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  • Quando Quando RMX Eb Score

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    bazzosax89
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    The document appears to be musical notation or a musical score. It contains symbols like quarter notes, eighth notes, and chord progressions including F#m, G#7, and C#m. It spans 4 pages and includes time signatures and key signatures. The overall structure seems to be a song notated across multiple lines with symbols representing notes, rests, and chords.

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    Quando Quando Rmx Eb Score

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    The document appears to be musical notation or a musical score. It contains symbols like quarter notes, eighth notes, and chord progressions including F#m, G#7, and C#m. It spans 4 pages and includes time signatures and key signatures. The overall structure seems to be a song notated across multiple lines with symbols representing notes, rests, and chords.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    9 views3 pages

    Quando Quando RMX Eb Score

    Uploaded by

    bazzosax89
    The document appears to be musical notation or a musical score. It contains symbols like quarter notes, eighth notes, and chord progressions including F#m, G#7, and C#m. It spans 4 pages and includes time signatures and key signatures. The overall structure seems to be a song notated across multiple lines with symbols representing notes, rests, and chords.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 3

    Eb score

    QUANDO QUANDO

       

        
     = 130

                       
             
    17

                  
            
     
    23

               3 3
                      
    28
    3

               
           
    34

               
                       
    39

                          
       
    45

              
                    
    49
           
    2

            

    55

             


                
       
    61


                        3
            
    67

     
    3


             
    72 C♯m

    
                    
    79 F♯m G♯7 C♯m

     F♯m   G♯7   C♯m      



    83

     F♯m              

    87 B7 G♯m C♯7

     F♯m              

    91 Am

     
                  

    95 E
                     
      
    3

         
    99

              
          
        
     
    105

               
        
         
    109

                  
          
       
    115

              
     
    120

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