You are on page 1of 150

ALL MUSIC BY BETWEEN THE BURIED AND ME

TRANSCRIBED BY SUNGJUN PARK AND EVAN BRADLEY


EDITED BY PAUL WAGGONER, EVAN BRADLEY, SUNGJUN PARK
AND JADE SATER

ORIGINAL ARTWORK BY COREY MEYERS


PHOTOS BY JUAN PARDO AND RANDY EDWARDS
BOOK LAYOUT BY MATT KIDBY

© 2022 SHEET HAPPENS PUBLISHING


PHOTO BY RANDY EDWARDS
Monochrome

= 85 C F B E G C

A (0:00) (0:34)
MULTIREST
1

 
= 85

A (0:00) (0:34)
= 90
1
Guitar 1

 
Guitar 2

B (1:08)
Distortion
25
Guitar 1

14 14 14 14 14 14 14 14 13 13 13 13 13 13 13 13 12 12 12 12 12 12 12 12 10 10 10 10 10 10 10 10
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
12 12 12 12 12 12 12 12 11 11 11 11 11 11 11 11 10 10 10 10 10 10 10 10 8 8 8 8 8 8 8 8

Distortion
Guitar 2

7 7 7 7 7 7 7 7 6 6 6 6 6 6 6 6 5 5 5 5 5 5 5 5 3 3 3 3 3 3 3 3
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
5 5 5 5 5 5 5 5 4 4 4 4 4 4 4 4 3 3 3 3 3 3 3 3 1 1 1 1 1 1 1 1

B E T W E E N T H E B UR I E D AN D ME 7 Monochrome
29
Guitar 1

14 14 14 14 14 14 14 14 13 13 13 13 13 13 13 13 12 12 12 12 12 12 12 12 10 10 10 10 10 10 10 10
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
12 12 12 12 12 12 12 12 11 11 11 11 11 11 11 11 10 10 10 10 10 10 10 10 8 8 8 8 8 8 8 8
Guitar 2

7 7 7 7 7 7 7 7 6 6 6 6 6 6 6 6 5 5 5 5 5 5 5 5 3 3 3 3 3 3 3 3
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
5 5 5 5 5 5 5 5 4 4 4 4 4 4 4 4 3 3 3 3 3 3 3 3 1 1 1 1 1 1 1 1

33
Guitar 1

9 9 9 9 9 9 9 9 14 14 14 14 14 14 14 14 9 9 9 9 9 9 9 9
X X X X X X X X X X X X X X X X X X X X X X X X
7 7 7 7 7 7 7 7 12 12 12 12 12 12 12 12 7 7 7 7 7 7 7 7
Guitar 2

2 2 2 2 2 2 2 2 7 7 7 7 7 7 7 7 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 X X X X X X X X 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 5 5 5 5 5 5 5 5 0 0 0 0 0 0 0 0

1. 2.
36
Guitar 1

14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 12 14
X X X X X X X X X X X X X X X X 12 14 15
12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 14 16
Guitar 2

7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 3 5 7
X X X X X X X X X X X X X X X X 4 5 7
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 7

C (2:12)
gtrs. 1 & 2 unison through measure 39
P.M.
38
7x P.S.
Guitar 1

7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
X
X

B E T W E E N T H E B UR I E D AN D ME 8 Monochrome
D (2:28)
P.M. P.M. P.M. P.M. P.M. P.M.
40
Guitar 1

14 12 11 12 11
14 10 14 10 13 10 13 10 13 10
12 11 12 12 11 12 11 12 12
Guitar 2

10 10 9 9 8 8 8 8 5 5 5 5 5 5
7 7 7 7 7 7 7 X X X X X X X X X X X X X X
X X X X X X X 8 8 7 7 6 6 6 6 3 3 3 3 3 3
5 5 5 5 5 5 5

P.M. P.M.
42
Guitar 1

14 10 14 10 12 14 12 11 12 11
12 11 12 12 11 12 9 8 9 9 8 9 12 8

P.M.
Guitar 2

7 7 7 7 7 7 7
X X X X X X X 3 5 7
5 5 5 5 5 5 5 5 2 2 2 2 2 2 2 2 2 2 2

= 94
P.M. P.M. P.M. P.M. P.M. P.M.
44
Guitar 1

14 12 11 12 11
14 10 14 10 13 10 13 10 13 10
12 11 12 12 11 12 11 12 12

P.M. P.M. P.M. P.M.


Guitar 2

7 5 4 5 4
7 3 7 3 6 3 6 3 6 3
5 4 5 5 4 5 4 5 5

1.
P.M. P.M.
46
Guitar 1

14 10 14 10 12 14 12 11 12 11
12 11 12 12 11 12 9 8 9 9 8 9 12 8

P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.


Guitar 2

7 3 7 3 5 7 5 4 5 4
5 4 5 5 4 5 2 1 2 2 1 2 5 1

B E T W E E N T H E B UR I E D AN D ME 9 Monochrome
2.
= 93
P.M. P.M.
48
Guitar 1

14 10 14 10 12 14 12 11 12 11
12 11 12 12 11 12 9 8 9 9 8 9 12 8

P.M. P.M. P.M. P.M. P.M. P.M.


Guitar 2

7 3 7 3 5 7 5 4 5 4
5 4 5 5 4 5 2 1 2 2 1 2 5 1

E (2:59)
= 94
50
Guitar 1

6 2 6 2 10 6 10 6
4 3 3 3 4 3 3 3 8 7 7 7 8 7 7 7
4 4 4 4 4 8 8 8 8 8
5 5 1 5 5 1 9 9 5 9 9 5
Guitar 2

6 2 6 2 6 2 6 2
4 3 3 3 4 3 3 3 4 3 3 3 4 3 3 3
4 4 4 4 4 4 4 4 4 4
5 5 1 5 5 1 5 5 1 5 5 1

F (3:07)
= 124
P.M.
P.M. P.M. P.M.
54
Guitar 1

7 4 7 4 3 7 4 7 3
2 2 2 2 2 2 5 2 5 2 1 2 2 2 2 2 2 5 2 5 1

6 3 6

P.M. P.M. P.M. P.M.


Guitar 2

7 4 7 4 3 7 4 7 3
2 2 2 2 2 2 5 2 5 2 1 2 2 2 2 2 2 5 2 5 1

6 3 6

= 127
P.M. 1¼
P.M.
56
Guitar 1

6
2 2 2 2 2 2 2 2 2 5 5
1 1 1 1 1 1 1 1 1 4 4

full
P.M. P.M.
Guitar 2

3
2 2 2 2 2 2 2 2 2 2 2
1 1 1 1 1 1 1 1 1 1 1 1

B E T W E E N T H E B UR I E D AN D ME 10 Monochrome
The Double Helix of Extinction

= 130 G U I TA R 1 , 2 & 3 : C F B E G C
= 130
A (0:00) G U I TA R 4 : C F B E G C
DistortionA (0:00)
grad. PH grad.
bend P.M.
Distortion grad. PH PH grad. bend P.M.
P.M. PH P.M.
½bend ½ ½
½ ½ full ½ full bend
½
½
P.M. P.M. P.M.
P.M. P.M. P.M.
1 1
Guitar 1

3 3 6 63 774 8 8 3 3 6 7
10 7 3 4
4 3 0 4 5 5 4 03 4 0 0 5 4 0 10 8 7 4 3 0 4 5 5 4 0
4 3 2 1 0 4 5 0 52 34 3 02 0 00 0 02 5 1 40 0 2 8 1 4 3 0 2 3 3 20 0 4 5 5 4 0
2 1 0 2 3 3 2 0 0 0 2 1 0 2 1 0 2 3 3 2 0

Distortion grad. grad.


bend P.M. PH bend P.M.
full full full full
P.M. P.M. P.M.
Guitar 2

6 7 6 6 7
3 4 8 5 3 4
4 3 2 0 4 5 5 4 0 0 0 5 4 0 6 4 3 2 0 4 5 5 4 0
2 1 0 2 3 3 2 0 0 0 2 1 0 2 1 0 2 3 3 2 0

1. 2.
1. 2.
= 125
P.M. = 125
P.M. P.M. P.M. P.M.
4 P.M. P.M. P.M.
4
13
Guitar 1

13
Guitar 1

13 6 7
13 12 13 3 4 6 7
0 0 5 4 0 10 9 0 0 13 13
12 12 0 0 5 4 0 0 4 5 5 4 0 33 4 4 3 4 3 4
0 0 2 1 0 00 5 4 0 00 10 10
9 9 0 0 13 012 0 2 1 0 00 5 0 42 3 03 2 00 4 5 5 4 0 2 3 2 3 3 42 3 3 4 3 4
0 0 2 1 0 0 0 10 9 0 0 2 1 0 0 2 3 3 2 0 2 3 2 3 2 3
1. 2.
= 125
P.M. P.M. P.M. P.M.
P.M. P.M. P.M. P.M.
4
13
Guitar 2

13
Guitar 21

13 6 7
13 6 7
Guitar

13 12 3 4
0 0 5 4 0 10 9 0 0 13 13
12 12 0 0 5 4 0 0 4 5 5 4 0 3 4
0 0 2 1 0 00 5 4 0 00 10 10
9 9 0 0 13 012 0 2 1 0 00 5 0 42 3 03 2 00 4 5 5 4 0 3 4 3 4 3 4
0 0 2 1 0 0 0 10 9 0 0 2 1 0 0 2 3 3 2 0 2 3 2 3 2 3

P.M. P.M. P.M.


B E T W E E N T H E B UR I E D AN D ME 13 11 T he Double Helix of Extinction
Guitar 2

13 6 7
13 12 3 4
0 0 5 4 0 10 9 0 0 13 12 0 0 5 4 0 0 4 5 5 4 0
0 0 2 1 0 0 0 10 9 0 0 2 1 0 0 2 3 3 2 0
B (0:16)
P.M.
P.M. P.M.
7
Guitar 1

3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 3 4 3 4 3 4 3 2
2 3 2 3 2 3 2 3 2 3 2 3 555588444444 2 3 2 3 2 2 3 2 3 2 3 2 1 0 1

P.M. P.M. P.M.


Guitar 2

3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 3 4 3 4 3 4 3 2
2 3 2 3 2 3 2 3 2 3 2 3 222255111111 2 3 2 3 2 2 3 2 3 2 3 2 1 0 1
= 190
P.M. steady
P.M. P.M. P.M. P.M. P.M. P.M. P.M. gliss.
11
11
Guitar 1

2
3 4 3 4 1 3 4 4 5 4 4 (4) 4
2 3 2 3 1 2 1 2 2 1 0 0 2 0 1 0 1 (1) 1 1 1 1 1 12
==190
190
P.M.
P.M. steady
steady
P.M.
P.M. P.M.
P.M. P.M.
P.M. P.M.
P.M. P.M.
P.M. P.M.
P.M. P.M.
P.M. steady
gliss.
gliss.
P.M.
1111 gliss.
Guitar 1
Guitar2 1

22
Guitar

33 44 33 44 11 33 44 44 55 44 44 (4)
(4) 4 4
232 343 232 343 11 22 11 22 22 11 00 00 22 00 11 00 11 (1)
(1) 1 1 1 11 11 11 112
12
15
12
2 3 2 3 1 (1) (1) (1) 15

steady
steady
P.M.
P.M. gliss.
gliss.
Guitar 2
Guitar 2

33 44 33 44 1515
22 33 22 33 11 (1)
(1) (1)
(1) (1)
(1) 1515

C (0:37)
gtrs. 1 & 2 unison through measure 28
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
15
Guitar 1

4 5 4 4 (4) 4 7 7 4 5 4 4 (4) 4 7 7
1 0 0 2 0 1 0 1 (1) 1 1 1 1 1 4 0 0 4 1 0 0 2 0 1 0 1 (1) 1 1 1 1 1 4 0 0 4

P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
19
Guitar 1

4 5 4 4 (4) 4 7 7 4 5 4 4 (4) 4 1
1 0 0 2 0 1 0 1 (1) 1 1 1 1 1 4 0 0 4 1 0 0 2 0 1 0 1 (1) 1 1 1 1 2 1 0

P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
23
Guitar 1

4 5 4 4 (4) 4 7 7 4 5 4 4 (4) 4 7 7
1 0 0 2 0 1 0 1 (1) 1 1 1 1 1 4 0 0 4 1 0 0 2 0 1 0 1 (1) 1 1 1 1 1 4 0 0 4

B E T W E E N T H E B UR I E D AN D ME 12 T he Double Helix of Extinction


P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
27
Guitar 1

8
4 4 4 7
4 5 4 4 (4) 4 7 6 6 6 3 2 3
1 0 0 2 0 1 0 1 (1) 1 1 1 1 1 4 0 0 4 5 4 5 4 5

P.M. P.M. P.M. P.M. P.M.


Guitar 2

10
3 3 3 6 6 6 9
2 1 2 1 2 5 4 5

D (0:57)
= 185
gtrs. 1 & 2 unison through measure 35
P.M. P.M. P.M. P.M. P.M. P.M. P.M.
31
Guitar 1

1 3 4 3 1 4 6
2 1 2 1 2 2 1 2 1 2 2 1 2 1 2 2 2 1 2 5 4 5 4 5 5 4 5 4 5

P.M. P.M. P.M. P.M. P.M. P.M. P.M.


34
Guitar 1

2 4 5 5 7 8
7 6 4 3 2 3 6 5 6
5 4 5 4 5 5 5 4 5

C' (1:14)
= 190 gtrs. 1 & 2 unison through measure 67
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
36
Guitar 1

4 5 4 4 (4) 4 7 7 4 5 4 4 (4) 4 7 7
1 0 0 2 0 1 0 1 (1) 1 1 1 1 1 4 0 0 4 1 0 0 2 0 1 0 1 (1) 1 1 1 1 1 4 0 0 4

steady
gliss.
Guitar 2

19
19

P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
40
Guitar 1

4 5 4 4 (4) 4 7 7 4 5 4 4 (4) 4 1
1 0 0 2 0 1 0 1 (1) 1 1 1 1 1 4 0 0 4 1 0 0 2 0 1 0 1 (1) 1 1 1 1 2 1 0

P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
44
Guitar 1

4 5 4 4 (4) 4 7 7 4 5 4 4 (4) 4 7 7
1 0 0 2 0 1 0 1 (1) 1 1 1 1 1 4 0 0 4 1 0 0 2 0 1 0 1 (1) 1 1 1 1 1 4 0 0 4

B E T W E E N T H E B UR I E D AN D ME 13 T he Double Helix of Extinction


P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
48
Guitar 1

4 5 4 4 (4) 4 7 7 1 3 4 4 6 7
1 0 0 2 0 1 0 1 (1) 1 1 1 1 1 4 0 0 4 2 1 2 2 5 4 5 5 4 5

D (1:35)
= 185
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
52
Guitar 1

1 3 4 3 1 4 6 7 6 4
2 1 2 1 2 2 1 2 1 2 2 1 2 1 2 2 2 1 2 5 4 5 4 5 5 4 5 4 5 5 4 5 4 5 5 5 4 5

P.M. P.M. P.M. P.M.


56
Guitar 1

5 6
2 4 5 5 7 8 3 4
3 2 3 6 5 6

E (1:53)
P.M.
P.M. P.M. P.M. P.M. P.M. P.M. P.M.
58
Guitar 1

2 3 2 3
4 5 4 5 7 5 4 1 1 4 1 4 1 5 4 5 4 5 7 5 4 1
1 2 1 2 4 4 1 4 1 0 0 1 0 1 0 2 1 2 1 2 4 4 1 4 1 0

1. 3-4 2.
65
P.M. P.M. P.M. P.M. 4x
Guitar 1

2 3 2 3 <2.4> <2.4> <2.4>


1 4 1 4 <2.4> <2.4> <2.4>
0 1 0 1 <2.4> <2.4> <2.4>

3 3 3 3

P.M.
68
6 9
8
Guitar 1

6
1
4 1 4 0 3
1 0 2 4

P.M.
3 6
5
Guitar 2

3
1
4 1 4 0 3
1 0 2 4

B E T W E E N T H E B UR I E D AN D ME 14 T he Double Helix of Extinction


F (2:37)
70
Guitar 1

12 15 12 15
3 3 4 11 14 3 4 11 14 3
2 3 10 13 2 3 10 13 2
1 2 1 2 1
Guitar 2

12 15 12 15
3 3 4 11 14 3 4 11 14 3
2 3 10 13 2 3 10 13 2
1 2 1 2 1

74
Guitar 1

15 18 15 18 15 18
3 4 14 17 3 4 14 17 3 3 4 14 17 17 (17)
3 13 16 2 3 13 16 2 3 13 16 16 19
2 1 2 1 2
Guitar 2

12 15 12 15 12 15
3 4 11 14 3 4 11 14 3 3 4 11 14 14 (14)
3 10 13 2 3 10 13 2 3 10 13 13 16
2 1 2 1 2

G (2:48)
= 180
Clean w/ delay
78
Guitar 1

8 (8) 10 (10) 11 (11) 12

Acoustic (dobro) w/ delay


w/ slide

6 8 (8) 10 (10) 11 (11) 12


Guitar 4

6 8 (8) 10 (10) 11 (11) 12

1.
81
Guitar 1

(12) 13 (13) 6 8 (8) 10 (10) 11

(12) 13 (13) 6 6 8 (8) 10 (10) 11


Guitar 4

(12) 13 (13) 6 6 8 (8) 10 (10) 11

B E T W E E N T H E B UR I E D AN D ME 15 T he Double Helix of Extinction


1.
84
Guitar 1

(11) 12 (12) 13 (13) 14

(11) 12 (12) 13 (13) 14


Guitar 4

(11) 12 (12) 13 (13) 14

2.
*Note continues to ring w/
random pitch shifting
86
Guitar 1

8 (8) 10 (10) 11 (11) 12

*Notes continue
to ring

6 8 (8) 10 11 (11) 12
Guitar 4

6 8 (8) 10 11 (11) 12

2.
Distortion = 185
89
13 11 9 9 11 13 11 9 9 11
12 10 8 8 10 12 12 10 8 8 10 12
Guitar 1

10 10 4 7
X
5 5 2 5
3 4

Distortion
21 19 17 17 19 21 19 17 17 19
20 18 16 16 18 20 20 18 16 16 18 20
Guitar 2

18 18
6 9
5 5 X
3 4 4 7

Distortion
17 15 13 13 15 17 15 13 13 15
16 14 12 12 14 16 16 14 12 12 14 16
Guitar 3

14 14

B E T W E E N T H E B UR I E D AN D ME 16 T he Double Helix of Extinction


H (3:21)
91
11 14 11 14
Guitar 1

4 5 9 12 4 5 9 12
3 4 8 11 3 4 8 11
2 3 2 3

8 11 8 11
Guitar 2

6 9 6 9
3 4 5 8 3 4 5 8
2 3 2 3
1 2 1 2

1. 2.
P.M.
P.M. P.M.
93
Guitar 1

8 5 8 5 4 8 5 8 5 3
3 3 3 3 3 3 6 3 6 3 2 3 3 3 3 3 3 6 3 6 3 1

P.M. P.M. P.M.


Guitar 2

8 5 8 5 4 8 5 8 5 3
3 3 3 3 3 3 6 3 6 3 2 3 3 3 3 3 3 6 3 6 3 1

P.M.
95
Guitar 1

4 3 7 7
2 1 5 5 5 5 5 5 5 6

P.M.
Guitar 2

4 3 7 7
2 1 5 5 5 5 5 5 5 6

97
11 14 11 14
Guitar 1

4 5 9 12 4 5 9 12
3 4 8 11 3 4 8 11
2 3 2 3

8 11 8 11
Guitar 2

6 9 6 9
3 4 5 8 3 4 5 8
2 3 2 3
1 2 1 2

B E T W E E N T H E B UR I E D AN D ME 17 T he Double Helix of Extinction


1. 2.
P.M.
P.M. P.M. P.M.
99
Guitar 1

8 5 8 5 4 3 8 8 5 8 5 4 3 8 5 8 5 3
3 3 3 3 3 3 6 3 6 3 2 1 3 3 3 3 3 3 6 6 3 6 3 2 1 3 3 3 3 3 3 6 3 6 3 1

P.M. P.M. P.M. P.M.


Guitar 2

8 5 8 5 4 3 8 8 5 8 5 4 3 8 5 8 5 3
3 3 3 3 3 3 6 3 6 3 2 1 3 3 3 3 3 3 6 6 3 6 3 2 1 3 3 3 3 3 3 6 3 6 3 1

P.M.
102
Guitar 1

4 3 7 7 (7) 4 3 8 11 (11)
2 1 5 5 5 5 5 5 5 6 (6) 2 1 6 9 (9)

P.M.
Guitar 2

4 3 7 7 (7) 4 3 8 11 (11)
2 1 5 5 5 5 5 5 5 6 (6) 2 1 6 9 (9)

I (3:58)
gtrs. 1 & 2 unison through measure 109
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
106
Guitar 1

9 9
7 10 10 7 10 10 7 10 10
8 8 11 11 8 11 11 8 10 11
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.


110
Guitar 1

7 10 6 6
8 7 8 8 8 5 7 8
5 0 0 5 0 0 5 5 0 0 5 0 0 8 1 0 0 4 0 0 0 8 0 0

P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.


Guitar 2

9 9
7 10 10 7 10 10 7 10 10
8 8 11 11 8 11 11 8 10 11
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

B E T W E E N T H E B UR I E D AN D ME 18 T he Double Helix of Extinction


P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
114
Guitar 1

7 10 9 9
8 7 11 8 11 8 7
5 0 0 5 0 0 5 5 0 0 5 0 0 8 1 0 0 4 0 0 0 10 0 0 10

P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.


Guitar 2

9 9 8 8
7 10 10 7 10 10 7 9 9 9 7
8 8 8 11 11 8
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.


118
Guitar 1

8 8
7 10 10 10 10
8 7 10 10 9 8
5 0 0 5 0 0 5 5 0 0 5 0 0 8 8 8 8 8 8 8 8 8 8

P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.


Guitar 2

9 9 12 8 8 12 8 7 8
7 10 10 7 10 7 10 10 10 10
8
0 0 0 0 0 0 0 0 11 8 8 8 8 8 8 8

P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.


122
Guitar 1

7 10 6 6
8 7 8 8 8 5 7 8
5 0 0 5 0 0 5 5 0 0 5 0 0 8 1 0 0 4 0 0 0 8 0 0

P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.


Guitar 2

9 9
7 10 10 7 10 10 7 10 10
8 8 11 11 8 11 11 8 10 11
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

let ring
126
4
4
Guitar 1

4 4
7 2 3 6
7 2 3 6
5 0 1 4 6 5 4 (4) 7 7 (7)

let ring
4
4
Guitar 2

7 2 3 6 5 4 3
7 2 3 6 X X X
5 0 1 4 3 2 1 (1) 4 4

B E T W E E N T H E B UR I E D AN D ME 19 T he Double Helix of Extinction


J (4:39)
= 130 grad.
bend
P.M. ½
P.M. P.M.
130
8 7 4 5 5 (5) 2 8
Guitar 1

9 8 5 6 6 (6) 3 9 8
9 8 5 6 6 (6) 3 9
2 3 2 2 7 6 3 4 4 (4) 1 4 2 1 1 7
0 1 0 0 7 6 3 4 4 (4) 2 1 2 5 4 5 0 1 1 7

grad.
bend
½
P.M. P.M. P.M.

8 7 4 5 5 (5) 2 8
Guitar 2

9 8 5 6 6 (6) 3 9
9 8 5 6 6 (6) 3 9
2 3 2 2 7 6 3 4 4 (4) 1 4 2 1 1 7 6
0 1 0 0 7 6 3 4 4 (4) 2 1 2 5 4 5 0 1 1 7

grad.
bend
P.M. ½
P.M. P.M.
134
8 7 4 5 5 (5) 2 8
Guitar 1

9 8 5 6 6 (6) 3 9 8
9 8 5 6 6 (6) 3 9
2 3 2 2 7 6 3 4 4 (4) 1 4 2 1 1 7
0 1 0 0 7 6 3 4 4 (4) 2 1 2 5 4 5 0 1 1 7

grad.
bend
½
P.M. P.M. P.M.

8 7 4 5 5 (5) 2 8
Guitar 2

9 8 5 6 6 (6) 3 9
9 8 5 6 6 (6) 3 9
2 3 2 2 7 6 3 4 4 (4) 1 4 2 1 1 7 6
0 1 0 0 7 6 3 4 4 (4) 2 1 2 5 4 5 0 1 1 7

grad.
bend
P.M. ½
138
P.M. P.M. 4x
8 7 4 5 5 (5) 2 8
Guitar 1

9 8 5 6 6 (6) 3 9 8
9 8 5 6 6 (6) 3 9
2 3 2 2 7 6 3 4 4 (4) 1 4 2 1 1 7
0 1 0 0 7 6 3 4 4 (4) 2 1 2 5 4 5 0 1 1 7

grad.
bend
½
P.M. P.M. P.M.

8 7 4 5 5 (5) 2 8
Guitar 2

9 8 5 6 6 (6) 3 9
9 8 5 6 6 (6) 3 9
2 3 2 2 7 6 3 4 4 (4) 1 4 2 1 1 7 6
0 1 0 0 7 6 3 4 4 (4) 2 1 2 5 4 5 0 1 1 7

B E T W E E N T H E B UR I E D AN D ME 20 T he Double Helix of Extinction


grad.
bend
P.M. ½
P.M. P.M.
142
8 7 4 5 5 (5) 2 8
Guitar 2

9 8 5 6 6 (6) 3 9
9 8 5 6 6 (6) 3 9
2 3 2 2 7 6 3 4 4 (4) 1 4 2 1 1 7 6
0 1 0 0 7 6 3 4 4 (4) 2 1 2 5 4 5 0 1 1 7

grad.
bend
½
P.M.
146
2 8
Guitar 1

3 9 8
3 9
2 1 1 7
0 1 1 7

grad.
bend
½
P.M. P.M. P.M.

8 7 4 5 5 (5) 2 8
Guitar 2

9 8 5 6 6 (6) 3 9
9 8 5 6 6 (6) 3 9
2 3 2 2 7 6 3 4 4 (4) 1 4 2 1 1 7 6
0 1 0 0 7 6 3 4 4 (4) 2 1 2 5 4 5 0 1 1 7

grad.
bend
P.M. ½
150
P.M. P.M. 4x
8 7 4 5 5 (5) 2 8
Guitar 1

9 8 5 6 6 (6) 3 9 8
9 8 5 6 6 (6) 3 9
2 3 2 2 7 6 3 4 4 (4) 1 4 2 1 1 7
0 1 0 0 7 6 3 4 4 (4) 2 1 2 5 4 5 0 1 1 7

grad.
bend
½
P.M. P.M. P.M.

8 7 4 5 5 (5) 2 8
Guitar 2

9 8 5 6 6 (6) 3 9
9 8 5 6 6 (6) 3 9
2 3 2 2 7 6 3 4 4 (4) 1 4 2 1 1 7 6
0 1 0 0 7 6 3 4 4 (4) 2 1 2 5 4 5 0 1 1 7

P.M. *Note rings out/fades out


= 100 (gtrs. 1 & 2)
154
Guitar 1

2
0 0 (0)

P.M.
Guitar 2

2
0 0 (0)

B E T W E E N T H E B UR I E D AN D ME 21 T he Double Helix of Extinction


K (5:35)
Clean w/ delay
let ring
157
0 0
4 4
Guitar 1

5 5
6 6
0 0

Sitar
0 (0)
3 (3)
Guitar 2

4 (4)
2 (2)
X
0 (0)

let ring
161
0 0
3 6
Guitar 1

4 7
7 9
0 0 0

PHOTO BY JUAN PARDO

B E T W E E N T H E B UR I E D AN D ME 22 T he Double Helix of Extinction


Revolution in Limbo

= 200 C F B E G C

A (0:00) = 200
Distortion
1
A (0:00)
Distortion 4 5 4 6 5 4 5 4 5 4 6 5 4
14 5 4 4 5 7 4 5 4 4 5 7
6 7 7 4 5 4 6 5 4 5 6 7 7 4 5 4 6 5 4 5
Guitar 1

4 5 4 4 5 7 4 5 4 4 5 7
6 7 7 6 7 7

Distortion
P.M.
Guitar 2

2 3
4 5

5
10 10
10 9 (9) 12 9 12 12
Guitar 1

10 9 9 9 12 12 13
10 9 10 10 13 13
11 12 11 14
Guitar 2

7 6 9 3 6 7 6 9 (9)
X X X X X X X X
5 4 7 1 4 5 4 7 (7)

B E T W E E N T H E B UR I E D AN D ME 23 Revolution in Limbo
9
11 7 8
9 8 10
Guitar 1

12 8 9
10 9 12 13 9 10 5 5 6
11 10 12 8 5 6 7 6 7
7 8 4 5

P.M.
Guitar 2

8 4 5
6 5 7
10 6 7 2 2 2 3 3 3
8 7 10 11 7 8 4 3 5 1 1 1 1 1 1 3 4 3 3 4 3 4

13
4 5 4 6 5 4 5 4 5 4 6 5 4 5
Guitar 1

4 5 4 4 5 7 4 5 4 4 5 7
6 7 7 6 7 7
Guitar 2

1 2 1 0 3 2 1 2 1 2 1 0 3 2 1 2
2 3 2 2 3 2 3 2 2 3
4 5 5 4 5 5

17
10
4 5 4 6 5 4 5 10 9 (9) 12 9
Guitar 1

4 5 4 4 5 7 10 9
6 7 7 10 9
11
Guitar 2

1 2 1 0 3 2 1 2 7 6 9 3 6
2 3 2 2 3 X X X X X
4 5 5 5 4 7 1 4

21
10 11 7 8
12 12 9 8 10
Guitar 1

9 9 12 12 13 12 8 9
10 10 13 13 10 9 12 13 9 10
12 11 14 11
Guitar 2

4 5 4
2 2 5 5 6 10 6 7 9 5 6 5 1 2
3 3 6 6 7 8 7 10 7 6 8 3
5 4 7 7

B E T W E E N T H E B UR I E D AN D ME 24 Revolution in Limbo
25
Guitar 1

5 5 6
10 12 8 5 6 7 6 7
7 8 4 5

P.M.
Guitar 2

5 6 5 5 6 5 6
2 5 2 2 2 3 3 3 X X X
1 1 1 1 1 1 3 4 3 3 4 3 4

B (0:43)
= 195
P.M.
P.M. P.M. P.M.
27
8 10 7
10 12 13 12 10 9 10 12 9 10
Guitar 1

9 9 9 10 7
7 10 10 10 6 10 10 9 6

P.M. P.M.
Guitar 2

7 (7) 6 (6)
X 3 X 2
5 (5) 0 4 5 4 (4) 0 4 0

= 190
P.M.
let ring P.M. let ring P.M. let ring P.M. let ring
31
5 4 3 7
6 6 5 5 3 3 3 6
Guitar 1

5 5 5 4 4 4 4 4 4 4 4 7
7 7 6 6 5 5 3 6
Guitar 2

3 2 5 6
3 2 5 5
1 0 3 4

= 185
P.M.
P.M. P.M.
35
8 10 7
10 12 13 12 10 9 10 12 9 10
Guitar 1

9 9 9 10 7
7 10 10 10 6 10 10 9 6

P.M. P.M.
Guitar 2

7 (7) 6 (6)
X 3 X 2
5 (5) 0 4 5 4 (4) 0 4 0

B E T W E E N T H E B UR I E D AN D ME 25 Revolution in Limbo
P.M.
let ring P.M. let ring P.M. let ring P.M. let ring
39
5 4 3 7
6 6 5 5 3 3 3 6
Guitar 1

5 5 5 4 4 4 4 4 4 4 4 7
7 7 6 6 5 5 3 6
Guitar 2

3 2 5 6
3 2 5 5
1 0 3 4

let ring
43
8 5 4
5 4 6 4 8 12 12
Guitar 1

5 4 7 4 8 12 12
6 5 5 9 13 13
7 6 10 14

P.M. P.M.
Guitar 2

1 1
3 0 3 2 5 2 2 6 6 6
4 3 3 3 3 3 3 3 3 3 3 3

3
= 170 = 165
Light distortion
let ring
let ring
47
0 0
16 4 3 1
Guitar 1

5 4 2 1 0 0
6 (6) 7 2 6 3 10 9 0 0
3 2 0 X X X X
4 1 8 7 3 3 1

Light distortion let ring


Guitar 2

0 0
6 3 10 9 0 0
6 X X X X
3 4 1 8 7 3 3 1

Acoustic
Guitar 3

C (1:16)
let ring
let ring
52
12 10 (10) 12 9 (9)
Guitar 1

9 9 9 (9) 9 9 10 (10)
10 10 10 (10) 10 10 12 (12)
11 11
0 0

P.M. let ring P.M. let ring

0 3
Guitar 2

2 2 4 4
2 2 3 3
2 3 2 3
0 3 1 0 4 1

let ring let ring

0 3
Guitar 3

2 2 4 4
2 2 3 3
0 3 1 0 4 1

B E T W E E N T H E B UR I E D AN D ME 26 Revolution in Limbo
let ring
56
let ring 3x
7
12 13 (13) 0 0 0 0 10 10
Guitar 1

9 9 13 (13) 5 1 9 7 9 9
10 10 14 (14) 3 2 6 6
11 10
0

P.M. let ring let ring

1
Guitar 2

1 1 0 0
2 2 6 3 10 9 0 0
2 3 X X X X 3
0 3 1 4 1 8 7 3 3 1

let ring let ring

1
Guitar 3

1 1 0 0
2 2 0 0
3 2
0 3 1 4 1 3 3 1

D (1:53)
-1½ P.M.
Distortion
60
12 12
13 8 6 5 13 5 5 6 5
Guitar 1

14 6 7 14 7 6 9
14 14 6 9 6 9 10
7

Distortion P.M. P.M.


Guitar 2

7 (7) 7 (7) 7 (7) 7 (7) 6 5


X X X X 7 7 7
5 (5) 5 (5) 5 (5) 5 (5) 7 1

P.M.
P.M. P.M. P.M.
65
10 9 12 9
Guitar 1

9 9 9 13 9 13 17 13
7 10 10 10 6 10 10 10 10 14 14 14 9 12 12 12 10
7

1. 1. 2. 2.

P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.


P.M. P.M. P.M. P.M.
4 4
Guitar 2

13 13
Guitar 1

Guitar 1

10 10 10 14 13 12 13
10 6 7
7 7 7 7 7 7 11 13 1211 11 11 11 13 12 11 7 3 4
5 5 5 5 4 4 4 0 0 5 4 8 80 10
8 9 0 0 13
0 12
08 5 4 70 0
7 0 510
7 9 4 0 0 0137 12 0 4 5 5 04 00 5 4
0 0 2 1 0 0 0 10
0 90 2 1 0 00 2 1 0 0 010 9 0 2 3 3 02 00 2 1

P.M. P.M. P.M. P.M. P.M. P.M.

let ring 13 13
Guitar 2

Guitar 2

69 13 13 6 7
13 16 16 17 16 13 13 12 13 12 3 4
12 (12) 150 15
Guitar 1

0 5 4 0 10 9 0 0 13 0 120 5 4 0 00 510 9 4 0 0 013 12 0 4 5 5 04 00 5 4


13 0 0 2 1 0 16 014 0 10
0 13
90 2 1 10 0 0 0 2 9 10 0 010 13
9 0 2 3 3 02 00 2 1
9 14 15
8

3 3 3 3

let ring
10
12
Guitar 2

12 13
9 12 9
8

B E T W E E N T H E B UR I E D AN D ME 27 Revolution in Limbo
E (2:15)
72
5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5
Guitar 1

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
7 7 7 7 7 7 7 7 6 6 6 6 6 6 6 6
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
5 5 5 5 5 5 5 5 4 4 4 4 4 4 4 4

Acoustic
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
Guitar 2

2 2 2 2 2 2 2 2 2 2 2 2 1 1 1 1 1 1 1 1 1 1 1 1
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2

Distortion
*Last note of gtr. 1 lead
Guitar 3

13 14 (14)

76
3 3 3 3 3 3 3 3 2 2 2 2 2 2 2 2
3 3 3 3 3 3 3 3 3 3 3 3 1 1 1 1
Guitar 1

0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2
3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3 3 3 3 3 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 3 3 3 3 3 3 1 1 1 1 1 1
Guitar 2

0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

80
1 1 1 1 0 0 0 0 3 3 3 3 4 4 4 4
1 1 1 1 0 0 0 0 3 3 3 3 6 6 6 6
Guitar 1

2 2 2 2 1 1 1 1 4 4 4 4 4 4 4 4
3 3 3 3 2 2 2 2 5 5 5 5 6 6 6 6
3 3 3 3 2 2 2 2 5 5 5 5 5 5 5 5
1 1 1 1 0 0 0 0 3 3 3 3 4 4 4 4

1 1 1 1 1 1 0 0 0 0 0 0 3 3 3 3 3 3 1 1 1 1 1 1
1 1 1 1 1 1 0 0 0 0 0 0 0 0 0 0 0 0 3 3 3 3 3 3
Guitar 2

2 2 2 2 2 2 1 1 1 1 1 1 0 0 0 0 0 0 1 1 1 1 1 1
3 3 3 3 3 3 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0

(2:33)
84
5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5
Guitar 1

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
7 7 7 7 7 7 7 7 6 6 6 6 6 6 6 6
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
5 5 5 5 5 5 5 5 4 4 4 4 4 4 4 4

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
Guitar 2

2 2 2 2 2 2 2 2 2 2 2 2 1 1 1 1 1 1 1 1 1 1 1 1
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2

P.M.

12 13 15 17 17
Guitar 3

14 16 17 16 16 9 (9) 13
14 14
12 15 15

B E T W E E N T H E B UR I E D AN D ME 28 Revolution in Limbo
88
3 3 3 3 3 3 3 3 2 2 2 2 2 2 2 2
3 3 3 3 3 3 3 3 3 3 3 3 1 1 1 1
Guitar 1

0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2
3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3 3 3 3 3 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 3 3 3 3 3 3 1 1 1 1 1 1
Guitar 2

0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

17 18 (18) 17 (17) 15 12 12 (12) 12 13 15 (15) 13 12 13 10 (10) (10) (10) 5 3


Guitar 3

Distortion
10 (10) (10)
15 13 12 8 8 (8) (8) 7 5 8 10
Guitar 4

92
1 1 1 1 0 0 0 0 3 3 3 3 4 4 4 4
1 1 1 1 0 0 0 0 3 3 3 3 6 6 6 6
Guitar 1

2 2 2 2 1 1 1 1 4 4 4 4 4 4 4 4
3 3 3 3 2 2 2 2 5 5 5 5 6 6 6 6
3 3 3 3 2 2 2 2 5 5 5 5 5 5 5 5
1 1 1 1 0 0 0 0 3 3 3 3 4 4 4 4

1 1 1 1 1 1 0 0 0 0 0 0 3 3 3 3 3 3 1 1 1 1 1 1
1 1 1 1 1 1 0 0 0 0 0 0 0 0 0 0 0 0 3 3 3 3 3 3
Guitar 2

2 2 2 2 2 2 1 1 1 1 1 1 0 0 0 0 0 0 1 1 1 1 1 1
3 3 3 3 3 3 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0

5 6 5 6 10 9 9 10 12 12 12 13 15 15 12 (12)
Guitar 3

0 1 0 1 5 8 9 (9)
Guitar 4

½ ½
P.M.
96
13 10 9
Guitar 1

10 9 8 7
10 9 7 6
8 7 5 7 8

3 3
½ ½
Distortion
Guitar 2

10 7 6 9
8 7 6 5 X
8 7 5 7

B E T W E E N T H E B UR I E D AN D ME 29 Revolution in Limbo
F (2:54)
= 165
P.M.
P.M.
98
Guitar 1

5 6 7 9 5 6
6 6 7 8 7 6 5 6 7 8
5 7 8 8 7 7 8

P.M.
100
Guitar 1

7
7 6 9 6 7 9
6 5 8 7 6 5 5 6 7 6 6 7
8 7 8

steady
gliss.
Guitar 2

7 9
10 6 5 5 6 7 6 6 7
10 7 8

gtrs. 1 & 2 unison through measure 111


P.M. P.M. P.M.
102
Guitar 1

6 5 6 7
5 6 7 8 5 5 5 5 6 6 7 8
7 7 7 7 5 7 8 8 7

P.M.
Guitar 2

6
5 6 7 8 5 5 5 5
7 7 7 7

P.M.
104
Guitar 1

7
9 5 6 7 6 9 6
7 6 5 6 7 8 6 5 8 7
7 8 8

P.M.
106
Guitar 1

7 9 6
6 5 5 6 7 6 6 7 5 6 7 8 5 5 5 5
7 8 7 7 7 7

B E T W E E N T H E B UR I E D AN D ME 30 Revolution in Limbo
G (3:08)
*Slide first time only.
P.M. P.M.
108
Guitar 1

2 3 2 7 6 6 7 8
5 4 0 3 4 4 3 0 1 3 3 4 5 8 7 4 5 7 8 7 5 7 8

gtrs. 1 & 2 unison through measure 117


*Slide first time only.
P.M. P.M. P.M. P.M.
112
Guitar 1

8 8 9 10 12 13 14
6 6 7 8 5 5 5 5 2 3 2
0 1 3 4 0 1 3 4 4 4 4 4 5 4 0 3 4 4 3 0 1 3 3 4 5

P.M. P.M. P.M.


Guitar 2

8 8 9 10
6 6 7 8 10 11 12 5 5 5 5
0 1 3 4 0 1 3 4 4 4 4 4

116
P.M. P.M. P.M. P.M. 4x
Guitar 1

8 8 9 10 12 13 14
7 6 6 7 8 6 6 7 8 5 5 5 5
8 7 4 5 7 8 7 5 7 8 0 1 3 4 0 1 3 4 4 4 4 4

P.M. P.M. P.M.


Guitar 2

8 8 9 10
6 6 7 8 10 11 12 5 5 5 5
0 1 3 4 0 1 3 4 4 4 4 4

P.M. = 165
120
Guitar 1

9 10 12 13 14 9 10 12 10 12 13 12 13 14
7 8 5 5 5 5 7 8 10 8 10 11 10 11 12
4 4 4 4

P.M. Light distortion


Guitar 2

9 10 9 10 12 10 12 13 12 13 14 5 4
7 8 10 11 12 5 5 5 5 7 8 10 8 10 11 10 11 12 3 2 3
4 4 4 4 1

Acoustic
Guitar 3

B E T W E E N T H E B UR I E D AN D ME 31 Revolution in Limbo
C (3:55)
Light distortion
let ring
let ring
124
12 10 (10) 12 9 (9)
Guitar 1

9 9 9 (9) 9 9 10 (10)
10 10 10 (10) 10 10 12 (12)
11 11
0 0

P.M. let ring P.M. let ring

0 3
Guitar 2

2 2 4 4
2 2 3 3
2 3 2 3
0 3 1 0 4 1

let ring let ring

0 3
Guitar 3

2 2 4 4
2 2 3 3
0 3 1 0 4 1

let ring
let ring
128
7
12 13 (13) 0 0 0 0 10 10
Guitar 1

9 9 13 (13) 5 1 9 7 9 9
10 10 14 (14) 3 2 6 6
11 10
0

P.M. let ring let ring

1
Guitar 2

1 1 0 0
2 2 6 3 10 9 0 0
2 3 X X X X 3
0 3 1 4 1 8 7 3 3 1

let ring let ring

1
Guitar 3

1 1 0 0
2 2 0 0
3 2
0 3 1 4 1 3 3 1

H (4:20)
Distortion
gtrs. 1 & 2 unison through measure 135
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
132
Guitar 1

9
9 9 6 9 6 9 10
7 7 7 7 7 7 7 7 7
5 8 0 8 0 4 5 8 0 0 8 5 8 0 8 0 4 5 8 0 0 8

Distortion
P.M. P.M.
Guitar 2

6 5
7 7 7
7 1

B E T W E E N T H E B UR I E D AN D ME 32 Revolution in Limbo
D (4:27)
P.M.
P.M. P.M. P.M.
137
10 9 12 9
Guitar 1

9 9 9 13 9 13 17 13
7 10 10 10 6 10 10 10 10 14 14 14 9 12 12 12 10
7

1. 1. 2. 2.

P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.


P.M. P.M. P.M. P.M.
4 4
Guitar 2

13 13

Guitar 1

Guitar 1
10 10 10 14 13 12 13
10 6 7
7 7 7 7 7 7 11 13 12
11 11 11 11 13 12 11 7 3 4
5 5 5 5 4 4 4 0 0 5 4 8 80 10
8 9 0 0 13
0 12
08 5 4 70 70 0 510
7 9 4 0 0 0137 12 0 4 5 5 04 00 5 4
0 0 2 1 0 0 0 10
0 90 2 1 0 00 2 1 0 0 010 9 0 2 3 3 02 00 2 1

P.M. P.M. P.M. P.M. P.M. P.M.

13 13

Guitar 2

Guitar 2
13 13 6 7
13 12 13 12 3 4
0 0 5 4 0 10 9 0 0 13
0 12
0 5 4 0 00 510 9 4 0 0 013 12 0 4 5 5 04 00 5 4
0 0 2 1 0 0 0 10
0 90 2 1 0 00 2 10 0 010 9 0 2 3 3 02 00 2 1

let ring
141
13 16 17 16 13
12 (12) 15 15
Guitar 1

13 16 14 13 10 16
9 14 15
8

3 3 3 3

let ring
10
12
Guitar 2

12 13 13 14 13 10 14
9 14 12 14 12 10 12 10
8

3 3 3 3

145
20 19 17 20 19 (19) (19)
18 17 15 21 18 17 18 17
Guitar 1

8
X
6

3 3 3 3
Guitar 2

13 8
14 12 10 14 12 X
14 12 11 12 11 6

3 3 3

I (4:46)
gtrs. 1 & 2 unison through measure 154
P.M. P.M. P.M. P.M.
147
Guitar 1

9 8
X 2 4 5 X
7 5 2 3 6
0 4 7 3 0 1 3 0 0 0

B E T W E E N T H E B UR I E D AN D ME 33 Revolution in Limbo
P.M. P.M. P.M. P.M.
149
Guitar 1

9 8
X 2 4 5 X
7 5 2 3 6
0 4 7 3 0 1 3 0 0 0

PH

P.M. P.M.
151
Guitar 1

9
X 6
7 8 2 8
0 5 4 3 0 6 (6) 0 0 1 7

153
Guitar 1

5 8
7 8 7 6
6 7 6 6 8 7 5
7 8 7 4

1.
P.M. P.M. let ring
155
5 5 9 12
Guitar 1

5 5 9 13 8
7 6 10 14 15 X
0 0 0 0 0 0 0 6

P.M. P.M. let ring


10
5 5 9 (9) 12
Guitar 2

5 5 9 (9) 12 13 8
7 6 10 (10) X
0 0 0 0 0 0 0 (0) 6

1. 1. 2. 2.
2. = 125 = 125
P.M. P.M.P.M. P.M. let ring
157 P.M. P.M. P.M. P.M. P.M. P.M.
4 4 13 16 17 16 13
5 5 9 12 15 15
Guitar 1

13 1313
Guitar 1

Guitar 1

5 5 9 16 14
7 6 10 13 14 15 13 6 7 6 7
0 0 0 0 13 12
0 0 0 13 12 3 4 3 4
0 0 5 04 0 50 10
4 9 0 0 10 13 12
9 0 0 13 12 0 0 5 04 0 50 40 4 05 5 04 40 5 5 4 0 3 4 33 44 33 44 3 4
0 0 2 01 0 20 1 0 0 10 9 0 0 10 9 0 0 2 01 0 20 10 2 03 3 02 20 3 3 2 0 2 3 22 33 22 33 2 3

1. 1. 3 2. 2. 3 3 3
P.M. P.M. P.M. P.M. P.M. P.M. = 125 = 125
P.M. P.M.P.M. P.M. let ring
P.M. P.M. P.M. P.M. P.M. P.M.
4 4 13 13 10 13 12 10
1 2

1 2

5 5 9 (9) 12 12
Guitar 2

13 13 6 7 6 7
Guitar

Guitar

5 5 13 12 9 13 12 13 13 (9) 12 13 3 4 3 4 13 10
Guitar

Guitar

0 0 5 7 04 0 50 6 10
4 9 0 10
0 10
13 12
9 13
0 0 13 12 013 0 5(10) 04 0 50 40 4 05 5 04 40 56 57 4 0 6 7
0 0 2 0 01 00 0
20 0 13
1 12
0 0
0 00 13
10 12
9 0 0 10 9 0 0 2 (0) 01 0 20 10 2 03 3 02 20 33 34 2 0 3 4
0 0 5 04 0 50 10
4 9 0 0 10
13 12
9 0 0 13 12 0 0 5 04 0 50 40 4 05 5 04 40 5 5 4 0 3 4 33 44 33 44 3 4
0 0 2 01 0 20 1 0 0 10 9 0 0 10 9 0 0 2 01 0 20 10 2 03 3 02 20 3 3 2 0 2 3 22 33 22 33 2 3

3 3 3
P.M. P.M. P.M. P.M. P.M. P.M.

13 13
Guitar 2

Guitar 2

13 13 6 7 6 7
13 12 13 12 3 4 3 4
0 0 5 04 T
BE 0W50 E E10
4 9T H
N 0 E0 10
13UR
B 12
9 0I E0D13AN
12 0 D0 ME
5 04 0 50 40 4 34
05 5 04 40 5 5 4 0 Revolution in Limbo
0 0 2 01 0 20 1 0 0 10 9 0 0 10 9 0 0 2 01 0 20 10 2 03 3 02 20 3 3 2 0
= 170
160
6 (6) (6) (6)
Guitar 1

13 10 9 13 13 14 10 9 6 7 (7) (7) (7)


7 (7) (7) (7)
5 (5) (5) (5)

17 18 (18) (18) (18)


Guitar 2

9 13
12 10 9 10 12

J (5:24)
Clean
Fingerstyle
let ring
166
6 6 6 6
Guitar 1

7 7 7 7
7 7 7 7
5 0 4 5 0 8 5 0 4 5 0 8

let ring
170
7 7 7 7 7 7 7 7
Guitar 1

8 8 8 8 8 8 8 8
7 7 7 7
6 0 6 0 6 0 6 0

let ring
174
5 5 5 5 5 5 5 5
Guitar 1

5 5 5 5 6 6 6 6
7 7 5 5
8 5 8 5 9 5 9 5

let ring
178
6 6 6 6
Guitar 1

7 7 7 7
7 7 7 7
5 0 4 5 0 8 5 0 4 5

B E T W E E N T H E B UR I E D AN D ME 35 Revolution in Limbo
Solo: Paul (5:47)
let ring
182
6 6 6
Guitar 1

7 7 7
7 7 7
5 0 4 5 0 8 5 0 4

Light distortion
rake

10 8 6 5 6 5 5
Guitar 2

X 6 7 7 6 7 10 9 7 9 12 10 9 10 12 13
X 7

Nylon
Fingerstyle
*Palm hits strings

6 6 6 6 6 6 6 6 6
Guitar 3

7 7 X 7 7 7 X 7 7 7 X 7
7 7 X 7 7 7 X 7 7 7 X 7
5 5 X 5 5 5 X 5 5 5 X 5

let ring
185
6 7 7 7 7
Guitar 1

7 8 8 8 8
7 7 7
5 0 8 6 0 6 0

13 12 11
13 15 13 12 11
Guitar 2

14 14 14 12 11
12 13 10 9 8

3 3 3 3 3

6 6 6 7 7 7 7 7 7
Guitar 3

7 7 X 7 8 8 X 8 8 8 X 8
7 7 X 7 7 7 X 7 7 7 X 7
5 5 X 5 6 6 X 6 6 6 X 6

let ring
188
7 7 7 7 5 5
Guitar 1

8 8 8 8 5 5
7 7 7
6 0 6 0
8 5

w/ hybrid picking let ring end hybrid picking


5
5 7 8 4 5
Guitar 2

5 5 8 8 5 4
4 5 7 6 7 5 7 (7)
6

3 3 3 3

7 7 7 7 7 7 5 5 5
Guitar 3

8 8 X 8 8 8 X 8 5 5 X 5
7 7 X 7 7 7 X 7 7 7 X 7
6 6 X 6 6 6 X 6 7 7 X 7

B E T W E E N T H E B UR I E D AN D ME 36 Revolution in Limbo
let ring
191
5 5 5 5
Guitar 1

5 5 6 6
7 5
8 5 9 5

P.M.
P.M.
8 9 10 12 15
8 10
Guitar 2

7 9
(7) 6 7 9 10 11

5 5 5 5 5 5
Guitar 3

5 5 X 5 6 6 X 6
7 7 X 7 5 5 X 5
7 7 X 7 7 7 X 7

let ring
let ring
193
5 5 6
Guitar 1

6 6 7
5 7
5 0 4
9 5

14 13 12 (12) 8 10
Guitar 2

5 5 5 6 6 6
Guitar 3

6 6 X 6 7 7 X 7
5 5 X 5 7 7 X 7
7 7 X 7 5 5 X 5

let ring
195
6 6 6
Guitar 1

7 7 7
7 7 7
5 0 8 5 0 4 5

steady
gliss.
(10) 13 15 1312 (12) 10 (10)
Guitar 2

6 6 6 6 6 6 6
Guitar 3

7 7 X 7 7 7 X 7 7
7 7 X 7 7 7 X 7 7
5 5 X 5 5 5 X 5 5

B E T W E E N T H E B UR I E D AN D ME 37 Revolution in Limbo
J' (6:09)
let ring
198
6 6 6 6
Guitar 1

7 7 7 7
7 7 7 7
5 0 4 5 0 8 5 0 4 5 0 8

Clean
let ring
10 (10) (10) (10)
10
Guitar 2

10
12

6 6 6 6 6 6 6 6 6 6 6 6
Guitar 3

7 7 X 7 7 7 X 7 7 7 X 7 7 7 X 7
7 7 X 7 7 7 X 7 7 7 X 7 7 7 X 7
5 5 X 5 5 5 X 5 5 5 X 5 5 5 X 5

1.
let ring
202
7 7 7 7 7 7 7 7
Guitar 1

8 8 8 8 8 8 8 8
7 7 7 7
6 0 6 0 6 0 6 0

let ring

13 (13) (13) (13)


Guitar 2

11
13
12

7 7 7 7 7 7 7 7 7 7 7 7
Guitar 3

8 8 X 8 8 8 X 8 8 8 X 8 8 8 X 8
7 7 X 7 7 7 X 7 7 7 X 7 7 7 X 7
6 6 X 6 6 6 X 6 6 6 X 6 6 6 X 6

2.
let ring
206
7 7 7 7 7 7 7 7
Guitar 1

8 8 8 8 8 8 8 8
7 7 7 7
6 0 6 0 6 0 6 0

let ring
14 (14) (14) (14)
13
Guitar 2

14
13

7 7 7 7 7 7 7 7 7 7 7 7
Guitar 3

8 8 X 8 8 8 X 8 8 8 X 8 8 8 X 8
7 7 X 7 7 7 X 7 7 7 X 7 7 7 X 7
6 6 X 6 6 6 X 6 6 6 X 6 6 6 X 6

B E T W E E N T H E B UR I E D AN D ME 38 Revolution in Limbo
let ring
210
5 5 5 5 5 5 5 5
Guitar 1

5 5 5 5 6 6 6 6
7 7 5 5
8 5 8 5 9 5 9 5

let ring
12 (12) 15 (15)
13 14
Guitar 2

14 14
14 14

3 3

5 5 5 5 5 5 5 5 5 5 5 5
Guitar 3

5 5 X 5 5 5 X 5 6 6 X 6 6 6 X 6
7 7 X 7 7 7 X 7 5 5 X 5 5 5 X 5
7 7 X 7 7 7 X 7 7 7 X 7 7 7 X 7

let ring
214
6 6 6 6
Guitar 1

7 7 7 7
7 7 7 7
5 0 4 5 0 8 5 0 4 5

let ring
10 (10) (10) (10)
10
Guitar 2

10
12

6 6 6 6 6 6 6 6 6 6
Guitar 3

7 7 X 7 7 7 X 7 7 7 X 7 7
7 7 X 7 7 7 X 7 7 7 X 7 7
5 5 X 5 5 5 X 5 5 5 X 5 5

(6:43)
let ring
218
1 1 1 1
3 3 3 3 3 3 3 3
Guitar 1

3 3 3 3 2 2
5 5 0 0
5 5 0 0
3 3

let ring
15 (15) 13 (13)
15 15
Guitar 2

15 14
17 15

3 3
3 3 3 3 3 3 1 1 1 1 1 1
3 3 X 3 3 3 X 3 3 3 X 3 3 3 X 3
Guitar 3

3 3 X 3 3 3 X 3 2 2 X 2 2 2 X 2
5 5 X 5 5 5 X 5 0 0 X 0 0 0 X 0

B E T W E E N T H E B UR I E D AN D ME 39 Revolution in Limbo
let ring
222
1 1
3 3 3 3 3 3
Guitar 1

3 3 3 3 2
5 5 0
5 5 0
3 3

let ring
18 (18) 17
15 15
Guitar 2

15 14
17 15

3 3 3
3 3 3 3 3 3 1 1 1
3 3 X 3 3 3 X 3 3 3 X 3
Guitar 3

3 3 X 3 3 3 X 3 2 2 X 2
5 5 X 5 5 5 X 5 0 0 X 0

let ring let ring


225
1 1
3 3 1 1 2 2
Guitar 1

2 2 2 2 2
0 3 2
0 3 0
1 0

let ring
(17) 13 17
13 14
Guitar 2

14 14
15 14

3 3
1 1 1 1 1 1 0 0 0
3 3 X 3 1 1 X 1 2 2 X 2
Guitar 3

2 2 X 2 2 2 X 2 2 2 X 2
0 0 X 0 3 3 X 3 2 2 X 2

let ring
228
1 1 0 (0)
Guitar 1Guitar 1

let ring 2 2 1 (1)


228 3 2 (2)
3 2 (2)
1 1 1 0 (0)
2 2 1 (1)
3 2 (2)
3 2 (2)
1 0 (0)

let ring
13 12 (12)
13 12
Guitar 2Guitar 2

let ring14 13
15 14
13 12 (12)
13 12
14 13
15 14
3 3

1 1 1 0 (0)
1 3 1 X 1 0 3 (0)
Guitar 3Guitar 3

2 2 X 2 1 (1)
3 3 X 3 2 (2)
1 1 1 0 (0)
1 1 X 1 0 (0)
2 2 X 2 1 (1)
3 3 X 3 2 (2)

Light distortion

10 10 10 8
Guitar 4Guitar 4

Light distortion 10 9

10 10 10 8
10 9

B E T W E E N T H E B UR I E D AN D ME 40 Revolution in Limbo
J'' (7:02)
let ring
231
6 6 6 6
Guitar 1

7 7 7 7
7 7 7 7
5 0 4 5 0 8 5 0 4 5 0 8

Light distortion steady


Fingerstyle gliss.
10 9 10 12 10 12 16 17 15 13 12 13 12 13 10 (10) 13 12
Guitar 2

7 6 7 9 7 9 13 14 12 10 9 10 9 10 7 (7) 10 9

3 3 3 3

6 6 6 6 6 6 6 6 6 6 6 6
Guitar 3

7 7 X 7 7 7 X 7 7 7 X 7 7 7 X 7
7 7 X 7 7 7 X 7 7 7 X 7 7 7 X 7
5 5 X 5 5 5 X 5 5 5 X 5 5 5 X 5

*Play first time only.


Guitar 4

10 (10)

1.
let ring
235
7 7 7 7 7 7 7 7
Guitar 1

8 8 8 8 8 8 8 8
7 7 7 7
6 0 6 0 6 0 6 0

steady
gliss.
11 10 11 14 15 17 17 18 17 15 14 15 14 10 17 (17) 10 13
Guitar 2

8 7 8 11 12 14 14 15 14 12 11 12 11 7 14 (14) 7 10

3 3 3 3

7 7 7 7 7 7 7 7 7 7 7 7
Guitar 3

8 8 X 8 8 8 X 8 8 8 X 8 8 8 X 8
7 7 X 7 7 7 X 7 7 7 X 7 7 7 X 7
6 6 X 6 6 6 X 6 6 6 X 6 6 6 X 6

2.
let ring
239
7 7 7 7 7 7 7 7
Guitar 1

8 8 8 8 8 8 8 8
7 7 7 7
6 0 6 0 6 0 6 0

steady
gliss.
11 10 11 14 15 17 17 18 17 15 14 15 14 10 17 (17) 10 13
Guitar 2

8 7 8 11 12 14 14 15 14 12 11 12 11 7 14 (14) 7 10

3 3 3 3

7 7 7 7 7 7 7 7 7 7 7 7
Guitar 3

8 8 X 8 8 8 X 8 8 8 X 8 8 8 X 8
7 7 X 7 7 7 X 7 7 7 X 7 7 7 X 7
6 6 X 6 6 6 X 6 6 6 X 6 6 6 X 6

B E T W E E N T H E B UR I E D AN D ME 41 Revolution in Limbo
let ring
243
5 5 5 5 5 5
Guitar 1

5 5 5 5 6 6
7 7 5
8 5 8 5 9 5

11 12 (12) 17 20 20 21 (21) 15
Guitar 2

8 9 (9) 14 17 17 18 (18) 12

5 5 5 5 5 5 5 5 5
Guitar 3

5 5 X 5 5 5 X 5 6 6 X 6
7 7 X 7 7 7 X 7 5 5 X 5
7 7 X 7 7 7 X 7 7 7 X 7

let ring let ring


246
5 5 6 6
Guitar 1

6 6 7 7
5 7 7
5 0 4 5 0 8
9 5

(15) (15) 9 10 (10)


Guitar 2

(12) (12) 6 7 (7)

5 5 5 6 6 6 6 6 6
Guitar 3

6 6 X 6 7 7 X 7 7 7 X 7
5 5 X 5 7 7 X 7 7 7 X 7
7 7 X 7 5 5 X 5 5 5 X 5

let ring
249
6 6
Guitar 1

7 7
7 7
5 0 4 5

steady
gliss.
(10) 13 15 13 12 10 (10)
Guitar 2

(7) 10 12 10 9 7 (7)

6 6 6 6
Guitar 3

7 7 X 7 7
7 7 X 7 7
5 5 X 5 5

B E T W E E N T H E B UR I E D AN D ME 42 Revolution in Limbo
(7:36)
let ring
251
1 1 1 1
3 3 3 3 3 3 3 3
Guitar 1

3 3 3 3 2 2
5 5 0 0
5 5 0 0
3 3

Clean
End fingerstyle
let ring
15 (15) 13 (13)
15 15
Guitar 2

15 14
17 15

3 3
3 3 3 3 3 3 1 1 1 1 1 1
3 3 X 3 3 3 X 3 3 3 X 3 3 3 X 3
Guitar 3

3 3 X 3 3 3 X 3 2 2 X 2 2 2 X 2
5 5 X 5 5 5 X 5 0 0 X 0 0 0 X 0

let ring
255
1 1 1 1
3 3 3 3 3 3 3 3
Guitar 1

3 3 3 3 2 2
5 5 0 0
5 5 0 0
3 3

let ring
18 (18) 17 (17)
15 15
Guitar 2

15 14
17 15

3 3
3 3 3 3 3 3 1 1 1 1 1 1
3 3 X 3 3 3 X 3 3 3 X 3 3 3 X 3
Guitar 3

3 3 X 3 3 3 X 3 2 2 X 2 2 2 X 2
5 5 X 5 5 5 X 5 0 0 X 0 0 0 X 0

let ring
let ring let ring
259
1 1 2 2 1 1 0 (0)
Guitar 1

2 2 2 2 2 2 1 (1)
3 2 3 2 (2)
3 0 3 2 (2)
1 0 1 0 (0)

let ring
13 17 13 12 (12)
13 14 13 12
Guitar 2

14 14 14 13
15 14 15 14

3 3 3 3

1 1 1 0 0 0 1 1 1 0 (0)
1 1 X 1 2 2 X 2 1 1 X 1 0 (0)
Guitar 3

2 2 X 2 2 2 X 2 2 2 X 2 1 (1)
3 3 X 3 2 2 X 2 3 3 X 3 2 (2)

B E T W E E N T H E B UR I E D AN D ME 43 Revolution in Limbo
E' (7:54)
= 165
264
0 (0) 0 (0) 3 (3)
1 (1) 1 (1) 0 (0)
Guitar 3

2 (2) 1 (1) 0 (0)


2 (2) 2 (2) 0 (0)

270
2 2 1 0 3 1
3 1 1 0 0 3
Guitar 3

2 2 2 1 0 1
0 0 3 2 0 0

E (8:11)
Distortion
End fingerstyle
276
5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5
Guitar 1

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
7 7 7 7 7 7 7 7 6 6 6 6 6 6 6 6
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
5 5 5 5 5 5 5 5 4 4 4 4 4 4 4 4

Acoustic
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
Guitar 2

2 2 2 2 2 2 2 2 2 2 2 2 1 1 1 1 1 1 1 1 1 1 1 1
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2

280
3 3 3 3 3 3 3 3 2 2 2 2 2 2 2 2
3 3 3 3 3 3 3 3 3 3 3 3 1 1 1 1
Guitar 1

0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2
3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3 3 3 3 3 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 3 3 3 3 3 3 1 1 1 1 1 1
Guitar 2

0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

B E T W E E N T H E B UR I E D AN D ME 44 Revolution in Limbo
284
1 1 1 1 0 0 0 0 3 3 3 3 4 4 4 4
1 1 1 1 0 0 0 0 3 3 3 3 6 6 6 6
Guitar 1

2 2 2 2 1 1 1 1 4 4 4 4 4 4 4 4
3 3 3 3 2 2 2 2 5 5 5 5 6 6 6 6
3 3 3 3 2 2 2 2 5 5 5 5 5 5 5 5
1 1 1 1 0 0 0 0 3 3 3 3 4 4 4 4

1 1 1 1 1 1 0 0 0 0 0 0 3 3 3 3 3 3 1 1 1 1 1 1
1 1 1 1 1 1 0 0 0 0 0 0 0 0 0 0 0 0 3 3 3 3 3 3
Guitar 2

2 2 2 2 2 2 1 1 1 1 1 1 0 0 0 0 0 0 1 1 1 1 1 1
3 3 3 3 3 3 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0

(8:29)
288
5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5
Guitar 1

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
7 7 7 7 7 7 7 7 6 6 6 6 6 6 6 6
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
5 5 5 5 5 5 5 5 4 4 4 4 4 4 4 4

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
Guitar 2

2 2 2 2 2 2 2 2 2 2 2 2 1 1 1 1 1 1 1 1 1 1 1 1
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2

Distortion
P.M.

12 13 15 17 17
Guitar 3

14 16 17 16 16 9 (9) 13
14 14
12 15 15

292
3 3 3 3 3 3 3 3 2 2 2 2 2 2 2 2
3 3 3 3 3 3 3 3 3 3 3 3 1 1 1 1
Guitar 1

0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2
3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3 3 3 3 3 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 3 3 3 3 3 3 1 1 1 1 1 1
Guitar 2

0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

17 18 (18) 17 (17) 15 12 12 (12) 12 13 15 (15) 13 12 13 10 (10) (10) (10) 5 3


Guitar 3

Distortion
10 (10) (10)
15 13 12 8 8 (8) (8) 7 5 8 10
Guitar 4

B E T W E E N T H E B UR I E D AN D ME 45 Revolution in Limbo
296
1 1 1 1 0 0 0 0 3 3 3 3 4 4 4 4
1 1 1 1 0 0 0 0 3 3 3 3 6 6 6 6
Guitar 1

2 2 2 2 1 1 1 1 4 4 4 4 4 4 4 4
3 3 3 3 2 2 2 2 5 5 5 5 6 6 6 6
3 3 3 3 2 2 2 2 5 5 5 5 5 5 5 5
1 1 1 1 0 0 0 0 3 3 3 3 4 4 4 4

1 1 1 1 1 1 0 0 0 0 0 0 3 3 3 3 3 3 1 1 1 1 1 1
1 1 1 1 1 1 0 0 0 0 0 0 0 0 0 0 0 0 3 3 3 3 3 3
Guitar 2

2 2 2 2 2 2 1 1 1 1 1 1 0 0 0 0 0 0 1 1 1 1 1 1
3 3 3 3 3 3 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0

5 6 5 6 10 9 9 10 12 12 12 13 15 15 12 (12)
Guitar 3

0 1 0 1 5 8 9 (9)
Guitar 4

½ ½
P.M.
300
13 10 9
Guitar 1

10 9 8 7
10 9 7 6 7 9 10
8 7 5 7 8

3 3
½
Distortion
Guitar 2

10 7 6
8 7 6 5 7 8 11 12
8 7 5

let ring
303
0
4
Guitar 1

9 10 13 14 5
12 6
0

Acoustic
let ring
0
4
Guitar 2

5
9 10 12 12 10 6

B E T W E E N T H E B UR I E D AN D ME 46 Revolution in Limbo
Fix the Error

G U I TA R S : C F B E G C
= 165
BANJO: C F B E G C
A (0:00) = 165
gtrs. 1 & 2 unison through measure 45 *Chord fades
M out
ANDOLIN: E A D G B E
A (0:00)
Distortion gtrs. 1 & 2 unison through measure 45 *Chord fades out
1
Distortion
1
Guitar 1

7 (7) (7) (7) (7) (7) (7) (7)


5 7 (5) (7) (5)(7) (7) (5) (7) (5) (7) (5) (7) (5) (7) (5)
5 (5) (5) (5) (5) (5) (5) (5)

9

Guitar 1


Guitar Guitar 2

21
1

6 (6)
7 (7) 7 (7) 7 (7) 5 (5)
7 (7) 6 (6) 5 (5) 4 (4)
5 (5) 5 (5) 5 (5) 5 (5)

29
Guitar 1

7 5 6 7 5 6 7
5 3 4 5 3 4 5

B E T W E E N T H E B UR I E D AN D ME 47 Fi x the Error
B (0:43)
P.M. P.M.
31
Guitar 1

7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

P.M. P.M.
33
Guitar 1

6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

P.M. P.M.
35
Guitar 1

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

1.
P.M. P.M.
37
Guitar 1

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

2.
39
Guitar 1

5 5 4
7 5 6 7 5 6 7 3 3 2 5 6
5 3 4 5 3 4 5 3 4

(1:06)
41
Guitar 1

5
3 3 5 7 8 8 8 3 3 3
1 3 5 6 6 6 1 1 1

44
Guitar 1

5 (5)
3 (3) 7 5 6 7 5 6
5 3 4 5 3 4

Distortion
Guitar 2

7
5

B E T W E E N T H E B UR I E D AN D ME 48 Fi x the Error
C (1:15)
gtrs. 1 & 2 unison through measure 90
P.M. P.M. P.M.
47
Guitar 1

7 5 6 7 7 7 7 7 7 7 7 5 6 7 7 7 7 7 7 7 7 5 6 7 7 7 7 7 7 7
5 3 4 5 5 5 5 5 5 5 5 3 4 5 5 5 5 5 5 5 5 3 4 5 5 5 5 5 5 5

= 160 3x
50
Guitar 1

7 5 6 7 5 6 7 5 6
5 3 4 5 3 4 5 3 4


D Drum Solo (1:30)
52
Guitar 1

7 (7)


5 (5)
Guitar 2

(2:18)
let ring
84
3
5
Guitar 1

3
5 5 4 5 5
7 5 6 7 5 6 7 3 3 2 5 6 3 3 5 7 8 8 8 3 3 3 3
5 3 4 5 3 4 5 3 4 1 3 5 6 6 6 1 1 1

E (2:29)
P.M.
91
Guitar 1

14 14 15 15 14 14 12 12 14 14
10 15 15 15 15 15 15 14 14 15 15
8 8 8 8 8 15 15 15 15 13 13

P.M. P.M. P.M.


Guitar 2

10 10 12 10
8 8 8 8 8 12 8 8 8 8 8 8 8 8 8 8 8 8 10 10 12 12 7

Banjo (adapted for gtr.)


let ring
1 0
1 1 3 1
Banjo

2 2 2 3 3 0
0 2 3 3 0 2 3 0 2

Mandolin (adapted for gtr.)


14 15 14 14
Mandolin

15 15 15 15 15 15 15 14 15 17
14 14
17

B E T W E E N T H E B UR I E D AN D ME 49 Fi x the Error
P.M.
93
13 13
Guitar 1

14 14 15 15 14 14 12 12
10 15 15 15 15 15 15 14 14 15 15
8 8 8 8 8 15 15 15 15 13 13

P.M. P.M. P.M.


Guitar 2

10 10 12 10
8 8 8 8 8 12 8 8 8 8 8 8 8 8 8 8 8 8 10 10 12 12 7

let ring
1 0
1 1 3 1
Banjo

2 2 2 3 3 0
0 2 3 3 0 2 3 0 2

14 15 14 17
Mandolin

15 15 15 15 15 15 15 14 15 17
14 14
17

95
12 12 13 13 12 12
15 15 15 15 13 13 10 10
Guitar 1

14 14 10 10 14 14 10 10 12 12 12 12 9 9 10 10 12 12
Guitar 2

7
5 8 5 5 7 3
8 8 6 5 3 5 6

let ring
1 0
3 3 3 1 1
Banjo

2 2 2 2 0 2 0 0 0
0 0 0 0 2 2

19 19 21 22 21 17 14
Mandolin

19 19 17 14 15 17
19 19

B E T W E E N T H E B UR I E D AN D ME 50 Fi x the Error
97
12 12 13 13 12 12
15 15 15 15 13 13 10 10
Guitar 1

14 14 10 10 14 14 10 10 12 12 12 12 9 9 10 10 12 12

P.M. P.M.
Guitar 2

7
5 5 5 5 5 8 5 5 5 5 5 7 3
8 8 6 5 3 5 6

let ring
1 0
3 3 3 1 1
Banjo

2 2 2 2 0 2 0 0 0
0 0 0 2 2

19 19 21 22 21 17 14
Mandolin

19 19 17 14 15 17
19 19

F (2:50)
99
17 18 17
18 15 17 18 15 15 18
Guitar 1

17 15 14 14 15 17
19 17 15 17

3 3 3 3 3 3

15 17 18 18 22
Guitar 2

14 12 14 12 14 17 15 14 15 17
12 15 12
13

3 3 3 3 3 3
Distortion

6 5
Guitar 3

7 5
8 7 5
8 7 5
6 5 3

102
12 15 12 15 18 15 21 24 (24) (24)
17 13
Guitar 1

12 15
14
15

3 3 3 3

20 (20) (20)
Guitar 2

8 8
7 10 7
8 9

3 3

P.M.

5
Guitar 3

3
5 5 5 5
3 3 3 3 1 1 1 4
3 3 3 3 3 3 3 3

3 3

B E T W E E N T H E B UR I E D AN D ME 51 Fi x the Error
G (2:59)
105
18
Guitar 1

14 15 17
15 (15) (15) 10

15
Guitar 2

10 12 14
12 (12) (12) 7

let ring
5 5 6 6
6 6 6 6
Guitar 3

7 7 7 7
7 7 7 7 7 7 8 8 8 8 8 8
5 5 5 5 8 8 8 8
5 5 5 5 6 6 6 6

Distortion

17 13 13 17 13 22 17 17 22 17 18 13 13 18 13 22 18 18 22 18
15 15 18 18 15 15 18 18
Guitar 4

14 19 15 19

let ring
1
3 3 3 3
Banjo

2 2 2 3 3 3 3
0 0 3 3

107
Guitar 1

14 15 17 12 14
14
Guitar 2

10 12 (12) 14 9 10
10

let ring
8 8
10 10 8 8
Guitar 3

10 10 9 9
10 10 10 10 10 10 10 10 10 10 10 10
8 8 8 8 10 10 10 10
8 8 8 8 8 8 8 8

17 13 13 17 13 20 17 17 20 17 20 15 15 20 15 24 20 20 24 20
13 13 18 18 17 17 20 20
Guitar 4

14 17 17 21

let ring
1 0
1 1 1 1
Banjo

2 2 2 0 0 0
3 3 2 2

B E T W E E N T H E B UR I E D AN D ME 52 Fi x the Error
109
15 17 18 20 (20) 20 22
Guitar 1

14 15

12 13
11 (11) 13 13 15
Guitar 2

10 12

let ring
10 10 5 5
11 11 6 6
Guitar 3

12 12 7 7
12 12 12 12 12 12 7 7 7 7 7 7
10 10 10 10 5 5 5 5
10 10 10 10 5 5 5 5

18 15 15 18 15 22 18 18 22 18 17 13 13 17 13 22 17 17 22 17
15 15 20 20 15 15 18 18
Guitar 4

15 19 14 19

let ring
3 1
3 3 3 3
Banjo

3 3 3 2 2 2
0 0 0 0

111
20 (20) 13 11 14
Guitar 1

12 (12) (12)
11
Guitar 2

12 12

let ring P.M. P.M.

5 5
Guitar 3

3 3
5 5 5 5 5 5 5 8
3 3 3 3 4 4 4 4 4 7 7 7 7 7
3 3 3 3

18 20 18 15 15 18 20 24 20 18 15 15 18 20 18 21 18 15 15 18 21 24 21 18 15 15 18 21
17 17 17 17
Guitar 4

let ring
0
1 1 2 5
Banjo

3 3 3 3 3 6 6
2 2 2 5

B E T W E E N T H E B UR I E D AN D ME 53 Fi x the Error
113
18
Guitar 1

14 15 17
15 (15) 10

15
Guitar 2

10 12 14
12 (12) (12) 7

5 5 6 6
6 6 6 6
Guitar 3

7 7 7 7
7 7 7 7 8 8 8 8
5 5 5 5 8 8 8 8
5 5 5 5 6 6 6 6

17 13 13 17 13 22 17 17 22 17 18 13 13 18 13 22 18 18 22 18
15 15 18 18 15 15 18 18
Guitar 4

14 19 15 19

let ring
1
3 3 3 3
Banjo

2 2 2 3 3 3 3
0 0 3 3

115
Guitar 1

14 15 (15) 17 12 14
14
Guitar 2

10 12 (12) 14 9 10 (10)
10

8 8
10 10 8 8
Guitar 3

10 10 9 9
10 10 10 10 10 10 10 10
8 8 8 8 10 10 10 10
8 8 8 8 8 8 8 8

17 13 13 17 13 20 17 17 20 17 20 15 15 20 15 24 20 20 24 20
13 13 18 18 17 17 20 20
Guitar 4

14 17 17 21

let ring
1 0
1 1 1 1
Banjo

2 2 2 0 0 0
3 3 2 2

B E T W E E N T H E B UR I E D AN D ME 54 Fi x the Error
117
15 (15) 17 18 20 (20) 20 22
Guitar 1

14 15

12 13
11 11 13 13 15
Guitar 2

12

3 3 5 5
3 3 6 6
Guitar 3

3 3 7 7
5 5 5 5 7 7 7 7
5 5 5 5 5 5 5 5
3 3 3 3 5 5 5 5

18 15 15 18 15 22 18 18 22 18 17 13 13 17 13 22 17 17 22 17
15 15 20 20 15 15 18 18
Guitar 4

15 19 14 19

let ring
3 1
3 3 3 3
Banjo

3 3 3 2 2 2
0 0 0 0

119
20 (20) 13 11 14
Guitar 1

12 (12) (12)
11
Guitar 2

12 12

P.M. P.M.

5 5
Guitar 3

3 3
5 5 5 5 5 8
3 3 3 3 4 4 4 4 4 7 7 7 7 7
3 3 3 3

18 20 18 15 15 18 20 24 20 18 15 15 18 20 18 21 18 15 15 18 21 24 21 18 15 15 18 21
17 17 17 17
Guitar 4

let ring
0
1 1 2 5
Banjo

3 3 3 3 3 6 6
2 2 2 5

B E T W E E N T H E B UR I E D AN D ME 55 Fi x the Error
= 158 = 155
121
22 17
18
Guitar 1

19 18 15 16 12
17 15 18 18 15 15
17 14 13

3 3 3
*Last two notes
right channel only.
Guitar 2

3 9 6 5
5 0 2 8 5 7 7
3 0 4 10 7 9 6 5 4

H (3:26)
*Last three notes * * * * * *
doubled with banjo.
P.M. P.M. P.M. P.M. P.M. P.M. P.M. let ring
123
0
Guitar 1

0 0 0 0
0 3 0 3 0 3 6
5 2 1 5 2 1 5 2 1 5 2
5 1 4 3 5 1 4 3 5 1 4 3 5 1 4

P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.


Guitar 2

0 0 0
0 3 0 3 0 3 6
5 2 1 5 2 1 5 2 1 5 2 5 4
5 1 4 3 5 1 4 3 5 1 4 3 5 1 4

*Notes in this measure doubled


with banjo on last repeat.

127
let ring 3x P.M.

0 0
Guitar 1

0 0
6 6
8 2 2 2 2 2 2 2
7 (7) 6 (6) 1 1 1 1 1 1 1

3 3 3 3

P.M. P.M.
Guitar 2

6 6
5 4 5 4 5 2 2 2 2 2 2 2
4 (4) 3 1 1 1 1 1 1 1

3 3 3 3

I (3:46)
gtrs. 1 & 2 unison through measure 139 steady
gliss.
P.M. PH
let ring P.M. P.M.
130
Guitar 1

1 7 10
0 6 6 6 6 6 6 6 9
3 2 2 1 2 2 2 2 2 5 5 5 5 5 5 5 5 11 8
1 0 1 4 3 1 1 1 1 1 1 4 4 4 4 4 4 4 10 3

B E T W E E N T H E B UR I E D AN D ME 56 Fi x the Error
steady PH
P.M. let ring P.M. P.M. gliss.
134
Guitar 1

1 7 10
0 6 6 6 6 6 6 6 9
3 3 3 3 3 3 2 1 2 2 2 2 2 5 5 5 5 5 5 5 5 11 8
1 1 1 1 1 1 1 4 3 1 1 1 1 1 1 4 4 4 4 4 4 4 10 3

*Last three notes left channel ½


let ring only on first repeat. let ring
138
0 (0) 4
Guitar 1

0 3 7 6 1 (1) 0
3 6 6 5 3 0 (0) 0 3
5 5 1
4 4 3 1

½
let ring P.M.
Guitar 2

1 (1)
3 0 (0)
5 1
4 3 1 1

H (4:20)
P.M. P.M. * * * P.M. P.M. * * * P.M. P.M. * * *
142
Guitar 1

0 0 0
0 3 0 3 0 3
5 2 1 5 2 1 5 2 1
5 1 4 3 5 1 4 3 5 1 4 3

P.M. P.M. P.M. P.M. P.M. P.M.


Guitar 2

0 0 0
0 3 0 3 0 3
5 2 1 5 2 1 5 2 1
5 1 4 3 5 1 4 3 5 1 4 3

let ring
145
P.M. 4x 3x
0 0 0
Guitar 1

0 0 0
6 6 6
5 2
5 1 4

3 3 3

P.M. P.M.
Guitar 2

6 6 6
5 2 5 4 5 4 5 4
5 1 4

3 3 3

B E T W E E N T H E B UR I E D AN D ME 57 Fi x the Error
J (4:49)
P.M. P.M. P.M. P.M.
147
Guitar 1

0 7
5 2 1 2 6 9 6 9
4 3 3 4 3 2 4 7

3 3 3 3 3 3

P.M. P.M. P.M.


Guitar 2

6 2 7 9
5 4 1 0 6 9
1 3 4 1 3 1 5 7

3 3 3 3 3 3

150
Guitar 1

9
9
6 10 7
7 7 7
Guitar 2

6 7 9 2
7 0

PHOTO BY RANDY EDWARDS

B E T W E E N T H E B UR I E D AN D ME 58 Fi x the Error
Never Seen/Future Shock

= 220 C F B E G C

A (0:00) = 220
Distortion
1
A (0:00)
Distortion
1
Guitar 1

2 (2) (2) (2)


0 2
(0)(2) (2)
(0) (2)
(0)
0 (0) (0) (0)

Distortion w/ phaser
P.M.
Guitar 2

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

5
Guitar 1

(2) (2) (2) (2)


(0) (0) (0) (0)

P.M.
Guitar 2

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

B E T W E E N T H E B UR I E D AN D ME 59 Never S een/Future S hock


B (0:15)
gtrs. 1 & 2 unison through measure 28
P.M. P.M. P.M.
9
Guitar 1

10 10 10 9 14 14 14 13
X X X X X X X X
8 8 8 7 12 12 12 11 5
0 0 0 1 1 1 0 0 0 0 0 4 0 5 7

½
P.M. P.M.
11
6
Guitar 1

10 10 10 9 7 4 0
X X X X 6
8 8 8 7
0 0 0 1 1 1 0 0 0 0 0 4 (4) 5

P.M. P.M. P.M.


13
Guitar 1

10 10 10 9 14 14 14 13
X X X X X X X X
8 8 8 7 12 12 12 11 5
0 0 0 1 1 1 0 0 0 0 0 4 0 5 7

full
P.M.
15
Guitar 1

8 8 8 8 0
7 7 7 7 7 3
6 6 6 6 6 7 3 4
0 0 0 1 1 1 0 4 5

C (0:45)
*PM first note
on first repeat only.
P.M.
P.M. P.M. P.M.
17
Guitar 1

0
7 5 7 7 7 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 6

1.
P.M. P.M. P.M. P.M.
19
Guitar 1

7 7 7
6 6 6 6 6 6 3 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 3

2.
P.M. P.M. P.M. P.M. P.M. P.M.
21
Guitar 1

6
3 3 5 5
1 1 1 1 1 1 1 1 1 1 4 4 4 4 4 4 4 4

B (1:01)
P.M. P.M. P.M.
23
Guitar 1

10 10 10 9 14 14 14 13
X X X X X X X X
8 8 8 7 12 12 12 11 5
0 0 0 1 1 1 0 0 0 0 0 4 0 5 7

B E T W E E N T H E B UR I E D AN D ME 60 Never S een/Future S hock


1.
½
P.M. P.M.
25
6
Guitar 1

10 10 10 9 7 4 0
X X X X 6
8 8 8 7
0 0 0 1 1 1 0 0 0 0 0 4 (4) 5

2.
full
P.M.
27
Guitar 1

8 8 8 8 0
7 7 7 7 7 3
6 6 6 6 6 7 3 4
0 0 0 1 1 1 0 4 5

C' (1:16)
*PM first note
on first repeat only.
P.M.
P.M. P.M. P.M.
29
Guitar 1

0
7 5 7 7 7 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 6

phaser off
P.M. P.M. P.M. P.M.
8 12 8 8 12 8
10 10 10 10 10 10 10 10
Guitar 2

9 9 9 9 9 9
7 10 10 10 7 10 10 10

1.
P.M. P.M. P.M. P.M.
31
Guitar 1

7 7 7
6 6 6 6 6 6 3 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 3

8 11 8 11 14 11 14 17 14 17 20 17
10 10 10 13 13 13 16 16 16 19 19 19
Guitar 2

8 11 14 17

2.
P.M. P.M. P.M.
33
Guitar 1

6 6 6 6 6 6 6 6
3 3 3 3 3 3 3 3 3 3 3 3 5 5 5 5 5 5 5 5
1 1 1 1 1 1 1 1 1 1 1 1 4 4 4 4 4 4 4 4 4

13 8 8 13 16 13 12 13 16 13 10 13 10
9 9 13 12 15 15 15 15 12 12 12
Guitar 2

10 13 13 10

B E T W E E N T H E B UR I E D AN D ME 61 Never S een/Future S hock


D (1:31)
= 215 full
P.M. P.M. P.M. P.M. P.M. P.M. P.M.
35
Guitar 1

10 12 13 16 10
X X X X X
2 8 10 11 14 5 10 2 8
0 1 0 1 0 4 0 0 7 4 0 7 0 1 0

full
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
Guitar 2

7 9 10 13 7
X X X X X
2 5 7 8 11 5 10 2 5
0 1 0 1 0 4 0 0 7 4 0 7 0 1 0

Distortion
*Last note of gtr. 2 lead,
play first time only.

12 17
Guitar 3

P.M.
P.M. P.M. P.M. P.M. P.M. let ring let ring
40
0 0
6 6 6 6
Guitar 1

12 13 7 5 7 7 7 7
X X X X 6 7 7 8
10 11 5 3 X 5
1 0 1 0 0 0 4 0

*Doubled with acoustic (measures 43 & 44)


P.M. P.M. P.M. P.M. P.M. P.M. let ring let ring
0 0
6 6 6 6
Guitar 2

9 10 7 5 7 7 7 7
X X X X 6 7 7 8
7 8 5 3 X 5
1 0 1 0 0 0 4 0

E (1:53)
= 210
P.M.
45
10 8 7 8 7
10 13 8
Guitar 1

7 9 9 7 10 9 12 5 7 7 5 7
7 9 10 10 7 5 7 9 7 5

P.M. P.M. P.M. P.M.


Guitar 2

7 5 4 5 4
7 10 5
5 7 7 5 8 7 10 3 5 5 3 5
5 7 8 8 5 3 5 7 5 3

B E T W E E N T H E B UR I E D AN D ME 62 Never S een/Future S hock


48
12
6 8 10 10 8 10
Guitar 1

7 9 10 12 10 10 9
9

P.M. P.M. P.M.


Guitar 2

7 8 10
3 5 5 7 7 8
6 5 8 6 10 8

steady
gliss.
51
13 12
8 10 10 13 12 13 13 10 (10)
Guitar 1

7 9 10
Guitar 2

5 3 5 (5)
5 (5) 5 7 3 (3) 3 5

F (2:04)
= 110
Acoustic
Fingerstyle
let ring
let ring let ring
54
8 10 10 10 8 10 8 10 8 10 10 8 10 (10)
Guitar 1

9 10 10 10 9 10 9 10 9 10 10 9 10 (10)
0 0 0 0 0 0 10 0 0 0

Acoustic
Fingerstyle
7 8 7
6 5 8 6 5 6 6 8 6 5 8 6 5
Guitar 2

7 5 7 7 7 5 7

let ring
57
let ring 3
5 6 5 3 0 0 0
1

57
Guitar

3 5 0 4 5 7
5 6 5 3 0 0 0
1

3 2
Guitar

5 0 4 3 5 5 7 7 3
3 2
3 5 7 3

letlet ring
ring
let 8ring 12 8 10 12 8
2

9 12 0 0 0
Guitar

8 12 9
8 10
10 12
12 9
8
2

7 9 10 12 0 0 0
Guitar

9 10 12 9
7 10

B E T W E E N T H E B UR I E D AN D ME 63 Never S een/Future S hock


G (2:26)
Distortion
End fingerstyle
P.M.
P.M.
59
Guitar 1

10 8 7 10 8 7 8 7
7 8 7 8 10 10 10 10
6 8 10 10 8 (8) 8

Distortion
End fingerstyle
P.M. P.M.
Guitar 2

10 8 7 10 8 7 8 7
7 8 7 8 10 10 10 10
6 8 10 10 8 (8) 8

P.M. P.M.
61
Guitar 1

10 12
14 12 10 X X
10 12 10 12 13 13 12 10 15 0 8 0 10
10 12 13 13 12 (12) 12 0 0

3 3

P.M. P.M. P.M. P.M.


Guitar 2

10 12
10 8 7 X X
7 8 7 8 10 10 8 7 10 0 8 0 10
6 8 10 10 8 (8) 8 0 0

3 3

H (2:35)
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
63
Guitar 1

7 9 7 7 10 7 9 10 9 7 7 9 7
X X X X X X X X X 10 8 7 10 10 7 5 X
5 7 0 5 5 0 8 0 5 0 7 0 8 7 0 5 5 0 7 0 X 0 X 0 10 10 0 8 7 0 5
0 0 0 0 0 0 0 0 8 6 0 5 0 8 8 0 0

*Slide in first time only. ½

20 17 18 17 (17) (17) 16 17 15 (15)


18 15 17 18 17 15
Guitar 2

13 10 11 10 (10) 9 10 8 (8)
Guitar 3

10 7 9 10 9 7

B E T W E E N T H E B UR I E D AN D ME 64 Never S een/Future S hock


P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
67
Guitar 1

7 9 7 7 10 7 9 10 9 7 7 9
X X X X X X X X X X 10 8 7 10 10 8 7 8 8
5 7 0 5 5 0 8 0 5 0 7 0 8 7 0 5 5 0 7 0 X 0 X 0 10 10 0 10 8 0 8 8
0 0 0 0 0 0 0 0 8 6 0 5 0 8 8 0 0 6 6

20 17 18 17 (17) (17)
18 15 17 18 17 15
Guitar 2

14 14 17 (17) 17

13 10 11 10 (10)
Guitar 3

10 7 9 10 9 7
7 7 10 (10)

71
1 (1) 1 1 1
Guitar 1

0 (0) 0 0 0
8 2 (2) 2 2 2
8 3 (3) 3 3 3
6 3 (3) 3 3 3

12 13 12 12 15 13 12 12 14 15 15 17 17 20
11 13 15 15 15 15 13 (13) 13 15 17
Guitar 2

12

3
Guitar 3

(10)

*First repeat: legato slide to


octave at*First repeat:
beginning of legato
riff. slide to
P.M. octave at beginning of riff.
73
1 (1)
Guitar 1

0 (0) 10 12
8 2 (2) X X
8 3 (3) 8 0 10
6 3 (3) 0

*Hammer-on on second repeat.


*Hammer-on on second repeat.
* *
* * *
12 13 12 12 15 13 12 12
11 13 15 15 15 15 13 (13) 17 18 20
Guitar 2

12 15 17 19
15 17 19
15 17 19

3 6 6

B E T W E E N T H E B UR I E D AN D ME 65 Never S een/Future S hock


I (3:27)
= 215
75
5 3 (3)
6 5 3 (3)
Guitar 1

7 5 4 (4)
7 5 5 (5)
5 3 5 (5)
5 3 (3)

18 17 (17)
Guitar 2

16 (16) 16 19 17 16 16 17 16 14 16
17 17
17

77
0
0 3 (3)
Guitar 1

0 2 (2)
7 2 0 (0)
7 2 X
5 0 2 (2)

17 19 (19) 19 21 19 17 15 15 17
Guitar 2

17 16 (16) 14

79
5 3
6 3
Guitar 1

7 5 4
7 5 7 5
5 3 7 5
5 3 5 3

20 17
17 18 17 (17) 17
Guitar 2

17 16 16 17 16 14 12 12 14

81
6
6
Guitar 1

7 13
8 X
8 11
6 0 0 4 5 7 0

17 18 20 22 20 18 24 (24) (24) (24)


17 18 20
Guitar 2

14 15 14 15 17 19
14 15 17
4 5 7 0

6 6

B E T W E E N T H E B UR I E D AN D ME 66 Never S een/Future S hock


J (3:45) 1. 2.
= 210
P.M.
P.M. P.M. P.M. P.M.
83
Guitar 1

11 11 12 11 11 12 15 11 10 9 8
X X X X X X X X
5 9 9 5 10 5 5 5 5 5 9 9 5 10 5 6 13 9 8 7 6
5 5 5 5 5 5 5 5 5 6

P.M. P.M. P.M. P.M. P.M.


Guitar 2

7 7 8 7 7 8 11 8 7 6 5
X X X X X X X X X
5 5 5 5 6 5 5 5 5 5 5 5 5 6 5 6 9 6 5 4 3
5 5 5 5 5 5 5 5 5 6

= 185
grad. grad.
= 205 bend release
½
P.M. P.M. P.M. P.M. = 200
88
Guitar 1

3 3 (3) 3
5 5 4 4 5 7 5 4 7
3 4 5 5 3 5 5 6 5 3 5

grad. grad.
bend release
½
P.M. P.M. P.M. P.M.
Guitar 2

3
5 5 4 4 5 7 5 4 7 5 (5) 5
3 4 5 5 3 5 5 6 5 3 5

D (4:01)
P.M. full
P.M. P.M. P.M. P.M. P.M.
94
Guitar 1

10 12 13 16
X X X X
8 10 11 14 5 10
0 1 0 1 0 4 0 0 7 4 0 7

full
P.M. P.M. P.M. P.M. P.M. P.M.
Guitar 2

7 9 10 13
X X X X
5 7 8 11 5 10
0 1 0 1 0 4 0 0 7 4 0 7

P.M.
P.M. P.M. P.M. P.M. P.M. P.M.
98
Guitar 1

10 12 13 7 5
X X X X X 6
8 10 11 5 3 X
0 1 0 1 0 1 0 0 0 4 0

P.M. P.M. P.M. P.M. P.M. P.M. P.M.


Guitar 2

7 9 10 7 5
X X X X X 6
5 7 8 5 3 X
0 1 0 1 0 1 0 0 0 4 0

B E T W E E N T H E B UR I E D AN D ME 67 Never S een/Future S hock


let ring
let ring P.M.
102
0 0 4 7
6 6 6 6 6
Guitar 1

7 7 7 7 7
7 7 8 5 6
5 5 8

*Doubled with acoustic (measures 102 & 103)


let ring let ring
0 0
6 6 6 6
Guitar 2

7 7 7 7 7
7 7 8 X 5 6
5 5 X X
3 4

K (4:26)
gtrs. 1 & 2 unison through measure 111
P.M.
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
105
Guitar 1

7 7 7 8 8 8 6 6 6 6 6 6 7 7 7 8 8 8 6 6 6 6 6 6
5 5 5 6 6 6 4 4 4 4 4 4 5 5 5 8 8 8 6 6 6 6 6 6
5 5 5 6 6 6 4 4 4 4 4 4 5 5 5 6 6 6 4 4 4 4 4 4

P.M. P.M. P.M.


109
Guitar 1

7 5 7 7
5 6 5 5 5 0 2 3 2 3 2 0 5 5
5 6 5 5 5 0 2 3 2 3 2 0 5 5

112
 full full

10
Guitar 1

12 (12)

 full full

14
17 (17)
Guitar 2

L (4:48)
117
Guitar 1

7 8 6 7
8 6
Guitar 2

5 6 4 5
6 4

B E T W E E N T H E B UR I E D AN D ME 68 Never S een/Future S hock


full full full full
P.M. P.M.
121
10 7
Guitar 1

12 (12) 9 (9)
7 4
X X X X X X
5 X X 2 X X

full full full full


P.M. P.M.

10 7
Guitar 2

12 (12) 9 (9)
7 4
X X X X X X
5 X X 2 X X

M (4:55)
123
13 11 10 17 14 12
10 12 13 10 11 12 11 12 13 15 15 15 14 15 13 13 11 11
Guitar 1

10 13 14 13 15 12 13 12 12 13 13 14 11 11 9 11
12 13 14 10 11 12 13

10 8 7 14 9 7
7 9 10 7 8 9 8 9 10 12 12 12 11 12 8 8 6 7
Guitar 2

7 10 11 10 12 9 10 9 9 10 10 9 6 6 5 7
9 10 11 6 7 8 9

gtrs. 1 & 2 unison through measure 138


P.M. P.M. P.M. P.M.
129
Guitar 1

7 6 9 8 7 6
8 5 6 7 7 5 X X X
5 6 5 5 5 0 2 3 2 3 2 0 6 5 4
5 6 5 5 5 0 2 3 2 3 2 0

P.M.
Guitar 2

5 4 7
6 3 4 5

N (5:17) 1. 2.
= 190
P.M.
P.M. P.M. P.M. P.M.
134
Guitar 1

7 8 11 7 8 4 8 4
5 6 5 5 3 5 6 5 3 6 9 3 5 6 5 5 3 5 6 5 3 6 X 3 6 5 3 6 X
5 6 5 5 3 5 6 5 3 6 9 3 5 6 5 5 3 5 6 5 3 6 2 3 6 5 3 6 2

gtrs. 1 & 2 unison through measure 144


P.M. P.M. P.M.
139
Guitar 1

7 8 11 7 8 4
5 3 5 6 5 3 6 9 3 5 6 5 5 3 5 6 5 3 6 X 3
5 3 5 6 5 3 6 9 3 5 6 5 5 3 5 6 5 3 6 2 3
Guitar 2

11
9 3
9 3

B E T W E E N T H E B UR I E D AN D ME 69 Never S een/Future S hock


P.M. P.M. P.M. P.M.
143
Guitar 1

7 8 11 7 8 11
5 6 5 5 3 5 6 5 3 6 9 3 5 6 5 5 3 5 6 5 3 6 9 0
5 6 5 5 3 5 6 5 3 6 9 3 5 6 5 5 3 5 6 5 3 6 9 0

P.M. P.M.
Guitar 2

7 8 11
5 6 5 5 3 5 6 5 3 6 9
5 6 5 5 3 5 6 5 3 6 9

O (5:42)
P.M. P.M. P.M. P.M.
147
Guitar 1

11 11 11 11
1 2 3 9 0 1 2 3 9 0 1 2 3 9 0 1 2 3 9 0
1 2 3 9 0 1 2 3 9 0 1 2 3 9 0 1 2 3 9 0

P.M.
Guitar 2

(11) (11) (11) 11


(9) (9) (9) 0 1 2 3 9 0
(9) (9) (9) 0 1 2 3 9 0

gtrs. 1 & 2 unison through measure 167 = 140 = 135


P.M. P.M.
151
10x
Guitar 1

11
1 2 3 9 0 1 2 3 2 3 2 3 1
1 2 3 9 0 1 2 3 2 3 2 3 1

P (6:02)
P.M. P.M. P.M. P.M. P.M. P.M. P.M.
154
Guitar 1

4 1 1 1 4 7 7 4 4 6 6 6 6 6 6 6 6 7
0 0 0 0 0 0 5 0 5 9 5 5 5 5 9 5 5 9 5

3 3

P.M. P.M. P.M. P.M. P.M.


157
Guitar 1

4 1 1 1 4 7 7 4 4 6 7 4 4 7 4 7
0 0 0 0 0 0 5 0 5 9 0 5 0 0 0

3 3 3 3 3
Q (6:23)
*Right channel only on first repeat.
*Right*channel
* only
* on first
* repeat
* *
* * * * * * *
P.M. P.M. P.M. P.M. P.M. P.M.
160
Guitar 1

8 7 8 8 11 8 8 7 6 7
X 0 0 X 0 X 0 X X X 2 2 2 2 2 X X 0 X X 2 2 2 2 1 1 1 1 1 1 1 1
6 0 0 5 0 6 0 6 9 6 0 0 0 0 0 6 5 0 4 5 0 0 0 0 0 0 0 0 0 0 0 0

B E T W E E N T H E B UR I E D AN D ME 70 Never S een/Future S hock


P.M. P.M. P.M. P.M. P.M. P.M. P.M.
164
Guitar 1

8 7 8 8 11 8 8 7 7 6 7
X 0 0 X 0 X 0 X X X 2 2 2 2 2 X X 0 X 0 X X 0 0 6 5 5
6 0 0 5 0 6 0 6 9 6 0 0 0 0 0 6 5 0 5 0 4 5 0 0 5 8 8

168
Guitar 1

7 6 7 9 10 14 15
8 7 8 11 12 11 12
Guitar 2

10
8 7 8 7 8 7 7
5 4 5 4 5 4 8
6 5 6 5 6 5

R (6:57)
= 125
Clean
171
15 15 15 15 15 15 15 15 15 15 14 14 14 14 14 14 14 14 14 14 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 14 14 14 14 14
Guitar 1

14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 10 10 10 10 10 14 14 14 14 14
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

*Chord fades out

3 (3) (3)
Guitar 2

2 (2) (2)
0 (0) (0)
0 (0) (0)

Acoustic

3 3 3 3 3 3 3 3 3 3 2 2 2 2 2 2 2 2 2 2 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 2 2 2 2 2
Guitar 3

2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

175
15 15 15 15 15 15 15 15 15 15 14 14 14 14 14 14 14 14 14 14 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 14 14 14 14 14
Guitar 1

14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 10 10 10 10 10 14 14 14 14 14
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

Distortion w/ delay & reverb grad.


bend
volume swells

-1 ½

15
15 (15) 18 (18) 17 14
Guitar 2

3 3 3 3 3 3 3 3 3 3 2 2 2 2 2 2 2 2 2 2 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 2 2 2 2 2
Guitar 3

2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

B E T W E E N T H E B UR I E D AN D ME 71 Never S een/Future S hock


179
15 15 15 15 15 15 15 15 15 15 14 14 14 14 14 14 14 14 14 14 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 14 14 14 14 14
Guitar 1

14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 10 10 10 10 10 14 14 14 14 14
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

grad.
bend

12 9
(14) (14) 11 10
Guitar 2

3 3 3 3 3 3 3 3 3 3 2 2 2 2 2 2 2 2 2 2 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 2 2 2 2 2
Guitar 3

2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

(7:31)
183
15 15 15 15 15 15 15 15 15 15 14 14 14 14 14 14 14 14 14 14 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 14 14 14 14 14
Guitar 1

14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 10 10 10 10 10 14 14 14 14 14
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

grad.
bend
-2 -1
½

(9) (9) 15
18 17 14 (14)
Guitar 2

3 3 3 3 3 3 3 3 3 3 2 2 2 2 2 2 2 2 2 2 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 2 2 2 2 2
Guitar 3

2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

Distortion
Guitar 4

7 7 7 7 7 7 7 7 7 7 6 6 6 6 6 6 6 6 6 6 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 6 6 6 6 6
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

B E T W E E N T H E B UR I E D AN D ME 72 Never S een/Future S hock


187
15 15 15 15 15 15 15 15 15 15 14 14 14 14 14 14 14 14 14 14 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 14 14 14 14 14
Guitar 1

14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 10 10 10 10 10 14 14 14 14 14
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

-1½ -2

12 9
(14) (14) 11 10
Guitar 2

3 3 3 3 3 3 3 3 3 3 2 2 2 2 2 2 2 2 2 2 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 2 2 2 2 2
Guitar 3

2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Guitar 4

7 7 7 7 7 7 7 7 7 7 6 6 6 6 6 6 6 6 6 6 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 6 6 6 6 6
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

S (7:54)
Distortion
191
Guitar 1

12 12 12 12 12 12 12 12 12 12 12
10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 (10) 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 10 10 10 10
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 (8) 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 8 8 8 8
8 8 8 8 8 8 8 8 8 8 8 6 6 6 6 (6) 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 6 6 6 6

-1

8 8 9 6
13 11 9 13 11 9
Guitar 2

10 10

195
Guitar 1

6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 8 8 8 8 8 8 8 8 8 8 8 10 10 10 10 10 7 7 7 7
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 6 6 6 6 6 6 6 6 6 6 6 8 8 8 8 8 4 4 4 4
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 4 4 4 4 4 4 4 4 4 4 4 6 6 6 6 6 0 0 0 0

grad.
bend
½

13 11 9 13 11 9 9 8 6 4 (4) 5
Guitar 2

10 10 5 5 5 5 5 5

B E T W E E N T H E B UR I E D AN D ME 73 Never S een/Future S hock


R' (8:17)
199
Guitar 1

7 7 7 7 7 7 7 7 7 7 6 6 6 6 6 6 6 6 6 6 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 6 6 6 6 6
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

w/ wah grad. grad.


bend bend
½ ½

3 5 12 12 9 9
3 5 6 3 2 5 6 8 11 10
Guitar 2

3 3 3 3 3 3 3 3 3 3 2 2 2 2 2 2 2 2 2 2 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 2 2 2 2 2
Guitar 3

2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

203
Guitar 1

7 7 7 7 7 7 7 7 7 7 6 6 6 6 6 6 6 6 6 6 3 3 3 3 3 3 3 3 3 3 6 6 6 6 6 6 6 6 6 6
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

grad. grad.
bend bend
½ full

3 5 12 12 15
3 5 6 3 2 5 6 8 11
Guitar 2

3 3 3 3 3 3 3 3 3 3 2 2 2 2 2 2 2 2 2 2 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 2 2 2 2 2
Guitar 3

2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

207
Guitar 1

6 6 6 6 6 6 (6)
0 0 0 0 0 0 (0)
0 0 0 0 0 0 (0)

full

(15) 15 (15)
Guitar 2

2 2 2 2 2 2 (2)
Guitar 3

2 2 2 2 2 2 (2)
0 0 0 0 0 0 (0)
0 0 0 0 0 0 (0)

B E T W E E N T H E B UR I E D AN D ME 74 Never S een/Future S hock


T (8:47)
= 110
Clean w/ delay (doubled w/ acoustic through measure 217)
let ring
210
0 (0) 5 (5)
5 (5) 6 (6)
Guitar 1

7 (7) 5 (5)
0 0

let ring
214
3 (3) 8 (8)
6 (6) 8 (8)
Guitar 1

3 (3) 0 (0)
0 8

let ring
218
15
Guitar 1

12 15 16 12
10 13 14
11 12 8

Clean w/ delay (doubled with acoustic through measure 221)


let ring
Guitar 2

7 0
5 8 9
3 6 7
4 5 1

U (9:31)
P.M. P.M. P.M. P.M.
222
10 8 10 8
10 8 10 8
Guitar 1

7 7 7 7 7 7
0 0 0 0 0 0 0 0 0 0 0

P.M. P.M.

6 8 8 6
Guitar 2

5 7 7 5 7
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

P.M. P.M.
224
8 8
8 10 10
Guitar 1

7 7 7
8 8 8 8 8 0 0 0 0 0

P.M. P.M.

6
Guitar 2

3
0 0 0 0 0 0 0 0 0 0 0 0

B E T W E E N T H E B UR I E D AN D ME 75 Never S een/Future S hock


1-3 4.
P.M. P.M. P.M. P.M.
225
13 13 13 11 10 13 13 13 11 10
Guitar 1

10 10 10 10 10 10 10 10 10
0 0 0 0 0 0 0 0 0 0 0 0

P.M. P.M.

10 8 6 10 8 6
Guitar 2

7 7 7 7
0 0 0 0 0 0 8 0 8 0 0 0 0 0 0 8 0

I' (10:06)
Distortion
227
Guitar 1

10 9 (9) 4 (4) (4) 9 (9) 4 (4) 7


X X X X X X
8 7 (7) 2 (2) (2) 7 (7) 2 (2) 5

Distortion

3
Guitar 2

7 5 2
X X 5 (5) 7 0
5 3 X X 0
3 (3) 5 0

Clean
1 0 3 (3) 0 0 2
3 1 0 (0) 1 0 3
Guitar 3

2 0 0 (0) 2 0 2
0 2 0 (0) 2 2 0
3 2 (2) 0 2
3 (3) 0

230
Guitar 1

(7) (7) 10 9 (9) 7 (7) 4


X X X X
(5) (5) 8 7 (7) 5 (5) 2

(3)
Guitar 2

(2) 7 5
(0) X X 7 5
(0) 5 3 X X
5 3

(2) 1 0 0 3
(3) 3 1 1 0
Guitar 3

(2) 2 0 2 0
(0) 0 2 2 0
3 0 2
3

B E T W E E N T H E B UR I E D AN D ME 76 Never S een/Future S hock


P.M. P.M. P.M.
233
Guitar 1

10 12
10 8 7 10 8 7 7 X X
7 8 7 8 10 10 8 7 10 10 8 7 8 10
6 8 10 10 8 8 0

3 3

P.M. P.M. P.M.


Guitar 2

14 15
10 8 7 10 8 7 7 X X
7 8 7 8 10 10 8 7 10 10 8 7 12 13
6 8 10 10 8 8 0

3 3

H (10:23)
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
235
Guitar 1

7 9 7 7 10 7 9 10 9 7 7 9 7
X X X X X X X X X X 10 8 7 10 10 7 5 X
5 7 0 5 5 0 8 0 5 0 7 0 8 7 0 5 5 0 7 0 X 0 X 0 10 10 0 8 7 0 5
0 0 0 0 0 0 0 0 8 6 0 5 0 8 8 0 0

*Slide in first time only. ½

20 17 18 17 (17) (17) 16 17 15 (15)


18 15 17 18 17 15
Guitar 2

Distortion

13 10 11 10 (10) 9 10 8 (8)
Guitar 3

10 7 9 10 9 7

P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
239
Guitar 1

7 9 7 7 10 7 9 10 9 7 7 9
X X X X X X X X X X 10 8 7 10 10 8 7 8 8
5 7 0 5 5 0 8 0 5 0 7 0 8 7 0 5 5 0 7 0 X 0 X 0 10 10 0 10 8 0 8 8
0 0 0 0 0 0 0 0 8 6 0 5 0 8 8 0 0 6 6

20 17 18 17 (17) (17)
18 15 17 18 17 15
Guitar 2

14 14 17 (17) 17

13 10 11 10 (10)
Guitar 3

10 7 9 10 9 7
7 7 10 (10)

B E T W E E N T H E B UR I E D AN D ME 77 Never S een/Future S hock


243
1 (1) 1 1 1
Guitar 1

0 (0) 0 0 0
8 2 (2) 2 2 2
8 3 (3) 3 3 3
6 3 (3) 3 3 3

12 13 12 12 15 13 12 12 14 15 15 17 17 20
11 13 15 15 15 15 13 (13) 13 15 17
Guitar 2

12

3
Guitar 3

(10)

*First repeat: legato slide to


octave at*First repeat:oflegato
beginning riff. slide to
P.M. octave at beginning of riff.
245
1 (1)
Guitar 1

0 (0) 10 12
8 2 (2) X X
8 3 (3) 8 0 10
6 3 (3) 0

*Hammer-on on second repeat.


*Hammer-on on second repeat.
* *
* * *
12 13 12 12 15 13 12 12
11 13 15 15 15 15 13 (13) 17 18 20
Guitar 2

12 15 17 19
15 17 19
15 17 19

3 6 6

I'' (11:16)
247
18 18 18 17 17 17 12 12 12 12 12 10 10 12 8 10 10 13 13 13 12 12 12 7 7 7 7 7 8 8 10 10 10 18 18 18 17 17 17 13 13 12 12 12 10 10 12 8
Guitar 1

X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
15 15 15 14 14 14 9 9 9 9 9 7 7 9 5 7 7 10 10 10 9 9 9 4 4 4 4 4 5 5 7 7 7 15 15 15 14 14 14 10 10 9 9 9 7 7 9 5
Guitar 2

7 7 7 5 5 5 9 9 9 7 7 7 7 7 7 7 7 7 7 7 7 7 5 5 5
X X X X X X 5 5 5 5 5 5 5 5 5 5 7 7 7 X X X X X X X X X X X X X X X X X X X 7 7 5 5 5 5 5 5 5
5 5 5 3 3 3 X X X X X X X X X X X X X 7 7 7 5 5 5 5 5 5 5 5 5 5 5 5 5 3 3 3 X X X X X X X X X
3 3 3 3 3 3 3 3 3 3 5 5 5 5 5 3 3 3 3 3 3 3

*End of gtr. 2 lead

18 17 (17)
Guitar 3

16 (16) (16)

1. 2.
P.M. P.M. P.M. P.M.
253 =
P.M. P.M. P.M.P.M. P.M.
P.M. P.M. P.M.
1 1

253
Guitar

5 9 7 5 4
5 7 5 7 8 8 7 5 7 8 7 10 8 7
3 13
Guitar 1
Guitar

5 7 8 8 5 9 7 5 7 8 10 10 7 10 8 7 5 7 5
5 7 5 7 8 8 7 5 7 8 7 10 8 7 3 5 7 13 6 7
5 7 8 8 7 8 10 10 7 13 12
10 8 7 3 5 7 5 3 4
0 0 5 4 0 10 9 0 03 13 5 712 0 0 5 4 0 0 4 5 5 4 0 3
0 0 2 1 0 0 0 10 9 0 0 2 1 0 0 2 3 3 2 0 2
6 6 6
1. 2.
6 6 6
=
P.M. P.M. P.M.
P.M.P.M. P.M. P.M. P.M.
P.M. P.M. P.M.
P.M. P.M. 4
P.M. P.M.
2 2

13
Guitar12

13
Guitar

13 6 7
Guitar

7 10 8 7 10 13
8 7 13 6 7
13 12
12 3
3 4
4
Guitar

7 8 7 8 10 10 8 7 0 0 8 10 48 10 8 7 0 3 5 7 5
6 8 10 10 7 10 8 7 0
8 10 0 5
12 5 4 12 008 10 10
8 79
10 9 0 0 03 13
13
5 7
12
12 0
0 0
0 5
5 4
4 0
0 0
0 4
4 5
5 5
5 4
4 0
0 3
7 8 7 8 10 10 8 7 0
0 0
0 2
8 10 1
2 18 0
0 10 80
0 70
0 10
10 9 93 5 7 5 0
0 0
0 2
2 1
1 0
0 0
0 2
2 3
3 3
3 2
2 0
0 2
6 8 10 10 8 10 12 12 8 3 5 7
6 6 6
6 P.M.
6 P.M. 6 P.M.

13
Guitar 2

13 6 7
13 12 3 4
B E T W E E N T H E B UR I E D AN D ME 00 0
0
5
2
4
1
0 7810 9 0
0 0
0 13 12
0 10 9
0 0
Never 5 4 0 0 4
0 0 2 S een/Future
1 0
5
0 2 3 S
5 4 0
3 hock
2 0
Stare Into the Abyss

= 120 C F B E G C

A (0:00)


= 120
MULTIREST
1
A (0:00)
1
Guitar 1


Guitar 2

B (1:04)
Acoustic
let ring 3x
33
1 1 1 1 2 2 2 2
3 3 3 3 3 3 3 3
Guitar 1

3 3 3 3 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

let ring
37
3 3 3 3 2 2 2 2
3 3 3 3 3 3 3 3
Guitar 1

3 3 3 3 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

B E T W E E N T H E B UR I E D AN D ME 79 S tare Into the A byss


C (1:36)
Distortion P.M. P.M. P.M. P.M.
41
Guitar 1

5 5 7
3 3 6 3 3 3 3 5 5 5 5 5 5 5 5

Distortion P.M. P.M. P.M. P.M.


Guitar 2

7 7
X 8 X 8
5 X 5 X
3 3 6 3 3 3 3 6 5 5 5 5 5 5 5 5

P.M. P.M. P.M. P.M.


43
Guitar 1

5 8 7
3 3 6 3 3 5 5 5 5 5 5 5 5 5 5

P.M. P.M. P.M. P.M.


Guitar 2

7 7
X 8 X 8
5 X 5 X
3 3 6 3 3 3 3 6 5 5 5 5 5 5 5 5

D (1:52)
gtrs. 1 & 2 unison through measure 56
45
Guitar 1

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

1.
P.M.
49
Guitar 1

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 7 7 7 7 7 7 7 7 7 7 7 7
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

2.
P.M.
53
Guitar 1

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 7 7 7 7 7 7 7 7 7 7 7 7
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

B E T W E E N T H E B UR I E D AN D ME 80 S tare Into the A byss


(2:24)
57
Guitar 1

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

½
w/ wah, delay & reverb
Guitar 2

10 10 10 10 10 10 10 10 10 10 10 10 12 12 12 11 11 11 11
10 10 10 10 10 10 10 10 10 10 10 10 10

Distortion
Guitar 3

12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9

P.M.
61
Guitar 1

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 7 7 7 7 7 7 7 7 7 7 7 7
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

½ ½ ½

10 10 10 10 10 10
Guitar 2

10 10 10 10 10 10 10 10 10 10 10 10 11 11 11 11 11 11 11 11 11 11 11 11 11 11
Guitar 3

12 12 12 12 12 12 12 12 12 12 12 12 15 15 15 15 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
10 10 10 10 10 10 10 10 10 10 10 10 13 13 13 13 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12

65
Guitar 1

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

½
Guitar 2

10 10 10 10 10 10 10 10 10 10 10 10 12 12 12 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11
Guitar 3

12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9

B E T W E E N T H E B UR I E D AN D ME 81 S tare Into the A byss


P.M.
69
Guitar 1

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 7 7 7 7 7 7 7 7 7 7 7 7
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

grad. grad.
bend release
½ ½
Guitar 2

14 14 14 14 14 14 14 14 14 14 14 14 12 12 12 11 11 11 11 11 11 11 11 (11)
12 12 12 12 12 12 12 12 12 12 12 12
Guitar 3

15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12

E (2:56)
P.M. P.M.
73
P.M. P.M. P.M. 4x P.M. P.M.
Guitar 1

7 7 7 7 7 7 7 7 8
X X X X X X X X X
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 6 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

grad. grad.
bend release
½
Guitar 2

11 (11) 11 (11)

F (3:14)
P.M. P.M. P.M. let ring
76
Guitar 1

0
7 8 5 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 8 5 7 4 4 4 4 4 4 4 4 4 4 3 3
5 6 3 5 5 5 5 5 5 5 5 5 5 5 4 4 4 5 6 3 5 2 2 2 2 2 2 2 2 2 2 1 5
5 6 3 5 5 5 5 5 5 5 5 5 5 5 5 6 3 5 2 2 2 2 2 2 2 2 2 2 1

3 3

wah, delay & reverb off P.M. P.M. P.M. let ring
Guitar 2

0
7 8 5 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 8 5 7 4 4 4 4 4 4 4 4 4 4 3 0
5 6 3 5 5 5 5 5 5 5 5 5 5 5 4 4 4 5 6 3 5 2 2 2 2 2 2 2 2 2 2 1 1
5 6 3 5 5 5 5 5 5 5 5 5 5 5 5 6 3 5 2 2 2 2 2 2 2 2 2 2 1

3 3

B E T W E E N T H E B UR I E D AN D ME 82 S tare Into the A byss


let ring
P.M. P.M. P.M.
80
Guitar 1

(0) 7 6 5 4
8 5 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 8 5 7 4 4 4 4 4 4 4 4 4 X X
6 3 5 5 5 5 5 5 5 5 5 5 5 4 4 4 5 6 3 5 2 2 2 2 2 2 2 2 2 5 4 3 2
6 3 5 5 5 5 5 5 5 5 5 5 5 5 6 3 5 2 2 2 2 2 2 2 2 2

3 3

let ring P.M. P.M. P.M.


Guitar 2

(0)
8 5 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 8 5 7 4 4 4 4 4 4 4 4 4 9 8 7 6
6 3 5 5 5 5 5 5 5 5 5 5 5 4 4 4 5 6 3 5 2 2 2 2 2 2 2 2 2 X X
6 3 5 5 5 5 5 5 5 5 5 5 5 5 6 3 5 2 2 2 2 2 2 2 2 2 7 6 5 4

3 3

G (3:47) 1. 2.
= 123
gtrs. 1 & 2 unison through measure 86 grad.
bend
P.M. P.M. P.M.
½ ½ ½ ½ ½ ½ ½ 1¼

84
Guitar 1

7 7 7 7 7 7 7
X X X X X X X
5 5 5 3 5 5 3 5 5 3
3 5 3 5 3 5

PHOTO BY RANDY EDWARDS

B E T W E E N T H E B UR I E D AN D ME 83 S tare Into the A byss


Prehistory

= 120 G U I TA R S : C F B E G C

Light distortion P.M. P.M. M A N D O LP.M.


IN: B E G C P.M.
1
= 120
5 7 distortion
Light P.M. 7 7 P.M. 7 7
P.M. 7P.M. 7
0 1 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Guitar 1

5 7 7 7 7 7 7 7
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

Light distortion
Guitar 2

7
5
A (0:02)

2
A (0:02)P.M. P.M.
8
A (0:02)P.M. P.M. 6 8 6 8 6 8 6
1 1

2
1 Guitar

5 7 10 7 5 7 7 5 5 7 8 7
0 P.M.
0 0 0 P.M.
0 0 0 6 8 6 8 6 8 6
2
Guitar

5 7 10 7 5 7 7 5 5 7 7
0 0 0 0 0 0 0 8
6 8 6 8 6 8 6
Guitar

5 7 10 7 5 7 7 5 5 7 7
0 0 0 0 0 0 0
3
3
P.M.
P.M. 3
2 2

5
2 Guitar

5 P.M.
X 3 5 3 5 3
3 5 5 5
Guitar

5 X 3 5 3 5 3
3 5 5
5
Guitar

5 X 3 5 3 5 3
3 5 3 5

Mandolin (adapted for guitar, strings 1-4 tuned one octave higher)
3
Mandolin

8 38
Mandolin (adapted for guitar,
8 strings 1-4 tuned
6 one octave higher)
8 6 6
Mandolin

5 7 8 7 0
Mandolin (adapted for guitar,
8 strings 1-4 tuned
6 one octave higher)
8 6 8 6
5 7 7 0
Mandolin

8
8 6 8 6 8 6
5 7 3 7 0
3
3
B E T W E E N T H E B UR I E D AN D ME 84 Prehistory
P.M. P.M.
4
13 10 8
8 6 11 8 9 7
Guitar 1

5 7 10 7 5 7 7 7 10 10 8 6
0 0 0 0 0 0 0 0
Guitar 2

10 7 5
8 5 6 4
3 5 5 8 8 6 4
Mandolin

13 10 8
11 8 9 7
5 7 7 10 10 8 6

P.M. P.M.
6
8 6 10
Guitar 1

5 7 10 7 5 7 7 9 10 9 7 10
0 0 0 0 0 0 0 10 9 8 7
Guitar 2

7
5 7 8 7 5 8
8 7 6 5
Mandolin

10
7 (7) 9 10 9 7 10
10 9 8 7

P.M.
8
10 8 6
5 6 8 6 8 10 10 8 6
Guitar 1

5 7 7 3 5
0 0 0 5 (5) 4 3

6
Guitar 2

9 7 5
9 7 5
5 5 1 3
3 2 1

6
Mandolin

10 8 6
10 8 6 8 7 6
7 (7) 7 X X X 3 5
5 4 3

B E T W E E N T H E B UR I E D AN D ME 85 Prehistory

B (0:18) (0:52)

10
6 8 6
Guitar 1

2 3 2 0 3 0 5 0 5 7 7 7 7 5 0 2 3 2 0 3 0 5 0 5 7 7 7 7
Guitar 2

5 7 5
2 3 2 0 3 0 5 0 5 7 7 7 7 5 0 2 3 2 0 3 0 5 0 5 7 7 7 7

*Last note played


first time only.
Mandolin

6 8 6
2 3 2 0 3 0 5 0 5 7 7 7 7 5 0 2 3 2 0 3 0 5 0 5 7 7 7 7 0

12
10 11 10 13 11 10 8 10 8
Guitar 1

10 12 12 12 10 (10) 10 12 10 7 9 10 9 9 5 (5) 7 2 3 2 0

3 3
Guitar 2

5
3 1 6 8 5
Mandolin

10 11 10 13 11 10 8 10 8
10 12 12 12 10 10 12 10 7 9 10 9 9 5 7 2 3 2 0

3 3

Da Coda
14
10 11 10 13 11 10 8 10 8 8 6
Guitar 1

10 12 12 12 10 (10) 10 12 10 7 9 10 9 9 5 (5) 7

3
Guitar 2

X X X 5 3
5 X X X
3 1 6 8 5 X X X
Mandolin

10 11 10 13 11 10 8 10 8 8 6
10 12 12 12 10 10 12 10 7 9 10 9 9 5 7

B E T W E E N T H E B UR I E D AN D ME 86 Prehistory
C (0:34)
P.M. P.M. P.M. P.M. P.M.
16
8
8 6 7 8 7 X
Guitar 1

5 7 10 7 5 7 7 5 7 10 7 5 7
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

3
Guitar 2

5
X
5 3 5 3
3 5 3
Mandolin

7 (7)

P.M. P.M. P.M. P.M.


18
8 8 8 8 8 8 8 8 8 8
6 8 6 7 7 7 7 7 7 7 7 7 7
Guitar 1

5 7 10 7 7 7 7 5 7 10 7 5 7 7 7 7 7 7 7 7
0 0 0 0 0 0 0 0 0 0 0 0

P.M.
Guitar 2

5
X
5 3 5
0 3 1

P.M. P.M. P.M. P.M. P.M.


20
8
7 8 7 8 7 6 8 X
Guitar 1

5 7 10 7 5 0 5 7 10 7 7
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

3
full
Guitar 2

5 (5) 5 5
X X 5 3
5 (5) 5 3 0

P.M. P.M.
22
8 9 10 11 12 (12)
6 8 8 8 8 6 7 8 9 10
Guitar 1

5 7 10 7 7 5 6 7 8
0 0 0 0 0 0

let ring
5 6 7 8 9 (9)
4 5 6 7
Guitar 2

5 (5) 2 3 4 5
7 (7)
3 5
3 5

B E T W E E N T H E B UR I E D AN D ME 87 Prehistory
D.S. al Coda
P.M.
24
13 10 9 8
11 9 10 9 6
Guitar 1

8 10 8
6 7


D (1:08)

6
Guitar 2

= 125
2 6 7
Distortion


25 Dgtrs. 1 & 2 unison through measure 28
(1:08)
Guitar 1


7 3 6 7 7 10 6 7 3 6 7
D (1:08)
X X X X X X X X X X X
5 = 125 1 4 5 5 8 4 5 1 4 5 5
5 3 2 1
Distortion
=25 gtrs. 1 & 2 unison through measure 28
125
Distortion
2 1

gtrs. 1 &7 2 unison through measure 28 6


Guitar

3 7 7 10 6 7 3 6 7
25 X X X X X X X X X X X
Guitar

5 1 4 5 5 8 4 5 1 4 5 5
Guitar 1

5 3 2 1
7 3 6 7 7 10 6 7 3 6 7
X X X X X X X X X X X
5 1 4 5 5 8 4 5 1 4 5 5
*Play first time only. 5 3 2 1
Mandolin
Guitar 2

7 (7)
Guitar 2


*Play first time only.
Guitar 1Mandolin

E (1:21)
*Play first
7 time(7)only. w/ wah
29
Mandolin

6 8 6 6 6 (6)
7 (7) 7 7 5 0 5 7

 Distortion w/ wah
Guitar 2

5 7 5 5 5 (5)
7 7 5 0 5 7

 Distortion w/ wah
13 15 13 13 13
15 15 13 13 15
Guitar 3

14

38

17 17 18 18 19 19 20 (20)
19 19 20 20 21 21
Guitar 1

20 20 21 21 22 22


6 6 6

14 14 15 15 16 16 17
16 16 17 17 18 18
Guitar 2

17 17 18 18 19 19



6 6 6

F Bass Solo (1:47)


43
1 3
Guitar
Guitar


Guitar 2


B E T W E E N T H E B UR I E D AN D ME 88 Prehistory
G (2:03)
*Slide in first time only.

51
15 14 13 12 11 (11) 8 9 10 11
Guitar 1

14 10
12
Guitar 2

5 3 5 6 7 8
5 3 5 (5)

1.
53
12 9 9 13 10
15 14 13 12 11 (11) 8 9 10 10 10
Guitar 1

14
Guitar 2

5 3 5 6 7 3
5 3 5 1

2.
55
12 9 9 13 10
15 14 13 12 11 (11) 8 9 10 10 10
Guitar 1

14

9 5 5 10 6
5 6
Guitar 2

5 3 5 6 7
5 3

D' (2:18)
gtrs. 1 & 2 unison through measure 68
57
Guitar 1

7 3 6 7 7 10 6 7 3 6 7
X X X X X X X X X X X
5 1 4 5 5 8 4 5 1 4 5 5
5 3 2 1

61
P.M. P.M. P.M. P.M. 4x
Guitar 1

7 3 6 7 7 10 6 7 3 6 7
X X X X X X X X X X X
5 5 5 5 5 5 1 4 5 5 5 5 5 5 5 8 4 5 5 5 5 5 5 1 4 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 3 2 1

H (2:57) 1. 2.
P.M. P.M.
65
Guitar 1

7 7 7 7 7 7 7 5
X X X X X X X 7 7 7 7 7 7 7 7
5 5 5 3 5 5 3 5 5 4 5 3 5 5 5 5 5 5 5 5
3 6 1 3 3 3 6

3 3 3 3 3 3 3

B E T W E E N T H E B UR I E D AN D ME 89 Prehistory
Bad Habits

= 130 C F B E G C

Distortion

= 130
7
5 Distortion
5
Guitar 1

7
5
5

Distortion
Guitar 2

7
5
5


A (0:00)
1
10 6 8 10 6 8 10 6 8 10 6 8
Guitar 1

9 5 7 9 5 7 9 5 7 9 5 7
7 (7)
5 (5)


5 (5)

P.M. P.M.
Guitar 2

7 (7) 7 3 5 7 3 5
5 (5) 7 3 5 7 3 5
5 (5)

B E T W E E N T H E B UR I E D AN D ME 90 Bad H abits
B (0:14)
P.M.
P.M. P.M. P.M. P.M. P.M. P.M. P.M.
7
11 10
Guitar 1

9 10
5 5 6 7 5 4 11
2 5 4 7 7 5 5 7 5 3 2 5 8 12 10 8
3 5 6 8 7 7 7 6 9

P.M. P.M. P.M. P.M. P.M. P.M.

8 6
Guitar 2

6 7
5 5 6 7 5 4 7 6
2 5 4 7 7 5 5 7 5 3 2 5 8 4 7 5
3 5 6 8 7 7 7 6

steady
gliss.
10
12 9 10 12 13
10 11 14 15 15 15 15 15 15 15 15
Guitar 1

12 10 9 12 14 14 14 14 14 14 14 14
0 0 0 0 0 0 0 0

steady
P.M. P.M. let ring gliss.

5 6
Guitar 2

7 6 3 6
5 7 7 7 7 7 7 7 7 7
4 5 7 5 5 5 5 5 5 5 5
6 5 5 5 5 5 5 5 5

C (0:25)
Clean (doubled w/ acoustic)
13
8 8 10 12 10 12 8 10
10 8 10 8 10 12 8 10 8 10 8 8 10 8 10
Guitar 1

7 9 9 7 5 7 7 9 10 7 10 7 9

Clean (doubled w/ acoustic)


17 15 17 15 17 17
17 17 15 13 15 17 13 15 17
Guitar 2

14 14 14 14 14 14 16 12 14 14 14 14 14 14 14 12 14 16

B (0:39)
Distortion
P.M.
P.M. P.M. P.M. P.M. P.M. P.M. P.M.
17
11 10
Guitar 1

9 10
5 5 6 7 5 4 11
2 5 4 7 7 5 5 7 5 3 2 5 8 12 10 8
3 5 6 8 7 7 7 6 9

Distortion
P.M. P.M. P.M. P.M. P.M. P.M.

8 6
Guitar 2

6 7
5 5 6 7 5 4 7 6
2 5 4 7 7 5 5 7 5 3 2 5 8 4 7 5
3 5 6 8 7 7 7 6

B E T W E E N T H E B UR I E D AN D ME 91 Bad H abits
20
12 9 10 12 13
10 11 14 15 15 15 15 15 15 15 15
Guitar 1

12 10 9 12 14 14 14 14 14 14 14 14
0 0 0 0 0 0 0 0

P.M. P.M. let ring

5 6
Guitar 2

7 6 3 6
5 7 7 7 7 7 7 7 7 7
4 5 7 5 5 5 5 5 5 5 5
6 5 5 5 5 5 5 5 5

steadysteady
gliss gliss
22 22
15 1515 15151515 1515 1515 1515 1515 15
Guitar 1

Guitar 1

14 1414 14141414 1414 1414 1414 1414 14


0 0 0 00 00 0 0 0 0 0 0 0 0 0

steady steady
gliss. gliss.
Guitar 2

Guitar 2

7 7 7 77 77 7 7 7 7 7 7 7 7 7
5 5 5 55 55 5 5 5 5 5 5 5 5 5
5 5 5 55 55 5 5 5 5 5 5 5 5 5


D (0:51) (1:24)

24
8 10 8 7 8 8 10 12
10 8 10 8 10 10 8 8 10 12
Guitar 1

7 9 10 7 9 10

P.M. P.M. P.M. P.M. P.M. P.M.


5 5 8 5 5 8
6 8 5 6 5 6 8 5 6 5
Guitar 2

5 7 5 7 5 7 5 7

26
8 10 8 7 8 13 12
10 8 10 8 10 10 8 10 13 10
Guitar 1

7 9 10 7 9 10 10

P.M. P.M. P.M. P.M. P.M. P.M.


5 5 8 5 5 8
6 8 5 6 5 6 8 5 6 5
Guitar 2

5 7 5 7 5 7 5 7

B E T W E E N T H E B UR I E D AN D ME 92 Bad H abits
Da Coda
E (1:06) (1:38) 1. 2.
let ring
28
0
8 10 8 8 10 8 8 10 8
Guitar 1

7 9 7 7 9 7 7 7 9 7 9 7 7 7 9 7 7
8 8 7 8 8 7 8

6 8 5 8 6 8 5 8 6 8 5 8
Guitar 2

7 5 7 5 7 5 7 5 7 9 7 5 7 5
5 7 5 5 8 7 5 7

F (1:14)
31
8 10 9 10 12 (12) 13
10 12 13 11 10 10 11 10 11
Guitar 1

9 12 (12)

P.M.
Guitar 2

7 7 7 7 7 7 7 7 7 7 7 7
5 5 5 5 5 5 5 5 5 5 5 5 5
3 5 2 0 5 5 5 5 5 5 5 5 5 5 5 5

D.S. al Coda
33
8 6 5
8 5 6
Guitar 1

7 4 5 7
7 5 7
7 5
Guitar 2

5 3 2
5 2 3 7
5 2 3 5 5
5 3 5 0


F (1:46)

35
8 10 9 10 12 (12) 13
10 12 13 11 10 10 11 10 11
Guitar 1

9 12 (12) 10 9 9 9 10 9 9 12
X X X X
8 7 7 7 8 7 7 10

P.M.
Guitar 2

7 6 6 6 7 6 6 9
7 7 7 7 7 7 7 7 7 7 7 7 X X X X
5 5 5 5 5 5 5 5 5 5 5 5 5 5 4 4 4 5 4 4 7
3 5 2 0 5 5 5 5 5 5 5 5 5 5 5 5

B E T W E E N T H E B UR I E D AN D ME 93 Bad H abits

G (1:55)
Acoustic Distortion
P.M. P.M.
38
10 6 8 5
8 8 6 8 6
Guitar 1

7 5 3 6
8 7 X X
1 4
3 1 0 0 3 5

Acoustic
 P.M.
Distortion
P.M.

11 10 11 10
Guitar 2

10 12 9 10 12 9
12 10 10 5 8
X X
3 1 0 3 0 3 5 6

P.M.
42
12 10
11 10 13 12 10 13 13 17 (17) (17)
Guitar 1

9 12 10 12 10
7 14 12
X
6 5 0 5

P.M.
Guitar 2

7
3 7 6 (6) 8 7 10 9 7 7 10
X 10 8 10 7 8 5
6 5 0 1

H (2:09)
= 125
46
8
10 8 10
Guitar 1

7 9 5 7 9 9 10 9 7 5 9
7 10
7 10

5 5 5 5 5 8 8 8 6 6 6 5 5 1 1 1
6 6 6 6 6 8 8 8 6 6 6 5 5 1 1 1
Guitar 2

7 7 7 7 7 9 9 9 7 9 7 7 7 5 5 2 2 2
7 7 7 7 7 10 10 10 5 8 8 8 7 7 3 3 3 5
5 5 5 5 5 10 10 10 8 8 8 7 7 3 3 3 2 X
8 8 8 6 6 6 5 5 1 1 1 0 3

I (2:24)
50
let ring
10 (10) 13 13 15 (15) 10 10 13 (13) 6 5
GuitarGuitar 1

57 7 10
3
5 6 5 3 0 0 0
1

5 0 4 5 7
3 2
3 5 7 3

letlet ring
ring P.M. P.M. P.M.

let ring
2

7 6
Guitar

X 3 (3) 8 3 7
85 12 4 8 8 8 8103 12 7 787
2

5 X 8 3 3 3 7 3
9 121 0 6 6 6 1 01 1 1 0
Guitar

(1) 6 5 5 5 5 1 3 5 3 5
9 10 12 9
7 10
3 3 3 3 3

B E T W E E N T H E B UR I E D AN D ME 94 Bad H abits
54
10 (10) 13 13 15 (15) 10 10 13 (13) 6 865
Guitar 1 Guitar 1

7 10
let ring
57
3
5 6 5 3 0 0 0
5 0 4 5 7
3 2 3
3 5 7 3

letlet ring
ring P.M. P.M. P.M.

let ring
2

7 6
Guitar

X 3 (3) 8 3 7 7 5
85 12 4 8 8 8 810 3 12 7 78 7
2

5 X 8 3 3 3 7
9 121 0 01 1 1 5 0
Guitar

(1) 6 6 6 6 1 5 5 5
9 10 12 9
7 10
3 3 3

= 130
58
15 13 11 10 11 10 15 11 13 15 11 13
Guitar 1

14 12 10 9 14 10 12 14 10 12
Guitar 2

10 9 7 9 10 12
10 8 7 11 7 3 5 7 3 5
7 3 5 7 3 5

61
13 17 13 (13)
15 11 13 15 13 14 15 15 (15)
Guitar 1

14 10 12 14 (14)

P.M.
Guitar 2

7 3 5 3 4 5
7 3 5 5 5 (5)
3 6

J (2:49)
gtrs. 1 & 2 unison through measure 70
P.M.
P.M. P.M. P.M. P.M. P.M. P.M.
63
Guitar 1

5 5 5 5 5 5 5 3 5 5 5 3 5 5 5 5 5 5 5 3 5 5 5 5 3 5 5 5 5 5 5 5 3 5 5 5 3
5 1 1 1 2 3 5 5 5 5 5 1 1 1 2 3

B E T W E E N T H E B UR I E D AN D ME 95 Bad H abits
1. 2.
P.M.
P.M. P.M. P.M.
69
13 15 12 13
Guitar 1

12 11 14 14 (14) (14)
5
5 5 5 5 5 5 5 3 3 5 5 3 3
5 5 5 5 3
Guitar 2

10 9 7 8
9 10
10 (10) (10)

K Solo: Dustie (3:19)

let ring
73
6
Guitar 1

5 0
0
5 3 1 3 1
3 5 2 0 5 3 0 3

w/ wah
full
full
full full

13 13 (13) (13) 10
13 13 (13) (13) 13 10 13 13
Guitar 2

75
Guitar 1

7
0 3
1 3 4 5
3 1 2

grad.
release
full full

13 (13) 10
(13) 13 13 13 (13)
Guitar 2

let ring
77
Guitar 1

5 7 7 5 2 3
5 3
5 3 5 5 5 5 3 5 5 3

full

10 12 13 12 10
Guitar 2

13 12 10 12 13 12 10 12 (12) (12) 10 10 10 (10)


12
12

5:3 5:3

B E T W E E N T H E B UR I E D AN D ME 96 Bad H abits
79
8 6 4
Guitar 1

7 5 7 7 5 7 3 6 3 0
7 5 3 3
5 3 5 5 5 5 3 5 6 (6) 3 5
1 3 5 2 0

-1
-1 -1 -1 -1
full -1
-4½

13 13 12
Guitar 2

10
12 (12)

let ring
83
6
Guitar 1

5 0
0 0
3 1 3 1 1
5 3 0 3 3 1 2

½ ½

15 14
15 13 10
Guitar 2

12 11
12 10
12 10 9 9 9 9 9

let ring
85
Guitar 1

7 5 7 7 5 2 3
3 5 3
3 4 5 5 3 5 5 5 5 3 5 5 3

full steady
gliss.
Guitar 2

12 10 10 10
10 12 12 12 (12) (12) 12
12 12

88
Guitar 1

7 5 7 7 5 7 5 7
5 3 5 5 5 5 3 5 5 3 5 5 5

grad.
bend
full ½
P.M.
10
10 13 10 10
Guitar 2

12 13 13 12 10 12 12 14 10 (10)
12 10 12
12

4 4

B E T W E E N T H E B UR I E D AN D ME 97 Bad H abits
90
Guitar 1

7 5 7 5 7 7 5 7
5 3 5 5 3 5 5 5 5 3 5 5 3

grad.
bend
½
Guitar 2

10
8 8 (8) 8 10 8 10 12
10 10 (10) 10 10

92
8 6 4
Guitar 1

5 7 7 5 7 3 6
7 5 3
5 5 5 5 3 5 6 3

P.M.

10 12 13 12 13 12 10 12 13 12 10 12
Guitar 2

10 12 10 10 12 13 12 13 12 10 13 12 10 12 12 14
12 10 10 12 12
12

5:3 5:3 5:3

94
Guitar 1

3 0
3
1

full

13
13 15
Guitar 2

14

L (3:51)
full
w/ wah gtrs. 1 & 2 unison through measure 102
95
5 5 5 (5) 7 7 7 (7) 10
6 6 6 (6) 8 8 8 (8) 13
Guitar 1

5 5 5 (5) 7 7 7 (7)
3
3 5 3 0

*Note fades out

(13)
15 (15)
Guitar 2

B E T W E E N T H E B UR I E D AN D ME 98 Bad H abits
steady
gliss.
99
5 5 5 (5) 7 7 7
6 6 6 (6) 8 8 8
Guitar 1

5 5 5 (5) 7 7 7
3 4 5
3 5
3 5 3 0 8 3 6

M (4:02)
103
Guitar 1

3 5 3 3 5 5 5 3 3 5 3
5 5 (5) 5 5 5 (5) 5 3 5 5 (5) 5
Guitar 2

3 5 3 3 5 5 5 3 3 5 3
5 5 (5) 5 5 5 (5) 5 3 5 5 (5) 5

106
6 6 6
Guitar 1

5 4 4
3 5 3
5 5 (5) 5 5 5 (5) 5 5 5 5
Guitar 2

5 5 5
3 5 3
5 5 (5) 5 5 5 (5) 5 5 5 3 5 2 2

1. 2.
109
Guitar 1

3 5 3 3 4 5 3 4 5
5 5 (5) 5 5 5 (5) 3 5 5 5 (5) 3 5
3 6 3 6
Guitar 2

3 5 3 3 4 5 6 7 8
5 5 (5) 5 5 5 (5) 3 5 5 5 (5) 3 8
3 6 6 9

B E T W E E N T H E B UR I E D AN D ME 99 Bad H abits
wah off
P.M.
112
Guitar 1

5 5 5 8 8 8 7 7 7 6 6 6
3 3 3 6 6 6 5 5 5 4 4 4

wah off
P.M.
Guitar 2

5 5 5 8 8 8 7 7 7 6 6 6
3 3 3 6 6 6 5 5 5 4 4 4

P.M. P.M. P.M.


114
Guitar 1

7 6 9 9 9 10
X X X X X X 6
5 4 7 7 7 8 5 7 8 4 7 5 4 4
0 0 0 0 8 6 5

P.M. P.M.
Guitar 2

7 8 11 11 11 12
X X X X X X
5 0 0 6 0 0 9 9 9 10

N (4:36)
gtrs. 1 & 2 unison through measure 120
P.M. P.M. P.M. P.M. P.M.
116
Guitar 1

5
5 5 5 5 5 5 5 3 4 5 5 5 5 5 4
3 2 2 2 3 2 3 3 6 3 3 2 5 6 3 2 2 2 3 6

1. 2.
P.M. P.M. P.M. P.M.
119
Guitar 1

7 7 7 7 6 10 10 10 9
X X X X X X X 6
5 5 5 5 4 8 8 8 7 5 7 8 4 7 5 4 4
0 0 0 8 6 6

O (4:50) 1. 2.
P.M.
P.M. P.M. P.M. P.M. P.M. P.M. P.M.
121
Guitar 1

7 7 7 7 6 10 10 10 9
8 X X X X X X X
5 5 8 7 4 6 3 8 7 7 9 10 5 5 5 5 4 8 8 8 7
3 6 6 5 4 6 6 10 6 6 10 0 0 0

P.M. P.M. P.M. P.M. P.M. P.M. P.M.


Guitar 2

7 7 7 7 6 10 10 10 9
5 X X X X X X X
5 5 8 7 4 6 3 5 3 4 5 5 5 5 4 8 8 8 7
3 6 6 5 4 3 3 6 3 3 2 5 6 0 0 0

B E T W E E N T H E B UR I E D AN D ME 100 Bad H abits


P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
124
Guitar 1

8
5 5 8 7 4 6 3 8 7 7 9 10 5 5 8 7 4 6 3
3 6 6 5 4 6 6 10 6 6 10 3 6 6 5 4

P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.


Guitar 2

5
5 5 8 7 4 6 3 5 3 4 5 5 8 7 4 6 3
3 6 6 5 4 3 3 6 3 3 2 5 6 3 6 6 5 4

P.M.
P.M. P.M. P.M. P.M. P.M. P.M.
127
Guitar 1

6 7 5
5 5 7 8 5 7 7
5 3 4 5 3 5 5 5 4 7
3 3 6 3 3 2 5 6 0 1 5 3 3 6

P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.


Guitar 2

5 5 5 7 8 7
5 3 4 5 3 8 7 4 8
3 3 6 3 3 2 5 6 0 1 5 3 3 6 6 6 6 5 8 (8)

P (5:14) 1. 2.
130
Guitar 1

7 5
5 5 8 7 7 10 8 10 12 7 7 7
3 6 6 8 5 8 8 (8)
Guitar 2

10 9
10 (10)
5 5 8 7 7 10 8 10 12 7 7
3 6 6 8 5 8 8 (8)

3. 4.
133
Guitar 1

7 7 10 9 9 12
8 10 8 7 8 8 10 7 10
8 (8) (8) 7 8 7 5 10
Guitar 2

10 8 7
8 (8) (8) 7 (7) 8 7 (7) 5 5 5 8 7 3 7 10
3 6 6 5 8

B E T W E E N T H E B UR I E D AN D ME 101 Bad H abits


1. 2.
136
11 15 10 10 (10) 8
Guitar 1

10 10 (10) 9 9 7 7 10 9 9 12
8 8 10 7 10
10
Guitar 2

10 9
10 (10) (10)
8 10 12 7 7 5 5 8 7 3 7 10
8 (8) 3 6 6 5 8

1. 2.
139
13 12 10 17 17 17 17 (17) (17)
13 (13) (13)
Guitar 1
Guitar 2

10 8 7
8 (8) (8) 7 (7) 8 7 (7) 5

141
10
11 10 13 12 10 13 13 17 (17) (17)
Guitar 1

12 10 12 10
14 12
Guitar 2

7
8 7 10 9 7 7 10
10 8 10 7 8 5

I' (5:48)
= 125
143
10 (10) 13 13 15 (15) 10
Guitar 1

7 10

P.M. P.M.
Guitar 2

7 7 6 6 8 3
5 5 4 4 8 8 8 8 3 3 3 3
6 6 6 6 1 1 1 1

3 3 3 3

B E T W E E N T H E B UR I E D AN D ME 102 Bad H abits


1. 2.
146
10 13 (13) 6 5 10 13 (13) 6 8 6 5
Guitar 1

P.M. P.M.
Guitar 2

7 7 7 5
7 7 7 7 3 7 7 7 7
5 5 5 5 1 3 5 3 5 5 5 5 5

3 3 3 3

H' (6:03)
148
Guitar 1

5 7 9 9 10 9 7 5 9
7 (7) 7 10
5 (5) 7 10

3
6 6 6 5 5 1 1 1
6 6 6 5 5 1 1 1
Guitar 2

7 7 7 5 5 2 2 2
7 (7) 8 8 8 7 7 3 3 3 5
5 (5) 8 8 8 7 7 3 3 3 2 X
6 6 6 5 5 1 1 1 0 3

152
8
10 8 10
Guitar 1

7 9 5 7 9 9 10 9 7 5 9
7 10
7 10

5 5 5 5 8 8 8 6 6 6 5 5 1 1 1
6 6 6 6 8 8 8 6 6 6 5 5 1 1 1
Guitar 2

7 7 7 7 7 9 9 9 7 9 7 7 7 5 5 2 2 2
7 7 7 7 7 10 10 10 5 8 8 8 7 7 3 3 3 5
5 5 5 5 5 10 10 10 8 8 8 7 7 3 3 3 2 X
8 8 8 6 6 6 5 5 1 1 1 0 3

I (6:18)
156
10 (10) 13 13 15 (15) 10
Guitar 1

7 10

let ring P.M. P.M.


Guitar 2

7 6
X 3 (3) 8 3
5 5 4 X 8 8 8 8 3 3 3 3
1 (1) 6 6 6 6 1 1 1 1

3 3

B E T W E E N T H E B UR I E D AN D ME 103 Bad H abits


159
10 13 (13) 6 5 10 (10) 13
Guitar 1

7 10

P.M. let ring


Guitar 2

7 6
7 X 3 (3)
7 7 7 7 3 5 5 4 X
5 5 5 5 1 3 5 3 5 1 (1)

3 3 3

162
13 15 (15) 10 10 13 (13) 6 8 6 5
Guitar 1

P.M. P.M. P.M.


Guitar 2

8 3 7 7 5
8 8 8 8 3 3 3 3 7 7 7 7
6 6 6 6 1 1 1 1 5 5 5 5

3 3 3

H (6:34)
164
8
10 8 10
Guitar 1

7 9 5 7 9 9 10 9 7 5 9
7 10
7 10

5 5 5 5 5 8 8 8 6 6 6 5 5 1 1 1
6 6 6 6 6 8 8 8 6 6 6 5 5 1 1 1
Guitar 2

7 7 7 7 7 9 9 9 7 9 7 7 7 5 5 2 2 2
7 7 7 7 7 10 10 10 5 8 8 8 7 7 3 3 3 5
5 5 5 5 5 10 10 10 8 8 8 7 7 3 3 3 2 X
8 8 8 6 6 6 5 5 1 1 1 0 3

I (6:49)
168
10 (10) 13 13 15 (15) 10 10 13 (13) 6 5
Guitar 1

7 10

let ring P.M. P.M. P.M.


Guitar 2

7 6
X 3 (3) 8 3 7
5 5 4 X 8 8 8 8 3 3 3 3 7 7 7 7 3
1 (1) 6 6 6 6 1 1 1 1 5 5 5 5 1 3 5 3 5

3 3 3 3 3

B E T W E E N T H E B UR I E D AN D ME 104 Bad H abits


172
10 (10) 13
Guitar 1

7 10

let ring
Guitar 2

7 6
X 3 (3)
5 5 4 X
1 (1)

174
13 15 (15) 10 10 13 (13) 6 8 6 5
Guitar 1

P.M. P.M. P.M.


Guitar 2

8 3 7 7 5
8 8 8 8 3 3 3 3 7 7 7 7
6 6 6 6 1 1 1 1 5 5 5 5

3 3 3

Q (7:04)
= 130
Clean (doubled w/ acoustic) *w/ hybrid
picking
let ring
176
0
5 6 8 5 1
Guitar 1

7 7 5 7 7 0
0 7 0
7 3

*
let ring
180
0
5 6 8 5 1
Guitar 1

7 7 5 7 7 0
0 7 0
7 3

Clean (doubled w/ acoustic)


8 8 10 12 10 12 8 10
10 8 10 8 10 12 8 10 8 10 8 8 10 8 10
Guitar 2

7 9 9 7 5 7 7 9 10 7 10 7 9

B E T W E E N T H E B UR I E D AN D ME 105 Bad H abits


184
15 11 13 15 11 13 15 11 13 10
Guitar 1

14 10 12 14 10 12 14 10 12 10

10 6 8 10 6 8 10 6 8
Guitar 2

9 5 7 9 5 7 9 5 7
0

R (7:39)
Distortion
let ring
let ring
187
5 6 8 5 6 5
Guitar 1

7 7 5 7 7 5 5
0 7 0

Distortion
17 15 17 15 17 17
17 17 15 13 15 17 13 15 17
Guitar 2

14 14 14 14 14 14 16 12 14 14 14 14 14 14 14 12 14 16

let ring -½

191
let ring 4x
12 13 15
5 6 8 5 13 (13)
Guitar 1

7 7 5 7 7 (7)
0 7 0

17 15 17 15 17 17
17 17 15 13 15 17 13 15 17
Guitar 2

14 14 14 14 14 14 16 12 14 14 14 14 14 14 14 12 14 16

= 125
195
15 13 11 10 10 13 (13)
Guitar 1

14 12 10

= 125
195
12 (12) 15 (15) 17
Guitar 2

15 13 11 10 10 13 (13)
Guitar 1

14 12 10 15 14 12 14 (14)
15 13 12 15

12
Guitar 2

12 (12)
15 14 12 14 (14)
15 13 12 15

B E T W E E N T H E B UR I E D AN D ME 106 Bad H abits


The Future Is Behind Us

= 125 C F B E G C
= 125
A (0:00)
DistortionA (0:00) *Note fades out (gtrs. 1 & 2)
Distortion *Note fades out (gtrs. 1 & 2)
full full
1 1
15 15 (15)(15) (15)
(15)
Guitar 1

Distortion
full

15 (15) (15) (15)


Guitar 2

-2

4
15 14 12 14
Guitar 1

14 12
14

-2
Guitar 2

7 6 4
7 5 7
7

B E T W E E N T H E B UR I E D AN D ME 107 T he Future Is Behind U s


B (0:12)
Clean w/ phaser
P.M.
6
11 9 7
10 8 12 10 8 10 8 12 10 8 10 8 12 10 8 10 8 10 8 6
Guitar 1

w/ octaver
Guitar 2

5 5
6 8 4 6 2
5 5 5 1 3 3 1

P.M.
8
10 8 12 10 8 10 8 12 10 8 10 8 12 10 8 10 8 12 12 10 8
Guitar 1

Clean Distortion w/ octaver


15 15 15 15 15 15 15 15 15
14 14 14 14 14 14 14 14 14
Guitar 2

14 14 14 14 14 14 14 14 14
5 7 3 5
X 2 4
5 5 3 1 5

P.M.
10
11 9 7
10 8 12 10 8 10 8 12 10 8 10 8 12 10 8 10 8 10 8 6
Guitar 1
Guitar 2

5 5
6 8 4 6 2
5 5 5 1 3 3 1

P.M.
12
10 8 12 10 8 10 8 12 10 8 10 8 12 10 8 10 8 12 12 10 8
Guitar 1

Clean Distortion w/ octaver


15 15 15 15 15 15 15 15 15
14 14 14 14 14 14 14 14 14
Guitar 2

14 14 14 14 14 14 14 14 14
5 7 3 5
X 2 4
5 5 3 1 5

B E T W E E N T H E B UR I E D AN D ME 108 T he Future Is Behind U s


1.
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
14
10 12 10 12 10 12 10 12
Guitar 1

10 8 12 10 8 10 8 12 10 8 10 8 12 10 8 10 8 12 10 8

P.M.
Guitar 2

1 3 7 5 1 3
2 8 6 2 2 2 4
1 1 1 7 5 1 1 3 5 3 0

2.
P.M.
P.M. P.M. P.M. P.M. P.M. P.M. P.M.
16
10 12 10 12 10 12 10 12
Guitar 1

10 8 12 10 8 10 8 12 10 8 10 8 12 10 8 10 8 12 10 8

P.M.
Guitar 2

1 3 7 5 1 3
2 8 6 2 2 2 4
1 1 1 7 5 1 1 3 5 3 0

Clean
18
15 15 15
14 14 14
Guitar 2

14 14 14

C (1:06)
= 125
Light distortion
19
19 17 17
17 20 18 17 14 15 17
Guitar 1

Distortion
P.M. P.M. P.M. P.M.
Guitar 2

7 5 7 5 7 5
4 4 5 4 4 4
5 5 5 5 5 5 5 5 5 5 5 5 5 3 5 5 5 5 5 5 5

B E T W E E N T H E B UR I E D AN D ME 109 T he Future Is Behind U s


22
17 15 20
(17) 18 17 13 15
Guitar 1

P.M. P.M. let ring


Guitar 2

0 0
7 5 3 3 3 0
5 4 3
5 5 5 5 5 5 3 1 1 1 1 3

1.
25
13 15 16 20 (20)
Guitar 1

P.M. P.M. P.M.


Guitar 2

6 6
6 6
4 4 4 4 4 4 4 6 4 4 4 4 4 4 4 4 6 4

2.
27
13 15 16 20 (20)
Guitar 1

P.M. P.M. P.M.


Guitar 2

6 6
6 6
4 4 4 4 4 4 4 6 4 4 4 4 4 4 4 4 6

Distortion
29
Guitar 1

7 5 7 9 7 5 7 5 7 9 7 5 11 9 11 12 11 9 14 12 14 15 14 12
Guitar 2

7 5 7 9 7 5 7 5 7 9 7 5 7 5 7 9 7 5 7 5 7 9 7 5

B E T W E E N T H E B UR I E D AN D ME 110 T he Future Is Behind U s


D (1:41)
31
Guitar 1

9 9 7 9 7 6 (6) 2
10 10

0 0 0 0
8 1 3 5
Guitar 2

9 2 4 6
10 3 5 7
10 3 5 7

*Repick note
second time only.
35
Guitar 1

5 7 7 6 (6)

0 0 0 0
1 3 0 0
Guitar 2

2 2 6 6
3 0 7 7
3 0 7 7

39
= 125
 full

10 (10) 15 (15)
13 (13) 14
Guitar 1

14

 Clean
3 6 9
3 6 9
Guitar 2

2 5 8
X 7
X X
X 5

B' (2:20)
Clean w/ phaser
P.M.
44
11 9 7
10 8 12 10 8 10 8 12 10 8 10 8 12 10 8 10 8 10 8 6
Guitar 1

B E T W E E N T H E B UR I E D AN D ME 111 T he Future Is Behind U s


1.
P.M.
46
10 8 12 10 8 10 8 12 10 8 10 8 12 10 8 10 8 12 12 10 8
Guitar 1

15 15 15 15 15 15 15 15 15
14 14 14 14 14 14 14 14 14
Guitar 2

14 14 14 14 14 14 14 14 14

2.
P.M.
P.M. P.M. P.M. P.M.
48
12 10 8 10 8 12 12 10 8 10 12 10 12
Guitar 1

10 8 12 10 8 10 8 12 10 8

Distortion w/ octaver
Guitar 2

1 3 7 5
2 8 6
5 1 1 1 7 5

P.M. P.M. P.M. P.M.


50
10 12 10 12
Guitar 1

10 8 12 10 8 10 8 12 10 8

P.M.
Guitar 2

1 3
2 2 2 4
1 1 3 5 3 0

(2:46)
Distortion (w/ octaver)
gtrs. 1 & 2 unison through measure 56
51
Guitar 1

5 5
6 8 4 6 2
5 5 5 1 3 3 1

P.M. P.M.
53
Guitar 1

7
8 7 8 3
5 4 0 4 4 1 0 1 0

B E T W E E N T H E B UR I E D AN D ME 112 T he Future Is Behind U s


P.M.
55
Guitar 1

1 3 7 5 1 3
2 8 6 2 2 2 4
1 1 1 7 5 1 1 3 5 3 0

E (3:18)
Light distortion w/ phaser
P.M.
57
10 8 12 10 8 10 8 12 10 8 10 8 12 10 8 10 8 12 10 8 10 6 9 5 6 10 6 9 5 6 10 6
Guitar 1

octaver off
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
Guitar 2

5 5 3
6 8 4 6 2
5 3 5 3 5 5 3 5 3 5 1 5 3 1 5 0 4 0 4 0 4 0 3 0 4

Distortion
gtrs. 1 & 2 unison through measure 62
P.M.
P.M. P.M. P.M. P.M. P.M.
60
9 5 6 10 6 9 5 6
Guitar 1

1 3 7 5 1 3
2 86 2 2 2 4
1 0 1 0 1 0 75 1 0 1 1 1 3 5 3 0

1. 2.
= 125
P.M. P.M. P.M.
P.M. P.M. P.M.
4
Guitar 2

13
Guitar 1

7 13 6 7
8 7 8 3 13 12 3 4
0 03 50 4 4 1 0 1 10 09 0 0 13 12 0 0 5 4 0 0 4 5 5 4 0 3 4 3 4 3 4
0 0 2 1 0 0 0 10 9 0 0 2 1 0 0 2 3 3 2 0 2 3 2 3 2 3

P.M. P.M. P.M.

13
Guitar 2

13 6 7
13 12 3 4
0 0 5 4 0 10 9 0 0 13 12 0 0 5 4 0 0 4 5 5 4 0
Light distortion 0w/ phaser
0 2 1 0 0 0 10 9 0 0 2 1 0 0 2 3 3 2 0
P.M.
63
10 6 9 5 6 10 6 9 5 6 10 6 9 5 6 10 6 9 5 6 10 8 12 10 8 10 8 12 10 8
Guitar 1

1. 2.

P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.


P.M. P.M.
4
Guitar 2

13
Guitar 1

3 7 713 7 7 7 7 6 7
8 7 8 3 13 12 X X X X X 3 4
5 0 4 0 4 0 4 0 3 0 4 0 03 50 4 4 1 0 1 10 09 0 0 13 12 5 5 0 0 5 5 4 05 0 45 5 5 4 0
0 0 2 1 0 0 0 10 9 0 0 2 1 0 0 2 3 3 2 0

P.M. P.M. P.M.

13
Guitar 2

13 6 7
13 12 3 4
0 0 5 4 0 10 9 0 0 13 12 0 0 5 4 0 0 4 5 5 4 0
B E T W E E N T H E B UR I E D AN D ME 0 0 113
2 1 0 0 0 10 9T he Future
0 0 2 Is 1Behind
0 0 U
2 s3 3 2 0
P.M.
P.M. P.M. P.M. P.M. P.M. P.M. P.M.
66
10 12 10 12 10 6 9 5 6 10 6 9 5 6 9 (9) (9)
Guitar 1

10 8 12 10 8 10 8 12 10 8

P.M. P.M. P.M. P.M. P.M. P.M. P.M.


Guitar 2

1 3 7 5 3
2 86
1 0 1 0 1 0 7 5 5 0 4 0 4 0 4 0 3 4

F (3:57)
Distortion P.M. P.M.
69
Guitar 1

4 4 3 4 3 4
3 3 3 3 2 3 2 3
2 2 2 2 2 2 2 2 2 2 1 2 1 2
1 1 1 1 1 1 1 1

P.M. P.M.
Guitar 2

4 4
3 3 3 3
2 2 2 2 2 2 2 2 2
1 1 1 1 1 1 1

1. 2.
P.M. P.M. P.M. P.M.
70
Guitar 1

4 4 4 4
3 3 3 3 3 3 3 3
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1

P.M. P.M. P.M. P.M.


Guitar 2

4 4 4 4
3 3 3 3 3 3 3 3
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
1 1 1 1 1 1 1 1 1 1 1 1 1 1

(4:08)
gtrs. 1 & 2 unison through measure 80
P.M. P.M. P.M. P.M.
72
Guitar 1

4 4 3 4 3 4 4 4
3 3 3 3 2 3 2 3 3 3 3 3
2 2 2 2 2 2 2 2 2 2 1 2 1 2 2 2 2 2 2 2 2 2 2 2 2 2
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1

P.M. P.M. P.M. P.M.


74
Guitar 1

4 4 3 4 3 4 4 4
3 3 3 3 2 3 2 3 3 3 3 3
2 2 2 2 2 2 2 2 2 2 1 2 1 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1

3 3

B E T W E E N T H E B UR I E D AN D ME 114 T he Future Is Behind U s


P.M.
76
Guitar 1

3 3 3 3 3 3 3 3 3
2 2 2 2 2 2 2 2 2
1 1 1 1 1 1 1 1 1

3 3

G (4:33)
77
Guitar 1

10 10 10 9 9 10 4 7 4 3 3 3 10 10 10 9 9 10
8 3 3 3 3 3 8 8 7 7 2 2 8 3 3 3 3 3 X X X X X X 8 3 3 3 3 3 8 8 7 7 2 2 8 3 3 3 3 3
1 1 1 1 1 0 0 1 1 1 1 1 2 5 2 1 1 1 1 1 1 1 1 0 0 1 1 1 1 1

81
Guitar 1

10 10 10 9 9 10 4 7 4 3 3 3 10 10 10 9 9 10
8 3 3 3 3 3 8 8 7 7 2 2 8 3 3 3 3 3 X X X X X X 8 3 3 3 3 3 8 8 7 7 2 2 8 3 3 3 3 3
1 1 1 1 1 0 0 1 1 1 1 1 2 5 2 1 1 1 1 1 1 1 1 0 0 1 1 1 1 1

10 6 9 5 6 10 6 9 5 6 10 6 9 5 6 10 6 9 5 6 10 6 9 5 6 10 6 9 5 6 10 6 9 5 6 10 6 9 5 6 10 6
Guitar 2

85
Guitar 1

10 10 10 9 9 10 4 7 4 3 3 3 10 10 10 9 9 10 4 7 4 3 3 3
8 3 3 3 3 3 8 8 7 7 2 2 8 3 3 3 3 3 X X X X X X 8 3 3 3 3 3 8 8 7 7 2 2 8 3 3 3 3 3 X X X X X X
1 1 1 1 1 0 0 1 1 1 1 1 2 5 2 1 1 1 1 1 1 1 1 0 0 1 1 1 1 1 2 5 2 1 1 1

9 5 6 10 6 9 5 6 10 6 9 5 6 10 6 9 5 6 10 6 9 5 6 10 6 9 5 6 10 6 9 5 6 10 6 9 5 6 10 6 9 5 6 10 6 9 5 6
Guitar 2

P.M. P.M. P.M. P.M.


89
Guitar 1

3
5 0 4 0 4 0 4 0 3 4

10 6 9 5 6 10 6 9 5 6 9
Guitar 2

B E T W E E N T H E B UR I E D AN D ME 115 T he Future Is Behind U s


Turbulent

= 120 C F B E G C

A (0:00)
Distortion *Chord fades out
1
= 120
7 A (0:00) (7) (7) (7)
7 (7) (7) (7)
5 Distortion (5)*Chord fades out (5) (5)
1
Guitar 1

7 (7) (7) (7)


7 (7) (7) (7)
5 (5) (5) (5)

Distortion *Note fades out

10 (10) (10) (10)


Guitar 2

5
 P.M. 16x
Guitar 1

7 5 9 7 5 7 5 9 7 5


Guitar 2

B E T W E E N T H E B UR I E D AN D ME 116 T urbulent
B (1:20)
P.M.
18
Guitar 1

7 5 9 7 5 7 5 9 7 5 7 5 9 7 5 7 5 9 7 5 7 5 9 7 5 7 5 9 7 5 7 5 9 7 5 7 5 9 7 5

Clean w/ delay

15 14 12 15 14 12 15 14 12 15 14 12 15 14 12 15 14 12 15 14 12
Guitar 2

14 12 14 12 14 12 14 12 14 12 14 12 14

Clean w/ delay
12 10 9 12 10 9 12 10 9 12 10 9 12 10 9 12 10 9 12 10 9
12 10 12 10 12 10 12 10 12 10 12 10
Guitar 3

P.M.
22
Guitar 1

7 5 9 7 5 7 5 9 7 5 7 5 9 7 5 7 5 9 7 5 7 5 9 7 5 7 5 9 7 5 7 5 9 7 5 7 5 9 7 5

15 14 12 15 14 12 15 14 12 15 14 12 15 14 12 15 14 12 15 14
Guitar 2

12 14 12 14 12 14 12 14 12 14 12 14 12

12 10 9 12 10 9 12 10 9 12 10 9 12 10 9 12 10 9 12
12 10 12 10 12 10 12 10 12 10 12 10 12 10
Guitar 3

C (1:40)
P.M.
26
Guitar 1

6 6
7 5 9 7 5 7 5 9 7 5 7 5 9 7 5 7 5 9 7 5 7 5 9 7 5 7 5 9 7 5 7 5 9 7 5 7 5 9 X X
4 4

Distortion
Guitar 2

7 7 7 7 8 7 5 7 7 7 7 7 14 7 14 7 7 7
X X X X X X X X 6 6 6 X X X X X 3 3 X X
5 5 5 5 6 5 3 5 5 5 5 5 12 5 12 5 1 1 5 5

Distortion
Guitar 3

9 16 9 16 9
7 7 7 7 8 7 5 7 7 7 7 X X X X X 3 3
X X X X X X X X 6 6 6 7 14 7 14 7 X 3
5 5 5 5 6 5 3 5 5 5 5 1 1

B E T W E E N T H E B UR I E D AN D ME 117 T urbulent
D (1:50)
w/ delay
31
Guitar 1

18 18 18 18 18 18 18 18 18 18 18 18 18 18 18 18 18 18 18 18 19 19 19 19 19 19 19 19 19 19
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 17 17 17 17 17 17 17 17 17 17
Guitar 2

6 6 6 6 6 6 6 6 6 6
7 7 7 7 7 7 7 7 7 7 4 4 4 4 4 4 4 4 4 4 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5 3 3 3 3 3 3 3 3 3 3

1. 2.
34
Guitar 1

19 19 19 19 19 19 19 19 19 19 19 19 19 19 19 19 19 19 19 19
X X X X X X X X X X X X X X X X X X X X
17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17
Guitar 2

7 7 7 7 7 7 7 7 7 7
7 7 7 7 7 7 7 7 7 7
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
3 3 3 3 3 3 3 3 3 3 5 5 5 5 5 5 5 5 5 5

36
Guitar 1

17 17 17 17 17 17 17 17 17 17 16 16 16 16 16 16 16 16 16 16 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
15 15 15 15 15 15 15 15 15 15 14 14 14 14 14 14 14 14 14 14 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12
Guitar 2

10 10 10 10 10 10 10 10 10 10 7 7 7 7 7 7 7 7 7 7 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6
10 10 10 10 10 10 10 10 10 10 7 7 7 7 7 7 7 7 7 7 X X X X X X X X X X X X X X X X X X X X
8 8 8 8 8 8 8 8 8 8 5 5 5 5 5 5 5 5 5 5 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

B' (2:20)
Clean w/ delay
40
12 10 9 12 10 9 12 10 9 12 10 9 12 10 9 12 10 9 12 10 9
12 10 12 10 12 10 12 10 12 10 12 10
Guitar 1

Clean w/ delay

15 14 12 15 14 12 15 14 12 15 14 12 15 14 12 15 14 12 15 14 12
Guitar 2

14 12 14 12 14 12 14 12 14 12 14 12 14

B E T W E E N T H E B UR I E D AN D ME 118 T urbulent
44
12 10 9 12 10 9 12 10 9 12 10 9 12 10 9 12 10 9 12
12 10 12 10 12 10 12 10 12 10 12 10 12 10
Guitar 1

15 14 12 15 14 12 15 14 12 15 14 12 15 14 12 15 14 12 15 14
Guitar 2

12 14 12 14 12 14 12 14 12 14 12 14 12

C' (2:40)
Distortion
P.M.
48
Guitar 1

7 5 9 7 5 7 5 9 7 5 7 5 9 7 5 7 5 9 7 5 7 5 9 7 5 7

Distortion
Guitar 2

X X X X X X
7 7 7 7 8 7 5 7 7 7 7 X X X X X X
X X X X X X X X 6 6 6 X X X X X X
5 5 5 5 6 5 3 5 5 5 5 X X X X X X

D' (2:47)
w/ delay
51
Guitar 1

18 18 18 18 18 18 18 18 18 18 18 18 18 18 18 18 18 18 18 18 19 19 19 19 19 19 19 19 19 19 19 19 19 19 19 19 19 19 19 19 18 18 18 18 18 18 18 18 18 18
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 16 16 16 16 16 16 16 16 16 16
Guitar 2

6 6 6 6 6 6 6 6 6 6
7 7 7 7 7 7 7 7 7 7 4 4 4 4 4 4 4 4 4 4 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 7 7 7 7 7 7 7 7 7 7
5 5 5 5 5 5 5 5 5 5 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 5 5 5 5 5 5 5 5 5 5

56
Guitar 1

18 18 18 18 18 18 18 18 18 18 19 19 19 19 19 19 19 19 19 19 19 19 19 19 19 19 19 19 19 19 17 17 17 17 17 17 17 17 17 17 16 16 16 16 16 16 16 16 16 16
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
16 16 16 16 16 16 16 16 16 16 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 15 15 15 15 15 15 15 15 15 15 14 14 14 14 14 14 14 14 14 14
Guitar 2

7 7 7 7 7 7 7 7 7 7 10 10 10 10 10 10 10 10 10 10 7 7 7 7 7 7 7 7 7 7
6 6 6 6 6 6 6 6 6 6 7 7 7 7 7 7 7 7 7 7 10 10 10 10 10 10 10 10 10 10 7 7 7 7 7 7 7 7 7 7
4 4 4 4 4 4 4 4 4 4 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 8 8 8 8 8 8 8 8 8 8 5 5 5 5 5 5 5 5 5 5
3 3 3 3 3 3 3 3 3 3 5 5 5 5 5 5 5 5 5 5

B E T W E E N T H E B UR I E D AN D ME 119 T urbulent
delay off
½
61
Guitar 1

14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 17 17 17 17 17 17 17 17 17 17 16 16 16 16 16 16 16 16 16 16 6
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X 7 7 7 7 7 7 7 7
12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 15 15 15 15 15 15 15 15 15 15 14 14 14 14 14 14 14 14 14 14 4 X X X X X X X X
5 5 5 5 5 5 5 5

½
Guitar 2

6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 10 10 10 10 10 10 10 10 10 10 12 12 12 12 12 12 12 12 12 12 6
X X X X X X X X X X X X X X X X X X X X 10 10 10 10 10 10 10 10 10 10 12 12 12 12 12 12 12 12 12 12 X 7 7 7 7 7 7 7 7
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 8 8 8 8 8 8 8 8 8 8 10 10 10 10 10 10 10 10 10 10 4 7 7 7 7 7 7 7 7
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

1. 2.
P.M.
66
Guitar 1

7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 (7)
X X X X X X X X X X X X X X X X X X
5 5 5 5 5 5 5 5 5 0 5 5 5 5 5 5 5 5 5 (5)
Guitar 2

7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

A' (4:07)
gtrs. 1 & 2 unison through measure 74
P.M.
68
8x
Guitar 1

7 5 9 7 5 7 5 9 7 5

E (4:27)
69
4x
Guitar 1

7 7 7 7 7 7 7 7 7 7 7
X X X X X X X X X X X 5 6
5 5 5 5 5 5 5 5 5 5 5 3 4

F (4:37)
71
4 4 4 4 4 4
4 4 4 4 4 4
Guitar 1

X X X X X X
7 7 3 3 7 7 7 3 3 7 7 3 3 7 7 7 3 3 7 7 6 6 7 7 7 6 6 7 7 6 6 7 7 7 3 3
7 7 3 3 7 7 7 3 3 7 7 3 3 7 7 7 3 3 7 7 6 6 7 7 7 6 6 7 7 6 6 7 7 7 3 3
5 5 1 1 5 5 5 1 1 5 5 1 1 5 5 5 1 1 5 5 4 4 5 5 5 4 4 5 5 4 4 5 5 5 1 1

B E T W E E N T H E B UR I E D AN D ME 120 T urbulent
Sfumato

= 125 G U I TA R 1 : E A D G B E

A (0:00) G U I TA R 2 & 3 : C F B E G C
12-string acoustic
1
0 0 0 0
0 0 1 1
0 = 125 0 0 2
2 2 2 2
2 A (0:00) 2 3 0
0 0 3
12-string acoustic
1
0 0 0 0
0 0 1 1
Guitar 1

0 0 0 2
2 2 2 2
2 2 3 0
0 0 3

(0:34)
5
0 0
0 0
Guitar 1

0 0
2 2
2 2
0 0

Distortion w/ delay & reverb -1


½

13 15 18
15 (15) (15) 13 (13) 11 10
Guitar 2

B E T W E E N T H E B UR I E D AN D ME 121 S f umato
7
0 0
1 1
Guitar 1

0 2
2 2
3 0
3

-1½

18 20 17 (17) 15
(10) 18 20
Guitar 2

12
12 (12)

9
0 0
0 0
Guitar 1

0 0
2 2
2 2
0 0

-1

full ½

15 17 17
13 18 (18) 15 (15)
Guitar 2

½
Distortion w/ delay & reverb

8 10 10
Guitar 3

11
0 0
1 1
Guitar 1

0 2
2 2
3 0
3

-1 *Gtrs. 2 & 3 continue


into "Human Is Hell".
-1 1½

(17) (17) 15 (15) 20 (20) 17 (17) 20 22 (22) 24


Guitar 2

-½ -1

(10) (10) 8 (8) 12 13 10 (10) 13 15 (15) 19 20


Guitar 3

B E T W E E N T H E B UR I E D AN D ME 122 S f umato
HUMAN IS HELL
( ANOTHER ONE WITH LOVE )

= 130 G U I TA R S : C F B E G C
= 130
A (0:00) MANDOLIN: A D F B
Distortion A (0:00)
Distortion
P.M.
1
1
P.M. 4x
15 15 15 15
13 13
13 13 13 13 15 15 13 13
10 13 13 15 15 13 13
Guitar 1

14 14 14 14 1212 12
12 10
10 10 14 14 14 14 12 12 10 12
10 12 10 10
12 12 12 12 12 12
12 12 10 101010 12 12
12 12 12 12 12 12 10 10 10 10 8 8 8 8

Distortion
P.M.
Guitar 2

12 12 10 10 10 10 12 12 10 10
12 12 10 10 8 8 12 12 10 10 8 8
10 10 10 10 8 8 10 10 10 10 8 8 6 6

B (0:16)
*PM first time only
½ ½ ½ ½ ½ ½ ½ ½
P.M.
3
10 10
13 11 13 11 13 13 11 13 11 13
Guitar 1

12 10 12 12 12 10 12 10 12 12 12 10
12 12
10 10

½ ½
Guitar 2

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
X X X X X X X X X X X X X X
3 3 3 3 3 3 3 3 3 1 3 3 3 3 3 3 3 3 3 1

B E T W E E N T H E B UR I E D AN D ME 123 HUMAN IS HELL ( AN O THE R O N E W I T H LO V E)


½ ½ ½ ½ ½ ½ ½
5
10 15 18 (18)
13 11 13 11 13 18 15 18 15 18
Guitar 1

12 10 12 12 12 10 17 15 17 17 17
13 17
15
11

½
Guitar 2

8 8 8 8 8 8 8 8 8 8 8 10 5 5 5 5 5 5 5
X X X X X X X X X X X X X X X X X X
6 6 6 6 6 6 6 6 6 6 6 8 3 3 3 3 3 3 3 3 5 3
6

A' (0:49)
P.M.
7
15 15 13 13 13 13 15 15 13 13
Guitar 1

14 14 12 12 10 10 14 14 12 12 10 10
12 12 12 12 10 10 12 12 12 12 10 10 8 8

P.M.
Guitar 2

12 12 10 10 10 10 12 12 10 10
12 12 10 10 8 8 12 12 10 10 8 8
10 10 10 10 8 8 10 10 10 10 8 8 6 6

= 135 = 197 = 190


9
10 13 15 11 13 10 14 17
13 11 11 11 11 11 10 10 10 11 10 13 10 11 13 15
Guitar 1

12 12 10 12 14 12 11 12
10 10 10 12 12
13

P.M. P.M.
Guitar 2

12 10 11 11 12 11 11 12 11
12 12 12 12 8 10 13 13 8 10 12 12 10 8 8 10 12 12 12 13 10
10 10 10 12 8 10 10 12

Distortion

11 10 10 11 10
Guitar 3

5 3 8 7 11 11 12 11
5 3 8 7 12 13 12
3 1 6 5

B E T W E E N T H E B UR I E D AN D ME 124 HUMAN IS HELL ( AN O THE R O N E W I T H LO V E)


C (1:04)
= 130
P.M. P.M. P.M. P.M. P.M. P.M. P.M.
13
Guitar 1

8 7
5 5 5 5 5 5 8 5 5 5
3 3 3 3 3 3 3 6 3 3 3 6 6 6 6 6 6 6 6 6 6 6 3 3 3

P.M. P.M. P.M. P.M. P.M. P.M. P.M.


Guitar 2

8 7
5 5 5 5 5 5 8 5 5 5
3 3 3 3 3 3 3 6 3 3 3 6 6 6 6 6 6 6 6 6 6 6 3 3 3

*Play first time only (gtrs. 3-5).


Guitar 3

12 (12)

Distortion
*Last note of gtr. 1 lead

18 (18)
Guitar 4

Distortion
*Last note of gtr. 2 lead
Guitar 5

12 (12)

P.M. P.M. P.M. P.M.


15
Guitar 1

8 7 8 7 5 8 7
5 5 5 6 5 8 9
3 3 3 3 3 3 3 6 3 3 3 6

P.M. P.M. P.M. P.M.


Guitar 2

8 7 8 7 5 8 7
5 5 5 6 5 8 9
3 3 3 3 3 3 3 6 3 3 3 6

P.M. P.M. P.M. P.M. P.M. P.M. P.M.


17
Guitar 1

8 7
5 5 5 5 5 5 8 5 5 5
3 3 3 3 3 3 3 6 3 3 3 6 6 6 6 6 6 6 6 6 6 6 3 3 3

P.M. P.M. P.M. P.M. P.M. P.M. P.M.


Guitar 2

8 7
5 5 5 5 5 5 8 5 5 5
3 3 3 3 3 3 3 6 3 3 3 6 6 6 6 6 6 6 6 6 6 6 3 3 3

B E T W E E N T H E B UR I E D AN D ME 125 HUMAN IS HELL ( AN O THE R O N E W I T H LO V E)


P.M. P.M. P.M. P.M.
19
Guitar 1

7
8 7 8 7 8 7 4 5 7
5 5 5 6
3 3 3 3 3 3 3 6 3 3 3 6

P.M. P.M. P.M. P.M.


Guitar 2

8 7 8 7 8 5 4 4
5 5 5 6 5 6
3 3 3 3 3 3 3 6 3 3 3 6

1. 2.
21
Guitar 1

8 8 8 8 8 7 7 7 7 7 7 11 11 11 11 11 11 10 10 11 8 8 8 8 8 8 7 7 7 7 7 7 11 11 11 11 11 11 10 10 11
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
6 6 6 6 6 5 5 5 5 5 5 9 9 9 9 9 9 8 8 9 6 6 6 6 6 6 5 5 5 5 5 5 9 9 9 9 9 9 8 8 9
Guitar 2

5 3 8 5 3 8
5 3 8 3 3 4 5 3 8 3 3 4
3 1 6 3 3 4 3 1 6 3 3 4
1 1 2 1 1 2

= 190 P.M. P.M.


25
Guitar 1

5 8 7 5 5 4 5 5 5 5 5 5 6 3
3 6 5 0 2 3 2 0 3 3 3 3 3 3 3 2

P.M. P.M. P.M.


Guitar 2

5 8 7 5 5 4 5 5 5 5 5 5 6 3
3 6 5 0 2 3 2 0 3 3 3 3 3 3 3 2

D (1:45)
*Gtrs.
*Gtrs. 1 &1 2&doubled
2 doubled w/ acoustic
w/ acoustic
* * * * * * * * * * *
* * * * * *
let ring
P.M. P.M.
27
0
4 4 8 12 8
Guitar 1

5 5 9 9
6 10
5 5
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

let ring
P.M. P.M.
0
4 4 4 8 4
Guitar 2

5 5 5 5
6 6
5 5
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

B E T W E E N T H E B UR I E D AN D ME 126 HUMAN IS HELL ( AN O THE R O N E W I T H LO V E)


* * * * * * * * * * * *
let ring
P.M. P.M.
29
0
4 4 8 12 8
Guitar 1

5 5 9 9
6 10
5 5
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

let ring
P.M. P.M.
0
4 4 4 8 4
Guitar 2

5 5 5 5
6 6
5 5
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

* * * * * * *
31
8
8 12 9 8 8 8
Guitar 1

4
4 8 5 4 4 4
Guitar 2

E (2:03)
33
4 8 4 8 12 4 8 4
Guitar 1

5 9 5 9 13 5 9 5
6 10 6 10 6 10

P.M. P.M. P.M. P.M. P.M. P.M.


Guitar 2

9 6
6 3 10 7 6 3 10 7 6 3 10 7 6 3
4 8 4 8 4 8

1. 2.
35
8 12 11 8 12 11
Guitar 1

9 13 12 9 13 12
6 10 6 10

P.M. P.M. P.M.


Guitar 2

9 6 8 5
10 7
4 8 4 3 1 3 1 3

B E T W E E N T H E B UR I E D AN D ME 127 HUMAN IS HELL ( AN O THE R O N E W I T H LO V E)


F (2:12)
gtrs. 1 & 2 unison through measure 40
let ring
P.M. let ring
37
0 0
4 4 4 4
Guitar 1

5 5 5 5
6 6
5 6 3
3 3 3 3 3 3 3 3 3 3 3 3 2

let ring
P.M. let ring
39
0 0
4 4 4 4
Guitar 1

5 5 5 5
6 6
5 5 5 5 5 5 5 5 5 6 3
3 3 3 3 3 3 3 3 3 3 2

D' (2:20)
let ring
P.M. P.M.
41
0 8
4 4 8 12 8 8 12 9 8 8 8
Guitar 1

5 5 9 9
6 10
5 5
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

let ring
P.M. P.M.
0 4
4 4 4 8 4 4 8 5 4 4 4
Guitar 2

5 5 5 5
6 6
5 5
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

let ring
P.M.
44
0
4 4
Guitar 1

5 5
6
5
3 3 3 3 3 3 3 3 3 3 3

let ring
P.M.
0
4 4
Guitar 2

5 5
6
5 6 3
3 3 3 3 3 3 3 3 3 3 3 3 2

B E T W E E N T H E B UR I E D AN D ME 128 HUMAN IS HELL ( AN O THE R O N E W I T H LO V E)


G (2:28)
gtrs. 1 & 2 unison through measure 48

46
P.M. P.M. 4x
Guitar 1

8 7 8 7
5 5 5 5 5 5 6 3 5 5 5 5 5 5 6 3 6 3 9 6 5 9 6 5
3 3 3 3 3 3 3 2 3 3 3 3 3 3 3 2 3 2 6 6
Guitar 2

6 3 6 3
3 2 3 2

H (2:50) 1.
= 185
P.M. P.M. P.M. P.M.
50
Guitar 1

7 5
8 7
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 8
3 3 3 3 2 2 2 2 2 2 2 3 3 3 3 2 2 2 2

P.M. P.M. P.M. P.M.


Guitar 2

8 7
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 9 8
3 3 3 3 2 2 2 2 2 2 2 3 3 3 3 2 2 2 2 6 5

2.
let ring
53
Guitar 1

0 7
8 7 5 4 5 7 4 5 8 7
5 5 6
6

let ring
Guitar 2

0
5
6

I (2:59)
P.M. P.M. P.M.
55
Guitar 1

8 7 0 8 7 7
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 6 5 8 9
3 3 3 3 3 6 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 6

P.M. P.M. P.M.


Guitar 2

4 0 4
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 3 3
3 3 3 3 3 3 6 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 6 6 5 6

B E T W E E N T H E B UR I E D AN D ME 129 HUMAN IS HELL ( AN O THE R O N E W I T H LO V E)


P.M. P.M. P.M.
59
Guitar 1

8 7 0 8
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
3 3 3 3 3 6 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 6

P.M. P.M. P.M.


Guitar 2

4 0
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
3 3 3 3 3 3 6 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 6

62
Guitar 1

7 8 8 8 8 8 7 7 7 7 7 11 11 11 11 11 10 10 11
7 8 7 5 4 5 7 X X X X X X X X X X X X X X X X X X
6 5 6 6 6 6 6 5 5 5 5 5 9 9 9 9 9 8 8 9
Guitar 2

5 3 8
4 8 5 4 4 5 3 8 3 3 4
3 5 6 3 1 6 3 3 4
6 1 1 2

H' (3:25)
P.M. P.M. P.M. P.M. P.M. P.M.
65
Guitar 1

7 5
8 7
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 8 5 5 5 5 5 5 5 5 5 5 5
3 3 3 3 2 2 2 2 2 2 2 3 3 3 3 2 2 2 2 3 3 3 3 2 2 2 2 2 2 2

P.M. P.M. P.M. P.M. P.M. P.M.


Guitar 2

8 7
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 9 8 5 5 5 5 5 5 5 5 5 5 5
3 3 3 3 2 2 2 2 2 2 2 3 3 3 3 2 2 2 2 6 5 3 3 3 3 2 2 2 2 2 2 2

1. 2.
= 180
P.M. P.M. let ring
69
Guitar 1

0 0
5 5 5 5 5 5 5
3 3 3 3 2 2 2 2 6 6

P.M. P.M. let ring


Guitar 2

0
5 5 5 5 5 5
3 3 3 3 2 2 2 2 6

B E T W E E N T H E B UR I E D AN D ME 130 HUMAN IS HELL ( AN O THE R O N E W I T H LO V E)


J (3:41)
gtrs. 1 & 2 unison through measure 79
P.M. P.M. P.M.
72
Guitar 1

3 6 6 6 6 3 4
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 2 4 4 4 4 1 2
3 3 3 3 3 2 1 1 1 1 1 1 1 1 1 1 3 3 4 4 4 4 1 2

P.M. P.M.
76
Guitar 1

3 0
3 4
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 2
3 3 3 3 3 2 1 1 1 1 1 1 1 1 1 1 3 3

H'' (4:01)
= 185
P.M. P.M. P.M. P.M.
80
Guitar 1

7 5
8 7
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 8
3 3 3 3 2 2 2 2 2 2 2 3 3 3 3 2 2 2 2

P.M. P.M. P.M. P.M.


Guitar 2

8 7
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 9 8
3 3 3 3 2 2 2 2 2 2 2 3 3 3 3 2 2 2 2 6 5

= 125
P.M.
83
Guitar 1

7 5
8 7 7 5
5 8 8 8
6 8 7

P.M.
Guitar 2

8 7 7 5
9 8 8 8
6 5 6 8 7

K (4:14)
85
3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 4 4 4 4
Guitar 1

3 3 3 3 3 3 3 8 8 8 8 8 8 8 10 10 (10) 5 5 5 5
5 5 5 5 5 5 5 5 8 8 8 X X X X X X X X X 5 5 5 5
5 5 5 5 5 5 5 X X X 6 6 6 6 6 6 6 8 8 (8) 3 3 3 3
3 3 3 3 3 3 3 3 6 6 6

3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 4 4 4 4
Guitar 2

3 3 3 3 3 3 3 8 8 8 8 8 8 8 7 7 7 5 5 5 5
5 5 5 5 5 5 5 5 8 8 8 X X X X X X X X X X 5 5 5 5
5 5 5 5 5 5 5 X X X 6 6 6 6 6 6 6 5 5 5 3 3 3 3
3 3 3 3 3 3 3 3 6 6 6

B E T W E E N T H E B UR I E D AN D ME 131 HUMAN IS HELL ( AN O THE R O N E W I T H LO V E)


*Repick chord
first time only.
90
3 3 3 3 3 3 3 3 3 3 3 3 3
4 4 4 4 4 4 4 4 4 4 4 4 4
Guitar 1

5 5 5 10 10 (10) 5 5 5 5 5 5 5 5 5 5
5 5 5 X X 5 5 5 5 8 8 7 7 7 5 5 5 5 5 5 5 5 5 5
3 3 3 8 8 (8) X X X X X X X X X 3 3 3 3 3 3 3 3 3 3
3 3 3 3 6 6 5 5 5

3 3 3 3 3 3 3 3 3 3 3
4 4 4 4 4 4 4 4 4 4 4
Guitar 2

5 5 5 10 10 10 5 5 5 5 5 5 5 5
5 5 5 X X X 5 5 5 5 5 5 5 3 3 3 5 5 5 5 5 5 5 5
3 3 3 8 8 8 X X X X X X X X X X 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 1 1 1

1. 2.
= 185
P.M.
95
Guitar 1

8 8 8 (8) 3 5 3 2
X X X 4 4 4 4 4
6 6 6 (6) X X X X 5 5 5 5 5 5
2 2 2 2 2 2 2 2 2 3 5 6 3

P.M.
Guitar 2

8 8 8 8 3 5 3 2
X X X X 4 4 4 4 4
6 6 6 6 X X X X 5 5 5 5 5 5
2 2 2 2 2 2 2 2 2 3 5 6 3

L (5:02)
gtrs. 1 & 2 unison through measure 102
P.M.
P.M. P.M. P.M. P.M.
99
Guitar 1

2 3 2 5 3 2 2 3 2
4 4 4 4 4
5 5 5 5

1. 2.
P.M.
P.M.
101
8 6 8 10
6 8 6 8
Guitar 1

5 7 5 7
5 7
5

P.M.
P.M. P.M. P.M.
103
Guitar 1

11 12 11 14 12 11 11 12 11
12 12 12 12 12
13 13 13 13

P.M. P.M. P.M. P.M. P.M.


Guitar 2

2 3 2 5 3 2 2 3 2
4 4 4 4 4
5 5 5 5

B E T W E E N T H E B UR I E D AN D ME 132 HUMAN IS HELL ( AN O THE R O N E W I T H LO V E)


1. 2.
= 190
P.M.
P.M. P.M. P.M. P.M.
105
13 11 13 15 (15) 10 13 9 7
11 13 11 13 11 9 9 7 7 8
Guitar 1

10 12 10 12 10 8 6
10 12 6 7
10

P.M. P.M.
8 6 8 10 (10)
6 8 6 8 8
Guitar 2

5 7 5 7
5 7 6 7
5

M (5:21)
w/ phaser (gtrs. 1 & 2)
P.M.
P.M. P.M. P.M.
109
6 10 8
Guitar 1

3 6 7 7 6 11 9
5 5 5 7 5 8 8 13 11 9 8 10
5 5 4 5 8 7 10 12
3 6 6 6 9

P.M. P.M. P.M. P.M.

6 6 4
Guitar 2

3 6 7 7 6 7 5
5 5 5 7 5 8 8 9 7 5 4 6
5 5 4 5 8 7 6 8
3 6 6 6 9

P.M.
P.M. P.M. P.M. P.M. P.M. P.M.
113
6
Guitar 1

3 6 7 7 6
5 5 5 7 5 8 8 7 8 11
5 5 4 5 8 7 5 5 6 9
3 6 6 6 9

P.M. P.M. P.M. P.M. P.M. P.M. P.M.

6
Guitar 2

3 6 7 7 6
5 5 5 7 5 8 8 7 8 11
5 5 4 5 8 7 5 5 6 9
3 6 6 6 9

117
10 10 6 6 6 9 9 5 5 5
11 11 7 7 7 10 10 6 6 6
Guitar 1

12 12 8 8 8 11 11 7 7 7
Guitar 2

7 7 6 6
5 5 5 5 8 8 8 4 4 4 4 7 7 7
6 6 6 6 6 6 6 5 5 5 5 5 5 5

B E T W E E N T H E B UR I E D AN D ME 133 HUMAN IS HELL ( AN O THE R O N E W I T H LO V E)


121
10 10 6 6 6 9 9 5 5 5 3 4 5 3 4 5
11 11 7 7 7 10 10 6 6 6 4 5 6 4 5 6
Guitar 1

12 12 8 8 8 11 11 7 7 7 5 6 7 5 6 7
Guitar 2

7 7 6 6
5 5 5 5 8 8 8 4 4 4 4 7 7 7 5 6 7 5 6 7
6 6 6 6 6 6 6 5 5 5 5 5 5 5 3 4 5 3 4 5

N (5:59)
= 185
phaser off (gtrs. 1 & 2)
gtrs. 1 & 2 unison through measure 141
P.M.
126
Guitar 1

3 3 5 5 3 3 3 3 5 5 3 3
3 3 4 5 4 3 3 4 5 4
3 3 6 6 3 3 6 6

P.M.
P.M. P.M. P.M. P.M. P.M.
130
7 7 7 7
Guitar 1

8 6 6 8 8 6 6 8
8 8 6 6 8 8 8 6 6
6 6 9 9 6 6 6 6 6 6 9 9 6 6 6 6

P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.


134
4 4 4 4
Guitar 1

5 3 5 5 3 5 3 5 5 3
5 5 5 5
3 3 6 3 3 6 3 3 6 3 3 6

P.M.
P.M. P.M. P.M. P.M. P.M. P.M. P.M.
138
4 4 4 4
Guitar 1

5 3 5 5 3 5 3 5 5 3
5 5 5 5
3 3 6 3 3 6 3 3 6 3 3 6

142
Guitar 1

9 10 11 9 10 11
Guitar 2

5 6 7 5 6 7

11 12 13
Guitar 3

12 13 14

B E T W E E N T H E B UR I E D AN D ME 134 HUMAN IS HELL ( AN O THE R O N E W I T H LO V E)


O (6:39)
= 190
143
Guitar 1

12 8 (8) 11 7 (7)
12 8 (8) 11 7 (7)
10 6 (6) 9 5 (5)

10 6 (6) 9 5 (5)
11 7 (7) 10 6 (6)
Guitar 2

12 8 (8) 11 7 (7)
12 8 (8) 11 7 (7)
10 6 (6) 9 5 (5)

*Vibrato second time


only (gtrs. 1 & 2).

full full full full full


147
15 (15) 11 (11) 14 (14) 10 (10) 10
18 (18) 14 (14) 17 (17) 13 (13) 13
Guitar 1

grad.
release
full full full full full

10 (10) 6 (6) 9 (9) 5 (5) 5


13 (13) 9 (9) 12 (12) 8 (8) 8
Guitar 2

L' (6:59)
P.M.
P.M. P.M. P.M. P.M.
151
13 11 13 15
11 13 11 13
Guitar 1

11 12 11 10 12 11 12 11 10 12
12 12 10 12 12 12
13 10 13

P.M. P.M. P.M. P.M. P.M.


8 6 8 10
6 8 6 8
Guitar 2

2 3 2 5 7 2 3 2 5 7
4 4 5 7 4 4
5 5 5

P (7:08) 1. 2.
= 130
153
15 10 10 13 10 10 15 10 10 13 11 15 10 10 13
13 13 13 13 13 13 13 11 13 13 13 11
Guitar 1

12 12 12 12 10 12 12 10

10 5 5 8 5 5 10 5 5 8 6 10 5 5 8
8 8 8 8 8 8 8 6 8 8 8 6
Guitar 2

7 7 7 7 5 7 7 5

Mandolin
Mandolin

12 7 7 10 7 7 12 7 7 10 8 12 7 7 10
10 10 10 10 10 10 10 8 10 10 10 8
9 9 9 9 7 9 9 7

B E T W E E N T H E B UR I E D AN D ME 135 HUMAN IS HELL ( AN O THE R O N E W I T H LO V E)


= 130 P.M.
156
17 13 15
15 11 13 10
Guitar 1

14 10 12 10 12
10 12 8 8 10
8

P.M.
10 5 8
8 3 6 10
Guitar 2

7 2 5 10 12
5 12 8 8 10
8
Mandolin

7
5 8 10
4 0 5 7 7
7 0

B (7:19)
*PM first time only
P.M. ½ ½ ½ ½ ½ ½ ½ ½
158
10 10
13 11 13 11 13 13 11 13 11 13
Guitar 1

12 10 12 12 12 10 12 10 12 12 12 10
12 12
10 10

½ ½
Guitar 2

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
X X X X X X X X X X X X X X
3 3 3 3 3 3 3 3 3 1 3 3 3 3 3 3 3 3 3 1

½ ½ ½ ½ ½ ½ ½
160
10 15 18 (18)
13 11 13 11 13 18 15 18 15 18
Guitar 1

12 10 12 12 12 10 17 15 17 17 17
13 17
15
11

½
Guitar 2

8 8 8 8 8 8 8 8 8 8 8 10 5 5 5 5 5 5 5
X X X X X X X X X X X X X X X X X X
6 6 6 6 6 6 6 6 6 6 6 8 3 3 3 3 3 3 3 3 5 3
6

Q (7:53)
162
15 13 13 15 13
15 13 11 15 13 13 11 11
Guitar 1

12 12 12 12 12 12 10 10

P.M. P.M. P.M. P.M. P.M. P.M.

15 13 13 15 13
Guitar 2

14 12 10 14 12 12 10 10
12 12 10 12 12 10 8 8

B E T W E E N T H E B UR I E D AN D ME 136 HUMAN IS HELL ( AN O THE R O N E W I T H LO V E)


164
15 10 13 10
13 11 11 13 10
Guitar 1

10 11 15 11 14 12 11 11
12 13 13 10 12
13 12

3 3 3 3 3 3 3 3

15 10 13 10
13 11 11 13 10
Guitar 2

10 11 12 11
12 12 13 12 10 12
13 12 13 10 9

3 3 3 3 3 3 3 3

166
Guitar 1

10 12 13 9 (9)

3
Guitar 2

10 12
13
10 (10)

3
R (8:09)
= 125
Clean
Fingerstyle
let ring
let ring let ring
169
10 13 10 8
13 11 11 13 11 8
Guitar 1

12 12 10 12 12 0
0 0 12 10 0 0 12 8

Acoustic
Fingerstyle
let ring
10 13 10 8
13 11 13 8
Guitar 2

12 10 12 0
0 10 0 8

let ring
let ring let ring
171
5 8 5
8 6 6 8 6
Guitar 1

7 7 5 7 7 0
0 0 7 5 0 0 7 0
3

let ring
5 8 5
8 6 8
Guitar 2

7 5 7 0
0 5 0 0
3

B E T W E E N T H E B UR I E D AN D ME 137 HUMAN IS HELL ( AN O THE R O N E W I T H LO V E)


S (8:32)
let ring
173
0 6 5 5 3 5 3
6 6 5 (5) 8 5 6 5 6 5 3 6 3 (3) 5 3 1 3
Guitar 1

0 0 0 5 (5) 7 5 3 5 3 0 0
7 5 (5) 5 3 3 2 3

let ring
0 3 5 3
6 6 5 (5) 3 6 3 (3)
Guitar 2

0 0 0 5 (5) 3
7 5 (5) 3

Clean w/ delay & reverb

11 13 10 (10) 6 8
Guitar 3

7 (7)

Clean w/ delay & reverb


18 20 17 (17) 13 15
15 (15)
Guitar 4

R (8:48)
let ring
let ring let ring let ring let ring
177
10 13 10 8 5 8 5
13 11 11 13 11 8 8 6 6 8 6
Guitar 1

12 12 10 12 12 0 7 7 5 7 7 0
0 0 12 10 0 0 12 8 0 0 7 5 0 0 7 0
3

let ring
10 13 10 8 5 8 5
13 11 13 8 8 6 8
Guitar 2

12 10 12 0 7 5 7 0
0 10 0 8 0 5 0 0
3

B E T W E E N T H E B UR I E D AN D ME 138 HUMAN IS HELL ( AN O THE R O N E W I T H LO V E)


Solo: Paul (9:11)
let ring
let ring let ring
181
10 13 10 8
13 11 11 13 11 8
Guitar 1

12 12 10 12 12 0
0 0 12 10 0 0 12 8

let ring
10 13 10 8
13 11 13 8
Guitar 2

12 10 12 0
0 10 0 8

Light distortion

13 15
Guitar 3

12 14 14 12 10 (10) 8 9
10 12 5 (5) 7

let ring let ring let ring


183
10 13 10 8
13 11 11 13 11 8
Guitar 1

12 12 10 12 12 0
0 0 12 10 0 0 12 8

let ring
10 13 10 8
13 11 13 8
Guitar 2

12 10 12 0
0 10 0 8

flutter

15 20
13 15 15 17 18
Guitar 3

10 12 9 7 (7) (7) 12 15 14
6 5 35 7 5 7 10 12

let ring
let ring let ring
185
5 8 5
8 6 6 8 6
Guitar 1

7 7 5 7 7 0
0 0 7 5 0 0 7 0
3

let ring
5 8 5
8 6 8
Guitar 2

7 5 7 0
0 5 0 0
3

flutter rake

17 12 13 12 10
X 13 12 13 10 (10)
Guitar 3

X 12 10
X

B E T W E E N T H E B UR I E D AN D ME 139 HUMAN IS HELL ( AN O THE R O N E W I T H LO V E)


let ring
let ring let ring
187
5 8 5
8 6 6 8 6
Guitar 1

7 7 5 7 7 0
0 0 7 5 0 0 7 0
3

let ring
5 8 5
8 6 8
Guitar 2

7 5 7 0
0 5 0 0
3

*Note continues
to ring (gtrs. 3 & 4)

15 13 12 20 18 17 15 17
13 13 15 18 15 18 17 18 15 17 15
Guitar 3

14 15 17 19 12 14 17 12 14 15 17 17 14
17 15 14 15 14 15
15 13 17

Light distortion
12 13
11 15 13 15 11 13 11
Guitar 4

10 12 14 14 10
12
8 13

S (9:34)
let ring
189
0 6 5 5 3 5 3
6 6 5 (5) 8 5 6 5 6 5 3 6 3 (3) 5 3 1 3
Guitar 1

0 0 0 5 (5) 7 5 3 5 3 0 0
7 5 (5) 5 3 3 2 3

let ring
0 3 5 3
6 6 5 (5) 3 6 3 (3)
Guitar 2

0 0 0 5 (5) 3
7 5 (5) 3

Clean w/ delay & reverb

11 13 10 (10) 6 8
Guitar 3

7 (7)

Clean w/ delay & reverb


18 20 17 (17) 13 15
15 (15)
Guitar 4

B E T W E E N T H E B UR I E D AN D ME 140 HUMAN IS HELL ( AN O THE R O N E W I T H LO V E)


T (9:49)
let ring
193
5 6 5 8 7 10 11 10 13 15
Guitar 1

5 7 10
3 5 8 10 12

let ring

5 6 5 8 7 10 11 10 13 15
Guitar 2

5 7 10
3 5 8 10 12

5 8 10 13 15
Guitar 3

12 15 17 20 22
Guitar 4

  
U (9:58)
197
3x
Guitar 1

  
Guitar 2

(10:41)   
Distortion w/ delay & reverb
Guitar 1Guitar 3

End fingerstyle

  
207

3 5 (5) 3 (3) (3) 3


3 3 5 (5)
Guitar 4

  
Guitar 5

210   
Mandolin
Guitar 1

(5) 3 (3) 6 (6) 8

B E T W E E N T H E B UR I E D AN D ME 141 HUMAN IS HELL ( AN O THE R O N E W I T H LO V E)


V (10:52)
Distortion
let ring
let ring
213
Guitar 1

0 0 0 5 0 0 0 5
3 3 3 5 3 3 3 5
3 3 3 3 3 3

Distortion
End fingerstyle
let ring let ring
Guitar 2

0 0 0 0 0 0
3 3 3 3 3 3
1 3 1 3
3 3 3 3 3 3

Distortion w/ delay & reverb


*Last note of gtr. 1 lead,
play first time only.
grad.
bend

full
Guitar 3

10 (10) (10)

W (11:07)
gtrs. 1 & 2 unison through measure 229
217
Guitar 1

5 3 5 3 3 5 3 5 3 3 5 3
3 1 3 1 3 5 3 3 1 3 1 3 5 1 1 3
6 3 3 1 3 1 3 1 3 1 1 6 3 3 1 3 1 3 1 3 1 3 1

X (11:32)
P.M. steady
gliss. P.M.
224
Guitar 1

6
5 5
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 12 4 4 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 12 3 3 0 1

P.M. P.M.
229
Guitar 1

6 7 7 8 7 7 7 8 7 7 11 7 7 7 11 12 12 12
5 5 X X X X X X X X X X X X X X X X X
4 4 1 3 5 5 6 5 5 5 6 5 5 9 5 5 5 9 10 10 10 3
3 3 0 3 1 3 6

P.M.
Guitar 2

7 7 8 7 7
5 5 5 5 5 5 5 5 5 X 5 5 5 X X X X
X X X X X X X X X 5 X X X 5 6 5 5 3
3 3 3 3 3 3 3 3 3 3 3 3 3 6

B E T W E E N T H E B UR I E D AN D ME 142 HUMAN IS HELL ( AN O THE R O N E W I T H LO V E)


1. 2.
P.M. P.M. P.M.
233
Guitar 1

12 12 12 12
X X X X 5 5 5 5
10 10 5 5 5 5 3 3 3 3 10 10 5 5 5 5 3 X X X X 8 10 3
3 3 3 3 1 1 1 1 3 3 3 3 1 3 3 3 3 6 8 1

P.M. P.M. P.M.


Guitar 2

8 7 8 7
X X X X 5 5 5 5
6 5 5 5 5 5 3 3 3 3 6 5 5 5 5 5 3 X X X X 8 10 3
3 3 3 3 1 1 1 1 3 3 3 3 1 3 3 3 3 6 8 1


K' (12:04)
237
Guitar 1


Guitar 2


Guitar 3

B' (12:31)


= 130
251
3 3 3 3 6 3
3 3 3 3 6 4
Guitar 4Guitar 1

0 0 0 0 8 5
0 0 0 0 8 5
XX X X 6 3
3 3 3 3 6


6
6
3
4
2

8 5
GuitarGuitar

5 5 8 5
5 5 6 3
5

3 3 6 3


Mandolin

255
3 3 6 3 3 3 3 3 3 3 3 3 3 3 3 3
3 3 6 4 4 4 3 3 3 3 3 3 3 3 3 3
Guitar 1

0 0 8 5 5 5 5 5 5 5 5 5 5 5 5 5
0 0 8 5 5 5 5 5 5 5 5 5 5 5 5 5
X X 6 3 3 3 3 3 3 3 3 3 3 3 3 3
3 3 6

6 3 3 3 3 3 3
6 4 4 4 4 4 4
Guitar 2

8 5 5 5 5 5 5 5 5 5 5 5 5 5
5 5 8 5 5 5 5 5 5 5 5 5 5 5 5 5
5 5 6 3 3 3 3 3 3 3 3 3 3 3 3 3
3 3 6 3 3 3 3 3 3

B E T W E E N T H E B UR I E D AN D ME 143 HUMAN IS HELL ( AN O THE R O N E W I T H LO V E)


B (13:04)
*PM first and third times only
P.M. ½ ½ ½ ½ ½ ½ ½ ½
259
10 10
13 11 13 11 13 13 11 13 11 13
Guitar 1

12 10 12 12 12 10 12 10 12 12 12 10
12 12
10 10

½ ½
Guitar 2

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
X X X X X X X X X X X X X X
3 3 3 3 3 3 3 3 3 1 3 3 3 3 3 3 3 3 3 1

½ ½ ½ ½ ½ ½ ½
261
4x
10 15 18 (18)
13 11 13 11 13 18 15 18 15 18
Guitar 1

12 10 12 12 12 10 17 15 17 17 17
13 17
15
11

½
Guitar 2

8 8 8 8 8 8 8 8 8 8 8 10 5 5 5 5 5 5 5
X X X X X X X X X X X X X X X X X X
6 6 6 6 6 6 6 6 6 6 6 8 3 3 3 3 3 3 3 3 5 3
6

Q' (14:10)
263
3x
15 13 13 15 13
15 13 11 15 13 13 11 11
Guitar 1

12 12 12 12 12 12 10 10

P.M. P.M. P.M. P.M. P.M. P.M.

15 13 13 15 13
Guitar 2

14 12 10 14 12 12 10 10
12 12 10 12 12 10 8 8

= 125
265
15 13 13 15 13 11 13
15 13 11 15 11 13 15
Guitar 1

12 12 12 12 12

P.M. P.M. P.M. P.M. P.M.

15 13 13 15 13
Guitar 2

14 12 10 14 12 14
12 12 12 12 12 12 14 15

B E T W E E N T H E B UR I E D AN D ME 144 HUMAN IS HELL ( AN O THE R O N E W I T H LO V E)


Y (14:29)
268
15 18 16 15
16 15 18 16 18 16 15 15 16 15
Guitar 1

17 17 12 14 15 14 10

3 3 3
Guitar 2

20 (20) 15 12 17 12 17 15 13 15
17 15 13 15 15 (15) 12 12 7

3 3

Distortion

18 18 16 15
Guitar 3

12 12 8 7 8 10 12 15 17 15 10

Distortion
Guitar 4

8 7
8 10 8 7
6 10 8 5
8 6

272
18 15 15 11 15 11 11 17 14 14
16 16 16 13 13 13 13 15 15 15 15
Guitar 1

15 15 15 12 12 14 14 14
17 17 13 16
18 15 17

3 3 3 3 3 3 3 3 3 3 3 3

P.M. P.M. P.M.


10 10 10
8 8 8 8 8 8 10 10 10
Guitar 2

8 8 8 8 8 8 8 8 8 8 8 8 11 11 11
8 8 8 10 10 10 12 12 12

3 3 3 3 3 3 3 3 3 3 3 3
11 11 11 11 10 10 10 10
11 11 11 11 13 13 13 13 13 10 10 10 10 10
Guitar 3

12 12 12 12 12 12 12 12 12 11 11 11
13 13

3 3 3 3 3 3 3 3 3 3 3 3
Guitar 4

8 7
8 10 7
6 10 5
8 5

B E T W E E N T H E B UR I E D AN D ME 145 HUMAN IS HELL ( AN O THE R O N E W I T H LO V E)


275
15
Guitar 1

14 15 14 12 12 7 11 12

3 3

15
15 16 16 15 10 15 20
Guitar 2

8 12
Guitar 3

7
8 5 7
6 5

3
3
Guitar 4

0
8 4 5 0
3 X
6 2 2 3

11 7 8
Guitar 5

5
8 4
5

PHOTO BY JUAN PARDO

B E T W E E N T H E B UR I E D AN D ME 146 HUMAN IS HELL ( AN O THE R O N E W I T H LO V E)


PHOTO BY RANDY EDWARDS
ALSO AVAILABLE FROM SHEET HAPPENS PUBLISHING
Order Online at sheethappenspublishing.com

Sheet Happens is a company created, owned, and operated by musicians. We hope that our commitment to ac-
curacy, authenticity, and aesthetics really shines through when you hold these books in your hands. We have been
overwhelmed by the excitement and positive feedback this little company has created.

Here’s to music and the people who love to play it!


© 2022 Sheet Happens Publishing
www.sheethappenspublishing.com

You might also like