O SANCTISSIMA

(O Most Holy One/Mary, Full of Grace)

C F C C sus 4 C F C G

1. O san ctís si ma, O pi ís si ma, Dul cis

2. Tu so lá ti um Et re fú gi um, Vir go
3. Ec ce dé bi les, Per quam flé bi les, Sal va
4. Vir go ré spi ce, Ma ter, ád spi ce, Au di
1. O San ctís si ma, Ho ly Queen of Love, Dear est
2. O most beau ti ful, And most mer ci ful, Gate of
3. Ma ry, Mys tic Rose, Font that o ver flows, Seat of
4. Ma ry, plead for us; In ter cede for us. Come and

w
D G C G D7 G [G] G7

1.
2.
3.
vir
ma
nos,
go
ter
Ma
Ma
Ma
rí
rí
rí
ie a!
a!
a!
Ma
Quid
Tol
ter
quid
le
a
op
lan
má
tá
guó
ta,
mus,
res,
ev
4. nos, Ma rí a! Tu me di cí nam,
1. Vir gin and Moth er. Blest by ev ’ry na tion,
2. Heav en, we hail you. Star of our sal va tion,
3. Wis dom, we greet you. Moth er of our Sav ior,
4. lead us to Je sus. Moth er in our sad ness,
Pr

Text: 55 7 D; Latin verse 1 fr. Herder’s Stimmen der Völker in Liedern, 1807; verses 2–4 fr. Arundel Hymnal, 1905. English tr. by Harry Hagan, OSB, b. 1947,
© 2003, St. Meinrad Archabbey. Published by OCP. All rights reserved. Alternate text by Jeanne Frolick, SFCC, © 1973, OCP. All rights reserved.
Music: O DU FRÖHLICHE; Tattersall’s Improved Psalmody, 1794; keyboard acc. by Randall DeBruyn, b. 1947, © 1991, OCP. All rights reserved.

22994-Z1
Edition #93567
 O SANCTISSIMA, cont. (2)

C C sus 4 C F/C C F C F C G7 C

1. In te me rá ta,
12. Per te spe rá mus,
O ra, o ra pro no bis!
3. Sa na do ló res,
4. Por tas di ví nam;
1. Ev ’ry gen er a tion:
2. Crown of all cre a tion:
O ra, o ra pro no bis!
3. Full of grace and fa vor:
4. Moth er in our glad ness:

w
ALTERNATE TEXT
1. Mary, full of grace, 2. Mother, Virgin pure,
Splendor of our race, Hope and refuge sure,
Holy Virgin Maria! Lead us safely to Jesus!
Pray for us to Christ, your Son,
Now and when our life is done!
Ora, ora pro nobis!
ie Spirit filled and lowly,
Mirror of the Holy!
Ora, ora pro nobis!
ev
Pr

Edition #93567
 O SANCTISSIMA
(O Most Holy One/Mary, Full of Grace)
C F C Csus4 C F C G

1. O san ctís si ma, O pi ís si ma, Dul cis

2. Tu so lá ti um Et re fú gi um, Vir go
3. Ec ce dé bi les, Per quam flé bi les, Sal va
4. Vir go ré spi ce, Ma ter, ád spi ce, Au di
1. O San ctís si ma, Ho ly Queen of Love, Dear est
2. O most beau ti ful, And most mer ci ful, Gate of
3. Ma ry, Mys tic Rose, Font that o ver flows, Seat of
4. Ma ry, plead for us; In ter cede for us. Come and

w
D G C G D7 G [G] G7

1.
2.
3.
4.
1.
2.
3.
vir
ma
nos,
nos,
Vir
Heav
Wis
go
ter
Ma
Ma
Ma
Ma
gin and
en, we
dom, we
rí
rí
rí
rí
Moth
hail
greet
ie a!
a!
a!
a!
er.
you.
you.
Ma
Quid
Tol
Tu
Blest
Star
Moth
ter

me
by ev ’ry
a
quid op
le lan
di

of our sal
er of our
má
tá
guó
cí
na
va
Sav
ta,
mus,
res,
nam,
tion,
tion,
ior,
ev
4. lead us to Je sus. Moth er in our sad ness,

C Csus4 C F/C C F C F C G7 C

1. In te me rá ta,
2. Per te spe rá mus,
O ra, o ra pro no bis!
Pr

3. Sa na do ló res,
4. Por tas di ví nam;
1. Ev ’ry gen er a tion:
2. Crown of all cre a tion:
O ra, o ra pro no bis!
3. Full of grace and fa vor:
4. Moth er in our glad ness:

ALTERNATE TEXT
1. Mary, full of grace, 2. Mother, Virgin pure,
Splendor of our race, Hope and refuge sure,
Holy Virgin Maria! Lead us safely to Jesus!
Pray for us to Christ, your Son, Spirit filled and lowly,
Now and when our life is done! Mirror of the Holy!
Ora, ora pro nobis! Ora, ora pro nobis!
Text: 55 7 D; Latin verse 1 fr. Herder’s Stimmen der Völker in Liedern, 1807; verses 2–4 fr. Arundel Hymnal, 1905. English tr. by Harry Hagan, OSB, b. 1947,
© 2003, St. Meinrad Archabbey. Published by OCP. All rights reserved. Alternate text by Jeanne Frolick, SFCC, © 1973, OCP. All rights reserved.
Music: O DU FRÖHLICHE; Tattersall’s Improved Psalmody, 1794; guitar acc. © 1995, OCP. All rights reserved.

22994-Z2
Edition #93567
 O SANCTISSIMA
(O Most Holy One/Mary, Full of Grace)
C F C Csus4 C F C G

1. O san ctís si ma, O pi ís si ma, Dul cis

2. Tu so lá ti um Et re fú gi um, Vir go
3. Ec ce dé bi les, Per quam flé bi les, Sal va
4. Vir go ré spi ce, Ma ter, ád spi ce, Au di
1. O San ctís si ma, Ho ly Queen of Love, Dear est
2. O most beau ti ful, And most mer ci ful, Gate of
3. Ma ry, Mys tic Rose, Font that o ver flows, Seat of
4. Ma ry, plead for us; In ter cede for us. Come and

w
D G C G D7 G [G] G7

1.
2.
3.
4.
1.
2.
3.
vir
ma
nos,
nos,
Vir
Heav
Wis
go
ter
Ma
Ma
Ma
Ma
gin and
en, we
dom, we
rí
rí
rí
rí
Moth
hail
greet
ie a!
a!
a!
a!
er.
you.
you.
Ma
Quid
Tol
Tu
Blest
Star
Moth
ter

me
by ev ’ry
a
quid op
le lan
di

of our sal
er of our
má
tá
guó
cí
na
va
Sav
ta,
mus,
res,
nam,
tion,
tion,
ior,
ev
4. lead us to Je sus. Moth er in our sad ness,

C Csus4 C F/C C F C F C G7 C

1. In te me rá ta,
2. Per te spe rá mus,
O ra, o ra pro no bis!
Pr

3. Sa na do ló res,
4. Por tas di ví nam;
1. Ev ’ry gen er a tion:
2. Crown of all cre a tion:
O ra, o ra pro no bis!
3. Full of grace and fa vor:
4. Moth er in our glad ness:

ALTERNATE TEXT
1. Mary, full of grace, 2. Mother, Virgin pure,
Splendor of our race, Hope and refuge sure,
Holy Virgin Maria! Lead us safely to Jesus!
Pray for us to Christ, your Son, Spirit filled and lowly,
Now and when our life is done! Mirror of the Holy!
Ora, ora pro nobis! Ora, ora pro nobis!
Text: 55 7 D; Latin verse 1 fr. Herder’s Stimmen der Völker in Liedern, 1807; verses 2–4 fr. Arundel Hymnal, 1905. English tr. by Harry Hagan, OSB, b. 1947,
© 2003, St. Meinrad Archabbey. Published by OCP. All rights reserved. Alternate text by Jeanne Frolick, SFCC, © 1973, OCP. All rights reserved.
Music: O DU FRÖHLICHE; Tattersall’s Improved Psalmody, 1794; guitar acc. © 1995, OCP. All rights reserved.

22994-Z2
Edition #93567
 KYRIE, ELEISON
Music by Sem. Edilbert Concordia
Arrangement by Sem. Ray Nonn Mallorca and
Andante religioso Jeffrey Ray C. Miguel

#
D A/C© B‹ B‹/A G C A(“4) A

& #c e Œ
e e e e e
e e e e e e E™

D A/C© B‹ B‹/A G E/G© A(“4) A

° ##
5 Lord, have mer - cy.

& ∑ ∑ œ̇ œ œ˙ œ w˙ ˙
Lord, have mer - cy.

? ## œ œ̇ œ #˙˙ w˙
CANTOR OR MALE VOICES Lord, have mer - cy.
œ œ œ w
¢ ˙
Lord, have mer - cy. Lord, have mer - cy.

F©‹7 F©/A© B‹ B‹/A G E/G© A(“4) A

° ##
9 Christ, have mer - cy.

& ∑ ∑ œ̇ œ œ˙ œ w˙ ˙
Christ, have mer - cy.

? ## œ œ̇ œ #˙˙ w˙
CANTOR OR MALE VOICES Christ, have mer - cy.
œ œ œ w
¢ ˙
Christ, have mer - cy. Christ, have mer - cy.

rit.
G A D A/C© B‹F©‹/A G A(“4) A7 D(“4) D

° ##
13 Lord, have mer - cy.

& ∑ ∑ œ
œ̇ œ̇ œ ẇ ˙
Lord have mer - cy.
Lord have mer - cy.

œ œ œœ
CANTOR OR MALE VOICES
? ## œ œ œ œ w œ̇ œ ẇ ˙
¢ œ
Lord, have mer - cy. Lord, have mer - cy.

Copyright © 2017 by Edilbert Concordia

UST Central Seminary
Kapatiran Mass 2017
 Gloria
Misa Kapatiran
Sem. Edilbert Cocordia

 
               
D F♯m G9 D/F♯ G9 A D A D

     
Glo ry to God Glo ty to God Glo ry to God in the high est and on earth


           
F♯m G9 D/F♯ G9 A D4 D G9 A D D/F♯

         
10

peace to peo ple to peo ple of good will. We praise You we bless You

 
             
G9 A F♯m Bm Em A F♯m Bm

      
20

we a dore You we glo ri fy You we give you thanks for Your great glo ry

 
       
       
Em7 C A4 A Em C A4 A A /G A7


29

Lord God hea ven ly King O God Al migh ty Fa ther

       
    
D F♯m G9 D/F♯ G9 A D A D

      
39

 
Glo ry to God Glo ty to God Glo ry to God in the high est and on earth

    
    
F♯m G9 D/F♯ G9 A D4 D

       
48

peace to peo ple to peo ple of good will.


      
G9 A D D♯ G9 A4 A D D/F♯ Em7 A F♯ Bm7

             
55

Lord Je sus Christ on ly Be got ten Son Lord God Lamb of God

       
            
Em A4 A D4 D Bm F♯m/A G D/F♯ Em C A4 A


67


Son of the Fa ther You take a way the sins of the world have mer cy on us.
 
2

            
       
Bm F♯/A G F♯m G A4 A7 D D7 G A


78

You take a way the sinsof the world re ceive our pra yer You are sea ted at the

    
               
89 F♯m Bm Em C A4 A Em C A4 A A4/G A7

right hand the right hand of the Fa ther Have mer cy on us.


            
D F♯m G9 D/F♯ G9 A D A D

       
100

Glo ry to God Glo ty to God Glo ry to God in the high est and on earth


       
F♯m G9 D/F♯ G9 A D4 D

        
109

peace to peo ple to peo ple of good will. For


      
G9 A D F♯m G9 A D D/F♯

         
116

You a lone are the ho ly one You a lone are the Lord You a

              

124 G A /G F♯m Bm Em C A4 A7 G

lone are the most High Je sus Christ with the Ho ly

  
           
A /G F♯m Bm C A4 G A7

 
133

Spi rit in the glo ry of God the Fa ther.

      
         
D F♯m G9 D/F♯ G9 A D A D F♯m

    
142

 
Glo ry to God Glo ty to God Glo ry to God in the high est and on earth peace to

 
         
G9 D/F♯ G9 A D4 D G9 A7 D4 D

      
152

peo ple to peo ple of good will. A men.

 3
LENTEN GOSPEL ACCLAMATION
Music by Sem. Edilbert Concordia
q = 160 Arrangement by Sem. Ray Nonn Mallorca and
Allegro maestoso; Proclaiming Jeffrey Ray C. Miguel

## 3 e e e ne
1 D D/F© G D/F© B¨ C D(“4) D
E™ e e ne
e e e
& 4
E™ E E™ E Œ

ALL VOICES

##
9 D D/F© G D/F© G A D A7

& ˙™ œ œ œ ˙™
œ œ œ ˙ œ ˙ œ œ ˙ ˙™
Praise to you, Lord Je - sus Christ, King of end - less glo - ry,

#
17 D D/F© G D/F© B¨ C D(“4) D

&# œ œ œ
˙™ œ œ œ ˙™
˙ nœ œ œ nœ œ ˙ ˙™
Praise to you, Lord Je - sus Christ, King of end - less glo - ry.

INTERLUDE

# ####
25 D D/F© G D/F© G A B(“4) B

&# e e e E™ e e e E™ E e E e E™ E™

E E/G© A E/G©

° #### Ó œ̇ œ
Praise to you, Lord Je - sus
˙™ œ
33
Œ œ˙ ™ œ œ œœ œœ œœ
& œ œœ œœ ˙™ ˙ ™™
Praise to you, Lord Je - sus Christ,

˙™ œœ œœ œœ ˙™
? #### ˙˙ œœ ˙™ ˙™
¢
Praise to you, Lord Jes - sus Christ,

Copyright © 2017 by Edilbert Concordia

UST Central Seminary
Kapatiran Mass 2017
4

A B E B7

° #### ˙™ ˙™ ˙™
Christ, King of glo - - ry!
œ
37

& œœ ˙
˙ ˙ œœ œœ ˙˙ ˙˙™™

King of end - less glo - ry,

˙ œœ ˙˙ œ ˙™
? #### ˙ œ ˙™ ˙™
˙ œ
¢
King of end - less glo - - - ry,

E E/G© A E/G©

° #### Œ œ̇ œ œ̇ œ
Praise to you, Lord Je - sus
œ ˙™ œ
41

& Œ Œœ œœ œœ œœ
œ œœ œ ˙ ™™ ˙ ™™
Praise to you, Lord Je - sus Christ,

œ ˙ œ ˙™
? #### ˙˙ œœ ˙˙ œ ˙ œ ˙™
¢
Praise to you, Lord Je - sus Christ,

rit.
C D E(“4) E

° #### n˙˙ ˙˙ ™™ ˙˙ ™™
n˙˙ œœ
King of end - less glo - - - ry.
œ
45

& ˙ nœœœ œ œ nœ œœ ˙˙ ˙˙™™

King of end - less glo - ry.

? #### nn˙˙ œœ
n˙˙ œœ ˙˙™™ ˙™
˙™
¢
King of end - less glo - - - ry.

Copyright © 2017 by Edilbert Concordia

UST Central Seminary
Kapatiran Mass 2017
 SANCTUS 5

Music by Sem. Edilbert Concordia

Arrangement by Sem. Ray Nonn Mallorca and
Jeffrey Ray C. Miguel
Maestoso

#### 2
E B/D© C©‹ G©‹/B D A/C© B(“4) B

& 4 e e e e ne e e e e e E
e e e e e e e

° ####
9 E B/D© C©‹ G©‹/B A F©/A© B(“4) B7

& œœ œ˙ œ œ ˙˙ ˙˙ #œœ œœ œ̇ ˙
œ œ œœ œ ˙
Ho - ly, Ho - ly, Ho - ly, Lord God of hosts!

?#### œœ œœ œœ œœ ˙˙ ˙ ˙ œ #œœ œ ˙ ˙
¢ ˙ œ ˙
Ho - ly, Ho - ly, Ho - ly, Lord God of hosts!

G©‹ C©‹ C©‹/B A F©‹ B(“4) B7

° #### œ
17 B
of your glo - ry

& œ œ ˙˙ œœ œœ œ œœ ˙œ œ ˙œ œ Œ
œ œ œ œœ œœ œ œ
of your glo - ry, your glo - ry
hea - ven and earth are full Hos -

œœ œœ œœ œœ
?#### œœ œœ œœ œœ œœ œ œ œ
of your glo - ry, your glo - ry
œœ œ ˙˙ Œ
¢ œ œ œ
hea - ven and earth are full of your glo - ry, your glo - ry.

° ####
25 E E/G© C©‹ C©‹/B

& œœ œœ œœ œœ œœ œœ œ œœ œœ
œ œ œ
san - na, hos - san - na in the

san - - na, hos - san - - - na

œœ œ œ
?#### ˙˙ œœ
˙
œ
œ̇ œ
œ
¢
san - - na, hos - san - - - na in the
6
° ####
29 F©‹/A A/B E(“4) E

& ˙˙ ˙˙ ˙ ˙
˙ ˙
high - - - - - - est.
in the high - - est.

? #### ˙ œ œ ˙˙ ˙˙
¢ ˙
high - - - - - - est.

° #### j
33 C©‹ G©‹

& j
œœ œœ œœ œœ œœ ˙ œ œ œ
Bless - ed is he who comes in the
j œ
? #### œœ œœ œœj œœ œœ ˙˙ œœ œœ œ
¢ J J

° ####
37 A B(“4) B7

& ˙˙ œœ œœ ˙˙ œœ œ
name of the Lord Hos -
˙ œœ œœ œ̇ œ œœ œ
? #### ˙
¢

° ####
41 E E/G© C©‹ C©‹/B

& œ œœ œœ œœ œ œœ œœ œœ œœ œœ œœ
san - na, hos - san - na in the
san - - na, hos - san - - - na
œœ œ œ
? #### ˙˙ œœ
˙
œ œ
¢ œ̇ œ
san - - na, hos - san - - - na in the

° #### ˙˙ ˙˙
45 F©‹/A A/B E(“4) E

& ˙˙ ˙˙˙ ˙ ˙
high - - - - - - est.
in the high - - est.
œ œ
? #### ˙ ˙˙ ˙˙
¢ ˙
high - - - - - - est.

Copyright © 2017 by Edilbert Concordia

UST Central Seminary
Kapatiran Mass 2017
 MYSTERY OF FAITH 7

Music by Sem. Edilbert Concordia

Arrangement by Sem. Ray Nonn Mallorca and
Jeffrey Ray C. Miguel

#### 2 ne
D A/C© B(“4) B

& 4 e e e e e E

° ####
5 E B/D© C©‹ G©‹/B A A/G©

& œ œœ œœ œœ œœ œœ œœ œœ œœ
œ œ œ
We proc - laim your death O Lord, and pro - fess your

? #### œœ œœ œœ œœ
death,
œ
O
œ
Lord,
œœ œ œ œœ œœ
¢ œ œ
death O Lord,

° ####
10 F©‹ B(“4) B/A G©‹7

& œœ œ œ œœ œœ
œœ œ œœ œœ œ

œœ œœ
? #### œœ œœ
re - sur - rec - tion un - til you
œ œ œ œ
¢ œ œ œ

° ####
14 G©7 C©‹ C©‹/B
j
& œœ ™™ œœ ˙˙ œœ œ
come a - gain, un -

? #### #œ ™ œ ˙ œ œ
¢ œ™ œJ ˙ œ

° ####
17 A B(“4) B7 E(“4) E

& œœ j
œœ œœ ™™ œœ ˙˙ ˙˙

œ
œj
til you come a - gain.
œœ œ™
? #### œ œJ
˙˙ ˙˙
¢

Copyright © 2017 by Edilbert Concordia

UST Central Seminary
Kapatiran Mass 2017
8 GREAT AMEN
Music by Sem. Edilbert Concordia
Arrangement by Sem. Ray Nonn Mallorca and
Jeffrey Ray C. Miguel

#### 2 ne
D A/C© B(“4) B

& 4 e e e e e e

° ####
5 E E/G© C©‹ C©‹/B a -

& œ œœ œœ œœ œ œœ œœ œœ œœ œœ œ
œ
A - - men, a - - men, a -

œ
A - - - - - men,
œ
A - men,
˙˙ œ̇ œ œ œ œ
? #### ˙ œ̇ œ
¢
A - men, a - men, A - -
F©‹/A A/B E(“4) E

° ####
- - - - - - men.
˙˙ ˙˙
10

& ˙˙ ˙˙˙ ˙ ˙
men, a - - - men.

.
œ œ
? #### ˙ ˙˙
a - - men, a - - men.
˙˙
¢ ˙
men a - - men.

Copyright © 2017 by Edilbert Concordia

UST Central Seminary
Kapatiran Mass 2017
 THE LORD'S PRAYER 9

Music by Sem. Edilbert Concordia

Arrangement by Sem. Ray Nonn Mallorca and
Jeffrey Ray C. Miguel

#### 4
1 E B/D© C©‹ C©‹/B A(„ˆˆ9) A‹/B

& 4Ó Œ œ œ œ œ ˙™ œ œ œ œ ˙™ œ œ œ œ œ ˙™
œ œ

° ####
8 E(„ˆˆ9) B/D© C©‹ C©‹/B A A/B
3
& œ œ œ œ œ œ œ ˙ œ œ ˙™ œ
œ
Our Fa - ther who art in hea - ven hal - lowed be thy

? #### œ œ œ
3
œ œ œ œ ˙ œ œ ˙™ œ
¢ œ

° ####
12 E A/B E(„ˆˆ9) B/D© C©‹ C©‹/B A F©‹7 B(“4)

& ˙ œ œ ˙ œ œ œ™ œ ˙ ™ j
œ œ œ ˙ œ œ œ œ œ™ œ ˙
name Thy King-dom come, Thy will be done on earth as it is in hea - ven.

? #### ˙ œ œ œ ˙ œ œ œ ™ œ ˙™ œ ˙ œ œ œ œ œ™ œ ˙
¢ œ J

° ####
17 B A/B E(„ˆˆ9) B/D© C©‹ C©‹/B
3
& ˙ ww œœ œ œœ
œ œ œ
œœ w
w ˙˙ œœ œœ
Give us this day our dai - ly bread and for -

?# # ˙ ˙˙ œœ œœ ˙ ™™ œ ˙˙™™ œœ ˙ œœ œœ
¢ ## Ó ˙ œ ˙
Give us this day our dai - ly bread and for -

° ####
22 A E/G© A

& œ œœ œœ ™™ j
œ ˙ œ œ œ ˙ œ ˙
give us our tres - pa - sses as we for - give

? #### œ j
˙˙ œœ œ œ ˙ œ œœ ™™ œœ ˙˙
¢ œ œ œ ˙ œ

Copyright © 2017 by Edilbert Concordia

UST Central Seminary
Kapatiran Mass 2017
10
F©‹7 B(“4) B

° #### j
25 E(„ˆˆ9) B/D©
j
3 gainst us.

& œœ ™™ œœ œœ œœ œœ œw™ œ ˙ œœ œ œ œœ ww œœ œœ œœ œœ
those who tres-pass a - gainst And lead us not in to temp -
us.

? #### œœ ™™ œœ œœ 3œœ œœ w ˙ ˙˙ œœ œœ ˙ ™™
¢ J w ˙ Ó ˙ Œ
and lead us not

° #### ™™ œj ˙ U
30 C©‹ C©‹/B A A‹ A/B B E(“4) E

œ
3
& ˙˙ ˙˙ ˙˙ œ
œ œ œ œ œ ˙ œœ
œ œ̇ œ w
w w
w
n˙ ˙™
ta - tion but de - li - ver us from e - vil.

? #### ˙˙ œœ œœ œ ˙ œ ˙ œ ẇ œ œ w
w
¢ œ ˙ œ ˙ ˙ ˙™ œ
in - to temp - ta - tion, de - li - ver us from e - vil.

DOXOLOGY
Music by Sem. Edilbert Concordia
Arrangement by Sem. Ray Nonn Mallorca and
Jeffrey Ray C. Miguel

° #### 2
1 A/B B7 E E/G© C©‹ G©‹7/B

& 4 e e eœ eœ œ œœ œœ œœ œ œ œœ œœ œœ œœ œœ œœ
e e e e
œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ
? #### 42
For the King - dom and the po - wer and the

¢ ∑ ∑ Œ
For the King - dom, and the pow - er and

° #### ˙
7 A B G©‹7 C©‹ A F©‹7 B(“4) B E

& ˙ œœ œœ ˙˙ ˙˙ ˙˙ œœ œœ ˙
˙ ˙ ˙
˙
˙
˙
˙
˙ ˙˙ ˙
glo - ry are yours now and for e - - ver!
œœ œœ ˙˙ œ œ
? ## # ˙
# ˙ œ œ ˙ ˙˙ ˙˙ ˙˙
¢ ˙
glo - ry are yours now and for - e - - ver.

Copyright © 2017 by Edilbert Concordia

UST Central Seminary
Kapatiran Mass 2017
 11
AGNUS DEI
Music by Sem. Edilbert Concordia
Arrangement by Sem. Ray Nonn Mallorca and
Jeffrey Ray C. Miguel
D A/C© B‹ B‹/A A/G G D/F© G/B D/A
## 4 e e e e
G/A
e e E E E™
Œ
e e e e e e e E
& 4 e e E™

? ## œ œ œ
8 D A/C© B‹ D/F©
œ œ œ œ œ œ ˙ œ œ ˙™
Lamb of God, you take a - way the sins of the world, have

? ## œ ˙ œ œ ˙
12 G(„ˆˆ9) F©‹7 B‹ B‹/A G E‹7 A(“4) A
œ œ ˙™ œ w
mer - cy on us, have mer - cy on us.

° ##
16 D A/C© B‹ D/F© G(„ˆˆ9)

& œ œ œ œ œ œ œ œ œ œ ˙ œ œ
˙ œ œ ˙™
Lamb of God, you take a - way the sins of the world, have mer - cy on

œ œ œ œ œ œ œ œ ˙ œ œ
? ## ˙™ œ ˙ œ œ
¢
Lamb of God, you take a - way the sins of the world, have mer - cy on

° ## ####
21 F©‹7 B‹ B‹/A G E‹7 A(“4) A B(“4) B7

& ˙™ œ œ ˙ œ wœ œ wœ ˙™
œ œ œ
us, have mer - cy on us.,
have mer - cy on us.

? ## ˙ ˙ ˙ œ ˙ ˙ #### w
œ w
¢
us, have mer - cy on us, on, us.

Copyright © 2017 by Edilbert Concordia

UST Central Seminary
Kapatiran Mass 2017
12

° #### U
25 E B/D© A A‹

& œœ œœ œœ œœ œœ œœ œœ œœ ˙˙ œœ œœ w
w
u
˙˙ œœ œœ nU
w
Lamb of God, you take a - way the sins of the world,

? #### œœ œœ œœ œœ œ
œ
œ
œ
œ
œ
œ
œ
w
¢ u
Lamb of God, you take a - way the sins of the world,

° ####
29 G©‹7 C©‹ C©‹/B A A/B E B/D©

& ˙˙ œ̇ œ w œœ œœ œœ œœ w ˙˙™™ Œ
w w
˙ œ̇
grant us peace, grant us peace.

? #### ˙ œ ẇ ˙ ˙ w ˙™
˙ ˙ ˙ w ˙™ Œ
¢
grant us peace, grant us peace.

#### e
34 A A‹/C E(„ˆˆ9)
e e %
&
e

Copyright © 2017 by Edilbert Concordia

UST Central Seminary
Kapatiran Mass 2017
 STELLA MARIS
Manoling V. Francisco, S.J.

Silvino Borres Jr., S.J. Norman Agatep

Lyrics Arrangement

B/D # A/C # E/G #

#### 3 ˙ . ˙. œ ˙
q»ª•
œ ˙ œ ˙ œ œ œ ˙. ˙
E A m6/C E A

Introduction & 4 Œ

E/G # E/G # E/G #

#### j j ‰ j ˙ œ œ œ . œj œ œ ˙
E A M7 E A M7

œ. ‰ j
9

SA & œ œ œ œ. œ œ. œ ˙. ˙ œ œ ˙ œ
Kung i - tong a - ming pag - la - la - yag, i - na - bot ng pag - ka - ba - ga - bag. Na -

F # m7 G # M7 C#m F#m
#### j j
œ œ œ.
B A/E D M7 A/B

j j Œ
17

&
œ œ œ œ œ œ.
œ œ ˙ œ œ ˙. ˙
œ. ˙. œ.
SA

way ma - ba - na - a - gan ka, hi - ni - rang na ta - la ng u - ma - ga.

E/G # E/G # E/G #

# # # # Œ P˙ ˙. ˙
˙. ˙.
E A M7 E A M7

˙. ˙. Œ ˙ Œ
25

SA &

F
? #### œ . œ œ œ œ. œ. œ œ œ œ. œ œ œ œ ˙
Ooh.. ooh.. ooh.. ooh..

œ œ œ J ˙.
TB J ˙. ˙. J œ
Ka - hit a - lon man ng pa - ngam ba. 'Di a - lin - ta - na sa - pag-kat na - r'on ka.

# G # m7 C#m F#m F # m/E

# # # #P F j
j œ œ œ. œ œ. œ œ
F m7 B D M7 A/B E

˙. œ. œ ˙. œ ‰ jœ œ œ .
33

& œ. œ œ œ J J ˙. ˙ œ œœ
œ
S

# # # #P F
Ni u - nos ng pig - ha - ti at ka - di - li - man ng ga - bi. Ma - ri - a sa pu -

& j œ œ œ. œ œ. œ œ ˙. œ. œ ˙. œ ‰ jœ œ œ œ œ
A
œ. œ œ œ J J ˙. ˙ œ œœ

# # # #P j j F
Ni u - nos ng pig - ha - ti at ka - di - li - man ng ga - bi. Ma - ri - a sa pu -

V j œ œ œ. œ œ. œ œ ˙. œ. œ ˙. œ ‰ œJ œ œ. œ œ
œ. œ œ œ ˙. ˙ J
T

F
? # # # #Pœ . j
œ œ œ œ œ œ. œ œ. œ œ œ. œ ˙. œ ‰ œJ œ œ .
Ni u - nos ng pig - ha - ti at ka - di - li - man ng ga - bi. Ma - ri - a sa pu -

J J ˙. ˙. ˙ œ œ œœ
B
J
Ni u - nos ng pig - ha - ti at ka - di - li - man ng ga - bi. Ma - ri - a sa pu -
 STELLA MARIS
2

C#m
#### œ ˙. œ
j œ ˙ œ œ ˙ œ. j œ œ œ. j œ ˙
A dim7 B m7 E7 A M7 A dim7 E B m7 E7 A M7 A dim7

˙ œ. œ ˙. œ. œ œ œ œ
42

S & œ

####
so ni - nu-man. I - ka'y ta - la ng ka - la - ngi - tan. Ning - ning mo ay wa - lang pag - ma - ma -

j œ œ œ œ œ
A & œ œ œ. œ œ œ œ nœ. œ œ œ œ œ œ œ œ œ œ œ œœ œ œ œ œ œ œ œœ œ œ

#### œ œ ˙ œ œ ˙ œ œ œœ nœ. œ œ œ œ. œ œ œ ˙ œ
so ni - nu-man. I - ka'y ta - la ng ka - la - ngi - tan. Ning - ning mo ay wa - lang pag - ma - ma -

V #˙ œ. œ ˙. œ . Jœ J
J
T

? #### ˙ œ. œ ˙ œ œ ˙ œ œ ˙ œ ˙. œ. œ œ œ œ. œ œ œ ˙
so ni - nu-man. I - ka'y ta - la ng ka - la - ngi - tan. Ning - ning mo ay wa - lang pag - ma - ma -

B . œ. J œ J J œ

so ni - nu-man. I - ka'y ta - la ng ka - la - ngi - tan. Ning - ning mo ay wa - lang pag - ma - ma -

G # m7 C # m7 F # m7 E/G #
#### j
˙. œ. œ œ œ œ. œ œ œ . œj œ . œ ˙ .
A/B E A/B E A M7

j œ ˙ Œ œ .
51

& œ ˙. œ
J œ œ ˙
S

####
liw, I - nang sin - ta, I - nag gi - ni - gi - liw. Tang - la - wan ka - mi a - ming I - na,

& œ œœ ˙ Œ ‰ j œ œ œ œ Œ œ . œj
œ œ œ œ ˙. ˙ œ œ œ . œj œ . œ œ œ œ
A

# ## œ œ œ œ . œ œ œ j
liw, I - nang sin - tang gi - ni - gi - liw. Tang - la - wan ka - mi a - ming I - na,

T V # J œ. œ œ œ ˙ œ ˙. ˙ Œ ˙ œ œ ˙ œ . œ œ . œj œ œ

? #### ˙ œ œ. œ œ œ. ˙.
liw, I - nang sin - ta, I - nag gi - ni - gi - liw. Tang - la - wan ka - mi a - ming I -

œ œ œ ˙ Œ œ. œ œ œ œ. œ œ. œ ˙.
B J œ J ˙ œ J J
liw, I - nang sin - ta, I - nag gi - ni - gi - liw. Tang - la - wan ka - mi a - ming I - na,

E/G # E/G # F # m7 G # m7
#### j
Œ œ. œ œ œ ˙ œ œ.
E A M7 A/B

‰ j j œ œ œ
60

S & ˙ J œ œ œ ˙ ˙ œ œ. œ œ œ œ œ. J

#### j j
sa ka - la - ngi - tan na - ming pi - ta. Na - wa'y ma - ging han - tu - ngan pi - na - ka - mi - mit -

Œ œ. j ‰ j j
A &
˙
œ œ œ ˙. œ. œœœ ˙ j
œ œ. œ œ œ œ œ. œ œ. œ œ œ

####
sa ka - la - ngi - tan sa ka - la - ngi - tan Na - wa'y ma - ging han - tu - ngan pi - na - ka - mi - mit -

T V ˙ Œ œ. œ œ œ ˙
J œ œ œ ˙ œ. œ œ œ ˙
J . Œ ‰ jœ œ œ ˙
œ

? #### ˙ . œ . j œ. œ œ œ
na, sa ka - la - ngi - tan na - ming pi - ta. ka-ha -ri - an. Na - wa'y han - tu - ngan

œ œ œ ˙ œ œ œ ˙ ˙ ‰ œ œ. œ œ œ œ œ. œ J
B
J J J
sa ka - la - ngi - tan na - ming pi - ta. Na - wa'y ma - ging han - tu - ngan pi - na - ka - mi - mit -
 STELLA MARIS
3

C#m F # m7 F # 7/A # C#m

#### F j
œ ‰ j œ œ .. œ .
D M7 B7 E A dim7

j œœœ ˙ œ. œ ˙.
68

& ˙. œ œ ˙.
˙. œ. œ
S

#### F
hing ha - ri - an. Ma - ri - a sa pu - so ni - nu - man.

& j ‰ ..
œ . œj œ n œ œ œ œ œ œ œ œ œ œ œ œ œ . œ œ œ œ
œ œ j
œ ˙. #œ. œ œ
A

#### F
hing ka - - - ha - ri - an. Ka - ha - ri - an. Ma - ri - a sa pu - so ni - nu - man.

Œ ‰ jœ œ ˙. j ˙. œ ‰ œJ œ .. œ . œ œ #˙ œ. œ ˙.
T V œ œ. œ œ J
Fœ œ
? #### ˙ . ˙. œœœ ˙ œ. œ
ka - ha - ri - an. Ka - ha - ri - an. Ma - ri - a sa pu - so ni - nu - man.

œ. œ œ n œ . œ œ œ œ ‰ J œ .. œ . ˙.
B
J J J
hing ka - - - ha - ri - an. Ka - ha - ri - an. Ma - ri - a sa pu - so ni - nu-man.

G # m7
#### œ œ ˙ œ ˙.
j ˙ œœ ˙ ˙. œ. j œ. j
B m7 E7 A M7 A dim7 E B m7 E7 A M7 A dim7

œœ œ œ œ œ œ œ
76

S & œ.

####
I - ka'y ta - la ng ka - la - ngi - tan. Ning - ning mo ay wa - lang pag - ma - ma - liw,

j œ œ œ œ œ œ œ œ œ œ œ œœœœ œ œ œœœ œ œ œ
A & nœ. œ œ œ œœœ œœ

# ## œ œ œ nœ. œ œ œ ˙ œ œ œ œ
œœ œ ˙ œœ ˙ œ œ œ œ œ.
I - ka'y ta - la ng ka - la - ngi - tan. Ning - ning mo ay wa - lang pag - ma - ma - liw,

T V # œ. J J J

œœ ˙ ˙. œ. œ œ œ œ œ ˙ œ ˙
? #### . œœ ˙ œ œ. œ
I - ka'y ta - la ng ka - la - ngi - tan. Ning - ning mo ay wa - lang pag - ma - ma - liw,

J œ œ J J
B œ
I - ka'y ta - la ng ka - la - ngi - tan. Ning - ning mo ay wa - lang pag - ma - ma - liw,

C # m7 F # m7 # A/C #
# ## F
& # œ . œJ œ œ œ . ‰ j œ œ .. .
A/B E A/B B/D A m6/C

j œ ˙ œ ˙. Œ
84

œ œ œ ˙ ˙. ˙
1. 2.

œ
S

#### F
I-nang sin - ta, I - nag gi - ni - gi - liw.

& ˙ Œ ‰ j œ œ œ œœœ ‰ j œ .. Œ
œ œ œ œ
1. 2.

˙. œ ˙. ˙. ˙
A

# ## j F
I - nang sin - tang gi - ni - gi - liw.

V # œ . Jœ œ œ œ . œ œ œ ˙ œ ˙. œ ‰ œ œ .. ˙ . ˙. ˙ Œ
1. 2.

J
T

F
? #### œ . œ œ œ œ . ˙. œ 1. ‰ Jœ œ .. ˙2.. ˙.
I-nang sin - ta, I - nag gi - ni - gi - liw.

œ œ œ ˙ Œ
B J J ˙ œ œ
I-nang sin - ta, I - nag gi - ni - gi - liw.
 HAIL, HOLY QUEEN
VERSES
B E F B E B Fsus4 F B

1. Hail, ho ly Queen en throned a bove; O Ma ri a! Hail,

2. Our life, our sweet ness here be low, O Ma ri a! Our
3. And when our life breath leaves us, O Ma ri a! Show

REFRAIN

w
E F Gm E B Fsus4 F B E C7

1. moth er of mer cy and of love.

2. hope in sor row and in woe. O Ma ri a! Tri umph, all ye
3. us thy Son, Christ Je sus.

ie
ev
F Fsus2 F B E C7 F Fsus2 F B B sus4 B

cher u bim; Sing with us, ye ser a phim! Heav’n and earth re
Pr

Fsus4 F B [B ] E C F B Gm Fsus4 F B

sound the hymn: Sal ve, sal ve, sal ve, Re gi na!

Note: When guitar and keyboard play together, keyboardists should improvise using the chords above the melody.

Text: 84 84 with refrain; Salve, mater misericordiae, ca. 1080; tr. anon. in Roman Hymnal, 1884.
Music: SALVE REGINA COELITUM; Melchior Ludwig Herold, 1753–1810; Choralmelodien zum Heiligen Gesänge, 1808;
keyboard acc. by Randall DeBruyn, b. 1947, © 1995, OCP. All rights reserved.

22190-Z1
Edition #90787
 HAIL, HOLY QUEEN
VERSES
Capo 3: (G) (C) (D) (G) (C) (G) (D sus 4) (D) (G)
B E F B E B F sus 4 F B

1. Hail, ho ly Queen en throned a bove; O Ma ri a! Hail,

2. Our life, our sweet ness here be low, O Ma ri a! Our
3. And when our life breath leaves us, O Ma ri a! Show

REFRAIN
(C) (D) (Em) (C) (G) (D sus 4) (D) (G) (C) (A7)

w
E F Gm E B F sus 4 F B E C7

1. moth er of mer cy and of love.

2. hope in sor row and in woe. O Ma ri a! Tri umph, all ye
3. us thy Son, Christ Je

(D) (D sus 2) (D)

F F sus 2 F
(G)
B
sus.

ie
(C) (A7)
E C7
(D) (D sus 2) (D)
F F sus 2 F
(G) (G sus 4) (G)
B B sus 4 B
ev
cher u bim; Sing with us, ye ser a phim! Heav’n and earth re

(D sus 4) (D) (G) (G) (C) (A) (D) (G) (Em) (D sus 4) (D) (G)
Pr

F sus 4 F B B E C F B Gm F sus 4 F B

sound the hymn: Sal ve, sal ve, sal ve, Re gi na!

Note: When guitar and keyboard play together, keyboardists should improvise using the guitar chords above the melody.

Text: 84 84 with refrain; Salve, mater misericordiae, ca. 1080; tr. anon. in Roman Hymnal, 1884.
Music: SALVE REGINA COELITUM; Melchior Ludwig Herold, 1753–1810; Choralmelodien zum Heiligen Gesänge, 1808; guitar acc. © 1995, 1997, OCP. All rights reserved.

22190-Z2
Edition #90787
 HAIL, HOLY QUEEN
VERSES
Capo 3: (G) (C) (D) (G) (C) (G) (D sus 4) (D) (G)
B E F B E B F sus 4 F B

1. Hail, ho ly Queen en throned a bove; O Ma ri a! Hail,

2. Our life, our sweet ness here be low, O Ma ri a! Our
3. And when our life breath leaves us, O Ma ri a! Show

REFRAIN
(C) (D) (Em) (C) (G) (D sus 4) (D) (G) (C) (A7)

w
E F Gm E B F sus 4 F B E C7

1. moth er of mer cy and of love.

2. hope in sor row and in woe. O Ma ri a! Tri umph, all ye
3. us thy Son, Christ Je

(D) (D sus 2) (D)

F F sus 2 F
(G)
B
sus.

ie
(C) (A7)
E C7
(D) (D sus 2) (D)
F F sus 2 F
(G) (G sus 4) (G)
B B sus 4 B
ev
cher u bim; Sing with us, ye ser a phim! Heav’n and earth re

(D sus 4) (D) (G) (G) (C) (A) (D) (G) (Em) (D sus 4) (D) (G)
Pr

F sus 4 F B B E C F B Gm F sus 4 F B

sound the hymn: Sal ve, sal ve, sal ve, Re gi na!

Note: When guitar and keyboard play together, keyboardists should improvise using the guitar chords above the melody.

Text: 84 84 with refrain; Salve, mater misericordiae, ca. 1080; tr. anon. in Roman Hymnal, 1884.
Music: SALVE REGINA COELITUM; Melchior Ludwig Herold, 1753–1810; Choralmelodien zum Heiligen Gesänge, 1808; guitar acc. © 1995, 1997, OCP. All rights reserved.

22190-Z2
Edition #90787