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PracticalLessonsinHypnotism 10505653
PracticalLessonsinHypnotism 10505653
a n u r sing in f a n t w h il e th e you ng l a d y th in k s sh e is a n ur se
in a f ou n d l ing a syl u m .
CO N T AI N I N G C O M P L E T E I N S T R U C TI O N S I N
H YPN O I IC
' ‘
P O W ER , I N C LU D I N G M U CH
V A L U A uL I : I N FO R M A T I O N IN R EG AR D
To M EN T A L H EA LI N G , M IN D R EA D I N G ,
A N D O T H ER K I N D R ED SU BJ EC T S
W M W ESLEY
. CO O K , A3, MD .
edi es m a
y b e j u diciou sly admin ist er ed wi th wond e r
PR EF A CE .
m ank ind .
—
for th e good that th ey can acqui re the good that a
knowl edg e of hypnotism alway s brings to tho se who
po ss ess it and th e good its pow er enabl es th em to
ex tend to oth ers .
DR . WM WES LEY
. COOK .
Eva n ston ,
Ch ica go . Ill .
TABLE OF CONTENTS .
T h e A u th or
’
s P r ef a c e
I n tr od u cti on
C H A PT ER I .
P H I L OS O P H Y OF I I Y P N O T I S M .
C H A P TER I L
Q U AL I F I C A T I O N S OF A I I Y P N O I I S T
' ‘
.
C H A P T ER I I I .
Q UAL I F I C ATI O N S O F A S U BJ E CT
b ein g h ypn otiz ed —N a tu r a l
.
p er so ns c a p a b l e o f
’
P er cen ta g e oi
h a r m oni ou s v ib r a tion s W h o —
.
—
a n ta g o n i sm s D i scor d a n t a n d
a r e g ood su b j ec ts—F eeb l e- m i n d ed n ot a l w a ys ea sil y h yp
n otiz ed —S tr o n g m i n d ed k
p er son s m a y m a e excel l en t su b
—
-
t C t ti f t h h t— L a b o r i n g m e n — F ol l ow i n g
j n en r a o n o ou g
e o
—
c s c
a l ea d er — M o b s e a s i l y l e d b y su g g e s ti o n M u r a t H a l st e d
k
a n d th e str i er s- F a r m er s n o t ea sil y h yp n otiz ed a t
h om e
The c n d fi — S l v e s a n d se r v a n ts — C l i m a t e h a s an
—
o e n ce m a n a
—
i n fl u en ce S u scep t i b il i t y o f m e n a n d w o m en P r e ca u ti o n s
n ec essa r y i n h n o t i z i n g w o m e n — H y s t e r i c a l a t ta c
—
ks-
4 3 111 0
yp
tio n a l p er so n s N a ti — o n a l i ty
— D u tc h — S c a n d i n a w a n s E a s t I n
d ia n s - F r en ch I ta —l i a n s — A m e r i ca n s— I n fi u e n c e o f a g e 43
TABLE OF CONTENTS .
C H A PT ER I V .
F AV O R A BLE A N D U N F A V O R A B LE I N F L U E N C E S .
C H A PT ER V .
PR E C A U TI O N S TO B E O BS E R V E D .
—
of su d d en sh oc - C k see
‘
of d a n g er W ea k n ess o f — th e
h ea r t- C a ta l ep sy—P h y i ca l i n j u r y— S ta r i n g at th e su n
C h a ng e tr o m k
d a r n ess to l ig h t—F a sc i n a tio n F a l l s a n d —
—
oth er ca u ses o f i n j u r y C on tor ti o n s J u m pin g - — i ol en t ez er V
—
el se E a ti n g i n j u r io u s a r ti c l es- S u g g estio n s o f d ea th - P ost
ca u ti on s — S u fi o ca tio n— H yp n o tiz in g
h ypno ti c
—
m i n d ed —I n sa n i ty a n d cr i m e L i a b il i ty o f
th e
ex ci ti n g
f eeb l e
a ng er
A void i ng m isu n d er sta n d in g s R el iet f r om—
C H A PT ER V I .
H OW TOH Y P O TI Z E N
—
.
— p er a to r O
m i r r o r —T h e k k — ’
of I n d ia s
’
O r i en ta l S h ei s p l a te S n a es
{ s i t s—
k G l a ss m a r b l e- C h i n ese id o l—M eta l d i s k
R u b b er d is k
- Th e a u th o r s d i s —S en se o fk h ea r i n g —M on o tono u s to n es
'
k
O r i enta l c h a n ts- P u b l ic sp ea er s a n d p r ea c h er s C h a n tin g
—
k —E fl f i i l — U se o i
—
of sna e c h a r m e r s e c t o m u s c u po n a n m a s
h
t e vo i c e — F i r st s u gg es ti o n s— T o ne o f th e V
o ice H yp n o tiz
i g e il h il d — T h f t h — M esm er ic p a sses
—
n m a c r e n e s en s e o ou c
M esm er iz i ng a su b j ect—R u b b in g th e fi n g er s T h e sen se o f
sm el l — k—
Od or e- T o b a cc o sm o e S ense ot ta ste—E a tin g a n d
dr in i ng —U se or o r a ng e w a ter
k
C H A P TER ‘
VII .
G
D E R EE S O F H YP O S I S N
—
.
C H A P TE R V I I I .
C L A I R V OY A N C E .
S econ d sig h t —O r i en ta l p o w er —
C l a ir v oya n c e com p a r ed w i th
el ec tr i c a l m ea n s o f c om m u n ica tio n No —
r estr i c ti on u p on
si g h t of cl a i r v oya n ts- D i sta n c e n ot c on si d er ed — F a m i l ia r
m a n if esta ti on s—I l l u str a ti on s—H o w to pr oduce cl a i r v oy
a n c e—D ir ectin g th e m i n d of th e su b J ect— A s i n g q u esti on s k
C l a i r voya n ce n o t m i n d r ea d in g — F i n d in g
-
h i d d en a r ti c l es
C o n fi r m in g a c l a ir v oya n t s sta tem en ts—W h o a r e th e b est
’
cl a i r v oya n ts 96
C H A PTER I X .
S E LF - H Y P N O T I S M — A U T O S U GG E S T I O N
-
.
H yp n o ti sm a . en d owm en t- K eep i n g
n a tu r a l a p p oin tm en ts
B l in d m en tel l i n g ti m e— G o i n g to sl eep i s n a tu r a l sel f
h yp n o ti sm — S c l f — l i yp n o tism ea si l y l ea r n ed - H o w to p r a c ti c e
sel f - h yp n o ti sm — P r o l o n g ed sel f - i n d u c ed sl eep o f or i en ta l s
—
D ea th of B ish o p H yp n o ti z es h i m sel f a t ch u r c h P r o l o n g ed —
h y p n o sis u n ‘ C S I r a b l c —D i se a se an d sel f - h y p n oti sm — C on
—
ta g i o u s d i sea ses— H ea r t d i sea se C on tr ol l in g h ea r t a cti o n
Haim th r o u g h i m a g in a ti r. I m a g i n i n b en efi t f r om
p l a ce b o— F i sh s t o r i e s— A b o g u s a u th o r — A h i m a g in a r y i n
en tor — A i d s i n r stor i n g h ea l th —L i g h ten s sor r o w—P r o m p ts
'
C H A P TE R X .
A CC I D EN T AL D EV E L O P M E N T O F H Y P NOT I C P OW E R .
C a se o f G er tr u d e P en n i n g to n —P l a yi n g wh il e a sl eep— C a se of
M r C h a r l es G a r d n er — P u t th e b a b y to sl eep— C ou l d n t w a e
.
'
k
th e b a b y— M oth er s n a tu r a l l y h yp n oti z e th eir b a b i es— C a se
o f M a r g u er i te M cA l l ister — H y pn oti z in g r estl ess p a tien ts
T h e c r u ci fi x u sed to c on c en tr a te th e th o u g h ts
C H A PT ER XI .
N
T H E H Y P OT I S T S S E C R ET
’
—
.
C H A PTE R XII .
D E V E L OP I NG A S U BJ E C T .
Do —
n o t a ttem p t to o m u ch a t on ce Ch oosi n g a su b j ect A v o id
—
m en t l e i s— L e d a d u a l l t o s u b m i ss i o n— T h e b est
a su p r o r a g r y
j
su b ec t f o r b eg i n n e — P i v a c d esi r a b l e— T h e fi r st sea n ce
r s r y
D r o w s i n ess — H o w to p r o d u c e h yp n o s i s — H ow to th i n a nd k
—
a ct T h e O b ec tj — T o e O
n f v o i c e— M a ikn g p a s se s — W ea r i n ess
p r o d u c ed S eco n d sea n c e H a nd m o v em en ts Th ir d
—
sea n ce M u scu l a r su g g esti o n s— O p en i n g th e e y es— F o u r th
sea n ce—T h e sen ses— S on i n a rr b u l i sm — F i f th sea n ce—D a n c in g
— C l a l r v o a n ce—S i x th
A
-
n a esth esi a -
P o s t- su
gg esti on y sea n ce
“ Q a ta l ep sy— T h e per f ec t su b j ec t— L eth a r g y 130
10 TA BLE OF C ON TEN TS .
C H A PT ER XI II .
A N I MA L MA GN ET I S M—MA GNE TI C H E LI A NG .
a ni m a l
m en ta l p o wer —H o w to r ecog n iz e i m p r essib l es M e ta l r od —
O r g a ns n o t eq u a l l y i m pr essi b l e—H a r m on iou s a nd a n ta g o n
i stic o r g a n s- R esto r i ng m en ta l b a l a n ce—D ia g n o sin g d is
ease—R el i ef o t p a i n — C u r i n g h ea d a ch e—R el i evi n g to o th a ch e
—
a n d n eu r a l g i a —R el ievi ng i n wa r d p a in s P r o d u c i n g sl eep i n
—
i n som n ia S u p p r essi ng r esp i r a ti o n- R eg i ons o f th e b r a i n
P er ee tive f a c u l ties- I n tel l ec tu a l ta cu l ties—P r o pel l i n g i n c u l
p
ties ‘’ n h a l a n ced a n d wel l b a l a n ced b r a i n s—D octr i n es o f
m a g n eti c h ea l i n g —P r ec a u ti on s to b e ob ser ved —H o w to m ag
n eti z e a per so n—M esm er ic pa sses - Ex p er i m en ts i n a n i m a l
m a g n etism —E xa m in i n g d i sea sed p er son s M a g n etic h ea l er s —
M ag netic i nfl uence exer ted b y ph ysici a n s .
C H A PTER XI V .
OV E R O I C M NG
H A B I T S BY H Y P O T I S N M
— —
.
N atur e of h a b i ts D r u g s of n o a va il S u gg estion th e b a si s o f
sa ni ta r i u m tr ea tm ent—M or p h ine a n d a l co h ol cu r es H ow —
h yp n oti sm over com es h a b its C u r r en ts— of ner ve f or c e
M em o r y a nd p ost-h yp no tism F r ig h ten ed — h or ses—T ob a cco
—
h a b i t cur ed C a u se a nd cu r e of sta m m er in g — C ig a r ette
k —
sm o ing C ur e o f oth er h a b i ts
C H AP T ER XV .
C R I M I N AL H YP N OT I S H .
H YP OT I S N M
AN D D I S EA S E .
b u si n ess
I m ag in a tio n a n d d isea se F ea r o f ten ca u ses d isea se I m a g —
ina r y h yd r o p h ob ia —I d l en ee s i n vi tes d isea se—H ypo c h o n d r i a
—
A p p li a n ces to w a r d o f"d i sea se B el ts a n d ch a r m s E l ec tr ic —
— —
b el ts P i l g r im a g es M i r a cies per f or m ed a t
C H A PTER X V I I .
A N A E STH E S I A D U R I NG H YP N O S I S
h yp n osi s—R el ig io u s ec sta sy
.
F r eed om f r om p a in th r ou g h
J ez eb el s p r i ests— G h o st d a n ces—O r ien ta l d evo tees
Q ueen
—C
’
B u r ni n g of m a r tyr s a ta l ep sy p r od u ced
sa va g e r i tes
by
R el ig i ous f er v o r su b d ui n g p a in M od em — in sta nces- P r o d u c
tion of a na esth esia a na tu r a l en d owm en t H o w to p r od uce —
a n a esth esia — —
C a se of R ob er t M cG a nn P er tor m a n ce o i d a n
g er o n s su r g i ca l oper a tion s d u r i n g h yp n o si s M i n or su r g i ca l —
—
o per a tion s D a n g er s ot c h l or of or m —
I nd iscr i m i na te u se of
a na esth eti c s —Va lue or h yp n o ti sm i n su r g er y- S ew i ng th e
l ip s tog eth er - P a ssin g p ins a nd n eed l es th r o ug h th e c h ee
— k
Tongues sewed togeth er D an ger s 183
TA BLE OF C ON TEN TS .
C H A P T ER X V II I .
H YP N OT I S M A N D TH E I N S A NE .
M a ni a cs n ot ea sil y h yp n o tiz ed —M el a n ch ol ia
—
—W k
ea - m in d ed p er
son s n ot g oo d su b j ec ts H yp n o tism th e r a tion a l m eth od o f
c u r ing in sa n i ty—C on cen tr a tion o f th ou g h t I n sa n e o n th e —
su b j ec t o f p er petu a l m o ti on —C a se o f M r W il l i a m s— P a c i ty
—
.
i n g a m a n ia c I n sa n i ty f r om b a d h a b i ts c u r ed —R el i g i ou s
— —
.
C H A P TER X IX .
H YP N OTI Z I NG A N I M ALS .
C H A PTER XX .
H YP N OTI S M IN B US I NE S S A N D SO C IET Y .
C H A PT ER XXI .
HY P N OT I S M I N T H E P R O F E S SI O NS .
C H A PTER XX I I .
G ENE R A L H YP N O TI C I N F L U EN C E
p n p s i ve m i d —
.
L a sti n g im pr ession s m a e u o d a s Le
n s ing ar n to
sp el l —E x p ec ta ncy a h yp ti i fl e—S e k i g p l e
—“
no c n u en c e n a su r e
”
D eter m i n ed to b e g l oom y S u n set C ox a n d h i s p ostp on ed
— —
l ectu r e P u b l i c g a th er in g s S p i r i t of th e m eeting - M a g n etic
sp ea er s—H yp n o ti c p ower
k n ecessa r y to su c cessf u l p u b l ic
sp ea in g —P ower f u l p r ea ch er s- A l l m or e or l ess o b ed i en t
k
S e ght
l i o f h a n d ex h ib i tio n s— O r i en ta l m a g ic i a n s— Ah E a st
I ndia exh ib ition- H ypn otiz ed th r oug h
12 TABLE OF C ON TEN TS .
C H A P T ER XX I II .
P O S T -H YP N OTI S M .
C H A PTER XX I V .
AW AK E N I NG UBJ E CT
A S
—
.
M ista k en l w ys b e w ken ed —A c id
t —
b el i ef S u b j ect ca a a n a a c en ta l
in j u r y or d ea th o f th e o r a or pe
r em e e Ext ar l th
co n d i
gi c
— k
tion C om m on m eth od o f a wa en in g - D i sp l a y o f a l a r m —N o
ha r m f r om d el a yed a wa en i ng —L eth a r g ic su b j ects a wa en
k k
sl ow l y- B l o wi ng u pon th e n ec —S l eep i n g a l l d a y—S u g g es
k
ti on s o f th e o p er a tor —N ot a wa en ed su d d en l y f r o m k som
na m b u l ism —P l ea sa n t sug g estion s b ef or e 229
C H A PTER XX V .
MI N D -
R E AD I NG—T E L E P A T H Y .
C H A PT ER XXVI .
H YP N O T I C M I S C EL L A N Y
— —
.
ch ild a g a i n- A g ed a n d i n fi r m - B eco m i ng a n im a l s A tr i p to
h ea ven—U p i n a b a l l oon . . 2
43
C H A P TER xxvii .
S E LF A N A E ST H E S I A
-
—
.
C H A PT ER XXV II I .
METH OD O F P R O D U C I NG H YP N O S I S
Gener a l d ir ec tio ns—O b j ec tiv e m eth od —F a scina ti on Th e ca n d l e —
.
’
T h eo r y o f th e 0d a nd i n
fluence of m agnets and
14 INTROD UCTION .
”
p e u tics as th e i r m ost e ff ectiv e aid in curing di s e a se .
R
H I STO Y OF H Y PN OTIS M .
March 5th 1 81 5 ,
.
TH E M A RQ UIS A R M ON D DE P UY S EGUR .
’
O ne of M esm er s most enthu sia st i c scholars wa s
th e Fr ench Marquis A rmond D e Puy segur He .
’
gr eatly i m prov ed upon M es m er s m ethod s an d dis
cov er ed th e m an n er o f produci ng th e so m na m buli sti c
stat e in which he was en a b l ed to cu r e va riou s
,
Th e
ci en tific ca r eer of hypnotism start ed i n 1 84 1
s ,
C H A R C OT A N D BER N H EI M .
, .
, ,
zo Im onuc r l on
'
.
DEFIN ITI ON S .
P OST H -
YP NOTI S M or P OST S UGGES T I ON
- an s m e
TH E 0 P E R A T o B is th e p erson wh o hypnotiz es
anoth er by th e production of actual h ypno sis .
A S E A N 0 1: is th e p erforman c e of hypnoti c ex pe
r im ents in th e pr es enc e of a few s el ect ed p ersons
.
PH I LOS OP H Y OF H Y P N OTI S M .
l it era tu r e .
, ,
AN A LYS I S OF H YP N OTI SM .
in to th e qu estion of balanc e .
b alanc e it m ay b e appli ed a t o nc e .
BA S I S Ob H Y P N OT I C IN FL U ENC E .
tir ely a m ental proc ess ; but j u st what that proc ess
i s v ery few r eally co m p r eh end Th er e is an ill de
.
-
’
any ap par ent thought dir ectin g it ; fo r th e chi ld s
mi nd was pa ssiv e an d did not con tem pla te that wh en
th e hot stov e was touch ed th e fing er woul d su ffer
,
ey es wh en th er e is dang er to th em shrin k i ng or ,
PHI LOSOPH Y OF H Y PN OTI SM . 29
”
in g variou s par ts in lif e ; and i n ou r day dr eam s
we b eco m e h ero es o r m en of not e or N apol eon s of ,
thought s .
o f as involun tary .
Again ,
in Exa m pl e 3 the subj ec t m a y b e in
as ,
low .
”
we say for instanc e : H e involuntarily cri ed out
“ ” “
, ,
”
h e j u m p ed for joy h e writh ed in agony
, , etc .
’
S i m i larly th e O p erator s sugg est i o ns ar e m ad e an d
th e sub j ect s a ctions na turally follow Let it alway s
’
“
.
”
b e b orn e in mind th en that in ord er to hypnotiz e
, ,
’
s kill mu st b e ex ert ed to r end er the subj ect s m ind
32 PH ILOS OP HY OF H YPN OTIS M .
phatic m a n ner .
co nc eiv es th e id ea th at
P H IL OS OPH Y OF H YP N OT I SM . 88
, .
of B s lin e
’
.
, ,
h
p y si ca l actio n a nd ca r r i ed o ut by B in a n in vo l u n
tar y ma nn er .
cisely the s a m e .
ti n
o o f his own thought upon the singl e id ea of pro
-
b ru sh .
abiliti es .
S E L F C O N F I D E N C E i s th e hypnoti st s mo st
’
D a r x a x xn a r t o n to succ eed i n wh at ev er is
und ertak en w ill g r ea tly ai d th e stud en t O f h yp h o
tism . M any failur es may possibly b e exp eri enc ed a t
the start b ut t h ey shou l d b e only inc entiv es t o tr v
,
p e rson s in al l w al k s o f li f e u n d er a
,
l l c o ndi tio ns a n d
a t al l ag es Ev en amon g b oys at play th er e w ill b e
.
p o w e r a n d h
,
i s f ellows wil l o b ey h im with o u t h esita ~
tion Ther e is also the sam e tr ait thr o ugh the whole
.
do eum n ca r tom m nor ur
'
or A .
thi nk what eff ect th eir succ ess wi ll hav e on oth ers ,
b e attain ed .
”
t son who lo ses h is h ead will m ak e a poor h ypno
t .O cca sion s a r e con stan tly ari sing wh er e th e s elf
ssession O f th e O p erator is of th e ut m o s t i m por
i
” h i d- LC J
C
UI ii, I
a a s
s
n AA J Q . v A. a i
’
1u r e a di fficult subj ec t b u t o u can b e hypnotiz e d
y
“ “
, ,
,
I il l hypnotiz e you wh en th e condition s a r e
o r e fa vorabl e ; th er e is so m ething disturbing you
”
1 d w e ll hav e to find out what it is N ev er should
’
.
a ntag onism s —
D iscou n t and h ar m onious vib r a ti ona
Who ar e g ood su b j ects—Feeb l e—
m i nd ed not a l wa ys easil y
h ypnotized—Str ong -m i nd ed per sons m ay m a k e excel l ent
subj ects—C oncentr a ti on ot th ough t—La bor i ng m en— Fo i
I t is a fact w h i ch we r ea li z e i n our ev er yd ay li fe
that th er e exi st nat u r a l antagoni sms b etw een c ert a i n
p ersons without any appar ent caus e V er y o f t en we
“
.
’
h ear the r emark : I can t b ea r to b e near h er ; she
"
m ak es m e f eel cr eepy and I do n t kn o w why
’
, So m e .
QU ALI F I CAT I ON S OF A S U BJ EC T . 43
“
,
”
t hos e w 1 t k e likin g to him
‘
. .
W H O A R E G OOD S U BJ EC S
T "
“
I t has oft en b een a sk ed VVh at kind of p erson s i
,
en c e
.
’
O h n o you can t hypnotiz e m e I m too stron g
’
, , .
”
m i nd ed i s a r em a rk oft en h eard by the hypnoti st
, .
sta nc es b e abl e to
,
r esist b ut wh en al l surrounding s
,
”
l earn ed th es e th ings through fea r O f losin g his j o b
“ ”
an d through the con stant driving O f the boss to
g et a s much work from him a s possi bl e M ani f estly .
h im such .
command an d to h av e h is co m m ands ob ey ed st ep ,
s ,
n
f
a
A
l u“ W‘
b ‘
Lu C
‘fl h $0 1
LL .
q L I 1
11 1 D LU J D I U L .
XBT
'
faction .
ening .
A TI ON A LI TY N .
b e ea si ly hypnoti z ed .
T in : Ql iin ia n l fll a h/ n “C e
“ n
'
‘
fi fl r q v r n l c e 0 xv n o n fl §~
g
fi fl c
{
o
o g v N V M A A M A A A M v A M A "" A l h V A 5 1 V A CL Q U M J A A v y AA M l L L
n osi s with ea se .
ca n GR E C IA N M IR R OR.
CHAPT ER I V .
p ower —D om estic — —
gr ief A ng er Tr anq uil l ity of m i nd
Cond ition of th e sk i n—Dr ynes —
s I nfiu ence of tim e.
. it
“
,
”
subj ect onc e w el l mad e can with r ar e exc eption s
, ,
T H E EXPER I M EN TI N G R OOM .
n o si s .
- -
"
to attract att ention Carp et on the floor will p r ev ent
.
~
ah y nois e fro m walki ng or fro m the m ov em ent O f
ch a irs W hen th er e is no carp et rubb er buttons
.
,
°
p ap er o f a su b d u ed tint wi ll b e f ou nd m o st f avo r ab l e .
54 F A V ORA BLE A N D UNF A V ORA BLE IN F UEN CES .
INFLU EN CE OF LI GHT .
A m il d,
s ub du ed ligh t a i d s the hyp noti c i nfluence ,
A so f t b lu e light wi ll a id th e O p erator
, I t r est s .
When sh ad es ar e us ed b lu e o r gr een ar e to b e pr e
,
”
fo r table .
I N FLU ENCE OF O DO R S .
U npl ea s ant
odors in a room may d elay o r ent ir el y
p r ev ent the pro duction of hypnosi s Tobacco smok e .
I N FL U ENC E OF M U S I C .
”
ch a rm ers o f ani m als an d r eptil es an d th ei r em
,
w h er e .
b a b es to sl eep .
”
can b e set to som e simpl e ai r such as Sw eet H om e , ,
m a
y co m e fro m its em ploym e nt .
I N FL U EN C E OF Q U I ETU D E .
It is
us el ess for a b eginn er to t ry to hyp no ti ze a
n ew su b j ect in th e m id st of noi se O ccasion all y th is
.
o f m u ch p a ti ent work .
I N FLU EN C E O F EA S E A N D C OM F OR T .
I N FLU EN CE OF T H E EM OTI ON S .
C ON DI T I ON OF T H E BO DY .
acco m pli sh ed pla cing fev erish pati ent s und er control .
I N FLU EN C E OF TI M E .
p a r a tiv el y ea sy but th en it m
,
ay b e di fficult to g et a
sati sfactory r espons e to any sugg es tion s b esid es thos e
g estions .
”
o n e but m y self can a wak en you Wh en w e co n .
i n any ca se .
S “ ca o k n L &: 1 - 1‘
n a c
n
4 1 1 s‘ ' \ A 4‘ fi L.
1
A fi fl -n -
3
vs
"
1 ' s‘ o m n 4 5 A
Z u a l l n u c u u u u C d L
P J Q AQ I t
yy \: L O V A 1 t
1 8 V V )
O
,
o f it m ean s c er ta in d ea th .
AV O I D SUDD EN S H O C K .
”
is only hypnotiz ed he run s n o ri sk of da ng er
, Th e .
hypnosis .
P H I SIC A L I N JU R I ES .
j
'
It is not tru e
,
as m a n y cl aim that
, th e sub ect s
PR EC A U T I ON S TO BE OBSER V E D H
‘
. .
b e r espon sibl e .
”
3 N ow it is g oi n g to g et v e1 y light e
“
,
f
an
in s .
y,
i 4
( n ;
h
u
i
;
i
un
c
-
i ti s :
“
cw
i t au
-
i i
e au a a
“ a ve r s e
a au s
6 .
inj u r e h im .
”
en o ugh not to h ur t th em selv es
,
Th i s i s no t tru
.
e
ston es etc
,
. a r e ar ticl es of food
, and di r ec ting that
,
ing it .
”
it is f o rty now i t is thirty etc
, , .
g ,
.
”
d o n t fall o r d o n t do so and so for it will kill you
’
,
’
,
.
in abili ty is m ad e i t sh o u l d a l w a y s b e follow ed wi th a
“
.
”
r el ea se such a s ,
N o w yo u can do it
,
This will oft en .
74 P R EC A U TI ON S T O BE O BS ER VED .
H Y N O I I N G T H E F EEBL E M I N D ED
P T Z -
.
subj ects .
SU GGES TI ON S OF I N SA N I T Y A ND C R IME .
H OW TO H Y P N OTI Z E .
su b j ec t—R u bb in g th e fi ng er s— T h e sen se of sm el l — O d or s
— Tob a cco sm o k e—S ense of taste—Ea ting a nd d r in k ing
U se of or a n g e water .
b e d ue to c h a n c e o r a cci den t Th er e is no m or e .
1 1 1 1 1 1. u I I t n e L LI n u su a l
TH E F I R S T S TEP IN P R OD UC I N G H YP N OT I S M .
D on t say
“N ow if I c
’
a to r s ta sk m or e di fficul t
’
“
.
, ,
”
succ eed in hypnotizing you or I f yo u a r e a g o
“
,
”
subj ec t or P erhap s I wi ll n o t b e abl e to h ypn ot
,
’
d estr o y all confid enc e in th e o p er ator s abili
S p eaking p ersonally i f you i ndulg e in such expr
,
culty in y o ur at tem pt s .
m uc to h im
h C r eat e thi s f eeling o f awe and t
.
“
l eng e of anyon e who says : I dar e you to h ypn ot
m e . I t is a wa st e o f ti m e and en ergy to trifl e w
p ersons who int end to r esi st y our effort s I t is b .
’
as , W ell if yo u ll n a m e so m e futur e dat e I ll na
,
’
hypno tiz e h im .
T h e c o nc en tra ti o n o f though t o r fir st st ep i n p ro
,
b e m ent ion ed .
J
OB EC T S U S ED T O A TT R AC T A TT E N T I ON .
th e m y st ery .
Th e fa kn f I di a
‘
I 1
el l
4 s o
tn e a t ten tl o n
as a
t i ve t
a
s o ri
'
hU l il l Ii C S
upon thi s ligh t for abou t five m inu tes will gr ea tly
aid wha t ev er o th er eff ort s a r e mad e .
su b j ec t s ey es wi ll oft en an sw er th e purpos e of a n
’
L d-14 A “ : 4 fi-zn l fv v A
0(
Q n ee c e a n fl vvv A i r h a fi fl fl N A A D 0 a
a u Ll l U A VV A L AA LA U U u u o n e. 0 c
P S
'
Al b b A \¢ b Al a l A
J
sn b iec t w h o i s to l d tn k e ep h is ey es co n st a t1y 3 a __ i
TH E S ENS E OF H E R I N G
'
A .
”
Go to sl eep and sl eep so und .
H OW T O H Y P N OT I Z E 87
‘
.
T H E S EN S E OF T OU C H .
hypnosis .
T H E S EN S E OF T A S TE .
”
go to sl eep In th i s way th e v ery d eli cat e fl avor of
.
D EGR EES OF H Y P N OS I S .
A r b i tr a r y d ivision—J ’
ower of th e
, O per a to r — S uscep tib il ity of
th e su b ect—
j D r owsin ess— Lig h t sl eep— Pr of oun d sl eep
A b sol u te ob edi en ce —
S om n a m b u l i sm — Oatal epsy L eth
b e c o m par ed to t e color s o f
h th e —
ra inbow o n e
bl ending in to th e o th er wi th no ab solu te dividin g
lin es S till i n th e sp ec tru m we r ecogniz e sev en d is
.
’
couldn t k eep h is ey es op en wo uld b e to awa ken ,
po st sugg estion
-
.
T
H E P ER S I A N P LA TE .
C H APT ER V II I .
CL A I R V OY A N C E
Second sig h t—O r ien ta l power —C l a ir voya nce com pa r ed with
el ectr i ca l m ea ns of com m u nica tion— No r estr ictio n up on
sig h t of cl a ir voya n ts— D ista n ce n o t c on sid er ed — F a m il i a r
m a ni f esta ti ns
o — I il ustr a tio ns— H ow to pr od uce cl a ir vo y
a nce - D ir ecting th e m in d of th e su b j ect— A sk i n g q uestion s
-C l a ir voya nce n ot m in d r ea din g— F in d in g h id d en a r ticl es
-
at a gr ea t di stanc e is no m or e r em arkabl e th an
w ir el ess t el egraphy and th e pow er o f vi ewi ng h idd en
,
C LA I R V OY A N CE N OT U N CO M M ON .
H OW TO PR ODU C E C L A I R V OY A N CE .
DI R EL I IN G T H E CLAI R V OYA N T
‘
g r essivel.
y For instanc e : I f th e subj ect should b e
self hypnotism
-
. This may s eem impos sibl e to tho se
who hav e not seen it practically d emon strat ed but ,
sibl e .
prompt discov eri es and exp eri m ents that will d emon
strat e th e gr eat b en efits to b e d eriv ed f rom th e pr ac
t ic e o f tru e clairvoyanc e .
C HAPT ER I X .
S ELF - H YP N U I I S M— A U T O S U GGES T I ON
’
-
.
Bl i n d W t
etl in a tim Go i ng to sl eep is
‘
f fl e n a tu r a l
‘
.
sel f v
stor i es— A b og u s a u th o r — A h im
a g in a r
y i n ven tor -
A i ds i n r estor i ng h ea l th — Li g h ten s sor
r ow— P r om pts f ea r l essn ess— I n cr ea ses g en er al h a ppi n ess .
’
o clock tr a in and should i m pr ess upon your m in d
,
of self hypnoti s m
-
.
GOI N G T O SLEEP .
sl eep .
LU " vu
O U c Tu n e .
Clinton I owa M, ,
ay 4 —
Lind say S m ith o f thi s ci ty
.
th e M eth o di st Church
“
.
”
b eing una bl e to arous e hi m s elf .
D I S EA S E BY S ELF- H Y PN OT I S M .
”
t o g iv e him a m uch st rong er pr eparati o n call ed
“
,
eff ec t .
I M A GI N A R Y S K I LL A N D A BI LI T Y .
r ec tl
y and had no kno w l edg e wha t ev er of th e s u b
je c ts upon wh ich h e d esir e d oth er s to think h im an
”
a r ealizing sen se of his ability and finally b eca m e ,
to m any on account of it .
of h is em ploy es .
A D VA N TA GES OF S EL F H Y PN OT I SM -
’
is bl e a s th e to ng u e is f ul l
r em a r k a of sen sitiv e ner v e
s a nd
m any sm a l l b l oo d vessel s .
C H APT ER X .
A CCID EN TA L D EVELOP M EN T OF H YP N O I I C P OW ER
’ ‘
.
wa k e —
t e b b y M oth er s n atu r a l l y h yp notiz e th ei r b a b i es
h a
CA S E OF GER T R U D E P EN N IN GT O N .
r em ai n ed fo r so m e ti m e a n d fo r a wh il e h e co uld h ea r
th ei r n o i se m ad e i n r o m pin g a n d pl a yin g a m es .
, ,
. It
”
is ti m e to g et up Th ey all aro se an d m ad e m otion s
.
“
trud e at o nc e cri ed o u t in a shrill v o ic e : Childr en ,
”
st o p it st0p it
, and loudly clapp ed her hand s Th e
,
.
won t do it a gain
’
.
’
”
fo r so m e ti m e G ertrud e had b een playing this wa y
w i th th e child r en an d that th ey s tood in gr eat a we
,
”
Th ey call ed th ei r spor t playing i n our sl eep Mr . .
so m e seclud ed spot to
“play i n ou r sl eep ”
.
C AS E OF C H A R LES GA R DI N E R .
CA S E OF MA R GU ER I T E M A LI S TE R
’
.
’
to sl eep . I no soon er said it than h er ey es clo sed
ti ghtly and sh e sl ep t soundly all n igh t I had n o .
spac e of ti m e t elling th em
, that such a plan h ad
a lways br o ught sl eep to r estl ess p er son s sh e had
THE H YP N OTI ST S S EC R ET
'
su c cessfu l l v .
U SEFU L Br i on s — Th er e a r e ti m es wh en ever v
t
1 24 .
eflo r t
‘
. I f you r ealiz e your ti m idi ty ha s di sapp ear ed
and tha t the subj ec t is w eak ening proc eed an d yo u ,
P R ACT I C E S ELF CO N T RO L — I f yo u ca nn o t c o n tr o l
-
C U R I N G P ER S ON AL D I S OR D E R S — A good hypn o ti st .
b e cu r ed By cu r i n g th em is n o t m ean t o ver co m in g
.
po se a s subj ec ts .
V
O ER POWE R I NG E N EM I ES — Anyon e po ss essin g in
divid ual ity will sur ely hav e en em i es b u t l et th e hyp ,
pow er .
sta n tly e
nd eavor to turn you r pow er to goo d u se for ,
infl u enc e .
T H E A U T H OR S D I SK
’
.
C HA P TER X I I .
D EV EL OPI N G J
A S U B EC T .
T H E F I R S T S EA N C E .
—
pr o vid ed q ui etud e b eing by far th e m os t ess en tial .
a n d l oo k at it st eadily.
m u st follow .
I
’
; .
1 34 D EV ELOP I N G A S U BJ EC T .
N ow th ey r e g etting ti r ed
’
Wi nk th em i f you w ant .
’
to S hu t th em
. That s it N ow yo u r e drowsy
.
’
.
,
”
ey es tight shut G o to sl eep
. .
doing What i f he d es
. o " H e is ob eying you an d
’
will ob ey you s till m or e D on t m ak e a sudd en .
, ,
’
clos ed tha t you can t o p en th em S hut th em tigh t er .
,
N ow you can t op en th em
’
tight er tight shut
, .
, .
”
Shut th em t ight H e w ill sh ut his eyes very tight
.
1 36 D EV ELOP I N G A J
S U B EC T .
Fa st er fa st er fa st er fas ter
, ,
N o w th e oth er wa y
,
.
.
th em .
T H E T H I R D S EA N CE .
”
H e will try in vain
’
your ey es try it you can t do it
“
, , . .
, g .
”
wak e up Count thr ee and th en sa y l o udly : All
.
T H E F OU R TH S EA N C E .
exa m pl e :
“ T h e day is cold You ar e shiv ering H er e put
. .
,
h a s u ps et Y ou h av e inj u r ed y o ur a r m
. I t is pai n .
’
Lo o k out it i s strong N ev er m ind it won t b ur n
,
.
,
1 38 D EV ELOP I N G A SU B ECT J .
”
righ t now h er e we go
,
.
T H E FI F TH S EA N CE .
, , ,
T H E S I X TH S EAN CE .
of a n i m a l m a g n eti sm — N eu r a u r a I m pr essi b l es
m
istin
ni eb i n m en ta l o w e r — H ow to r ecog niz e i m pr essib l es
g g p
M eta l r od — Or g an s n ot eq u a l l y i m pr essib l e— H ar m on i ou s
-
Pr od uci n g sl eep in insom nia— S upp r essing r espi r a tion
”
to b e a m agn etic h eal er h e n ev erth el ess p rac tic ed
“
,
P H I LOSOP H Y A N D M ETH OD OF DR . C UR T I S .
i m pr ession s of th e o p erators .
p ow er b etw een th em .
ac h es.
T O R E LI E VE H E A DA C H E .
b e p er m an ent .
1 46 A N IM A L M A GN ET I S M — MA GN ET I C H EA LI N G .
T O R E LI E
V E T OO TH A CH E .
T O R EL I EV E BOD I L Y P A I N S .
est eem ,
con sci en tiou sn ess and a pprob a tiv en ess ,
sid e etc
, .
T O P R OD U CE S LEEP .
th e in ternal organ s .
D OC T R I N ES OF M A GN ETI C HE A LI N G .
1 . Every
p erso n is su sc ep tibl e to m agn eti c in flu
enc e and al so capabl e of succ essfully r esi sti ng a
,
h i gh a d egr ee of a th e s m e p o w er a s h e do es no ,
c eived .
P e r so n s po ssess a t di ff er ent ti m es di ff er en t
3.
sh o u ld b e en ti r el y o f a n er vo u s charac ter p er m an en t ,
5 I
. f s u sc ep tibili ty to ani m a l m agn eti sm is a
tic e .
u r a lly .
makin g pa ss es down th e br ea st .
EXP ER I M EN T S I N A N I M A L MA GN ET I S M .
TO EX A M I N E D I S EA S E D P ER S ON S .
”
th e sl eepin g subj ect th e m agn eti sm in to th e
pati ent in th e m ann er of m akin g th ese pa sses as
,
” ”
a ted . Tha t is hard en ed Th is is i m prov .
~
”
ing . That is growin g wor se I n m any
in stanc es if the sl eeping subj ect should b e fa m il ia r
,
O ER C OM I N G H A BI T S BY H Y PN OT I S M
V .
soon vani sh es .
"
h i s “fl “ C
0 .
14 IN A In
en ce he r CS tf a I P
°A
u
t
.
0
a u
”
u
A A
t/C C a I u
A m
C
A
C u
A
ri u
1
u c u t,
A "l
l "
pati ent in his m ental eff orts is the sugg est ion o r ,
. .
OU R ED T H E TOBA CC O H A BI T .
“
W ell ’
you can t g et tha t out of your m outh that s ’ '
, ,
’
cer tain and you can t stop ch ewing it ; b u t you v e
’
,
;
i t o ut o f you r m ou th H er e wa sh out your m outh
.
,
”
with th i s wa ter .
”
sick ; l eave it alon e .
with th e r em ark
“ I r eally don t car e for it ; i t s eems to m e it wo uld
’
”
mak e m e sick i f I should try to ch ew it .
A S A C UR E F OR S T U T TER I N G .
’
two or th r ee w eek s t i m e em bracing ten or t w el v e
,
C R I MIN AL H YPN OT I S M .
excuse—A d r ug cl er k ’
s er r or — Possib il ities of cr i m e —P ossi
b il ity of b od il y h ar m —C on fi d ence i n th e O per a tor .
cha ra ct er .
’
H ook er s d ry good s stor e 26 3 W est Third S tr eet
, ,
R EM A R KA BL E H Y P N OT I C P OW ER .
thr ea ten dir e v eng eanc e upon him w hen h e r etur ns,
CR I M I N A L H Y P N OT I S M . 1 69
H OME W R EC K E D BY H Y PN O T I S M .
b e a b ov e su spicion .
C H A PT ER X VI .
H Y P N OTI S M A N D D I S EA S E .
”
a g e is the watchword tha t h a s su stain ed m any foo t
”
S ee he said I hav e all th e sy m pt om s of sm al l
, ,
p , ;
ou r tongu e is cl ear a n d that would b e i m po ssibl e
y ,
”
in a ca se of sm allpox .
”
no thing i s th e m a tt er with you H e rubb ed h is
.
m y"
”
how glad I a m it wasn t tru e a nd that wa s th e
’
-A N A EST H ES I A D URI N G H Y PN OS I S .
catal epsy .
instan c es ar e co m mon .
H OW T O P R OD U CE A N A ES TH ES I A .
ing :
Your ar m is g etting s om ewhat num b To uch it .
of it M y wi fe s U ncl e J erry to o k so m e o f i t o n c e
.
’
”
your poi so n s for m e .
”
o ff o f m e as soon a s you can .
’
l eaving ; i t do esn t pa in you at all
H is coun tenanc e assu m ed a look of int ens e in ter est
a n d his ey es b ecam e riv et ed upon th e unfort unat e
”
will l i k e to wa tch u s do it .
up " ”
H YPN OT I S M A N D T H E I N SA N E .
,
author sugg est ed hypno ti c infl u enc e .
—
R eli gious i n sa nity so call ed i s oft en m o st d epl o r
, ,
and wi sh es to ov erco m e th em .
CH A P T ER X I X .
H Y PN OTIZ I N G A N I M A LS .
ex erti n g th e infl u en c e .
is ma rv elou s .
m ay b e similarly tr eat ed .
C H A PT ER X X .
H Y P N OT I S M I N BU S I N ES S A N D S OC I ET Y .
— i o —
i n g wea l th C o nsc usness of inca pa city M en tal su per ior
i ty-
Com pel l ing r ecog n i ti on — Losing h is —I n
g r ip th e
swim .
”
as an influ ential ci tiz en by all who know h im .
thes e pow ers , the succ es sful b u sin ess man , wh eth er
202 H Y P N OT I S M IN BU S I N ES S A N D S OC I ET Y .
A U C T I O N E E R I N G — Thos e wh o a r e en g ag ed
in th e bu sin ess of auction eering r ea dily co m pr e
h end th e im por tanc e of m ental infl u enc e T h ev .
th e al e succ essfully
s .
only d i stru st .
“
say s a n d do es T h e m a n who is d ead brok e and
.
”
“
,
o rdinarily pr o sp er o u s th en is th e ti m e to display
,
em o tions ,
sm oth er d ej ec tin g thou g h ts and forc e ,
”
wh o ar e d esc en dants O f th e original b en eficiari es
”
O f th e Fr en ch clai m s or of esta tes i n l i tiga tion a
hundr ed or m or e y ears ag o Thi s d elu si o n O f w ealt h
.
fal se id ea O f life .
C o n sor o o s n n ss or I n ca p a or r r -
O ne
H YPN OTI SM I N BUSI NESS A ND S OCI ETY . 207
L o 8 I N G H I S G R I P — W e fr equ ently h ea r th e
“
.
H ow diff er en t is it wi th th e m a n who is i n th e
”
swi m Ev ery thing seem s to favor him an d what
“
.
,
”
is t er m ed good luck appar en tly f o ll o ws h im ev ery
wh er e H is m ind is ln th a t condi ti o n O f self co n fi
.
-
th e ar t Of hyno tism .
21 0 H YP N OTI S M I N TH E PR OFES S I ON S .
in a supplian t m an n er as though th e j u ry m en w er e
,
th i s m o st effe t
c iv ely th e ph ilo sophy O f hypno ti sm
m u st b e studi ed an d its m eth o d s con stan tly pra e ~
tic ed.
’
Th e physicia n s p r es enc e in the sick r oo m should
b e an inspira tion to th e pati ent I n h is O fli ce h is
.
I N TH E M IN I STR Y .
GEN ER A L H Y PN OT I C I N F LU EN C E .
”
d esir e to see i s a n old sayin g T r a el er s o f t en .
~ '
GEN ER A L H YPN OT I C I N F LUEN CE . 21 5
”
well k nown as S un set Cox th e congr essm an and
,
said
Ladi es an d G entl em en : I hold in my hand a
t el egram j u st r ec eiv ed announcing th e d eath of
, ,
”
m y m o th er in law - -
wa s r estor ed h e pr o c eed ed
“Fri ends m st atem ent is a sol em n fact The
y , .
t el egram i s fr om m y ho m e i n N ew Y o rk City M y .
”
hand exhibi tion th e p erfor m er d ep en ds la r g el v
,
in flu enc e :
“ W e had scarc ely b eco m e com fortabl e o r rath er , , ,
of th e ladi es of our co m pa ny wh o vi ew ed th e sc en e
,
P OS T- H Y P N OT I S M .
n otism .
prov e i nt er esting
A young man who h ad allow ed hi m s elf to b e
hypnotiz ed for a m us em ent was brought into th e
so m na m buli sti c stat e Aft er s ev eral ordinary exper i
.
”
m esm eriz ed by pa ss es from the h ead to the f eet
and r end er ed profoundly hypnoti z ed Standing .
, y
a t fou r o clock an d you will not b e abl e to sl eep
’
”
w i thout fail for yo u si m ply can t h elp y o ur self
,
’
.
a lat e hour .
th e r egion of th e h ea r t
.
226 POS T- H YP N OTI S M .
wh en ev er th ey m et h im he would tr ea t th em civ
illy b ut would no long er mak e co m panion s of
,
'
ri ed o u t b eca u se th ey w er e n o t a t va rian c e wi th hi s
s en se of righ t and wrong I n fa c t th ey w er e m o r e
.
,
POS T—
H Y P N OTI SM . 227
ev er n ec essi ty d ictat es :
h er io ver a n ex nn n ti o n o f h ypn o ti sm
, she pr i ,
’
much worri ed a bou t hi s daugh ter s evid en t lov e
for a worthl ess suitor B eing a young an d ro m an tic
.
wi th th e d egr ee O f h yn o sis Th er e i s o ne r em o te
.
th e op erator ,
You cannot pos sibly awak en w i th
”
o u t m y awak ening you Th en ind eed we m igh t
.
, ,
“
h im to Wa k e up " wak e up "N o w you ar e awa k e "
’ ”
You r e all righ t ' I n n early ev ery cas e th i s w ill
su ffi c e to mak e th e subj ect giv e a star t an d lo ok
about h im in a co nfu sed m ann er for a mom ent or
so and th en s m il e an d proba bly mak e som e Sh ch
“
,
”
r em a rk as Y es I a m awak e
,
.
r em em b er what h e h a s sa id an d i f at varianc e wi th
,
qui ck aw a k en in g h e sh o ul d c o ntradict it b v o th er
“
,
I t is alway s a g o od plan to h a v e a su b j ec t in a
li g ht d egr ee of hyp no si s b efor e awak ening him .
”
Wak e up i
TO m ak e th e subj ec t s exp eri enc e with hypn oti sm
’
”
SO goo d . Th en t ell h im , W ell whil e you ar e
,
r ig ht " Wa ke up "
”
wa ke up l
234 M I N D R EA DI N G— T ELEP A T H Y .
f
g i
n
A e f
u s —
o fl
u
r‘
v
kxa
a a y
r
a
(W i
y u
ll a n
“t
b
n n fl
e /V A :
44
uaa g
o
aa a
i
b u
n r
t
a n
v
d -
o
L v
,
a ve r
u a l u
" fl v n
a t "
u
M
1 1
LA
o th ers .
I M P R ES S I ON S D U R I N G S LEEP .
comfort
Pr emonitions of dang er exp eri enc ed duri ng sl eep
a r e exc eedingly fr equ ent an d hav e b een co m m o n
,
or tran sm i tter .
“
in stan c e stat e I am going to th in k o f five g eo
, ,
graphica l na m es or I a m going to th in k of fo ur
, ,
”
p er sons Af ter he h a s r eti r ed co nc entrat e yo u r
.
,
Thi s m ay b e du e to th e thou g h ts wh ic h th e na m e s
call ed up to your own m ind for th e b ar e n a m e can
,
i t b e in the ca se of figur es .
”
m ent at doubl e t el ep a thy should b e at tem p ted .
. .
”
b orrow ed .
S EC ON D M ES SA GE .
‘
r ec eiv ed th e foll o wing m ental i m pr essions : Ti m e
4 3
1 6
. S mok e ev erywh er e .
’
4 1 1 3 66 F
. ir e in m
y b o a rdin g hous e y este r da y .
”
R ec eiv ed a l ett er fro m S m ith .
"
b ook o n p sychology cr ea ted th e though t o f black
bo ok a nd the n a m e a nd disea se w er e ab sorb ed
“
,
”
boa rding hou se y est erday cr eat ed th e i d ea of
sm ok e in th e tran sm it ter s mind whi ch was th e ’
i ya s ec eiv e an
i -
i i f f
-
l n cv d f n n f 0 4
C n r fl fl
' ‘
h o 1 1 f7 i tr r
s-V vu o a a v u Q A A v se A A Q. ' A A V L 5 u M ;
b
A b A .
H Y PN O T I C M I S C EL L A N Y .
A tr ip to h eaven— U p i n a b a l l oon .
P U BL I C EX H I BI T I ON S .
a bl e exhibitions ca n b e mad e .
H YP N OTI C M I SCELL AN Y . 24 5
,
. I t is O ft en su rpri sin g
to not e the di splay O f oratory that will follow such
a sugg estion A n ew subj ect cannot b e r el i ed up on
.
anima ls .
SELF -A N A ES TH ES I A .
y h e ,
”
brav ely endur ed the op eration wi th o u t fin ich in g .
” ”
thing el se ,
Pr ess you r fing er s in th e ear s etc , .
our natu r es .
h im ,
would n er ve hi m self up and b etray no
he
f eelin g what ev er du rin g th e test Th e boy was
“
.
H i s cas e is
’
sim ply mak e my self so I can t f eel it .
H A K I M A BD EL S U R EDDI N .
count enan c e and the abs enc e O f all ext erna l evid en c e
O f pain .
im en ted up o n so th at h e m i g h t ea si ly r end er h im
,
a b sen t
. Th er e w as no thing wha tev er to indica te
a n y th ing un natural for a m or e p erf ect c o ndi tion
,
m ents .
th e r eg io n of th e h ea r t
.
CH A P T ER X X V I I I .
METH ODS OF PR OD UC I N G H YP N 1
Va rious m ethod s Of
producing h )
b een d escri b ed an d expl ain ed thr ougho
S om e o f th em ar e ex tr em el y simpl e ,
p l a n to ca rry ou t al l a l o ne th e m o ve
je ct
. T hi s w ill g ive a f a m il ia r it y w ith
of proc edu r e w hich will be of gr eat adv
ing is mor e b en efi ci al to a b e i
g n ner i1
258 METH OD S OF PR OD UCI N G H YP N OSI S .
ced u t e
M E TH OD F I R ST—OBJ EC T I VE M ET H OD
.
’
A pply th e hand b etw een th e su bj ect s sh oul der
b lad es with consid erabl e pr essu r e fo r four o r five
, ,
M ETH OD FI VE — TH E N A N CY M ET H OD .
M ETH OD S EV EN — EX ER C I S E OF W I LL P OW ER .
”
S l eep . Ask him if he i s asl eep and he will say ,
r or s hypnosi s i s produc ed
, I t i s surprising to n otic e
.
M ET H OD N I N E—TH E H I N D OO S LEEP .
tion .
hypnosi s .
tion of hypnosis .