Professional Documents
Culture Documents
by Udo Butschinek
Imprint
Copyright © 2017 by Udo Butschinek
All rights reserved. This book or any portion thereof may not be
reproduced or used in any manner whatsoever without the express
written permission of the publisher, except for the use of brief
quotations in a book review.
Faszien Dresden
Udo Butschinek
Lingnerallee 3
01069 Dresden
Germany
Email: udo.butschinek@gmail.com
Website: www.faszien-dresden.de
Phone: +49 1575 1971158
Imprint
Introduction
What the founders knew about the human body (which modern
masters have no clue about)
Strength and Power
Everyday movement
Proprioception
Body structure and posture
What Siu Nim Tao is NOT
What Siu Nim Tao is REALLY about
How REALLY to practice Siu Nim Tao - Instructions
Starting
Things that happen in Siu Nim Tao
Summary and final words
Want to learn more?
Online-course
Seminars
Acknowledgements
Introduction
My martial arts career started somewhere in the mid-seventies,
when the "Kung Fu" series with David Carradine as Kwai Chang
Caine was aired on German television. I had no idea about what
Kung Fu or martial arts was. But somehow it made a big impression
on me. It was only 25 years later, when the series was re-published
on DVD in the UK, that I got a grasp of what the series was all about.
It was a fantastic introduction to Buddhist and Taoist philosophy, and
at the same time a completely far-out genre-mix between Western
and martial arts movie.
But after a while, doubt dripped in. In theory, the concepts were
convincing but transfer to real-life application was not.
For example, there is a principle in WingTsun that says that you don't
put your head forward to protect it from being hit. But whenever I
saw highly graduated WT students, I noticed that they did not - or
could not - follow this principle. I asked myself why they are not able
to do so, although they've trained it for years (I will provide the
answer later).
Another example: Although 4 principles were taught for Chi Sao
(move forward, stick, yield, follow) you never saw it in sparring fights.
Not even close. All there was - no matter how highly graduated -
were front-kicks and chain punches.
There were only two possibilities: Either wing chun did not work or
something was missing.
This started me to look into other martial arts and wing chun styles.
One day, I came across a book entitled “Wing Shun for insiders”
written by a German body therapist who was a trained body worker
and martial artist. He revealed some basic anatomical principles that
answered my questions. All of a sudden, I knew why highly
graduated wing chun masters could not keep their heads back when
moving. The answer was simple: their body structure would not allow
it (what that means will be explained later). I booked a weekend with
Frank and after only 10 minutes it was clear that I had trained Siu
Nim Tao (and Chi Sao) entirely wrong for 15 years. I became a body
therapist myself and started training Siu Nim Tao in an entirely
different way - which lead to amazing insights and results.
P.S.: If you want to learn the Secret Siu Nim Tao first-hand, then I’ve
put together an online course and am open for seminars world-wide.
See chapter “Want to learn more?”.
What the founders knew about the human
body (which modern masters have no clue
about)
Try to spontaneously answer the following question: What is needed
in order to keep a body upright?
The model that I - and all body therapists - work with is a bit different.
We view the human body as what is called a “tensegrity model”.
Tensegrity is a made-up word derived from the words “tension” and
“integrity”. It is a structural principle used in architecture. All
tensegrity models consist of rigid elements, like wooden rods, and
flexible elements which connect everything.
“Tensegrity Sphere” photo (and model) by Jonathan Lin. Creative Commons BY-SA 2.0
Try to transfer this to your body. There are rigid elements - your
bones, your skeleton. All these elements are interconnected by a
flexible element. This connecting and flexible element is called
fascia.
In fact, you may be shocked when I tell you that muscles are
performance inhibitors par excellence. The more muscle training you
do - and the bigger you become - the less power you will have. By
the way: Why would you do extensive strength-training when your
style does not (or at least claims to not) rely on strength? There is
no way that you come to an inner style by using methods of outer
styles.
How is it that strength training and growing muscles make you
weaker? Don’t we see that the biggest guys in weightlifting move the
biggest weights? There is a reason why there are different weight
classes, right?
This certainly is true. But moving a bigger weight in absolute terms
does not mean that you are now stronger from a relative perspective.
In fact, it is easy to show that your strength per kg body weight drops
the bigger you are.
Just look at the following table. These are worldrecord-numbers
taken from the website of the International Weightlifting Federation
(at http://www.iwf.net/results/world-records/):
<=
56kg 139 2,48 171 3,05 310 5,54
<=
62kg 154 2,48 183 2,95 337 5,44
<=
69kg 166 2,41 198 2,87 364 5,28
<=
77kg 176 2,29 210 2,73 386 5,01
<=
85kg 187 2,20 220 2,59 407 4,79
<=
94kg 188 2,00 233 2,48 421 4,48
<=
105kg 200 1,90 246 2,34 446 4,25
<=
115+kg 214 1,86 263 2,29 477 4,15
You can clearly see that while absolute strength goes up, relative
strength per kg body weight goes continually down. From 2.48 kg
per 1.86 kg per kg body weight is a reduction of about 25%. Please
consider that I am being nice here: For the heavyweight class, I have
estimated an exact 115 kg body weight while in reality, I suppose
that they are way heavier. This is also true for the other classes - for
my calculations, I have always assumed the maximum body weight.
So real differences might be even bigger.
Why is it that you get relatively weaker with respect to weight moved
per kg body weight?
As I said before, your fascial-net is responsible for conveying forces
across your body. Now, every muscle is wrapped in (and connected
with) fascial tissue. You can think of ground meat wrapped in clear
film. The ground meat is your muscle, and the clear film represents
the surrounding fascia. At each end, the tissue will twirl and get
denser thus be firm, yet flexible. This goes straight to the bone and
the periosteum (which itself is fascial tissue) respectively. You can
think of it as a bonbon-form:
This is a nice model of, say, your calf muscle: The ground meat (for
hygienic reasons i used a cloth here;-)) surrounded by clear film is a
part of your gastrocnemius muscle while the ends are tendons - the
lower tendon being your achilles-tendon.
You can consider your body to be a chain of interconnected
“bonbon”-muscles.
Now when you start lifting weights your muscles get bigger. What will
happen to the "clear film" - i.e. the fascial tissue around your
muscle? Think about it - tension on the surrounding fascial tissue is
increased. It is as if you were inflating a balloon. At a certain point -
sooner than later - the fascial tissue will lose its ability to store
forces. It will lose its rubber band characteristics. Also, the ability to
convey forces across body parts is reduced (and by the way, the
mobility of respective joints as well).
This is why weightlifters get weaker in relative terms. Interruptions of
force conveyance in one part of the body weaken the body as a
whole - because the weakest chain link determines the strength of
the whole chain. Releasing fascia can fix this to some extent.
Are you still doing extensive strength training?
Everyday movement
Another important trait of fascia is that they adapt to the dominant
way in which you use your body daily. Recurring postures and
movements determine the form of your body and your mobility and
flexibility. If you sit a lot, this will impact your body negatively. When
you sit on a normal chair - according to official advice, by the way - it
will look something like this:
Look at what will happen: First, your pelvis is forced into a forward
position. This will shorten your front and - your spine is connected to
your pelvis - as it does so, will lead to a round back and a head
forward posture. This is compulsory from an anatomical point of
view. You can test it for yourself, even when standing. Try this: Stand
upright with your feet hip-wide apart and your body weight evenly
distributed on each side. Now slowly move your pelvis forward as far
as you can and keep it there. Notice what will happen to your front,
your shoulders, your head and your spine:
● Your front will be concave
● Your shoulders curl in
● Your head comes forward
● Your lordosis (in-curve in your lower spine) will be gone
The reason why this happens is that your pelvis is connected to your
chest. E.g. your abdominal muscle (musculus rectus abdominis) is
directly connected to your chest. It starts at the pubic bone and ends
at the breastbone. Think of it as a rope. Now when you move your
pelvis forward you will reduce the distance between pubic bone and
breastbone which will loosen - i.e. shorten - the rope. When this
shortening happens, the rest must follow as it is also connected.
Someone once estimated that the average person sits around 11.5
hours per day. As fascia adapt to your dominant posture and
dominant movement pattern, the outcome is clear: A shortened front
and a head forward posture. A round back and a dislocated pelvis is
not just an aesthetic problem. It severely impacts your health - not
just your spine, but your inner organs as well. There is no way to
lengthen this by any gymnastics. Fascial tissue is really tough. Just
think about it. If it is true that fascial tissue adapts to the dominant
posture and movement patterns, then what use could there be in
attending a 1.5-hour yoga session twice a week? While you're sitting
11.5 hours, i.e. 690 minutes a day which is 4830 minutes per week
and given that you will stretch your front within a yoga class for 10
minutes twice a week means 4830 min : 20 min per week! Even if
you did nothing but stretch your front for the whole of your yoga
class it would still be 4830 min : 180 min! This is a factor of almost
27.
What this means is: The biggest lever is your everyday movement.
This will highly impact your ability to move economically and
efficiently. Your training - according to the anatomical principles I
present here - is on top of this.
If certain parts of the body are no longer used at all, not only the
fascial structures in the respective area are glued together, but
sometimes also so-called "sensory-motor amnesia" occurs. The term
refers to the state in which certain muscles are permanently
contracted without the person being able to intentionally relax this
muscle. There is simply no longer any connection between the map
and the body part. This causes movement restrictions and pain.
Now, not all movements are equally well suited to improve the quality
of brain maps. Movements that are most likely to lead to qualitative
changes in the brain maps are curious and explorative, innovative
and interesting, but above all slow, gentle, attentive and not painful.
You can already see from this description that there is a big
difference between the dull movement of a weight with a certain
number of repetitions and the described form of movement (which
does not mean that proper weight training would have no use - it
does. However, I wouldn't put the emphasis on weight training).
If you want to remain flexible and painless into old age, it is therefore
critical that you work on proprioception. That you improve the quality
of your brain maps will automatically improve your quality of
movement. Which in turn means that a functioning body is as well
mental as a physical issue. Let that sink in.
Fascia determine the form of your body as a whole and also of body
parts. The way e.g. your biceps looks is determined by the
surrounding fascia. Body therapists distinguish between a posture
and a structure. While your posture is something that you do actively
like pulling in your tummy, straighten your back, holding your head
above your shoulders etc., your body structure is what is there when
you're not thinking about your posture. Body structure denotes the
relative position of several parts of your body to each other.
Just think of a pencil. A pencil can stand upright if you put the flat
end on a table. This is a labile equilibrium. Now imagine you would
cut this pencil into 7 parts of equal length. If you wanted to have the
pencil upright by putting all parts on top of each other, there is only
one way to do it. Without the construction collapsing, that is. All parts
have to be exactly in line. Should one or more parts be rotated,
shifted or even tilted - there cannot be any equilibrium but only
collapse.
1. Feet
2. Lower leg
3. Upper leg
4. Pelvis
5. Upper body
6. Neck
7. Head
There are many so-called kung fu "masters" who sit or stand in fine
postures on photos. But as soon as the camera is off, they will
slump. Their body structure is broken. I could show you numerous
videos of kung fu masters with dysfunctional body structure. They
cannot possibly be able to practice real soft martial arts as their
structure does not allow it (this is - by the way - the reason why
highly graduated WingTsun students could not keep their head back
- their structure would not allow it. They were too short in the front.
Which is no wonder when you are doing sit-ups regularly).
Now, first think of two dogs in a fight. You’re asked to bet your money
on one of them. One limps, has an inflexible spine and can’t open its
mouth on one side. The other can move normally. On which one
would you bet?
I am not talking about severe disability here. Displacement of body
parts, i.e. shifts in body structure, hinders normal function. Hindered
normal function means uneconomic movement and instability. A
displaced pelvis makes you stiff and unstable. The same goes for a
round back. I would always bet on the more functional of two
opponents.
Body structure in the human body does a lot for economy and
stability. Your pelvis is the centre of your body and extremely
important. Are you wondering how to “answer” a wrestler attack? A
right pelvis position is more than half the rent.
Let's get back to our pencil cut into seven segments. Ideally, there is
a plumb line which goes straight from top to bottom in the middle of
our pencil. Now as a human, we do have joints which need a bit of
free play. In side view, there are four joint axes (an axis is an
imaginary straight and horizontal line through a joint):
Here you see the plumb line in the middle and the relative position of
each axis, denoted by the red dots:
For obvious reasons, this line from axis to axis is called the zigzag-
line. It is the basic structural characteristic of the human body which -
under natural circumstances - is and should always be present.
Simply because this is what guarantees economy and stability.
You do not have to take my word for it, as you can simply test it for
yourself:
Now do the opposite. Bring your pelvis way back so that your upper
body is parallel to the ground. Relax your arms. Let your back be
concave. How does that feel? Is it easier than the posture before?
Could you stand like this for 30 minutes? I guess you could.
When your pelvis axis is behind the plumb line you are mainly using
your strong glutaeus muscles which makes standing upright
effortless. The first position does not use the glutaeus but puts a lot
of stress on your abdominal muscles. Which makes it really
uneconomic.
Now let’s test for stability. First, bring your pelvis forward again. Now
let somebody pull on one of your arms. You will notice that he/she
just needs a thumb and forefinger and very little power to pull you
forward, even if the person pulling is some weight classes below you
(I am only 70 kg and have done it easily with men weighing 120 kg
or 140 kg).
Now bring your pelvis back and have someone pull again. You will
notice that the other person now has to pull much harder. If you bring
your pelvis more back the more the other person is pulling (while not
resisting in your arms and shoulders) it is almost impossible for any
person to break your balance.
So if your pelvis axis is behind the plumb line, if this is your body
structure, you ARE stable no matter your size or weight. If your
pelvis axis is in front, you are unstable, no matter your muscle mass.
This is how important structure is.
Ideally, your pelvis should have a slight anterior tilt relative to the
femur. I will explain what that means. Think of your pelvis as a coffee
cup with two handles. Attached to these handles are one rope on
each. Now if you pulled on the front string, you'd spill your coffee at
the back. If you pulled on the back, you'd spill it at the front. Pulling
on the back means that you are using your m. erector spinae and
anterior tilt. Pulling the front means using you m. rectus abdominis
and posterior tilt. A posterior tilt results in a flat lower back with no or
almost no lordosis. This is extremely unstable. You can test it again
for yourself by having someone pull your arm. On the other hand, an
anterior tilt is extremely stable. You will be long in your front line, and
it is very hard to be pulled forward now. The combination of a slight
anterior tilt of the pelvis and a pelvis axis behind the plumb line
makes you solid as a rock.
Just think of a weightlifter lifting some really heavy weight:
If it is true that wing chun is an inner style that has no techniques but
is based solely on principles - then how could you possibly practice
techniques in Siu Nim Tao?
You are also not practicing keeping your arms - or heaven forbid
your elbow - on your central line. From an anatomical perspective,
this does not really make sense. When your arms are hanging
loosely on your sides, and you now swing them to the front of your
body, your elbow is surely not on any "central line". The same is true
when your arms swing back. When you try to hold your elbow on a
central line, it is not possible without forcing your elbow to do this -
which is quite the opposite of being "relaxed". This is simply
determined by your body's anatomy.
Finally - never are you practising something against some imaginary
opponent.
What Siu Nim Tao is REALLY about
First Siu Nim Tao is a way to work on your fascial web. Its main
purpose is to free your body from fascial restrictions and so-called
"Sensory Motor Amnesia". Sensory Motor Amnesia - an expression
coined by Thomas Hanna, the founder of Hanna Somatics - means
that there are muscles in your body that are constantly contracted
and there is no way for you to relax them voluntarily. The connection
between your brain - that is, your motor cortex - is disconnected.
This leads to pain and restrictions in movement. Siu Nim Tao helps
you find these permanently contracted muscles and re-establish a
connection and enable you to relax them again.
● Gravity
● The elastic forces of fascia
● Muscle power
Done properly, Siu Nim Tao will improve your body structure. The
prerequisite is that you let go of your muscles and let your body do
the work. Do not contract any muscles by will. Standing in IRAS, do
not move your pelvis forward. By now, you should know why: Simply
because this would instantly make you unstable as your pelvis axis
moves forward, and the pelvis is rotated posteriorly. Only if you let
go, your body structure will improve over time - this takes a while - I
am talking about at least 9 to 12 months or even years - depending
on your starting point - as your fascial web changes only slowly.
Unless you see a body therapist, that is. A body therapist may do in
2 hours what would take years to accomplish by yourself. But
nonetheless, you can treat yourself by practising Siu Nim Tao
properly.
These are the basic principles of practising Siu Nim Tao properly you
should take to heart:
● Move as slowly as you can - as if in ultra-slow motion. Going
through Siu Nim Tao may take at least 20 - 30 minutes, or even
1 hour.
● Contract as little muscles as possible. This also goes for your
legs. It also means not to press your adductors onto one
another. Neither do you tilt your pelvis forward, as it would
shorten your front (remember the body structure and the
position of the axes?)
● Your pelvis hangs in fascial “slings”. Let it hang there.
● A good feedback mechanism whether you are relaxed or not is
to feel your arm’s weight. This is a sure sign that you use
minimal muscles. Lifting your arm to perform Bong Sao means
lifting a weight of about 5 kg against gravity. If you cannot feel
this weight, you are still using and contracting too much
muscle.
● Along with feeling the weight of your arms, goes a slight
stretching tension and/or a tickling. Sometimes this may even
hurt a little. Congratulations - you are stretching on the level of
your fascial tissue.
● Never fully elongate joints. If you do so, you are contracting
unnecessarily and probably damaging your joints.
● Feel “set”, i.e. grounded while at the same time stretched
upwards
● In your mind, go constantly through your body from top to
bottom and try to identify parts where you are still holding back.
● Ask yourself constantly - how am I moving this arm or joint?
Can I do it more efficiently?
● Let go. Whatever your body does, let it happen. Do not work
against it. There are a number of weird things that may happen
if you practice Siu Nim Tao that way, which I am going to
describe later.
Starting
Start standing upright, feet hip-wide apart - do not hold yourself
upright. To voluntarily adopt a posture means to contract muscles
and thus be stiff. If you find yourself posing, relax - even if it means
you are standing with a round back. Your goal is to be upright
without actively adopting a posture. Let your arms hang loosely on
the side of your body.
Now move your lower arms slowly upwards. Upper arms loosely
hanging. Your hands hanging down, following gravity. There is a
roughly 90-degree angle between hand and lower arm. You should
already feel a tickling here - stretching your fascia. When the lower
arms reach an angle of about 90 degrees relative to your upper arm,
slowly turn the lower arm outwards. Do not clench your fingers to
form a fist. Just relax your fingers - naturally, they will be bent. Most
importantly: Do not pull your elbow backward, as this would again
mean contraction. Let your arms hang beside your body as they
would naturally do.
Now let your pelvis glide backward (pelvis axis way behind plumb
line and your upper body leaning forward - almost as if you wanted
to do a deadlift. The front of your body is long and convex, while your
back is concave). From here, open your feet sideways by getting on
your heels and moving your forefoot so that your toes are pointing at
roughly a 45-degree angle sideways. Beware to start this movement
from your knees, not your ankle. You have probably heard of "elbow
power". The same applies to your lower extremities. So open your
feet by starting from your knees. Now shift weight to your forefoot
and move your heels sideways (notice that Siu Nim Tao contains
information about how we stand on our feet, namely your heels in
the back and forefoot in the front with equal weight distribution).
You can now bring your body actively to an upright position or - if you
are a bit more advanced, you can relax here and wait until your body
moves upright by itself without you actively doing it. For me, this is
always a fun part, as it shows that your body has a tendency to be
upright.
Now you are in the starting position to practice. I said it before and
will say it again as it is critical: Do NOT tilt your pelvis forward as this
will shift your body away from the ideal axe's position relative to the
plumb line. This makes you instable, weak and lets your body
structure deteriorate.
What really helps to move slowly and thus quieting the mind (and
making it even more fun) is to have some meditation music in the
background. I still use it most of the time when practising Siu Nim
Tao (unless I am not at home). I usually listen to the "Meditation"
stream from Radiotunes (https://www.radiotunes.com/meditation).
They are just awesome. But of course, you can use any meditation
music you like. Also, a good idea is to use meditation music with
binaural beats via headphones like Hemisync ®.
Things that happen in Siu Nim Tao
If you start practising Siu Nim Tao that way and really let go and
allow your body to do what it wants to do instead of forcing it into
preconceived ideas of a "right" Tan Sao or a "central line" several
funny things will happen of which I will describe only a small fraction
of which I know that all students who practice this way sooner or
later will experience.
● Your arms might start to move in some direction that you may
not have intended. Let it happen.
● This might go along with some trembling in your limbs.
● Limbs or other body parts might suddenly and wildly start to
twitch. You may slowly move an arm as for Tan Sao and then
suddenly your arm is pulled forward. There was a time when
my head was always pulled forward abruptly, like a pigeon
pecking for food. That must have looked really crazy from the
outside. It later ceased.
● Even to this day, I feel an increased salivation while practising
Siu Nim Tao.
● Your chest may be pulled upward.
● You might also find out that only thinking about a movement,
this movement will start all by itself. Without you doing it
actively. This is probably more advanced, but you can give it a
try. If you come to this level you will not feel your arm’s weight
but more as if they were moved by some outer force. Sounds
crazy, but it is true.
At some point, you might feel something like a punch from deep
inside, somewhere in the stomach area. It will go like a jolt through
your body. Then nothing will happen for a long time until another jolt
comes. Over time these jolts will be more frequent until some day
your whole body will start trembling from deep inside your body -
without you doing it actively. You can provoke it voluntarily at some
point, but it will only happen when you let go.
What’s happening there? I believe that the trembling starts from your
core muscles - especially the M. Psoas. The first jolts you’ll
experience is your psoas starting to free itself. You can imagine that I
was awestruck the first time this happened to me. I only later found
out about Dr. Berceli who markets a method called TRE® that he
has developed. TRE stands for “Tension and Trauma Release
Exercise”. By a certain sequence of movements, they invoke the
exact trembling you will experience in Siu Nim Tao. On their website,
they say about TRE ® :
"Tension & Trauma Release Exercises (or TRE®) is a simple …
series of exercises that assist the body in releasing deep muscular
patterns of stress, tension, and trauma. Created by Dr. David Berceli,
Ph.D., TRE safely activates a natural reflex mechanism of shaking or
vibrating that releases muscular tension, calming down the nervous
system. When this muscular shaking/vibrating mechanism is
activated in a safe and controlled environment, the body is
encouraged to return back to a state of balance."
(https://traumaprevention.com/what-is-tre/).
They claim the following - ostensibly reported - benefits:
“
● Less Worry & Anxiety
● Reduces Symptoms of PTSD
● More Energy & Endurance
● Improved Marital Relationships
● Less Workplace Stress
● Better Sleep
● Less Relationship Conflict
● Reduced Muscle & Back Pain
● Increased Flexibility
● Greater Emotional Resiliency
● Decreases Symptoms of Vicarious Trauma
● Healing of Old Injuries
● Lessened Anxiety surrounding Serious Illness
● Relief from Chronic Medical Conditions”
That's a lot for a little shaking, isn't it? This is naturally part of Siu
Nim Tao. So, you do not have to attend a TRE ® Seminar. All you
have to do is practising Siu Nim Tao properly as outlined here, and it
will naturally happen. Although it usually takes a long time to come
into this state, there is a shortcut to come into this shaking. This is
inspired by some TRE ® videos I watched on YouTube and I have
successfully tested it with novice Siu Nim Tao students. To
experience the trembling and shaking, do this:
Once you can provoke the trembling while lying on the floor, try
again while standing in IRAS. You can provoke the trembling by
stretching your knees a bit and then abruptly bending them again so
that you “fall into your knees”. Later, the trembling will start without
that “trick”.
The trembling can be really frightening at first and really heavy. In my
apartment I have a wooden floor. Sometimes the vibrations were so
strong that they were transmitted via the wooden floor to the other
end of the room, causing a closet to vibrate!
Summary and final words
Once you have understood that the body consists mainly of fascia
and what influence a flexible fascia network has on the performance
and flexibility of the body, it is imperative that you practice Siu Nim
Tao differently. Given of course that you take the idea of wing chun
as a soft martial art seriously.
The first wing chun principle of power says, “first free yourself from
your own force”. The main purpose of Siu Nim Tao is to help you
accomplish that. Siu Nim Tao helps you to free your fascia network,
to improve your body structure. This will enable you to move faster
and more economically and, above all, to transmit more power. Isn’t
that kind of Yin and Yang?
In order to do that, you really have to practice Siu Nim Tao very, very
slowly. It is even possible to just think of movements and have your
body do the rest. Without you actually doing anything actively. You
must let happen whatever will happen. Your body knows best. Your
“personal” Siu Nim Tao might look odd - so make sure you practice
on your own ;-).
Once you start practising Siu Nim Tao in that way, you start a journey
into your own body and your own self. You may get to know your
body in an entirely new way. This inevitably leads to a different Chi
Sao and a fundamentally different idea of wing chun in general.
This is why I have set up an online-course for you. I know that some
of my descriptions in this book may be hard to envision. Of course,
they are if you have never actually seen someone doing it.
Go to: https://secretsiunimtao.teachable.com/p/the-secret-siu-nim-
tao and enroll in the course now!
It’s like having private lessons with me, as you can also ask
questions below the lessons.
Seminars
If you are interested in live seminars to learn the secret Siu Nim Tao
first-hand, just drop me an email. I’ll be happy to hear from you.-
Acknowledgements
I would like to thank Frank Demann who introduced me to the realm
of fascia and who provided the sitting-posture figure and kindly
allowed me to use it. Visit his website: faszien-senmotic.de
I would also like to thank Peter Scholten who drew the initial plumb
line figure used on the front-cover and in the book. I have used it
with some changes. Visit his website: senmotic-wiesbaden.de