{ Junior “, — THE BEATLES easy playalong for fluteTrack Listing Full instrumental performances. Tuning notes Eleanor Rigby The Fool On The Hill Hey Jude Lady Madonna Let It Be Michelle Norwegian Wood Ob-La-Di, Ob-La-Da Penny Lane She Loves You When I'm Sixty Four While My Guitar Gently Weeps Yellow Submarine Yesterday ‘She's Leaving Home ing tacks only. Eleanor Rigby The Fool On The Hill Hey Jude Lady Madonna Let It Be Michelle Norwegian Wood Ob-La-Di, Ob-La-Da Penny Lane She Loves You When I'm Sixty Four While My Guitar Gently Weeps Yellow Submarine Yesterday She's Leaving Home aca: tarnon/MeCane) Hern Se Avie rata oaELEANOR RIGBY Words & Music by John Lennon & Paul McCartney Moderately 3 click -E-lea-nor Rig-by —picksup the rice_ in a E-lea-nor Rig-by died in the church and was a> church where a wed-ding has been, Livesin a dream. Waitsat the win-dow bu - ried a- long with her name. No-bo-dy came. Fa-ther Mc-ken-zie, wear-ing a face that she keepsin a jar— by the door. Who is it for? wiping the dirtfrom his handsas he walks from the grave, no-one was saved. — (0:29) 15, |1:07| All the lone -ly peo - ple where do they all___ come from?. All the lonely peo - ple where do they all__be- long? 23 [24] All the Jone-ly peo - ple where do they all___ come from?__ 27, All the lone - ly peo ~ ple where do they all be - long? ony 186 Narra Sr. [ips Reser eaten Cay Sacre 6HEY JUDE Words & Music by John Lennon & Paul McCartney Rather slow click oe; Hey Jude don'tmake it bad, take a ae me 2s 2S SS ee Re - mem-ber to let her - in-to your 1) it sad song— and make it bet ~ ter. heart, then you can start to make it bet - ter td, 2- “a — = SS =2 Po i car- ry the ‘And an- y time you feel the pai, hey Jude. re~ frain__ don't For well you know that it's a world up-on—_ your shoul ~ ders. & copra 1968 nomen See. ints hse. trata! Conyn Sees.17 v Y, world a lit - tle fool who plays. it cool by mak - ing his 1:08) 20 cold - er. Da da da da— da da da da da. Hey— Jude don't make it bad, take a sad song— andmake it bet ter Re - to make it bet- - -mem-ber to let her un-der your skin, then you be~ gin Jude Da da da’ da da da da da da da da Hey- 36, Da da da da da da da da da da da Hey— Jude.LADY MADONNA Words & Music by John Lennon & Paul McCartney Brightly 6 La - dy Ma - don - na, child - ren at your — feet; make. ends meet, wonder how you man-age to Who finds * the mo ~ ney when you pay the rent, did you think that mo - ney was hea - ven sent? (026 25, [1:09] Fri - day night ar - rives with -out a suit - case, Tues-day af - ter - noon is mev- er end - _ ing, Sun - day mom-ing creeps in like a nun, Wednes-day mom - ing pa- pers did - n’t come. © cosy 1968 Noten Sang ‘ates hasned neato py Sac, 10——- Mon-day’s child has leamed to tie —his_—-boot - lace, Thurs-day night your stock - ings need - ed mend - ing. 41 10:45] La - dy Ma - don - na, ba - by at your breast; won-der how you man-age to feed—_—_ the rest, La - dy Ma - don - na, child-ren at your _— feet; won - der how you ma-nage to make ends meet_—— 57, 2. 4 make ends _—_meet.. 1EET EBE Words & Musle by John Lennon & Paul McCartney Gently nf click in times of trou-ble, When I find my-self Mo-ther Ma - ry comes to me, —speak-ing words of wis -dom, Let it be.—_ And in my hour of dark -ness she is 10, v stand-ing right in front of me, —speak-ing words of wis -dom, be Let it be, Let it be, Let it be, — Letit be. Whis-per words of wis-dom, Let it be. And when the night is cloud- y there is still a light that shines on me.Shine un - til to - mor -row, Let it be I wake up to the sound of mu- sic, Moth-er Ma - ry comes to me, speak - ing words of wis -dom, Let it be—— Let it be, Let it be, Let it be,_______ Let it be. There will be an an ~ swer, Let it be Let it be, Let it be, it 4§ Let it be. ‘There will be an ans-wer, Let it be, 13MICHELLE Words & Music by John Lennon & Paul MeCartney Gently 3 lick Mi - chelle, ma belle, these are words that my Mi - chelle, Mi - chelle, ma belle, go to-geth-er well, 13 sont les mots qui vont trés bien en - semble, trés bien en - semble. bf 17, (033 love you, I love you, I love you. That's all I want to say. Un - tl 1 find a way. I. will say the on - ly words I know that you'll un ~ der - stand. cone 965 Nutr Sn. ‘Aart Pear ran Copy Seu 14Mi - chelle, ma belle, sont Jes mots qui vont. ts bien en - semble, trés bien en - semble. I need to, I need to, I need to, I need tomake you see oh what you mean to me. I do, I'm hop - ing you will know what I mean, 43 [1:26] Mi - chelle, ma belle, sont les mots qui vont tes bien en - - semble, tes bien en - semble. I will say my Mi - chelle. words I know that — you'll un - der -— stand, 15MICHELLE Words & Music by John Lennon & Paul MeCartney tl \ Gently A click Mi - chelle, ma belle, these are words that go to-geth-er well, my Mi ~ chelle. Mi - chelle, ma belle, 13, sont les mots qui vont ts bien en - semble, ts bien en - semble, I 17, (33 love you, I love you, I love you. That's all I want to say. Un - til 1 find a way. I. will say the on - ly — words I know that you'll un - der ~ stand. © conyrgn 1965 Na Svs. -Alnighs esee eatin apr eee 14Mi - chelle, ma belle, sont les mots qui vont. ts bien en - semble, trés bien en - semble, 1 need to, I need to, 1 need to, I need tomake you see coh what youmean to me. Un- -til 1 do, I'm hop~ing you will know what’ -‘I mean. 43 [1:26] Mi - chelle, ma belle, sont les mots qui vont wes bien en = semble, tes bien en - semble, I will say the = on - ‘ily my Mi - chelle. words I know that you'll un - der - stand, 5NORWEGIAN WOOD Words & Music by John Lennon & Paul McCartney 3 click Le I once had a girl, or should I ccs say she once had = me. She: showed me her IS, St Nor - we - gian Wood? She room, is - n't it good, 2) 22 asked me to stay and she —told-—sme - where. So I looked a - round and I 31 ' 3 not - iced — there was - n't a chair. [0:40] I sat on a mug, bid - ing = my time, érink - ing her wine, conyrt 1968 Nor srs ota Rene borates Cay Secred 16We talked oun - il two, and then she said ‘I's time for bed’, She 53 a —~ told me she worked in the = mom - ing and stat - ed to 57, : = 2 aa laugh. i told her I did - n't and crawled off to sleep in the bath. 1:16) a - woke I was a= one, this bird had —_—_ flown. So I lit a poco rall. 79 dim. fire, is - n't it 00d, Nor - we - gian Wood? 7OB-LA:DI, OB-LA-DA Words & Music by John Lennon & Paul McCartney Brightly 3 St, ‘Des-mondhas a bar-row in the mar-ket place, click Mol-ly is the sing-er in a band. Des-mond says to Mol-ly,‘Gisl 1 10, like your face’, and Mol-ly says this as she takes him by the hand. Ob -la~ di,— [0:24] 13 — Ob-la- da,— life goes on bra, la la how the life goes bra, on. Ob- la- di, ob- la ~ da, life goes on. © copigh 1968 Norte Song tte hse. non Expr Seer 18La la how the life goes on. buys a twen-ty car- at gold-en Des-mondtakes a trol-ley to the jewel-ler’s store, 26, ring Takes it back to Mol-ly wait-ing at the door,and as he [1:00] 29. Ob-la~ di, Ob- la~ da,_— life goes on— gives it to her she be-gins to sing. 32, bra, Ta Ia how the life goes on. Ob- Ia - di,— 35, — ob-la- da,— life goes on____bra, La la how the life goes on. 19PENNY LANE ‘Words & Musle by John Lennon & Paul McCartney Moderately click of Pen ny Lane, there is a bar ~ ber show - ing pho-to-graphs of ev- "ty headhe’s had the plea-sure to— know. And all the peo-ple that come and go stop and say ‘hel-lo.” the lit- tle child-ren Iaugh at him be-hind his cor-ner is a bank-er with a mo-tor car, 14 back. And the ban-kernev- er wears a = mac in the pour-ing rain. 18, tf (0:39) and in my eyes, Ve-ry strange! Pen-ny Lane is in my — ears 2 Aca there be-neath the blue su-bur-ban skies I sit, and mean- while back in Pen-ny ‘econ 3987 Narr Sant. aragns Reson: rar! Cony See ~~— 27, [058 Lane there is a fire~man with an hour - glass, and in his pock-et is a por-trait of the Queen, He likes to keep his fire-en-gine clean, it's a clean machine. Pen- ny Lane, the bar - ber shaves an-oth- er cus - to- mer, we see the and then the fire - man rush - es ban-ker sitting wait-ing for a trim, 40, St Pen - ny in, from the pour- ing rain, Ve - sy strange! 43 1:32} Lane is in my ears and in «my _eyes, there be-neath the blue su-bur - ban _ skies. 2SHE LOVES YOU Words & Musle by John Lennon & Paul McCartney Bright tempo click f She loves you, yeah, yeah, yeah. She loves you, yeah, yeah, yeah, She loves you, yeah, yeah yeah, yeah. You think you've lost your love? Well 1 13, saw her yes - ter - day. It’s you she's think-ing of, and she 17, told me what to say.-_—She says she loves you, and you know that can’t be bad. Yes she loves you, and you know you should be 25, [0:44] glad. She said you hurt her 80, she cay 1963 Narn Soe. ‘vgs Rear rain Copy Se 2229, al -most lost her — mind. And now she says she knows you're 33 andyou know that can’t be not the hurt - ing kind __she says she loves you bad. yes she loves you, andyou know youshould be glad. She loves you, yeah yeah yeah. She loves you yeah yeah yeah,and with a love like that, you know youshould be _gliad.. With a love like that, | you know you should be —glad___—— glad. With a love like that, you know you should be 23WHEN I’M SIXTY FOUR Words & Muse by John Lennon & Paul McCartney Brightly (swung 2s) 5B click nf WhenI get old- er, — los-ing my hair Will you still be send-ing me a val- en- tine, ma- ny years from now. If I'd been out ‘til quar-ter to three birth-day greet-ings, bot-tle of wine?— would you lock the door? Will you still need me, will you still feed me, 21 (0:38) Ceara ss ape when I'm six-ty four? 00. $$$ $$$ You'll be old - er too. cent 967 Ree Seg. Reet nseed tana Coyrent Scud 24And if you — say the word. I could 1:09) 36, 2 a Send me post ~ card, stay with you. 41 drop me a line, stat- ing point of view. In- di- cate pre -cise-ly what you 45, mean to say, yours sin-cere~ ly wast-ing_a~ way — Give me your ans- wer, 49 Will you still need me, fill in a form, mine for- ev - er — more, will you still feed me, when I’m six- ty four? 25WHILE MY GUITAR GENTLY WEEPS Words & Musle by George Harrison Rather slow B click sh; I look at you alll, see the love there that’s sleep - ing, while my = gui - I look at the tar gent- ly weeps. 14 floor and I see it’ needs —_sweep-ing, still my gui - tar gent - ly weeps. 21, [42] ¢ no-bo-dy told you I don’t know why.how to un-fold your love. T don’t know how some -one con - trolled you, they bought and 34, mg (19) you, I look at you all see the sold. 39, love _ there that's sleep - ing, while my gui - tar gent- ly 43 weeps. With ev - ‘ty mis - take we must sure - ly be eam -ing. Still my gui - tar gent-ly weeps. aYELLOW SUBMARINE Words & Music by John Lennon & Paul McCartney Moderately 3 click mf In the town where I was bom lived a us of his man. who sailed to sea. And he — told. life in the land. of sub ~ ma ~rines. So we [0:27] sailed. on to the sun "til we — found the sea of green. And we — lived. be-neath the waves in our yel - low sub-ma rine, We all live in a yel-low sub-ma-rine, ‘© con 1866 Note Soe [Ringers nese iteatna opr Seca 28yel - low sub ~ ma -rine, yel -low sub - ma-rine. We all live in a 26, nf yel -low sub - ma-rine, yellow sub-ma-rine, yel-low sub-ma-rine. And our [1:03] 20 tee friends. are all a ~ board, ma - ny more of them live next door. And the band be-gins._ to play: We all live in a _ yel -low sub- ma-rine, yel- low sub - ma-rine, yel - low sub - ma-rine. We all live in a — yel -low sub~ ma-rine, 43 cerca nepo ep esrnTeepeeCe Pn tec yel -low sub- ma-rine, yel -low sub- ma-rine. yel -low sub - ma-rine. 29YESTERDAY Words & Music by John Lennon & Paul McCartney Gently sick ed all my trou-bles seemed so Yes-ter-day, v fara - way, now it looks as though they're here to stay, oh 8 _ bad I be = lieve in yes - ter - day.— Sud - den - ly I'm not half the man I used to be, there’s a sha-dow hang -ing 0 - ver me oh ~—yes ~ ter - day came — sud - den ly. Why she had to go ‘I don't know, she would-n't say. © cenyt 1968 Notte Snes sures Reenter Cane Secu 30I said something wrong,now I long for yes ~ ter - day. 1:09] ™p 25, Yes - ter - day Jove was such an ea- sy game to play, 28. V be - lieve in now I need a place to hide a- way, oh I love was such an ea - sy yes - ter- day.— Yes - ter - day 34, v place to hide a- way, oh game to play, now I need a dim. I be-lieve in yes ~ ter~day.— 31SHE'S LEAVING HOME Words & Music by John Lennon & Paul McCartney Flowing 3B click mf Wednes-day mom-ing at five 0" - clock as the . : 2 ae day be - gins Sil-ent- ly clos-ing her bed-room door, 16, Vv leaving the note that she hoped would say more. She goes 21, | [0:30 _— 2 down - stairs to the kit - chen clutch-ing her hand - ker-chief.— 29 et out - side, she is Qui-et- ly tum-ing the back-door key, step-ping (0:54) 35, 1:28 free. We gave her most of our _ lives, 42 we gave her ev - 'ry-thing sac- ri-ficed most of our lives, 48 fh 2 2 mon - ey could buy. Bye bye. 7 di im, 96, | |2. 2 3 65 Bye bye She's Ieav - ing home, bye bye.. 11/11 180337) © cont 1967 Neer sons Ait nesened.Inrnon Gnyght ewes 32‘lute Fingering Chart FT HAND Lire Finger OG uumb keys, Lefe Hand. D ners on tee LEFT HAND eco! = ctyob RIGHT HAND Till Keys 56a e1eley= Litde Finger © Fees tied om ey Foooin hes RIGHT HAND oe eS Ore aH ood wired eed au LEFT HAND RIGHT HAN eos oo¢ J Same Fingering fr ba ae loba Abyeb Same oping fer both ces ct/pb Same fngeing er bo oes oogq w= eod eog = coq ood) 00g ooLEFTHAND RIGHT HAND. cee! oo = oeel eoe Dty/eEb oeel eee) eee 2:0 °¢) eed eer ecel oo 6 ecel oe] eiaeee LEFT HAND. oeel oecl c re RIGHT HAr oro @oo ( e100 0 O10 sod