
1986.
1 2 l:tc8
...
The English A ttack 147
12 ...ttJfd7 (12 ... i.e7!? blocking the l:.el looks like a sane alternative.) 13
f4 b4 14 ltJd5! ltJxd3+ 15 'ii'xd3 exd5 16 exd5 i.e7 17 ltJc6 i.xc6 18 dxc6
ltJf6 19 i.b6! (Driving the only defender away from e7.) 19 ...ii'xb6 20
.l:txe7+ �f8 21 'ir'xd6 <oti>g8 22 g5+- Nunn-Marin, Szirak Interzonal 1987.
12...b4 13 ltJa4!?
A) 13...d5 (With White having the heavy pieces eyeing Black's king this
is risky.) 14 exd5 ltJxd5 15 f4
Al) 15...ltJxg4 (15...ltJxd3+ !?) 16 ltJxe6! fxe6 17 i.g6+ �d7 18 i.d4
..td6 19 'ii'e2 ltJgf6 20 ltJc5+ i.xc5 21 'ii'xe6+ <3;c7 22 i.xc5 'ii'd7 23 'ii'e5+
�c6 24 .txb4± Fedorov-Novikov, Nikolaev Zona1 1995.
A2) 15...'ii'a5 16 b3 ltJxd3+ 17 ii'xd3 0-0-0 18 f5 ..te7 (18...e5! ? is OK
for Black.) 19 i.f2 i.g5+ 20 <3;b l <3;b8 21 fxe6 fxe6 22 h4 i.f6 23 'ii'g3+ ±
Nijboer-Kumosov, Groningen 2003.
B) 13...'ii'a5 14 b3 ltJfd7 15 i.e2 ltJc5 16 ltJxc5 dxc5 17 ltJxe6! fxe6 18
..tf4 i.c6 19 .txe5+- Nijboer-Janssen, Dieren 2003.
13 �bl ltJfd7
If Black captures on d3 White takes with the pawn, bolstering his center
and reducing Black's counterplay.
13...i.e7 14 h4 b4 15 ltJa4 ii'a5 16 b3 ltJfd7 17 g5 (Now White is threat
ening f4 followed by undermining e6.) 17...g6 18 f4 ltJxd3 19 cxd3 hxg5 20
hxg5 d5 21 f5 e5 22 exd5 'ii'xd5 23 f6 i.d6 24 ltJc2 a5 25 ..ta7 �f8 26 ltJe3
'ir'e6 27 ltJc4;!; Black's forces lack coordination and king safety is an issue
as well. Short-Kasparov, OHRA, Brussels 1986.
14 f4!? ltJc4 15 ii'e2 ltJxe3
One of Black's problems is that he can't play the normal idea 15... 'ii'c7
because of 16 ltJdxb5! axb5 17 ltJxb5±.
16 ii'xe3
l6 g5
...
If Black can gain control of the e5 point he will get a good game.
1 48 The English Attack
1 7 e5!
White's energetic reaction puts Black's king in jeopardy. This is a
thematic idea when Black tries to secure e5.
1 7 ...gxf4 1 8 'fkxf4 dxe5 19 tLlxe6! 'fke7 20 'ili'd2 fxe6 2 1 .tg6+ '1ti>d8 22
:n .l:r.xc3 23 'ili'xc3 'ili'c5 24 rl.ti .tc8 25 'ili'd2 'fka7 26 g5 b4 27 gxh6 .txh6
28 'ili'xb4 .tgS 29 'ikg4 1-0 Morozevich-Van Wely, Wijk aan Zee 2000.
Najdorf Variation 6 i.e3 e6 7 f3 b5 8 g4 h6
9 �d2 t2Jbd7 10 0-0-0 i.b7 1 1 h4
This variation leads to some of the liveliest and complicated play from
any Sicilian or any other opening for that matter. When an early ... h6 is
played Black must exercise great care. White's g5 is stalled for now, but if
g5 is played it carries a powerful punch. Sometimes the weakness of the g6
square allows White a sacrificial attack starting on e6. White can undermine
e6 with the g5-g6 push as well. Black must be alert to these ideas and
proceed accordingly. There are numerous examples of Black's position
crashing after tt:'lxe6! .
1 1 ...b4!?
Black must react with a sense o f urgency. Piece play looks slow.
l l ...l:f.c8
1 50 The English A ttack
A) 1 2 .l:f.g 1 ! ? lLle5 ( 1 2 . . . g6 ! ? as Black can 't let White push through to e6.
Then 1 3 g5 hxg5 14 hxg5;!;) 1 3 g5 hxg5 1 4 hxg5 lLlfd7 1 5 g6±.
B) 1 2 .td3 . I think if possible White should wait on deploying this
bishop. Why give Black lLlxd3 options? 12 ... lLle5 13 g5 lLlfd7 14 'itb 1 lLlc5
1 5 .l:f.hg I h5 16 f4 lLlg4 1 7 g6 b4 1 8 gxf7+ '3;xf7 1 9 lllce2 lLlxe4 20 �xb4
�c7 2 1 lLlxe6?! <3;xe6 22 .tb6 d5 23 �3 lLlc5 24 .tf5+ 'itxf5 25 .l:f.xd5+
'3;g6 26 .l:f.g5+ <3;h6 27 ..txc5 �d7 28 ..td4 ..te4+ Gara-Alfred, Budapest
2003 . White still has some tricks, but with accurate play Black should win.
l l . . .d5
Bl) 1 6 ... liJe4 1 7 'ike 1 f2 1 8 i...x f2 'ikxg5+ 1 9 cj;b 1 'i'f4 20 liJxe6 fxe6 2 1
�xe6 liJdc5 22 .l:txh8 liJxe6 23 'ikxb4 (23 .l:txf8+! cj;xf8 24 'ikxb4+ cj; g 8 25
'ir'xb7 liJc3+ 26 cj;a 1 liJxd 1 27 'ifxa8+ cj;f7 28 'ftb7+) 23 ... liJxf2 24 'it'xb7
liJxd 1 25 'ikxa8+ cj;f7 26 .l:th 1 liJe3-+ Sanchez-Ar1andi, Saint Vincent 2003.
B2) 1 6 . . ..l:txh3 1 7 .l:txh3 liJe4 1 8 liJxe4 i...xe4 19 liJxf3 .l:tc8 20 liJe 1 'ii'c7
2 1 .l:th8± Laznicka-Rubal, Lahucovice 2003. With Black's king stuck on e8
unraveling will be next to impossible.
1 52 The English Attack
1 2 ... g6
1 2 . . . d5 1 3 .th3 dxe4 ( 1 3 . . . g5 !? 1 4 hxg5 hxg5 1 5 e5 ! lLlxe5 1 6 ..ixg5 l:.g8
1 7 lL!b6 lL!c4 1 8 lL!xc4 dxc4 19 .txf6 iVxf6
i.xe6 lLle5 I 9 ..txd5 ..txd5 20 'Wxd5 'Wxd5 2 I .l:f.xd5 lLlxf3 22 .l:f.hd I lLlxh4
23 .l:f.e5+ 'it>fl 24 .l:f.d7+ �g8 25 lLlb6 .l:f.b8 26 lLld5+- Jens-Bindrich,
Deizisau 2003) I4 ... e5 (I4 . . .'Wc7 I 5 ..th3 bxa3 I6 g5 hxg5 I 7 hxg5 lLlh5 I 8
..ltg4 lLlc5 I 9 lLl xc5 dxc5 20 lLle2 ..tg7 2 1 �b I a2+ 22 'it>xa2 a5 23 lLlc3 a4
24 lLlxa4 ..tc6 25 �a3 ..txa4 26 bxa4 lha4+ -+ Baramidze-Jens, Deizisau
2003) I5 axb4 'Wc7 I6 lLle2 d5 I 7 ..th3 .l:f.c8 I 8 g5 ..txb4 I 9 c3 lLlh5 20
..ltxd7+ �xd7 2I �b2 ..td6 22 lLlb6+ �e7 23 lLlxc8+ .l:f.xc8 24 exd5 a5 25
U.a I hxg5 26 hxg5+- Jens-Janssen, Deizisau 2003.
B) 13 ....1:f.c8
1 54 The English Attack
C) 13 ..ie7
...
1 4 ..id3 (This slow move hands over the initiative.) 1 4... tt)c5 1 5 g5 t'l)fd7
. 1 6 g6 tt)e5 1 7 gxf7+ 'ittx f7 (Black's king is safer than his counterpart.) 1 8
..ie2 tt)xa4 1 9 bxa4 l:tac8 20 l:thg 1 ..if6 2 1 f4 tt)c4 22 ..ixc4 l:txc4+
Komeev-Galkin, Russia Cup, Novgorod 1 997.
1 4 'itt b 1 tt)c5 ( 1 4 ... l:tb8?! I don't see the point of this move. 15 ..ih3 g5 ! ?
This stops g5-g6 and makes the i.h3 look silly. 1 6 i.g2 l:tg8 1 7 hxg5 hxg5
1 8 ..if2 tt)e5 1 9 ..ig3 t'l)fd7 Perez-Leyva, Las Tunas 200 1 .) 1 5 tt)xc5 dxc5
16 tt)e2 l:td8 1 7 'iVc l tt)d7 1 8 tt)g3 ttJe5 1 9 ..ie2 l:txd 1 20 'ii'xd 1 'ii'c7 2 1
..if4 ..id6 22 tt)h5 g6 23 t'l)f6+ 'itte7 24 g5 h5 (Van Wely considers this
position to offer equal chances.) 25 ..ie3 tt)c6 26 f4 l:td8 27 _.fl tt)d4
(Black's king isn 't in danger and he has enough play to distract White from
any king side attacking intentions.) 28 ..id3 'itt f8 29 l:tg 1 �g7 30 ..ixd4 cxd4
3 1 e5 ..ie7 32 'ii'e2 a5 33 f5 exf5 34 ..ixf5 d3 ! (Opening an important
square and diagonal. 35 i.xd3 i.c5 36 e6 ..ixg 1 37 e7 i.c6 3 8 'ii'e5 'ii'xe5
39 exd8='ii' 'ii'e 1 + 40 'it>b2 'iic 3+ 4 1 'it>b 1 'ii'e 1 + 42 �b2 'ii'c 3+ 43 �b 1
'iVe l + and Black was happy to end this hard fought battle with perpetual
check. 1/z- 1/z Kasparov-Van Wely, KasparovChess Grand Prix 2000.
The English A ttack /55
D) 13 d5...
Dl) 14 ..ih3
D l a) 14 . . . dxe4 1 5 g5 hxg5 1 6 hxg5 tt::ld5 1 7 g6. (This is exactly the type
of thing Black must fear and avoid. Also 1 7 tt::lx e6! fxe6 1 8 fxe4 0-0-0
[ 1 8 .. J:td8 !? is safer. . . Black's king doesn't run headlong into the �h3 .] 1 9
exd5 �xd5 20 �b6!+- Blehm-Jonsson, Cappelle 1 995.) 1 7 . . . 0-0-0 1 8 gxf7
�xh3 1 9 �xh3 tt::lc 5 20 fxe4 tt::lxa4 2 1 exd5 tt::l c3 22 a4! Forced, but good
enough. 22 . . . �xd5 23 tt::lc6 �xc6 24 'ii'x d8+ 'ii'xd8 25 �xd8+ �xd8 26
�h8 <i;e7 27 �c5+ �xf7 28 �xf8+ ± Ustianovich-Oleksienko, Lviv 2003)
Dlb) 1 4 . . . e5 1 5 g5 hxg5 ( 1 5 ... exd4 1 6 �xd4 tt::l h5 1 7 'ii'h2 tt::lc 5 1 8 'ii'e 5+
+- Kurmann- Roschina, Davos 2002) 1 6 hxg5 exd4 1 7 �xd4 l:lxh3 1 8
B) 15 'ii'xb4 'fic7
Bl) 1 6 lLlxc5 dxc5 1 7 'ii'a4+ ltJd7 1 8 lLle2 c4 1 9 �f4 1i'c6 20 'it>b2 'ii'xa4
2 1 bxa4 �e7= Timoshenko-Maksimenko, Halkidiki 2002 (2 l . . .g6 22 �e3
�g7+ 23 �d4 e5 24 �e3 ltJc5 25 lLlc3 ltJe6 26 ltJd5 ltJd4 27 f4 �xd5 28
exd5± Fernandez-Winer, Washington DC 2000) 22 �e3 (22 lLlc3 �f6 23
�e2 ltJb6 24 e5 �e7 25 a5 ltJd5 26 �d2 f6 27 ltJxd5 �xd5 28 �c3 fxe5
29 �xe5 0-0 30 11h3 l:tc5 3 1 f4"" Anand-Kasparov, Moscow 2002).
B2) 16 �b l
B2a) 1 6 ... lLlfd7 1 7 lLlb2 d5 1 8 'ii'd2 dxe4 1 9 f4 ltJf6 20 �c4 ltJxg4 2 1 f5
e5 22 ltJe2 ltJxe3 23 1i'xe3 ltJd7 24 b4 lLlf6 25 'ii'b3 h5 26 l:th3 �d6 27 .l:1c3
'ii'e7 28 �xf7+ fixf7 29 'ii'x f7+ 'it>xf7 30 11xc8 �xc8 3 1 l:txd6 �xf5 32
ltJc4 l:lc8 33 lLlxe5+ ;!; Miskovic-Aksentijevic, Budva 2003.
B2b) 1 6 ...ltJcd7 1 7 1i'd2
B2bl) This looks like the correct time for 1 7 ...d5 !?, for example 1 8 �h3
dxe4 19 g5 hxg5 20 hxg5 ltJd5 2 1 fxe4 lLlxe3 22 1i'xe3 ltJe5 23 l:lhfl �xa3
24 g6 ltJxg6 25 �xe6 fxe6 26 lLlxe6 and Fritz thinks Black is winning.
26 ... 1i'e7 (26 ... 'ii'e5 27 'ii'b 6 �xe4 28 .l:1d8+ 'it>e7 29 'ii'a7+ l:.c7 30 lLlxc7
'it>xd8-+ is very exciting and messy! Probably too messy for human
consumption.) 27 'ii'b6 lLlf8 28 l:td8+ l:.xd8 29 lLlc7+ 1i'xc7 30 1i'xc7 l:td7
3 1 'ii'b 8+ �e7 32 'ii'e5+ ltJe6 33 l:.g l 'it>f7 34 lLlb6 l:.hd8 35 �a2 �f8 36
158 The English A ttack
tt:\xd7 .:.xd7 3 7 �f5+ <l;e7 38 .:.n ..ic8 39 lif7+ 'i;d6 40 e5+ l -0 Anand
Khalifman, Shenyang 2000. I think Anand got away with a lot in this game.
If one of us mere mortals tried this we would lose miserably.
B2b2) 1 7 . . . e5 1 8 tt:lf5 g6 1 9 tt:\g3 d5 20 exd5 ..ixd5?! (This looks terrible.
White's forcing continuation looks convincing. 20 . . . tt:\xd5!? makes more
sense.) 2 I g5 hxg5 22 hxg5 .:.xh i 23 tt:\xh i ..ixf3 24 gxf6 ..ixhi 25 ltxd7+
ltxd7 26 .:.xd7 �xd7 27 tt:lb6+ <l;c7 28 tt:\xc8 �xc8 29 �xa6+ 'i;d7 30
..ic4 ..ixa3 3 I ..ixf7 ..ie4 32 �h6+- Fercec-Teofilovic, Velika Gorica 2002.
A) 1 6 ... ttJd7 ! ?
A 1 ) 1 7 ..ih3 d 5 ( 1 7 . . .tLlb6 1 8 g5 e 5 1 9 ltJf5 tLlc4 2 0 'ifd3 g6 2 1 lLlxh6 d5
22 ltJg4 ..ixb4 23 lLlf6+ 'iit>tE 24 exd5 nxh4 25 ..ig4! nxh 1 26 nxh 1 'iit>e7
27 'ifb3 a5 28 nh7 ltJd6 29 ..ie6+- Butkiewicz-Stypka, Lubniewice 2002
White's attack is out of control.) 1 8 g5 'ifc4
Bl) I 9 fS
Bla) I 9 ... tt::\xa4 20 fxe6 tt::\c3 (20 . . . 0-0-0 2 I exfl tt::\c3 22 e6 ..txb4 23
'ii'd3 tt::\a2+ 24 'it>b2 ..ic3+ 25 'it>b I lt:Jb4 26 ..if4 ! +- Topalov-Gelfand,
Monaco 2000. White chases Black's queen away from king defense with
'ir'fS to follow.) 2 I exfl+ 'iti>xfl 22 ..id3 ..ixb4 23 l:.dfl + 'it>g8 24 'ir'f2 i.a3+
25 'iti>d2 tt::\e4+ 26 ..ixe4 dxe4 27 gS (27 'it'fS ..ib4+ 28 'iti>d I 'it'c4 29 tt::\e6
'it'dS+ 30 'iti>e2 'ii'c4+ Deep Junior-Shredder, Graz 2003 with a draw by
repetition; 24 ... l:te8 25 e6 l:tf8 26 'ii'fl + l:txfl 27 exfl+ 'ii'x fl 28 l:txfl 'it>xfl
The English A ttack 1 61
I believe that 8 g4! ? is the most accurate move order. 8 ... ltJfd7 (8 ... ltJbd7?
is met by 9 g5 completely upsettin g Black's chances for harmonious
development.) 9 'ii'd2 ltJb6 1 0 0-0-0 liJ8d7 I I ltJdxb5 is another way of
reaching this position.
8 ltJbd7 9 g4 ltJb6
...
Since this variation has similarities to the Keres Attack, Black hopes that
White's f3 becomes a wasted move.
10 g5
1 0 a4 !? is out of place in the English Attack. I O ... bxa4 I l ltJxa4 ltJfd7 1 2
t"Llxb6 ltJxb6 1 3 'ii'a 5 ltJd7 1 4 'ii'x d8+ �xd8;!; Rubino-Gregory, St Chely
d 'Aubrac 200 1 .
1 64 The English Attack
10 'ii'f2 lLlfd7 1 1 f4 .ib7 1 2 f5 .ie7?! ( 1 2 ... e5 !? looks forced and it's not
bad at all .) 1 3 fxe6 0-0 ( 1 3 ... .ih4 14 exf7+ +-) 14 0-0-0 ( 1 4 lLlf5 ! ±) 14 ... b4
1 5 exd7 bxc3 16 b3 .ixe4 1 7 .ig2 ..i.h4 1 8 'iVe2 i.xg2 1 9 ..:ixg2
Kapnisis-Simutowe, Athens 200 1 .
1 0 .id3 ..i.b7 I I 0-0-0 lLlfd7
I I 0-0-0
1 1 f4?! hands Black easy play. f4 more often than not loosens White's
position. 1 l . . .iJ..b7 1 2 a3
A) 1 2 ... l:tc8 13 0-0-0 lDc5 14 i.d3 'ii'c 7 1 5 'it>b l lDc4? ! (Black lets White
exchange on c4, blocking Black's counterplay.) 16 .txc4 bxc4 Black's
heavy pieces are bottled up on the c-file. 17 'ii'g2 l:tb8 18 f5 'ir'a5 1 9 'it>a 1
(Avoiding Black's 'ii'x c3 trick.) 1 9 . . . e5 20 liJde2 lDxe4 2 1 lDxe4 d5 22 iJ..d2
'ii'a4 23 ltJ4c3+- Gutzeit-Caspi, Tel Aviv 2002.
B) 1 2 ... lDc5 13 .tg2 lDc4 1 4 'ii'e2 e5 1 5 lDb3 lDe6 1 6 f5 lDxe3 1 7 'ii'xe3
lDf4 1 8 'ii'g3 l%c8 1 9 iJ.. f3 h6 20 gxh6 .l:txh6+ Hatanbaatar-Short, Olympiad,
Moscow 1 994.
I I �f2 �b7 I 2 �h3 (This move isn't very subtle at all. Piece sacrifices
on e6 are a long way from being dangerous.) I 2 ...�c4 ( I 2 ....l:.c8 ! ?
threatening the stock sacrifice .l:.xc3 can't be bad either.) I 3 0-0-0 b4 I4
�a4 it'a5 I 5 b3 �xe3 I6 �xe3 �e7 I7 �xe6 fxe6 IS �xe6 it'e5 I9 �c7+
�d8 20 f4 ..txg5!-+ Chojnacki-Czakon, Polanica Zdroj 200 1 .
1 l . �b7
..
D) 1 2 �bl l:.c8 13 'ii'f2 l:.xc3 ! 1 4 bxc3 ltJa4 15 ltJe2 'ii'c7 16 ..ic l ..ie7
1 7 'ii'd4 0-0 1 8 ..ia3 ltJdc5 1 9 c4 bxc4 20 ltJc3 ltJxc3+ 2 1 'ii'x c3 d5 22 ..ib2
f6 23 exd5 i.xd5-+ Quarracino-Panno, Villa Martelli 200 1 .
E) 1 2 'ii'g2 ! ? (With g6 sac ideas.) 1 2 ...ltJe5 ! ? ( 1 2 ....l:.c8 ! ?, setting up the
exchange sac, 1 3 g6! hxg6?? ( 1 3 ... .l:.xc3 1 4 gxf7+ 'it>xf7 1 5 bxc3) 14 lll xe6
fxe6 1 5 'ii'xg6+ 'it>e7 1 6 i.g5+ lLlf6 1 7 e5+-) 1 3 �b l l:.c8 1 4 ltJce2 �c7 1 5
ltJg3 d 5 1 6 i.e 1 ltJec4 1 7 i.d3 i.c5 1 8 lLlb3 ..ie3+ Leko-Hoffmann,
Lippstadt 1 993.
The Knight Sacrifice: 6 i.e3 e6 7 f3 bS
8 'ti'd2 ttJbd7 9 g4 ttJb6 10 0-0-0 ttJfd7
1 1 ttJdxbS !?
.A) 1 1 �b 1
B) 1 1 ltJb3 .l:.c8 1 2 ltJa5 (When Black's bishop has a8 for a retreat square
then White's ltJa5 idea is doomed to failure.) 1 2 . . . i..a 8 1 3 g5 liJfd7 1 4 a4?
(I find this very hard to believe! Whatever happened to king safety?) 14 . . . b4
( 1 4 . . . ti:Je5 ! 1 5 axb5 ti:Jxf3 1 6 'ii'f2 tt:Ja4+ gives Black a very strong attack.)
1 5 ti:Ja2 ltJxa4 1 6 i..xa6 'ifxa5 ( 1 6 .. J�b8 !?) 1 7 i..x c8 liJdb6 1 8 i..xe6 fxe6
1 9 'ifxb4 'it'xb4 20 ti:Jxb4 ti:Jc4 2 1 i..d4 e5 22 b3 exd4 23 bxa4;t Perez
Novikov, Valle d'Aosta 2002.
The English Attack 1 69
l l lt:ldxbS!?
White attempts to take advantage of Black's lack of development with
this piece sacrifice. For 1 1 iff2 see under 9 ifd2 chapter.
1 1 �g5 !? is not a bad idea at all. This probing move discourages Black
from �e7 and slows down development. After 1 l .. .ifc7! Black shouldn 't
fear the b5 piece sacrifice 12 lt:ldxb5 ( 1 2 'it>b 1 �b7 13 lt:ldxb5 axb5 14
lt:lxb5 'Wc5 [ 1 4 ... �8 Black shouldn't give White any alternatives.) 1 5 b4
White uses the queen's exposed position, but Black is in position to block
the passers. [ 1 5 �e3 ! ?] 1 5 .. .'ii'c6 16 t:bxd6+ �xd6 1 7 'ii'xd6 'ii'xd6 1 8 l:lxd6
lt:la4 1 9 'it>c 1 �c8 20 �b5 lt:lc3 2 1 �xd7+ �xd7 22 'iti>b2 l:lc8 23 �d2
lt:la4+ 24 'it>b3 �b5 25 l:ld4 lt:lb6 Svidler-Georgiev, Istanbul 2000. Black's
pieces are stronger than White's pawns.) 1 2 . . .axb5 1 3 lt:lxb5 �8. Compare
this to the lt:lxb5 sacs in the other part of this chapter and we'll see a big
difference: 1 4 lt:lxd6+ �xd6 1 5 ifxd6 'Wxd6 16 l:.xd6
This should be considered the starting point for this chapter. For a while it
looked like this was going to be a main line but it's rarely seen. At the
moment White has two pawns for the piece but Black's development is
lagging and White threatens to capture d6 as well. White has had very good
results in practice but matters are far from clear.
12 ..ta6
..•
· 1 2 . . . lLle5 !?
This move is crucial to the entire variation. 1 3 'ii'c3 (In most situations
'ii'c3 is a real killer but here it's not sure) 1 3 . . .lLla4 1 4 lLlc7+? (One thing is
certain . . . this is not the solution. 14 'ii'c7 !? is a much better try but things are
The English A ttack 1 71
far from clear.) 1 4 ... .i.d7 1 5 ltlxd6+ .ixd6 1 6 _.xd6 ltlxf3 1 7 .ie2 ltlh4
Analysis engines prefer Black but it could be the material situation not the
position. 1 4 ... �e7 1 5 _.xe5 'ihc7 White's attack has ended and now the
position is completely lost.) 1 6 _.d4 e5 1 7 'ifb4 .id7 1 8 .ib5 .ixb5 1 9
'Wxb5 �8 20 l:[d5 'ii'xb5 2 1 l:[xb5 �e6 22 l:[d l .ie7 23 l:[d3 l:[hb8-+
Yakovich-Komiagina, Serpukhov 2003.
1 2 . . . d5? (This move illustrates some problems with Black's game.)
1 3 'ii'c3 ! (The start of a long and beautiful sequence from White where
Black's pieces are helpless against his onslaught.) 1 3 ... :xa2 14 �b l ltla4
1 5 lbc7+ rj;e7 1 6 'Wb4+ �f6 1 7 e5+ �g6 1 8 .id3+ f5 1 9 gxf5+ cj;f7
( 1 9 ... exf5 20 .ixf5+ ri;fl 2 1 .i.e6+ mates) 20 fxe6+ �g8 2 1 'ii'f4 l:[xb2+ 22
�c l ltlxe5 23 -.xe5 .id6 24 'ii'x g7+ ! ! 24 ... �xg7 25 l:[hg l + �f6 26 .ig5+
�e5 27 l:[de l + ..t>d4 28 .ie3+ �e5 29 f4+ ..t>f6 30 .id4+ �e7 3 1 l:[g7+
Vasquez-Jaime Montalvan, Malaga 2003 . A well played attack by White.
1 2 . . . .tb7 l 3 ltlxd6+ .ixd6 14 'ii'xd6 (A frequent theme in this line is
White's three connected passed pawns vs Black's uncoordinated pieces.)
14 ... ltlc8 1 5 'ifb4 .ic6 1 6 �b 1 -.r6 1 7 .ie2 l:[b8 1 8 'ii'd4 0-0 19 'ii'xf6
ltlxf6 20 b3 ltle7 2 1 l:[d6 l:[fc8 22 �b2 :as 23 c4 ltle8 24 l:[d2±
Potkin-Deepan, Goa 2002.
1 2 ...nxa2 1 3 �b 1
1 72 The English A ttack
B) 1 3 . . .l:txb2+! ?
One would assume preparation but do we believe it? 1 4 �xb2 (Black has
prevented 'i!Vc3 at any rate.) 1 4 ... d5 1 5 i..f4 i..c5 1 6 lDd6+ 'itf8 1 7 lDxc8
'fi'xc8 1 8 l:ta l e5 1 9 i..e3 d4 20 i..f2 'ii'c6 2 1 '�te l (2 1 'it'a5 !?, preparing
queen swap offers and defending the queenside, makes sense. At the very
least White is OK.) 2 l ...h5 22 g5 i.. e7 23 h4 lDc5 24 �d l lDca4 Fantin
Fedorchuk, Sautron 2002. White's position is very disjointed and Black's
very solid. The evaluation would have to be the dreaded dynamically equal.
16 a3! ?
Not a s forcing as 1 6 'ii'd4 but very reasonable. 1 6 'ii'd4 ! i s absolutely the
most aggressive choice but one with some pitfalls. 1 6 . . .lha2 (From what I
can tell the first game played with this sacrifice went 1 6 ... ..te2 1 7 'ii'xg7
'ii'f6 1 8 fl'xf6 lbxf6 1 9 l:lde 1 ..ixf3 20 l:lhfl ..ixg4 2 1 ..id4! [This fine move
ends any hopes for counterplay.] 2 1 . . .l'ha2 22 'iti>b 1 l:la8 23 ..ixf6+
Shirov-K Georgiev Dubai 2002) 1 7 �b 1
16 .te2!?
...
19 'iid4
19 .l:lfd 1 i.d5 20 .l:lxd5 20 ... exd5 2 1 l:.e 1 ! +- Goloshchapov-Aroshidze,
Batumi 2002.
The English Attack 1 75
This line is one of Black's most aggressive tries. I believe it was first
analyzed and played by Cuban grandmasters. As we will see, many of these
games were played by them. Black meets White's flank action with his
own. One drawback of this is Black's under-developed position and
because of this the second player should make king safety a priority. Even
with the numerous examples more tests are needed.
9 lt:la4
The most aggressive of the 9th move alternatives appears to be this and 9
lt:lb L. In my opinion White should always opt for the sharpest plan. Slow
play gives Black a comfortable game.
9 lt:lce2
A) 9 ... h6
AI) 1 0 lt:lg3 e5
The English Attack 1 77
B2) 10 tiJb3
17 . . . exf4 1 8 �xf4 �g7 19 tlJd4 �e5 20 tDxe6 fxe6 21 i.xe5 tDxe5 22 0-0;!;
Safranska-Iosif, Romania 1 994.
B2c) 1 0 ... a5 1 1 g5 tDfd7 1 2 tlJg3 (White has the possibility of 1 2 1lfd5 !
.l:ta6 1 3 tlJg3±; also 1 2 a3 ! ?) 1 2 ...tlJb6 1 3 �b5+ (White should keep this
move in reserve; 13 1i'd2 !?) 13 ... �d7 14 1lfe2 ( 1 4 1i'd3 !? saves time over
the game continuation.) 1 4 ... a4 1 5 tlJd2 tDc6 1 6 h4 .l:tc8 1 7 1i'd3 ttJd4 1 8
i.xd7+ tDxd7 1 9 i.xd4 exd4 20 tDe2 (20 tDf5 ! ? tDe5 2 1 1lfa6±) 20 . . . h6 2 1
gxh6 .l:txh6 with a dynamic position where both sides have chances.
Brunner-Blechzin, Dortmund 1 993 .
B2d) 1 O . . . �b7 1 1 tlJg3 h5?! (Inconsistent with Black's b4 plan.) 1 2 gxh5
( 1 2 g5 !? ttJfd7 1 3 tDf5 'ikc7 [ 1 3 . . . tDb6?! 1 4 ttJa5 !±] 14 'ii'd2;!;) 1 2 . . . tDxh5
1 3 tDxh5 .l:txh5 14 'ikd2 d5 1 5 0-0-0 d4 16 �f2 �e7 1 7 �b l tlJd7 1 8 �d3
g5 ( 1 8 ... a5! ?) 1 9 h4 'ikb6 20 'ii'e2 .l:th6 2 1 hxg5 �xg5 22 l:.xh6 �xh6 23
liJd2;!; Komeev-Pavlov, Novgorod Open 1 995.
9 tDb l ! ?
IO c4
l O b3 ! ? .ixa4 1 1 bxa4 'ilc7 1 2 'ild2 ( 1 2 .ig2 tt::lc6 1 3 0-0 1L.e7 1 4 g5
tt::ld7 1 5 f4 tt::lb6 1 6 tt::lxc6 tt::lc4 1 7 ,.d4 tt::lxe3 1 8 'ikxg7 l:tf8 1 9 tt::lxe7 tt::lx fl
20 l:txfl ,.xe7+ Zhang Pengxiang-Svidler, Shanghai 200 1 ) 12 ... h6 l 3 .ie2
tt::lbd7 14 0-0-0? ! A very strange decision and one that's not good for
White's health. ( 1 4 0-0 is not much better: 1 4 ... d5 1 5 exd5 tt::lxd5 1 6 f4
.ic5+) 14 . . . d5 1 5 h4 dxe4 1 6 g5 tt::ld 5 1 7 fxe4 'ii'c3 1 8 tt::lb3 'ii'xd2+ 1 9
1L.xd2 lL!c3 20 .ixc3 bxc3 2 1 g6 fxg6 22 .l:.h3 .ib4 2 3 �b 1 lL!e5 24 a3 .ie7
25 l:txc3 0-0 26 l:tc7 .ixh4-+ Garcia-Bruzon, Cali 2000. It's just a matter of
time before Black's kingside pawns get rolling.
IO ...'ii'aS I I b3 .ixa4 I 2 bxa4 h6 13 .ig2 lL!bd7 I4 0-0 l:tc8 IS f4 .ie7
I6 gS hxgS I7 fxgS lL!hS IS g6 lL!hf6 I9 gxf7+ �xf7 20 'ikg4 lL!f8 2 I 1i'g3
'fles 22 i ' f'xeS 1/z- 1/z
Bacrot-Lutz, Biel 2003.
6 J.e3 e6 7 f3 b5 8 g4 tlJfd7 9 1\Yd2 ..tb7
1 0 0-0-0 tt:Jb6 1 1 tt:Jb3
1 e4 cS 2 tt'lf3 d6 3 d4 cxd4 4 tt'lxd4 tt'lf6 5 tt'lc3 a6 6 .ie3 e6 7 f3 bS 8
g4 !?
The most accurate move order. The text prevents Black from playing
tt'lbd7 to b6 with a more harmonious development.
8 tt'lfd7
...
10 0-0-0
10 h4 tt:lb6 1 1 tt:lb3 b4 1 2 tt:ld 1 tt:lc6 13 'it'f2 tt:ld7 14 g5 i.e7 1 5 f4 (If
possible White should avoid playing f4. In many cases it weakens e4,
providing Black with good counterplay.) 1 5 . . . h6 ! ? (Playing for the strong
outpost on e5.) 16 l:tg 1 hxg5 17 hxg5 lbc5 1 8 i.xc5 dxc5 19 i.d3 e5 20
tt:le3 exf4 2 1 'ii'x f4 'ii'd6 22 'it'fl l:th5+ Solak-Bruzon, Yerevan 2000. Black
has the better pawn structure and a nice outpost on e5.
10 ...tt:lb6
A solid move but one that shows White is thinking safety first. With
correct play Black should equalize without much trouble. '
1 1 tt:lb3 ! ?
This is the only time li:lb3 makes sense. White has li:la5 diNruptinw
Black's forces.
A) I 1 . . . b4
AI) I 2 li:le2 a5 I 3 li:lg3 li:l8d7 I4 'it>b 1 ..ta6 I 5 f4 ..txfl 1 6 .r:thxfl li:lc4 1 7
'itd4 li:lxe3 I 8 'iixe3 'ikc7 I 9 .r:td2 li:lb6 20 .r:tdf2 li:lc4 2 I 'iid3 i.e7 22
li:ld2= Yakovich-Kineva, Serpukhov 2003.
A2) I2 li:lb I li:lc6 I3 'ikf2 li:la4 14 liJ I d2 li:le5 I 5 li:lc4 li:lxc4 I6 i.xc4
.r:tc8 I 7 ..td3 i.e7 I 8 'iti>b i 'iic7 19 'ikd2 i.f6 20 ..td4 i.xd4 2 1 li:lxd4 'ikb6
22 li:lb3 0-0= Shahade-Nakamura, New York 200 1 .
A3) I 2 i.xb6 bxc3 ( 1 2 . . .'iixb6 I 3 li:la4 wins the b4 pawn.) I 3 'ike3 cxb2+
14 �b 1 'iic 8 I 5 h4 ..te7 1 6 g5 li:ld7 I 7 ..ta5 'ikc6 1 8 .r:td3 li:lc5 1 9 li:lxc5
dxc5= Socko-Van den Doel, European U 1 8 Championship, Zagan 1 995.
B) I l . . .li:l8d7 1 2 li:la5
BI) I 2 . . .'iic7
Bla) I 3 li:le2 l:.c8 I4 li:ld4 d5 !? (After I4 ...i.a8 I guess White intended
1 5 i.xb5 axb5 1 6 li:lxb5 'ikb8 1 7 li:lxd6+ i.xd6 1 8 'ikxd6 'ikxd6 1 9 .r:txd6;!;)
1 5 ..tf4 e5 1 6 i.g3 ..ta8 1 7 i.d3 li:lc4! 1 8 i.xc4 bxc4 (This leaves the li:la5
looking very lonely.) 1 9 exd5 c3 20 'iie2 ..txd5 2 1 li:lab3 cxb2+ 22 'iti'b 1 f6
23 g5 i.e7 24 .r:the 1 0-0 25 li:lf5 li:lb6+ Kritz-Graf, Saarbruecken 2002.
B ib) 13 ..tf4 li:lc8 I4 li:lxb7 ( 14 li:le2 .r:tb8 1 5 li:lxb7 .r:txb7 16 h4 i.e7 1 7
..tg5 li:ldb6 1 8 li:ld4 0-0 1 9 �b 1 .r:te8 2 0 i.d3 ..t f8 2 1 'ike2 li:la4 22 i.e 1
li:lcb6 23 'iti>a 1 g6 24 h5 li:lc3 25 bxc3 li:la4 26 'ike 1 ..tg7 27 hxg6 fxg6 28
..tfl li:lxc3 29 i.b2;!; Fedorov-Ermenkov, Ohrid 200 1 ) 1 4 ... 'ikxb7 15 h4
i.e7 1 6 g5 li:le5 1 7 'iig2 li:lb6 1 8 h5 .r:tc8 1 9 g6 'iic6 ( I 9 . . Jhc3 ! ?) 20 h6
li:lxg6 2 1 hxg7 .r:tg8 22 i.e3 ..tf6 23 i.d4 i.xd4 24 .r:txd4 e5 25 .r:td2 .r:txg7+
Z.Aimasi-Ljubojevic, Monte Carlo 2003.
Bic) 1 3 'iti>b 1 ..te7 14 h4 0-0 1 5 ..tg5 ! (White should be alert for this idea.
Black must now weaken e6 or play li:lf6, both being concessions.) 1 5 ... f6
(Pretty much forced, but now the e6 pawn becomes a target. 1 5 . . . li:lf6 1 6
..txf6 ..txf6 1 7 'ii'xd6 .r:tac8 1 8 'ii'x c7 .r:txc7 1 9 li:lxb7 .r:txb7 2 0 li:le2±; while
16 h5 ! ? is a good alternative for those who hate queen swaps. 1 6 . . . .r:tfd8 1 7
i.e3 li:lfd7 1 8 g5 and White's initiative has reached dangerous proportions.)
/86 The English A ttack
1 6 .te3 tLle5 1 7 'ii' f2 tLlbc4 1 8 tLlxb7 'ii'xb7 19 i.d4 l:tac8 20 tLle2 tLlc6 2 1
.te3 tLlxe3 22 'ii'xe3 'ii'a7 23 'ii'b3 ! (In kee p ing with White's plan and very
strong as well.) 23 ...d5 (23 ... tLld8 24 tLld4 it'd7 25 .th3 and the sensitive e6
square under seige.) 24 exd5 tLla5 25 'ii'd 3 tLlc4 26 tLlf4 tLle3 27 tLlxe6!
(Sacrificing the exchange gives White a grip that Black can't break.)
27 ... tLlxd 1 28 'ii'xd 1 l:tfe8 29 i.d3+- (Black has no way to distract White
from the kingside attack.) 29 ...'ii'f2 30 f4 .td6 3 1 g5 l:txe6 (Desperation but
it's hopeless.) 32 dxe6 'ii'xf4 33 .l:.fl 'ii'e 5 34 l:te 1 'ii'c 5 35 gxf6 gxf6 36
'ii'g4+ �h8 37 l:tg 1 'ii'c7 38 e7 1 -0 Anand-Ponomariov, Mainz 2002.
B2) 1 2 . . .l:tb8 ! ?
This i s one o f the biggest tests to the tLlb3 to a 5 idea. Black essentially
forces White to play tLlxb7. If Black has time, the .ta8 retreat will leave the
tLla5 looking silly. 1 3 .tf4 ( 1 3 a4?! b4 14 tLla2 tLlxa4 1 5 'ii'xb4 tLlxb2 leads
to a very unclear and confusing position where Black emerged on top after
1 6 tLlxb7 tLlxd1 1 7 .ta7 tZ:lt2 1 8 .txf2 'ii'c7 1 9 i.xa6 'ii'c6 20 'ii'a5 .l':.a8 2 1
tLlb4 'ii'xb7+ 22 l:td1 .te7 23 l:td3 d5 24 l:tb3 .txb4 25 .txb7 l:txa5 26
l:txb4 0-0-+ Leitao-Ljubojevic, Bled 2002.) 1 3 ... tLlc8 14 tLlxb7 l:txb7 1 5
..tb 1 .te7 1 6 h4 0-0 1 7 tLle2 tLlcb6 1 8 tLld4 l:tc7= Blehm-Kalod, Paget
Parish 200 1 .
C) 1 1 ...tLlc6! ? (A sound developing move but one that doesn 't mesh with
Black's ideas.)
The English Attack 187
12 .td3
1 2 tt:lb3 ?! l:tc8 (Opening a retreat for the bishop rendering tt:la5 useless.)
A) 1 3 tt:la5 �a8 14 tt:le2 tt:la4 1 5 tt:lb3 'ii'c 7 16 tt:lf4 tt:le5 1 7 'Oti>b l tt:lxf3 ! -+
winning a pawn and ruining White's pawn structure. Gullaksen-Coleman,
Troll Masters, Gausdal 1 995.
B) 13 'i&?b 1 .te7 14 h4 0-0 15 g5 l:txc3 16 bxc3 tt:la4 17 �d2 'ii'c7 1 8 �e3
l:tc8 1 9 .te 1 tt:le5 20 �a 1 d5 2 1 f4 tt:lg6 22 f5 exf5 23 exd5 tt:lf4+ 24 c4
bxc4 25 .txc4 'ii'xc4 26 'ii'xe7 'ii'xc2 27 l:b 1 tt:lc3 28 .txc3 'ii'x c3+ 29 l:tb2
tt:ld3-+ Kriventsov-Woj tkiewicz, Chicago 2002.
12 'it>b I l:.c8
D) 13 g5?!
13 . . Jhc3 ! (This is very nice for Black. White's king is a major concern.)
14 bxc3 ike? 1 5 il.d3 ikxc3 16 tLle2 ike? 1 7 il.d4 e5 1 8 il.a 1 (At the cost of
the c3 pawn White gets the bishop as a hopeful defender.) 1 8 ... tLlc5 1 9 h4
i.e? 20 tLlg3 g6 (Black can afford to take his time since White's king will
always be in danger.) 21 f4 tLlca4 22 ikd2 (White is clearly on the
defensive.) 22 ...ikc5 23 h5 b4 24 tLle2 .l:lg8 25 hxg6 hxg6 26 .:.h7 exf4 27
'iix f4 nf8 28 tLld4 il.xg5 29 1i'g3 tLlc3+ 30 il.xc3 bxc3 31 tLlb3 ila3 ! (The
mate threat forces White to give up material.) 32 il.b5+ axb5 33 ikxc3 lt:lc4
34 e5 dxe5 35 .l:lh3 cJ;e7 36 .l:lhd3 i.c6 37 l:le l il.f4 38 l:ld4 g5 39 l:lxf4
gxf4 40 .:.xe5+ tLlxe5 4 1 ikxe5+ 'iti>d8 42 tLlc5 �c8 43 ikd6 'iib4+ 44 �c 1
ike ! + 45 'iti>b2 'ifb4+ 46 �c l 'tie l + 47 'itb2 'iie 8 48 tLla6 �b7 49 tLlc5+
'itc8 50 tLla6 'it>b7 5 1 tLlc5+ 'itc8 52 tLlb7 'iti>xb7-+ 1h-1h Movsesian-Van
Wely, Marathon, Dordrecht 2000. The final result is very surprising, but it
was a blitz game. Very interesting nevertheless.
1 2 ... .:.cs
13 tLlce2
Preventing Black's exchange sac but it's hard for White to get an
initiative. 1 3 f4? (A ridiculous move, now Black gets pressure on e4 and the
c file.) 1 3 ... b4 14 tLlce2 tLlc5 1 5 tLlg3 tLlxd3+ 1 6 .l:lxd3 tLld7 ! 1 7 tLlf3 ika5
1 92 The English A ttack
1 3 . . . d5
14 'it>b 1 ( 1 4 ..txc4 l:txc4 1 5 'it>b 1 At this point things are level. 1 5 . . .�c7
1 6 lL!g3 ..te7 1 7 h4 0-0 1 8 ..tg5 lL!e5 1 9 ..txe7 'ir'xe7 20 g5?! This careless
move allows Black kingside play. 20 ... f6! Opportunity knocks so Black
takes advantage of it. 2 1 f4 lL!c6 22 lL!de2 'ir'c7 23 l:the 1 e5 24 'ir'e3 l:txc2
25 lLlf5 lL!a5 26 lL!xd6 lL!c4 27 lL!xc4 l:txc4 28 fxe5 'ir'xe5 29 lL!c3 fxg5 30
hxg5 l:te8 3 1 l:td7 b4 32 :xb7 bxc3 33 bxc3 l:txc3-+ Degraeve-Sokolov,
Metz 200 1 .) 14 ... lL!xe3 1 5 'ir'xe3 lL!e5 16 f4 ! ? (Very aggressive but not very
dangerous.) 1 6 ... lL!xg4 1 7 'ir'f3 lL!f6 I 8 lL!g3 ,.c7 I 9 l:thfl d5? (This is
where Black gets into trouble. I9 ... ..te7 !?) 20 e5 lL!d7 2 1 f5 ! lL!xe5 22 'ir'h5
..i.c5 23 lLlxe6 iVd6 24 lL!xc5 'ir'xc5 (24 .. .l:.Xc5 25 lL!e4 ! dxe4 26 ..i.xb5+ +-)
25 l:tde 1 iVd6 26 f6 gxf6 27 lL!f5 iVb6 28 lL!h6 l:.c7 29 l:txe5+ 1 -0
Kapnisis-Tsive1ekidis, Ano Liosia 2000.
14 h4
I4 'it>b i 0-0 I 5 h4 lL!a4 I 6 g5 lL!dc5 ! (This is Kasparov's recipe for
counterplay in this variation. The lL!c5 keeps an eye on e6 as well.) I 7 -.g3
( l 7 lL!g3 'flc7 I 8 lLlb3 d5 I 9 e5 ! ? Allowing Black dxe4 or capturing on d5
are good for Black. I 9 ...-.xe5 20 ..td4 iVc7 2 I f4 lL!e4 22 ..txe4 dxe4 23
:the I ..td6 24 lL!h5 e5 25 c3 f6 26 gxf6 exd4 27 lL!xd4 g6 28 f5 gxh5 29
lL!e6 lL!xc3+ 30 bxc3 'ir'xc3 3 I l:txd6 iVb4+ 32 'it>a I 'ir'c3+ 33 �b I iVb4+
34 'it>a1 �c3+ 35 'it>b 1 •h- •h J.Polgar-Kasparov, Linares 200 1 .) 1 7 .. .'�Wc7 1 8
l:tc l d5 1 9 e5 'ii'a5 20 h5 lL!xb2 2 1 'it>xb2 lL!e4 22 fxe4 dxe4 23 �b l exd3
1 96 The English A ttack
14 ...lLlc4?!
This naive move puts Black on the critical list. Black's knights are
important for counterplay. 1 4 ... 0-0 1 5 g5 d5 1 6 g6!? If White is in a hurry
then this is a good try. Black can be punished for ignoring the weakness of
the e6 point. 1 6 ... hxg6 I 7 h5 g5 I 8 ..t>b I lLlc4 I 9 .i.xc4 l:txc4 20 l:tdg I dxe4
2 1 f4 e5 22 lLlf5 exf4 23 lLlxf4 lLle5 24 l:td i 'ii'e 8 25 h6 g6 26 h7+ �h8 27
lLlxe7 'ii'xe7 28 lLld5 i.xd5 29 .l:txd5 l:td8 30 i.c5 ! 30 .. Jlxc5 3 1 1Wxc5+
Melnikov-Ayupov, St Petersburg 200 1 .
1 5 i.xc4 .l:.xc4 1 6 �b1 b4
A useless move but Black is in trouble. 1 6 . . .d5 !? 1 7 exd5 i.xd5 1 8 lLlf4
with dangerous threats just like the game.
17 gS dS 18 exdS i.xdS 19 lLlf4 'ii'aS 20 lLlb3 "ikc7 21 lLlxdS exdS 22
.l:.xdS 0-0 23 lLlaS l:tcS 24 .l:txd7 1-0
Kurmann-Javet, Biel 2003.
Najdorf Variation 6 .i.e3 e6 7 f3 h5 ! ?
9 i.c4
9 0-0-0 'ii'c7 (9 ... b5 10 'iti>b l ..ib7 1 1 .i.d3 .i.e7 12 l:Ihe l l:Ic8 1 3 ..ig l
ltJe5 1 4 f4 ltJc4 1 5 .i.xc4 l:Ixc4 1 6 e5 dxe5 1 7 fxe5 ltJd5 1 8 ltJe4 0-0 Even
with the pawn on h5 Black's king has nothing to worry about. 1 9 'iie2 'iia5
20 ltJd6 ..ixd6 2 1 exd6 'ii'b4 22 ltJb3 'i!Vxd6 23 'fixh5 l:[fc8 24 c3 b4+
Arakhamia-Rowson, Catalan Bay 2004) 1 0 ..id3 ltJc5 1 1 �b l .i.d7 1 2
l:lhe l .i.e7 1 3 h 3 b 5 1 4 .i.xb5?! (White should follow through with 1 4 g4!?)
14 ... axb5 15 ltJdxb5 .i.xb5 1 6 ltJxb5 'ifb7 17 ltJxd6+ .i.xd6 1 8 'ii'xd6 ltJa4
t9 .i.d4 l:Ia6 20 'iia3 ltJd7 2 1 'ii'h3 'ii'c6 22 'ii'b4 f6+ Shomoev-Sidorov,
Togliatti 200 1 . �t7 and l:Ib8 are on the way among others.
23 ...'ii'd4+
Trading queens gets out of mate, but leads to a resignable position.
24 'ii'xd4 ..txd4 25 �e2! .tb6 26 .:.bt .tc7 27 .:.b7 i.xh2 28 f4 0-0 29
.:.h1 ..tg3 30 .:.xh5 �g7 31 .th6+ �g6 32 .:.g5+ 1-0
Khalifman-Van Wely, Wijk aan Zee 2002.
Taimanov Variation 6 .i.e3 ! ? a6 7 i.Vd2 t2Jf6
8 0-0-0 .i.b4 9 f3 ttJa5 !?
The English Attack has led t o such interesting chess that someone decided
to try it against the Taimanov variation. Black should aim for fluid piece
play and be careful when playing d5. From Black's point of view the dark
squares are especially important. Capturing on c3 after .i.b4 should be
played only if Black can defend the a3-f8 diagonal.
6... a6 7 'ikd2 ti::lf6
I prefer to delay b7-b5. In some cases White can get the better game by
exchanging on c6.
_
8 0-0-0
8 i.e2 i.b4 9 f3 (White' s .te2 amounts to a waste of time.) 9 . . tt::le5 1 0 a3
.
8 i.b4
...
9 f3 tbaS!?
9 . . . 0-0
A) 1 0 g4 b5 1 1 g5 tbh5 1 2 a3 i.e7 1 3 tbce2 tba5 1 4 tbg3 ! (After this
everything falls into place for White in unbelievable fashion.) 14 . . . e5 1 5
tbxh5 exd4 1 6 �b 1 dxe3 1 7 ._d4 f6 1 8 gxf6 i.xf6 1 9 tbxf6+ .l:txf6 20
._d5+ +- Arizmendi Martinez-Arbakov, Linares 2003.
B) 10 'iti>b l il..e7 1 1 g4 tbe5 1 2 l:tg l ( 1 2 g5 ! ?) 12 . . .b5 1 3 g5 tbh5 14 f4
tbc4 1 5 i.xc4 bxc4 1 6 f5 White's kings ide action is already underway,
while Black has accomp lished nothing.) 1 6... g6 17 tbde2 l:tb8 1 8 �a 1 i.c5
1 9 i.xc5 ._xc5 20 'ifd6 ._xd6 2 1 l:txd6 gxf5 22 exf5± Erdogdu
Miladinovic, Istanbul 2002.
C) 10 a3 White should be careful when playing this move. It
compromises the queenside and helps Black with the b4 break. 1 0. . . i.e7 1 1
g4 b5 1 2 g5 tbe8 1 3 tbxc6 dxc6 14 h4 b4 1 5 tbb 1 l:tb8 16 il..c4 tbd6 1 7
i.b3 c5 \ 8 axb4 .l:txb4 1 9 tba3 ._a5= Pilgaard-lvanovic, Subotica 2003 .
9 d5?!
...
This break doesn't work out very well. Black gets a passive game in any
case.
10 a3
Dl) l 3 ... tiJc5 1 4 it'c4 tiJd7 1 5 tL!xc6 it'xc6 1 6 'iWg4 ! (Of course White
keeps the queens on.) l6 ... g6 (Now Black has fatal dark square weaknesses:
1 6 ...0-0 1 7 i.h6+-) 1 7 i.e2 0-0 1 8 i.h6 .l:te8 1 9 l:.hfl f5 20 'Wi'd4 e5 2 1
i.c4+ (Black's undeveloped squad offers little hope for defense.) 2 l .. .'ith8
22 it'h4 tiJf6 23 i.g5 tLlg8 24 i.fl l:.f8 25 i.d5 'iic7 26 'iib4 l:te8 27 'iib3
h6 28 i.xg8 hxg5 29 i.fl+- Kramnik-Ljubojevic, Monte Carlo 2003 .
D2) l 3 . . . f5 14 'Wi'c4
206 The English A ttack
D2a) 1 4 . . . e5 (This doesn't offer Black much hope either.) 1 5 ltJxc6 'ii'xc6
16 l:td5 'ii'e6 1 7 l:ta5 ! (The easiest way for White to convert her huge
advantage into a win.) 1 7 . . . ltJd6 ( 1 7 . . . 'ii'xc4 1 8 ..txc4 and even after a queen
trade White's attack rages out of control.) 1 8 'ii'c3 0 -0 1 9 l:txe5 ).Polgar
Horvath, Halkidiki 2002.
D2b) 14 ...�e7 1 5 ..td3 ltJf6 16 l:the l g6 1 7 ..tg5 e5 1 8 ltJxc6+ bxc6 1 9
'ii'c 5+ +- Arizmendi Martinez - Valensi, Istanbul 2003.
Taimanov Variation 6 i.. e 3 ! ? a6 7 'i¥d2 l2Jf6
8 0-0-0 i.. b4 9 f3 l2Je7 1 0 l2Jde2 d5
A) 1 1 a3
A1) 1 l .. ..ic5 (After this Black g ets into trouble.) 1 2 exd5 liJfxd5 1 3
liJxd5 exd5 ( 1 3 . . .liJxd5 1 4 .ixc5 'tt' xc5 1 5 liJc3 wins a pawn.) 14 .ixc5
'ihc5 1 5 liJf4 ( 1 5 liJd4 ! ?) 1 5 ... .if5 1 6 g4 .id7 1 7 liJxd5 liJxd5 1 8 'iixd5
'ifxd5 1 9 llxd5 0-0-0 20 .id3 .ic6 2 1 .l:txd8+ .:r.xd8 22 .l:tfl ± Fressinet
Tregubov, Halkidiki 2002. White is up a clear pawn.
A2) 1 l .. ..ia5
A2a2) 14 exd5 exd5 (Black should avoid getting stuck with an isolated d
pawn: 1 4 ... ltJexd5 1 5 liJxd5 ltJxd5 I 6 liJc3 [or 1 6 c4;!;] 1 6 ... ltJxc3 1 7 'ihc3
0-0 1 8 �d3;!;) 1 5 'Wd4 'Wc7 1 6 'ir'f4 'ir'c6 1 7 �b2 .te6 1 8 liJd4 'ii'd7 1 9 h4
l:c8 20 l:te l 0-0 2 1 �d3 l:tc7 22 h5;!; Magem Badals - Reefat, Dhaka 2003 .
White has a bind on the dark squares.
A2b) 1 2 �g5 dxe4 1 3 �xf6 gxf6 1 4 'ii'h6 f5 1 5 'Wf6 ltJg6 16 fxe4 f4
( 1 6 .. .".e5 1 7 'it'xe5 ltJxe5 1 8 exf5 ltJg4 19 l:te l �b6 20 liJd i liJf2 2 I liJxf2
�xf2 22 .l:td l exf5 23 g3 [In return for the worse pawn structure Black has
the bishop pair and some active chances.] 23 ... �d7 24 �h3 0-0-0 25 l:thfl
�e3+ 26 �b l �e6 27 ltd3 l:txd3 28 cxd3 l:td8 29 l:tf3 �b6 30 ltJc3 �g l
3 1 ltJe2 �b6 32 �xf5 �xf5 33 l:txf5 l:txd3 34 'it>c2;!; Shirov-Lutz,
Dortmund 2002. Black 's kingside pawns will come under pressure.) 1 7 g3
�d7 ( 1 7 ... fxg3 1 8 hxg3 �d7 1 9 l:.h5 �xc3 20 ltJxc3 'ir'xg3 21 'it>b I 'ir'f4 22
'ii'd4 �c6 23 �c4 'ii'c7 24 'ii'g7 ! l:td8 25 i.xe6;!; Tischbierek-Jansa,
Cologne 2003) 1 8 gxf4 �xc3 1 9 bxc3 'ii'd8 20 'ir'xd8+ l:txd8 2 1 l:tg l 'it>e?;!;
Komeev- Graf, Lanzarote 2003.
B) I I e5 !? ltJd7 (My preference is safety first: I I . . .'ir'xe5 !? It takes a
brave soul to snatch this pawn. 1 2 �f4 'ii'h 5 1 3 g4) 1 2 f4 ltJcS 1 3 �xeS
�xc5 and Black is fine here. 14 'it>b l �d7 I 5 ltJd4 �b4?? (Black falls for a
typical Sicilian trick and is suddenly much worse.) I 6 liJcb5 ! 'ii'a5 1 7 liJd6+
�ffl 1 8 c3 �xd6 1 9 exd6 ltJc6 20 fS;!; Walsh-Caceres, Buenos Aires 2003.
C) I I �g5 dxe4 1 2 �xf6 gxf6 Black's dark-squared bishop keeps the
king safe so this shouldn 't be too dangerous.
Cl) 1 3 'ii'h6 liJf5 ( 1 3 ... f5 14 fxe4 'ii'e5 1 5 'ii'h4 i.d6 1 6 g3 ltJg6 17 'ir'g5
f4 ! With the bishop pair and control of e5 Black would welcome a q ueen
trade. 1 8 'ii'g4 h5 1 9 'ir'f3 fxg3 20 hxg3 .td7 2 1 �g2 ltd8 22 l:thfl il' g 5+
23 �b l ltJeS 24 'ii'f2 �e7+ Sriram-Fiumbort, Nagykanizsa 2003) 14 li'h5
�xc3 I 5 ltJxc3 'ii'f4+ 1 6 'ittb l exf3 1 7 gxf3 'ir'h4 1 8 'iVxh4 ltJxh4+ Valerga
Caceres, Buenos Aires 2003.
C2) 1 3 fxe4 ltJg6 14 �b I .te7 1 5 ltJg3 .td7 1 6 ltJh5 0-0-0 17 'ii'f2 �c6
1 8 �e2 ife5 1 9 %:.hfl �xe4 20 ltJxe4 'ii'xe4 2 1 �d3 'iib4 22 ltJxf6 ltJeS
Ramaswamy-Borulya, Bled 2002, is about equal.
The English A ttack 209
At this point White has three choices, but none should cause Black any
harm.
C4a) 16 ..th5 ..td7 1 7 l:r.he 1 l:r.g8 1 8 g4 .l:tc8 1 9 gxf5 liJxf5 20 .!:td2 a5 2 1
_
'fj'e4 �f8 22 'ii'd3 ..tc6 23 ..tf3 ..txf3 24 'fj'xf3 'it'c6 25 'fj'h5 h6+ Jaracz
Biimke, Lubniewice 2002.
C4b) 16 ltJa4 b5 1 7 ltJc5 0-0 1 8 ltJd7 ..txd7 19 'fj'xe7 l:ac8 20 ...g5+
�h8 2 1 'ii'f6+ 'it>g8 22 'ii'g 5+ �h8 23 ...f6+ �g8 24 'fj'g5+ Arizmendi
Martinez-De Ia Riva Aguado, Burgos 2003. White doesn't have enough
time to bring up more firepower to join the attack.
C4c) 16 ..tf3 ..td7 1 7 l:the 1 ..tc6 1 8 ..txc6+ bxc6 1 9 g4 Gashimov
Tregubov, Istanbul 2003 . White has compensation, but I don't think it's
enough to win.
Taimanov Variation 6 i.e3 ! ? a6 7 'ti'd2 lLJf6
8 0-0-0 i.b4 9 f3 lt:Je5 ! ? 1 0 lt:Jb3 bS 1 1 �b1
10 ll:lb3
IO .i.f4 ! ? d6 I I ll:lb3 <l;e7 I 2 .i.g5 (Threatening lLld5.) I 2 ... .txc3 I 3
'ii'xc3 ( I 3 bxc3 ! ? h6 I 4 .i.h4 g5 I 5 .i. g 3 is worth considering for White.)
I 3 ...'ii'xc3 I4 bxc3 h6 I5 .i.f4 lld8 I 6 .i.e2 ll:lc6 I 7 .i.e3 b5 I 8 c4 bxc4 I 9
.i.xc4 .i.d7+ Yap Choow Tun-Zaw Oo, Ho Chi Minh City 2003. Black can
look forward to good play with lLle5, .:tdc8 type of stuff.
I O 'i;b i d5 ( I O . . . .txc3 I I bxc3 d5 I 2 ll:lb3 0-0 1 3 .i.f4 dxe4 I4 'ii'd4
lLlfd7 I 5 'ikxe4 'ikxc3 I 6 .i.d3 ll:lg6 I 7 'ike3 'it'f6 I 8 .td6+ Krstic-Geller,
Zadar 2003) I I exd5 .i.xc3 I 2 'ikxc3 'it'xc3 I 3 bxc3 ll:lxd5 I4 .i.d2 b5 I 5
ll:lb3 .i.d7 I 6 ll:la5 .:tc8 I 7 �b2 ll:lb6 I 8 f4 ll:la4+ 1 9 �c I ll:lg4 2 0 l:t.e I
ll:lxc3-+ Katkov-Maletin, Tomsk 2003.
IO g4 d5?
The English A ttack 2 1 1
IO . . . d5 I I .id4 0-0
l2Jxd6 'ii'xd6 1 8 .i.c5 'ii'd 8 1 9 .i.xf8 'ii'x f8 20 'ir'c5 'ii'd 8! (Black correctly
keeps the queens on, giving chances for piece play.) 2 1 .l::.h e 1 l2Jg6 22 l2Jd4
.i.d7 23 lle3 l2Jf4 24 g3 l2Je6 25 l2Jxe6 .i.xe6 26 1i'd4 l2Je8 27 a4 l2Jd6 28
l:[a3 l2Jc4 29 .l:.a2 l2Ja5+ Vallejo Pons-Kasimdzhanov, Pamplona 2002.
B) 1 2 'itb 1 dxe4 1 3 'ii'f4 .i.d6 14 l2Jxe4 l2Jxe4 15 'ii'xe4 l2Jc6 16 .i.c3 .i.d7
17 g4 ( 1 7 'ii'd3 .i.e5 ! keeps things under control.) 17 ... .l::.fe8 1 8 .i.d3 g6 1 9
.!:.he 1 e 5 2 0 h 4 l2Je7 2 1 .i.c4 .i.c6 2 2 'ii'd3 llad8 2 3 'ii'e3 l2Jc8 24 h 5 l2Jb6 25
lDa5 lDa4 26 .i.d2;!; Movsesian-J.Polgar, Budapest 2003.
1 1 c;t>bl
l l .i.e7
...
12 'ii'f2
1 2 .id4 d6 1 3 f4 tt:lc4 1 4 .ixc4 bxc4 1 5 e5 ( 1 5 tt:lc 1 !?) 1 5 ... cxb3 1 6 exf6
bxc2+ 1 7 'ii'xc2 .ixf6 1 8 .ixf6 gxf6 1 9 'ii'a4+ .id7 20 'i*'d4 .ic6 2 1 '6'xf6
l:.g8 22 f5 '6'e7 23 'iih 6 0-0-0? ! (23 . . . .:.xg2! ?+) 24 .:.he 1 e5 25 tt:le4 (25
g3 ! ?;!;) 25 . . ..:.xg2 26 tt:lxd6+ <j;c7 27 tt:lc4 '6'b4 28 .:.c 1 .:.b8 29 _.e3??
(White overlooked an obvious shot. 29 b3 ! .:.xa2 30 l:.e3 wins for White!)
29. . .'6'xb2+!-+ Piscopo-Bellaiche St Vincent 2002.
1 2 d6
...
l3 ...tt::lfd7
1 3 . . . 0-0 1 4 g5 tt::lfd7 1 5 h4 .ib7 (If Black isn't playing for d5 then the
bishop is better off on c8.) 1 6 a3 tt)c4 1 7 i.xc4 bxc4 ( 1 7 ...'iixc4 1 8 h5 a5
1 9 l:f.hg 1 b4 20 axb4 axb4 2 1 l:td4 'iWc7 22 l:txb4 d5 23 l:td4 tt)c5 24 exd5
tt)xb3 25 cxb3 i.xd5 26 tt)xd5 exd5 27 l:ta4 Parligras-Markus, Subotica
2003. White should be able to hold this position even though Black is a tad
better.) 1 8 tt::ld4 l:tab8 1 9 �a 1 .ia8 20 .nb 1 (This is very similar to our main
game.) 20 ... l:tfc8 2 1 g6! (Undermining the e6 point and opening up the
kingside. Black has a lot of heavy artillery pointed at nothing.) 2 l . ...if6 22
gxf7+ 'ifi>xf7 23 .ig5;t; Lalic-Markus, Jahorina 2003.
13 ... h6 14 h4 tt)fd7 15 'ii'g2 .ib7 16 g5 h5 1 7 .id4 l:tc8 1 8 a3 tt)c5 1 9
'iWg3 tt)a4 20 l:th2 0-0 2 1 tt)xa4 bxa4 22 tt::lc 1 tt::lg6 23 tt)d3 'ii'b 8 24 'it>a 1 e5
25 .te3 d5 26 .ih3 l:tc4 27 exd5 .id6!+ Kovchan-Bellaiche, Cappelle Ia
Grande 2003.
l4 l:tgl
1 4 g5 immediately looks normal. l:tg 1 looks like a waste of a tempo and
in these sharp positions it could prove costly.
l4 ..tb7
..
The English A ttack 215
15 ...l::tc8
I5 ...b4 I 6 ltJe2 (I think I 6 ltJa4 ! ? is stronger than ltJe2. If the ltJa4 g ets
into trouble White will have time for ltJd4 and b3.) I 6 . . . 0-0 I 7 ltJed4 lll c 5
1 8 h4 d5 I9 exd5 i.xd5 20 h5 .l:ac8 2I i.h3 ltJxb3 22 axb3 ltJxf3 23 .l:.g3
tDxd4 24 .l:.xd4 f5 25 gxf6 l::txf6 26 i.f4 'ir'c5 27 'ii'd2 .l:cfll 28 h6 g6 29 c4
bxc3 30 .l:xc3 'ir'b5+ Lutz-Movsesian, Koelln 2003.
16 a3 ltJc4 17 i.xc4 bxc4 18 ltJd4 llb8 19 h4
White should make king safety a priority. I 9 �a I ! ? i.a8 20 .l:tb I 'ifa5 2 I
ltJa2 and Black's attack has hit a brick wall allowing White a free hand on
the kingside.
19 ... d5!
Black realizes the urgency and launches the attack.
20 exd5 i.xd5 2 1 lLixd5 exd5 22 .!:gel 0-0 23 i.f4
1 1 .ie7
...
A) 1 2 'iVg5 t:Llg6
I 3 'iVg3?! e5 ! and Black gets the safer king and a nice initiative. I 4 .ie3
�c8 I 5 'iVf2 .ixc3 1 6 bxc3 0-0 I 7 .ic5 d5 1 8 exd5 t:Llxd5 1 9 c4 t:Llc3 20
cxb5 t:Llxd I 2 I �xd I �fd8+ 22 �c I 'iVd7 23 bxa6 .id5 24 a7 'iVa4+
Aagaard-AI Modiahki, Port Erin 2003 ;
The English A ttack 2 1 7
1 3 .ixf6 gxf6 14 'ii'x f6 l:.c8 1 5 'ii'd4 .txc3 1 6 bxc3 0-0 1 7 �b2 l:tfd8 1 8
.id3 d5 1 9 exd5 .txd5 20 'ili'f6 lt:le5 2 1 lt:lc5 lt:lg6 22 .ixg6 hxg6 23 l:.d4
'ii'x c5 24 lth4 'ili'xc3+ 25 'ili'xc3 l:.xc3 26 �xc3± Bezemer-Handke,
Amsterdam 200 1 .
B) 1 2 <;t>b l .te7
l l .. .tiJc4
A) 1 2 . . . tiJg6
AI) 1 3 'ii'e3 .td6?! 14 'ii'f2 i.xh2 ! ? (This is a very greedy thing to do.
Black's king isn 't safe anywhere on the board after this. 14 . . . .!:.b8 15 'it>b 1
0-0 1 6 .tc5 !
The English A ttack 2 1 9
With this fine move White grabs a persistent positional edge. I 6 . . . ..txc5
I7 'ifxc5 'ifxc5 I 8 lbxc5 l:tb6 I 9 a4 .l:.c6 20 lbd3 bxa4 2 I lbxa4 d5 22 exd5
lbxd5 23 lbdc5± Leko-Vallejo Pons, Linares 2003. Black's queenside is
very loose and White's pieces can filter in and pound the a6 p awn.) I 5 lbe2
( I 5 g4 i.f4+ I6 'it>b I h6 I 7 lbe2 .ie5 I 8 ..txe5 1Wxe5 I 9 �g2 .l:.b8 20 f4
'iic 7 2 I i.f3 d6 22 f5 lbe5 23 g5 lbg8 24 lbbd4 'iic 5 25 'ifg3 exf5 26 gxh6
g6 27 exf5 lbe7 28 fxg6 fxg6 29 lbc3 ..tf5 30 lbe4 i.xe4 3 I .ixe4 'ii'c 8 32
'ili'g5 l:.b6 33 'ili'f6 l:.h7 34 lbe6+- Fressinet-Heissler, Rethymnon 2003.
Black was never able to coordinate his forces.) I 5 . . . ..te5 I6 ..tb6 'ili'b8 17 g4
h6 I 8 .ie3 d5 I 9 lbbd4 ..td7 20 g5 hxg5 2 I l:txh8+ lbxh8 22 ..txg5
Cheparinov-Iotov, Sofia 2003.
A2) I3 'ili'g3
If Black gets good play after this pawn sac then White's 'ifg5 idea must
be reconsidered. For the pawn Black gets good development and very
active pieces. The white queen for now is out of action. 1 3 ... .l:.g8 14 'ifh6 b4
1 5 lDe2 ( 1 5 lDa4 ! ? l:tb8 1 6 �xe5 dxe5 1 7 'it>b 1 .l:.g6 1 8 'ife3 �d7 1 9 l:txd7
l2Jxd7 20 l2Jd2 l:td8 2 1 'ife 1 lDb8 22 b3 'ifd7 23 i.d3 l:txg2-+
Kasimdzhanov-Ye Jiangchuan, Jodhpur 2003) 1 5 ... i.d7 16 Wb 1 a5 1 7 li:Jg3
a4 1 8 l2Jd2 l:tc8 1 9 l:tc 1 b3 ! (Sacrificing another pawn for an open a-file
gives Black an enduring initiative.) 20 axb3 axb3 2 1 lDxb3 l2Jc6 22 �xf6
l:tg6 23 'ifxh7 �xf6 24 lDh5 'ifa7 25 c3 .l:.a8 26 lDxf6+ .!:.xf6 27 lDd2 lDe5
28 lDc4 ifa2+ 29 ..t>c2 �e7 30 l2Jxe5 .ia4+ 3 1 'it>d3 ifxb2 32 l2Jc6+ .ixc6
33 l:tc2 ifb 1 34 e5 dxe5 35 'it>e3 e4 0- 1 Rowson-Kunte, Edinburgh 2003.
1 2 d6
...
1 2 . . .0-0 1 3 g4
tbxb6 18 tba5 ( 1 8 �xb6 tbxf3 : I assume this is why White threw in tba5.)
18 .. .'�a4 1 9 �xb6 tbd7 (19 . . .'�xa2! If this pawn can be captured Black
should think long and hard about it. 20 f4 tbd7 2 1 tbc6 :e8+) 20 �c7 �d8
21 �xd8 :xd8 22 tbc4 '6'xa2 23 l:txd6 :e8 24 '6'd4 l:tb8 25 b3 a5 26 '6'b2
'ii'xb2+ 27 tbxb2 tbe5 28 �e2 �b7 29 :gd 1 'if;f8 30 tbc4 tbxc4 3 1 �xc4;!;
Chumfwa-Hatanbaatar, Bled 2002. Controlling the open file gives White
some chances.
B) 1 3 ...b4 14 tba4 d5?! 1 5 g5 tiJfd7 1 6 f4 tbc4 1 7 exd5 �b7 1 8 f5 �xd5
1 9 f6 �d6 20 fxg7 l:tfc8 2 1 �d3 tbce5 22 l:thfl tbxd3+ 23 l:txd3 tbe5 24
�xe5 �xe5 25 tbb6! �e4 26 tbxa8 :xa8 27 l:td2 :c8 28 tbc5+
Aagaard-Hoffmann, Budapest 2003.
13 'it;b1
1 3 a3 l:tb8 14 g4 h6 1 5 h4 b4 16 axb4 :xb4 17 �e2 tbc6 18 g5 tbxd4 1 9
l:txd4 l:txd4 20 gxf6 l:tb4 2 1 fxe7;!; Pikula-Markus, Budva 2003 .
1 3 a4? (An unbelievable move... White weakens his own king position.)
1 3 . . .b4 14 �b6 '6'b8 1 5 tba2 tbed7 1 6 �a5 d5 1 7 'ii'd2 dxe4 1 8 �xb4
�xb4 19 '6'xb4 exf3 20 gxf3 �b7 2 1 tbd4 tbd5 22 'ii'a3 '6'f4+ 23 �b 1 tbe3
24 l:td3 tbc4 25 '6'b4 �d5 26 tbc3 :b8+ Bryzgalin-Poluljahov, Krasnodar
2002.
13 0-0 14 g4
...
222 The English A ttack
1 4...lLlfd7
1 4 . . .b4 1 5 lLla4 ..ib7 16 .:tg l lLlfd7 1 7 lLlb6 .:tabS 1 S g5 l:tfdS 1 9 lLlxd7
lLlxd7 20 h4 d5 !? (Black isn't set up for anything other than this.) 2 1 ..id3
e5 22 il..a7 .:taS 23 exd5 .:txa7 24 'ii'xa7 tt:lc5 25 d6! 25 ... ..ixd6 26 ..ie4
lLlxe4 27 fxe4 .:taS 2S 'ife3 a5 29 'ifd3 .:tdS 30 l:.gfl a4 3 1 lLld2 ..tffl 32
'ii'c4 'ii'd7 33 l:tf2 l:.cS 34 'ifd3 'ii'e6 35 'ifb5± Leko-Lutz, Essen 2002. (It's
a matter of time before White gets organized and the exchange plus
decides.) 14 . . ...ib7 1 5 ..ib6 'ifbS 1 6 lLla5 .:tcS 1 7 ..id4 b4 l S lLla4 lLlxe4 !
(Both sides should be alert for this type of shot.) 1 9 fxe4 ..ixe4 20 ..ixe5
.i.xc2+ 2 1 'ii'x c2 .:txc2 22 ..ixd6 ..ixd6 23 �xc2 'irc7+ 24 'it>b3 'irxa5 25
.:txd6 .:tdS 26 .:txdS+ 'ii'xdS 27 ..ic4 a5+ Karjakin-Pelletier, Pamplona
2003.
15 .:tg1
1 5 f4 b4 1 6 lLla4 lLlxg4 1 7 'irg2 lLlgf6 1 S ..id3 e5 1 9 l:.dg 1 lLleS Vallejo
Pons-Comas Fabrego, Ayamonte 2002. Black's king is safe and the lLla4
isn't long for the game.
1 5 a3 .:tbS 1 6 l:tg 1 lLlc4 1 7 g5 a5 1 S 'irh4 b4 1 9 axb4 axb4+ Zufic-Geller,
Zadar 2003.
15 . .i.b7
. .
I've found that in most Sicilians this recapture clogs Black's attack. Black
should strive to open both the b and c files. Anything Black can muster on
the b-file is met by simple defense.
19 lLlc1 1Iab8 20 lLl1e2 �c6 2 1 'ita1 'ii'a S 22 lLla2
After Kasparov is done covering up his king position he switches to the
attack. Black's problem, the b2 pawn, is one tough nut to crack.
22 ...eS 23 �c3 'ii'c7 24 lLlg3 g6
24 ... �xg5? 25 lLlf5 �f6 26 lLlxg7+-
2S lLlfl ttJcS 26 lLle3 aS 27 'ii'd 2 l:tbS 28 h4 ttJe6 29 l:tbl l:tcS 30 ttJcl
1Id8 3 1 lLlg4 dS!?
Black decides it's best to go down fighting.
32 �xeS dxe4 33 'ii'c3
33 ...l:txeS
At the cost of material Black slows down White's initiative.
34 _.xeS _.xeS 3S lLlxeS± �a4 36 c3 exf3 37 l:tfl �c2 38 lLlxc4 �xb1
39 <t>xb1 a4 40 lLleS h6 4 1 l:txf3 hxgS 42 1Ixfi �d6 43 l:[f6 i.xeS 44 l:txe6
�f4 4S lLle2 l:tdl+ 46 �a2 cj{fi 47 l:ta6 1Ie1 48 lLlxf4 gxf4 49 1Ixa4+-
224 The English A ttack
9 .. c!t:\ge5 ! ?
.
B) 1 0 ltJxc6 bxc6
10 tiJdS
1 0 ltJxc6 dxc6 1 1 .tg3 .te6 1 2 h3 liJf6 1 3 'ii'g5 liJd7 14 .te2 h6 1 5 'it'd2
0-0-0 1 6 'iti>b l .i.b4 1 7 tiJd5 .i.xd2 1 8 ltJxc7 <3;xc7 1 9 .l:.xd2! Erdogdu
Ataman, Antalya 2002. The bishop pair gives White a slight pull.
10 h3!? tiJf6 l l ltJxc6 bxc6 12 .th2 d6 l 3 f4 (White's play looks
sufficiently aggressive.) l 3 ... .i.e6 1 4 f5 (The position after 14 g4 looks very
pleasant for White.) l 4 ... .tc8 1 5 g4 h6 1 6 .i.e2 .i.e7 1 7 .tg 1 .tb7 1 8 .i.f3
d5 19 'it'h2 .i.d6 20 l:te 1 'it>f8 2 1 h4 d4+ Boros-Wang, Las Vegas 2003 .
10 ...'it'd8 1 1 h3
228 The English A ttack
1 1 ...lLlxf2?!
1 1 . . .lLlf6 ! ? 12 lLlxc6 bxc6 (Black has some crucial squares covered as
opposed to 1 1 . . .lLlxf2.) 13 lLlxf6+ 'ii'x f6 14 ..tg5 (After 14 ..te3 !? ..te7 1 5
f4;!; White's development should give a slight pull .) 1 4 . . .'ii'g6 1 5 f4 ( 1 5
f3 ! ?) 1 5 . . . f6 1 6 .i.h4 'ii'xe4 (A very safe pawn grab due to the placement of
the ..th4.) 1 7 :e 1 'ii'a4 1 8 ..tg3 ( 1 8 ..t>b 1 :b8-+) 1 8 . . .'ii'xa2 1 9 'il'c3 a5 20
b3 .i.b4 2 1 :xe5+ fxe5 22 'ifxe5+ ..te7 23 ..th4 'ii'a 3+ 24 ..t>b 1 'ii'd6-+
Meera-Kavitha, Calicut 2003.
12 'ii'x f2 exf4 13 'ii'xf4
White's lLld5 puts Black under heavy pressure.
l3 d6 14 .i.c4 lLlxd4 1 5 :xd4 ..te6
...
1 6 e5!
With such a huge lead in development, opening the position makes sense.
16 ...:cs 17 :hd 1 :c6 1 8 lLle3 ..te7 19 ..txe6 fxe6 20 exd6 ..tf6 2 1 d7+
rj;e7 22 :e4 q;n 23 l2Jg4 :c5 24 lLlxf6 gxf6 25 :xe6 1-0
Arizmendi Martinez-Collutiis, Saint Vincent 2003 .
Taimanov Variation 6 i.. e3 ! ? a6 7 'i¥d2 ttJf6
8 f3 ! ?
White bolsters the e4 point, taking the sting out of �b4. In this variation
Black has many possibilities, most of them reasonable.
A) 8 tt:lxd4 9 �xd4 e5
...
B) 8 ..ie7
...
C) 8 d6
...
E) 8 lL!a5!?
...
25 'ii'xg3 'ii'x c5
25 .. .'ii'xg3 26 l:te l + wins.
26 'ii'xg7 �e7 27 l:te l+ 'it>d6 28 'ii'f6+ �c7 29 lte7+ �b8 30 liJd7+ 1-0
Mladenov-Braun, World Youth Championships, Halkidiki 2003 .
Taimanov Variation 6 i.. e3 ! ? a6 7 'ifd2 ctJf6
8 f3 ! ? i.. b 4
9 i.e7
...
1 0 0-0-0 b5 1 1 g4
10 h6
...
11 0-0-0!?
I I i.g2 looks weird. I I . . . b5 12 a4 ?! b4 1 3 lt:lce2 lt:la5 1 4 b3 d5 15 e5
lt:ld7 1 6 f4 g5 I 7 fxg5 hxg5 1 8 i.xg5 i.xg5 I 9 'ii'xg5 'ii'xe5 20 'ii'xe5 lt:lxe5
2 I h3 i.b?+ Ong-Chan Peng Kong, Singapore 200 1 .
I I i.e2 b 5 I 2 h4 ( I 2 0-0 i.b7 I 3 lt:lxc6 i.xc6 I 4 l:tad i d6 I 5 i.d3 g 5 I 6
lt:le2 h 5 I 7 gxh5 lt:lxh5 I 8 'ii'c3 i.f6 I 9 lt:ld4 l:tc8 2 0 'itxc6+ 'itxc6 2 I tt:Jxc6
l:txc6 22 c3 i.e5 23 l:tf2 i.f4 24 i.xf4 lt:lxf4 25 i.fl 'it>e7+ Campora
Vallejo Pons, Dos Hermanas 2003) I 2 ... lt:le5 I3 'it>f2?! White's safest home
must be on the queenside. I 3 . . .l:tb8 I 4 b3? b4! uh oh! I 5 lt:la4 lt:lexg4+! I 6
'it>g2 tt:Jxe3+ I 7 'ii'xe3 bxa3-+ Rodrigues-Filgueira, Sao Paulo 200 I .
l l lt:les
...
Black's king is safe and the f3 pawn is gonna drive White nuts ! 2 1 Ad 1
(Something like 2 1 g6?! is met with 2 1 .. .lLle5 !? among others.) 2 l . . .�e7 22
'ii'f2 'ii'c6 (Over-protecting the 'big' pawn. White can't surround the f3
e awn so it's suffering till the bitter end.) 23 l:.d4 lLlf8 24 l:.xd8+ �xd8 25
lL:lc5 lL:ld7 26 lL:lxb7 �xb7 27 'ii'd2 �e7 28 c3 a5 29 �d4 lL:lb6 30 ..ixb6
'iti>xb6 3 1 'ii'd4+ ..ic5 32 'ii'xg7 'ii'e4 33 cxb4 ..ie3+ 0- 1 White's hopes for an
attack never materialized and Black's pawn f3 proved too strong. Shytaj
Lazarev, Porto San Giorgio Open 2002.
Bib) 1 7 f4 lL:lc4 1 8 �xc4 dxc4 19 g6 �xe4 20 l:.g 1 c3 21 'ii'e2 cxb2+ 22
�xb2 f5 23 lL:lxe6 'ii'c6 24 lLld4 'ii'xa4-+ Kovchan-Poluljahov, Bydgoszcz
1 999.
82) 1 3 �f4 �d6 14 �h2 ..id7 1 5 b3 �xa4 16 bxa4 lL:lg6 1 7 �b5+ axb5
1 8 lL:lxb5 �xh2 1 9 lL:lxc7+ �xcH Vinogradov-Poluljahov, Bydgoszcz
1 999.
9 lL:lb3
238 The English A ttack
9 a3
9 i.. f4
10 �b1
1 0 ..id3 b4 1 1 ltJce2 ltJxd3+ 1 2 fkxd3 d5= Leyva-Garcia Martinez,
Havana 200 1 .
10 ..ib7
...
1 1 g4
1 1 lLlb3 ( 1 1 . . .b4 1 2 lLla4 d5 1 3 exd5 lLlxd5 1 4 ..td4 lLld7 1 5 c4 bxc3 1 6
lLlxc3 lLl7f6 1 7 ..td3 ..te7 1 8 l:.c 1 'ii'f4 1 9 lLlxd5 lLlxd5 20 'ii'e2;!;
Todorovic-Braun, Budapest 2003) 12 'ii'f2 lLlfg4 13 fxg4 lLlxg4 14 'ii'f3
lLlxe3 1 5 'ii'xe3 b4 1 6 l:ld3 bxc3 1 7 l:.xc3 'ii'd 8 1 8 lhc8 'ii'x c8 1 9 'ii'd4 f6+
Todorovic-Fogarasi, Budapest 200 1 .
l l .. h6
.
The only move that poses Black tough questions. Alternatives allow
Black a free and easy game.
14... ..td6
14 ... dxe4?! is asking for trouble. 1 5 lLlb5 ! 'ii'c6 ( 1 5 ...'ii'a5 1 6 ..txe5 axb5
1 7 ..txf6 ..tc6-+ A computer wouldn't be nervous here. Can humans play
like this? The king causes some worry. If this is for real this method of play
is what Black should aim for.) 16 �xe5 axb5 1 7 ..txf6 gxf6 1 8 lLlb6 e3 1 9
'ii'd3 l:tb8 20 lLld7 l:.c8 2 1 lLlxf6+ �e7 22 lLle4 'ii'c7 2 3 ..te2 ..tg7 24 1Wb3
'ii'a5 25 liJd6 l:.c7 26 lLlf5+ exf5 27 'ifxe3+ ..te4 28 fxe4 l:thc8 29 exf5+ +
Gonzalez-Garcia Martinez, Santa Clara 2002.
15 ..txe5! ..txe5 16 'ii'xb4 ..td6?!
242 The English A ttack
Shabalov was in time pressure, but just about anything wins . . . except
this ! !
3 2...llxd3 ! !
All of a sudden Black's remaining pieces jump to life.
33 cxd3 .l:.e2 34 ltJcS f2 35 :xf2 .l:.xf2+ 1/l- 1/l
Shabalov-Fedorowicz, New York Marshall CC Championship 2003.
It goes without saying, Black got very lucky.
Taimanov Variation 6 .i.e3 ! ? a6 7 ifd2 lt:Jf6
8 f3 ! ? b5 9 0-0-0
A) 9 ..ie7 10 g4
...
Al) I O . . . d6
B) 9 ... .ib4
B2) 1 0 'iti>b l
I O ... ..ib7 I I lt:\xc6 'ii'xc6 (Any other capture walks into lt:\xb5.) 1 2 ..id4
i.e7 1 3 i.d3 d6 1 4 e5 ( 1 4 g4!?) l 4 ... dxe5 1 5 i.xe5 0-0 1 6 'ii'g5 'ii'c 5 1 7
lt:\e4 ..ixe4 1 8 ..ixe4 h6 1 9 'ii'g3 l:f.ad8 20 f4 l:f.xd I + 2 1 l:txd I l:td8 22
l:.xd8+ i.xd8 23 a3 ..t>f8 24 i.b7 'ii'b6 25 'ii'd3 ..t>e7 26 i.f3;!; Todorovic
Spassov, Budapest 200 1 .
C) 9 b4 10 lt:\a4
...
Cl) I O . . . lt:\e5 I I ..t>b l d5 12 ..if4 ..id6 { l 2 ... dxe4 l 3 ..ixe5 'ii'xe5 14 lt:\c6
'ii'd5 1 5 lt:\b6±) l 3 exd5 lt:\xd5 l 4 lt:\f5 l 4 ... ..id7 1 5 lt:\xd6+ 'ii'xd6 l 6 lt:\b6
'ii'xb6 1 7 i.xe5 f6 1 8 ..id4 'ii'c 7 1 9 ..id3 l:.b8 20 ..t>a I ± Salmensuu
Skripchenko, Koszalin 1 999.
C2) IO . . . ..ib7 I I g4 ..ie7 1 2 g5 lt:\h5 13 lt:\b3 lt:\e5 l 4 lt:\ac5 ..ic6 1 5 ..ie2
aS 16 ..t>b I d6 1 7 lt:\a6 'ii'd 8 1 8 f4 lt:\d7 1 9 ..ixh5 l:.xa6 20 lt:\d4 0-0 2 1 ..ie2
246 The English Attack
1 0 g4
I 0 'ittb 1
A) I O . b4 1 1 .!Da4 d5 1 2 .!Dxc6 .txc6 1 3 .!Db6 l::td8 1 4 exd5 (14 .txa6 d4
. .
D) 9 ll:lxc6 dxc6
Black must consider the freeing move 7 ...d5 !? if the opportunity arises.
12 'itf2 0-0 13 i.d3 tt:lb4 14 .l:the 1 tt:lxd3+ 1 5 'ii'xd3 .txe3+ 16 .l:txe3 'ii'xb2
1 7 l:ld 1 'ifxa2-+ Fressinet-Relange, Besancon 1 999.
B) 8 .tb5 .td7 9 exd5 tt:lxd5 1 0 tt:lxd5 exd5 1 1 0-0 .te7 1 2 tt:le2 .te6 1 3
tt:lf4 .tg5 1 4 � h 1 .txf4 1 5 .txf4;l; N i Hua-Wang Zili, Suzhou 200 1 .
8 'ifd2 0-0
The English A ttack 251
9 g4
Anything that takes the starch out of the d5 breaks should be played. 9
0-0-0 d5 ! ? (If Black can play d5 then he certainly should. It's concrete
counterplay whereas chasing an attack could lead to difficulties.) 1 0 'it'e 1
(I 'd opt for 1 0 exd5 ... White plays it like a Dragon, but White must force the
action. l O ...ltJxd5 1 1 ltJxd5 'it'xd5 1 2 ltJxc6 'it'xc6 1 3 'it>b 1 and White might
have a tiny edge, but nothing more.) 1 0 ... e5 1 1 ltJxc6 bxc6 1 2 exd5 cxd5 1 3
.i.g5 ..ie6 1 4 'it'xe5 'it'a5 1 5 ltJxd5 ltJxd5 1 6 .i.xe7 .l:f.fc8 1 7 ..id3 'it'xa2 1 8
.i.a3 ( 1 8 ..id6!?) 1 8 ... a5+ Pinol Fulgoni-Antal, Sants 2003.
9 ltJxd4 10 ..ixd4 a6 1 1 0-0-0 bS
...
6 .ie3 eS 7 tt:'lb3 .ie6 8 f3 .ie7 (8 ... tt:'lbd7 9 'iid2 b5 49) 9 'iid2 0-0 1 0
0-0-0 tt:'lbd7 41 ( I O .. J:tc8 4 7 ; I O . . .'iic 7 52) 1 1 g4 'iic 7 42 (l l . . .b5 4 2 I
l l . . . l:.c8 43 I l l . . . a5 43 I l l ... tt:'lb6 44) 1 2 'it>bl 44
6 .ie3 tt:'lg4 7 .igS 76 (7 .ic l 76) 7 ... h6 8 .ih4 gS 9 .ig3 .ig7 78 10 .ie2
( 1 0 'iid2 ttJc6 I I tt:'lb3 tt:'lge5 79 I I 0 .ic4 tt:'lc6 1 1 tt:'lxc6 bxc6 82) 1 O . . hS .
1 60
1 65 I 1 1 li'f2 1 66 I 1 1 a4 1 66)
6 i.e3 e6 7 f3 h5 197
6 i.e3 a6 7 '6'd2 ltJf6 8 0-0-0 ltJg4 9 i.f4 e5 (9 . . .ltJge5 225) 10 ltJdS 227
6 i.e3 a6 7 'iWd2 ltJf6 8 f3 ltJxd4 224 I 8.....te7 230 I 8 ...d6 230 I 8 .. d5 231 .
I 8...ltJa5 2 31
6 i.e3 a6 7 '6'd2 ltJf6 8 f3 b5 9 0-0-0 i.e7 243 I 9...i.b4 244 I 9 ...b4 245 I
9.....tb7 246
256 The English A ttack
Plus detailed coverage of lines where Black plays a very early ... Ng4,
hitting the bishop on e3 and leading to a different pattern of play.
Not surprisingly, tactics and sharp play abound in this most modern
of chess openings, where precise knowledge of variations is vital.
Budapest Fajarowicz
Lev Gutman
0 7134 8708 9