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Beginning Cosmetic Chemistry, Third Edition
Introduction
Section I: Welcome to the Industry: Terms, Tools and Tips
1. Your Career in Cosmetic Science
Perry Romanowski, Randy Schueller . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
Index. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 521
Introduction
If you work in the cosmetic industry-in any capacity-you need this book!
Whether you are a formulating chemist, a microbiologist, a process engineer, an
industry vendor, a marketing manager, a cosmetologist or even a science student
who would like to work in this industry, THIS BOOK WILL HELP YOU! So
read on, and we’ll tell you why...
To everyone who is new to this industry, welcome! We hope this book, the
third edition of our best-selling Beginning Cosmetic Chemistry, will be helpful
to you as you start your career. On the other hand, if you’ve been around the
industry for awhile and you’re familiar with Beginning Cosmetic Chemistry, we
hope you’ll find plenty of new and updated information that wasn’t in the first
two books.
With this edition, we will re-emphasize the importance of providing
introductory technical information to those who would like to improve their
understanding of cosmetic science. As we noted in the original edition, we
started this book because we were frustrated with the lack of technical resources
available for beginners in our industry. We believed then, and continue to
believe now, that this lack of introductory material has an increasingly negative
impact on our industry’s ability to recruit and retain fresh talent.
We’re proud to say that, through the dedication of Allured Business Media,
much progress has been made in this regard. Cosmetics & Toiletries magazine
has been the only publication with a column specifically dedicated to providing
technical information for beginners. We applaud their commitment to the
beginning cosmetic chemist.
For better or worse, things keep changing. Since the first edition of
Beginning Cosmetic Chemistry, thousands of new chemical raw materials and
new formulations have been developed, billions of new marketing concepts
have been tested (okay, we’re exaggerating for dramatic effect), and hundreds, if
not thousands, of new cosmetic regulations have been enacted (seriously!). So,
rather than simply reprinting the 2nd edition, we decided it was time to update
it with a substantial amount of new information. Hence, the book you now hold
in your hands.
We hope you find it be a valuable resource for many years to come!
Randy Schueller
Perry Romanowski
I. Welcome to the Industry:
Terms, Tools and Tips
Chapter 1
I t is fun to speculate that, at some point in ancient history, an early Homo sapien
discovered that mud makes the skin feel soft. Thus, the first cosmetic product
was born—as was the first cosmetic chemist. Over time, an entire industry evolved
to support the development and production of cosmetics. As the industry grew, so
did the need for skilled scientists.
Today, the cosmetic industry is a multibillion-dollar enterprise that relies on
chemists (and other scientists) to accomplish a multitude of key functions. As a
scientist, it is important that you understand not only the part you play in the indus-
try, but also the roles of other scientists and their relationship to you. This chapter
reviews the various roles of scientists in the cosmetic industry.
Product Development
Product development or formulating chemists create products designed to meet
specific consumer needs. These products include cosmetics (hair- and skincare
products) as well as certain over-the-counter (OTC) drugs, such as toothpastes and
antiperspirants. To accomplish this task, formulators identify raw materials with the
desired functionalities and combine these materials in the proper ratios to yield an
acceptable finished product that performs as intended and remains stable.
Knowledge base: Formulating chemists need a solid knowledge of general
chemistry, particularly surfactants and emulsification. They must also have a thor-
ough appreciation of the specific chemistry and functionality of the thousands
of cosmetic raw materials available. In addition, they often require a specialized
knowledge of specific product types, such as aerosols, or drug categories, such as
fluoride treatments.
Beyond basic cosmetic science, formulators must be aware of how market-
ing decisions, cost constraints, manufacturing conditions, and esthetic concerns,
such as appearance and odor, can impact product development. A formulator may
3
4
Your Career in Cosmetic Science Beginning Cosmetic Chemistry
develop the world’s most effective toothpaste, but if it costs US$10,000 per ounce
to produce, looks terrible and tastes even worse, no one will buy it.
Duties: Formulators are found wherever cosmetic products are created, usually
in finished goods companies, contract manufacturers and raw materials suppliers.
Formulators typically research useful raw materials (by reviewing trade literature
and supplier information), create innovative formulations, prepare actual batches,
and test them for functionality and stability. In addition, formulating chemists per-
form a variety of other functions and are involved in many of the duties performed
by the other chemists.
Professional backgrounds: Formulators come from a variety of backgrounds.
Some enter this industry straight from college. Typically, product development
chemists have a science degree, usually a bachelor’s in chemistry. Some have
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Beginning Cosmetic Chemistry Chapter 1
Quality
QC/QA: Quality control/quality assurance (QC/QA) chemists work for finished
product manufacturers, raw materials suppliers and contract manufacturers. They
ensure that products meet specified company standards by evaluating incoming
raw materials and outgoing finished products.
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Your Career in Cosmetic Science Beginning Cosmetic Chemistry
The duties of QC/QA chemists include sampling chemicals from storage con-
tainers and performing various analyses, such as for pH, viscosity, IR, solids and
percent trace minerals. They can also check labels, calibrate and maintain instru-
ments, and document batch histories.
Since QC/QA chemists are integral to the ongoing manufacturing process, it
is critical that they perform their work on a timely, efficient basis to avoid costly
production delays. To this end, they must have thorough knowledge and experience
in performing tests used to analyze samples.
QC/QA chemists, typically trained as analytical chemists, come from different
educational backgrounds and often have varying levels of industrial experience.
Because production lines often run around the clock to keep up with demand, this
work often involves working in shifts.
Analytical methods development: Many well-staffed companies employ
analytical chemists to develop the methods that QC/QA chemists use to test raw
materials and finished products. These methods include wet-chemical tests and
instrumental analyses, including titration, spectrophotometric analysis, HPLC, gas
chromatography and NMR.
During the development of new products with unusual analytical requirements,
it is often important that formulators consult with methods development chemists
early in the process. Otherwise, it may be very late before the team realizes that
no suitable method exists to assay the property.
Methods development chemists must have a solid background in general chem-
istry and be particularly familiar with instrumental analysis. To develop methods
using the latest technology, they must extensively review current developments in
analytical chemistry. Many method development chemists have advanced gradu-
ate degrees.
Microbiology: Microbiologists are an important technical link in the devel-
opment and manufacture of cosmetic products. In many ways, they function like
QC chemists since they determine whether incoming raw materials and finished
products meet company specifications. However, their focus is on whether materials
are acceptably free from microbial contamination. Typically, microbiologists sample
incoming chemicals and finished batches, then inoculate and conduct plate counts
to establish bacteria count.
Beyond quality control, microbiologists can also play a critical role in formula-
tion development. They often help select the optimal preservative system for a
product. They are especially important when developing and testing products with
proclaimed antimicrobial activity.
Microbiologists require detailed knowledge of the types of microorganisms that
may infiltrate cosmetic products as well as conditions of manufacturing, storage
and usage that may promote microorganism growth. They must also have detailed
knowledge of chemical preservatives and understand the effects raw materials
have on preservation systems. For example, nonionic surfactants can inactivate
parabenzoic acid derivatives. Microbiologists typically hold degrees in biology, but
they may also be chemists or biochemists.
9
Beginning Cosmetic Chemistry Chapter 1
Process Engineering
Chemists (or their engineering cousins, the chemical engineers) who special-
ize in process engineering solve problems encountered when “scaling up”—the
process of transferring a formula from laboratory-sized batches to production-size
quantities. Problems often occur during scale up due to drastic differences in the
impact of the physical forces that are experienced in the laboratory versus the
manufacturing plant.
Process engineers understand how sheer, heat transfer and mixing conditions
can impact the quality of finished goods. Their duties include working with chem-
ists to understand the idiosyncrasies of specific formulations while keeping up
with current technology of production equipment, such as mixers, pumps, and
heating and cooling systems. Process engineers usually hold degrees in chemical
or mechanical engineering.
Regulatory
Claims support: Another specialization is substantiating product performance
claims. Claims appear on television and radio, and in package copy, print advertising
and sales materials, such as brochures and pamphlets. Claims-support scientists
must be familiar with the basic properties of cosmetic raw materials and skilled at
interpreting claims language.
In addition, claims-support chemists must develop creative testing criteria. In
some cases, preestablished test methodology may already be in place, such as stan-
dard “regression tests,” which quantify skin moisturization. However, other areas
are more subjective, such as evaluating shine on hair. Everyone has a preferred
method; no universally accepted way to substantiate such claims exists. For this
reason, claims support scientists must be knowledgeable of the many tests available.
They usually hold degrees in related science areas.
Safety/toxicology: Many companies have specialists who deal with chemical
safety or government regulations. For example, environmental specialists ensure
that a company and its products comply with current environmental regulations.
Other regulatory chemists make sure that the company complies with employee
health, safety rules, labeling requirements and so forth. These scientists are increas-
ingly important as more companies begin to operate globally and must be aware
of the regulations in every country where they do business.
Regulatory scientists have degrees in various areas and, typically, a wide range
of experience. Because rules and regulations are constantly changing, this job is
quite dynamic.
Ingredients Suppliers
Synthesis chemists: Just as finished goods manufacturers hire formulating
chemists to create finished products, ingredient suppliers employ synthesis chemists
to develop raw materials. These chemists derive chemical reactions that convert co-
conut oil, petroleum and other feedstocks into functional, salable raw materials.
Synthesis chemists must have a strong background in organic chemistry and be
able to creatively develop novel reaction pathways to produce new raw materials.
10
Your Career in Cosmetic Science Beginning Cosmetic Chemistry
They should also have a general idea of the properties a finished raw material will
have and how they will be economically useful.
Synthesis chemists usually have advanced degrees in specialized areas of organic
synthesis, such as esterification reactions or polymerization.
Technical applications development: Once raw materials are developed, the
manufacturer must understand their properties to sell them effectively. To this end,
many suppliers employ applications chemists that determine how finished-product
manufacturers might use a raw material.
Essentially, the duties and background of this job are the same as of the product
development chemist, except that these chemists work for an ingredient supplier.
Applications chemists may also work across several industries—personal-care,
detergents, paints and coatings and so forth.
Technical sales: Raw material suppliers frequently employ chemists on their
sales teams because people with technical backgrounds are more likely to suggest
meaningful applications. Generally, they communicate more effectively with for-
mulating chemists and their internal technical support.
Technical salespeople perform the same type of tasks as other salespeople, such
as meeting with clients, giving presentations and providing support to accounts.
While a degree in chemistry or a related field usually suffices, an MBA or sales/
marketing experience is often required as well.
Perfumery
Chemists who specialize in formulating fragrances are known as “perfumers.”
Perfumers have a large palette of organic chemicals with which to formulate fra-
grances; some perfumes contain as many as 600 materials. Perfumers must have
a thorough understanding of the potential interaction between fragrance raw
materials and other ingredients to help formulators create finished products with
appropriate fragrance characteristics.
In addition to the required technical skills, perfumers must have a highly
developed sense of smell and the ability to commit smells to memory. Most fra-
grance vendors provide perfumers with extensive training programs to cultivate
these specialized skills. Many perfumers are employed exclusively by fragrance
vendors. However, many finished goods companies employ fragrance coordinators
to administrate the process of fragrance selection.
The cosmetic industry is an arena providing a wealth of jobs for scientists. All
are critical to the success of product development, manufacturing, sales and, ulti-
mately, the company and the industry.
References
1. Career Opportunities in Cosmetic Science, Society of Cosmetic Chemists (1995)
2. http://sciencecareers.sciencemag.org/career_development/previous_issues/articles/
2450/not_just_a_pretty_face/(parent)/
3. http://sciencecareers.sciencemag.org/career_development/previous_issues/articles/
2450/cosmetics_research_reaching_beyond_the_fantasy/(parent)/
Chapter 2
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Your Primer of Technical Terms and Chemical Jargon Beginning Cosmetic Chemistry
The Industry
Contract manufacturer (or Private Label): A manufacturer outside your
company hired to produce a product for you. Many companies employ contract
manufacturers because they don’t have the capability to produce all their own
products. This practice is particularly common with aerosol products.
Finished Goods manufacturer: A company that creates and markets personal
care or cosmetics.
Fragrance house: Supplier of fragrance materials. Very few manufacturers
of personal care products actually produce their own fragrances. Instead, they rely
on outside vendors to prepare them.
Green: A philosophy in which companies strive to produce personal care
products that are environmentally friendly, energy efficient, and contain minimally
processed chemicals. Also known as the Natural Movement.
Supplier (or Vendor): A company that sells a chemical raw material, pack-
aging component or other item or services used in the preparation of cosmetic
products.
Testing facility: Independent companies that specialize in conducting chemi-
cal, physical, and other analytical testing of cosmetic products and raw materials.
Additionally, testing companies may conduct safety evaluations, consumer tests,
and environmental impact studies.
The Science
Desquamation: The process of sloughing off dead skin cells.
Collagen: A protein responsible for skin strength and elasticity. The breakdown
of collagen is the primary cause of wrinkles.
Cortex: Inner layer of the hair shaft responsible for the fiber’s strength. Hair
coloring products deposit color within the cortex, which helps inhibit removal
making it last longer.
Cuticle: Outer layer of the hair composed of keratin protein. This structure
is responsible for hair feel, manageability and shine. Hair conditioners primarily
work on improving this surface.
Keratin: A class of proteins that are insoluble in water and have a character-
istic hardness. Animal hooves and horns, as well as human nails, skin and hair, are
composed of keratin.
Static flyaway: Built-up static electrical charges on hair, causing hair to stand
out in disarray because individual hair shafts repel each other. Usually occurs in
dry weather and low humidity.
Stratum corneum: The outermost layer of skin (and part of the epidermis),
comprised primarily of dead cells. Cosmetics are designed to act primarily on this
layer.
Substantivity: The tendency of materials to resist being easily removed. For
example, some sunscreen lotions are substantive because they form a film on the skin
that is relatively water-insoluble. Also, cationic conditioning agents are substantive
because they are electrostatically attracted to the hair (see “conditioning agent”).
Surface tension: The tendency of a fluid’s surface to act as a stretched elastic
membrane. Surface tension is the reason a drop of water is spherical.
The Ingredients
Amphoteric surfactant: Characterized by the ability to react as an acid or a
base, yielding either H+ or OH- ions, depending upon the chemical environment.
Particularly known for its mildness (see “surfactant,” “zwitterion”).
Anionic surfactant: Characterized by a negative charge on its hydrophilic
portion. Well-suited to cleansing products due to its ability to disperse oily dirt
(see “surfactant”).
Cationic surfactant: Characterized by a positive charge on its hydrophilic
portion. This charge is attracted to the negatively charged proteins in skin and
hair, making this material useful as a conditioning agent (see “conditioning agent,”
“surfactant”).
CFC: Acronym for chlorofluorocarbon. This class of materials, commonly used
as aerosol propellants in personal care products until the late 1970s, are claimed
to deplete stratospheric ozone.
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Your Primer of Technical Terms and Chemical Jargon Beginning Cosmetic Chemistry
The Process
Batching: The preparation of a given quantity of a cosmetic product. It is
important to keep track of the products you make by assigning a discrete “batch
number” to each batch you make. In the laboratory, a batch can be as small as a
few hundred grams; production batches, on the other hand, may be as large as
several thousand gallons.
Formula: The chemicals that make up a product, given as their relative propor-
tions (usually expressed as weight-to-weight percentages). Unless the product is
made simply by mixing everything at once, the procedure should also be outlined
(see “manufacturing procedure”).
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Your Primer of Technical Terms and Chemical Jargon Beginning Cosmetic Chemistry
Lot number: An alphanumeric code that uniquely identifies when and where a
specific batch (lot) of material was produced. Lot numbers are assigned to batches
of chemical raw materials as well as finished products.
Manufacturing procedure: The “recipe” that tells how to make a product
given a specific formula. A good manufacturing procedure includes a description of
the equipment required to make the batch, along with step-by-step instructions.
Mill: A piece of equipment used to reduce particle size and achieve a uniform
distribution of materials within the finished product.
Mixer: A piece of equipment used to blend components of a formula. Some
mixers are simple stirring devices; others provide specialized mixing, such as high
shear (see “emulsion”).
Pilot plant: Most large companies have facilities for producing large test batches
of formulations before manufacturing full scale production batches. A pilot batch
may be several to several hundred gallons. Production of these batches should ap-
proximate actual production conditions.
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Beginning Cosmetic Chemistry Chapter 2
Testing
Clinical testing: Generally refers to any test (usually for safety or efficacy) done
on human subjects under clinical conditions. With skin care products, often refers
to a moisturization study, also known as the Kligman regression study.
Consumer perception: The impression a user has of a product’s esthetic and
functional characteristics. This test is important because many critical product
properties, such as fragrance, are subjective. Thus, technical tests for quality do
not anticipate consumer perception (see “consumer testing”).
Consumer testing: Any evaluation of consumer perception. Consumer test-
ing, or market research, can help determine if a consumer will like, use, or buy a
product (see “consumer perception”).
Curl retention testing: A test to determine the efficacy of hair-holding polymers
under exaggerated temperature and humidity conditions. Curls are prepared from
hair tresses; the hair styling formula is applied to the tresses so a series of linear
measurements can determine the amount of curl retained over a specified time.
Draize test: A procedure performed on rabbits to evaluate the eye irritation
of cosmetic raw materials and finished products.
Efficacy testing: Evaluates a product’s performance.
Flashpoint: A laboratory measurement of the temperature at which a material
ignites when exposed to a flame under controlled conditions. This data is important
in establishing requirements for shipping and storage of flammable materials.
Foam height testing: Determines ability of a surfactant to lather or produce
bubbles (see “surfactant”).
Inhalation testing: Establishes the dangers associated with chemicals that
enter the body via the lungs. Especially important for aerosol products, which are
likely to be inhaled.
LD50 testing: Determines the potential ingestion toxicity of a raw material or
finished product by finding dose at which 50% of test organisms die.
RIPT: Repeat insult patch testing. Conducted on humans, this test determines
the irritation potential of cosmetic products or raw materials.
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Your Primer of Technical Terms and Chemical Jargon Beginning Cosmetic Chemistry
Regulatory
CIR: Acronym for cosmetic ingredient review. A Personal Care Product Council
committee that assesses the safety data related to specific cosmetic raw materials
and publishes reports of its findings.
CFR: Acronym for Code of Federal Regulations. A government publication
containing the rules and regulations of the United States, including those related
to the manufacture and sale of cosmetic products.
Claims: Statements made about the performance or benefits of a personal
care product. Establishing support for claims is an important part of new product
development.
Cosmetic: (as defined in the US Federal Register) “Articles intended to be
rubbed, poured, sprinkled or sprayed on, or introduced into, or otherwise applied
to the human body or any part thereof for cleansing, beautifying, promoting attrac-
tiveness, or altering the appearance, and articles intended for use as a component
of any such articles; except that such term shall not include soap.”
Delany Clause: An amendment to the Federal Food, Drug and Cosmetics Act
that states that the FDA “shall not approve for use in food any chemical additive found
to induce cancer in man, or, after tests, found to induce cancer in animals.”
19
Beginning Cosmetic Chemistry Chapter 2
Drug: (as defined in the US Federal Register): “Articles intended for use in the
cure, mitigation, treatment, or prevention of disease in man...and articles (other
than food) intended to affect the structure or any function of the body of man.”
EU: European Union.
FFDCA: Federal Food, Drug & Cosmetic Act
FPLA: Fair Packaging and Labeling Act
INCI: International Nomenclature of Cosmetic Ingredients
MSDS: Material safety data sheet. This literature is designed to alert workers
to potentially hazardous characteristics of a compound.
NDA: FDA acronym for “New Drug Application.” This expensive, lengthy
process to get a chemical approved as a new drug is required if your product makes
drug claims and your active ingredient does not fall within current OTC monograph
guidelines (see “OTC monograph”).
OTC drug: Legal drugs that do not require a prescription and can be sold
“over the counter.”
OTC monograph: FDA document establishing active ingredients and defining
allowable concentrations in OTC drugs (see “OTC drug”).
PCPC: Personal Care Products Council. New name for the CTFA.
SPF: Acronym for sun protection factor. A rating that establishes a product’s
ability to protect the skin from UV radiation.
Cosmetic Ingredient
Nomenclature
Naming of cosmetic ingredients.
N o more difficult situation exists than occurs when two or more people cannot
communicate because they speak different languages. Confusion, misun-
derstandings and problems are likely to develop in such a world. Now consider
a highly technical world, a world made up of many chemical compounds, with
very different properties that are blended together in different combinations and
ratios to make products that consumers are going to apply to their person. Now
consider the safety of the many compounds and the plethora of formulations con-
taining them. It becomes clear that as scientists, we need to speak a language that
clearly communicates the concepts behind our science, in a manner that is clearly
understood by our associates, as well as safety professionals and regulators. This
information needs to be communicated in a way that is informative and consumer
friendly. Now, we begin to define the attributes of the system needed for the per-
sonal care industry.
Every student of organic chemistry should be familiar with the IUPAC system of
chemical nomenclature. Imagine a world where the full IUPAC names were applied
to cosmetic bottles. The names would not only be confusing and incomprehensible,
but the required label would simply not fit on the bottle.
In order to understand what is necessary in our industry and to comply with
various regulations, it is first necessary to understand the regulatory role and the
interrelationships between the different groups participating in the process. One
key group is the Food and Drug Administration (FDA). The FDA provides answers
to questions critical to our industry on their Web site, www.fda.com. Answers to
important questions are shown in Table 3.1.
21
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Cosmetic Ingredient Nomenclature Beginning Cosmetic Chemistry
What does the law say about cosmetic safety and labeling?
The two most important laws pertaining to cosmetics marketed in the United
States are the Federal Food, Drug, and Cosmetic Act (FD&C Act) and the
Fair Packaging and Labeling Act (FPLA).
The FD&C Act prohibits the marketing of adulterated or misbranded cosmetics
in interstate commerce. Violations of the Act involving product composition—
whether they result from ingredients, contaminants, processing, packaging,
or shipping and handling—cause cosmetics to be adulterated and subject to
regulatory action. Under the FD&C Act, a cosmetic is adulterated if—
• “it bears or contains any poisonous or deleterious substance which may
render it injurious to users under the conditions of use prescribed in the
labeling thereof, or under conditions of use as are customary and usual”
[with an exception made for hair dyes];
• “it consists in whole or in part of any filthy putrid, or decomposed
substance”;
• “it has been prepared, packed, or held under insanitary conditions whereby
it may have become contaminated with filth, or whereby it may have been
rendered injurious to health”;
• “its container is composed, in whole or in part, of any poisonous or del-
eterious substance which may render the contents injurious to health”;
or
• except for hair dyes, “it is, or it bears or contains, a color additive which is
unsafe within the meaning of section 721(a)” of the FD&C Act. (FD&C
Act, sec. 601)
Improperly labeled or deceptively packaged products are considered mis-
branded and subject to regulatory action. Under the FD&C Act, a cosmetic
is considered misbranded if—
• “its labeling is false or misleading in any particular”;
• its label does not include all required information;
• the required information is not adequately prominent and conspicuous;
• “its container is so made, formed, or filled as to be misleading”;
• it is a color additive, other than a hair dye, that does not conform to ap-
plicable regulations issued under section 721 of the FD&C Act; and
• “its packaging or labeling is in violation of an applicable regulation is-
sued pursuant to section 3 or 4 of the Poison Prevention Packaging Act
of 1970.” (FD&C Act, sec. 602)
23
Beginning Cosmetic Chemistry Chapter 3
The agency does not function as a private testing laboratory, and in order to
avoid even the perception of conflict of interest, does not recommend pri-
vate laboratories to consumers or manufacturers for sample analysis. Testing
laboratories are listed in your telephone directory.
Must cosmetic manufacturers register with FDA?
Manufacturers are not required to register their cosmetic establishments, file
data on ingredients, or report cosmetic-related injuries to FDA. However,
companies are encouraged to register their establishments and file Cosmetic
Product Ingredient Statements with FDA’s Voluntary Cosmetic Registration
Program (VCRP).
16. The following table has been included to clarify the nomenclature for deriva-
tives of caproic, caprylic and capric acids.
Chain length Stem name Acid Ester
C6 Capro Caproic Caproate
C8 Capryl Caprylic Caprylate
C10 Capr Capric Caprate
Saturated:
Acid Alcohol
C6 Caproic Hexyl
C7 Heptanoic Heptyl
C8 Caprylic Caprylyl
C9 Pelargonic Nnyl
C10 Capric Decyl
C11 Undecanoic Undecyl
C12 Lauric Lauryl
C13 Tridecanoic Tridecyl
C14 Myristic Myristil
C15 Pentadecanoic Pentadecyl
C16 Palmitic Cetyl
C17 Margaric Heptadecyl
C18 Stearic Stearyl
C20 Arachidic Arachidyl
C22 Behenic Behenyl
Unsaturated:
C11 Undecylenic Undecylenyl
C16 Palmitoleic Palmitoeyl
C18 Oleic Oleyl
C18 Linoleic Linoleyl
C18 Linolenic Linolenyl
C20 Arachidonic Arachidonyl
C22 Cetoleic Cetoleyl
C22 Erucic Erucyl
18. The nomenclature for ingredients consisting of mixtures of similar materials
(e.g., fatty acids, fatty alcohols) is determined on the basis of the chemical
identity of the raw material as purchased. Mixtures that reflect the original
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Beginning Cosmetic Chemistry Chapter 3
30. Materials derived from plants are known as botanicals. In general, these
ingredients have not undergone chemical modifications and include plant
derived ingredients such as extracts, juices, waters, distillates, powders, oils,
unsaponifiables, etc. They have INCI names based on the international Linné
designated nomenclature of the genus and the species, followed by the plant
part, if pertinent or applicable (e.g., leaf, fruit, bark, etc.), and the type of prepa-
ration (e.g., extract, oil, powder, etc.). Chemical derivatives of botanicals follow
the nomenclature rules for chemicals (e.g., Cocoglyderides, Hydrogenated
Castor Oil, Hydrogenated Palm Acid, Olive Acid, Palm Alcohol, Soyamide DEA,
Sulfated Olive Oil, etc.).
The following references are used to establish the Linné-derived for botanicals:
(a) The primary referece is Penso, G., Index Plantarum Medicinalium Totius
Mundi Eorumque Synonymorum, O.E.M.F. Milano (1983—ISBN 88-7076-027-8.
(b) When the genus and species is not identified in the text cited in (a), a variety
of secondary sources are utilized including the following, in order of prior-
ity: (1) Steinmetz, E.F., Codex vegetabilis, Amsterdam (1957); (2) Hoppe, H.A.,
Drogenkunde, 8th Edition, Walter de Gruyter, Berlin, Volume 1 (1957—ISBN
3-11-00-8)¸Volume 2 (1977 – ISBN 3-11-006660-2); (3) Mabberley, D.J., The
Plant Book—A portable dictionary of higher plants, Cambridge 1992—ISBN N°
0-521-34060-8; (4) Hoppe H.A., Levring T., Tnaka Y., Marine Algae in Pharma-
ceutical Science, Walter de Gruyter, Berlin, New York, 1979.
31. Name/number combinations are used as INCI names for cosmetic ingredients
only where the complexity and/or similarity of ingredients precludes assign-
ment of reasonable nomenclature by any other means. In all cases where arbi-
trary numbers are used, these numbers are preceded by names suggestive of
the structure or the composition of the material. Each name/number combina-
tion represents a specific ingredient that is listed in the Inventory. The following
name/number series of combinations have been used:
(a) Benzophenone
This term is used for all benzophenon derivatives
(e.g., Benzophenone-2).
(b) HC color
See rule 28.
(c) Quaternium/Polyquaternium
See rule 23.
(d) Hydrofluorocarbon/Hydrochlorofluorocarbon
These terms are used for hydrohalocarbon aerosol propellants
(e.g.Hydrofluorocarbon 152a, Hydrochloroflurocarbon 142b).
(e) Polysilicone
common names or established conventions for silicone compounds (e.g.,
Poylsilicone-1)
(f) Polyacrylate
see rule 49.
(g) Polyester-
see rule 49.
(h) Polyether-
see rule 49.
(i) Polyurethane-
see rule 49.
35
Beginning Cosmetic Chemistry Chapter 3
32. Commercial raw materials are often deliberate mixtures of several compo-
nents. The mixtures do not appear as such and must be identified by listing the
individual components (e.g., Kathon CG: Aqua, Chloromethylisothiazolinone,
Methylisothiazolinone, Magnesium chloride, Magnesium nitrate).
33. The INCI names for extracts represent the “material extracted” and do not
include reference to the extracting solvents and/or other diluents that may be
present in these materials.
34. Solvents and/or diluents contained in commercially available raw materials
such as surfactants, polymers and resins are not normally identified as part of
the INCI name.
35. Polyethylene glycol (polyoxy-1, 2-ethanediyl) is abbreviated to the acronym
“PEG”.
Polyethylene glycol homopolymers are named as PEG-X, where X is the aver-
age number of ethylene oxide monomer units, e.g., PEG-10.
Ethoxylated alcohols are named by combining the conventional alcoholic stem
name with the suffix “eth” followed by the average number of ethylene oxide
monomer units, e.g. Laureth-10.
Esters of polyethylene glycol homopolymers are named as PEG derivatives,
e.g., PEG-10 stearate.
Other ethoxylated substances are named accordingly, e.g., PEG-6 cocamide.
Because names based on the approximate molecular weight of the ethylene
oxide polymer are also in common use, the following table is provided to allow
easy conversion between the two systems:
Approximate Average Number
Molecular Weight of Monomer Units
100 2
200 4
300 6
400 8
450 9
500 10
600 12
1000 20
1540 32
1800 36
2000 40
3000 60
4000 75
6000 150
8000 180
36. Polypropylene glycol (polyoxy-1, 2-propanediyl) is abbreviated to the acronym
“PPG”. Polypropylene glycol homopolymers are named as PPG-X, where X is
the average number of propylene oxide monomer units, e.g., PPG-10.
Esters and ethers of polypropylene glycol homopolymers are named as PPG
derivatives, e.g., PPG-10 stearate, PPG-10 lauryl ether.
Other propoxylated substances are named accordingly.
36
Cosmetic Ingredient Nomenclature Beginning Cosmetic Chemistry
37. PEG and PPG polymers or their derivatives in which one of the terminal primary
alcohol groups (-CH2OH) has been oxidized to a carboxylic acid (-COOH) are
named by adding the term “carboxylic acid” or “carboxylate” to the parent
name of the original polymer, e.g. PEG-10 carboxylic acid, Coceth-7 carboxylic
acid, Ammonium laureth-8 carboxylate.
38. The term “Pareth” applies to ethoxylated parffinic alcohols containing both
even- and odd-carbon chain length fractions.
39. The term “Acrylates” is used to describe linear, non-cross linked copolymers
that contain combinations of acrylic acid, methacrylic acid and their methyl,
ethyl, propyl or butyl esters. Similarly, the term “Crotonate(s)” is used to
describe the copolymers that contain combinations of crotonic acid and its
methyl, ethyl, propyl or butyl esters.
40. The name “Carbomer” is used to describe high molecular weight cross-linked
homopolymers of acrylic acid. The cross-linking agent(s) is (are) identified in
the ingredient entry definition. (See also rule 41)
41. The term “cross-polymer” is used to describe polymers other than Carbomer
that are cross-linked. (See also rule 40)
42. The term “Poloxamer” denotes a symmetrical block copolymer formed by
ethoxylation of polypropylene glycol. Substances with differing degrees of po-
lymerization are further identified by a code number derived from the molecular
weight of the polymer.
43. The term “Meroxapol” denotes a symmetrical clock copolymer formed by the
propoxylation of polyethlene glycol. Substances with differing degrees of po-
lymerization are further identified by a code number derived from the molecular
weight of the polymer.
44. The term “Poloxamine” denotes a symmetrical block copolymer formed by
successively propoxylating then ethoxylating ethylene diamine. Substances
with differing degrees of polymerization are further identified by a code number
derived from the molecular weight of the polymer.
45. Copolymers of ethylene glycol and propylene glycol which do not form sym-
metrical block copolymers are named as PEG/PPG-X/Y derivatives where X
and Y are the average number of ethylene oxide and propylene oxide monomer
units respectively.
46. The term “Alkoxyno-n” means an ethoxylated alkyl phenol where n indicates
the average number of ethylene oxide units.
When the name is: the alkyl is:
octoxynol tetramethylbutyl
nonoxynol nonyl
dodoxynol dodecyl
pentadoxynol pentadecyl
47. Biotechnological materials are substances derived by the action of micro-
organisms, such as bacteria or yeasts, on a substrate to produce materials by
fermentation, metabolism, hydrolysis, lysis or other processes. The process
may involve the use of nutrients or other materials such as enzymes. The
resulting product is referred to as a “culture” or “ferment”. The ferment can be
further processed by extraction, filtration, and/or other procedures to yield the
final product.
37
Beginning Cosmetic Chemistry Chapter 3
The conventions used to provide INCI names for biotechnological materials are
as follows:
(a) When the end product produced from a given “ferment” or “culture” has
a common or usual name, such name may be used, e.g., Yogurt, Gellan
Gum or Xanthan Gum.
(b) When the end product does not have a common or usual name, the prod-
uct will be named using the genus of the microorganism, followed by a
slash and the name of the substrate (if applicable), followed by the work
“ferment”. Substrates will be identified by their common, usual, or other
technical name, e.g., Lactococcus/Carrot Ferment. On a case-by-case
basis, the genus and species name of the microorganism may be used
when the used of the genus only may be misleading and the identification
of the species is needed for clarity, e.g., Candida bombicola Ferment.
(c) If the selected components of the ferment have been isolated and puri-
fied to a significant extent and analytical evidence is provided, the name
for one or more of the components may be used, e.g., Glycosphingolip-
ids, Beta-Glucan or Dextran.
48. The term “Ceramide” as part of an INCI name will be assigned to those classes
and structures of natural lipids derived from skin as reported by Wertz P.W.,
Miethke M.C., Long S.A., Strauss J.M. and Downing D.T. in “The composition of
ceramides from human stratum corneum and from comedones”, The Journal
of Investigative Dermatology, 84, 410-412 (1985).
A synthetic N-acylated sphingoid base that is identical to any one of the many
constituents of the natural ceramides, as reported by Wertz, will be assigned
an INCI labeling name using the term ceramide followed by a number (e.g.,
Ceramide 3) or a number and Roman numeral (e.g., Ceramide 6II). The term ce-
ramide as part of the INCI name will only be assigned to a synthetic N-acylated
sphingoid base that contains, as the predominant component, the erythro
isomer of at least one of the many natural ceramides described by Wertz. A
predominant component is one that is present at the highest concentration in
relation to other synthetic materials of similar structure and related composi-
tion present in a mixture.
Synthetic N-acylated sphingoid bases that do not have the erythro configura-
tion, or otherwise are not constituents of natural ceramides as described by
Wertz, will not be named using the term ceramide. In such cases, a chemical
or other appropriate name, to be determined by the International Nomenclature
Committee (INC) on a case-by-case basis, will be assigned as the INCI labeling
name. The INC may accept a signed statement by a person requesting the
assignment of an INCI name that a synthetic N-acylated sphingoid base is the
erythro isomer and otherwise conforms in composition to the above criteria.
49. The term “Aminoacrylates” refers to simple aminoacrylates, in which the
substituted alkyl groups attached to amino nitrogen range from C1-4, and acry-
lates conforms to the definition as described in rule 33.
50. Synthetic peptides consisting of 2–10 amino acid residues are named using
the appropriate prefix, di-, tri-, tetra-, etc., followed by the term peptide and an
arbitrary number, e.g., Dipeptide-2.
Synthetic peptides consisting of 11–100 amino acids are designated by the
term oligopeptide, followed by an arbitrary number.
38
Cosmetic Ingredient Nomenclature Beginning Cosmetic Chemistry
Synthetic peptides consisting of more than 100 amino acids are designated by
the term polypeptide, followed by an arbitrary number.
The amino acid residues composing the peptide are listed alphabetically in the
entry definition in Section 1.
The amino acid residues may include the following:
Alanine Glutamine Phenylalanine
Arginine Glycine Proline
Asparagine Histidine Serine
Aspartic Acid Isoleucine Threonine
Cysteine Leucine Tryptophan
Cystine Lysine Tyrosine
Glutamic Acid Methionine Valine
51. Polymer nomenclature—Polymeric materials are named according to the name
in common usage if it is well known, or by the structure if well defined. If no
common name exists, and the structure is not well defined, the polymers are
named according to their source, as described below. Homopolymers (consist-
ing of one constituent monomer) are named by placing the term ‘poly’ before
the constituent monomer, e.g., Polyisobutene.
Copolymers and Crosspolymers (consisting of two or more constituent mono-
mers) are named by listing the monomers separated by a slash (/) followed by
the work “Copolymer” or “Crosspolymer”, respectively, e.g., Acrylates/Acryl-
amide Copolymer, Acrylates/VA Crosspolymer.
Copolymers consisting of four or more monomers may be given an INCI name
according to their class followed by an arbitrary number, e.g., Polyester-1, with
the monomers listed in the entry definition of the material. Such nomenclature
is granted at the discretion of the INC, with a purpose of shortening lengthy
INCI names.
Thus far, the only classes of polymers to be created for this type of nomencla-
ture are Polyesters, Polyacrylates and Polyurethanes. More classes may be
added in the future, if the need arises.
The CTFA did not arbitrarily create ingredient names for the INCI nomencla-
ture system. It relied upon information supplied by chemical vendors and other
existing sources of chemical identification.
To prepare a cosmetic product’s ingredient listing, chemists should look to the
following sources to find the appropriate nomenclature:
1. US Code of Federal Regulations (21 CFR 701.30) for list of ingredients named
by the FDA
2. International Cosmetic Ingredient Dictionary for INCI and
Colour Index names
3. US Pharmacopeia (USP)
39
Beginning Cosmetic Chemistry Chapter 3
Nomenclature Systems
Silicones: Not all cosmetic ingredients are based on fatty acid chemistry.
Silicon-based ingredients, common in personal-care products for lubrication, mois-
turization and conditioning, have their own special nomenclature. As an example,
the structure of dimethicone (Figure 3.1) would be hard to deduce from its INCI
name alone. Dimethicone (or dimethyl-polysiloxane) is a mixture of fully methy-
lated linear siloxane polymers end-blocked by trimethylsiloxy units. The industry
uses literally hundreds of other silicon derivatives based on this chemistry. These
include dimethicone copolyol (dimethicone with polyoxyethylene groups added
to improve water solubility) and cyclomethicone (cyclic dimethyl polysiloxane),
known for its lubricity and volatility.
Ethanol: Alcohols are another cosmetic raw material with specialized nomen-
clature requirements. Chemists unfamiliar with the INCI system might presume
that ethanol—two simple carbon units and a hydroxyl group—would be one of
the easiest ingredients to name. Wrong! Because the ethanol employed in most
cosmetic products contains some form of denaturant to deter human consumption,
naming them requires specialization.
In fact, the International Cosmetic Ingredient Dictionary does not show “ethanol”
per se. Instead, it displays a list of “specially denatured alcohols” (SDA), each with
an abbreviation to specify the denaturant. Ethanol denatured with t-butyl alcohol
and sucrose octaacetate is SDA 40-A, but ethanol with methyl alcohol is SDA 3-A.
In all, the fifth edition of the dictionary lists 26 denatured ethyl alcohols. In the
European Union, “alcohol denat” refers to denatured ethanol using an additive
approved by the appropriate member states.
Colorants: INCI colorant nomenclature depends upon the regulatory status
of the subject material. Most synthetic pigments used in cosmetics are regulated in
the United States by the FDA. These, known as certified colors, have difficult and
unwieldy chemical names. Fortunately, INCI classification abbreviates colorants
according to their approved usage in either the FD&C (Food, Drug and Cosmetic),
40
Cosmetic Ingredient Nomenclature Beginning Cosmetic Chemistry
D&C (Drug and Cosmetic) or Ext. D&C (External Drug and Cosmetic) certifica-
tion. Examples include FD&C blue no. 1 (for which common alternate names are
brilliant blue or food blue 2), D&C green no. 5 (alizarine cyanine green) and Ext.
D&C yellow no. 7 (naphthol yellow S).
In the EU, colorants are identified in the Colour Index (CI) by an internation-
ally recognized 5-digit code. The CI nomenclature is now being listed by CTFA as
an alternate INCI name. Thus, FD&C blue no. 1 is also CI 42090.
Some classes of colorant, not requiring special certification, are identified dif-
ferently. Two common examples are the iron oxides (such as cosmetic black and
cosmetic brown) and the ultramarine colors (ultramarine blue, pink and green).
Color-imparting cosmetics frequently use these insoluble pigments.
Basic dyes are primarily used as permanent or semipermanent hair colorants.
Examples include basic blue 9, also known as 3,7- bis (dimethylamino)phenothiazin-
5-ium chloride and basic brown 16, or [8-[(p-aminophenyl) azo]-7-hydroxy-2-
napthyl]trimethylammonium chloride.
Other ingredients: Though there appears to be an endless number of chemical
designations and abbreviations, the INCI system also uses many easily recogniz-
able names for natural and natural-derived ingredients. These include beeswax,
lanolin, menthol and a host of other animal-, vegetable- and mineral-derived
components.
The manner in which INCI names are assigned to so-called natural materials
depends upon their composition. Materials of biological origin, such as “hyaluronic
acid,” are named by specific terms once they have been isolated and purified.
When the exact components in a mixture can not be reasonably classified, as
with certain plant extracts, the source may be used to name the material. “Aloe
vera,” for example, identifies the material extracted from the plant of the same
name. Other noteworthy examples include keratin protein, vegetable gums, and
various mineral waxes. Such familiar terms ease the obvious difficulty of assigning
IUPAC names to materials that are mixtures of many compounds.
Fragrances are designated by the comparatively mundane and non-descriptive
qualifier “fragrance,” though they may be elaborate concoctions of exotic elements
like Siberian pine needles, whale musk and rose petal extract. No further chemical
identification is required. However, in circumstances where specific aroma chemi-
cals are cited on ingredient statements, the INCI nomenclature should be used.
For example, “chamomile” is the name given to the fragrance oil extracted from
the plant of the same name.
In a system this complex, there are bound to be cases that just don’t make
sense scientifically. What is the structural reason for assigning the names carbomer
or poloxamer to these common cosmetic thickeners? To confound matters, if an
ingredient is considered to be proprietary or a trade secret, its vendor can petition
the FDA to allow that material to be listed as simply “other ingredients” on label-
ing for the US market. In addition, if an incidental material is present that has no
function or effect on the formula, or if it is present at an insignificant level, it need
not be declared on the ingredient listing.
41
Beginning Cosmetic Chemistry Chapter 3
Water, perhaps the most common of all cosmetic ingredients, can only be
legally identified as “water.” Despite the efforts of many companies, misnomers
such as “deionized,” “distilled,” “glacier” and “fresh mountain stream” water are
not accepted terminology.
Additional Information
The CTFA has published additional information on the labeling requirements
for products marketed in the United States1 and on the regulatory status of colorants
in the United States and many other countries.2
Conclusion
The ability to provide timely, accurate, meaningful and consumer friendly
names for cosmetic products remains a challenge. Consumer friendly is a key
concept. One recent Internet article states consumers should avoid sodium ether
sulfate because it contains ether, which will put the user asleep. As long as this
type of “knowledge” is disseminated, we in our industry will all have the challenge
of explaining consumer confusion.
References
1. CTFA International Color Handbook, Second Edition, The Cosmetic, Toiletry, and
Fragrance Association, Washington, DC: (1992)
2. CTFA International Regulatory Resource Manual, Fourth Edition, The Cosmetic,
Toiletry, and Fragrance Association, Washington, DC: (1995)
Chapter 4
43
44
INCI Names: International Harmonization Beginning Cosmetic Chemistry
by the US Food and Drug Administration. Batch certification is the US Food and
Drug Administration’s (FDA) method of verifying that each individual batch of
organic color additives meets the standards and specifications found in Title 21 of
the US Code of Federal Regulations, Part 74. Colorants can be classified as either
organic or inorganic, depending on their chemistry. A “lake” is the insoluble form
of an organic colorant.
Table 4.1. Examples of abbreviated INCI names for batch certified colorants
The INCI names for US color additives that are subject to batch certification
are abbreviated labeling names. As such, the cosmetic product manufacturer may
choose to omit from the product label such terms as “FD&C” (Food, Drug and Cos-
metic), “D&C” (Drug and Cosmetic), “No.”(Number) and the laking agent. Table
4.1 shows examples of abbreviated INCI names for batch certified colorants.
Colorants approved for use in the EU may be found in Annex IV of the European
Commission Cosmetic Directive (Dir. 76/768/EEC—June 1991, with additional
Commission Directives).
With a few exceptions, colorants are listed in Annex IV by the Colour Index
(CI) numbers. The INCI labeling name for lakes and salts of EU colorants, not
otherwise prohibited in Annex II or regulated by Annex V (Dir. 76/768/EEC—June
1991), is the same CI number as the colorant found in Annex IV, without reference
to the laking agent or salt. These INCI names may be found in the Dictionary in
Section 3 under the heading Color Additives—Approved in the EU.
Industry has proposed that a dual declaration of colorants with both the US name
and the EU name be allowed on labels of cosmetic products intended for sale in
both the US and the EU markets. Examples of harmonized names are as follows:
Green 3 (CI 42053)
Ultramarines (CI 77007)
Although the FDA has indicated a willingness to accept this approach as an
interim step while it considers the question of harmonized ingredient labeling,
CTFA has been informed that certain EU member states have refused to accept
this approach.
Persons using harmonized INCI labeling names on products intended for both
the US and the EU markets must ensure that the colorants conform with regulatory
requirements for the US and the EU.
Colorants that are hair dyes: US laws and regulations do not require batch
certification of organic colorants used in hair dyes. There are certain labeling
45
Beginning Cosmetic Chemistry Chapter 4
requirements, however, for these so-called “coal-tar” dyes, a term relating to their
original source in the 19th century.
The INCI names for hair colorants in the US and EU are equivalent, and with
few exceptions are based on the chemical structure of the ingredient. For a simple
structure, the chemical name of the colorant is used. When the chemical structure
is very complex, a combination of letters and numbers may be assigned with the
prefix “HC”. In addition, the names of colorants as listed in the Colour Index may
be used. Examples of INCI names of hair colorants include:
HC Blue No. 4
Acid Red 14
2-Amino-5-Nitrophenol
These INCI names may be found in the Dictionary in Section 3 under the
heading Color Additives—Hair.
Botanicals: Cosmetic ingredients physically derived from plants are known as
botanicals. Generally, these ingredients have not undergone significant chemical
modification and include preparations such as extracts, juices, distillates, powders
and oils.
In the US, INCI names for botanicals include the Latin binomial (genus and
species names), the common name of the plant (if applicable), the plant part, and
the type of preparation; for example, Avena Sativa (Oat) Kernel Extract.
In the EU, the INCI names for botanicals currently list only the Latin binomial;
for example, Avena Sativa.
The harmonized INCI name for both markets in this case would simply be the
US INCI name, Avena Sativa (Oat) Kernel Extract.
It should be noted that at the time this chapter was written, a proposed update
to the EU inventory of cosmetic ingredients lists the plant parts and preparations
for the labeling of botanicals. Readers are advised to check the EU regulations for
the status of this proposal.
Denatured alcohol: Alcohol Denat. is the established INCI labeling name for
ethyl alcohol that is denatured (rendered non-potable) in accordance with national
regulations in the EU member states and in the US.
In the US, the names and formula specifications for specially denatured (SD)
alcohols are listed in the US Department of the Treasury Regulations under Title
27, US Code of Federal Regulations, Parts 20 and 21.
For the US market, labelers may use either the SD Alcohol name or Alcohol
Denat. on product labels. For products intended to be marketed in the US and
the EU, the name Alcohol Denat. should be used.
EU trivial names: In the EU, “trivial” names are listed in the EU Inventory
of Cosmetic Ingredients, and are included in the Dictionary as well. These names
represent common names that should be easily recognized by consumers in the EU,
where 11 different languages are spoken. The trivial names are based primarily on
designations taken from the European Pharmacopeia2. Examples of such labeling
names harmonized for the US and the EU markets are as follows:
46
INCI Names: International Harmonization Beginning Cosmetic Chemistry
Water (aqua)
Beeswax (Cera alba)
Sea Salt (Maris Sal)
Fragrance and Flavor: The terms Fragrance and Parfum are used as INCI
labeling names in the US and the EU, respectively. These names are used to iden-
tify that a product contains a material or combination of materials to produce or
to mask a particular odor.
The terms Flavor and Aroma are used as INCI labeling names in the US and
the EU, respectively. These names are used to identify that a product contains a
material or a combination of materials to produce or to mask a particular flavor.
International Harmonization
The information below is taken from the www.ctfa.org site and is designed to
provide basic information on the relationship between US regulations and those
experienced in other parts of the world. The harmonization of the regulations is
both complex and ever changing. This information is offered for basic understand-
ing however the reader is cautioned to review any changes and to get the advice
of an expert when attempting to act on this information.
The United States and European Union: Strictly Regulating Cosmetic Safety
The United States (US) and European Union (EU) both work to ensure the safety
of cosmetics for consumers through rigorous regulation. In the United States, the
cosmetics industry is regulated by the US Food and Drug Administration (FDA),
which has been granted broad regulatory authority under the federal Food, Drug
and Cosmetic Act, enacted in 1938. The 27 European Union Member States have
transposed the European Union Cosmetics Directive, enacted in 1976, into national
law. Each Member State has health authorities, which then regulate cosmetics
within their respective national boundaries according to the law.
In both the US and the EU, cosmetics manufacturers ensure product safety
prior to marketing, list all ingredients on the product label and comply with any
restrictions that are established for cosmetic ingredients and products. Any potential
risk from a product is assessed as part of its safety evaluation.
In the US, the Cosmetic Ingredient Review (CIR) Expert Panel conducts
independent safety reviews of ingredients as a part of the cosmetic safety process,
with the results published in the International Journal of Toxicology and on the CIR
website. The EU Scientific Committee on Consumer Products (SCCP) is responsible
for reviewing all special and active cosmetic ingredients and assessing conditions
for safe use. The results are subsequently published on the SCCP website.
In the US, cosmetic and personal care products companies work with leading
scientific and medical experts every day and invest millions of dollars in sophisticated
laboratory equipment and facilities to ensure cosmetic product safety. In addition to
this strong commitment to safety, federal law requires that every cosmetic product
be substantiated for safety before it goes to market. The FDA statistics confirm that
cosmetics are one of the safest product categories used by Americans today.
47
Beginning Cosmetic Chemistry Chapter 4
The US and EU have slightly different ways of regulating the cosmetic and
personal care industry, but both systems provide consumers with a high degree
of safety. Some argue that cosmetics are more strictly regulated in the EU, citing
recent actions taken in the EU to red flag or ban certain chemicals from use in
cosmetics. However, an examination of Annex II of the EU Cosmetics Directive, a
list of 1,300 banned ingredients, reveals that a large number of those chemicals are
not used and never have been used in cosmetics in the US or Europe. For example,
the EU list includes substances such as jet aircraft fuel, various petroleum refinery
byproducts and carbon monoxide.
Another difference between the EU and US systems of regulating cosmetics
is that the EU allows the marketing of cosmetic products with certain medicinal
effects, while the United States has required extra regulatory hurdles because
they are classified as drugs. Some of the substances include sunscreens, anti-caries
toothpaste and lip balms. Even though color additives are not classified as over-
the-counter (OTC) drug actives, they are also subject to more regulatory scrutiny
in the US than they are in Europe.
Appendix 4.1
1. 6-Acetoxy-2,4-dimethyl-m-dioxane
2. Antihistamines except those of aminoether type (such as diphenhydramine)
3. Hormones and those derivatives except estradiol, estrone and ethinylestradiol
4. Vinyl chloride monomer
5. Methylene chloride
6. Bismuth compounds other than bismuth oxychloride
7. Hydrogen peroxide
8. Cadmium compounds
9. Sodium perborate
10. Chloroform
11. Progrenolone acetate
12. Dichlorophene
13. Mercury and its compounds
14. Strontium compounds
15. Sulfamide and its derivatives
16. Selenium compounds
17. Nitrofuran type compounds
18. Hydroquinone monobenzylether
19. Halogenated salicylanilide
20. Vitamin L1 and Vitamin L2
21. Bithionol
22. Pilocalpine
23. Pyrogallol
24. Inorganic fluorine compounds
25. Pregnanediol
26. Local anesthetics such as procaine
27. Hexachlorophen
28. Boric acid
29. Formalin
30. Methyl alcohol
50
INCI Names: International Harmonization Beginning Cosmetic Chemistry
Appendix 4.2
Appendix 4.3
(*1) Blank indicates that it is prohibited to be used, and ** indicates that there is no upper limit for the
amount of ingredient.
(*2) It can be contained in cosmetics used for mucosa and only for oral cavity.
(*3) It indicates the aqueous solution containing 1.0–1.3% of 5-chloro-2-methyl-4- isothiazolin-3-one
and 0.30–0.42% of 2-methyl-4-isothiazolin-3-one.
(*4) It indicates the compound containing 0.2–4.0% as silver and 5.0–15.0% as zinc when it is exposed
to strong heat.
(*5) It indicates the compound containing 2.7–3.7% as silver and 4.9–6.3% as copper when it is
exposed to strong heat.
(*6) It is prohibited to be contained in aerosol agents.
Appendix 4.4
Sodium
hydroxymethoxybenzophenone 10 10 1.0
sulfonate
Phenylbenzimidazole sulfonic acid 3.0 3.0
Ferulic acid 10 10
2,2’-methylenebis(6-(2H-
benzotriazole-2-yl)-4-(1,1,3, 10.0 10.0
3-tetramethylbutyl)phenol
(*1) Blank indicates that it is prohibited to be used, and ** indicates that there is no upper limit for the
amount of ingredient.
(*2) It indicates the compound containing 72.0–79.0% of isopropyl p-methoxycinnamate, 15.0–21.0% of
ethyl 2,4-diisopropyl cinnamate and 3.0 - 9.0% of methyl 2,4-diisopropyl cinnamate.
(*3) It is calculated as the total amount of hydroxymethoxybenzophenone sulfonate.
References
1. J
A Wenninger, RC Canterbery and GN McEwen Jr, eds, International Cosmetic
Ingredient Dictionary and Handbook, Seventh Edition The Cosmetic, Toiletry, and
Fragrance Association, Washington, DC (2000)
2. E
uropean Pharmacopeia, 2nd ed, prepared by the Council of Europe, Sainte-Ruffine:
Maissonneure (1983)
Chapter 5
A s a cosmetic chemist you deal with dozens (if not hundreds or thousands) of
chemicals that are potentially hazardous. Therefore, you should know how to
find information to help ensure the safe handling of such materials. In the United
States, the document known as the Material Safety Data Sheet (MSDS) is an im-
portant information source. MSDSs must be made available to employees whose
work requires handling of chemical raw materials and finished products.
An MSDS, as defined in the US Code of Federal Regulations1, seeks “…to en-
sure that the hazards of all chemicals produced or imported are evaluated, and the
information concerning their hazards is transmitted to employers and employees.”
Practically speaking, this means that an MSDS should communicate basic safety
information to individuals who might come in contact with the material as a result
of their occupations. Federal law establishes the required details and specifies the
appropriate procedures.
Federal law, specifically Section 18 of the Williams-Steiger Occupational Safety
and Health Act of 1970, requires that suppliers of chemical raw materials and
finished products make an MSDS available to any worker(s) who might come in
contact with their products1. This statute applies equally for samples provided to
formulating chemists for evaluation and for production quantities. Since certain
finished products may contain potentially hazardous materials, manufacturers of
such products are also required to make MSDSs available to individuals who may
be exposed to these products in the workplace.
Individual states can also petition the federal government, under the auspices
of the Occupational Safety and Hazards Administration (OSHA) regarding accep-
tance/implementation of their own regulations. If the state requirements do not
meet federal standards, state law will be pre-empted by federal law. OSHA enforces
these regulations for the federal government. At the state level, each individual
state’s Department of Labor is responsible.
One of the primary purposes of an MSDS is to protect employees who come
in contact with potentially dangerous materials. For this protection to be effective,
employees must know where MSDSs are stored. They must also know how to use
them and have access to this information in the work area. Because these safety
57
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Material Safety Data Sheets Beginning Cosmetic Chemistry
precautions apply equally to all employees who deal with chemicals, MSDSs must
be available to both compounding and production personnel in addition to R&D
scientists. As we will discuss later, MSDSs provide basic information that can be
used in a crisis to help minimize risks resulting from chemical exposure.
Beyond the immediate workplace, any employees who come in contact with
materials that are regulated by MSDSs in the course of their job are entitled to
receive an MSDS upon request. For example, a truck driver who transports such
materials, or finished products made with these materials, has a right to request
material safety information.
Most manufacturers have made MSDSs for all of their products available to
anyone who searches their sites on the Internet. This posting makes it convenient
for people to have access and also limits the liability of producers who might be
accused of being too secretive with safety information.
As a cosmetic chemist, you should be familiar with the basic elements of a typi-
cal MSDS for two reasons: for your own safety and because you might be required
to prepare such a document. The following discussion provides a brief overview of
the critical sections and subsections of a typical form.
an MSDS is not intended to take the place of complete toxicological data, it does
provide basic information to assist in reacting to an emergency.
Regulatory Acronym
PCPC—Personal Care Products Council (formerly Cosmetic, Toiletry and
Fragrance Association or CTFA)
CAS—Chemical Abstracts Service
INCI—International Nomenclature Cosmetic Ingredient
RTECS—Registry of Toxic Effects of Chemical Substances
PEL—Permissible Exposure Limit
TLV—Threshold Limit Value
ACGIH—American Conference of Governmental Industrial Hygienists
CERCLA—Comprehensive Environmental Response, Compensation,
and Liability Act
NFPA—National Fire Protection Association
DOT—Department of Transportation
SARA—Search and Rescue Aid
TSCA—Toxic Substances Control Act
CFR—Code of Federal Regulations
OSHA—Occupational Safety and Health Act or Administration
Fire and explosion data: This section informs handlers of appropriate fire-
fighting measures. Flash point, auto-ignition temperature and preferred extinguish-
ing media (water, foam, carbon dioxide) can be included. The intent is to provide
enough information for fire fighters to assess the potential danger in a fire involving
the material, and to choose the best methods for controlling the fire.
Reactivity: This section is dedicated to the product’s reactivity comments on
the general stability and chemical reactivity of the material (e.g., if it is a powerful
reducing or oxidizing agent). It also lists hazardous decomposition and polymeriza-
tion products. This information may also be useful to fire fighters, and may help
you avoid hazardous mixtures of materials in your laboratory.
Accidental release measures: This section gives appropriate responses to a
chemical spill. Special precautions may be indicated, such as gloves and protective
goggles. If special respiratory equipment is required (e.g., mask or self-contained
breathing apparatus), this information will be disclosed, as well. Spill precautions
detail what to do to clean up spilled material safely, including environmentally
responsible disposal methods. Therefore, this section may include some form of
environmental impact rating for the material, such as aquatic toxicity, biodegrad-
ability, or other ecological data. At the very least, the MSDS will typically include a
statement that the user must comply with federal, state and local chemical disposal
regulations.
Transportation information: Transportation data may be required if US
Federal Department of Transportation (DOT) regulations affect how the product
is shipped.
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Material Safety Data Sheets Beginning Cosmetic Chemistry
International Requirements
While the information above is sufficient for the United States, it is important
to note some of the variations found around the world. The following is a brief
summary.
In 1988, Canada implemented a program called the Workplace Hazardous Mate-
rials Information System (WHMIS). It is controlled by Health Canada and features
standardized hazard symbols to quickly communicate safety information.
In the EU, compounds are required to be identified with Risk and Safety State-
ments. They have created a standard list of R-statements and S-statements which
are numerically coded and can be cross referenced. For example, if a material is
labeled with R: 44, it corresponds to the risk statement R44: Risk of explosion if
heated under confinement. Each label must contain these R/S statements.
Germany requires the extra inclusion of a classification of the water hazard of
a material. For example, WGK nwg is used for non-water polluting substances.
WGK 3 is for highly water polluting substances.
Preparing an MSDS
As a cosmetic formulator, you should know the types of information you will
need to prepare an MSDS. Although an MSDS does not have to disclose your
entire formulation, it must inform the user of known potential dangers. Certainly,
cosmetic products are designed to be safe for use by the general public; but, in
certain situations, product misuse may lead to hazardous conditions. For example,
while soaps, shampoos, hair conditioners and various types of makeup are relatively
innocuous, ingestion may cause health problems. Other products, such as relax-
ers, permanent waves and hairsprays, contain ingredients that may be caustic or
flammable. These considerations must be dealt with when evaluating the potential
hazards of your product.
Of course, since finished products are generally mixtures of many materials,
synergistic effects between two or more chemicals may enhance the toxicity or
other hazards. Therefore, your products should be evaluated as a whole as well as
by the hazards of the “most dangerous” ingredient. To this end, testing of the final
formula may be necessary.
For example, the precise mixture of alcohol, water and propellant will deter-
mine the flammability of an aerosol product. Therefore, flashpoint testing may
be required to determine its exact flammability, for storage and transport safety.
Other products, such as creams and lotions (which are complex mixtures of sur-
factants, oils, preservatives and fragrance), may require toxicity or irritation testing
to definitively determine their potential hazards. Although these factors should be
considered when deciding what testing to perform when preparing an MSDS, you
should always seek input from your management. Similar considerations apply if
61
Beginning Cosmetic Chemistry Chapter 5
you are a cosmetic chemist preparing an MSDS for a chemical produced by a raw
material supplier.
Conclusion
Whether you are preparing an MSDS for one of your own products or working
with MSDSs from chemical suppliers, a working knowledge of the information
contained within these documents is imperative. Now that you understand what
an MSDS is, you know why it is so important to chemists and other employees who
come in contact with raw materials and finished products.
Acknowledgement: The authors would like to thank Kathy Papademas of Alberto-Culver for her
assistance in researching this article.
References
1. Code of Federal Regulations, Title 29—Labor, Chapter XVII—OSHA, Dept of Labor
(Jan 2007)
Chapter 6
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Building Effective Supplier Relationships Beginning Cosmetic Chemistry
complete your daily work tasks. If you cannot keep the appointment, a telephone
call, e-mail or fax would be most welcome by the vendor who may be traveling
great distances to meet with you.
7. Vendor network
Depending on the size of your business, you may have a dedicated representative
from the suppliers you buy from or you may deal with a distributor. A distributor
is a smaller, independent company that provides representation in geographical
regions or to market segments where the larger suppliers may not have an adequate
presence. Distributors usually sell a broad range of products from several different
companies in areas where those companies choose not to have full-time represen-
tatives. For lists of suppliers and their distributors, please refer to the suggested
reading list at the end of this chapter.
Suppliers will also give suggestions on use levels, processing tips and performance
expectations. The chemist’s job is to evaluate these suggestions so he or she can use
the best level of each ingredient to optimize desired product characteristics while
minimizing cost and other negative characteristics. For example, a compound may
provide excellent feel in a skin lotion but, when used in excessive amounts, lead
to formula instability.
The primary reason to get a sample of a new raw material is to test it in a for-
mula and see whether it actually does offer you cost, claim, manufacture and/or
quality improvements. The new material may improve a product’s performance.
For example, a novel surfactant could improve the foam quality or reduce irritation
of a bodywash product. The material may also provide a cost savings, as certain
ingredients work synergistically with others. If less of both can be used to achieve
the same results, that reduces the total formula costs.
New ingredients can solve stability problems in formulas, such as unwanted
color changes or emulsion instabilities. Some suppliers sell blends that can both
reduce overall formula costs and decrease production time. Some new ingredients
enable novel marketing claims to be made about a formula.
If chemists do not have the chance to try a supplier’s products, the ingredients
will have no chance to be used in a formulation. For this reason, salespeople strive
to give out samples. Unfortunately, not all raw materials have the same value to
all chemists. If a chemist is not diligent, he or she can end up with hundreds of
samples of raw materials that are never evaluated in formulations.
Sample Requests
When making a sample request, therefore, do so with a good idea of how the
material will be used. For example, if a supplier presents a material that could be
a good hair conditioning ingredient, keep notes. A benefit of taking notes is that
they provide your lab with a reminder of why a sample was requested in the first
place. Samples usually take a few days to arrive; an idea that came up during the
sales meeting with your supplier is often forgotten before it can be tested. Without
proper records related to who sent the sample and why it was requested, you could
end up with countless jars of material and no idea what to do with them.
Avoid getting samples just for the sake of getting samples or just to please a
salesperson. Excessive samples can start to clutter a lab and cause real problems
in disposal because some ingredients require special waste disposal methods. Too
many samples on hand also create problems for the chemists responsible for their
evaluation.
Evaluating a Sample
A chemist should have a system set up for evaluation of new material. True
evaluation requires comparison between the formula without the ingredient (control)
and the formula with the ingredient. One of the most thorough ways to evaluate a
material is by first creating a blank formula with defined characteristics.
For instance, if you are developing a shampoo, you should have a blank formula
ready for which you have measured as many of its characteristics that you can.
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Beginning Cosmetic Chemistry Chapter 6
This list would include performance characteristics (like foam height and quality,
conditioning ability and combability) and physical characteristics (like viscosity
profile, pH, appearance and stability).
A great way to save yourself some time is to ask for the supplier to provide you
samples of a formulated product with and without their raw material. Suppliers typi-
cally have tech services labs that can create finished formulas. Your first evaluation
of the new ingredient can then be done without having to make formulas yourself.
If you see impressive enough results, then you continue with your development.
If not, you talk to the supplier and try something else.
Once the initial parameters are established, you can then add the new material
and determine exactly how it affects your formula. If a supplier presents a material
that is supposed to improve the foam height of a shampoo, you can test for yourself
to see if it actually does.
While it is always fun to try out new, experimental materials, certain things
must be kept in mind. Newly introduced raw materials may be more difficult for a
supplier to produce, which they—and you—could discover at scale-up. Addition-
ally, new materials can significantly increase the cost of your formula. The chemist
must strike a balance between performance improvement and cost-effectiveness.
Finally, new materials may require extra testing, such as inhalation or other safety
testing. This added expense is sometimes prohibitive to the use of a new material
in a product.
Technical Support
Suppliers provide valuable technical assistance by providing chemists with start-
ing formulations. By providing a place for the formulator to begin, these starting
formulations may help shorten the time required for new product development.
Many suppliers have detailed formularies that demonstrate how to use their
raw materials. However, the formulator should keep in mind that these starting
formulations are, as the name implies, starting points; they should not be treated
as finished products. While suppliers’ formulas can be useful, they may require
significant work before they can be produced for sale. At the very least, it is im-
portant for the formulator to understand which suppliers have the capability to
provide starting formulations.
Suppliers may even be able to provide prototypes of their starting formulations
for your evaluation. This service is important because the average scientist may have
contact with a dozen or more different vendors, each of whom may sell dozens of
different raw materials. It would be physically impossible for you to create a trial
formulation for every single raw material with which you come in contact. And if you
can’t evaluate a raw material in your formula, you probably will not purchase it.
Therefore, it is to the suppliers’ advantage to provide you with prepared samples
and concepts that use their ingredients. We suggest that you ask your vendors if
they can supply a prototype that demonstrates the chemicals they are promoting.
Even though the supplier’s formula may be a “rough draft,” it is easier for you to
evaluate someone else’s prototype than it is to take the time to create the product
from scratch.
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Building Effective Supplier Relationships Beginning Cosmetic Chemistry
Technical Testing
Suppliers assist in the product development processing by providing testing
services. For example, raw material suppliers can evaluate the stability or efficacy
of your formulations and fragrance suppliers can evaluate the consumer appeal
of your products. Suppliers that sell analytical instruments or processing equip-
ment may be willing to loan or lease their apparatus to you for testing before you
purchase it.
With technical service programs, suppliers may be able to conduct claims-
support testing for you as you start working on a new product. For example, they
may evaluate how well their ingredient moisturizes skin or conditions the hair. This
type of data is useful to cosmetic chemists because it provides direction for future
testing. You can ensure bias-free results during the testing by coding the samples
to keep their identity a secret. The supplier can then test the samples without
having an unconscious preference for the sample containing their material. They
may conduct this testing in their own technical applications laboratory or they may
contract with an outside service. In a few rare cases, you may solely rely on the
supplier’s data for your claim support, but in most situations the final product has
changed from your prototype samples.
It is desirable for the finished product manufacturer to conduct its own testing.
The need to retest arises because the supplier’s testing is commonly done in a generic
base formula that may differ in function from the one you are developing. In any
event, it is an unusual benefit for the formulator to have testing done at little or no
charge. The chemists should consult with the supplier to understand the limits of
their abilities and how much testing they are willing to fund.
Potential Issues
Confidentiality: As in all industries, ideas for new products and claims in the
cosmetic industry are well-kept secrets. If information on a new idea leaks out to
a competitor, your company may lose a critical competitive edge. It is critical that
the information exchanged between the finished goods manufacturers and their
suppliers be kept confidential. To insure that this kind of information remains pro-
prietary, legal documents known as confidentiality agreements (also called secrecy
or nondisclosure agreements) are used. The confidentiality agreement protects
both you and your suppliers. We encourage you to consult with your management
regarding your company’s policy toward secrecy agreements.
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Building Effective Supplier Relationships Beginning Cosmetic Chemistry
References
1. R Schueller and P Romanowski, The Role of the Scientist in the Cosmetic Industry,
Cosmet Toil 111(8) 35–9 (1996)
Suggested reading
Cosmetics & Toiletries magazine’s Cosmetic Bench Reference, Allured Publish-
ing, Carol Stream, IL
Soap & Cosmetics 2000 Blue Book, vol. 75, No. 12, Chemical Week Associates,
NY (December 2000)
CTFA International Buyers Guide 2000, Published by CTFA, Washington
(2000)
www.TheCosmeticSite.com
www.CTFA.org (Membership privileges are needed to access some parts of
the site)
www.Cosmeticindex.com
II. Basic Cosmetic Science:
Biology of Hair and
Skin; Chemistry of Raw
Materials
Chapter 7
key words: hair and hair care, hair structure, cuticle, cortex, lipids
G ive me a head with hair. Long beautiful hair. Shining, gleaming, streaming,
flaxen, waxen—Hair!
These lyrics from the popular Broadway musical Hair are humorous, but they
do raise a very serious question: what exactly is hair? Simply put, the answer is that
hair is protein. This simple answer, however, does not even begin to explain the
complexity and sophistication of the hair fiber.
Science is like that sometimes; it starts with a simplistic model that evolves to
explain more subtle and complex details. For example, consider how the conception
of the atom has evolved over time. The ancient Greeks originally described atoms
as simple, tiny, indivisible particles. This notion was expanded on by Bohr’s theory
that atoms were more like miniature solar systems with electron “planets” revolving
around a “solar” nucleus. Other theories have evolved to the point where atomic
structure now is viewed as an electron density cloud swirling around a diverse col-
lection of subatomic particles.
The concept of hair biology has gone through a similar evolution. The sim-
plistic view that “hair is made of protein” has been replaced by a more detailed
picture of the three structural components of hair: the cuticle, the cortex and the
medulla. This three-component model has evolved even further to include a variety
of substructures. This article will begin with a review of the basic components of
hair and then describe the current understanding of its more complex physical and
chemical substructure.
By gaining a greater understanding of the complex structure of hair, cosmetic
chemists should be able to identify new targets for improving current products and
maybe even create whole new product categories.
the surface appearance of hair, the rest of this article will focus on the structure
of the hair shaft.
The hair shaft is composed primarily of the same hard material that animal
hooves and horns are made of—keratin protein. Depending on the hair type, this
protein can make up 65–95% of the hair’s mass.
Hair keratin is arranged into three primary elements: the cuticle, the cortex and
the medulla. The outermost element is the cuticle, a protective layer that resembles
the shingles on a roof. An average human hair has seven to 10 layers of cuticles
covering it. As hair grows it is exposed to months, or even years, of grooming that
wears down the edges of the cuticle. Once these “shingles” are chipped and bro-
ken away, the inside of the hair is exposed. This portion of the hair shaft, known as
the cortex, is composed of bundles of protein. While the cuticle provides outside
protection for the hair, the cortex gives it its inner strength. The third component
in this simple hair schematic is the medulla, a spongy vacuole that runs through
the center of the cortex. The medulla is considered to be a minor component that
is present in only a portion of hair fibers and probably is a vestigial component that
once provided an insulating effect when hair was the primary protective covering
for humans.
The cuticle, cortex and medulla constitute a simplified picture of the hair’s true
structure. The whole story is much more complex (see sidebar on the stereochem-
istry of hair). This model can help to gain a better understanding of what really is
inside the hair. There will be a focus on the structures of the cuticle and the cortex,
and an attempt to summarize the work of Swift et al.1 for a beginning audience.
A more complete examination of these structures can inspire new approaches to
designing hair care formulas.
Figure 7.1.
Epicuticle: This hydrophobic coating on the outside of the cuticle is respon-
sible for many of the surface properties of hair. It is approximately 10 nm thick and
consists of three subsections:
• F-layer. This layer of covalently bonded fatty acids lays on top of the epicuticle.
It is composed of the same material as the outer b-layer. In fact, the F-layers of
the epicuticles closest to the surface create the outer b-layer.
• Protein matrix. This is a layer of highly water-insoluble proteins sandwiched
in the middle of the epicuticle.
• A-layer. This cystine-rich layer approximately 110 nm thick is cross-linked with
an isopeptide. This combination makes the A-layer very tough and resistant to
mechanical damage. Because the proteins in this segment are so cross-linked,
the A-layer does not swell in water. It tends to be brittle, which allows small
segments of the cuticle to break away when damaged.
Exocuticle: This structure lies just beneath the A-layer and is slightly lower in
cystine content. It is the single largest component of the cuticle and takes up about
50% of the cell by cross-sectional area.
Endocuticle: This layer is formed when residual cytoplasm dehydrates and
hardens. It is a region free of cystine and so it tends to behave more like a gel in
that it swells considerably in water. When the endocuticle is damaged, water-soluble
materials can slip inside the hair. This is the current theory of how materials pen-
etrate the hair shaft; they diffuse along the planes of the endocuticle as opposed
to penetrating straight through the cuticle.
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Inside the Hair: An Advanced Hair Biology Model Beginning Cosmetic Chemistry
intermacrofibrillar matrix filling the intercellular spaces in this type of cortical cell.
This configuration makes the paracortical cells more dense and unable to absorb
much moisture.
Orthocortical cells consist of macrofibrils loosely packed together and surrounded
by intermacrofibrillar matrix. This packing configuration makes the orthocuticle
cells less dense, so they are able to easily take in or lose moisture. Therefore this
type of cortical cell is very reactive to humidity.
The cortex is a combination of these para and ortho cells hooked together. Each
microscopic cortical cell is shaped like a tiny spindle, about 100 µm long and 5–10
µm wide. These spindles end with finger-like extensions that can hook onto nearby
cells. The para cells tend to be oriented along the inner edge of the cortex while
the ortho cells are grouped on the outer side.
By itself, the paracortex region is very hard and moisture-resistant and would
cause the hair to grow straight. When combined with the softer orthocortex, which
tends to buckle when exposed to moisture, the hair shaft is made to bend, creat-
ing curl. More orthocortex results in more and tighter curls. According to Swift,
the ratio and distribution of these two cells controls the degree of curliness of the
hair. Asian hair has almost all paracortex, Afro-ethnic hair is mostly orthocortex,
and Caucasian hair has a more balanced proportion of each.
According to Ward et al.,5 the layer formed is approximately 0.9 nm thick. This layer is
believed to add extra protection and waterproofing to the cuticle.
Another lipid-containing structure previously described is the CMC. Both of the
b-layers of this structure are composed primarily of 18-MEA. Less is known about
the exact composition of the d-layer, but it is believed1 to be a mixture of endogenous
lipids and glycoproteins. This structure helps hold the cuticles together and may
assist in hair moisture retention.1 However, low cohesive forces between the b-layers
and d-layers may explain the ease with which cuticle shingles are broken off.1 It is
possible that if this layer were stronger, there would be less hair damage.
Affect on hair properties: The various lipids found throughout the hair are
thought to be major contributors to the hair’s physical properties. Evidence has shown
that they influence a host of characteristics such as strength, feel and condition.
Work by Duvel et al.6 showed that loss of hair lipids (both exogenous and en-
dogenous) due to environmental exposures resulted in increased cortex degradation
and decreased tensile properties of hair.
A study by Wills et al.7 showed that hair lipid content significantly impacts the
perceived shine, smoothness and softness of hair. In this case, a higher level of
lipids in hair resulted in improvements in each of these properties.
Studies such as these suggest possible development routes for products designed
to restore hair to its natural state.
Conclusion
Scientists spend much of their time investigating their world and creating models
to reflect observations. In the initial stages of these investigations the models are
understandably crude. They become more sophisticated over time as more and
more observations are collected. The changing model for the structure of hair is a
perfect example of how this process can work.
For cosmetic chemists, models for the structure of both hair and skin are
helpful for generating ideas for future products. Only by knowing how hair and
skin is put together will significant improvements be made in the type of products
offered tomorrow.
References
1. JA Swift and JR Smith, Microscopical investigation on the epicuticle of mammalian
keratin fibres, J Microscopy 204(3) 203–211 (2001)
2. DAD Parry, Protein chains in hair and epidermal keratin IF: Structural features and
spatial arrangements, In: Formation and Structure of Human Hair, P Jolles, H Zahn
and H Hocker, eds, Basel: Birkhauser Verlag (1997)
3. L Pauling, RB Corey and HR Branson, The structure of proteins: Two hydrogen-
bonded helical configurations of the peptide chain, Proc Natl Acad Sci 37 205–211
(1951)
4. Y Masukawa, H Narita and G Imokawa, Characterization of the lipid composition at
the proximal root regions of human hair, J Cosmet Sci 56(1) 1–16 (2005)
79
Beginning Cosmetic Chemistry Chapter 7
Additional Reading
K Tanaka et al., Continuous three dimensional examination of the interior hair
structure, IFSCC Magazine 8(1) 3 (2005)
BC Beard, A Johnson, FM Cambria and PN Trinh, Electron spectroscopy and
microscopy applied to chemical and structural analysis of hair, J Cosmet Sci
56 65–77 (2005)
Chapter 8
I n recent years reports of sensitive skin among men and women of various ages
and ethnicities have increased. Approximately 52% of women and 38% of men
have self-diagnosed sensitive skin. Further, 10% of women and 6% of men describe
themselves as having very sensitive skin.1 Individuals who have skin with a lower
tolerance threshold for cosmetic and personal care products than those with sensi-
tive skin are described as having very sensitive skin. Thus, their adverse responses
to these products occur more frequently. As a result, the demand for cosmetic and
personal care products formulated for individuals with sensitive skin has increased
throughout the past 10 years. According to the New York Times, sensitive skin
product sales have jumped 13% since 2000, and sales in the United States average
more than $900 million annually.2
Though currently a plethora of sensitive skin products are on the market, no
industry standard exists for characterizing the condition or for substantiating sensitive
skin product claims.2 This deficiency may be attributed to the lack of understanding
the underlying mechanisms leading to sensitive skin.3–6 The obscurity of the etiol-
ogy may well be attributed to the lack of noticeable signs of irritation, intra- and
inter-subject variability, and an unclear understanding of the effects that age, race
and lifestyle play in the prevalence of sensitive skin.6–12
Clarification of the exact mechanisms of action in sensitive skin and the estab-
lishment of a universal, objective, reproducible and quantifiable testing method
are essential for the further advancement of research in this area. Establishing
these parameters will provide companies an avenue to substantiate their claims
by ensuring that sensitive skin products are being tested on individuals with the
condition, in turn enhancing the safety and efficacy of sensitive skin products
before releasing them.
81
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New Directions for Sensitive Skin Research Beginning Cosmetic Chemistry
Testing Methods
In 1977, Frosch and Kligman developed a method for diagnosing sensitive
skin. This method is known as the lactic acid sting test (LAST) and is the most
widely used method for predicting sensitive skin, although many industry ex-
perts argue that it is not a true predictor of the condition.3,5,6,15,20 The original
procedure involved the induction of sweating for 15 min in a 120°F environ-
mental chamber followed by the application of 5% lactic acid to the nasolabial
fold and cheek.21
The LAST method came under criticism in the years following its inception.8
Christensen and Kligman developed an improved procedure for conducting the
LAST method on facial skin. The new method used 10% lactic acid instead of 5%
lactic acid. The purpose of the increase of lactic acid was to allow omission of the
sweat-inducing step used in the previous method. Hilltop chambers, or occlusive
patch test systems used widely to assess the direct and indirect effect products
have on the skin, were used on the cheek for 10 min instead of exposing the area
to lactic acid with a cotton swab as done previously. The time required for stinging
to occur and the peak intensity of stinging, on a scale of 0–3, was recorded.
Many modified types of the LAST method are being used today. Re-
searchers vary the use of Hilltop chambers versus cotton swabs, the exposure
time of lactic acid on the skin, and the scale that is used to measure stinging
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Beginning Cosmetic Chemistry Chapter 8
by confirming the contact point between Langerhan cells in the skin and nerve
cells.25 Hence, it is essential that the connection between hyperinnvervation of
the epidermis and sensitive skin be studied since sensory responses are the key
component of the condition.
Further research on NGF levels in the SC could prove to be useful in fully
understanding sensitive skin. This area should be researched in more depth be-
cause it is has been proven that NGF plays a crucial role in a number of cutaneous
processes such as the determination of the innervation density of skin, survival
and differentiation of neurons during early development and sensitization of nerve
fibers.24,26 Additionally, changes in cutaneous NGF content leads to alterations in
cutaneous innervation densities and abnormalities in sensory neurons in adult
rats.27 Heightened levels of NGF in the epidermis of transgenic mice resulted in
increased and abnormal innervation patterns in the skin.26,28 It is unclear whether
NGF levels in the SC can be directly related to innervation or sensitive skin.
Therefore, understanding what role, if any, NGF and epidermal innervation play
in sensitive skin will shed light on this theory.
Conclusion
Great strides have been made in the study of sensitive skin. However, more
research is needed to fully explain the condition. Clarifying the mechanisms of
sensitive skin would benefit industrial and clinical arenas. Clinically, it will be
much easier to develop an objective and quantitative diagnosis tool if the biologi-
cal basis of the condition was completely understood. In turn, this would lead to
a clear-cut diagnosis of the condition, and it would be helpful in understanding
the link between sensitive skin and other skin conditions.
It is well established that consumers discriminate between products based on
how they feel on the skin during use; however, it is extremely difficult to measure
these types of responses during clinical trials because there is no objective method
for categorizing people with sensitive skin. Thus, companies are limited in their
ability to predict adverse sensory responses because the products are not always
being tested on those who truly have sensitive skin.5,6,9,10,29
If a distinct group of individuals with sensitive skin could be identified and used
for product testing and claim substantiation, adverse effects could be minimized and
efficacy maximized before products reach the consumer. Perhaps if it were further
established that increased levels of NGF in the SC are a commonality among those
with sensitive skin, then tape-strip sampling of the neurotrophin would prove to be
a very reliable and objective method for predicting sensitive skin that also could be
quantified. Until the underlying mechanisms of sensitive skin are explained, it will
be a challenge to develop the robust testing method that is needed.
References
1. CM Willis, S Shaw, O De Lacharriere, M Baverel, L Reiche, R Jourdain, P Bastien
and JD Wilkinson, Sensitive skin: an epidemiological study, Br J Derm 145(2) 258–63
(2001)
2. N Singer, “Face it princess, your skin is probably quite common,” The New York Times
(Oct. 3, 2005) 3
3. A Sparavigna, A Di Pietro and M Setaro, ‘Healthy skin’: significance and results of
an Italian study on healthy population with particular regard to ‘sensitive’ skin, Int J
Cosmet Sci 27(6) 327–31 (2005)
4. A Pons-Guiraud, Sensitive skin: a complex and multifactorial syndrome, J Cosm Derm
3(3) 145–8 (2004)
5. G Primavera and E Berardesca, Sensitive skin: mechanisms and diagnosis, Intl J
Cosm Sci 27(1) 1–10 (2005)
6. M Marriott, J Holmes, L Peters, K Cooper, M Rowson and DA Basketter, The complex
problem of sensitive skin, Contact Derm 53(2) 93–9 (2005)
7. N Issachar, Y Gall, MT Borell and MC Poelman, pH measurements during lactic acid
stinging test in normal and sensitive skin, Contact Derm 36(3) 152–5 (1997)
8. M Christensen and AM Kligman, An improved procedure for conducting lactic acid
stinging tests on facial skin, J Soc Cosm Sci 47(1) 1–11 (1996)
9. M Robinson and M Perkins, Evaluation of a quantitative clinical method for
assessment of sensory skin irritation, Contact Derm 45(4) 205–13 (2001)
10. MA Farage, A Katsarou, HI Maibach, Sensory, clinical and physiological factors in
sensitive skin: a review, Contact Derm 55(1) 1–14 (2006)
11. M Robinson, Population differences in acute skin irritation responses, Contact Derm
46(2) 86–93 (2002)
12. G Yosipovitch, Evaluating Subjective Irritation and Sensitive Skin, Cosm Toil 114(1)
41–2 (1999)
13. ZD Draelos, Cosmetic selection in the sensitive-skin patient, Dermatologic Ther 14(3)
194–9 (2001)
14. AA Fisher, Part I: “Status Cosmeticus”: A Cosmetic Intolerance Syndrome, Cutis 46(2)
109–10 (1990)
15. S Seidenari, M Francomano and L Mantovani, Baseline biophysical parameters in
subjects with sensitive skin, Contact Derm 38(6) 311–5 (1998)
16. R Jourdain, O De Lacharriere, P Bastien and HI Maibach, Ethnic variations in self-
perceived sensitive skin: epidemiological survey, Contact Derm 43(3) 162–9 (2002)
17. R Wolf, D Wolf, B Tuzun and Y Tuzun, Cosmetics and contact dermatitis,
Dermatologic Ther 14(3) 181–7 (2001)
18. J Coverly, L Peters, E Whittle and DA Basketter, Susceptibility to skin stinging,
non-immunologic contact urticaria and acute skin irritation; is there a relationship?
Contact Derm 38(2) 90–5 (1998)
19. AM Kligman, The Invisible Dermatosis, Archives of Derm 127(9) 1375–82 (1991)
20. ZD Draelos, Sensitive Skin: Perceptions, Evaluation, and Treatment, Am J Contact
Derm 8(2) 67–78 (1997)
21. PJ Frosch and AM Kligman, A method for appraising the stinging capacity of topically
applied substances, J Soc Cosm Chem 28(5) 197–209 (1977)
22. J Aramaki, S Kawana, I Effendy, R Happle and H Loffler, Differences of skin irritation
between Japanese and European women, Br J Derm 146(6) 1052–6 (2002)
23. T Yokota, M Matsumoto, T Sakamaki, R Hikima, S Hayashi, M Yanagisawa, H
Kuwahara, S Yamazaki, T Ogawa, M Hayase, Classification of Sensitive Skin and
Development of a Treatment System Appropriate for Each Group, Int Fed Soc Cosm
Chem 6(4) 303–7 (2003)
24. I Kinkelin, S Motzing, M Koltzenburg and EB Brocker, Increase in NGF content and
nerve fiber sprouting in human allergic contact eczema, Cell & Tissue Res 302(1) 31–7
(2000)
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25. J Wiechers, Mind over matter: cosmetic claim substantiation issues facing the future,
Cosm Toil 120(9) 3–8 (2005)
26. K Albers, DE Wright and BM Davis, Overexpression of Nerve Growth Factor in
Epidermis of Transgenic Mice Causes Hypertrophy of the Peripheral Nervous System,
J Neurosci 14(3) 1422–32 (1994)
27. DL Bennett, M Koltzenburg, JV Priestley, DL Shelton and SB McMahon, Endogenous
nerve growth factor regulates the sensitivity of nociceptors in the adult rat, Eur J
Neurosci 10(4) 1282–91 (1998)
28. BM Davis, BT Fundin, KM Albers, TP Goodness, KM Cronk and FL Rice,
Overexpression of Nerve Growth Factor in Skin Causes Preferential Increases Among
Innervation to Specific Sensory Targets, J Comp Neur 387(4) 489–506 (1997)
29. M Farage, Are we reaching the limits of our ability to detect skin effects with our
current testing and measuring methods for consumer products? Contact Derm 52(6)
297–303 (2005)
Chapter 9
B ody odors originate from many sources. Axillary odor is the most characteristic
and stigmatized of these odors. Early attempts to counter axillary odor masked
it with fragrant oils, an approach that continues to the present.
Breakthroughs in controlling axillary malodor came in the latter part of the 1900s
when scientists explained the structure and function of human sweat glands and the
role of bacterial microflora on the skin. Characterization of underarm secretions and
skin bacteria led to various odor control strategies, such as reducing perspiration by
blocking sweat glands and reducing microorganisms on the body surface.
More recent developments have deepened our understanding of axillary chemis-
try and identified the steroids and acids that create body odor. These developments
coupled with our current knowledge of odor perception and new technologies such
as controlled release, have opened up new avenues to control axillary odor.
87
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Axillary Odor: Its Physiology, Microbiology and Chemistry Beginning Cosmetic Chemistry
and release large amounts of fluid, chiefly water, in a relatively short time. Eccrine
secretions also contain amino acids, electrolytes and minerals. This fluid originates
in extracellular fluid and contains many of the same solutes as plasma but in much
smaller concentrations.13
In sweat, glucose concentrations are less than 1% of that seen in plasma. Lactate
concentrations exceed plasma values by up to or more than an order of magnitude,
while urea concentrations slightly exceed those of plasma. About 3% of the total
amino acids in sweat occur as proteins; the rest appear as free amino acids. Nearly
all naturally-occurring amines are present in sweat, but proline is reported only in
sweat from women.
a
Stimulated and collected at skin surface
b
Collected from microdissection of gland31
c
Probably of sebaceous origin
While lactate and HCO3– concentrations are higher in sweat than in plasma,
their levels fall significantly as the sweat rate decreases. HCO3– disappears and sweat
becomes acidic (pH<5) when secretion falls below about 20% of maximum. Most
other solutes in sweat are inorganic electrolytes. The concentrations of Na+ and
Cl– depend on the sweat rate and normally range from approximately 10–15 meq/l
at low rates to 40–50 meq/l at high rates.14 Exercise and heat tolerance training
tend to lower Na+ concentrations. Potassium concentration is slightly higher than in
plasma, but, unlike Na+ and Cl– levels, it tends to increase as sweat decreases.15
Since there are no biological water pumps,16 water in biological systems moves
when it is coupled to solutes or subsequent to the transport of solutes and the con-
sequent build-up of an osmotic gradient. Human sweat varies in composition, but
is almost always hypotonic (a solution of lower osmotic pressure). Initially sweat is
isotonic (it has the same osmotic pressure as plasma) and has a sodium concentra-
tion of about 145 mmol/l. The eccrine duct reabsorbs salt (mainly as NaCl) and
is relatively impermeable to water. The typical composition of eccrine sweat is as
shown in Table 9.2.
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Axillary Odor: Its Physiology, Microbiology and Chemistry Beginning Cosmetic Chemistry
Water 99.020%
Sodium chloride 0.700
Lactic acid 0.100
Ascorbic acid 0.040
Acetic acid 0.040
Propionic acid 0.006
Caprylic and caprionic acids 0.005
Urea and uric acids Trace amounts
Apoeccrine glands that develop from eccrine glands at puberty are as numerous
as the eccrine glands. Apoeccrine glands can sustain greater fluid secretion than
eccrine glands and may contribute substantial moisture to the axillary environ-
ment.17 Apoeccrine glands secrete nearly seven times as much serous-type fluid
as do eccrine glands.
Sebum from sebaceous glands also plays a role in underarm odor. Sebum is
rich in lipids, especially triglycerides, wax esters and squalene.1
Malodor Precursors
The nature of the precursors in sweat and sebum—especially lipids, cholesterol
and C19 androgen steroids—affects the odor-causing physical and chemical changes
in the axilla. The major lipids present come from sebum contamination, so the
lipid profile (Table 9.1) resembles that of sebaceous lipids. The cholesterol seen
exceeds that expected from sebaceous or epidermal sources and is believed to be
from apocrine secretion. This is converted to cholesterol esters through the action
of Staphylococcus epidermis, which efficiently hydrolyzes glycerides (at pH 6–8.5)
and esterifies cholesterol with the resultant fatty acids.
In 1970, Brooksbank found steroids (dehydroepian-drosterone sulfate and an
androsterone sulfate) in axillary materials collected on cotton wool pads.18 In a
similar study, Gower also found 5a-androst-16-en-3-one.19 Table 9.3 shows the
steroids identified in axilla.20
The steroid 5a-Androstenol is found in human urine. Amoore et al. designated
its oxidation product 5a-androstenone as the primary urinous odor.21,22 Both steroids
are found in human axillae. One study found that androstenone levels were 3–310
ng in males and 3.5–11 ng in females. Other steroids (androstenone, androstenol,
androstadienol, androstadienone) ranged from 10–150 ng and androstenol pre-
dominated in eight of 10 subjects. Studies at Monel found a significant change in
androstenol levels across the menstrual cycle.23
Zeng et al. isolated and identified compounds in male axillary secretion extracts
that contained the characteristic odors present in the axillae.24 They found that several
C6 to C11 straight-chain, branched and unsaturated acids were important contribu-
tors to axillary odor. The major one was (E)-3-methyl-2-hexenoic acid (E3M2H).
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Beginning Cosmetic Chemistry Chapter 9
a
Also found in axillary sweat by TLC and/or GC-MS.
In a separate study, Zeng et al. found the same mixtures of odorous components
in female axillary secretions with minor differences.25 The similarity of proteins
present in the aqueous phase and the acidic constituents in characteristic female
and male axillary odors suggest a similar origin for axillary odors in both sexes. Based
on their findings, Zeng et al. made the following observations: 24
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Axillary Odor: Its Physiology, Microbiology and Chemistry Beginning Cosmetic Chemistry
a
Gometric mean per cm2
b
Standard error of the mean, expressed in logarithms
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Beginning Cosmetic Chemistry Chapter 9
Table 9.5, from the same survey, displays the bacteriological differences in
two odor groups (those with acrid and with acid sweat) and demonstrates the role
played by microflora in body odor secretion. Those with typical acrid axillary odor
had significantly more organisms.27
Acrid Acid
axillary odor Prevalence axillary odor Prevalence
Number of organisms/cm2 1,300,000 – 480,000 –
Lipophillic diphtheroids/cm2 810,000 100% 53,000 55%
Large colony diphtheroids/cm2 250,000 52 1,600 9
Propionibacteria/cm2 36,000 70 36,000 49
Gram-negative rods/cm2 ª30,000 20 ª30,000 19
Other substances in the axilla contribute to the total axilla odor profile. These
substances originate from sebaceous and eccrine glands, cell debris, lipid oxidation
and other sources. Squalene, which makes up about 10% of sebum, is a fixative in
fragrances and may help prolong axillary odor.
Rennie et al. examined the relationship between human axillary skin microflora
and underarm odor, in particular the ability of cutaneous bacteria to transform
steroids.29 A study of bacterial population density and axillary odor intensity in 36
males showed an association between the population density of aerobic cornyeform
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Axillary Odor: Its Physiology, Microbiology and Chemistry Beginning Cosmetic Chemistry
bacteria and odor intensity. No association was found between the population
density of Staphylococci, Micrococci or Propionibacteria and underarm body odor
intensity. Only aerobic coryneforms produced axillary odor in vitro. Micrococci also
transformed testosterone to androstenedione, but Staphylococci and Propionibac-
teria could not metabolize it.
Rennie et al. also demonstrated that extracts from low-odor subjects could
generate intense body odor when incubated with an appropriate underarm odor-
positive bacterium.29 This adds further support to the concept that underarm odor
intensity is dictated primarily by the density and type of skin microflora. They also
showed that bacteria that can generate body odor possess a range of enzymes able
to transform steroids.
Odor Perception
The olfactory system is highly complex30 and people have a wide variation in odor
perception and detection thresholds. To be perceived as an odorant, a molecule
volatized from its source is inhaled into the nasal cavity. It then dissolves in the
mucus layer lining the epithelium, which contains olfactory cells. It is believed that
the molecule is bound by a protein receptor on hair-like protrusions from the cell,
which causes the cell to send nerve impulses to the olfactory lobe of the brain. The
brain interprets the incoming signals by associating them with a previous experience
and assigns them odor descriptors. Much research is underway on how an odorant
and a receptor interact and how olfactory coding occurs within the brain.
Most odors are complex stimuli and combine many chemicals that affect many
olfactory receptors, so synergistic and antagonistic effects must be considered.
Odorants also stimulate trigeminal nerves in the nasal cavity. These nerves respond
to odorant irritancy. Examples of trigeminal-mediated perceptions are the coolness
of menthol and the sting of ammonia.
The nose is often more sensitive than instruments designed to detect odor,
but many adults have flaws in this exquisite system. They may be born without an
olfactory lobe, have severed olfactory nerves or a deviated septum. Some specific
anosmics have a genetic component.
A defined set of population can be statistically surveyed to determine what per-
centage of the subjects is anosmic to specific odors emanating from a human body.
Based on the frequency, the occurrence of olfactory deficits can be recorded. The
deficit may be due to a number of factors, such as a deviated septum or severed
olfactory nerves.
Amoore’s research group looked at the occurrence of olfactory deficits to some
body odorants.21 A high percentage of subjects were anosmic to 5a-androstenone, a
major contributor to acrid human axillae odor. In dealing with odor perception, the
absolute threshold (the lowest concentration perceived) determines an individualís
relative sensitivity. Table 9.6 shows the individualís sensitivity and threshold value
of some of the body odorants. The extremely low threshold values indicate why
underarm body odors are readily detected.
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Beginning Cosmetic Chemistry Chapter 9
Percent of
Characteristic Odor humans not Threshold
Odorant smell source detecting the odor (ppb)
5a-androst-16-en-3-one urinous axillae 45–50 (36)* 0.18
4-ethylheptanoic hircine axillae (goaty) 16 1.8
androstenol musky axillae 12 (6)* 6.2
isovaleric acid sweaty axillae/foot 3 1
* The percentage outside the parentheses is for males; the percentage within the parentheses is for
females.
Summary
This chapter reported on the physiology, microbiology and chemistry of axillary
malodor. Sweat derives from apocrine and eccrine glands, which are present at
birth, and apoeccrine glands that develop during puberty. These glands, together
with sebaceous glands, produce water, amino acids, electrolytes, minerals and other
nutrients that support bacteria resident in the axillae. Bacteria, especially aerobic
coryneforms and Gram-negative Micrococci, create axillary odor by breaking down
precursors in sweat, especially lipids, cholesterol and C19 androgen steroids. While
the thresholds for perceiving various axillary odors, such as the urinous odor of
5a-androstenone, are quite low, a significant portion of the population is anosmic
to them.
References
1. PM Quinton, HY Elder, DM Jenkinson and DL Borell, “Structure and functions of
human sweat glands.” In K Laden (Ed), Antiperspirants and Deodorants, 2nd edn,
Marcel Dekker Inc, New York: (1999)
2. AJ Parisse, “Antiperspirant.”In WC Wagganer (Ed), Clinical Safety and Efficacy Testing
of Cosmetics, Marcel Dekker Inc, New York (1990)
3. Y Kuno, Human Perspiration, Charles C Thomas Springfield, IL: 43, 223-250(1956)
4. P Schiefferdecker, Zentralbl, Biol Aerosol Forsch 37 534-562 (1917)
5. J Verbou and J Baxter, Brit J Dermatol 90 269–276 (1974)
6. K Sato, R Leidel and F Sato, Morphology and development of apoeccrine sweat
glands in human axillae, Am J Physiol 252 (Regulatory Integrative Comp Physiol 21)
R166–R180 (1987)
7. K Sato and F Sato, Am J Physiol 245 R203-R208 (1983)
8. DR Shaw et al, Biochemistry Physiology and Molecular Biology of the Skin, 2nd edn,
Oxford University Press, London 763, 775 (1991)
9. DB Gower, A Nixon and AI Mallet, “The significance of odorous steroids in axillary
odour.” In Perfumery: The Psychology and Biology of Fragrance Chap 3, pp 47–5
(1974)
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Axillary Odor: Its Physiology, Microbiology and Chemistry Beginning Cosmetic Chemistry
10. K Sato and F Sato, Morphology and development of an apoeccrine sweat gland in
human axillae, Am J Physiol , 252 R166–R180 (1987)
11. HJ Hurley and W Shelley, The Human Apocrine Sweat Gland in Health and Disease,
Charles C Thomas, Springfield, IL (1960)
12. JN Labows et al, “Axillary odor: Current status.” In Frost, Horwitz and Mosby (Eds),
Principles of Cosmetics for Dermatologists, (1982)
13. IJ Shulz, Micropuncture studies of the sweat formation in cystic fibrosis patients, J
Clin Invest 48 1470 (1969)
14. J Bijman and PM Quinten, Influence of abnormal CT impermeability on sweating in
cystic fibrosis, Am J Physiol 247 C3–C9 (1984)
15. HM Emrich and KJ Ulrich, Pflugers Arch 290 298–310 (1966)
16. PM Quinton, Comparative Animal Nutrition, M Rechiyl Jr (Ed), Basel: Krager 100–231
(1979)
17. K Sato et al, Sweat secretion by human axillary apoeccrine gland in vitro, Am J
Physiol 252 R181–R187 (1987)
18. BWL Brooksbank, Experentia 26 1012 (1970)
19. DB Gower, 16-Unsaturated C19 steroids: A review of their chemistry, biochemistry and
possible physiological role, J Steroid Biochem 3 45 (1972)
20. JN Labows Jr, “Odor detection, generation and etiology in the axilla” In K Laden and
C Felger, (Eds), Antiperspirants and Deodorants, Marcel Dekker New York (1988)
21. JE Amoore, Specific anosmias to 5a-androst-16-en-3-one and a-pentadecalactone:
The urinous and musky primary odors, Chemical Senses and Flavour, Dordrecht-
Holland: D Reidel Pub Co vol 2, 217, 401–425 (1977)
22. JE Amoore, Chemical Senses and Flavour, Dordrecht-Holland: D Reidel Pub Co (1977)
vol 2, 267–279
23. G Preti, WB Culter, CM Christensen, HS Lewley, GR Huggins and CR Garcia, Human
axillary extracts: Analysis of compounds from samples which influence menstrual
timing, J Chem Ecol 13 717–731 (1987)
24. X-N Zeng et al, Analysis of characteristic odor from human male axillae, J Chem Ecol
17(7) 1469–1492 (1991)
25. X-N Zeng, JJ Leyden, AJ Spielman and G Preti, Analysis of characteristic human
female axillary odors: Qualitative comparison to males, J Chem Ecol 22(2) (1996)
26. W Shelly, H Hurley and A Nicholas, Axillary odor: Experimental study of the role of
bacteria, apocrine, sweat and deodorants, Arch Dermatol Suppl 68 443–446 (1953)
27. JJ Leyden, KJ McGinley, E Hölzle, JN Labows and AM Kligman, The microbiology of
the human axilla odor, J Invest Dermatol 77 413–416 (1981)
28. JN Labows, KJ McGinley and AM Kligman, Perspectives on axillary odor, J Soc
Cosmet Chem 34 193–202 (1982)
29. PJ Rennie, DB Gower, KT Holland, AI Mollet and WJ Watkins, The skin microflora and
the formulation of human axillary odour, Int J Cosmet Sci 12 197–207 (1990)
30. JN Labows and CJ Wysocki, Individual differences in odor perception, Perfum Flav
9(1) 21–26 (1984)
31. S Puhvel, R Reisner and M Sakomoto, Analysis of lipid composition of isolated human
sebaceous gland homogenates after incubation with cutaneous bacteria: Thin layer
chromatography, J Invest Dermatol 64 406–410 (1975)
32. SN Peck, H Rosenfield, W Leifer and N Bierman, Role of sweat as fungicide, Arch
Dermatol Symposium 39 126 (1939)
33. JN Labows et al, “Axillary odor.”,In K Laden et al, (Eds) Antiperspirants and
Deodorants, 2nd edn, , Marcel Dekker Inc New York (1999)
Chapter 10
T hink of your skin and hair as your body’s protective armor; it is subject to dam-
age from a variety of external sources, including environmental factors such
as sun, wind and low humidity, as well as physical factors like bathing and hair
styling. The results can be rough, unmanageable and dull-looking hair and dry,
scaly and itchy skin.
Conditioners: Fortunately, health and beauty aids can alleviate the damage
done to your “armor.” Conditioning agents in these products help hair and skin
look and feel better by improving the condition of these surfaces. Hair condition-
ers are primarily intended to make wet hair easier to detangle and comb and to
make dry hair smoother, shinier and more manageable. Skin conditioners primar-
ily moisturize while providing protection from the drying effects of the sun, wind
and harsh detergents. This chapter focuses on the functional raw materials that
provide conditioning.
Substantivity: An ingredient’s ability to improve hair or skin condition de-
pends on it being deposited onto surfaces and preferably remaining intact, even
after rinsing. This resistance to rinse-off is known as “substantivity” and can be
achieved through the use of certain raw materials that, because of water insolubility
or electrostatic attraction, stay on the hair and skin. Examples of the latter include
cationic surfactants, cationic polymers and proteins.
Cationic Surfactants
Quats: Cationic surfactants, in the form of quaternary ammonium salts, or
“quats,” are widely used to condition, particularly in hair care. Quats can be thought
of as ammonium salts with the hydrogen molecules replaced by alkyl groups. At
least one group is a hydrophobic molecule with a long hydrocarbon chain (typically
12–22 carbons). Methyl groups can occupy the remaining sites. The anion is usually
chloride, but it can also be bromide or methyl sulfate.
Quat function: A quat’s ability to condition comes from the hydrophobic nature
of the long hydrocarbon tail and the cationic charge of the polar head group. In
97
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Conditioning Agents for Hair and Skin Beginning Cosmetic Chemistry
aqueous cosmetic formulations, quats dissociate into their ionic components. The
cation attached to the hydrocarbon chain is attracted to anionic charges present in
the skin and hair’s protein structures. This electrostatic interaction, coupled with
the fatty nature of a molecule’s hydrocarbon portion, inhibits rinse-off.
With the fatty portion of the quat deposited on the surface, many benefits be-
come apparent. The hair cuticle is smoothed, resulting in a more lubricious, softer
feel with easier combing ability. Also, quat conductivity reduces static electrical
build up. This reduces fly-away and improves manageability.
Potentials for irritation and formulation compatibility problems are some
drawbacks of quats. For example, combining cleansing and conditioning systems
in products such as 2-in-1 shampoos can lead to stability problems because quats
and anionic surfactants may be incompatible. Another drawback is the relatively
high potential for skin and eye irritation.
Quat diversity: A wide variety of quats exist, including ethoxylated and mono-,
di- and tri-substituted forms. If the degree of substitution increases, more fatty
material is deposited, and quats normally will exhibit better conditioning. However,
this increase also reduces the material’s water solubility, making formulation more
difficult. In a process known as “ethoxylation,” you can overcome this insolubility
by increasing the number of molecular hydrophilic groups. The drawback in this
case is that a higher water solubility reduces quat substantivity.
Cationic Polymers
Cationic polymers are another type of substantive raw material commonly used
in hair-conditioning formulations. They are made by attaching quaternized fatty
alkyl groups to modified natural or synthetic polymers. While structurally similar
to quats, they have many more cationic sites per molecule and much higher mo-
lecular weights.
Solubility: Cationic polymers must be substantive to effectively condition. As
with quats, a polymer’s cationic nature allows substantivity via coulombic attraction
to anionic surfaces. However, cationic polymers are also used in anionic surfactant-
containing formulas, such as shampoos, where they are solubilized and expected
to wash away during use. However, this does not happen because of a unique solu-
bility mechanism. Anionic surfactant systems containing cationic polymers can be
designed so that polymers are soluble in the product but become insoluble during
rinsing and deposit on the hair.
This occurs because of an association between the cationic polymer and the
anionic surfactant in cosmetic formulations like shampoos. With excess surfactant,
the polymer is solubilized, creating a clear solution. However, during rinsing, the
surfactant concentration falls below the critical level required for solubilization,
and the polymer/surfactant complex deposits on the hair.
Benefits: Once deposited, cationic polymers provide hair with slip, manage-
ability and good combability. They increase body in damaged hair, spread well and
evenly, and can improve split ends. Their relatively high activity, which allows low
use levels, and compatibility with anionic surfactants when properly formulated,
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Beginning Cosmetic Chemistry Chapter 10
make them ideal conditioning agents. A potential drawback of using cationic poly-
mers is their tendency to build up with repeated usage. This can weigh the hair
down and give it an unappealing look and feel.
Production: Cationic polymers can be made from a variety of synthetic as
well as natural polymers, such as guar gum and cellulosics. A polymer’s physical
characteristics vary according to the monomer and monomeric ratios used in its
manufacture. Molecular weight is another factor affecting the polymer’s physical
characteristics and performance properties.
Proteins: Proteins, polypeptides derived from various plant and animal sources,
are common conditioning agents. Because of their similarity to the proteinaceous
structure of hair and skin, they are naturally absorbed. Once deposited, proteins are
said to improve surfaces by attaching to the damaged sites. Also, their substantivity
can be enhanced through reaction with quaternized materials.
Emollients
In contrast to the above materials, which primarily depend on electrostatic
association to remain on hair and skin, other conditioning agents also use water
insolubility to stay in place. Such conditioners provide a variety of benefits related
to improved smoothness and lubricity. Known as “emolliency,” this property en-
compasses oils, esters and waxes.
Oil: Oils are water-insoluble hydrocarbon mixtures isolated from organic sources
such as petroleum. Mineral oil, for example, is composed of high-boiling distillates
isolated from crude oil. These distillates include long-chain hydrocarbons and
some saturated ring compounds. Other sources for natural oils include sunflow-
ers, olives, coconuts and peanuts. They are mixtures of triglycerides of myristic,
palmitic, stearic and other long-chain fatty acids. The conditioning effect of these
oils comes from their hydrocarbon nature. They spread easily onto surfaces and
can leave transparent, water-repellent films. These films improve slip, shine and
softness of hair and skin.
These oils are ideal cosmetic ingredients because, in general, they are inert
and compatible with skin. Unfortunately, oils that contain double-bonded fatty
compounds can become rancid. If oils are contaminated during the refinement
process, they can become comedogenic, meaning they can lead to acne.
Silicone oil: Silicone oils are another emollient common to skin- and hair-care
products. As with other oils, they have a long hydrophobic chain. Unlike other oils,
their chain comprises silicone-oxygen units with methyl groups attached. Silicone
oil has very low surface tension, allowing for better spreading and more efficient
film formation. They increase lubricity and ease wet hair combing. They are also
particularly good for improving surface shine and luster.
One drawback of silicone oil is its insolubility in water, alcohol or mineral oil.
This makes it difficult to properly disperse in finished formulations and retain its
functional properties. Furthermore, it has a tendency to build up, and can also
contribute to static charge.
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Conditioning Agents for Hair and Skin Beginning Cosmetic Chemistry
Esters: Other common emollients are esters and waxes. Esters are created from
a fatty acid reacting with a fatty alcohol. They provide good slip and a nongreasy,
aesthetically pleasing feel to hair and skin. They are also effective in enhancing
shine and reducing the greasy feel of oils.
Waxes: Waxes are solid mixtures of hydrocarbon materials with relatively high
melting points, such as fatty alcohols, acids and esters. Paraffin wax, obtained from
petroleum, is an example of this type. Another is lanolin, a wax derived from sheep’s
wool. Waxes form a water-repellent film on skin and hair surfaces. They also improve
the emolliency of other oils by raising the melting point of the resulting surface
film. Some drawbacks of using waxes are their tacky feel, variable composition, and
potential difficulty in formulating.
Humectants
Humectants are a class of conditioning agents that work by an entirely different
mechanism. They are “hygroscopic,” meaning they absorb water from the environ-
ment and promote water retention. This is important to skin care since skin, a living
organ, must maintain a specific moisture level to remain healthy. Hygroscopy is less
important with hair since it is essentially dead protein and therefore doesn’t require
moisture to “live.” Still, this mechanism is helpful in controlling certain physical
properties, such as brittleness. A variety of humectants are common throughout
the industry in both hair- and skin-care products.
Polyols: Most humectants are “polyols,” in that they contain multiple hydroxyl
groups that attract and bind water. Glycerin and sorbitol are two common examples
often used in skin-care products to help retain moisture in the skin’s upper layers,
specifically the stratum corneum. Polyol concentrations range from 1–25%. In fact,
in the early days of the cosmetic industry, glycerin diluted with rosewater was a
common skin moisturizer. Today, skin-care emulsions contain humectants at lower
levels, typically 1–5%, in combination with other conditioning agents.
Uses: Due to their inherent water solubility, polyols will not remain on hair after
rinsing. Therefore, although humectants can be useful in hair-care products, their
effectiveness as conditioning agents is limited. Nonetheless, glycerin and related
materials are particularly useful in leave-on products, particularly those formulated
for the ethnic market. Through hydrogen bonding, their hydroxyl groups can interact
with the hair’s amino acid structure to provide moisturizing and softening.
Product quality: Interestingly enough, humectants are often added to emulsion-
type conditioning products for a different reasonóto reduce moisture loss from the
product itself. The same properties that make glycerin a good skin moisturizer also
help it reduce water loss from oil and water emulsions. Polyols prevent “skinning,”
or drying, which leads to film formation on the product. In this manner, they help
improve the consistency and aesthetic desirability of creams and lotions.
There are some negatives associated with humectants. For example, an excess
can cause hair or skin to feel sticky. In cases of low ambient humidity, care must
be taken so the humectant does not draw moisture from the deeper layers of the
skin and release it into the atmosphere. Also, as discussed above, humectants are
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Beginning Cosmetic Chemistry Chapter 10
not substantive to hair and skin and may easily wash away. Therefore, they are not
effective as conditioning agents in hair conditioners or skin lotions that rinse off.
Others: Common humectants in the glycol family include propylene glycol,
dipropylene glycol and various polyethylene glycols. These materials are less com-
monly used as humectants since their water-absorption properties are significantly
lower and they may be somewhat more irritating to skin than glycerin.
Another important moisturizing agent in this category is sodium pyrollidone
carboxylic acid (sodium PCA). This acid is a component of the skin’s natural
moisturizing factor (NMF), a complex blend of lipids and humectants that help
maintain the skin’s moisture level. Although sodium PCA is occasionally employed
in hair-care products, its primary use is in skin lotions, where it helps bind moisture
in the skin’s upper layers.
Occlusive Conditioners
Finally, there are occlusive agents. Like humectants, these materials provide
conditioning via moisturization. They moisturize, not by adding water, but by form-
ing a barrier against moisture loss. In the case of skin care, occlusive agents form
a film on the skin’s top layers to reduce transepidermal water loss, or water vapor
that transpires through the skin.
Petrolatum: Commonly known as petroleum jelly, petrolatum is the most ef-
fective of these materials and is widely used in skin-care products at levels typically
ranging from 1 to 3%. Petrolatum is a refined fraction of petroleum and can form
a particularly effective film barrier against moisture loss. It has some use as a hair-
conditioning agent, usually in ethnic products, where it helps smooth and control
wiry hair. Petrolatum also provides significant sheen.
Greasiness is the primary drawback of petrolatum, typically considered too
greasy for use in leave-on hair conditioners for Caucasian hair. When used at high
levels in skin-care products, it can impart an undesirable greasy, sticky feel. Also,
its hydrophobic nature makes it difficult to remove, which may be an advantage or
disadvantage, depending upon the application.
Dimethicone: Silicone, specifically dimethicone, is another highly effective
occlusive agent and is often found in skin lotions, in combination with petrolatum.
A siloxane backbone makes dimethicone very hydrophobic and capable of form-
ing hydrophobic films that help protect skin from environmental damage, such as
the drying effects of harsh detergents. For this reason, dimethicone is approved
as an active ingredient in the FDA’s Over-The-Counter (OTC) Drug Monograph
of skin-protectant agents. Its use level is typically about 1%.
Dimethicone is also commonly used in hair-conditioning products, but not
for its occlusive properties. Rather, it functions as an emollient and is helpful in
smoothing and enhancing shine.
It is important to note that many emollients, including waxes, esters and oils,
have hydrophobic natures and the ability to form films. Thus, they also have oc-
clusive properties.
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Conditioning Agents for Hair and Skin Beginning Cosmetic Chemistry
Summary
We have shown that hair and skin surface conditions can improve with treat-
ment. Such conditioning effects can be achieved with the application of a variety
of chemicals. When formulating, you should be thoroughly aware of each material’s
strengths and weaknesses. Skilled formulators artfully combine these raw materials
to create a well-balanced conditioning product.
Recommended Reading
HW Hibbot, Handbook of Cosmetic Science, MacMillan Co, New York 59–77
(1963)
“Glycerine, A Key Cosmetic Ingredient” In: E Jungerman and N Sonntag (Eds),
Cosmetic Science and Technology Series, vol III, Marcel Dekker Inc, New
York (1991)
RY Lochhead, The History of Polymers in Hair Care 1940-present, Cosmetics
& Toiletries 103 36–49 (1988)
WH Schmidt and DF Williams, Chemistry and Technology of the Cosmetics
and Toiletries Industry, Blackie Academic and Professional, London 17–21
(1992)
Chapter 11
Surfactant Science
Surfactants are the “work horses” of the cosmetic industry, and
all cosmetic chemists would benefit from learning the basic
principles of surfactant chemistry.
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Surfactant Science Beginning Cosmetic Chemistry
that oil mixed with water disrupts the hydrogen bonding network that exists be-
tween water molecules. The expression oil and water do not mix is a well-known
adage. Surfactant molecules like oil molecules likewise disrupt hydrogen bonding,
a situation that is energetically unfavorable.
Definitions
As technical people we want to our formulations to be governed by clear tech-
nical rules and to use simple concepts to organize our world. If we organize our
world according to simple definitions, we would observe:
1. A solution is a homogeneous mixture composed of one or more substances,
known as solutes, dissolved in another substance, known as a solvent.
2. A suspension is a colloidal dispersion in which a finely-divided species is com-
bined with another species, with the former being so finely divided and mixed
that it doesn’t rapidly settle out. In everyday life, the most common suspensions
are those of solids in liquid water.
3. An emulsion is a mixture of two immiscible substances. One substance (the
discontinuous phase) is dispersed in the other (the continuous phase).
Solutions
However the simplicity we desire is often simplistic and elusive. Consider
the term solution. Now consider a fully dissolved 1% solution of sodium chloride
in water. This simple system has sodium ion (Na+), chloride ion (Cl–) and water,
roughly equally distributed over the entire mass of the system. The solution is clear
and homogeneous.
Now consider a 1% solution of a surfactant. Surfactant, or surface active agent
has a water soluble head and a water insoluble tail. A very well known surfactant
is sodium lauryl sulfate (CAS 151-21-3). Like NaCl, Sodium lauryl sulfate has two
ions with opposite charge, but sodium lauryl sulfate in water is very different. The
presence of a large fatty portion makes the product surface active. The structure
of sodium lauryl sulfate is shown in Figure 11.1. Please note the oil soluble fatty
group and the water soluble sulfate group. Not only is sodium lauryl sulfate a very
important anionic surfactant, it demonstrates effects when added to water that are
typical for surfactants.
A 1% solution of sodium lauryl sulfate, like that of sodium chloride, is clear but
not homogeneous. As one adds sodium lauryl sulfate to water, achieving the lowest
overall free energy drives the orientation of the material in the water. In this case
minimize disrupting hydrogen bonding in water. The sodium lauryl sulfate orga-
nizes itself at the air water interface and then begins to self assembly into micelles.
Figure 11.2 shows this phenonmenon2. The first box shows pure water, having a
surface tension is around 72 dynes/ cm2. As surfactant is added, demonstrated by the
second box, surface tension is falling as dilute surfactant organizing at the surface.
As the surface reaches saturation a very significant situation develops. The surface
tension no longer drops even with additional surfactant. It is at this concentration
called critical micelle concentration that micelles become the dominant form of
surfactant. (The third box in Figure 11.2 shows this situation.)
Surfactant Types
Surfactants can be grouped into four main chemical/structure categories based
upon the ionic nature they contain. This system includes:
1. Anionic (negative charge),
2. Cationic (positive charge),
3. Nonionic (no charge) and
4. Amphoteric (capable of both positive or negative charge, or no charge).
Structures for a very limited number of typical products in each class are shown
in Figures 11.3–11.6.
2. Alkyl phosphates
CH3-(CH2)15-OPO3– Na Cetyl Phosphate
1. Alkyl Quats
CH3 Stearyl trimethyl ammonium chloride
|
CH3-(CH2)17-N+-CH3 Cl-
|
CH3
2. Alkanolamide
O
||
CH3-(CH2)10-C-N-CH2CH2OH Lauramide MEA
|
H
Figure 11.5. Nonionic Surfactants
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Beginning Cosmetic Chemistry Chapter 11
1. Propionate
CH2CH2C(O)O– Sodium lauriminodipropionate
/
CH3-(CH2)11-N Na+
\
CH2CH2C(O)O–
Each type of product finds application in different areas, depending upon the
desired application. Table 11.2 shows the structure function relationship in sur-
factants. It is this critical concept that structure has a direct impact on function in
formulation that is key to maximizing formulation performance.
Anionic surfactants are typically employed in cleansing formulations because
they are excellent detergents, providing both foam and detergency. The most
commonly used product type is the alkyl sulfate. An alkyl sulfate is made up of a
long-chain hydrocarbon with a sulfonate group on one end. A common example is
sodium lauryl sulfate (SLS). Ether sulfates are milder and are enjoying increased
usage.
Altering the nature of the polar head group and the carbon chain can create
a multitude of anionic surfactants. For example, alkyl ether sulfates, alkyl phos-
phates, dialkyl sulfosuccinates and alkanolamide sulfates are all variations on the
same theme.
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Surfactant Science Beginning Cosmetic Chemistry
CORROSION INHIBITORS
LEVELLING AGENTS
COUPLING AGENTS
FOAM STABILIZERS
FOAMING AGENTS
WETTING AGENTS
RELEASE AGENTS
DISINFECTANTS
SOLUBILIZERS
DISPERSANTS
DETERGENTS
EMULSIFIERS
LUBRICANTS
DETERGENT
SOFTENERS
Alcohol Aloxylates • • • •
Agricultural surfactants • • • •
Alkanolamides (1:1) • • • • •
Alkanolamides (2:1) • • • •
Alkanolamide Ethoxylates • • • • • •
Alkylaryl Sulphonates • • • • • •
Alkylphenol Ethoxylates • • • • • •
Amine
Ethoxlates • • •
Amine Oxides • • • •
Amphoterics • • • •
Benzyl
Quats • • •
Block
Co-Polymers • • • • • •
Fatty Acid Ethoxylates • • •
Glycerol
Esters • • •
Higher
Alcohol Ethoxylates • •
Imidazolines • • • • •
Imidazoline
Quats • •
Lower
Alcohol Ethoxylates • • • • • •
Phosphate Esters • • • • •
Polyethylene
Glycols • • •
Polypropylene
Glycols • • •
Sulfosuccinates • • • •
Sulfosuccinate
(SS-0-75) • •
Sulfosuccinamates •
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Beginning Cosmetic Chemistry Chapter 11
From this number one can get an idea of the function of fatty alcohol
ethoxylates.
HLB Application
4–6 W/O Emulsifier
7–9 Wetting Agent
8–18 O/W Emulsifier
13–15 Detergents
15–18 Solubilizer
Surfactant Properties
Detergency
One of the most common functional characteristics of surfactants is cleansing.
Cleansing surfactants, or detergents, are key components of such personal-care
products as soaps, facial washes and shampoos. The cleansing power or detergency
of these products can be described as their ability to remove grease and dirt from a
surface. In cosmetic products, the surfaces typically dealt with are hair and skin.
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Surfactant Science Beginning Cosmetic Chemistry
Foaming Properties
It is important to note that detergency is only one of the physical properties by
which a cleansing surfactant is chosen for personal-care product usage. Foaming
properties, for example, are also very important. Although the amount of foam
produced by a surfactant has little to do with its inherent cleaning ability, most
consumers are convinced it has everything to do with this benefit. In fact, it has
been suggested that the single most important factor of a shampoo to a consumer is
its foaming ability5. In addition to foam characteristics, other important surfactant
properties include: wetting ability, risibility and safety (i.e., irritation potential/
toxicology). A surfactant chosen for use in a personal-care product formulation
must excel at both cleansing and foaming.
Ken Klein offers a rather detailed review of evaluating foam in an article appearing
in Cosmetics and Toiletries6. Ken, a very well respected authority in personal care
formulations recommends a blender foam density/stability/ lubricity test developed
by Unilever. Ken’s article is presented as Appendix 11.1.
Appendix 11.1
Ken Klein article Cosmetics and Toiletries Vol. 119 No. 10 p.32–35
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Beginning Cosmetic Chemistry Chapter 11
Solubilization
The same mechanism, which enables a surfactant to remove grease and dirt
from a surface, allows it to solubilize oil in a water-based formulation. This point
is important. While water is the major component in many cosmetic formulations,
other important ingredients are not water soluble, such as emollients or fragrances.
A surfactant can be used to disperse these oil-soluble components. In this process,
known as solubilization, the surfactant once again forms a micelle with the oil. But,
instead of assisting in the removal or rinse-away process, as in the case of detergency,
the function of the micelles is to keep the oil dispersed in the water phase. Through
this, relatively small amounts of hydrophobic materials (e.g., fragrances) can be
carried by water systems without loss of clarity. Typically, nonionic surfactants are
used for this purpose, due to their ability to couple oil and water without negatively
affecting other characteristics of personal-care formulations.
Two types of nonionic surfactants commonly used for solubilization are ethoxy-
lates and propoxylates. These compounds are ethers formed by reacting ethylene
oxide or propylene oxide with a fatty compound. The degree of ethoxylation or
propoxylation will affect the solubility of these compounds in water, alcohol and
oil. Generally, the more ethylene or propylene oxide present, the more hydrophilic
the surfactant will be. Commonly used ethoxylates are polysorbate 80 or sorbitan
oleate. An example of a propoxylate is PPG-10 cetyl ether.
Emulsification
As we know, surfactant molecules can disperse oil in water by virtue of their
ability to reduce surface tension. This ability allows certain types of surface-active
agents to form relatively stable mixtures of oil and water. These mixtures, known
as emulsions, provide the basis for a variety of products ranging from cosmetic
milks, lotions and creams to pharmaceutical ointments. As defined by Paul Becher,
emulsions are two-phase systems “consisting of a fairly coarse dispersion of one
liquid in another, in which it (the first liquid) is not miscible.”6 Becher admits
that this, although accurate, is a rather incomplete definition. He goes on to state
that specific properties must be considered in order to define a given emulsion
completely. Such defining properties include the character of the two phases, the
physical properties of the dispersion (e.g., the size of the dispersed particles) and
how stable the emulsion is over time. A “stable” emulsion can be defined as one
that has no separation during the useful lifetime (shelf life) of the final (finished)
product. A good theoretical discussion of factors that influence emulsion stability
can be found in the Encyclopedia of Emulsion Technology.8
Cosmetic emulsions typically consist of mixtures of hydrocarbon oils and water.
The importance of combining these two immiscible materials is obvious. Water is a
good carrier for many materials; it is innocuous and inexpensive. It also evaporates
without leaving a residue. On the other hand, oily materials, such as those typi-
cally employed in hair conditioners and skin lotions, can be good moisturizing and
conditioning agents. However, they may be esthetically unacceptable if used in
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Surfactant Science Beginning Cosmetic Chemistry
Conditioning
Surfactants have other properties not directly related to their ability to disperse
oil; “conditioning” is one such property. Conditioning can be defined as “putting a
material into a workable state.”11 In the case of hair, this usually means leaving the
hair smooth, soft and not prone to static flyaway. For skin, it may mean leaving the
surface of the skin feeling smooth and “moisturized.”
Cationic surfactants are used to condition because of their dual ability to be
substantive to hair and skin, and to impart lubricity and emolliency. In the case of
cationic surfactants, this substantivity—or ability to resist being rinsed away—is
due to the interaction of the positive charge on the polar portion of the surfactant
molecule with the negative charges, which occur as a result of damage to the protein
structure of hair or skin.
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Beginning Cosmetic Chemistry Chapter 11
Wetting
Wetting is one of the most important, and overlooked attribute of a personal
care product. When we wash hair, condition hair, apply pigments to skin or almost
any other process used in personal care, we are spreading a formulation on hair or
skin. This requires proper reduction in surface tension of the formulation so the
product spreads easily and in a cosmetically acceptable manner. Generally nonionic
surfactants and dialkyl sulfosuccinates function to provide wetting.
Draves Wetting is a commonly used method to determine the wetting properties
of a surfactant or a formulation. (ASTM test method D 2281). The Draves Wetting
test involves determining the time required for a cotton skein, a truss of hair or
sample of skin to sink in a solution of surfactant or formulated product.
Special Effects
We have demonstrated that surfactants (as detergents, conditioning agents and
emulsifiers) play a critical role in the primary form and function of many personal-
care products. Surfactants may also have secondary effects. For example, auxiliary
surfactants can be used to alter the performance or properties of detergent systems.
Specifically, amides may be used to enhance the foam of a shampoo while sulfosuc-
cinates or amphoterics can be used to improve mildness. Many anionic surfactants
are also excellent viscosity builders in detergent systems.
In emulsion systems, surfactants, such as cetyl alcohol, help provide thickness
and body to creams and lotions. Other surfactants aid in the rinsing of emulsion
products. Still other surface-active agents provide the slip and emolliency desired
in certain skin- and hair-care formulations. Surfactants like glycol stearate provide
pearlizing or opacity to cosmetic products. In hair conditioners, cationic surfactants
also help control static electrical charge. Some cationic surfactants may possess
antimicrobial properties that are useful in cosmetic products.11
Conclusion
This brief review of surfactant science demonstrates that surfactants are
the “workhorses” of the cosmetic industry. Furthermore, the basic principles of
surfactant chemistry discussed in this article are used by many other industries,
including household products, paints and coatings, pharmaceuticals, textiles and
even automotive products. It is unfortunate that such a critically important area
of industrial technology is so frequently overlooked by academia. All industrial
chemists could potentially benefit from more education offered in the field of
surfactant science.
References
1. Encyclopedia Britannica, V IX, 15th ed, Encyclopedia Britannica Inc, 689
2. Wikipedia http://en.wikipedia.org/wiki/Water
3. Griffin WC: “Classification of Surface-Active Agents by ‘HLB,’” Journal of the Society
of Cosmetic Chemists 1 (1949): 311
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Surfactant Science Beginning Cosmetic Chemistry
4. RG Harry, The Principles and Practice of Modern Cosmetics, Chemical Publishing Co.
Inc, New York 371–372 (1962)
5. M Rieger, Surfactants in Shampoos Cosm & Toil 103(3) 62 (1988)
6. K Klein, Cosm & Toil 119 (10) 32–35
7. P Becher, Principles of Emulsion Technology, Reinhold Publishing Corp New York
(1955)
8. P Becher, Encyclopedia of Emulsion Technology, v2, Marcel Dekker Inc, New York:
(1985)
9. McCutcheon’s Detergents & Emulsifiers North American Edition, McCutcheon
Division, MC Publishing Co, Glen Rock NJ (1994)
10. H Edelstein, Hair conditioners and conditioning, Cosm & Toil 100(4) 31 (1985)
11. Kirk-Othmer Encyclopedia of Chemical Technology, V22, 3rd ed, Wiley-Interscience
332–432 (1983)
Chapter 12
Oils of Nature
Natural oils, fats and waxes, and the processes that turn these
primary ingredients for cosmetic formulations and surfactants.
1. Cosmetic Elegance
2. Label Name (Marketing)
3. Unique Chemistry
4. Unique Components
Acids
Antioxidants
117
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Oils of Nature Beginning Cosmetic Chemistry
One could well assume that since natural oils have been around for a long period
of time, that there is nothing additional to discover about their use. This assumption
is incorrect. US Patent Application 20050069516, filed March 31, 2005 discloses a
product for application to the hair, comprising: (i) a first hair conditioning agent,
wherein said first hair conditioning agent penetrates into the core of the hair; (ii)
a second hair conditioning agent, wherein said second hair conditioning agent
penetrates into the cortex region of the hair but does not substantially penetrate
into the core of the hair; and (iii) a third hair conditioning agent, wherein said
third hair conditioning agent remain on the hair surface and does not substantially
penetrate into the cortex of the hair; wherein said product comprises advertising
stating that said first hair conditioning agent, said second hair conditioning agent,
and said third hair conditioning agent condition different regions of the hair. The
patent application goes on to teach that examples of first hair conditioning agents
include, but are not limited to, avocado oil, apricot kernel oil, olive oil, sesame oil,
and coconut oil, Examples of second hair conditioning agents include, but are not
limited to, meadowfoam seed. Examples of third hair conditioning agents include,
but are not limited to sunflower oil, and almond oil.
Many patent applications relate to synergistic effects between formulation ad-
ditives and many natural oils. With the growing interest in green products, one can
reasonably expect that the use of natural oils in formulations will increase.
CH2-OH O CH2-OC(O)-R
| || |
CH-OH + 3 RC-OH ———> CH-OC(O)-R + 3 H2O
| |
CH2OH CH2-O-C(O)-R
Glycerin Fatty Acid Triglyceride Water
Triglycerides are a very important class of raw materials for making fatty deriva-
tives, including surfactants. Saponification is a general term to define the chemical
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Beginning Cosmetic Chemistry Chapter 12
reaction that breaks the ester linkage. When the triglyceride is saponified to make
a surfactant, such as soap, glycerin is liberated. When a wax is saponified, a fatty
alcohol is liberated. Thus, the types of products that can be made using the two
types of materials are quite different functionally. Glycerin, produced as a by-
product of saponification, is water-soluble and fatty-insoluble. The fatty alcohol
produced as a by-product of the saponification of a wax is water-insoluble and
generally fatty-soluble.
Differentiating among triglycerides: Normally, a physical property such
as melting point is used to differentiate among the members of a chemical fam-
ily. Because oils, fats, butters and waxes are complex mixtures of homologues of
similar chemical structures, it is difficult to obtain a true melting point. As the
lower molecular weight fractions melt, they act as solvents to dissolve the higher
molecular weight products. This results in a very wide melting “range” for these
compounds. For this reason, titer point is generally determined on fats, oils, waxes
and butters.
The titer is defined as the re-solidification point of the melted oil, fat, butter or
wax. The procedure is to heat the product to be tested until it is completely liquid,
then to slowly cool with stirring. This process is done until the temperature stays
constant for 30 seconds, or begins to rise. The titer point is the highest temperature
indicated by this rise.1
Fats have a titer point of greater than 40.5°C. Oils have a titer point of less than
40.5°C. Butters have a titer between 20–40.5°C.
Oils are liquid at room temperature. We now use this word to describe any
compound that is a liquid and is insoluble in water. As a result, jojoba is referred
to as an oil, despite the fact it is really a liquid wax. It is therefore very important
to realize that the terms wax and triglyceride define the chemical nature of a com-
pound; the terms oil, butter and fat define a physical property.
Classification: The Cosmetic, Toiletry & Fragrance Association (CTFA) now
requires the genus and species of the plants or insects that produce a given wax,
oil, butter or fat and all products that are derived from the various oils, fats, butters
and waxes. This is due, in part, to the European Union’s use of the Latin names for
ingredient listings. This information helps the formulator understand the source
of the fatty portion of the surfactant.
Triglycerides can be classified according to their carbon chain lengths. For
instance, in Table 12.1 the triglycerides are grouped by carbon chain lengths less
than C-18, equal to C-18, and greater than C-18.
Oil Preparation
The process that allows for the transformation of a plant seed into a clear, low-
odor oil suitable for cosmetic use is a process that we generally take for granted. The
properties of the oil are determined by the plant source and the processing used.
The oils discussed in this article are referred to as “vegetable oils.” This distinc-
tion differentiates them from the “essential oils” that are steamed out of a variety
of plant parts, including flowers, leaves, peels and some seeds. These essential
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Oils of Nature Beginning Cosmetic Chemistry
oils, which often have an attractive aroma, are not triglycerides. Instead, they are
usually “isoprenoids,” which indicates that they come from a different chemical
pathway in plants. Plants store vegetable oils (triglycerides) as energy sources for
seeds when they germinate.
Pressing: Steam works well to extract essential oils like coriander oil, but it does
not work well for triglyceride oils. Triglyceride and wax ester oils can be squeezed
out of seeds using a turning screw that presses the mashed-up seed against a metal
barrel with slits in the side. The oil and some fine particles squeeze out through the
narrow slits. This operation would be called an oil expeller or seed oil press.
The oil from the seed oil press can be filtered and called “virgin” oil, especially
if it isn’t heated up to get more oil out. The oil from the seed oil press can also be
called “crude” oil. Alternatively, oil can be dissolved in solvent, which can then be
evaporated, leaving the extracted oil.
Often, seeds are flaked to increase surface area. The seeds are processed into
thin flakes before pressing or solvent extraction. The flaking improves oil yield by
breaking open the small oil pockets in the seeds. Sometimes the seeds are heated
before flaking so that the proteins in the seed won’t break down the oil or other
things in the seed. The preheating is also called preconditioning. The oil comes out
more easily if it is hot, but excessive heat damages the oil quality.
Sometimes the seeds are crushed and formed into pieces called “collets” that
have lots of holes or openings. This step also is done before solvent extraction so
the oil can flow out more easily. Solvent extracted oil with some solvent still in it
is called the “miscella.”
Crude oil can usually be good enough for chemical uses. In a process called
“winterization,” a well-filtered “virgin” oil can be kept cold to remove any solid
waxes that might crystallize out.
Many cosmetics applications require cold-pressed, virgin oil. On the other hand,
some seeds are too low in oil to economically remove the oil by pressing. In any
case, once you have the crude oil, you can move onto refining.
Refining: Refining is done by filtering the oil through clay or silica (like fine
sand) that can remove color. In an operation called “degumming,” alkali in water
is added to the oil and some ingredients, especially fatty acids and “phospholipids,”
go into the water or settle out or are filtered out. Finally, in an operation called
deodorization, steam can be passed through the oil to remove odor. This step also
breaks down oxygen attached to the oil, which might lower oil quality.
After all of this refining, the oil should be light in color, odorless, and have no
oxygen breakdown products or solid wax. The customer’s requirements for the oil
in terms of color, odor and the like will determine the number of steps needed to
get an acceptable product. Consequently, the amount of useable oil you have left
after refining is often related not only to the amount of crude oil present in the
seed, but is also related to the requirements of color, titer point and properties you
impose for the final oil.
Functionality: The oils that are commonly used in cosmetic products are com-
plex mixtures of different triglycerides, but also contain various other components
that are useful. For example, olive oil can be processed to contain highly desirable
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Beginning Cosmetic Chemistry Chapter 12
CLASS 3 Animal-derived products rich in carbon chain lengths greater than C-18
Number Name Source CAS Number Predominant species
4. Beeswax Cera alba 8006-40-4 C26 wax
5. Shellac Wax Shellac cera 97766-50-2 C30 wax
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Oils of Nature Beginning Cosmetic Chemistry
A very important use for natural oils is food. When this market segment is
removed from considerations, a handful of oils make up the majority of product
consumed for industrial application.
ALL OTHER 6
CASTOR 1
LINSEED 4
TUNG 5
RAPESEED 5
SOYBEAN 9
COCONUT OIL 20
TALL OIL 50
0 10 20 30 40 50 60
Figure 12.2. Relative percentages of selected oils used for non-food purposess
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Oils of Nature Beginning Cosmetic Chemistry
Derivatives
Natural oils are important raw materials for making a variety of downstream
products. These include fatty alcohols, fatty acids, and methyl esters. These inter-
mediates can be fractionated into specific carbon number products (for example
C12 or lauryl alcohol), or not fractionated and remain coco alcohol.
Fatty alcohols, fatty acids, and methyl esters are in turn are reacted with other
materials to become surfactants, See Chapter 11 “Surfactant Science” for more
details on these materials.
Wax esters: Wax esters are defined as esters of long-chained acids that have
been reacted with long-chained alcohols. Other chemicals are called waxes if they
possess tactile properties similar to a true wax. An example is beeswax. Polishes
are a major application area for this class of materials. Wax esters have two fatty
groups. One is contained in the alcohol portion of the molecule, the other is in
the acid group. Esters are synthesized by the reaction of an organic acid with an
organic alcohol (Figure 12.3). Esterification is the reverse of saponification, in
that ester linkages are formed.
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Beginning Cosmetic Chemistry Chapter 12
O O
|| ||
R-C-OH + R’OH ————> RC-OR’ + H2O
Acid Alcohol Ester Water
Methyl esters: Triglycerides may be easily turned into methyl esters by reaction
with methanol and catalyst. Base catalysts are preferred. As the reaction proceeds,
the reaction mixture turns hazy as glycerin is liberated. Once complete, the excess
methanol is distilled off, glycerin is removed from the bottom after it settles, and
the methyl ester is distilled into its fractions.
The methyl ester formed by the reaction, if not distilled, is still referred to by the
oil name (for example methyl cocoate). However once fractionated, the material is
named by carbon distribution. Methyl cocoate is fractionated into methyl laurate,
methyl myristate, and so on. The triglyceride source is lost in the name of the methyl
ester. The names for the common alkyl groups are given in Table 12.4.
Natural Petroleum-Based
Triglycerides Ethylene Alpha-olefin
Methyl Ester
See Chart 5
Ether Ether
Sulfosuccinate Sulfate Phosphate Sulfate Phosphate
Alkyl Ether
Glycosides Fatty Alcohols Ethoxylates Sulfosuccinate
Ether
Esters Carboxylates Ether Carboxylate
Ester
Esters
Sulfates
Ester Phosphates
Sulfates
Amphoterics Phosphobetaine
Sulfobetaine
Complex Esters
Quats Imidazoline
Betaines
Amphoteric
Ester
Betaine
Amido Amine
Amine Oxide Sorbitan Esters Ethoxylated Sorbitan
Esters
Quats
Sulfobetaine Phosphobetaine
Methyl
Alkanomide
Ester
Alcohol
Conclusion
The preparation of useful surfactants in the personal-care market is dependent
upon several factors. These include the process used by the converter of the natural
materials into intermediates, the converter of the intermediates into surfactants, and
the skill of the formulator to make products that deliver a benefit to consumers. The
importance of the selection of the raw material feedstock is also an important factor
in the preparation of products that all is too often is overlooked. The formulator of
products should consider all of these factors in preparing products.
References
1. AJ O’Lenick, D Steinberg, K Klein and LaVay, Oils of Nature, Allured Publishing Corp,
Carol Stream, IL (2007)
2. AJ O’Lenick, Surfactants Chemistry and Properties, Allured Publishing Corp, Carol
Stream, IL 13–15 (1999)
Chapter 13
Understanding Emulsions
A definition of emulsions and their effect on formulations.
A t some point in your career as a formulator, you will need to combine incom-
patible materials into one product. Many methods have been developed for
accomplishing this task, but none has been employed more than emulsions.
Definitions
Various definitions for emulsions have been suggested, some simple, others
quite complex. In this chapter, we will consider an emulsion to be any heteroge-
neous system that has at least one immiscible or barely miscible liquid dispersed in
another liquid in the form of tiny droplets, like an insoluble oil dispersed in water.
For the interested reader, a more rigorous definition can be found in Becher’s
Encyclopedia of Emulsion Technology.1
Emulsions are the most common type of delivery system used for cosmetic
products. They enable a wide variety of ingredients to be quickly and conveniently
delivered to hair and skin. The types of emulsions used for cosmetic products are
typically semisolid materials consisting of an aqueous (hydrophilic) portion and an
oily (hydrophobic) portion. These two portions make up the internal and external
phases of the emulsion. The internal phase is composed of the materials that make
up the tiny dispersed (or emulsified) droplets, while the external phase is made up
of the rest of the materials. Usually, the external phase (also called the continuous
phase) is the more abundant of the two.
O/W and w/o: The most typical emulsion is one in which an oil is dispersed
in water. Understandably, this type is called an oil/water emulsion (o/w). Another
type of simple emulsion is a water/oil emulsion (w/o), in which water is emulsified.
Whether an emulsion is the o/w or w/o type depends on many factors, including
the concentration of each material in the system, the type of emulsifier and the
processing steps used to create the emulsion.
Size: The particles that make up the emulsion’s internal phase are polydisperse
(meaning they have variable sizes), and their average size is often used for emul-
sion classification. For example, if their average diameter is less than 100 Å, it is
referred to as a micellar emulsion. A particle diameter of 100–2000 Å is known as
a microemulsion. Larger particles make up macroemulsions, which are the most
common type used in cosmetic product formulations.
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Understanding Emulsions Beginning Cosmetic Chemistry
Emulsion Components
Because an emulsion is a mixture of incompatible ingredients, one might wonder
how they stay together. In reality, they do not. One of the essential characteristics
of an emulsion is that eventually, given enough time or energy, it will separate into
its original phases. However, cosmetic products are not meant to last forever, and
the true challenge for the cosmetic formulator is designing systems that will remain
stable over the useful life of the product. One way to make this task easier is to have
a good working knowledge about the characteristics of each part of an emulsion
including the oil phase, the aqueous phase and the emulsifier.
Oil phase: This phase is composed of nonpolar compounds that are generally
not compatible with water. These include materials such as fats, oils and waxes
and all of their derivatives, including fatty alcohols and acids, esters, hydrocar-
bons, glycerides and silicones. For cosmetic applications, these materials provide
numerous benefits. On skin, they act as emollients, providing an appealing feel.
They can also soften and improve the skin’s moisture retaining properties because
they leave behind a water repellent film. When used on hair, they provide con-
ditioning to aid in styling and shine to improve the hair’s appearance. While the
components of the oil phase provide many benefits, they are formulated into an
emulsion because, in concentrated form, they can give too much of a good thing
and make hair oily or tacky.
Aqueous phase: This part of an emulsion is made up of water and all the other
hydrophilic materials in the system. These materials can be humectants like glycerin
or propylene glycol, water soluble polymers which thicken or provide conditioning,
preservatives, colorants, electrolytes or feature ingredients such as plant extracts
or hydrolyzed proteins. The aqueous phase has the added benefit of reducing the
greasy feel of the oil phase and reducing the cost of the overall formulation.
Emulsifiers: These compounds make emulsions possible by stabilizing the
dispersion of the internal phase in the continuous phase. They are the surfactants
that reduce the interfacial tension between the two phases. Typical emulsifiers
are molecules that have a hydrophilic portion and a lipophilic portion. They are
classified as either anionic, cationic, nonionic or amphoteric, depending on the
nature of their water soluble head group. Stearic acid is an example of an anionic
emulsifier. It has a long, lipophilic carbon chain (tail) attached to a hydrophilic
carboxylic acid group (head).
When placed in water, emulsifiers have a tendency to align themselves in a
manner that reduces the interaction between their hydrophilic and lipophilic ends.
If enough emulsifier is present, spherical structures called micelles can be formed.
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Beginning Cosmetic Chemistry Chapter 13
Emulsion Structures
While micelles are a common
structure found in emulsions, they
are only one of many possibilities.
The exact structure adopted by
any composition depends upon
the component concentrations,
their solubility characteristics and
the method by which they are pro- Figure 13.1. Emulsion micelle
duced. At higher concentrations, the
internal phase can pack itself into
long, hexagonal columns. At even higher concentrations, lamellar structures, which
are planar sheets of surfactant, are formed. These liquid crystalline structures are
similar to the lipid bilayers common in biological membranes. They are typically
employed in skin products and are said to give more effective results.
Emulsion Stability
As most chemists know, oil and water do not mix. If they are put together in a
container and shaken, the oil may break into smaller particles and disperse for a
few moments. However, when the shaking stops, the dispersed oil particles quickly
combine and separate from the water. When an emulsifier is added to this system,
the oil particles stabilize because they are incorporated into the lipophilic interior
part of the micelles. In this way, the oil particles are shielded from each other and
their coagulation is inhibited, resulting in a stable emulsion.
Although emulsifiers help stabilize the interaction between the oil and water
phases, emulsions are still inherently unstable according to the second law of
thermodynamics; they eventually will separate. The speed at which this occurs or
how complete the separation is depends on the composition of the emulsion. For
instance, a system of mineral oil and water will form a macroemulsion when agitated
that immediately separates upon standing. If a small amount of an emulsifier such
as polysorbate 80 is added, the system may remain stable for a few days. Other
emulsions with different oil phases and emulsifiers can remain stable for years but,
in theory, every emulsion will separate.
Emulsion Destabilization
Investigation into the process of emulsion destabilization has revealed four
primary mechanisms. They are creaming, flocculation, coalescence and inversion.
Although explained separately here, they occur simultaneously in real life emul-
sions (Figure 13.2).
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Understanding Emulsions Beginning Cosmetic Chemistry
Creaming: The droplets in an emulsion have varying densities and are, there-
fore, prone to a destabilizing process known as creaming. In this process, the less
dense particles tend to rise to the top. The resulting emulsion has two sections,
one having more of the internal phase and the other having more of the external
phase. A classic example is unhomogenized milk in which the fatty cream rises to
the top. Creaming represents a less serious stability problem then, because none
of the particles actually combine. It can be reversed by agitation.
Flocculation: During this process, the internal phase droplets form a weak,
reversible association. This process is typically caused by inadequate surface
charge on the micelles, which reduces the repulsive force between them. The two
particles remain distinct, and they do not change in size. This development can be
demonstrated by taking two billiard balls and touching them to each other. While
they are touching, an association is formed. However, it can easily be disrupted
by removing one of the balls. In the same way, flocculation in an emulsion can be
reversed by providing agitation to the system. For this reason, flocculation is also
a less serious threat to emulsion stability.
Coalescence: When two internal phase droplets get close enough, they can
combine to form one larger particle. This process represents a more serious sta-
bility problem because it is irreversible. If enough particles coalesce, the result is
a complete separation of the two phases. A similar phenomenon called “Ostwald
ripening” also happens in emulsions. This process, first described by Wilhelm
Ostwald in 1896, involves the tendency of smaller particles to combine with larger
particles producing even larger particles and less stability. From a thermodynamic
standpoint, molecules at the surface of a particle are energetically less stable than
those packed in the middle. For smaller particles the ratio of surface to internal
molecules is much higher than those of larger particles. Smaller particles will thus
combine with larger ones to reduce the overall energy of the system. This process
can eventually lead to phase separation.
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Beginning Cosmetic Chemistry Chapter 13
The HLB and 3-D HLB systems are not the only ones that are available for
formulators. Because it is known that a material’s ability to emulsify changes with
temperature, the Phase Inversion Temperature (PIT) system was developed. It is
very similar to the HLB except that it rates materials based on the temperature at
which the emulsifier causes o/w emulsions to invert to w/o emulsions. Another, more
sophisticated system is known as the Cohesive Energy Ratio (CER) system. This
system rates materials on the basis of thermodynamic principles. It is particularly
useful for many anionic surfactants.
Conclusion
The usefulness of emulsions for cosmetic products has been demonstrated by
their continued use since the dawn of time. They will undoubtedly be an important
product form for many years to come. While emulsions are an indispensable tool
for formulators, it is unfortunate that more attention is not given to them in the
typical college chemistry curriculum. Perhaps this review will inspire the reader
to learn more about these interesting systems.
References
1. P Becher, Encyclopedia of Emulsion Technology, Vol 3, Marcel Dekker, NY (1996)
2. Cosmetic Bench Reference, Allured Publishing, Carol Stream, IL (1998)
3. Harry’s Cosmeticology 8th edition, CHS Press, New York (2000)
4. P Becher, Emulsions: Theory and Practice, Reinhold Publishing Corp, NY 2 (1965)
5. W Griffin, J Soc Cos Chem 1 311 (1949)
Additional References
1. HW Hibbot, Handbook of Cosmetic Science, Macmillan Company, NY 175 (1963)
2. L Prince, Microemulsions Theory and Practice, Academic Press Inc, NY 1–2 (1977)
3. C Fox, An introduction to multiple emulsions, Cosm Toil 11(101) 101–112 (1986)
4. G Whalley, Surfactant structures and micelles, Happi 8 62–6 (1997)
5. P Becher, Encyclopedia of Emulsion Technology, Marcel Dekker, NY 133 (1983)
6. GM Eccleston, Application of emulsion stability theories to mobile and semisolid o/w
emulsions, Cosm Toil 11(101) 73–6 (1986)
7. MM Rieger, Stability testing of macroemulsions, Cosm & Toil 5(106) 59 (1991)
8. GM Eccleston, Application of emulsion stability theories to mobile and semisolid o/w
emulsions, Cosm Toil 11(101) 135 (1986)
9. C Fox, An introduction to multiple emulsions, Cosm & Toil 11(101) 109-11 (1986)
10. K Gallagher, Microemulsion gels: a formulatorís guide, Happi 2 58–64 (1993)
11. G Dahms, Stabilization and delivery of vitamins and enzymes using multiple
emulsions, J Soc Cosm Chem 47 (4) 278 (1996)
12. A O’Lenick and J Parkinson, Applying the three dimensional HLB system, Cosm Toil
112(11) 59–64 (1997)
13. L Prince, Microemulsions Theory and Practice, Academic Press Inc, NY (1977)
Chapter 14
Silicone Chemistry
Silicones are increasingly important in cosmetic formulations,
and silicone science is an area where many new developments
are being made.
SiO2 + C → Si + CO2
The metamorphosis of quartz into Si metal is the first step in a series of steps
that ultimately provide compounds useful in the personal care market. Figure
14.1 shows the quartz and silicon.
Figure 14.1. Quartz to Silicon. The top left shows SiO,2 which is converted into Si.
© 2005 Thomas O’Lenick Used with permission
137
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Silicone Chemistry Beginning Cosmetic Chemistry
The term “silicone” is reserved for materials that contain a Si-O-Si linkage.
These materials are well known and are used extensively in the personal care area.
The difficulty is that the term silicone is applied to a wide range of materials rang-
ing in solubility from insoluble in both water and oils, to soluble in water or oil.
To complicate things further, the molecular weight of the polymer will determine
if the resulting product is a wetting agent, a conditioner a gum or a film former.
Silicones are likely the most rewarding class of raw materials to add to a formula-
tion because of the unique attributes these polymers confer and at the same time
one of the most frustrating classes of compounds with which to work because of
the variability of properties available within the class.
Silicone compounds have been known since 1860, but were of little commercial
interest until the 1940s. Over the years, silicone compounds have received growing
acceptance in many personal care applications. In fact it has been said that four of
10 new personal care products introduced in the 1990s have silicone in them.
When the term “silicone is applied to a compound, one thinks of silicone fluids.
While historically silicone fluids are the oldest derivative used in personal care ap-
plications, they are used only sparingly in our industry. The early work with silicone
fluids in our industry has resulted in Silicone Misconceptions, shown in Table 14.2.
While specific product classes that have some of the attributes shown in the table
exist, so do a plethora of materials that are likewise silicone compounds that have
different properties. Understanding the structure/function relationship in selecting
silicones is key to efficient formulations.
Group Opposites
Since water, mineral oil and silicone oil are mutually insoluble, the terms “hy-
drophilic and “hydrophobic” need to be expanded to include silicone compounds.
The following terms have been recommended1;
CH3
CH3
CH3
O1/2
CH3
–O1/2
–O1/2
If the Si atom has anything other than CH3 on it, it is referred to as a “*” com-
pound. It is the Si-H materials that are reacted with vinyl groups in the function-
alization reaction that allows for organofunctional silicone polymers.
CH3
CH3
CH3
H
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Beginning Cosmetic Chemistry Chapter 14
O1/2
H3
Construction Examples
There are three classes of compounds based upon their construction:
CH3—Si–O—(—Si—O–)50—(–Si—O–)10—Si—CH3
R—Si–O—(–Si—O–)10—Si—R
R—Si–O—(—Si—O–)50—(–Si—O–)10—Si—R
It should be clear that each class of compound will have different properties
based upon its construction.
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Silicone Chemistry Beginning Cosmetic Chemistry
The “construction” is the molecular knitting machine that makes the silicone
backbone.
The “Functionalization” is the “Lego Set” of appendages that provide
functionality.
“Construction” without “Functionalization” results in silicone homopolymers
(fluids).
“Functionalization” is not possible without “Construction”.
PEG/PPG Dimethicone
Consider the reaction:
CH3—Si–O—(–Si—O–)a—(O–Si—)b—Si—CH3 + a CH2=CH–CH2O(CH2CH2O)8H m
CH3—Si–O—(–Si—O–)a—(O–Si—)b—Si—CH3
O(CH2CH2O)8H
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Beginning Cosmetic Chemistry Chapter 14
Regardless of the value of “a” and “b” the INCI name is PEG-8-dimethicone.
The question then becomes is PEG-8-Dimethicone water-soluble? The answer
is it depends upon how many “a” and “b” units there are in the molecule (Table
14.4).
3. Derivitization
In instances where the functionalization results in a molecule that has a reactive
group present, subsequent chemistries can be applied to that group. An illustrative
group is the PEG-8-dimethicone
CH3—Si–O—(–Si—O)a—(–Si—O)b—Si—CH3
O–(CH2CH2O)8H
Since the OH group is a carbanol, it can be reacted in many of the same ways
the hydroxyl group in lauryl alcohol ethoxylates can be reacted. These reactions
are called derivitization. Many reactions have been conducted using products of
construction and functionalization as reactants. These are the derivative silicones.
The attached table is an example of products made using this powerful technique.
In fact an entire world of compounds that are analogous to hydrocarbon based
surfactants are available in the world of silicone surfactants. Many of these materials
were patented; some still remain covered by patents.
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Silicone Chemistry Beginning Cosmetic Chemistry
Anionic Compounds
Hydrocarbon Products Silicone Products
Phosphate Esters Silicone Phosphate Esters5,6
Sulfates Silicone Sulfates7
Carboxylates Silicone Carboxylates8,9
Sulfosuccinates Silicone Sulfosuccinates10,11
Cationic Compounds
Hydrocarbon Products Silicone Products
Alkyl Quats Silicone Alkyl Quats12
Amido Quats Silicone Amido Quats13
Imidazoline Quats Silicone Imidazoline Quats14
Amphoteric Compounds
Hydrocarbon Products Silicone Products
Amino Proprionates Silicone Amphoterics15
Betaines Silicone Betaines16
Phosphobetaines Silicone Phosphobetaines17
Nonionic Compounds
Hydrocarbon Products Silicone Products
Alcohol Alkoxylates Dimethicone Copolyol
Alkanolamids Silicone Alkanolamids18
Esters Silicone Esters19,20,21,22
Taurine Derivatives Silicone Taurine23
Isethionates Silicone Isethionates24
Alkyl Glycosides Silicone Glycosides25
CH3—Si–O—(–Si—O)a—(–Si—O)b—Si—CH3
O–(CH2CH2O)8—C(O)–CH2CH2 –COH
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Beginning Cosmetic Chemistry Chapter 14
CH3—Si–O—(–Si—O)a—(–Si—O)b—Si—CH3
O–(CH2CH2O)8—C(O)–CH2CH2 –COH
CH3—Si–O—(–Si—O)a—(–Si—O)b—Si—CH3
O–(CH2CH2O)8—C(O)–CH2CH2 –C(O)O–
CH3(CH2)15—N+—(CH3) 3
This complex has unique properties, in that it reduces irritation of the quat by
more than an order of magnitude.
25% Active Testing
Product Eye Irritation*
Cetyltimonium Chloride 106.0
Cetylsil S 8.3
The Cetylsil S product is low irritation, does not build up and has very low
irritation properties.
References
1. www.siliconespectator.com
2. AJ O’Lenick., J of Surfactants & Detergents, 3 (2) 229 (2000)
3. WC Griffin,, J Soc Cosm Chem, 1, 311 (1949)
4. AJ O’Lenick et al., Cosm & Toil, 111 (10) 37 (1996)
5. AJ O’Lenick et al., Cosm & Toil, 112 (11) 59 (1997)
6. US Patent 5,149,765 to O’Lenick (September 1992)
7. US Patent 4,724,248 to Dexter et al. (February 1988)
8. US Patent 4,960,845 to O’Lenick (October 1990)
9. US Patent 3,560,544 to Haluska (February 1971)
10. US Patent 5,296,625 to O’Lenick (March 1994)
11. US Patent 4,717,498 to Maxon (January 1988)
12. US Patent 4,777,277 to Colas (November 1998)
13. US Patent 5,098,979 to O’Lenick (March 1992)
14. US Patent 5,153,294 to O’Lenick (October 1992)
15. US Patent 5,196,499 to O’Lenick (February 1993)
16. US Patent 5,073,619 to O’Lenick (December 1991)
17. US Patent 4,654,161 to Kollmeier (March 1987)
18. US Patent 5,237,035 to O’Lenick (August 1993)
19. US Patent 5,070,171 to O’Lenick (December 1991)
20. US Patent 5,070,168 to O’Lenick (December 1994)
21. US Patent 4,724,258 issued to Dexter (February 1988)
22. US Patent 6,338,042 to O’Lenick (December 2002)
23. US Patent 5,280,099 to O’Lenick (January 1994)
24. US Patent 5,300,666 to O’Lenick (April 1994)
25. US Patent 5,120,812 to O’Lenick (June 1992)
Chapter 15
Creating Colorful
Cosmetics
An introduction to colorants in the personal care industry.
A dding color to the cosmetic products has many implications. It can be aimed to
hide the sluggish yellowish hue of some bases, or to fulfill the esthetic require-
ments for increased consumer attraction, or, finally, to temporarily color the skin
surface. Indeed, this task is surprisingly complicated and difficult. It is important for
chemists to not only understand the esthetics of color and its impact on consumer
perception, but also to be watchful for problems with color stability/compatibility
in formulations. They must be knowledgeable of the associated regulatory issues,
on a worldwide basis, too.
New chemists are often surprised that colorants are a separate and complex
step in a formulation process. As an introduction to colorants, this chapter will
describe the basic chemistry of these materials, the key regulatory issues associated
with the use of colorants and fundamental factors to consider when formulating.
Unless otherwise noted, specific regulations are based on the US code of Federal
Regulations. Readers are urged to review the CTFA International Color Handbook
for rules for specific regions. Other important norms to be taken into account when
exporting/importing product containing colors are issued by EU and Japan, just to
mention the most significant ones.
Colorants
History: For centuries—in an attempt to imitate the attractive plumage of
many animals—people have used a variety of natural materials, such as coal, chalk,
copper ore, henna, saffron, and other mineral and plant derivatives, to impart color
to the body. Until the 20th century, few limitations were placed on the types of
colorants that could be used in personal-care products or in foods. Such a lack of
legislation proved to be dangerous; many compounds that provided brilliant color
might contain toxic metal complexes. Near the turn of the century, a number of
illnesses and deaths in the United States were attributed to products formulated
with unsafe colorants used in foods.
This tragedy led to the passage of the Food and Drug Act of 1906, which estab-
lished a list of approved color additives. Restrictions for colors used in cosmetics were
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Creating Colorful Cosmetics Beginning Cosmetic Chemistry
added to this legislation in 1938 with the passage of the Food, Drug and Cosmetic
Act, a more comprehensive version of the law. This legislation required that each
individual batch of so-called “coal-tar” colorant must be confirmed as conforming to
the standards set forth in the law to be considered approved or “certified.”3 Despite
efforts to safeguard the public from unsafe colorants, in the early 1950s, several
children fell ill after eating foods that contained high levels of color additives. This
mishap resulted in the Color Additives Amendments of 1960, which allowed the
FDA to set use limitations on colors to ensure that harmful levels would not be
used. It resulted in requirements that color manufacturers provide thorough test
data (“certification”) indicating the safety of their individual batch of colorants. Such
safety concerns in the past 50 years have caused the number of approved colors to
dwindle. In 1959, 116 certifiable colors existed; in 2007, only 36.1,2
Today the debate continues about the safety of specific colorants. Indeed, color
additives are one of the most carefully scrutinized cosmetic ingredients worldwide.
This scrutiny is, in part, because of the chemical reactivity of these colorants, their
impurities, the extended and continuous human exposure through food, cosmetics
and drugs. Strangely enough, for some colorants, the leading international norms
have different views about their safety characteristics, so that quite striking dif-
ferences in purity parameters and acceptance criteria exist in the different part of
the cosmetic planet.3,4
of organic colorant meets or exceeds the FDA standards before it can be sold for
cosmetic, drug or food use. In EU and Japan, specific purity criteria exist, that must
be respected when using the color additives, but no batch certification is required by
specific labs. The CTFA International Color Handbook2 contains a comprehensive
list of the nomenclature of approved colorants in different countries.
• Iron oxides
Iron oxide ores are difficult to purify so their synthetic forms are more eco-
nomically acceptable. Those iron oxides used in cosmetics include the yellow
hydrated iron oxide, as well as brown, red and black iron oxides. Structural
differences among them reside in the combined water amount and in the
crystal shape and size. In black iron oxide, bivalent and trivalent iron atoms
coexist. Providing all the colors of rust, iron oxides are widely used to give all
skin-shades, when blended with titanium dioxide, a very white pigment.
• Carbon blacks
These pigments are black, as the name implies, and are useful in mascara
and eye-liner formulations. Carbon blacks are produced from carbon de-
posits burned onto an iron surface with a natural gas flame or by controlled
calcination of animal bones. Since they need batch certification, they have
been included in the synthetic organic colorant bundle6.
• Chromium oxide greens
Chromium oxide greens consist of anhydrous and hydrated Cr2O3, purified
by acid washings. Their hues are respectively olive-green and blue-green
• Ultramarines
Ultramarine colors are created by melting together sulfur, soda ash, china
clay and charcoal pitch. They are available in pink and blue.
• Bismuth oxychloride: is a white inorganic pearling agent7
• Metallic powders: Aluminum, copper and bronze are used for providing
metallic luster.
Other inorganic pigments include a light violet manganese complex (manga-
nese ammonium pyrophosphate) and the dark-blue ferric and ferric-ammonium
ferrocyanides.
A list of white or off-white powders, like talc, zinc oxide, kaoiln, mica, pyro-
phyllite and the like are also included in the colorant list, but their main use is as
extenders, fillers, skin adhesion, transparency, shine or flow promoters.
Inorganic pigments are not considered to have the same kinds of health risks
associated with the organic colors and, therefore, do not require certification in the
United States. Nevertheless both in the United States as in the EU and Japan1,2,3,4,
their purity criteria, concerning the toxic or allergenic heavy metal impurities have
to met specific set standards. Inorganic colors are not soluble, so their applications
are limited to the make-up category, as the majority of pigments.
Hues
Furthermore, inorganic pigments are not available in the range of hues that
the organics offer and their color tone is a lot less brilliant than that provided by
organic colorants8
See Table 15.2 for a partial list of inorganic pigments and other colorants that
do not require certification.
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Beginning Cosmetic Chemistry Chapter 15
FD&C Blue No. 1 Brilliant blue FCF, Food blue2, allowed in lip/Oral, Eyes,
External, Rinse-off products
D&C Blue No. 4 Alphazurine FG, allowed in External, Rinse-off products
D&C Brown No. 1 Resorcin brown, allowed in External, Rinse-off products
FD&C Green No. 3 Fast green FCF, food green 3, allowed in lip/Oral, External,
Rinse-off products
D&C Green No. 5 Alizarin cyanine green, allowed in lip/Oral, Eyes, External,
Rinse-off products
D&C Orange No. 5 Dibromofluoroescein, allowed in lip/Oral, External,
Rinse-off products, 5% max in lipsticks
D&C Red No. 6 Lithol rubin B, allowed in lip/Oral, External, Rinse-off
products
D&C Red No. 21 Tetrabromofluorescein, allowed in lip/Oral, External,
Rinse-off products
D&C Violet No. 2 Alizurol purple SS, allowed in External, Rinse-off products
Ext. D&C Yellow No. 7 Fluorescein, allowed in External, Rinse-off products
D&C Yellow No. 8 Uranine, allowed in External, Rinse-off products*
Mode of action
Pigments provide color to the products via reflection at their surface of a part
of the incoming light. The reflected color is the component of the light spectrum
that is not absorbed by the pigment surface; black pigment absorbs all the visible
spectrum. Therefore, their pigmenting force and hue in a product depends on their
aggregation state and amount of exposed surface (therefore, on particles dimension).
They are not transparent and provide temporary superficial colors to the skin by
adhesion mechanism provided by the make-up vehicle. Moreover, any chemical
modification of their surface can modify their shade and coloring strength9.
Soluble colorants impart color to solution by absorbing in a precise interval of
wavelengths, while the non absorbed light pass trough and hits the eye. They do
not affect transparency of solutions
Selecting Colorants
Most, but not all, cosmetic products have some type of colorant added, but it
can be difficult for formulating chemists to decide which one to use. Many factors
determine the appropriate colorant choice, including the regulatory status of the
colorant, the physical and chemical properties of the formula, the chemical stability
of the colorant, and, of course, the exact shade of color desired10.
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Creating Colorful Cosmetics Beginning Cosmetic Chemistry
Type of product: This first subdivision concerns the reason for coloring the
finished product. If is intended to impart temporarily color to the skin by adhesion,
product belongs to the make-up field and pigments must be used (soluble colorants
bleed onto the skin). In all other cases, a key factor to consider when selecting a
colorant is the time of permanence of the product onto the skin (rinse-off or leave-
on) and where on the body it will be used (application site). This information will
determine which regulatory class of color may be used.
Regulatory state: In the United States, precise limits exist so that synthetic
organic (certified) products intended to be applied near the eye or onto the lips
and around the oral cavity, must bear clear indications of allowed use in this areas,
that must literally appear (e.g. “approved for the eye area”) in the law1 or use in-
organics. Among the colors allowed in cosmetics (FD&C, D&C, Ext. D&C) the
last category is allowed only on eternal parts of the body, and not to the lips or any
part covered by mucous membrane. Cosmetics (and OTC drugs) that are used in
or around the oral cavity must use FD&C colors or specifically approved D&C
colors, because of the risk of incidental ingestion. Pearls, layered materials that
provide interference phenomena with visible light, may also represent an alterna-
tive way for using colored traces around the eyes. Four inorganic colors not allowed
are silver, henna, lead acetate, chlorophyllin-copper complex and bismuth citrate.
Certified organic colors that are approved in the United States for the eye area
are FD&C Yellow No.5 and its lakes, FD&C Blue No.1 and its lakes, FD&C Red
No.40 and its lakes, D&C Black No.2 and No.3 (for specific eye-area products)
and D&C Green No.5.
The chemist should also be aware that some certifiable colors have specific use
level limits. In general, the inorganic colorants may be used without restriction in
any of these products, but, for instance, ultramarines, chromium oxides and ferric
and ferric-ammonium ferrocyanides cannot be used in the lips area.
Table 15.3. Examples of inorganic colorants and other materials not requiring
certification but only compliance to CFR
*As an example, in Europe, specifications for Iron oxides require compliance with food grade
quality norms.
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Beginning Cosmetic Chemistry Chapter 15
Shades
One of the most basic considerations in color selection is the desired shade
of the product being formulated. Cosmetic products rely on color to promote a
certain image or convey a consumer concept.
In make-up products, such as eye shadow and lipstick, that image may require
that the product’s color to be continually updated to keep pace with the latest
fashion trends. This ongoing evolution of new and different product colors can be
a challenge for the formulator. When the chemist attempts to match the color of
another commercial product, the ingredient statement on that product may provide
a good starting point. But in make-up the color list is comprehensive of pigments
that are present in all shades (by the wording “may contain”. The specific certified
color name must be included in the ingredient statements for products marketed
in the United States for EU, specific purity criteria requirements and allowed body
area of use must be checked in the permitted colorant list of the European law.
Picking an inorganic pigment may be more difficult because the pigment name
(iron oxide, for example) may apply to several shades.. In the case where an ingre-
dient statement is not available or the chemist is not directly matching the color of
another cosmetic product, the formulator must rely on experience to judge which
colorants are most appropriate. A good eye for color and the patience to learn by trial
and error are valuable skills to have when color matching. Color chart collections
like the Pantone® or instruments like colorimeters or spectrophotometers could
be of help for precise matching and for “color communication” among different
company departments.
In all other products, the selection and dosage of colors is a lot easier, as today
the choice of available shades of soluble permitted colors is quite restrict. A mini-
mum of creativity is required to obtain specific hues by blending colorant. Generally
blends require a maximum of three soluble dyes.
Inorganic organic
dull brilliant
polar medium polarity
high concentration diluted on substrate
hard soft
pH stable * pH sensitive
light fast may discolor
high specific gravity low density
hard to micronize easy to micronize
difficult to wet with oils easily wet by oils
may equalize their skin distribution, as the adoption of adequate wetting agents11,
or the use of coated pigments.
References
1. Code of Federal Regulations, 21 CFR 74.
2. CTFA International Color Handbook, 4th ed., The Cosmetic, Toiletry, and Fragrance
Association, Inc., Washington (2007)
3. EU Official Gazette L97/1 (April 4th, 2006)
4. The Comprehensive Licensing Standards of Cosmetics by Categories, YAKUJI NIPPO,
LTD. Australia (1999)
5. T Mitsui, New Cosmetic Science, Elsevier, Amsterdam 370–405 (1997)
6. J Hollenberg, “Meet D&C Black no2: A New, Old Cosmetic Color Additive” Cosm Toil
120(4) 87–90 (2005)
7. Q Peng and M Tellefsen, Bismuth Oxychloride—“A Multifunctional Color Additive,”
Cosm Toil 118(9) 53–62 (2003)
8. E Desmarthon and M Seu-Salerno. “A Co-Precipitation Process for Inventing New
Lakes,” Cosm Toil 121(3) 105–14 (2006)
9. B Brewster, Pigments: Achieving the Effect, Cosm Toil 120 26–34 (2005)
10. Color Formulary Review, Cosm Toil 119 (6) 86–12 (2004)
11. L Rigano et al, A new approach to powder dispersion in Liquid Foundations
Proceedings, IFSCC Conference—Acapulco 239–57 (1997)
12. H Epstein H, Color Quality Control, Cosm Toil 111(3) 21–4 (1996)
13. E Desmarthon, Cream in Powder Form: A New Concept in Make-up, Cosm Toil 122(12)
70–6 (2007)
14. M Graziano and B Adhia, Metallic Pigments in Personal Care Applications, Cosm Toil
121(10) 63–72 (2006)
15. B Brewster, Reflecting on Soft Focus, Cosm Toil 118(9) 16–21 (2003)
16. T Tanaka et al., Development of a New Chiaro-scuro Make-up Product Using Mica
Coated with Titanium Lower Oxides, Proceedings of the X IFSCC Congress—Venezia
261–81 (1994)
17. M Medelnick, Color Variable Pigments, Proceedings of the XXI IFSCC Congress—
Berlin (2000))
Chapter 16
Pigments:
Achieving the Effect
A look at pigments and how they are achieving special effects.
I n the land of pigments, one can quickly arrive at the region of math and physics.
We will avoid that region but still manage to sample a few numbers and take a look
at pigments and how they are achieving special effects, like interference and pearl-
escence. New materials and new technologies are driving these effects. Regulatory
agencies are overseeing them. Market researchers are counting them. Consumers
are demanding them. And cosmetics are more varied because of them.
Let us first clarify that although the terms pigment and colorant are often used
interchangeably, they actually have different meanings, as explained by Sanjoy
Ganguly, industry manager, Cosmetic Americas, Sun Chemicals.
“Colorant truly carries a broader classification,” Ganguly says. “Colorant en-
compasses anything that imparts color to a substrate, including pigments and dyes.
Pigment, however, has a narrower definition and relates to an insoluble organic and
inorganic molecule that is physically and chemically unaffected by its vehicle.”
The Market
In July 2005, The Freedonia Group issued a report1 showing pigment demand
by type for the US cosmetics and toiletries industry (and other industries) in 2004
with projections through 2014. Freedonia breaks pigments into three types:
• Organic. These are complex molecules whose long chemical names are usually
expressed instead as a color, a shade, and the regulatory approval status—such
as D&C Red No. 6. Organic pigments may be water-soluble, oil-soluble, or
insoluble. The insoluble form (a dye precipitated on an insoluble substrate)
is known as a lake, such as D&C Red No. 6 Barium Lake. The carbon blacks
are also organic pigments.
• Inorganic. Inorganic pigments are composed of insoluble metallic compounds,
such as iron oxides, chromium oxides, titanium dioxide, ultramarines, and
ferric ammonium ferrocyanide.
• Special effect. These pigments are intended to achieve interactive visual ef-
fects supplementary to the basic color. They use materials such as synthetic
fluorphlogopite, guanine, bismuth oxychloride, and mica. Some popular effects
are described as pearlescence, interference, and color travel.
159
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Pigments: Achieving the Effect Beginning Cosmetic Chemistry
The Effects
The effects of pigments have been described in numerous publications, and
are summarized here from several sources.2–4
Conventional organic and inorganic pigments are considered absorption pig-
ments because they absorb certain wavelengths of the incident white light. The
phenomenon of color is produced by scattering of the remaining unabsorbed com-
ponent of the formerly white light. For these particles the effect is independent
of geometry.
Metallic pigments consist of tiny flat pieces of aluminum, copper, gold, zinc,
and other metals that reflect light the way a mirror does. Zinc is approved as a
cosmetic colorant only when alloyed with copper. Gold is approved in Europe and
Japan but not in the United States as a cosmetic colorant. For metallic pigments,
the effect depends on the viewing angle.
Interference pigments (including pearlescent pigments) are typically composed
of thin, translucent platelets coated with metal oxides, such as titanium dioxide
and/or iron oxide. White light striking the surface of these pigments is refracted,
reflected and scattered by the layers that make up the pigment. Through a super-
imposition (or interference) of the reflected rays of light, a changing play of color
is created, with the most intense color seen at the angle of reflection. The colors
produced by interference are dependent on the angle of observation and the angle
of illumination.
Phil Linz notes that absorption effects and interference effects can be combined.
For example, absorption colors can be added to a mica-based pigment coated with
TiO2. “If carmine is added and the interference color is red, a red pigment would
result; but if that same system were changed slightly so that the TiO2 layer were
slightly thicker and now gives a blue interference, the combination of the blue
interference and the red carmine mass tone would give a purple pigment,” Linz
said. “The other important parameter in these pigments is particle (lateral) size of
the mica substrate; larger pigments give more sparkly, more transparent effects;
smaller particles give more opacity and more of a silky/satiny effect.”
The Pigments
Let’s look at some interesting pigments mentioned in the Freedonia report. Here
we’ll focus on effects pigments from Eckart Cosmetic Colours LLC (Painesville,
Ohio USA), Engelhard Corporation (Iselin, NJ USA), and the Rona Business Unit
of EMD Chemicals Incorporated (Hawthorne, NY USA). Also mentioned was Sun
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Pigments: Achieving the Effect Beginning Cosmetic Chemistry
SunPURO Launched
Sun Chemical has launched the SunPUROe product line with a series of
synthetic yellow, red, and black iron oxides. The line is said to be universally
compliant. Its colors far exceed existing regulatory specifications in the United
States, Europe, and Japan.
Sun Chemical manufactures these colorants using meticulously controlled
processes to ensure their high purity, low metal content, and small particle
size, according to the company’s Web site.
Other pigment products available from Sun Chemical include SunCRO-
MAe organic and inorganic pigments, SunSHINEe pearlescent pigments
composed of TiO2-coated synthetic fluorphlogopite, and SynMICA functional
filler composed of synthetic mica.
e
SunCROMA and SunPURO are trademarks of Sun Chemical. SunSHINE is a registered
trademark of Sun Chemical.
Visionaire line of metallic pigments comes in nine shades, which are achieved
by the natural color of the metals: a silver shade from aluminum; a cinnamon
shade from copper; and three shades of bronze based on varying the percentages
of copper and zinc in the bronze alloy. The copper and bronze shades are further
processed to yield an additional four shades.
Engelhard borosilicate Reflecks pigment: In March 2005, Engelhard in-
troduced four new colors. Three are in the Reflecksb Colors family. The fourth
is Twinkles of Turquoise, a unique blue-green iridescent pigment in Englehard’s
Reflecks line of iridescent and pearlescent borosilicate-based pigments that re-
portedly takes effect-enhancing pigments to new levels of chroma, color purity,
brightness, transparency, and reflectivity. These pigments are said to be especially
dramatic in transparent formulas such as gels and clear sticks.
Borosilicate, the substrate in these Reflecks pigments, is chemically stable
glass containing essentially calcium borosilicate and sodium borosilicate (Table
16.2). The designated INCI name for this material is calcium sodium borosilicate.
The unique effects of the Reflecks effect pigments are attributed to their cleaner
substrate and their unique morphology.
Ingredient % wt/wt
SiO2 65-72
Al2O3 1-7
CaO 4-11
MgO 0-5
B2O3 0-8
ZnO 0-6
R2O (Na2O + K2O) 9-17
all of the TiO2-coated borosilicate pigment particles have a uniform color, while the
TiO2-coated mica pigment particles consist of a range of colors,” Uzunian wrote.
In addition, mica and borosilicate differ in terms of their reflectance spectra.
Uzunian studied the reflectance spectra for pearl mica pigments at the 0° specu-
lar angle on micas of four different thicknesses (0–600 nm). He found that each
thickness of mica produced a different interference color. Borosilicate pigment
substrates are typically thicker. In a similar study on borosilicates of five different
thicknesses (3000–5000 nm) he found that there is no interference phenomenon
for the light penetrating through the borosilicate substrate.
In summation, borosilicate pigments provide color, luster, and hiding power
that are different from other effect pigments. They are stable in both alkaline and
acidic environments, and in common solvents and aqueous systems. Borosilicate’s
advantages mean that many other companies are using this material. For instance,
EMD Chemicals launched its Ronastarc calcium-aluminum-borosilicate-base Silver
White pigment in 2003. It is described as a sparking pigment, particle size 20-200
µm, with multicolor effect. Other shades (gold, blue, and copper), prepared on the
Ronastar platform, are now available, with more expected soon.
However, Martha Graziano points out that mica-based pearls are likely to be
around a long time. “Borosilicate-based technology does provide a new look, but
the cost is roughly 10 times the cost of mica-based pearls—which realistically can-
not be economical in many formulations,” Graziano said.
EMD Chemicals Timiron Splendid pigments: Now let’s spend a few minutes
with Phil Linz as he describes the multilayer technology5,6 used by EMD Chemi-
cals to make their Timirond Spendid interference pigments, a line of six pigments
launched in 1999. The same technology is used in the company’s Xironae line of
currently six effect pigments launched in 2002.
“The ordinary classic interference pigment is composed of a layer of mica
coated with a layer of TiO2. The color is developed in the same way that color is
developed in an oil slick on water. There’s a thin film of TiO2; some of the light hit-
ting that surface is transmitted, some is refracted, and some is reflected. Because
of this selective reflection, and by determining the thickness of that layer, you can
generate an interference color of green or gold or red or whatever. That’s roughly
the technology of the 1960s.
“In the last five to seven years we learned that if you put another layer of silica
on top of that TiO2 and then you put another layer of TiO2, there are more surfaces
to reflect and there are more chances for the light to be intensified.
“So the classic interference color is OK, and we will sell products with that, but
clearly the newer multilayer pigments will give you much more brilliance, much
more color intensity than a monolayer pigment.
“That was the initial thrust. But then our researchers said, “What if we change
the thickness of the silica layer?’ If light comes in at a shorter angle, it comes out at
a correspondingly shorter angle. Because the reflected light depends on wavelength
and the path length the light is traveling, you’ll get a color at the short angle. But
if light comes in at a wider angle, you’ll also have a reflection at that wider angle
but it will have a much longer path length and the effect will be that it will reflect
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Beginning Cosmetic Chemistry Chapter 16
a different color. That’s what our color travel pigments are about: one pigment
giving multicolored effects. And again, it comes out of the same basic multilayered
technology.
“So basically we’ve gone in two directions with our multilayer pigments. The first
phase was simply making a stronger interference pigment. The second phase was
color travel, where you can create a pigment that looks purple at 1 viewing angle
and green at another. It’s the same technology, but a variation on the theme.
“What’s next? Basically, in all these systems you’re dealing with a substrate that
is coated in some way, usually with a cosmetically acceptable metal oxide. We’ve
prepared materials with various substrates (mica, silica, alumina, and borosilicate);
other substrates may yet find their way into commercial use. And methods of coating,
or even coating materials, may yet be improved, to give more uniform reflection,
therefore higher brilliance.
“Who’s doing it? Look at any list of pigment companies. We’re all doing it!”
References
1. P Prokop, Pigments: Inorganic, Organic & Specialty, The Freedonia Group, Inc.
Cleveland USA (Jul 29, 2005)
2. C Weingrod, Three-Dimensional color, available at http://www.danielsmith.com/learn/
inksmith/200211/ (accessed Aug 10, 2005)
3. G Uzunian, B Aucar and L Song, Borosilicate-based effect pigments, undated article
in Cosmetics & Toiletries Manufacture Worldwide; also available at www.ctmw.com/
articles2004/ctmw%20Engelhard.pdf
4. L-P Sung, ME Nadal, P Stutzman and ME McKnight, Characterization of coating
microstructure using laser scanning confocal microscopy, available at http://slp.nist.
gov/appearance/acs_aug2000.pdf (accessed Aug 1, 2005)
5. P Linz, Formulation approaches to interference pigments, Cosmet Toil 116(2) 61–66
(2001)
6. P Linz and Q Peng, Color-Travel cosmetic pigments: Interference to the max, Cosmet
Toil 118(12) 63–70 (2003)
Chapter 17
Background
The physiological function of hair on humans is insignificant compared to its
psychological significance. Humans place great social value on the color, texture,
shape and appearance of hair. The properties that are prized vary from time to time
and culture to culture, but what remains constant is that people generally want their
hair to be different in some regard than it exists in its natural state. This very basic
desire to alter the appearance of the hair has resulted in the need for many different
procedures and processes for safely altering the hair. Providing the desired color,
tint, texture, straightness, and other cosmetically appealing properties to the hair
while avoiding damaging the hair and causing irritation of safety issues to the hair
is a key challenge to the cosmetic chemist and the topic of this chapter.
During formal education, chemists are taught how to control chemical reac-
tions. In making the transition from academia to the cosmetic industry, chemists
may be surprised to find that reactions are generally undesirable in personal care
products because they may well have negative effects associated with the reaction.
Unwanted reactions in a cosmetic product may interfere with its stability and, even
more important, the wrong reaction could have dangerous side effects on hair and
skin. Most of the procedures and processes carried out by the cosmetic chemist do
not include reactive processes. Wetting, foaming, conditioning, and emulsification
performed on the hair are physical processes caused by selection of the proper
molecule added to the formulation.
Nonetheless, reaction chemistry does play an important role in at least one major
category of personal care products. These products are intentionally designed to
cause reactions that have beneficial effects on hair: relaxers, permanent-waving
products and oxidative hair colors. This chapter introduces this class of reactive
hair care products and their chemistry.
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The Science of Reactive Hair Care Products Beginning Cosmetic Chemistry
A. Permanent Waving
In the interest of fashion, a wide variety of changes are made to hair in its
natural state to provide properties that are of interest. The first to be addressed is
shape. Almost an unlimited amount of curl can be placed into, or removed from
the hair. It is desirable to style hair into attractive configurations and to have it hold
its shape for an extended period of time. Shaping hair (providing it with wave),
has been practiced for centuries in one form or another.1 In the early 1900s, wav-
ing was accomplished by heating hair with cumbersome and dangerous electrical
devices.2 During the past 50 years, cosmetic science has developed increasingly
effective chemical techniques to impart a lasting wave or curl to hair. This process
is known as permanent waving or perming. The adjective “permanent” is a bit of a
misnomer because the wave only affects existing hair at the time of treatment; as
new hair grows out of the scalp, it will grow in its original, unwaved configuration.
Permanent-wave products are available in different forms known as acid, cold or
neutral waves. The technology employed in these products is based primarily on
two types of chemicals: thioglycolates and bisulfites.
Before beginning the discussion of how permanent waves work, it should be
understood by the reader that the science of reactive hair care products is very
involved and that this chapter is meant only as an introduction for the uninitiated
chemist. A number of technical articles describe these processes in detail.3,4,5 To
understand the basics of permanent waving, it is important to realize that hair is
composed of helical protein structures. Protein structures are made up of amino
acids linked in a peptide bond. The sequence of the amino acids is referred to as
primary structure. This structure cannot be modified without destroying the hair.
However, what can be modified is the interaction of sulfur rich amino acids. These
amino acids can bond with each other and form crosslinked protein polymers by
sulfur-sulfur bonds. This reaction results in a structure to the protein that alters
the shape of the hair. The structure of hair showing the sulfur-sulfur interaction is
shown in Table 17.1.
These bonds are responsible for hair’s structure, and they can be disrupted by
certain reducing reactions. (An experienced chemist will note that this explanation
is a simplified version of what is, in reality, a very complex process.)6
As previously noted, the most common reducing agents are thioglycolic acid
derivatives and bisulfite. These chemicals are used more than any others because
they have the best history of efficacy and have been the workhorses of the perma-
nent wave industry since the 1940s. Highly effective permanent-waving solutions
can be formulated by combining these reactive agents with other ingredients to
control pH and viscosity.
The process: The first step in the perming process is to physically rearrange the
original configuration of the hair on curlers or rods. The size of the rod determines
the size of the curl. Before rolling hair onto the plastic rods, thin sheets of tissue
paper, known as “end wraps,” are used to cover the ends of the hair. These end
wraps help the hair hold the proper configuration and protect the fragile ends by
absorbing excess perming solution.
When all the plastic rollers are in place, apply the perming solution and work
into the hair. During this stage of the process, the sulfur–sulfur bonds of the hair
break. The length of time required for this stage depends on a number of factors,
including the strength of the perm solution, the degree to which the hair will be
restructured and the condition of the hair. During this processing step, the hair is
plasticized as the disulfide bonds controlling its original structure are disrupted.
Some types of perming products require the use of heat from a hair dryer to ac-
celerate the reaction.
After a set amount of time, the hair is rinsed with water to stop the reducing
action. Next, a neutralizing solution is added to oxidize the protein residues. This
oxidation step relinks the sulfur-sulfur bonds. However, because the hair has been
stretched and curled on plastic rods, the newly rearranged disulfide bonds hold the
hair in a curled arrangement even after removing the plastic rods.
Achieving a good permanent wave depends on proper control of the reduction
and oxidation reaction kinetics so hair is not under- or over-processed. A detailed
discussion of protein reaction kinetics is beyond the scope of this chapter but
several excellent references are provided for the technically ravenous reader.7 It is
important for the chemist to understand that the perming process causes significant
damage to hair because of the breakage of the bonds and the swelling that ensues.
This swelling action results from exposure to the highly alkaline materials and can
cause significant cross-sectional or lateral damage. Damage can also occur when
treating improperly wrapped hair with a reducing solution.
Permanent wave formulations: In general, perms contain a number of ingredi-
ent classes (Table 17.2).6
These ingredients are formulated into three general types of perms: alkaline,
acid and bisulfite. Alkaline perms, also known as cold waves, use thioglycolic acid
as the active. This name may seem like a misnomer, but the name is derived from
the final pH of the product. Alkaline perms typically have a pH greater than 9.
Borish gives examples of commercial products in each of these categories.8 He also
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The Science of Reactive Hair Care Products Beginning Cosmetic Chemistry
EQUATION 17.1
Because of this salt formation, it is difficult to react the sulfo groups to reform
all of the disulfide bonds, and, therefore, bisulfite perms can leave hair physically
weaker and with a softer, less stable perm. Still, these formulations are popular in
the marketplace because they are less aggressive and can be used at a lower pH.
B. Hair Relaxers
Another process commonly used on the hair is “referred to as relaxing hair”.
“Relaxing” is the name given to the reactive process used to straighten excessively
curly hair. This process is typically used on African hair, which is significantly curlier
than Caucasian or Asian hair. This curliness is the result of the unique structure
of African hair, which is more elliptical and varies more in diameter. These factors
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Beginning Cosmetic Chemistry Chapter 17
produce hair shafts that are extremely twisted or kinked.9 For fashion reasons, or
simply for manageability, some desire to make this type of hair less curly or even to
straighten it. Straightening can be done mechanically by pressing the hair with hot
implements or chemically by breaking the bonds in the hair with reactive products.
The latter method is the topic of this discussion.
Relaxers work in a manner similar to permanent waves: They rely on reactive
chemicals to break amino-acid-based sulfur bonds, thereby allowing the structure
of hair to be rearranged. The process of hair straightening is also known as lanthi-
onization, which refers to the conversion of the amino acid, cystine to the amino
acid, lanthionine.
In very general terms, there are two key differences between relaxing and waving
hair. First, because the relaxing process is intended to straighten hair, it does not
require hair to be wrapped on to rods or curlers. Second, relaxing tends to break
more bonds than perming. Accordingly, the chemistry of relaxers is somewhat dif-
ferent than the thioglycolate/bisulfite waving systems described above. Relaxers
are commonly based on metal hydroxides (such as ammonium hydroxide, sodium
hydroxide, lithium hydroxide or guanadine hydroxide.) These agents react more
aggressively with the hair than the perming solutions. Having said this, we also note
that some mild relaxers are, indeed, based on ammonium thioglycolate.
The procedure for a relaxer treatment is as follows: first, the hair is divided into
sections to simplify application. A thin layer of protective processing cream (typi-
cally petroleum jelly) is then applied to the hairline, ears and ends of the hair. This
hydrophobic layer shields skin from a harsh reaction from the aqueous solution.
The ends of the hair should also be protected from absorbing too much solution
and being over-processed.
After taking precautionary measures, the hair is parted equally and the cream
relaxer is brushed on section by section. The hair is then smoothed with the back of
a comb until achieving the desired straightness. Processing time varies from 10–20
minutes depending on hair type, condition and degree of straightening required.
Care must be taken not to leave the relaxer on too long or considerable hair dam-
age, such as breakage and scalp irritation, may occur. The relaxer cream is then
rinsed off with warm to very warm water. Good rinsing is critical to ensure that
the reactive agents have been completely removed; otherwise, additional damage
to hair and scalp could occur.
Some relaxers do not require a separate oxidation step. However, it is common
to shampoo the hair with a neutralizing shampoo immediately after relaxing. This
shampoo/rinse cycle removes relaxer cream and neutralizes excess alkalinity.10 In
addition, the neutralizing shampoo ameliorates the effects of the highly alkaline
treatment. The result is that the bonds of the hair are locked into their newly
straightened configuration. Most relaxers require an additional conditioning step to
help offset the damage caused by the reactive process. As with perms, the relaxing
process only lasts until new hair growth occurs.
Relaxer formulations: Since the 1950s, the market has seen the introduction
of a variety of formulations. These formulas are primarily based on three key com-
ponents: water-soluble/water-dispersible alkaline agent, oil phase and water phase. 11
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The Science of Reactive Hair Care Products Beginning Cosmetic Chemistry
They all contain materials, such as petrolatum or mineral oil to help protect the
scalp, or fatty alcohols to thicken the product and emulsifiers that are alkali-stable.
The various types differ by the type of alkaline agent employed. Lye relaxers con-
tain between 1.85–2.4% sodium hydroxide, depending on the strength required.
“No Lye” relaxers are formulated with guanadine hydroxide and are significantly
less irritating than the sodium type. Because of its inherent instability, guanadine
hydroxide must be formed in situ by mixing calcium hydroxide with guanadine car-
bonate. These components must be separate until the product is ready to be used.
Some brands claim to be “No Lye” and “No Mix;” these capitalize on the common
use of the term “lye” to apply only to sodium or potassium hydroxide (they are, in
fact, based on lithium hydroxide). Relaxers can also be formulated with different
specialty ingredients such as conditioning agents.
3. Hair Bleaching
Another process that uses reactive chemistry to change the hair is bleaching.
When hair is bleached the natural color is destroyed either partially, resulting in
lighter color hair, or entirely, resulting in blonde hair, devoid of color bodies. The
color bodies that exist in hair are melanin particles embedded in the cortex. The
color observed is dictated by the type, size, shape, distribution and concentration
of particles in the hair. Since, natural pigment exist inside the cortex the color
changing effect of bleaching must occur after penetration both cuticle and cortex.
This penetration causes damage, which does not repair. For this reason frequent
bleaching is a problem. Hydrogen peroxide under alkaline conditions is effective
in bleaching hair. The addition of persulfate dramatically improves the efficient of
hydrogen peroxide on hair.
The color of hair is measured by level shown in Table 17.3. Generally bleaching
will lighten the hair about 2 levels. Very aggressive bleaching will lighten by 4–6
levels, but much more damage is done to the hair in the process.
Level 1 Black
Level 2 Dark brown
Level 3 Medium brown
Level 4 Light brown
Level 5 Lightest brown
Level 6 Dark Blonde
Level 7 Medium blonde
Level 8 Light blonde
Level 9 Very light blonde
Level 10 Lightest blonde
Level 11 Extermely blonde
Level 12 Ultra light blonde
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Beginning Cosmetic Chemistry Chapter 17
is applied to a small patch of skin, the inside of the elbow, for example. Patch test-
ing may need to be done 24 hours before the coloring treatment is to take place.
A small curl of hair should be tested, too, before application to the entire hair to
assess tone of color and timing of contact.
After testing has shown no problems, the actual coloring process can begin.
First, the peroxide and the tint are mixed together in the applicator bottle. The hair
is partitioned and the tint is applied from the scalp to the porous ends. The hair is
left alone for 10–20 minutes while the reaction proceeds. During the last five or 10
minutes, the solution is spread toward the ends to even the color. The hair is then
rinsed and shampooed to remove excess color and halt the reaction.
The degree of color imparted to the hair depends on the concentrations of dye
and peroxide, processing conditions, even the condition of the hair at the time of
application. Also note that these coloring and bleaching processes are inherently
damaging to hair because some of the protein bonds are destroyed by the oxida-
tion/reduction reactions. Hair should not be color-processed for several weeks after
perming to avoid compounding this damage. Likewise, hair should not be colored
before perming as the perm process will physically remove some color, and it could
chemically alter the color.
Permanent hair color formulations: Permanent dye formulations consist
of two components that are separate until the product is ready to be applied. The
first component contains the oxidative dye precursors that are typically aromatic
p-diamines or p-aminophenols, such as p-phenylene diamine. These colorless pre-
cursors react to form dye intermediates, which, in turn, react with dye couplers to
produce color. The dye couplers include such materials as resorcinol, 1-napthol, and
hydroquinone. Formulations may contain five or more dye precursors or couplers,
so many reactions may occur at the same time.
Clarence R. Robbins gives an excellent discussion of oxidation reactions. He
notes the active intermediates react “with resorcinol to form polyindophenols and
trinuclear dyes, with m-diamines to form indamines, with m-aminophenols to form
indamines; and with naphthol and hydroquinone to form indophenols.”13
An alkali is used as part of the dye base to swell the hair and enhance penetra-
tion of the dye precursors. In addition, this portion of the formula may include
solvents, surfactants, thickeners and metal chelating agents. The second formula
component contains hydrogen peroxide and stabilizing agents. The two compo-
nents are mixed together just before use to initiate the reactions that will form the
permanent dyes.
When formulating hair coloring products, regulatory and toxicological consid-
erations are extremely important. These issues are not discussed in detail in this
chapter, but the formulator working in this area should be aware of the safety con-
cerns. The concerns include minor short-term effects, such as contact dermatitis.
Sensitization caused by these reactive products can lead to itching and redness. In
addition, concerns about the long-term systemic effects of these materials persist
because several aromatic diamines test positive as mutagens in the Ames test.11
Therefore, any dye products for hair coloring are scrutinized to ensure they pres-
ent no risk. For example, after the US Food and Drug Administration determined
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Beginning Cosmetic Chemistry Chapter 17
that a product containing the dye 2,4-diamino anisole must include a cancer warn-
ing label, the industry removed this ingredient from formulations.11 This example
shows how the cosmetic industry is responsive to safety issues, not only for reactive
products, but for personal care products in general.
Conclusions
This chapter was intended to introduce some very basic concepts to the cos-
metic chemist about a very complicated group of reactive processes applied to hair.
The processes are complicated not only by the raw materials used, but also the
methods of application and the duration of application. It is our recommendation
that before any of the information is used to begin formulation of the products
discussed in this chapter, the chemist consult various text books and literature with
more extensive information.
The processes that are described here are used in a $2 billion annual market
for the United States and a $7 billion annual market worldwide. Consumers are
likely to demand continued improvement in both ease of use and final results
obtained when the products are used. This allows creative cosmetic chemists the
opportunity to improve products.
References
1. AE Lee, JB Bozza, S Huff and R de la Mettrie, Permanent Waves: An Overview Cosm
& Toil 105 37–66 (1988)
2. W Edman, Current cold wave formulations, Soap Cosm Chem Spec (9) 42 (1979)
3. MG De Navarre, The Chemistry and Manufacture of Cosmetics, Van Nostrand, New
York, 471–481 (1941)
4. ML Garcia, EM Nadgorny, LJ Wolfram, Phsiochemical changes in hair during waving J
Soc Cosm Chem 41 149-151 (1990)
5. J Nothen, V Bollert, G Blankenburg and H Hocker The influence of the osmotic
swelling behavior on the quality of the permanent wave. Proceedings of the 16th
IFSCC International Congress, New York (1990)
6. ET Borish, Hair Waving, Hair and Hair Care, Marcell Dekker, New York191–215 (1997)
7. P Busch et al, Testing Permanent Waves, Cosm & Toil 111(4) 41 (1996)
8. US Patent 3,864,476 Bisulfite Permanent Waving, issued Feb. 4, 1975
9. 10 AN Syed, et al, African-American Hair, Cosm & Toil 110 (10) 39 (1995)
10. A Syed, “Ethnic hair care products.” In Hair and Hair Care, Marcel Dekker, New York
235 (1997)
11. P Obukowho, et al, Hair Curl Relaxers, Cosm & Toil 110(10) 65 (1995)
12. KC Brown, Hair coloring Hair and Hair Care, Marcel Dekker, New York, 192 (1997)
13. CR Robbins, Chemical and Physical Behavior of Human Hair 2nd ed, Springer-Verlag,
176 (1988)
Chapter 18
W illiam Shakespeare once wrote, “A rose by any other name would smell as
sweet.” But had he been a cosmetic scientist instead of a playwright, Shake-
speare might have asked, How does fragrance make a personal care product smell
as sweet as a rose? To answer this question, the formulator must understand the
basic principles of fragrances and how they are employed in personal care prod-
ucts. This chapter introduces the beginner to fragrance chemistry and how these
compounds are used in formulations.
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The Essence of Fragrance Beginning Cosmetic Chemistry
Fragrance Vocabulary
Before understanding fragrance chemistry it is helpful to understand
some of the terminology used to describe fragrances. Some key terms are
defined below.
Accord: A combination of several fragrance notes used as a backbone
around which the rest of the fragrance is built.
Balanced: A fragrance whose components have been so carefully blend-
ed together that no single aromatic body or effect is readily identifiable.
Body: Containing complex overtones and “color;” a fragrance lacking
body is considered to smell “thin.”
Character: The distinct impression the fragrance gives (fruity, floral,
green, etc.)
Diffusion: The degree to which a fragrance radiates from the product or
from the user after application of the product.
Essential oil: A volatile oil obtained from a specific botanical; typically
smells reminiscent of the parent plant or flower.
IFRA: The International Fragrance Association, a non-profit organization
that issues recommendations on the limitations of fragrance ingredients
based on safety data.
Lift: The impact of a fragrance. Highly diffusive fragrances exhibit good
lift.
Strength: The relative intensity of a fragrance impression.
Synthetic: Either derived from natural products or manufactured from
coal tar derivatives and other chemicals. Synthetics may be of a more uniform
quality than their naturally derived counterparts.
Volatility: The degree to which a component freely diffuses into the
atmosphere.
Building a fragrance: Once the creative direction and the guidelines have
been established the perfumer can begin work. Utilizing years of experience and
training, perfumers literally build the fragrance from a seemingly endless list of
raw materials. The structure of a fragrance is analogous to a pyramid, with the base
being larger than the top.
Like the upper tip of a pyramid, the top notes of the fragrance are the smallest
part. The top notes make up 15–25% of the fragrance, and these notes are those you
smell when you first open the bottle or use the product. They’re usually fresh and
sparkling; they give the fragrance immediate appeal, but they disappear quickly.
The notes that make up the middle section are about 30–40% of the total fra-
grance and they become noticeable after the top notes have faded. The middle
notes are the heart of the fragrance and are typically made up of a complex blend
of flowery notes.
The “base” of a fragrance is made of ingredients known as “bottom notes” that
comprise approximately 40–55% of the fragrance. These bottom notes tend to be
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The Essence of Fragrance Beginning Cosmetic Chemistry
long-lasting and less volatile, so they constitute the final stage of the fragrance and
don’t appear until it dries down.
Compatibility issues: One issue that can arise when using a new fragrance is
compatibility between formula and fragrance. This incompatibility is not surprising
because fragrances are primarily oily compounds and most formulas are water-based
or emulsions. Fortunately, most cosmetics contain a good amount of surfactant so
fragrances can sometimes be added straight to the formula with no problems.
However, when an incompatibility occurs, a nonionic solubilizing surfactant can
be used; the most common of which are the polysorbates and the oleths. When using
these materials, the fragrance is first mixed into the surfactant before adding to the
final batch. The premix should be sufficiently blended to ensure solubilization.
When using certain nonionic surfactants such as oleth-20, the solubilizer may
need to be heated to make it liquid and easier to use. The amount of solubilizer
needed will vary depending on the formulation. A good starting guide is to use
about three to four times the amount of solubilizer to fragrance. Trial and error
may be needed to find the optimal level.
Effect on viscosity: Since the fragrance generally makes up a small amount of
the total formula, it may seem odd that fragrance can have a significant impact on
viscosity. But it often makes the formula either thinner or thicker, and it will not be
evident which way it will go. This change in viscosity is because fragrances are oily
materials that can affect the surfactant phase and micelle size in the formulation.
One way to deal with this problem is to make viscosity adjustments after the
fragrance has been added. For example, when making a shampoo, salt can be with-
held and added after the fragrance. A salt versus viscosity curve can be created with
the fragranced formula. In formulas that do not have built-in viscosity controls, like
skin creams and conditioners, the levels of thickeners may have to be adjusted to
compensate for the fragrance effect.
Another solution is to give the fragrance house some non-fragranced formula
base and have the fragrance reformulated to better work with the base.
Effect on appearance: Fragrances can affect the appearance of the formula,
often making the product turn yellow or turning clear products like gels hazy. Fra-
grances can also lead to formula destabilization and separation and they can make
an emulsion grainy or even pearlize over time.
Adding the fragrance: Fragrances are typically added at the end of the
formulation process during the cooling phase. Adding them early can have
negative consequences because the more volatile components of the fragrance
will evaporate off when heat is added to the system. Ultimately, the formula
will not smell as expected. The fragrance should be added to the oil phase of
a multiple phase system if heating isn’t required.
Product Stability
Fragrances are reactive because they are made up of organic compounds that
contain reactive groups such as ketones, aldehydes, esters, amides and alkynes.
Fragrance stability testing is helpful to determine formula compatibility. Test-
ing should include storage under conditions of high heat and intense lighting.
Increased heat can drive potential chemical reactions that will change the odor
of a formula. Heat can also increase the amount of fragrance that is lost due to
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Beginning Cosmetic Chemistry Chapter 18
the volatility of the compounds. Exposure to light can also have an effect on the
fragrance stability, making the formula turn yellow or smell bad.
If the product is contained in a plastic bottle, it is possible for the fragrance to
migrate into the plastic thus changing the odor of the formula. This problem is why
it is also important to determine stability in the final package.
One solution to problems with heat stability is to incorporate an antioxidant
in the formula. Antioxidants selectively react with free radicals neutralizing
their ability to react with fragrance ingredients. This neutralizing action can
help quench some of the potentially undesired reactions. In the case of light
stability, some help can be obtained by incorporating an ultraviolet filter such
as benzophenone, but this approach is usually inadequate. In cases where a
fragrance is sensitive to light, an opaque package should be used.
4-Phenyl-3-buten-2-one
3,6,10-Trimethyl-3,5,9-undecatrien-2-one
Verbena (Lippia citriodora Kunth.) essential oils and derivatives, e.g., concrete
and absolute
None of the legislation has yet been officially approved, but it is coming. It
is likely that companies will soon be required to list these compounds on their
cosmetics ingredient lists. Many large companies have already begun including
allergens on their lists of ingredients.
Conclusion
While the regulatory environment is making fragrance development more chal-
lenging, perfumers continue to produce unique offerings that can make personal
care products stand out. Even though the number of usable compounds is shrinking,
the creativity of perfumers and formulators has, so far, been able to compensate. In
the future, more odiferous ingredients may be discovered, developed and subse-
quently regulated away, but new fragrances will undoubtedly linger.
Common “Scents”
Fragrance in Personal Care
Products
A basic review of aromatic material sources and the
fundamental considerations involved in formulating and
evaluating fragrances.
P ersonal care products are designed to satisfy certain consumer needs. Some of
their ingredients perform specific physical functions, such as skin cleansing or
hair conditioning. Others play more subjective roles in helping the product achieve
consumer satisfaction.
Fragrance is an important part of cosmetic formulations because of the psy-
chological effect it can have. In fact, it often determines a new product’s success
or failure. Therefore, it is vital that formulating chemists learn how and why
fragrances are chosen. It is also important to have a general understanding of the
chemical nature of fragrance raw materials because they often interact—negatively
or positively—with formulations.
Masking Odors
Fragrances are used primarily to change the smell of cosmetic products. This
function is important because many raw materials have an inherently unpleasant
odor that may be detectable in finished products.
Anyone who has smelled a permanent hair-waving product, for example, can
attest to this. In this case, the malodorous culprit is either ammonium thioglycolate
or another thiol compound that breaks the disulfide bonds in hair.
Other raw materials prone to odor problems include:
• Certain quaternized nitrogen compounds, or quats, commonly used in hair-
conditioning products.
• Proteins used in a wide range of personal care products.
• Fats and waxes, surfactants, emulsifiers, and thickeners, used in many skin-
and hair-care products.
• High ethanol concentrations in products like hair sprays.
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Common “Scents” Fragrance in Personal Care Products Beginning Cosmetic Chemistry
Influencing Purchases
The psychological role of fragrance is subtle but real; fragrance has proven
impact on consumer purchase and intent. Consumer reactions to a product are not
based solely on that product’s technical performance but also on subjective factors,
such as the product’s look, feel and smell. If consumers are given two shampoo
formulas that differ only in the fragrance, they will subconsciously prefer the one
whose fragrance they find more pleasing.
Furthermore, consumers infer certain benefits from a product’s fragrance; spe-
cific fragrances can be associated with better performance—even though laboratory
data shows that fragrance has no measurable effect on performance.
For example, consumers in the United States tend to believe that products
fragranced with certain citrus notes have superior cleaning ability. Chemists
must consider this subjective response to fragrance when formulating consumer
products.
Fragrance shapes perception primarily in three ways: by supporting product
functionality, by reinforcing certain imagery and by drawing attention to specific
ingredients.
Implied functionality: Although most consumers don’t consciously realize it,
smell can actually signal something about a product’s functionality. For example,
a “serious” product, such as a dandruff shampoo, may be fragranced to smell
slightly medicinal instead of overly floral or cosmetic. Such a scent suggests that
the product effectively does what it is supposed to do. Similarly, a baby shampoo
may be softly scented to reinforce the impression that it is gentle and won’t sting
children’s eyes.
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Beginning Cosmetic Chemistry Chapter 19
Actual Functionality
In addition to psychological effects, fragrances can have real physical uses in a
formula. For example, it is well documented that certain fragrance oils, including
thyme oil, have antimicrobial properties. Such properties may be useful in anti-
bacterial products, such as deodorants, or as a supplement to a product’s preser-
vative system. Other fragrance ingredients are purported to have insect-repellent
properties.
Some evidence even suggests that some fragrances directly affect human be-
havior, such as promoting relaxation or reducing stress. Such claims are historically
the basis of aromatherapy. The fragrance industry favors the term “aromascience”
to describe the temporary effects on emotions or physical performance delivered
through the olfactory system.
Creating Fragrances
Since fragrances have such a strong influence on consumer perception, formu-
lators must select them with care. Most personal care manufacturers do not make
their own fragrances. Instead, fragrances are created by specialty suppliers, known
as fragrance vendors or “houses.” The perfumers and fragrance chemists employed
by these vendors formulate fragrances from component raw materials in a process
analogous to the way a composer builds a piece of music from individual notes.
The process is also much like the one cosmetic chemists use to formulate personal
care products. Both are concerned with performance, stability, cost and safety, and
both delicately balance creative artistry with technical expertise.
Fragrance briefs: To create successful fragrances, perfumers require certain
key information from the product formulator, typically relayed in the form of a
“fragrance brief.” While no industry standard exists for such a document, it typi-
cally includes:
• product description (specific ingredients, physical form and so forth),
• brand image (premium, economy, mass market or drug store)
• special attributes or claims,
• demographics (who will be the target consumer), and
• anticipated competitive products.
Particulars regarding cost, packaging, stability requirements and project com-
pletion time constraints are also important considerations to be addressed. Since
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Common “Scents” Fragrance in Personal Care Products Beginning Cosmetic Chemistry
creating a fragrance is very subjective, several fragrance houses may be given the
same brief and asked to submit samples.
Upon receiving the brief, a perfumer may elect to propose a stock fragrance
that has been previously developed. Most vendors have a large library of such
fragrances for a variety of products.
If a stock fragrance is unsuitable for whatever reason, the perfumer may have
to create a completely new fragrance. This process may take anywhere from a few
weeks to a few months, depending upon the complexity and limitations of the
request. The perfumer’s job is to create a fragrance that satisfies all the conditions
specified in the brief. To accomplish this task, perfumers must rely on their extensive
knowledge of fragrance raw materials.
known as “concrete,” which contains essential oil and some waxes, glycerides and
other similar materials. Volatile solvent extraction is typically used to obtain flower
oils that cannot be isolated through steam or water distillation.
Concretes can be further processed to create absolutes by removing the waxes,
glycerides and other materials. This process involves dissolving the concrete in
alcohol, chilling, and then removing the insoluble material. Concretes and abso-
lutes include jasmine, rose oil, ylang ylang oil, orange blossom (neroli), lavender,
narcissus and oakmoss.
Resinoids: In addition to essential oils, certain plants also produce resins that
can be extracted to produce resinoids. Since these materials have low volatility,
they are used as fragrance fixatives. Fixatives help a fragrance last longer because
they are thought to reduce the volatility of other perfume ingredients. Important
resin types include:
• Gums, which are resinous materials, are usually obtained by boiling the
bark, twigs or leaves of trees and shrubs in water. Consequently, the most
important gums are water-insoluble. Examples include labdanum, olibanum,
opoponax and myrrh, which are used in soap fragrancing.
• Balsams, which are similar to gums except they contain cinnamic and/or
benzoic acids and their derivatives, produce warm, spicy scents. Examples
include balsam tolu, copaiba balsam and Siam benzoin, which is used to
fragrance nail polishes.
Fragrance Chemistry
Chemically speaking, a fragrance is best described as a complex mixture
of ingredients specifically blended to produce specific scents. The chemicals
responsible for the aromatic character of a fragrance can be divided into
three broad categories: terpenoids, aliphatics and benzenoids.
Terpenoids: During the early days of organic chemistry, volatile plant
components were found to have a carbon content in multiples of five (C10, C15,
C20 and so forth). Because many of the earliest known of these compounds
were isolated from oil of turpentine, they became known as “terpenes;” de-
rivatives, including alcohols, aldehydes and esters, are called “terpenoids.”
Terpenoid molecular structure appears to be based on a five-carbon
unit, known as “isoprene.” Different numbers of these molecular units,
creating open and closed rings and levels of oxidation, produces terpenoid
compounds with different scents. These include trans or cis citral, which
smell like lemongrass; linalool, a primary component of lavender; menthol;
and camphor.
Aliphatics: Aliphatic compounds are straight-chain organic chemicals.
Remember from your organic chemistry lab that some, such as acetone,
have strong, distinct scents. Aliphatics are important because they currently
comprise a major portion of modern fragrances. Classified by their molecular
structure, they include the following:
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Common “Scents” Fragrance in Personal Care Products Beginning Cosmetic Chemistry
Fragrance Formulation
Once perfumers have determined the basic ingredients they will use, they must
combine them in the appropriate proportions. The pioneers of perfumery formu-
lated primarily by trial and error, mixing materials together until they discovered
a pleasant combination.
Over time, they developed a more systematic, scientific approach, based on
the volatility of fragrant materials. In this method, a fragrance is described by its’
top, middle and bottom notes.
Notes: The top note, made of the most volatile materials, is the first ele-
ment smelled when a fragrance is applied. Citrus notes are common top-note
ingredients.
The middle note, or body of a fragrance, is composed of somewhat less volatile
material. These components come more into play after the top notes have dissipated.
Floral scents, such as violet or tuberose, are typical middle notes. The bottom, or
base, note is made from the least volatile materials. Examples include musk scents,
woods and vanillins. This portion is the longest lasting of the fragrance.
In recent years, fragrance suppliers have developed a new technology that
allows them to create fragrances that closely match the aroma of living flowers.
Generically known as “head-space analysis,” this technology analyzes gases in the
air above a living flower to synthetically match a flower’s true scent.
Fragrance Testing
Before submitting their creations, perfumers typically conduct a series of
evaluations. At this stage, the formulator of the personal care product will often
provide the perfumer with an unfragranced product base. The fragrance house
can then perform instrumental analysis, physical product testing and subjective
consumer evaluations.
Instrumental evaluations, such as gas chromatographic or infrared analysis, may
help establish fragrance quality. Physical product testing, such as emulsion stability
testing, ensures that fragrance components do not adversely affect the product,
such as causing separation or discoloration. Conversely, it is important to note that
a product can cause the fragrance to deteriorate, as with high pH formulations that
may be difficult to perfume.
Consumer testing: Subjective evaluations by selected groups of consumers may
also establish whether a fragrance properly masks a product’s base odor and creates
the impressions desired. One way to obtain such information is by “mall intercept
testing,” in which samples are shown to a relatively large number of people (typically
about 50) who fit the consumer profile specified by the formulator. Their responses
provide the perfumer with information on the fragrance’s performance.
Ideal consumer evaluations are done under actual-use conditions. Thus, many
fragrance vendors have specially designed test rooms to mimic the conditions under
which consumers actually smell the fragrance; soap may best be evaluated in a small
shower chamber where the fragrance can interact with warm water.
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Common “Scents” Fragrance in Personal Care Products Beginning Cosmetic Chemistry
When a fragrance has successfully passed all of these tests, a perfumer can have
some degree of confidence that the fragrance and product are working together
properly. The fragrance may then be submitted to a product-development chemist
for further evaluation.
Further Evaluation
Upon receiving fragrance submissions, the formulating chemist determines if
they meet the project requirements. This determination is no small task since a
large number of fragrances may be submitted. While some companies work with
a small number of houses or their own in-house perfumers, others may deal with
a relatively large number of outside houses—as many as eight or 10. If each house
submits multiple fragrances, the total number of samples can be great.
Steps and samples: The evaluation process involves several steps. First, it helps
to determine how well the submissions fit the general profile. For example, those
submissions not meeting cost considerations may be eliminated. Similarly, if the
brief specifies that single-fruit notes should not be included, yet one submission
smells like a strong green apple, the formulator may reject it.
Once the formulator has screened the submissions to a manageable number,
samples of the actual product must be made with the appropriate amounts of fra-
grance. These samples are also evaluated for general acceptance by the product
manufacturer and may be tested to ensure that the fragrance does not negatively
interact with the base.
Finally, some form of consumer evaluation is, once again, helpful to determine
fragrance suitability. To facilitate this process, many companies use employee panels
to screen fragrances. Larger consumer studies may also be conducted to determine
which fragrance best supports the product.
Ultimate fragrance selection is often done in conjunction with other members
of the product-development team, such as the marketing departent. It is wise to
select a backup fragrance in case problems arise with the first choice.
Stability testing: Once a fragrance has been selected, more detailed investi-
gations can take place. For example, stability testing of the fragrance in the actual
product base is a critical step. Whenever possible, testing should be performed
in the final packaging, including caps and labels. Although fragrance houses often
conduct their own (cursory) stability testing, formulators should conduct their own
(more detailed) evaluations. Stability testing at higher temperatures can provide
information about long-term fragrance stability quickly.
An industry rule-of-thumb roughly equates eight weeks at 45°C to one year at
room temperature. In other words, if the fragrance still smells good after exposure
to high temperature and the product shows no significant defects, such as discolor-
ation or separation, the fragrance and the product base are probably compatible.
If negative effects arise, the fragrance house may be asked to revise the fragrance
and correct the problem. If the suitability of the final fragrances is eventually con-
firmed, the product can be produced for the marketplace. Consumers then decide
for themselves if the formulator has done a good job in fragrancing the product.
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Beginning Cosmetic Chemistry Chapter 19
Conclusion
At first glance, fragrance looks like a simple material that adds esthetic appeal
to a product. Closer inspection shows it to be a complex mixture of chemicals that
demands the close attention of the formulator. The global marketplace has placed
increased emphasis on the technical and regulatory aspects of fragrance. The Green
Movement has also complicated the presence of fragrance in certified products.
With challenges come new solutions, and surely the fragrance industry will evolve
to enable us to continue to add value and pleasure to personal care products.
Recommended Reading
F Buccellato, “Art and Science of Fragrance in Functional Products,” Cosm
& Toil 99(4) (1984)
S Herman, Fragrance Applications: A Survival Guide, Allured Publishing,
Carol Stream, IL (2001)
SJ Jellinek, Use of Fragrance in Consumer Products, John Wiley & Sons, New
York (1975)
J Knowlton and S Pierce, “Perfumery.” In: Handbook of Cosmetic Science and
Technology, 1st ed, Elsevier Science Publishers Oxford
A Kozlowski, ed, Fragrance for Personal Care, Allured Publishing, Carol
Stream, IL (2007)
J Proter, Fragrancing Functional Products, Cosm & Toil 6 (1991)
DH Pybus and CH Sell, “The Chemistry of Fragrances”, RSC (1999)
DJ Rowe, Chemistry and Technology of Flavors and Fragrances, Blackwell
Publishing, (2003)
WH Schmitt and DF Williams, eds, Chemistry and Technology of the Cosmetic
and Toiletries Industry, Blackie Acad and Prof, New York 8 (1992)
A Schnuch et al., Sensitization to 26 fragrances to be labelled according to cur-
rent European regulation, Contact Dermatitis: 57:1–10 (2007)
S Shiffman, New Frontiers in Fragrance Use, Cosm & Toil 6 (1992)
A Vidal, An introduction to perfume technology, Cosm & Toil Manufacturers
Worldwide, Aston Publishing Group, Hertfordshire (1995)
B Willis, Flavor and Fragrances and Functional Ingredients, Perf & Flav 18
(1993)
Chapter 20
Microorganisms and
Personal Care Products
A review of biological contaminants and the chemical
preservatives inhibiting their growth.
I n the time it takes you to read the next few pages, you will encounter millions
of tiny, alien-like creatures. No, this isn’t science fiction, it’s about microorgan-
isms and how they can affect personal care products. These strange creatures are
bacteria, molds and yeasts that hover in the air you breathe, rest on the things you
touch, even live on your skin. Usually, they do not cause problems for cosmetic
chemists. However, if enough of them get into product batches, they may cause
trouble. Further all governemnts require cosmetics to be safe during their normal
and foreseeable use. If these can grow in your product due to inadequate preserva-
tion, they can cause harm to the consumer.
What are these creatures? How do they get into our products? What happens
when they do? Most important, perhaps, is how can we control them? We will
discuss these microorganisms in the general environment, how they can contami-
nate personal care products, their growth and how we can protect against such
contamination.
Microorganism Classification
These microscopic creatures cannot be classified as strictly animals or plants
but according to their cellular structure. Biologists categorize those with a simple,
unorganized nucleus as prokaryotes, members of the kingdom monera. Others
with a well-defined cellular nucleus are eukaryotes—Greek for “true nucleus”—
and belong to the kingdom protista. Certain eukaryotes, like fungi, are grouped
separately in the kingdom mycetae. The main types of microorganisms affecting
personal care products are bacteria, yeasts and molds.
Bacteria: Bacteria are single-cell prokaryotes whose cell walls are, for the
most part, well-defined. They range from 0.5–10 µm in size and exist in a variety
of shapes, such as spherical (coccus), rod-shaped (bacillus), spiral (spirillum) and
comma-shaped (vibrio). Bacteria, which reproduce by cellular division, are classi-
fied as gram-negative or gram-positive, based on their ability to absorb and retain
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a certain type of staining dye named after Dr. Hans Christian Gram, a Danish
bacteriologist who made this discovery, hence the use of “G”.
Yeasts: Yeasts are unicellular fungi that metabolize carbohydrates by fermenta-
tion. Larger than bacteria, they replicate by either a budding process or cell division.
Most cosmetics are hostile to yeast.
Molds: Molds, another subset of fungi, belong to the more advanced class of
eukaryotes. They can be either unicellular or multicellular and range from 1 µm to
several centimeters in size. Molds are often, but not always, aerobic and reproduce
asexually by branching.
Product Contamination
Usually, low levels of microbial contamination are inevitable and do not pose
a significant threat to carefully formulated products. However, unchecked micro-
bial growth can cause spoilage and other problems. Although most products are
designed to deal with a certain microbial level, they are not disinfectants and can
be overwhelmed. Thus, it helps to limit a product’s exposure to contamination.
Microbes can infiltrate personal care products in several ways:
• Transference to the batch during manufacture from processing equipment
or raw materials.
• Post-manufacture introduction to the product from contact with dirty storage
vessels or packaging.
• Entering a product as a result of consumer usage.
Equipment contamination: Contamination from manufacturing equipment
can occur not only in the production tank, but also in any of the piping and transfer
vessels used to produce the batch. Microorganisms in the form of spores may lay
dormant in nooks and crannies, waiting for the nutrients they need to grow. Be-
cause plastic frequently has ridges and rough surfaces, special care must be taken
with tubing and storage vessels made of this material. However, even the most
thorough sanitization techniques may not adequately eradicate this accumulation
of microorganisms, known as a “biofilm.”
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Beginning Cosmetic Chemistry Chapter 20
Preservatives
Because the product is likely to be exposed to some contamination, it is wise
to provide some built-in resistance to microbial growth. To inhibit the growth of
residual organisms and prevent the growth of any further contamination the product
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Microorganisms and Personal Care Products Beginning Cosmetic Chemistry
Parabens
Currently, the most common preservatives
in the industry are parabens, which are alkyl
esters of p-hydroxybenzoic acid (Figure 20.1).
Parabens were first used as drug preservatives
in 1924 and have been permitted as food pre-
servatives for more than 50 years. They are
prepared primarily by reacting the desired
alcohol—methyl, ethyl and so forth—with
p-hydroxybenzoic acid in the presence of an
Figure 20.1. General chemical
acid catalyst, such as sulfuric acid. Parabens are
structure of paraben esters
typically supplied as small, crystals or powders, (R is a methyl, ethyl, propyl or
either colorless or white. They have limited butyl group)
water solubility, which decreases as molecular
weight increases.
Paraben activity: Paraben antimicrobial activity comes from its interaction
with key metabolic pathways in target organisms, which is affected in various ways
by many raw materials. For instance, antimicrobial activity is enhanced by either
ethylene diamine tetraacetic acid salts (EDTA), which weaken the cell wall to al-
low penetration of the paraben, or propylene glycol that helps solubilize it. Some
factors affecting paraben activity include the amount of oil present, the pH of the
final product, and certain materials, such as nonionic surfactants.
Paraben characteristics: Parabens have many characteristics that make them
ideal preservatives in personal care products:
• minor negative side effects on finished products because they are essentially
colorless, odorless and stable;
• effective against a broad spectrum of microorganisms, including most fungi
and gram-positive bacteria;
• low cost relative to the amount used; and
• generally regarded as safe with low toxicity and accepted for use in most
countries.
Unfortunately, parabens also have limitations, including ineffectiveness in
some systems, limited pH effectiveness, and low activity against certain bacteria—
particularly Pseudomonas. Because of these limitations, other preservatives are used
in conjunction with parabens. Finally parabens have been under attack based on
faulty science, which has resulted in consumers believing that parabens are bad
for them and want products formulated with other preservatives or even free of
all preservatives.
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Formaldehyde
After parabens, the most widely used
chemical preservatives are formaldehyde de-
rivatives (Figure 20.2), which are active over
a broad spectrum of bacteria and fungi. Their
effectiveness is a result of their ability to cause Figure 20.2.
Formaldehyde structure
irreversible folding of membrane proteins by
forming methylene bridges between amino
acids. Formaldehyde derivatives are compatible with most surfactants but incom-
patible with ammonium salts, proteins, heavy metal salts and hydrogen peroxide.
Although formaldehyde has been used for many years in shampoos, condition-
ers and other rinse-off products, its safety remains questioned. Some studies have
shown the anhydrous gas to be a carcinogen in rats. However this gas reacts almost
irreversibly with water to form methylene glycol, which has not been shown to be
carcinogenic. Also, it is extremely volatile and its vapors may cause irritation in the
mucous membranes. Its primary use in cosmetics today is as a nail hardener,
not as a preservative.
Formaldehyde donors: Other compounds, known as formaldehyde donors
and other aldehyde derivatives, were developed to provide most of the benefits
of formaldehyde without its negative side effects. They may release formaldehyde
when placed in an aqueous solution, and have many advantages over straight form-
aldehyde, including less irritating vapor, lower toxicity and better compatibility with
more raw materials. Common formaldehyde donors include DMDM hydantoin,
quaternium-15, diazolidinyl urea, sodium hydroxymethyl glycinate and imidazolidinyl
urea. It should be noted that the last compound may or may not be considered a
formaldehyde donor, depending on the test methods used to analyze them.
Formaldehyde donors are relatively inexpensive yet highly effective against bac-
teria and fungi. Although many countries allow their use in personal care products,
concerns over formaldehyde toxicity have had an impact on their acceptance. In
Japan and some other countries, their use is restricted.
Phenol Derivatives
Phenols have been used as biocides since the late 19th century. These com-
pounds contain at least one benzene ring substituted with an alkyl or aryl group.
Most phenols are barely water soluble and used at levels below 2%.
Phenols inactivate bacteria in two ways, depending on their concentration. They
can associate with bacterial cell walls, thereby disturbing cell biological activity and
preventing reproduction. In higher concentrations, they cause irreversible leakage of
materials through the cell wall. Many phenols, including chloroxylenol and thymol,
are effective against bacteria and fungi but find limited use because of their odor.
Phenoxyethanol, the most extensively used phenolic derivative in personal care
products, is particularly effective against gram-negative bacteria and is frequently
used as a solvent for parabens.
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Microorganisms and Personal Care Products Beginning Cosmetic Chemistry
Quaternary Compounds
Certain quaternary compounds,
or “quats,” have antimicrobial ac-
tivity. These molecules are surfac-
tants with at least one quaternized
nitrogen group (Figure 20.3). In
general, quats have a benzyl group, Figure 20.3. General chemical structure
are present in salt form, are soluble of quaternary compounds (R, R1, R2 and
in water and used at levels of 0.5% R3 represent short chain hydrocarbon
or lower. groups and X– is a Cl– or Br- ion)
The exact mode by which quats
destroy microbes is unknown. Since they possess a positive charge, they are probably
attracted to the negatively charged cell walls and somehow interfere with natural
biological processes. Benzalkonium chloride is effective against bacteria, particularly
gram-positive ones. Benzethonium chloride is more effective against fungi and
algae. Methene ammonium chloride is active against the broadest spectrum, killing
bacteria, molds and yeasts. Solubility in water makes them good preservatives for
water-based formulations. However, they are cationic, so most are incompatible
with anionic surfactants. They show the best activity above a pH of 7.
Alcohols
Certain alcohol groups are commonly employed for their antimicrobial proper-
ties. These include ethanol, benzyl alcohol, chlorobutanol, dichlorobenzyl alcohol
and phenethyl alcohol. Although propylene glycol is technically a diol, it is also
classified in this preservative group. Alcohol antimicrobial activity may be a result
of an interaction with the cell wall, where they may induce cellular destruction by
increasing cell wall permeability, causing vital materials to leak out.
Alcohol effectiveness: Alcohol preservatives are most effective against bac-
teria but have limited activity against fungi. Alcohol effectiveness as a preservative
generally depends on the specific type and concentration of the material used. For
example, neither ethanol nor propylene glycol are effective as preservatives unless
used at levels above 15%. Significantly lower amounts of benzyl alcohol (1–3%) and
chlorobutanol (0.5% maximum) are required. Alcohols are generally more effective
in acid pHs. As with parabens, their antimicrobial activity is negatively affected by
the presence of certain surfactants.
Organic Compounds
Many organic compounds exhibit antimicrobial activity. These include organic
acids and their salts, such as benzoic acid, sorbic acid, sodium benzoate and potassium
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Beginning Cosmetic Chemistry Chapter 20
sorbate. They are mostly active against molds and yeasts, showing only minimal ef-
fectiveness against bacteria. The mechanism by which organic acids and their salts
prevent microbial growth requires undissociated acid molecules to interact with
the cell wall. Thus, pH is a major limitation, with optimal effectiveness in acidic
pHs. Salts are used for ease of incorporating the preservative and the pH is than
lowered to release the free acid.
Effective organic mixture: Another important organic preservative is a mixture
of 5-chloro-2-methyl-4-isothiazoline-3-one and 2-methyl-4-isothiazoline-3-one.
This mixture is widely used in personal care products, providing effective control
of bacterial and fungal growth. Its maximum use levels are—7.5 ppm for leave-on
products and 15 ppm for rinse-off applications—and remains active over a pH range
of 2–9. It is compatible with most surfactants but can be inactivated by materials,
such as bleach and amines, sulfites or a high pH. Although some studies suggest
that this mixture causes sensitization, it is generally considered safe for product
use at recommended levels. The 2-methyl-4-isothiazoline-3-one is now sold alone
and is active against bacteria.
Additional Reading
A Balows, et al, Manual of Clinical Microbiology, 5th ed, American Society of
Microbiologists, Washington, DC (1991)
MS Balsam and E Sagarin (Eds.), Cosmetics Science and Technology, John
Wiley & Sons, New York (1974)
Cosmetic Preservatives Encyclopedia Antimicrobials, Cosm Toil 105(3) 49–60
(1990)
Donald, Orth and S Marcel, Handbook of Cosmetic Microbiology, Marcel
Dekker, Inc., NY (1993)
J J Kabara (Ed.), Cosmetic and Drug Preservation: Principles and Practice,
Marcel Dekker Inc., NY (1984)
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Microorganisms and Personal Care Products Beginning Cosmetic Chemistry
Chapter 21
Lab Notebooks:
The “Write” Stuff
Successful record-keeping can separate a mediocre scientist
from a great chemist.
The Tool
Although the physical structure of the book is important, what really matters
is the “write” stuff that you put inside. This section will focus on what kind of in-
formation to include as well as what not to include, how to deal with mistakes, and
what to do with a completed notebook.
The lab notebook is as important a tool as the pH meter, mixer, viscometer,
or any other piece of laboratory equipment. It allows you to record data, repeat
experiments, retrieve information and document ideas. Ideally, the lab notebook
is utilized as an effective method to record information which is important to this
industry: observations of empirical properties, such as viscosity, pH, color and odor;
and how such properties vary as changes are made to a product. The notebook is
invaluable for ensuring that, if necessary, a colleague will be able to continue your
work.
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Lab Notebooks: The “Write Stuff” Beginning Cosmetic Chemistry
Certainly, one of the best reasons to make good use of your notebook is to make
things easier on yourself. Rest assured that at some point, your boss will ask you for
some piece of information that you long ago decided was trivial. If your habit was
to scratch this type of information down on a legal pad, you can bet your Maison
G deNavarre Award (the cosmetic industry/IFSCC equivalent of a Nobel Prize)
that you will never find that particular piece of paper again. A properly held lab
notebook can be an easily traceable repository for all your recorded data.
Aside from the requests to produce trivia, you may actually need to reproduce
some of your own experiments, too. A detailed notebook is, again, invaluable in
this regard. In the case of cosmetic science, much of the investigative work takes
the form of repeated batch preparation with small variations in raw materials or
manufacturing procedures. Apparently insignificant changes in processing tem-
peratures or order of addition of raw materials can drastically alter the outcome of
your final product. How can you track these seemingly endless variations? Write
them down!
In fact, much of what you do in the lab should be written/recorded in your
notebook. Even that germ of an idea you have had for that new product should
be recorded. Recording and dating your thoughts ensures a permanent record of
them. In that sense, lab notebooks are like the police: they serve and protect. The
ideas you save may relate to new product development, or to refinement of existing
analytical methods or manufacturing procedures; however, in either case, your note-
book serves as an excellent place to keep a record of invention. Since the granting
of patents often hinges upon the date of “discovery,” recording each new concept
and each step of the new invention can provide your company with the legal legs
it needs to stand on in the event of litigation. Of course, you should consult your
supervisor(s) for company procedures regarding patent protection; however, lab
notebooks are considered appropriate legal documents in all legal cases. Therefore,
lab notebooks must be treated with a certain amount of respect.
Finally, having all your information in one place can be helpful to visualize pat-
terns in data and make connections which might have otherwise gone unnoticed
(remember Pierre).
What to include: Almost any piece of information relevant to your work is
acceptable for inclusion in your book. Many of the rules you learned in school
regarding academic notebooks apply to the industrial book, too. You should begin
with an Objective statement at the top of the page. This statement is followed by a
description of the Procedure employed in the experiment. This description should
include details of the formulation and batching, including processing times and
temperatures; and identification of raw materials, including CTFA names, trade
names and supplier lot numbers. The Results of your experiment should be care-
fully detailed. Such results may take the form of simple observations or complex
data tables. Of course, your Conclusions should be duly noted and future actions
recommended.
One of the most important things to remember is to honestly record data if it
is to be of any use to you in the future. A lab notebook that does not contain an
honest reflection of observations is useless.
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Beginning Cosmetic Chemistry Chapter 21
What not to include: What not to enter may be nearly as important as what
to enter. Nonrelevant information, such as phone messages and stock reports,
are forbidden! Only data regarding the experiments at hand or other information
related to the project should be written down—remember, these notebooks are
legal documents. Furthermore, pasted-in results, such as analysis charts and copies
of memos do not belong in a well-kept notebook. One reason is simple common
sense: if you refer to data from a chart glued to page 17 and that attachment falls
out, the data is lost. In a strict legal sense, such attachments are not considered
admissible evidence, just as the unattested blank pages are not, and they could
damage the strength of your company’s argument if the notebook is ever called
into court as evidence.
Obviously, illegible entries are bad form. Your notebook does not have to be
the neatest piece of artwork you have ever created. However, it certainly must be
legible, if it is to have any value. Any mistakes should be crossed out with a single
line (use of liquid paper is punishable by death) and a brief explanation noted next
to it. By the same token, use of pencil is considered a cardinal sin (from both a
permanence and legal standpoint). Black ink is preferred; blue or red is problem-
atic because it does not copy well (which is important when microfiching books
for long-term storage).
When a page is finished, do not leave any large blank areas. Fill up the space by
drawing a line through empty areas to prevent subsequent addition to, or tamper-
ing with, data. As mentioned above, you should avoid recording important data on
blank pages. These pages are not numbered and are not equipped for witnessing.
Use them for scratch calculations or doodling only.
opportunity to include much, much more. For example, ELNs can incorporate data
from other software systems that provide chemical structure drawing, structure
and sub-structure searching, compound registration, and so on.
While still far from perfect, ELNs are becoming increasingly important in a
world that relies on rapid dissemination of electronic information. While ELNs can
provide gains in productivity and better management of scientific knowledge, they
also raise concerns about legal and compliance issues, cost, security of data storage,
and how easily scientists will adapt to a new way of record keeping.
In broad terms, two types of ELNs are available to choose from: discipline-
specific and generic. The generic type is built on software that provides the structure
and tools to create and search content in a way that satisfies the needs of almost
any science-related industry. Discipline-specific ELNs are custom designed for
a particular speciality such as chemistry, biology or analytical. Many commercial
ELNs offer a combination of these two approaches.
As your organization is considering moving to ELNs you’ll have to carefully
consider cost. Determining return on investment of ELNs is more complicated
than just evaluating the cost of the software. In addition to thinking about the cost
of purchasing and archiving paper notebooks, you have to factor in the cost of
the time scientists spend hand writing, and cutting and pasting data. The cost of
time associated with the passing around hard copies to be witnessed must also be
calculated. And while the start-up costs are high for ELNs, adding new users and
additional storage space is much more modest.
Benefits of ELNs
• Time savings (some companies have experienced approximately 10–15%
reduction in time spent in data entry. Therefore, scientists can spend more
time in the laboratory
• Information is easier to store, search, retrieve, and share.
• Efficiency is increased by eliminating paper
• The need to repeat experiments is reduced
• Improved data quality (better legibility)
• Better transition of information when people join/leave the Company
• Increased collaboration through on-line use in meetings
• Ability link to instrument data
Notebook format
Just as with every other laboratory tool, lab notebooks come in many styles.
However, the various types of notebooks have certain universal characteristics
involving book structure and format. Nearly all books include an index (or table of
contents) and various individual page elements that identify what was done, when,
how, why, as well as who was involved with the work.
Paper notebooks follow a basic arrangement: they consist of either 100 or
200 bound pages, which are printed with a grid-style format. It is common for
the 200-page book to have the grid printed on both sides of the page; but, in the
smaller version, the back side of each page is left blank. This blank area is useful
for scratch calculations. However, since this blank page lacks a designated space
for legal signature, neither data nor other significant information should ever be
recorded there.
The front of the book contains a section to be used as an index or table of
contents which, when the book is completed, should list each item in the book
by page number. This list can be a simple chronological listing of each page. Or,
pages related to specific projects can be grouped together to facilitate tracking the
progress of your work. Such an index can be compiled while you are working in
the book or after its completion. In either case, when the index is entered into a
database, this information simplifies data retrieval.
Page format
The most basic elements of the book are designed to identify the work done,
help track the work and ensure that the data will be legally recognized.
Notice the first of these items across the top of each page—the four-digit
Notebook Number. It is imprinted on the notebook spine and stamped on each
individual page. This fingerprint uniquely identifies each lab notebook. This number,
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Beginning Cosmetic Chemistry Chapter 21
along with the page number, will become your trail of bread crumbs, enabling you
or your colleagues to retrace the work you have done on any project.
Notebooks also have a space to indicate when the work is Continued From
so that you can note the most recent page that contains information on the same
project. If this particular page is the first place the project appears it should be
indicated accordingly (i.e., Start of Project).
The top line also includes a blank for the Title. It should give the reader some
inkling as to what is going to happen on this page. This spot is a good place to
include the project name.
In most lab notebooks, the page format also includes a Project Number, which
provides you with an additional way to track projects. This number may be important
for internal bookkeeping, and it can help when you assemble the index. Format for
this number will vary according to your companyís procedures.
The body of the page, where the actual data will be entered, is marked by a
grid. Avoid writing outside of the margins to ensure that none of the entry is lost
if the page is photocopied or microfiched.
At the bottom of the page, in the Invented By/Signed By section, you will be
asked for your autograph. This section is important for legal reasons. Furthermore,
the work you do must be Witnessed By and signed by another individual. Some
companies prefer that a manager witness and sign lab notes; others allow a signature
from another chemist. Consult with your supervisor regarding specifics of notebook
witnessing at your company. Finally, the bottom of the page also has a Continued
To space to designate the page number where this work is continued.
Conclusion
Although the future will bring more advanced methods of information storage,
you still must take responsibility for entering your data properly. If not, you take
the risk of reducing the value of your work or, as the old adage states, “garbage in/
garbage out.” Just ask Pierre LeMonnier.
Further Reading
Writing the Laboratory Notebook, Howard M. Kanare, An American Chemical
Society Publication
Why Innovation Fails, Carl Franklin, Spiro Press
The Myth of the Paperless Office, Abigail J. Sellen and Richard H. R.Harper,
The MIT Press
Laboratory Notebook Guidelines: www.bookfactory.com/, BookFactory, LLC,
2302 S. Edwin C. Moses Blvd, Dayton, OH 45408
Websites
Atrium Research: www.atriumresearch.com
CENSA, The Collaborative Electronic Notebook Systems Association:
www.censa.org
phaseFour Informatics: www.phasefour-informatics.com
Scientific Computing World: www.scientific-computing.com
Chapter 22
Laboratory Notebooks:
Valuable Indicators of
Intellectual Property
Laboratory notebooks are important corporate records that
should clearly show tests performed in the lab, materials used
and when they were used. They can provide essential evidence
to the Patent Office in the event that questions of patent
rights arise.
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Lab Notebooks: Valuable Indicators of Intellectual Property Beginning Cosmetic Chemistry
Evidence Preservation
Up until Dec. 31, 1995, evidence preservation programs were not needeed in
countries having a first-to-file system because non-US applicants could not use
work performed outside of the United States to prove priority. Such applicants
were limited to claiming priority based on the filing date of their foreign applica-
tions filed in countries that were members of reciprocal treaties with the United
States.2 Records of research activities taking place outside the United States and
dated before Jan. 1, 1996, still cannot be used to prove inventorship during US
Interference proceedings.
Now, however, a party can prove inventorship based on research activities in
laboratories outside the United States, so long as records were dated and activi-
ties were performed on or after Jan. 1, 1996. This change in US law has raised the
importance of earnestly and diligently keeping laboratory records even in non-US-
based corporations and offshore divisions/subsidiaries of US corporations; if written
records were not routinely kept in these non-US-based facilities in the past, their
use should be implemented now to take full advantage of the US law. Policies for
keeping proper notebooks and diaries and for archiving of the notebook should be
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Beginning Cosmetic Chemistry Chapter 22
Diligence in Recordkeeping
Even if the issue of inventorship fortuitously escapes being the subject of an
Interference proceeding, diligence in keeping good records, especially in a labora-
tory notebook or diary, can be important, among other things, for:
• Resolving internal disputes of inventorship in a research and development
facility.
• Proving the in-house origin of proprietary formulas, processes, and trade
secrets.
• Supporting the reproducibility of experimental data.
• Establishing priority rights to patents.
• Supporting the validity of patentable inventions.
• Providing detailed invention disclosures to patent counsel during the prepa-
ration of patent applications.
• Providing support for the defense of patents in court.
• Confirming the accuracy of data in articles reporting research.
• Avoiding accusations of misappropriation of trade secrets.
• Avoiding accusations of research negligence or academic misconduct.
• Avoiding accusations of alteration or fraud
If an individual or an organization does not have policy guidelines for what
should or should not be entered in notebooks, advice from legal counsel, preferably
a patent attorney, is suggested. In addition, a number of publications are available
that describe proper laboratory notebook keeping, and some of them are listed in
the Reference section of this chapter.3–10
Notebook Guidelines
In general, all references agree that:
• Laboratory notebooks preferably should be bound books with sequentially
numbered pages.
• Entries should be made in ink and not pencil.
• Entries should be dated in chronological sequence.
• Blank portions of the pages should have a line drawn through them to indicate
no further entry was made.
• Each page of entries should be signed by the person entering the data on a
frequent, preferably daily, basis.
• Each page should be witnessed by someone who has read and understood
the information recorded.
Recordkeeping policies may differ slightly between corporate, university or
research facility settings and these policies should be reviewed with appropriate
legal counsel to ensure that they conform with current law.
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Lab Notebooks: Valuable Indicators of Intellectual Property Beginning Cosmetic Chemistry
Hypothetical
Let’s consider the hypothetical case of a cosmetic chemist named Earnest
Moncrieff who has invented a great new anti-aging beauty mask for his employer,
Hallward Cosmetics. Hallward filed a US patent application for the new product,
naming Earnest as the inventor. At about the same time, Wilde Industries also filed
a US patent application on the same invention. Earnest has just received notice
from Hallward’s patent attorney that the Patent Office has declared an Interfer-
ence between his application and the Wilde application. The Wilde application
was filed six months before Earnest’s, so Wilde, as the first to file, was declared
the “senior party” in the Interference. Hallward, for filing later, was declared the
“junior party.” To win, Hallward must prove that Earnest invented the anti-aging
beauty mask before Wilde’s inventor (G. Garbo) invented it. Hallward must provide
written evidence that proves Earnest had the idea of the invention (conception)
before Garbo and diligently worked to make the invention a reality or to at least
file a patent application (reduction to practice).
Wilde’s inventor, G. Garbo, is a loner. She distrusts her co-workers; she’s afraid
they will steal her ideas. Garbo does not keep a bound laboratory notebook. She
only keeps loose leaf notes with cryptic, undated, unsigned and unwitnessed entries.
Garbo just wants to be left alone in the lab and never talks about what she has done
until she meets with the patent attorney to put together the patent application. An
example of Garbo’s notes is shown in Figure 22.1, and is the only evidence she
can produce. Because of Garbo’s poor records, Wilde cannot establish any date of
invention earlier than the filing date of its application, Feb. 24, 1996. This lack of
diligence makes Hallward’s job of proving prior invention much easier. All Earnest
must do now is show that he conceived of the anti-aging beauty mask and reduced
it to practice before Wilde’s filing date.
As part of his evidence to prove reduction to practice, Earnest provided Hall-
ward’s attorney with his notebook page shown in Figure 22.2. Earnest’s notebook
page clearly shows the basic formulation was actually prepared 10 days before
Wilde’s application was filed. Earnest’s notebook is bound, the pages are sequentially
numbered, the entries are dated and signed, and each page was witnessed within a
day or two of each entry. Earnest regularly discussed his work with colleagues, so
Hallward had plenty of witnesses available to corroborate Earnest’s notebook. As
a consequence, Hallward won the Interference and was awarded the patent, even
though Garbo actually invented the formula 10 months before Earnest! Garbo
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Beginning Cosmetic Chemistry Chapter 22
Figure 22.1.
Figure 22.2.
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Lab Notebooks: Valuable Indicators of Intellectual Property Beginning Cosmetic Chemistry
learned the hard way about the vital importance of being earnest and diligent in
her recordkeeping.
An inventor, like Earnest, must provide evidence corroborated by evidence
independent of his own. Laboratory notebooks, in and of themselves, generally are
not sufficient corroborating evidence (i.e., are not self-authenticating). Addition-
ally, the evidentiary weight of notebooks is negatively affected if the state of the
notebooks is unreliable and a long time has passed between the entry of the record
and the attempt to offer it in evidence. Courts do not recognize a putative inven-
tor’s lab notebook as sufficient corroboration of the inventor’s testimony especially
where the contents of the lab notebook are not witnessed, or are not consistently
or reliably dated.
If Earnest ordered an ingredient or material that was used in the ultimate in-
vention, a notation of that order in his notebook, standing alone, would not prove
that the inventive use of that ingredient or material was his idea, without further
corroborating evidence. Merely suggesting an idea of a result to be accomplished
rather than a means of accomplishing it does not make an individual an inventor
or a joint inventor. Earnest will need independent corroboration by a credible
witness who, like Miss Prism in the Wilde play (see excerpt in Sidebar 22.1), can
fix a critical time period and corroborate evidence by association with some con-
temporaneous event, preferably an unusual one. A practice of regularly discussing
research results and goals with co-workers can be very useful by providing a ready
source of corroborating witnesses. Of course, such discussions should be kept
confidential to preserve patentability or trade secret status.
As in Wilde’s play, a combination of circumstances and credible witnesses may
be needed to authenticate evidence even with a well-kept notebook. For example,
if the evidence is a rough pencil sketch on scratch pad paper or is partly in ink
and partly in pencil, an authenticating explanation will be needed from a credible
witness who remembers what was in the sketch or can explain when the penciled
portion of the sketch was added. Written records are essential, such as notes of
laboratory experiments, field tests, market tests, as well as the recollections of
fellow employees, supervisors, custodians of records, suppliers, customers, and in
some cases, relatives. The notebook can be critical for refreshing the memory of
the witnesses who are called upon to corroborate the notebook entries. The clearer
the entries, the easier it will be for a witness to place themselves back in time and
credibly testify about the content and context of a given notebook page.
Notebooks
Traditionally, laboratory notebooks preferably have been bound books, with
sequentially numbered pages. Bound books are particularly good for preserving
contemporaneous records and evidence. Bound books have the advantage that
some evidence, such as photographs, charts and tracings from analytical instru-
ments, etc., can be preserved by fixing them permanently onto a page (i.e., glued or
stapled). In one example of preservation of the evidence, a moth that had caused a
computer malfunction at Harvard University was taped in a notebook!2 In my own
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Beginning Cosmetic Chemistry Chapter 22
experience, I have seen a case where an insect was found in a source of oatmeal
powder ingredient and it was taped to a notebook page.
Increasingly, in the wired world of today, electronic laboratory notebook systems
(e-notebooks) are used as an alternative to bound books (see Sidebar 22.2 The
Market for E-Lab Notebooks). The e-notebooks have the advantage that findings
of the researcher can be electronically captured, searched, retrieved, displayed,
and made available to members of a team. Problems such as poor penmanship are
also avoided by using an e-notebook, however, typing errors are not. Electronic
records also are susceptible to corruption; data can be overwritten or deteriorate
during storage. An e-notebook must be carefully managed and stored, particularly
if it ever has to meet the rigorous evidentiary standards imposed in an Interference
proceeding or litigation.
preserving important entries. You can set up a bound notebook containing securely
attached hard copy printouts of the critical record entries, and having the printouts
signed, dated and witnessed. Subsequent revisions and updated entries can be
similarly preserved.
Look at Figures 22.1 and 22.2 and consider whether you are an Earnest Mon-
crieff who diligently and properly dates and signs your notebook, asks a colleague to
read and sign your notebook as a witness, works with others who can testify when
your experiments were done, and who memorializes your work on an ongoing
basis? Or do you work in a Garbo-esque manner—secretive, working alone, not
letting anyone else see your experimentation, never having anyone witness your
work or your notebook, never discussing your work with others, or using a loose-leaf
notebook? If you are working on a potentially valuable product or process, would
your laboratory notebook be self-explanatory? Does your notebook clearly show
what was done, what was used, and when it was used? Does your notebook show
the source of the materials used, the identity and characteristics of the ingredients,
how data was obtained, how the process was performed, etc.? If not, you are doing
yourself and your company a great disservice.
Summary
Laboratory notebooks are important corporate records that can provide essential
evidence to the Patent Office or a court if properly maintained. Evidentiary records
may be called upon over a period of up to 20 years or more for proving rights to
a patent, and for an unlimited period for proving rights involving trade secrets.
Almost all records require some form of corroboration but the clearer the record,
the easier the task of providing the necessary corroboration.
If you had to testify about the accuracy of entries made perhaps as long as 20
years ago, and the diligence of the activities leading to a patentable invention or
important product/process based on your notebook records, could you? What’s in
your laboratory notebook? We all forget things over time. Remember, your note-
book is not just a place to jot down weights and calculations that you make on the
fly in the lab. It should be a record that you or anyone else in your field can pick
up, years after the work was performed, and understand what was done, when it
was done, and why.
Talk with your patent attorney about your recordkeeping system and whether
it is adequate for protecting your valuable intellectual property. You don’t want to
find yourself in the position of Jack in the Oscar Wilde play, who had to learn the
hard way about “the vital importance of being Earnest” (and diligent).
References
1. O Wilde, The Importance of Being Earnest, Act III, Barnes & Noble World Digital
Library, NY 137–138, (2002)
2. Title 35 of the United States Code, Section 104 (Dec. 8, 1994)
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Beginning Cosmetic Chemistry Chapter 22
3. R Schueller and P Romanowski, “Lab notebooks: The ‘write’ stuff.” In:, Beginning
Cosmetic Chemistry, 2nd edn, Allured Publishing Corporation, Carol Stream, IL, Ch 2
7–11 (2003)
4. HM Kanare, Writing the Laboratory Notebook, Washington, DC: American Chemical
Society (1985). (The author provides a picture of the moth taped in a notebook in on
page 138.)
5. Keeping a Laboratory Notebook, web publication available at: http://www.btgplc.com/
btguploads/ BTG_LabNotebook_Jul02.pdf
6. Guidelines for Keeping Laboratory Notebooks, University of Oxford (2004). Available
at: http://www.admin.ox.ac.uk/rso/policy/finguide.html. Accessed Aug. 27, 2004
7. W Wilson, Keeping a Lab Notebook, Web publication available at http://www.physics.
ucok.edu/~wwilson/PHY4264/lab/lab_notebook.pdf
8. Recordkeeping Procedures, Office for Technology and Trademark Licensing,
Cambridge, Massachusetts: Harvard University (2004). Available at: http://www.
techtransfer.harvard.edu/RecordKeeping.html. Accessed Aug. 27, 2004
9. HF Ebel, C Bliefert and WE Russey, “The laboratory notebook, in The Art of Scientific
Writing” In: The Laboratory Notebook, 2nd edn, Weinheim, Germany: Wiley-VCH
GmbH & Co KgaA 15–30 (2004)
10. LA Dolak, Patents without paper: Proving a date of invention with electronic evidence,
Houston Law Review 36 471 (Summer 1999)
Chapter 23
Laboratory Batching of
Cosmetic Products
Preparing laboratory batches of personal care products is a
significant part of a chemist’s job.
P reviously we have dealt with the chemistry of common cosmetic raw materials
and reviewed how a beginning cosmetic chemist might formulate such chemicals
into finished personal care products. This chapter focuses on how bench chemists
prepare for laboratory batching of these products by using the information con-
tained within the formula and accompanying batching instructions. We introduce
the underlying principles of the batching process and review basic equipment and
techniques involved in preparing laboratory quantities of cosmetic products.
Preparatory Steps
Proper preparation is one of the secrets of producing successful personal
care products. During this time, you familiarize yourself with key elements of the
formula and the batching process. This investment in time significantly improves
your chances of success.
Familiarize yourself with the formula: Perhaps the most important pre-
liminary step is to read through the formula. When first beginning as a cosmetic
chemist, you typically are given starting formulas to work from. These could be
internal formulas that need to be modified slightly or supplier formulas that need to
be adapted to your systems. To learn the craft of cosmetic chemistry, it is essential
to know the ingredients you will be working with. We encourage you to seek out
information from the following sources prior to working with new raw materials.
These ingredients may be identified in several ways:
• By trade name (the supplier’s “brand” name)
• By the official INCI name as published in the “International Cosmetic
Ingredient Dictionary” (published by the Personal Care Products Council—
formerly the CTFA).
• By the chemical name as designated by the International Union of Pure and
Applied Chemistry (IUPAC).
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Laboratory Batching of Cosmetic Products Beginning Cosmetic Chemistry
Batching Considerations
Manufacturing procedure: Once you have completed preparation, you can
begin to make your batch. Combine the ingredients in a set sequence, according
to a series of instructions much like a cookbook recipe. The “recipe” for a cosmetic
product includes not only the names and proportions of ingredients (the formula),
but also how the product is put together (the manufacturing procedure). A procedure
should specify, step-by-step, all aspects of batch preparation, including the order
of chemical addition, mixing conditions and temperature control.
While making a batch, you may wonder why ingredients must be added in a
specific order or mixed in a certain way. The way chemicals are combined can af-
fect the final product’s quality (Table 23.1).
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Laboratory Batching of Cosmetic Products Beginning Cosmetic Chemistry
Problem Solution
Addition of fragrance causes Premixing the fragrance with the solubilizing
product to be hazy surfactant improves the finished dispersion of
the fragrance and thus the product’s clarity
Powdered raw materials, such Sprinkle powders in slowly to avoid clumping.
as cellulosics or gums, clump Special equipment, such as an eductor, may be
on addition to the batch, helpful in some cases.
dissolving only slowly
High viscosity of gel-based Change the order of addition of chemicals. Add
products impedes the addition the neutralizing agent later so the batch’s
of the final ingredients viscosity remains low until all components are
added.
Certain ingredients, such as Add heat-sensitive materials during the cooling
fragrances and preservatives, stage (once the temperature is below 50°C)
degrade
Oils and waxes take a long time Combine and heat oil-soluble components in a
to melt and disperse when separate phase before adding to water
added to the water
The key point is to ask questions and learn why specific procedures are neces-
sary instead of following procedures blindly. This knowledge will not only help you
make batches of existing formulas but also improve your ability to develop manu-
facturing procedures for new products. And when you see unexpected changes in
your batch, be sure to write them down. This information will be valuable when it
comes time for scale-up.
Adjustments to specifications: Once you have finished the manufacturing
procedure, you may expect the batch to be done; however, it may not be. Even
after adding exact amounts of the required ingredients in the proper order, the
batch may not conform to the proper specifications. One reason batches vary is
that the quality of raw materials varies from lot to lot. These changes may affect
the finished product. In such cases, you may need to adjust certain characteristics
of the batch, such as its pH, viscosity or color.
The manufacturing procedure details the maximum allowable adjustments but
may not specify how to quantify those adjustments. Therefore, adjusting a batch
to meet specifications can be something of a guessing game. As you become more
familiar with a formula you will gain a “feel” for what adjustments produce the desired
effect (Table 23.2). Until you reach that point, however, draw off a small portion
of the master batch as a test. Add the chemical you think will solve the problem.
This way, you will not ruin the entire batch if you add the wrong ingredient or add
too much. Once you have confirmed that the batch will react appropriately to your
proposed adjustment, you can adjust the remainder of the batch accordingly.
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Beginning Cosmetic Chemistry Chapter 23
Problem Solution
pH is wrong. Add acids or bases as specified in the proce-
dure. Keep track of the amounts you add. You
can then extrapolate the amount required for
the remaining batch. Remember changing the
pH may alter other product characteristics, such
as viscosity, therefore, you should make this
adjustment first.
Viscosity of anionic surfactant If the procedure allows, add salt in 10%
systems like shampoos or bath increments until the batch has the correct
gels is too low. viscosity. Again, keep good records of the
amount you added, to determine the right
amount to add to the remaining batch.
It is important to note that you may not be able to adjust some characteristics
of a batch. For example, the viscosity of an emulsion is not easily changed because
further stirring may irreversibly break the emulsion and ruin the product. In such
cases, you may have no choice but to remake the entire batch. When you determine
that the batch meets all target specifications, it may be considered successfully
completed.
product generally (“shampoo,” for example). You should still indicate the date and
any appropriate code numbers. The code number should refer to a notebook page
containing critical batch information.
Preparing laboratory batches of personal care products is a significant part of
a cosmetic chemist’s job. Therefore, it is important that you develop the ability to
successfully produce such batches. We hope this chapter provides information that
will help you develop these skills.
References
1. International Cosmetic Ingredient Dictionary, 12th Ed., Personal Care Products
Council (formerly CTFA), Washington, DC (2008.) (Formerly the CTFA dictionary)
2. S Budavari, Rayway, Merck Index 14th Ed., Merck & Co, NJ (2006)
3. D Lide, CRC Handbook of Chemistry and Physics, 88th Ed., CRC Press Inc, Boca
Raton, FL (2008)
4. M Grayson, Kirk-Othmer Encyclopedia of Chemical Technology, V 15, John Wiley and
Sons, NY (2001)
5. J Oldshue, Fluid Mixing Technology, McGraw-Hill Publications, NY (1983)
6. R Schueller and P Romanowski, “Lab Notebooks, the “Write” Stuff,” Cosm & Toil,
108(4) 59–62 (1993)
Chapter 24
Successful Product
Development
The cosmetic chemist draws upon many disciplines and
resources to successfully develop products.
The Idea
The first step in the creation of any new product is the development of the idea.
Depending on your corporate culture, ideas for new products can come from many
directions—not only marketing and R&D, but other departments or individuals
may participate in new idea generation. Marketing has access to consumer product
usage information that indicates potential consumer wants and needs. R&D has
data on new functional raw materials. Packaging presents new packaging elements
that allow for a new product type to be prepared. Regardless of where the idea
originates, once the product development gauntlet has been thrown down, the
real work begins.
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Successful Product Development Beginning Cosmetic Chemistry
Test Batches
Once you have a comfortable starting point for prototype development, you
can prepare lab batches. Although a detailed discussion of the process by which
such batches are made is beyond the scope of this chapter, you should be aware
that you may need to make many small batches to explore the effects of formula
or processing condition variations. If your first attempts are successful and the
product behaves as you intend, consider yourself lucky. In most cases, your first
formulation efforts are not going to pass the standards you have set—with regards
to either stability or performance. Thus, you will have to refine certain elements
to achieve the desired characteristics. Experience and knowledge of raw materials
will guide you in this process.
Keep on testing: During this development phase you should evaluate your
prototypes to ensure they are stable, functional and safe to use. Informal testing,
such as storing a few preliminary samples at elevated temperatures, can help ensure
that your products are free from gross stability problems. Ultimately, stability testing
should be conducted on samples manufactured under production conditions.
Chemical suppliers will provide you with basic toxicological and irritation test
data, but additional medical safety testing of the finished product may be required.
At the very least make sure that the raw materials you are using are safe.
Performance testing of the product is required to establish formula functionality.
Such evaluations may be relatively simple, such as curl retention studies to ensure
the holding power of a hairspray, or Ross-Miles testing to evaluate foam properties
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Beginning Cosmetic Chemistry Chapter 24
Summary
When creating a new product, the formulating cosmetic chemist should be
aware of a host of issues, including chemical raw materials, packaging components,
test methods, manufacturing concerns, sensory evaluation techniques, patents,
regulatory issues and hazardous waste requirements, consumer expectations, and
market trends. Perhaps more than anything else, the cosmetic formulator is an ex-
peditor. After all, it is the chemist who must juggle the various elements that keep
product development on track. From requesting raw material samples, to evaluat-
ing fragrance submissions, to ensuring microbiological and medical safety tests are
conducted when necessary, the cosmetic chemist draws upon many disciplines to
successfully develop products.
Further Reading
MG de Navarre, The Chemistry and Manufacture of Cosmetics, v 1–4, D Van
Nostrand Co., Princeton, NJ
HW Hibbott, Handbook of Cosmetic Science, The Macmillan Co., NY (1963)
Dr JS Jellinek, Formulation and Function of Cosmetics, Wiley-Interscience,
NY (1970)
Bennett’s Cosmetic Formulary, Chemical Publishing Co., NY (1993)
W Umbach, Cosmetics and Toiletries Development, Production, and Use, Ellis
Horwood, NY (1991)
EW Flick, Cosmetic and Toiletry Formulations, v 1 & 2, Noyes Publication,
Park Ridge (1989)
JB Wilkinson, The Principles and Practice of Modern Cosmetics, Chemical
Publishing, NY (1962)
Surfactant Science Series, Marcel Dekker Inc., NY
Chapter 25
Formulating Cosmetic
Emulsions:
A Beginner’s Guide
Emulsions that act as a delivery system for beneficial ingredients
such as aloe, vitamins, plant extracts, etc., must also be safe,
stable and cost-effective. This chapter discusses the ingredients
that go into emulsions and why they are used.
T o most consumers, cosmetic emulsions are just “stuff” that comes in tubes, jars,
pumps or bottles intended to make the consumer look, feel or smell better,
but usually costing too much. The claims on the front of the package often promise
miracles—and they achieve this end very cleverly, I must add! Consumers often
don’t understand that those words are used by marketers to ensure that the US
FDA (Food and Drug Administration) leaves the manufacturer alone. Greeted
with a long list of totally unpronounceable “chemicals,” consumers search for the
ingredients reported to have benefits. Among these “beneficial” ingredients are aloe,
vitamins, minerals, jojoba, plant extracts, tea, things from the sea, and others from
an endless list.
Cosmetic chemists must be concerned with formulating an emulsion that acts
as a delivery system for these beneficial ingredients while being safe, stable and,
need I mention, cost-effective (cheap). This chapter discusses those ingredients
that go into emulsions and why they are used.
Definition of an Emulsion
An emulsion is a system of two (or more) immiscible materials (usually liquids)
in which one material—the dispersed/internal phase—is suspended or dispersed
throughout the other material (the continuous/external phase) in separate droplets.
Most emulsions we will encounter will be designated as oil-in-water (o/w); thus the
oil phase is dispersed in the water phase as droplets. In the United States approxi-
mately 95% of all emulsions are of this type. Water-in-oil emulsions are used in night
creams, makeup remover creams and zinc oxide ointments for babies and sunscreens.
Historically, they have had a greasy skin feel, but more recent advances in emollient
chemistry, more specifically silicone chemistry, have changed this perception.
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Formulating Cosmetic Emulsions: A Beginner’s Guide Beginning Cosmetic Chemistry
A final comment before we delve into the ingredients used in emulsions: Many
years ago my good friend and mentor, Graham Barker, told me that all emulsions
are inherently unstable. He said that all we can do is postpone the day when emul-
sion separation occurs and hope that in the meantime the product will have been
purchased and used. One exception to this “rule” comes with microemulsions (very
small particle sizes) that form spontaneously and are thermodynamically stable.
Actives: These materials have been labeled as drugs by the FDA. As such, we
must use them at approved use levels and make claims that follow the appropriate
FDA monograph. Typical of this category are octinoxate (sunscreen), oxybenzone
(sunscreen), zinc oxide (sunscreen or skin protectant), petrolatum (skin protectant),
benzoyl peroxide (anti-acne agent), hydroquinone (skin lightener) and dimethicone
(skin protectant).
Silicones: While silicones have appeared in emulsions for many years, their use
has greatly expanded over the last five years. At first glance their function seems to
be emolliency, but in reality they have much broader usage than that. Dimethicones
can indeed function as emollients but they also reduce skin whitening (soaping)
often seen when high levels of fatty alcohols, GMS or stearic acid are employed.
Additionally, when used at 1%, they can be claimed as a Category I skin pro-
tectant (i.e., a drug)! When using dimethicones, care must be taken to insure they
are coupled into the oil phase due to their limited solubility profile. Additionally, they
can present some difficulty in regards to emulsification (i.e., they don’t follow the
HLB rules). Most used are the 100–50 cs versions. When solubility/compatibility is an
issue, you should consider using one of the many alkyl modified dimethicones.
Other silicones include the cyclic versions. These silicones impart a silky skin feel
and are less volatile than water. Since their heat of vaporization is quite low (they
don’t take much energy from the skin to volatilize), they feel very dry to the skin.
It must be pointed out that these materials have come under attack for potential
safety issues, particularly with the tetramer version.
Other silicones are modified by adding EO/PO (ethylene oxide/propylene oxide)
that will allow them to function as emulsifiers, solubilizers or emollients. Lastly,
there are a series of new silicone elastomers that can act as delivery vehicles or
dramatically improve skin feel. The world of silicones is truly amazing.
Fragrance: Almost all emulsions will contain a fragrance. Often it is the main
reason a consumer repurchases the product. Care must be taken to not use them
at too high a use level or discoloration and/or irritation may result. Additionally, they
will have a significant effect on the raw material cost of the product.
Color: While many emulsions are white, quite a few have added color. The
purpose of the color may be to mesh with the product function. A cooling after-
shave balm may be colored blue or light green. Or, color may be added to hide a
discoloration due to the inclusion of a needed ingredient (i.e., green tea).
Conclusion
This chapter has provided a short introduction to the world of emulsions. To
become an expert in this most difficult field does indeed require many years of
hard work and many failed emulsions.
Chapter 26
A series of five o/w creams were prepared, using a polymeric emulsifier and dif-
ferent emollients. The four natural oils used in a simple o/w formulation were
olive (Olea europaea), avocado (Persea gratissima), peanut (Arachis hypogaea) and
apricot kernel oil (Prunus armeniaca). The fifth oil was a hydrocarbon-based mineral
oil (Paraffinum liquidum). The oils used feature different chemical compositions,
polarities and iodine values. It was of interest to learn whether and to what extent
these variables affect rheological profiles of the test creams, based on acrylates/
C10-30 alkyl acrylate crosspolymer. It was also important to evaluate the changes
that occur during aging of these products.
Rheological parameters (yield value, viscosity and hysteresis area) were fol-
lowed for 10 months. Both continuous flow and dynamic tests were performed on
10-month old samples, in order to determine complete viscoelastic status. The data
obtained revealed that the rheology of creams was related to the polarity of the oil
used. The mineral oil-containing sample showed a different pattern of structure
change during aging, falling behind in the rank order of creams as time progressed.
All samples revealed a structure build-up during this observation period, indicating
a long-term stability.
Introduction
The rheological profile of a cosmetic product is one of its most important fea-
tures, in both technical and esthetic terms. Rheological properties are often directly
related to the product sensory attributes and to its performance1,2. The relationship
between rheology and product stability, especially in the case of emulsions, has been
recognized as an important parameter in product formulation3,4.
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The Age of Polymer-Stabilized Creams Beginning Cosmetic Chemistry
Demand for natural cosmetics: In recent years, cosmetic oils of plant origin
have been reintroduced into the market, following consumers’ demand for “natural”
cosmetics. Known to be less occlusive than petroleum-derived emollients and with
better safety record than their synthetic relatives, natural oils are increasingly used
in all types of cosmetic and toiletry products. However, they are also known to be
inconsistent in their chemical composition and to cause stability problems. It was of
interest to compare the performance of different plant-derived oils with a mineral
oil in a simple o/w cream base, using rheological parameters.
Two pairs of natural oils were chosen for this study: olive and avocado oil, as a
relatively “polar pair”and peanut and apricot kernel oil, as a less polar pair. Their
polarity indices (measured as the interfacial tension against water), together with
other relevant parameters, are presented in Table 26.1.
The nominal value of polarity index for each oil differs, depending on the source
of information.5,6,7 However, it shows the same trend of decrease from a nonpolar
mineral oil, to a relatively polar olive/avocado pair (Table 26.1). The oils also
vary in their chemical composition and iodine value, with olive/avocado pair being
significantly more stable. All five oils were within the same viscosity range, hence
allowing the comparison of the effect of their structure on the cream rheological
properties.
Continuous stress (flow) tests were employed on the freshly made (one day old)
and aged (three and 10 month old) samples. To get a more comprehensive picture
of the rheological status of the test samples, dynamic (oscillatory) tests were also
performed on the aged creams. Our aim was to determine whether and to what
extent oil polarity affects the consistency of the polymer-stabilized creams and to
follow these changes during storage.
Materials
Acrylates/C10-30 alkyl acrylate crosspolymera was used as a primary emulsifier
to make a series of o/w creams by cold emulsification. This polymeric resin belongs
to a family of copolymers of acrylic acid, with minor levels of long chain (C10–C30)
alkyl acrylate co-monomers, crosslinked with a polyalkenyl ether.10 Four natural oils
have been employed: olive oilb, Avocado oilc, peanut oilc, and apricot kernel oilc,
alongside with a hydrocarbon-based mineral oild. The viscosity of the five oils was in
the range of 59–65 mPa, as measured by Brookfield LTV viscometer, spindle 1, at
the room temperature. Triethanolamine (TEA, Sigma, UK) was used as a neutral-
izing agent, and preserved purified water as an external phase of the creams.
The composition of test samples is presented in Table 26.2.
Ingredient % w/w
Acrylates/C10-30 alkyl acrylate crosspolymer 0.4
Oil 20.0
Triethanolamine (10% aqueous solution) 6.0
Preservative (in a propylene glycol solution) 1.0
Purified water 72.6
a
Pemulen TR–1Ç BFGoodrich, Cleveland, Ohio
b
Fisons, UK
c
SNOI International, USA
d
Fisher Scientific, UK
e
Carri-Med CSL2 500, TA Instruments, UK
Rheological Studies
A controlled-stress rheometere with a cone-and-plate measuring system was
used in all the experiments. Continuous flow tests were performed by increasing
a shear stress from 0–200 Pa and decreasing it back to 0, each stage taking one
minute. Five runs were carried out on each sample, with the coefficient of varia-
tion less than 15%.
Oscillatory (dynamic) measurements were performed over a frequency range of
0.1–10 Hz. In the case of cream samples, the standard frequency sweep procedure
with a fixed torque value was not applicable, as it produced poor wave forms and
inconsistent results. Therefore, in our procedure, the deformation of the sample
was kept at the fixed level of 10–3 radians, which corresponded with a 2.8% strain,
leaving the rheometer to adjust the torque accordingly. Three repeat oscillatory
runs were performed on each sample. Both flow and dynamic measurements were
carried out at 20°C.
The first measurement was performed on 24-hour-old samples, which were
then stored at the room temperature (20±2°C) for another two tests in a three- and
10-month period, respectively.
Results
The flow data of the fresh samples are shown in Figure 26.1 and Table 26.3.
Lower values for shear rate under the same shear stress indicate a higher viscosity
for the sample. It is evident that the mineral oil cream exhibits the highest viscosity,
followed by the olive, avocado, apricot kernel and peanut oil cream, respectively
(Figure 26.1).
Figure 26.1. Flow curves for the fresh creams (after 1 day.)
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Beginning Cosmetic Chemistry Chapter 26
Table 26.3. Flow parameters (yield value τγ, viscosity ηand hysteresis area H)
after 1 day, 3 months and 10 months of storage
Olive oil cream 20.53 1360 53.9 20.51 1400 248.5 25.63 3010 513.5
Avocado oil cream 20.55 1205 31.65 20.51 1240 236.7 25.67 1880 265.0
Peanut oil cream 20.53 1010 62.27 15.40 1080 270.3 20.51 1530 648.1
Apricot kernel 20.54 1120 27.65 15.42 1150 201.6 20.54 1490 384.7
oil cream
Mineral oil cream 20.50 1460 23.58 15.38 1275 64.58 20.53 1570 493.6
Elasticity levels: All the samples possess yield stress value τY (Table 26.3),
indicating that their networks exhibit a resistance to an external force before they
start flowing (plastic behavior). In the previous study12, we found a good correlation
between yield values and elastic parameters of semisolids. Based on those find-
ings, the almost identical yield values of the cream samples reveal the same level
of elasticity in all fresh samples, regardless of the oil used.
It is noticeable from Figure 26.1 that the up and down parts of flow curves do
not overlap completely, creating a hysteresis loop area, which is commonly used as
a measure of thixotropy. The olive oil cream has shown considerably larger thixot-
ropy at this stage (Table 26.3), indicating the presence of structures that are more
susceptible to breakdown under shear than the other samples.
Aging data: After three months of storage, the mineral oil cream fell in the
rank order of viscosity (Figure 26.2), followed by a further fall after 10 months
(Figure 26.3 and Table 26.3). This result indicates different types of structural
changes during aging, compared with the natural oil creams. The latter followed
the same pattern throughout the observation period, with the olive/avocado oil pair
having higher viscosity and yield stress values than the peanut/apricot kernel oil
pair (Table 26.3). The general increase in viscosity upon storage in all the samples,
however, shows a favorable internal structuring and indicates a long-term stability of
the test samples1, 3. An increase in the level of thixotropy was also apparent (Table
26.3), showing a prominent time-dependent flow behavior.
Many materials, especially semisolids, possess rheological properties of both solids
and liquids, i.e., viscoelasticity. Dynamic (oscillatory) studies provide information
on both elastic and viscous components of creams and other semisolid products.
The behavior of the sample is expressed in terms of a storage (elastic) modulus,
which is a measure of energy stored and recovered per cycle of deformation, and
a loss (viscous) modulus, which reflects the energy lost per cycle13. Figures 26.4
and 26.5 show the viscous and elastic moduli of the test creams, respectively.
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The Age of Polymer-Stabilized Creams Beginning Cosmetic Chemistry
The information gained from oscillatory studies complemented the flow data in
terms of behavioral patterns for the cream pairs. Both viscous and elastic moduli
for the olive/avocado oil pair were higher than the corresponding values for the
peanut/apricot kernel oil creams (Figures 26.4 and 26.5).
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Beginning Cosmetic Chemistry Chapter 26
Figure 26.4. Viscous (loss) moduli for the 10-month old creams.
Figure 26.5. Elastic (storage) moduli for the 10-month old creams
A stable network structure: Figure 26.6 shows the values of parameter tan δ
over a frequency range studied. Tan δ is the ratio between viscous and elastic moduli
and is commonly taken as a measure of the overall viscoelasticity of the sample13,
with the lower tan δ showing higher elasticity. Unlike corresponding polyacrylic acid
gels studied previously12, which show relatively constant tan δ values throughout the
frequency range used, the cream samples exhibit an increase in this parameter at
higher frequencies, indicating a fall in network elasticity under rapidly oscillating
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The Age of Polymer-Stabilized Creams Beginning Cosmetic Chemistry
forces (Figure 26.6). A departure from the high-frequency pattern in tan δ values
is evident in the case of mineral oil cream, confirming an assumption on the struc-
tural differences made on the basis of flow data. Generally, however, tan δ values
of all test samples are relatively high (between 0.1–0.3), revealing a dominance of
elastic over viscous properties and indicating a stable network structure.
Discussion
When first introduced in the early 1990s, polymeric emulsifiers (associative
thickeners) showed a great promise for emulsion formulation. Being hydrophobi-
cally modified water-soluble polymers, they have no HLB and PIT constraints of
conventional emulsifiers. They have been proven to act as primary emulsifiers and
even to structure the continuous phase of the emulsion more consistently than
lamellar gel or liquid crystalline phases4. “Steric stabilization” was identified as a
main stabilizing mechanism, with the hydrophobic tails of these molecules being
adsorbed at the oil/water interface and the hydrophilic portions swelling in water
and forming microgels around the oil droplets11. Exceptional emulsion stability
and triggered release upon application are claimed to be distinct advantages4,10–11.
It was recognized, however, that certain oils need a co-emulsifier to stay dispersed
in a polymer-stabilized emulsion and that oil polarity may play an important part
in it10,14–15.
Interboundary interaction: The composition and polarity of the oil phase is
known to have a large influence on the design, properties and stability of cosmetic
emulsions14,16. The main factor in structure formation is the interboundary interac-
tion of the hydrophilic and lipophilic phase16,17. The lipids differing mostly in terms
of emulsion preparation are “easy-to-process” paraffin oils on the one hand and
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Beginning Cosmetic Chemistry Chapter 26
Conclusion
The results obtained in this study showed the chemical composition and the
polarity of the oil play a significant role in the structure of polymer-stabilized emul-
sions. A nonpolar mineral oil caused a different pattern of aging-induced structural
changes in a cream sample, compared with the more polar natural oils (olive, avocado,
peanut and apricot kernel) when studied by rheological parameters.
All cream samples revealed plastic flow with thixotropy in both fresh and aged
states. High yield values derived from flow tests and favorable tan δ values from os-
cillatory studies both indicate good internal structuring and a long-term stability.
References
1. PE Miner, “Emulsion Rheology: Creams and Lotions.” In: D Laba (ed.), Rheological
Properties of Cosmetics & Toiletries, Marcel Dekker 313–369 (1993)
2. GH Dahms, “The impact of the emulsion structure on adsorption and release of
actives on skin.” In: Emulsions: Technology, Structures, Ingredients, Formulations,
Verlag für chemische Industrie, H. Ziolkowsky GmbH, Augsburg 15–24 (1998)
3. CD Vaughan, “Predicting Stability in Rheologically Modified Systems.” In: D Laba
(ed.), Rheological properties of Cosmetics & Toiletries, Marcel Dekker 371–401 (1993)
4. RY Lochhead, Emulsions, Cosmet &Toil 109 93–103 (1994)
5. KF De Polo, A Short Textbook of Cosmetology, Verlag für chemische Industrie, H.
Ziolkowsky GmbH, Augsburg 149–166 (1998)
6. ICI Surfactants, Emulsifiers for oil-in-water Emulsions Brochure 41-1E (1996)
7. U Zeidler, The Tactile Properties of Cosmetic Oils, Henkel—Referate 29, 91–96 (1993)
8. AJ O’Lenick and DC Steinberg, Primary Ingredients, Hansotech Inc. (1998)
9. M M Rieger, Cosmetic Use of Selected Natural Fats and Oils, Cosmet & Toil 114 33–40
(1999)
10. Lubrizol, Noveon Consumer Specialities, TDS-114, 2002 (available from www.
personalcare.noveon.com/literature/techdata.asp#pemulen)
11. K Schrader and A Domsch, Cosmetology—Theory and Practice Vol III, Verlag fur
chemische Industrie, H. Ziolkowsky GmbH, Augsburg117–118 (2005)
12. S Tamburic and DQM Craig, Rheological Evaluation of Polyacrylic Acid Hydrogels,
Pharm 1 107–109 (1995)
13. JD Ferry, Viscoelastic Properties of Polymers, 2nd ed., Willey, New York (1970)
14. T Dietz, Basic Properties of Cosmetic Oils and their Relevance to Emulsion
Preparations, SÖWF Journal 125 2–9 (1999)
15. M-F Bobin, V Michel, E Journet and M-C Martini, Study of formulation and stability of
emulsions with polymeric emulsifiers, 2nd World Congress on Emulsions, Bordeaux,
1 1-175 (1997)
16. A Taleb and I Eros, Rheological Studies of creams. III. Effect of lipophilic phase
consistency, Acta Pharm Hung 66 77–81 (1996)
17. P Hameyer and A Bungard, “The Viscosity Behaviour of w/o Emulsions with a High
Dispersed Phase Content.” In: Emulsions: Technology, Structures, Ingredients,
Formulations, Verlag für chemische Industrie, H. Ziolkowsky GmbH, Augsburg
234–248 (1998)
Chapter 27
Gel Chemistry
Shear thinning: For the sake of this discussion, we propose that cosmetic gels
can be characterized by their clarity and shear thinning rheology. Shear thinning is
the tendency to spread easily with applied pressure or friction. In simplest terms,
these gels are water or water/alcohol solutions thickened with a gelling agent or a
combination of gelling agents. The chemistry of these gellants varies with the specific
application. For example, acrylic polymers are commonly used to thicken hair- and
skin care gels. Carbomers are the most commonly used synthetic polymers.
Other gel thickeners include natural gums (such as tragacanth, guar, carrageenan,
xanthan and locust bean) and cellulose derived polymers (like hydroxyethylcellu-
lose and hydroxymethylcellulose). In addition, starches from corn, oats and other
sources are used to thicken gels.
In addition to water based gels, anhydrous gels are occasionally used in cosmet-
ics. These primarily solvent systems are thickened with organomodified clays. Fox
describes a variety of gelling agents in his review of United States and International
patents.1
The inexperienced formulator should be cautious when selecting gelling agents
for two key reasons. First, gelling agents should be used at very low levels to avoid
leaving an objectionable residue on hair or skin. This consideration is important
because gels are often formulated as leave-on products. Second, care must be taken
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Gels and Sticks Beginning Cosmetic Chemistry
to avoid making the gel too stringy or pituitous; stringy products are less appealing
and may negatively impact consumer response.
Clarity: Another important aspect of gel chemistry is product clarity. Gels are
clear because they are single phase systems. In other words, they are composed of
either all water soluble or all oil soluble materials. In an emulsion, oil and water
soluble ingredients are mixed together; one phase is dispersed in the other. The
dispersed phase is in the form of tiny droplets that scatter light and render the
product opaque. The so-called “ringing gel” is an exception, as it is actually an o/w
microemulsion. In this case, the dispersed particles are so small that they do not
scatter light and, therefore, the emulsion is clear. Ringing gels are named for how
they vibrate when shaken or struck. Ethnic hair care products are often based on
this type of formula because of its high concentration of oil, which is beneficial for
hair that has been severely damaged by relaxing and straightening.
Gel Applications
Hair care: An exhaustive review of all gel formulations is well beyond the scope
of this chapter, but we will briefly mention some important applications. Gels are
widely used in hair care to provide conditioning or styling properties. In addition
to the thickening agents described in the previous section, these products contain
emollients, to make the hair more combable, or resins, to hold the hair in place.
Lochhead and Hemker et al have written an excellent, detailed review of hair gel
chemistry.2 (See Example Formula #1 hair gel.)
EXAMPLE FORMULA #1
Procedure: Disperse item #2 in #1. Mix. Once hydrated, add #3 to the solution and
mix until uniform gel is obtained. Separately, dissolve #5 in #4. When dissolved, add
#6. Mix well. Combine both solutions and mix until a uniform gel is formed. Add the
remaining ingredients individually to batch. Mix until uniform.
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Body care: Gels are also widely used in body and facial care. Shower gels were
first popular in Europe and are now hold a significant market share in the United
States. These products are not true gels but are surfactant systems thickened with
a material like guar. An article by RS Rounds discusses the rheology of these gel
systems and how the viscosity of a product can contribute to its perceived quality
and value.3 Facial moisturizers, toners and eye makeup removers are also available
in gel form. Even facial masks and sunscreens have been produced in gel form.
Rounds also points out that gels have an interesting esthetic for skin care products:
gels that have the appropriate rheology can suspend particles, such as small gelatin
beads. This formulation approach can dramatically enhance a product’s appear-
ance, and is often used for premium skin care products. (See Example Formula
#2 body wash gel.)
EXAMPLE FORMULA #2
Procedure: Disperse #1 into #2 and mix until completely dispersed. Hydrate with #3
(pH4). Add #4, #5, & #6. Then add #7, #8 and mix until completely clear. Pre-mix #9
& #10. Add to batch. When completely clear, adjust pH (5.7–6) with #11 and modify
viscosity with #12.
Facial care: Shaving gels are another important example of skin care gels. This
type of product is typified by Edge shaving gel, the first commercial post-foaming
gel. Post-foaming gels combine aerosol and gel technology and are surfactant solu-
tions with dissolved isopentane. A special aerosol package maintains pressure so the
isopentane cannot escape. When dispensed onto wet, warm skin, the isopentane
quickly evaporates and the product changes from clear gel to copious foam. Post-
foaming gels can be found in a number of shaving products and shower gels.
Oral care: Toothpaste gels consist primarily of water, a humectant (such as
glycerine or sorbitol), surfactant, flavoring agents and hydrated silica. High-viscosity
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Gels and Sticks Beginning Cosmetic Chemistry
toothpaste gels can be made by thickening the system with 20 or 25% silica. The
silica also provides the product with the abrasives needed to function as an effective
dentifrice. However, the silica alone does not bind water well enough to form a
stable gel; therefore, additional gums must be added to stabilize the system. These
gums include carboxyvinyl polymers, cellulose derivatives, xanthan gum and car-
rageenan.4 In addition to toothpastes, other examples of gels used in or around the
mouth include gum care products, lip glosses and moisturizers.
Cosmetic Sticks
While gel formulations are excellent for many products, consumers do not
want to directly handle some products. For these applications, sticks are an at-
tractive delivery vehicle. In the personal care industry, a stick is a solid delivery
vehicle cast in an elongated form. When a stick is rubbed onto skin, it delivers a
variety of cosmetic ingredients, such as fragrance, coloring agents, emollients and
more. Sticks are useful because their solid nature allows them to deliver insoluble
materials, like pigments.
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Chemistry of Sticks
Examples of well-known cosmetic sticks include lipsticks and antiperspirant/
deodorant sticks. These two types of products exemplify three categories of stick
chemistry. Lipsticks consist of a mixture of waxes and oils. The waxes (such as
beeswax and carnauba) and the oils (such as mineral and castor oil) are mixed with
pigments and cast into solid form. Deodorant sticks, aqueous solutions of propylene
glycol, are solidified with a soap, usually sodium stearate.5 Antiperspirants consist
of a volatile silicone (for example, cyclomethicone) gelled with fatty alcohols (such
as stearyl alcohol).
A fourth type of stick chemistry uses dibenzylidene sorbitol (also known as
dibenzaldehyde monosorbitol acetate or DBMSA) as the gelling agent to form
clear sticks.
Blush, foundation and eye shadow sticks are not commonly marketed, but patents
can be found for such compositions. These products are challenging to formulate
because high levels of talc, starches and other powders make the product crumble
more easily. Finally, fragrance sticks (also known as cologne sticks) were at one time
a popular way to deliver fragrance. Formulating these products was challenging
because the high fragrance level tended to discolor the base.
Stick Manufacturing
Depending on the type of formulation and the style of packaging, two primary
techniques are used to make sticks. One approach is to first mold the sticks in the
proper shape and insert them into the package. The other is to pour molten stick
material directly into the package, and let it solidify into the shape of the package
upon cooling. Both these methods require expensive manufacturing and filling
equipment and, therefore, most marketers rely on contract manufacturers to pre-
pare sticks on a commercial scale.
Premolding method: The pre-molding method is usually used to manufacture
products like lipsticks. The heated wax mixture is poured into a multi-cavity stainless
steel mold. After cooling, the mold is opened and the individual sticks are removed
and inserted into containers. After insertion, each lipstick requires careful finishing
to give it an attractive appearance; gently heating the lipstick, melting the outer
layer to obscure mold defects and improve surface gloss, will usually do the trick.
This process can be done in an automated heating tunnel or by passing individual
lipsticks over a flame by hand.
Manufacturing makeup sticks that contain high levels of powder requires another
type of premolding procedure. In this case, the sticks are cast by solid compression
techniques. The solids are then mixed with water or another volatile solvent and
extruded in stick form. After the solvent evaporates and the mixture hardens, it
can be cut into lengths and inserted into the packaging.
Hot-Fill methods: Molding sticks directly into packaging is the most common
stick manufacturing process; this technique is also used to manufacture APD sticks.
After ingredients are combined in a jacketed stainless steel kettle, applied steam
heat melts the ingredients while mixing the batch. During the blending process,
the temperature must be carefully controlled to avoid scorching the waxy or fatty
ingredients. After blending is complete, the batch can be filled. Stick packages are
typically hollow tubes with an elevator platform inside that moves up and down
to dispense the product. In some packages, this platform is pushed up by hand.
In others, the platform moves up by turning a screw that causes it to travel along
a central threaded post.
Empty containers move along a conveyor belt where the molten product is
dispensed through a filling nozzle. The exact process varies depending on whether
the package is designed to be filled from the top or bottom. In general, the product
is filled slightly above its congealing temperature so that it flows easily. If it is filled
too hot, the dispersed solids may settle to the bottom; if it is filled too cold, air
bubbles will be trapped in the stick.
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Sticks may then go through subsequent finishing operations to ensure the surface
is smooth and the product is free of air pockets. This step usually involves heating
the tops of the sticks slightly by passing them under an infrared lamp. A probe can
be stuck into the center of the stick for air to escape. Heating the surface again
melts the product, eliminating any hole created by the probe.
Finally, the sticks pass through a refrigeration tunnel to rapidly lower the
temperature for a solid form. Depending on the package design, a top or bottom
piece will seal the container. The finished sticks may pass through cleaning stations
before being placed in shipping cartons.7
Future Challenge
Gels and sticks are interesting because they represent areas where formulators
can generate new product ideas by making novel forms of existing products. For
example, shower gels were almost unheard of in the US market until a few years
ago. Likewise, no one thought that a clear antiperspirant stick could be made until
recently, and consumers are showing interest in this vehicle. The challenge is to
apply gel and stick technologies to the development of innovative new products.
References
1. C Fox, Sticks and Gels—Patent and Literature Update, Cosm & Toil 102(10) 33–63
(1987)
2. RYLochhead et al, Hair Care Gels, Cosm & Toil 102(10) 89–100 (1987)
3. RS Rounds, Bath Gels: Rheology and Consumer Perceptions” Cosm & Toil 110(4)
52–73 (1995)
4. M Pader, Toothpaste Gels, Cosm & Toil 102(10) 81–7 (1987)
5. G Barker, Sodium Stearate-Based Sticks: Proposed Structure, Cosm & Toil 102(10)
71–80 (1987)
6. E Jungermann, Clear Antiperspirant Stick Technology: A Review, Cosm & Toil 110(2)
49–56 (1995)
7. N Geria, Manufacturing and Packaging Technology of OTC Cosmetic Sticks, Cosm &
Toil 102(10) 65–70 (1987)
Chapter 28
259
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Aerosols for Apprentices Beginning Cosmetic Chemistry
to make aerosol versions of their products. In the late 1940s and early 1950s, aero-
sol hairsprays, colognes and shaving creams were introduced in the United States.
Today, personal care aerosols include a variety of hair-styling sprays, antiperspirants,
skin oils, breath fresheners and many other products. Over a billion units are sold
annually in the United States alone.
The cosmetic chemist’s definition can also be expanded to include descriptions
of an aerosol product’s four essential components:
• A package, or can, that is able to contain relatively high pressures—as high
as 130 pounds-per-square-inch gauge (psig).
• A valve that seals the can and controls how the contents are dispensed.
• The ingredients that provide functionality.
• A compressed or liquefied gas propellant that forces the contents from the
can.
This chapter discusses each of these key components as well as the physical
forms and manufacturing methods of aerosol personal care products. It is a balance
of all four of these essential components that defines the aerosol. Any change to
one of these components affects the overall performance of the product.
Regulatory References
US EPA (Environmental http://www.epa.gov
Protection Agency)
US DOT http://www.dot.gov/
(Department of Transportation)
CARB http://www.arb.ca.gov/homepage.htm
(California Air Resources Board)
CPSC (US Consumer Products http://www.cpsc.gov/
Safety Administration)
Personal Care Products Council http://www.personalcarecouncil.org/
(formerly: CTFA)
CCTFA (Canadian CTFA) http://www.cctfa.ca/en/cctfa/index.htm
Health Canada http://www.hc-sc.gc.ca/index_e.html
CSPA (Consumer Specialty http://www.cspa.org/
Products Association)
Aerosol Packaging
Historically, aerosols have been packaged in either metal or glass. Glass con-
tainers have some utility in low-pressure systems, such as cologne sprays, but they
are not widely used because of safety reasons. Metal has long been the primary
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Beginning Cosmetic Chemistry Chapter 28
and weld associated with three piece designs. The cans are drawn from a flat stock
of PET coated tin free steel to form a continuous shaped can body. Bottoms are
similarly drawn and seamed onto the body to form the aerosol container. Advan-
tages exist due to the continuous PET coating on the interior and exterior surfaces
allowing for a wide variety of corrosive and non-corrosive products. The result is
a stronger can construction with less surface defects. Sizes are limited restricting
many uses today. This container technology is one to keep your eye on.
Specialty Containers: Aluminum and tinplate cans are available with barrier
technology to keep products and propellants separated. These containers have been
widely used in the foods industry and are crossing over into the personal care arena.
Of these various technologies, bags can be formed into the container for separation.
Similarly, pistons can be inserted during the forming process to achieve the same
separation. A bottom hole is made and fitted with a plug for facilitating propellant
filling and insure separation of the contents.
Valves
Another key packaging component of an aerosol system, the valve, has the dual
task of sealing the pressurized contents in a can and controlling the dispensing of
these contents (Figure 28.1). Valves have three sections:
• The diptube that feeds the product from inside the can to the valve body.
• The valve body, a complex network of micro-orifices and chambers designed
to optimally mix product and propellant.
• The button, or actuator, that is depressed to open the valve and release the
contents.
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Beginning Cosmetic Chemistry Chapter 28
• A spring is used to apply the appropriate pressure to create the seal between
the stem gasket, valve housing and stem.
Actuator: The third part of the valve is a separate piece that attaches to the stem
and is known as the “actuator.” Types of actuators, known as “buttons” or “spray
caps,” are available in many styles and sizes to suit various esthetic and technical
needs. The inside may be designed with plastic inserts that, being equipped with
specially designed swirl channels, break the spray up into fine particles. When the
actuator is depressed, it pushes the stem opening away from the gasket. This design
allows the contents to flow up the diptube, into the valve body, through the stem
and out the actuator’s main orifice. By combining the appropriate actuator with
the right valve system, you can create a variety of spray effects, from a fine-mist
spray to a powerful stream.
Valve Housing: Valve components are housed in a valve cup, a ring-shaped
piece of either aluminum or tin-plate steel. The bottom valve assembly is inserted
into the opening of the dome and machine-crimped to lock it in place and seal in
the contents. Various gasketing materials, such as polyethylene films, are used to
ensure a tight seal between the valve cup and the can body.
A high degree of precision is required in the manufacture of aerosol valve com-
ponents. In fact, accuracy on the order of 1/1,000 of an inch is critical to ensure
proper valve functioning. Furthermore, both the valve and the can must be carefully
selected to ensure that they are compatible with the chemical composition of the
formula; all components must work together.
the primary actives. For instance, propylene glycol, silicone, purcellin oil or other
such plasticizer is often added to hairspray to modify the flexibility and adhesive-
ness of the resin on the hair.
If an emulsion is desired, you must include emulsifying surfactants. Similarly,
suspending agents are needed for powdered actives. Other materials can optimize
the pH and viscosity of the product concentrate. Because some ingredients have
corrosive properties that can compromise the integrity of the container, you may
need to add anticorrosion agents, such as ammonium hydroxide, AMP, morpholine,
cyclohexylamine or borate esters.
Propellants
The propellant is what sets an aerosol apart from other formulations. It often
serves the purposes of producing the pressure that forces the concentrate from
the container and converting the actives into the desired physical form, such as
droplets, a thin film or foam matrix.
The majority of propellants used in personal care products are liquefied gasses
that have both a low boiling point and a sufficiently high vapor pressure to expel the
concentrate from the container. Ideally, they should also have low flammability, low
toxicity, good compatibility with many raw materials and good chemical stability.
They should also be inert and cost-effective.
In the past, chlorofluorocarbons (CFCs) were the most common type of aero-
sol propellants because of their low flammability and good solvency. However, in
the late 1970s, environmental concerns led to the eventual ban of these materials.
Today, manufacturers use hydrocarbons and other CFC alternatives.
Hydrocarbons: Commonly employed propellants include propane, butane
and isobutane (In the United States, aerosol grade propellants are an Isobutane/
Propane mixture designated as an “A” blend—aerosol blend—followed by the
approximate vapor pressure in psig. It should be noted that in other parts of the
world, the industry generically uses “butane” as a standard name for these various
hydrocarbon mixtures as they are richer in butane, followed by a number indicat-
ing the approximate vapor pressure of the mixture. For example, Butane 40 is a
propane/butane mixture with a vapor pressure of 40 psig).
Hydrocarbon propellants have certain advantages and disadvantages that should
be considered before using. On one hand, they are highly compatible with organic
solvents and have low toxicity and good chemical stability. The major drawback to
using hydrocarbon propellants is their flammability and explosive potential. This
is of particular concern during manufacturing.
Another problem with hydrocarbon propellants is their status as VOCs. In the
United States, the amount of VOCs allowed in consumer products is limited. These
restrictions complicate the formulation of a complying aerosol product that uses
hydrocarbon propellants. It is difficult to formulate a single-phase product with
hydrocarbon as the lone propellant because of its limited solubility in water—a
non-VOC ingredient. Please be aware of the ever changing state of regulations.
Hydrofluorocarbons: Hydrocarbon propellants that contain at least one
fluorine molecule are hydroflourocarbons. They share many properties with CFCs,
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Beginning Cosmetic Chemistry Chapter 28
including good stability, solvency and compatibility with many raw materials. They
also have low toxicity. Unlike CFCs, hydrofluorocarbons are not thought to destroy
the ozone layer. Common hydrofluorocarbons include 1,1-difluoroethane (Propel-
lant 152a) and 1,1,1,2-tetrafluoromethane (Propellant 134A). The low reactivity of
hydrocarbons exempts them from VOC legislation—although they are technically
VOCs. However, these seemingly ideal propellants are significantly costlier than
hydrocarbons, a factor that will limit their use. Be aware that these compounds
have a global warming potential and may by limited pending restrictions.
Dimethyl ether (DME): DME has many characteristics of a good propellant,
such as adequate vapor pressure and a good toxicity profile with no penchant for
destroying the ozone layer. Traditional drawbacks of DME are its flammability and
high cost. One important property is its miscibility with water in most ratios. This
tolerance for water not only allows for formulation of aerosol sprays with low flam-
mability but also makes DME important in the formulation of low-VOC aerosols.
By using DME as a propellant, water can replace some of the organic solvents in
a spray, which reduces its overall VOC content.
Compressed gas: Unlike the above materials, compressed-gas propellants,
such as carbon dioxide, nitrous oxide or air, remain gaseous inside aerosol con-
tainers. They are nonflammable and odorless with very low toxicity. They are also
practically benign to the environment and can be manufactured at a very low cost.
Unfortunately, compressed gases have many disadvantages that severely limit their
use. The most difficult to overcome is a drop in pressure in the container as the
product is used up. This drop can lead to undesirable spray patterns and particle
sizes as well as depleting the propellant before the entire product is expelled.
Another problem is the limited solubility of most materials. Because compressed
gases are typically insoluble in the liquid concentrate, it is difficult to achieve good
spray characteristics. Sprays also tend to be wetter because the gases are not very
soluble in typical aerosol concentrates. In time, these problems may be overcome
and compressed gases may represent the future of aerosol propellants.
It is important to note that aerosol products can dispense particles small enough
to travel into the lungs, reside there and cause potential respiratory problems.
Therefore, any raw material used should be tested for the biological effect of
inhalation.
Product Forms
When an aerosol is expelled from the container, the physical form exhibited is
a function of the interaction between product concentrate and propellant. Aerosols
can dispense as solutions, emulsions, dispersions or pastes.
Solutions: When the propellant and concentrate are miscible, a solution forms
inside the aerosol container. Such solutions are emitted as sprays when the aerosol
valve is activated. Spray results from simultaneous propellant and concentrate
expulsions and the propellant’s violent evaporation, leaving only the concentrate.
Depending on the types of solvent, propellant and valve system used, formulators
can control the spray characteristics of products, the most common examples of
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Aerosols for Apprentices Beginning Cosmetic Chemistry
which are in hairsprays and deodorants. Examples include Tresemme II Extra Hold
Hairspray, Pantene Ultra Firm Classic Hairspray, and AXE Body Spray.
Emulsions: An emulsion is another form into which an aerosol system can be
formulated. The most common type used for personal care products is oil-in-water
that dispenses as foam, such as in mousses and shaving cream. A foam needs the
propellant—which makes up a small portion of an emulsion—to be soluble in
the oil phase but immiscible in the water phase. When dispensed and exposed
to atmospheric pressure, it rapidly expands. This expansion in the presence of
surfactants is responsible for the foaming action. Foam characteristics can be af-
fected by varying the concentration or type of propellant, surfactants and auxiliary
materials used. Examples include Tresemme Mousse Extra Hold and Clairol Herbal
Essences Mousse.
Powder dispersions: Some aerosols spray out as powders. These systems are
neither solutions nor emulsions but dispersions of a powder in a solvent and/or
propellant, often requiring an oily suspending agent. Antiperspirants containing
aluminum salts are the most common types of powder-dispersion aerosols. Examples
include Right Guard Sport Antiperspirant, FDS Feminine Deodorant Spray, and
Bumble and Bumble Powdered Shampoo.
Foaming gel: Another important alternative aerosol form is one in which the
product concentrate and propellant do not physically interact. In these systems, the
product concentrate is placed in a bag or other barrier system within the aerosol
container that is surrounded by propellant. The product is dispensed as the propel-
lant presses against the walls of the bag. This technology has created a novel form
known as a “foaming gel.”
In these systems, a gel with a small amount of low-pressure solvent or propel-
lant dissolved within it is placed in the bag. A primary propellant dispenses the
product as a gel, and a secondary propellant creates the characteristic slight foaming
effect. Both of these approaches are commercially available; each has advantages
and disadvantages, depending upon the specific application. This technology was
pioneered for applications in which contact between the product and propellant is
not desirable, such as sprayable cheese and other aerosol food products. Gel shave
foams are the dominant personal care product using this technology.
Examples include Gillette Satin Care Shave Gel for Women and Skintimate
Shave Gels.
cans usually move to an outside gassing facility, where three actions occur almost
simultaneously: vacuum is drawn to remove air from the system, the propellant
is injected into the can under high pressure and, a fraction of a second later, the
valve is crimped into place. This system is known as “under-the-cup-filling” since
both the concentrate and the propellant are filled before the valve cup is crimped
on. The advantage of this operation is filling through the 1 inch opening of the can
before the valves are attached. Very fast filling is achieved. The downside is related
to emissions of small amounts of propellant at the end of the system that failed to
enter the can before the operation was completed.
In another common filling system, known as “pressure filling,” the valve is
vacuum crimped into place after filling with the liquid contents. The propellant
is then pressure-filled through the valve stem opening. This later method is more
popular in Europe than in the United States As the propellant must travel through
the very small openings in the valve hardware, the process is very slow but offers
much less waste of propellant.
In either filling method, after gassing, the units travel through a long trough
containing hot water. As the cans traverse this waterbath, they are checked for
escaping bubbles, which would indicate a propellant leak. The high temperature
of the waterbath also raises the internal pressure of the can, which is intended to
cause any weak spots in the can to fail. Waterbathing is required by the US DOT and
many other governmental bodies globally to protect workers and consumers from
defective containers. After exiting the waterbath, the cans are dried by high-pressure
air jets. Finally, overcaps are placed on top of the cans and the finished units are
packed into boxes and stacked on pallets. Other waterbathing options are available
but not mentioned here, for more information see literature references.
Quality assurance testing: Samples are taken off the production line for
testing to ensure that the products meet all specifications. Frequently monitored
parameters include proper levels of actives, pressure, spray rate (expressed as
grams of product delivered per second) and spray pattern (the physical shape and
size of the spray). Additional testing is conducted to ensure that the cans evacuate
properly. Long-term stability studies should be done to establish that the cans don’t
show undue signs of corrosion.
Aerosol Alternatives
It is interesting to note that, despite the convenience and benefits of aerosol
systems, consumer demand has prompted the industry to develop alternatives to
the classic aerosol systems described above. These alternative systems, generically
known as “non-aerosols,” take advantage of different technologies that mimic the
effects of a propellant-driven system.
Pump sprays: The pump spray, the most well-known of these alternatives,
requires the consumer to depress an actuator button that strokes the pump. This
physical force, generated by compressing the spring inside the pump, creates a
fine spray.
Others: Other non-aerosol spray systems employ a package with a built-in
pump that the consumer must stroke several times. This pumping action fills the
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Aerosols for Apprentices Beginning Cosmetic Chemistry
package with compressed air. When the valve is opened, the compressed air forces
the product out, thereby approximating the effects of a continuous-spray aerosol.
Similarly, a type of bag-in-a-can technology uses the physical force of a stretched
rubber bladder to expel a continuous spray. Both of these approaches are com-
mercially available and again have specific advantages and disadvantages.
Conclusion
In recent years, US government agencies have enacted legislation limiting the
amount of VOCs in certain aerosol products. These measures are intended for
clean air control, even though the industry maintains that aerosols have minimal
environmental effect and, in many instances, do less damage than their alternatives.
We anticipate that this trend will have serious impacts on the future of aerosol for-
mulations. Nonetheless, despite the environmental concerns, personal care aerosols
continue to enjoy high-volume sales. In fact, they comprise nearly one-third of all
aerosol products sold in the United States.
Reference
1. MA Johnsen, The Aerosol Handbook, Wayne Dorland, Mendham: (1982)
Recommended Reading
CN Davies, Aerosol Science, Academic Press, London (1966)
J Knowlton and S Pearce, Handbook of Cosmetic Science and Technology,
Elsevier Science Publications, Oxford: (1993)
HR Shepherd, Aerosols: Science and Technology, Interscience Publishers,
New York: (1961)
Author’s Note: While fundamental aerosol technology hasn’t changed much since the original
printing of this chapter in 1998, significant changes have occurred in the regulatory area. In 1998,
the California Air Resources Board (CARB) began limiting volatile organic compounds (VOCs) in
aerosol hairsprays to a maximum of 80%. Since 2002, that limit has been lowered to 55%, which
means that it is even more difficult to formulate efficacious, consumer-acceptable products.
Chapter 29
Encapsulation
Technologies: Tailored
Solutions for Delivery
A variety of microencapsulation techniques can help formulators
create innovative personal care product forms with stable
cosmetic actives and long-lasting fragrance. This technology
summary of microencapsulation serves as an introduction to its
potential for high performance personal care products.
W ith more consumers entering middle age than ever before,1 personal care
products are evolving to meet changing market needs. In response to this
trend, formulators look for innovative ways to enhance the appearance of skin and
encourage a more youthful, healthy appearance. Use of botanical extracts and other
potentially unstable cosmetic actives continues to rise.2 At the same time, competi-
tion in the marketplace favors products with novel, appealing sensory attributes
such as fragrance, a component that can also be unstable.
Ingredient instability drives the need for delivery systems that combine perfor-
mance with cost efficiency. Because delivery technologies differ widely, selection
of an appropriate system depends on individual formulation parameters as well as
the expertise of the delivery system provider.
Encapsulation Technology
Microcapsules and millicapsules are composed of a polymeric skin, wall or matrix
that encloses a liquid, solid or gaseous core. Microcapsules range in size from ap-
proximately 1–1000 µm, with most falling between 3 and 100 µm. Millicapsules are
usually larger, at up to 5,000 µm, and are used in formulations mainly for aesthetic
effects such as suspended beads with glitter or capsules with pearlescent coatings.
The capsule wall is typically nonreactive to the substance it contains. It is generally
strong enough to allow normal handling without rupture, and the shell or matrix
is sufficiently thin to permit a high-core-volume to polymer ratio. The contents of
the capsule typically are contained until the capsule shell is broken, melted, dis-
solved or otherwise removed.
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Encapsulation Technologies: Tailored Solutions for Delivery Beginning Cosmetic Chemistry
area; a liquid vehicle that is 100% of the material to be encapsulated or that carries
the material to be encapsulated.
The internal phase can be either hydrophobic or hydrophilic, although the
choice of substrate determines this feasibility. Typical examples of substrates include
silica, cellulose, nylons, cyclodextrins and some natural clay. These systems also
produce materials that can be used in combination with other microencapsulation
systems, in which the loaded substrate can be overcoated to further protect the
internal phase.
Thermosetting matrix systems: A number of methods can be used to pro-
duce thermosetting, matrix-type microcapsules. The process used depends on the
polymer, but some common elements may affect the final properties. The spheres
are generally made from o/w emulsions. During manufacture, the polymers are
solubilized in water. Next, the active materials to be encapsulated are emulsified
into the aqueous, polymeric solution. The resulting dispersion can be transformed
into spheres by a variety of methods including mechanical dispersion, submerged
nozzle extrusion and high-pressure atomization.
Fragrance Management
Managing or extending the life of fragrance notes in both personal and household
care formulations continues to be an area of focus for formulators in both industries,
and laboratory studies can provide insights that are valuable in both markets.
Researchersa, investigating the potential for fragrance management using
encapsulation technologies, encapsulated several fragrance notes (Figure 29.1)
in a gelatin microcapsule delivery system and exposed the microcapsules to an
environment of 50°C for an extended period of time. The microcapsule samples
were measured for weight loss during a two-week period (Figure 29.1). Initially, a
minimal amount of fragrance was released, and it leveled off in two weeks. Even a
very volatile tissue fragrance that contained a 1:1 blend of menthol and eucalyptus
retained greater than 95% of its original fragrance within the microcapsule after
the two-week period.
Figure 29.1.
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Encapsulation Technologies: Tailored Solutions for Delivery Beginning Cosmetic Chemistry
Figure 29.2.
ballasts was subjected to two additional wash and rinse cycles without the addition
of the rinse-cycle fabric softener. As Figure 29.3 shows, the ballast treated with
the fabric softener containing the M2 microcapsules showed a statistically different
result compared to the free oil ballast. This outcome demonstrates the possibility
of enhanced fragrance longevity due to the encapsulating shell.
Figure 29.3.
Procedure: Combine A. Heat to 65ºC, mixing gently until melted. Turn off heat.
Add B to A. Cool to 40ºC. Add C with mixing. Adjust pH to 6–7 with D.
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Encapsulation Technologies: Tailored Solutions for Delivery Beginning Cosmetic Chemistry
Procedure: Heat A to about 75ºC and add B, mixing until uniform. Using a water
bath, combine C and heat to 60ºC to 70ºC. Heat D to 80ºC. Add D to C while mixing
at high speed for 10 min. Add CD to AB with gentle mixing. Cool to RT with gentle
mixing. Add E.
Trained panelists evaluated pairs of hair tresses, one the control and the other
having the encapsulated fragrance treatment. The tresses were subjectively as-
sessed by combing each tress three times and evaluating the fragrance intensity.
Figure 29.4 compares the number of panelists who selected the encapsulated
sample as having greater fragrance retention to those who selected the control
that contained free oil.
Figure 29.4.
Performance Enhancement
Encapsulation also has demonstrated the potential for improving material
physical properties and performance benefits. During the development of a new
personal care ingredient designed to reduce the appearance of skin imperfections,
researchers at Lipo Chemicals Inc. and Lipo Technologies Inc. discovered that
encapsulation provided enhanced material function. The new material consisted of
the reaction of a fluorescent compound with a porous polymer matrix. This reacted
particle is then subsequently encapsulated with a translucent polymer coating. The
fluorescent polymer, incorporated into the polymer substrate, absorbs UV light and
then re-emits this energy in the form of diffuse visible light. This light illuminates
shadowed areas of wrinkles or other skin imperfections reducing their appearance.
Figures 29.5 and 29.6 show scanning electron microscope micrographs of the
absorbent matrix before and after encapsulation.
Figure 29.5.
Figure 29.6.
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Encapsulation Technologies: Tailored Solutions for Delivery Beginning Cosmetic Chemistry
Figure 29.7.
From a research and development perspective, the potential systems that can
be employed to produce a suitable delivery system are extensive. The appropri-
ate system of choice can generally be determined by taking into account several
basic attributes. These characteristics of the final system are the essential basis for
preparing customized encapsulation systems.
Before approaching a microcapsule producer, a formulator should assess the
following factors:
• Physical and chemical characteristics of the material to be encapsulated,
including its sensitivities and incompatibilities.
• The environment in which the microcapsules will be used, including the
nature of the base formulation and whether it will be a wash-off or leave-on
product.
• Restrictions on the origin of materials to be used in the product, including
if they are animal or nonanimal derived.
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Beginning Cosmetic Chemistry Chapter 29
• The form in which the capsules must be supplied. This assessment should
include whether the required form will be dry or slurried, and if slurried,
the type of liquid.
• Requirements for the microcapsule rupture mechanism, including whether the
capsules must be soft or hard, and if sustained release is required.
• The desired capsule size, whether large and visible, or small and invisible.
• Desired color, if any.
Conclusion
Microencapsulation as a delivery system has proved useful in numerous commer-
cial applications in a variety of industries. Practical application of these technologies
can range from taste-masking drugs in pharmaceutical applications to the protec-
tion of two-part adhesive monomers in industrial fasteners. The techniques used
to produce these capsules vary from simple blend operations to complex polymeric
coating systems. The approaches described here provide a brief introduction to
the world of microencapsulation and its potential for high-performance personal
care products. Through the combined skills of creative formulators and innovative
microencapsulation experts, consumers can benefit from next-generation personal
care product forms based on stable systems of cosmetic actives and long-lasting
fragrances.
References
1. Meyer, Age 2000: Census 2000 Brief, US Department of Commerce (2001)
2. Branna, What’s New in Cosmetic R&D, Happi, 44(3) 61–66 (2007)
3. MH Gutcho, Microcapsules and Microencapsulation Techniques, 1, 8–9, 133–135,
Noyes Data Corporations (1976)
Chapter 30
W hat questions should any product formulator ask of their fragrance supplier?
This question is a bit like the tail wagging the dog. Since the perfumer has an
intimate knowledge of the chemical and physical properties of the materials being
used in fragrance, it would be more productive if the fragrance supplier raised the
following questions to the formulator.
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What Every Formulator Needs to Know about Fragrance Beginning Cosmetic Chemistry
O
O 2C2H5OH O
HO HO
Solubility
This issue is something that should be thought of in terms of properties or
overall properties of the base. In a wax or lipstick or petrolatum the base is lipo-
philic so the fragrance has to be completely lipophilic and should contain no glycols
or polar ingredients. In a shower gel that has a preponderance of water, the base
is hydrophilic and the fragrance should be skewed to be as polar as possible and
minimize the use of non-polar types like citrus or wood based fragrances, which
are extremely hydrophobic. The good news is that most cosmetics, shampoos and
lotions can tolerate a wide range of solubility characteristics in this area. Solubility
usually only becomes an issue when the base is extreme like mineral oil, which is
so non polar and, so it is consequently difficult to achieve clarity without testing
and using the minimum amount of almost any fragrance.
Table 30.1
Each product will have its own set of problems that must be addressed and
overcome.
In the case of a “Clear Shower Gel”, compatibility with a specific regard to
solubility becomes the initial and primary concern. Often, a fragrance is selected
or requested by the type of odor desired without regard to the system or stability
requirements. A great example would be selecting a fresh lemon or citrus for clear
shower gel. Since all citrus products tend to oxidize and are naturally hydrophobic,
problems will definitely arise with stability as well as solubility. This situation will
leave the cosmetic chemist with the problem of how to solubilize to clarity. The
goal for the fragrance creator should be to prevent this type of problem from the
outset. This forethought will also minimize the occurrence of phase separation or
haziness over a range of temperatures that a product must endure over the manu-
facture, shipping, storage and shelf life.
In many cases a “Clear” product packaged in a “Clear” bottle is the recipe
for difficulty. A clear package allows the consumer to see a product completely
with all the potential pitfalls of change in clarity, color or phase separation. These
changes may be initiated or caused by temperature and/or light, both ultraviolet
as well as sunlight.
The first step is to examine the product. Usually the product is formulated with
a significant amount of water. In general, most fragrance components are lipophilic
(they do not like water at all) and in the best cases are only marginally soluble. They
are usually compatible with oil depending on the fragrance type. Within that general
guideline are degrees of solubility. Terpenes, sesquiterpenes and other aromatic,
cyclic or polycyclic materials are extremely insoluble in any type of water system.
In order to have a clear product that can be easily manufactured, tested through
several freeze/thaw cycles and survive extreme storage conditions without phase
separation can be a significant challenge. These challenges must be overcome.
This situation is where an experienced, knowledgeable perfumer with reasonable
chemistry experience is needed to accomplish this daunting task. It is in the end,
reduced to understanding the physical properties of the fragrance materials as well
as the physical properties of the preponderance of the materials used in the prod-
uct. The objective is the selection of materials with the correct physical-chemical
properties and elimination of the materials with the undesirable properties. The
odor properties must be considered separately and secondarily.
Color Changes: The nemesis of all product marketers is color change. So many
areas of instability occur in this area that many doctoral theses could be written and
in the end the problems would not go away. Color change can come from fragrance
and often does but it is not the only source. Color change can be caused by dye
instability, fragrance/fragrance interaction, fragrance/dye interaction, fragrance/
base interaction, light-induced change as well as base/package and fragrance/pack-
age interaction. I am keenly aware that I have not included all possible sources for
color change. These few are the most common causes. Further, when fragrances
are required to be all natural, color stability and change cannot be guaranteed.
Now is the time to consider any items that are prone to color change due to
UV and or sunlight radiation. (This cause is not the only source or reason for color
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Beginning Cosmetic Chemistry Chapter 30
The top note would be analogous to melody, the middle note analogous to the
rhythm section and the base note would be analogous to the bass and drum sec-
tions. One can quickly see that a top, middle and base note analogy does not make
complete sense because we do not listen to music in sections but rather, we hear
all the parts, melody, rhythm and bass/percussion blended together simultaneously.
This correlation is also true of fragrance. It is really the balance and blend of all the
sections that make the fragrance what it is. When one part is adjusted the other
part looms into or out of balance with the remaining sections. This analogy gives a
more accurate portrayal than the top, middle and base note explanation.
Shampoos and liquid detergents can be viewed as similar products in terms
of stability requirements. A neutral pH or slightly alkaline is the norm for these
types of products. Still, one must be aware that oxidation and a slight equilibrium
shift due to alkalinity can compromise the stability of many esters that are normally
used in fragrances. Additional performance loss might be attributed to volatilization
through the packaging. While most shampoos and liquid detergents are fragranced
at 0.2–0.8% range, a loss of top notes or volatiles on the lower use range will be
more dramatic than on the higher ranges. The fragrance should be constructed
accordingly, utilizing more of the mid range notes.
Conditioners and high pH preparations that may contain a quaternary
agent or ammonium hydroxide may exhibit instability when unsaturated terpenes
are used. These items are common in all citrus products. Since citrus is such a
popular theme and often used in a wide variety of products, you might ask how is
this accomplished? A wide variety of citrus like products are at the disposal of the
perfumer. These “surrogate” citrus notes possess a citrus-like character without
the unsaturated terpene content that can be so problematic in functional products.
Alternate choices for citrus fragrances would be deterpinated or terpeneless prod-
ucts that are low in unsaturated molecules and are less prone to oxidation such as
straight chain or branched alcohols that posses a citrus character (Figure 30.2).
O OH
-OH
O HO
O
Epsilon Hexalactone 6 Hydroxy Hexanoic Acid
Lotions & Creams have fewer problems than most of the above formulations.
These products experience little problem with compatibility. Color stability can be
a problem. This issue is the bane of every marketer who wants the consumer to
actually see the product they are purchasing. It can be mitigated by packaging and
the use of antioxidants as well as UV absorbers in the product and the packaging.
Problems of viscosity are generally easily solved but one should always be cognizant
that many fragrance ingredients can alter the viscosity drastically and occasionally
some alternate fragrance types or ingredients must be substituted.
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Beginning Cosmetic Chemistry Chapter 30
Table 30.2
In addition to compatibility some attention must be paid to the type and amount
of materials that may crystallize in the spray orifice. They may come from naturally
crystalline materials from the fragrance. As volatile materials evaporate the concen-
tration of the crystalline material increases and forms crystals on the surface of the
valve which can eventually block the spray orifice and prevent proper spray. This
process can take place slowly and accumulate over time. Experienced formulators
know not to use too much crystalline material in this type of product.
Environmentally Friendly
Materials that are natural or naturally occurring may be preferable to the cus-
tomer. They are not always better or safer, but are generally thought to be “better”
by the consumer and public. Science does not take the same view. One of the most
potent carcinogens occurs naturally in peanuts, {aflatoxin} and is 100% natural but
not safe. An entire paper could be devoted to this subject and is beyond the scope
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What Every Formulator Needs to Know about Fragrance Beginning Cosmetic Chemistry
of this chapter. It is also a “hot button” topic for the promoters and detractors. The
phrase “certified organic” is something that is occuring more frequently. It refers
to the production of natural essential oils, isolates or biochemical transfer products
that do not use pesticides and have been certified by one or more agencies like the
US Department of Agriculture’s organic program.
Having said that, naturals do have a history of safe use and evidence of good
biodegradability exists. I cannot think of a single naturally occurring material
from essential oils or isolates that accumulates in the environment or causes any
ecological problems. It is more often the dosage or huge volume of materials that
present ecological problems. Nature is judicious about the amount of anything that
is biologically manufactured.
Materials of concern are described as persistent bioaccumulative toxic or
PBTs.
Some of these materials are nitro musks like musk xylol, ketone, tibetine as well
as polycyclic musks like indane musks or hexamethyl tetralin musks. As the “green
movement” gains momentum, I believe we will see more requests that address the
concern of the fate of the fragrance chemicals that go into the environment and
the ecosystem. The bulk of the effort has begun by introducing environmentally
friendly laundry detergents and cold water formulations that require less energy.
Even though fragrance is a minor portion, (less than 0.5%) it is logical to anticipate
that the fragrance portion will be viewed as an area for improving biological or
ecosystem friendly materials.
Increased regulation and control of what is being put into the environment on
a world wide basis is something that we can expect for the future.
Scale Up: This area is another one for surprises. Prototype products that are
developed in glassware or ceramic vessels in the laboratory can be markedly differ-
ent from batches prepared in a manufacturing plant environment. Stainless steel
is not an inert mixing vessel. Often times temperatures that are easily controlled
in the laboratory are impossible to regulate in a manufacturing plant. Another
variable is personnel and their training, education and ability to recognize where
a seemingly insignificant change in procedure may affect subsequent stability. An
example might be the simple change in the order of addition.
Example I.
Water 90%, Surfactant 5%, Fragrance 5% Add to tank & Mix.
If these materials are added in this order, two things happen, the fragrance will
not be evenly dispersed, in the water and the batch will foam considerably making
mixing a problem.
Example II.
Step 1. Add Water to Tank First.
Step 2. In separate vessel thoroughly mix Surfactant 5% mixed with
Fragrance 5%
Step 3. Add Surfactant / Fragrance mix to Water in Tank.
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Beginning Cosmetic Chemistry Chapter 30
Unpredictability!
Despite everyone’s best efforts elements of unpredictability are always with
us. We are trying to predict what will happen when we mix several hundred in-
gredients with the variables of time, temperature, light energy exposure as well
as shipping, storage and use conditions. These reactions occur at extremely low
levels often catalyzed by trace elements. It is not uncommon to go through testing
and refinement and then nearly at the 11th hour a small seemingly insignificant
base change is made. It can be as simple as a supplier change with no apparent
difference in quality.
Is there ANY water in the product? _____ Y/N How much? _____ % by Weight
Is packaging clear _____ or opaque? Y/N Will the product be colored? ______
What are the stability parameters and requirement or protocols required by the
customer? ________________________________________________________
__________________________________________________________________
What IFRA 42nd Amendment Category does the product belong? (1–11)
__________________________________________________________________
Chapter 31
M uch has been written on fragrance chemistry and applications, but many
formulators remain unaware of the detailed mechanisms by which aroma
chemicals interact with bases. With the daunting complexity of fragrances, no text
will resolve all the situations that are encountered. Nevertheless, an understanding
of the underlying chemistry can notably enhance the probability of success.
Fragrance is used in most personal care products. Sometimes, its purpose is
simply to mask an undesirable base odor; more often it is a key sensory attribute.
For some products, such as shampoo and body wash, fragrance may be the most
important element in consumer appeal.
Formulators usually view fragrance as a single ingredient, a liquid in an amber
bottle, often added at the end of the development process with little regard for
its properties. The marketing department treats fragrance by its odor description,
demographic appeal and cost. In reality, fragrance often is the most chemically
complicated component of the formulation, and understanding its technical aspects
is essential for the creation of an acceptable product.
Fragrance Materials
In constructing a fragrance, volatility is a key factor. The materials that are most
volatile, and last the shortest time during use, are called top notes. Materials of
intermediate volatility comprise the middle notes. The least volatile, longest-lasting
components make the bottom notes. A pleasing blend of a few materials is called
an accord. A fragrance, in its most basic form, can be constructed from a bottom
accord, a middle accord and a top accord. More than 40 years ago, Jean Carles1
provided a classic summary of fragrance construction that is still valid. (See Sidebar
31.1. The Creation of a Fragrance)
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Fragrance in Emulsion and Surfactant Systems Beginning Cosmetic Chemistry
Many fragrances are created first as hydro-alcoholics, for which the term perfume
usually is used. If the fragrance is successful, line extensions are made into skin,
hair and bath products. The materials that can be employed—and the balancing
of the components—must be modified for aesthetic, economic and technical con-
siderations.2 It is easy to understand the economics. While functional fragrances
frequently derive from fine fragrances, the fine fragrances have much higher price
points. Expensive nuances in the fragrance usually will not be used in personal
care. The aesthetic and technical aspects of translating fragrance into successful
applications will occupy the remainder of this chapter.
Perfumers, even if they are blissfully unaware of chemistry, learn to solve many
common problems through training and experience. When modifying fragrance for
a specific base, some materials must be removed because of their negative impact
on stability. Materials must be added to the fragrance or subtracted from it to com-
pensate for the physical or olfactory qualities of the base. Raw material studies can
identify problematic ingredients. Databases give the stability of aroma chemicals over
a wide pH range or in common applications. Compendiums from aroma chemical
suppliers frequently include indications of appropriate applications.
Although it is possible to solve problems without a theoretical foundation, the
curious formulator will still desire a deeper understanding of why fragrances behave
as they do. Fragrances embrace a widely diverse range of chemical types. Some
characteristic examples of those types are shown in Figure 31.1. Aroma chemicals
often contain more than one functional group, and they each contribute to the
properties of the material. The literature includes numerous books3–8 that treat the
chemistry, synthesis and properties of aroma chemicals in detail.
Figure 31.1.
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Fragrance in Emulsion and Surfactant Systems Beginning Cosmetic Chemistry
a b c d e
Headspace
Headspace over Original Adjusted
Fragrance of fragranced fragrance fragrance
component fragrance base a/b formula formula
Limonene 31.9 15.9 2.0 2.0 4.0
Linalool 13.2 12.9 1.0 2.0 2.0
Linalyl acetate 12.3 7.7 1.6 2.0 3.3
PEA 6.2 22.6 0.3 3.5 1.1
Benzyl acetate 11.6 18.7 0.6 2.1 1.3
Polarity
It is clear that, with the obvious exception of the interaction of functional groups,
the key to understanding the behavior of aroma chemicals in diverse media is polarity.
The simplest division of materials is into two groups, polar or nonpolar, but either
solubility parameters (SP) or the water/octanol partition coefficient (P) is much
more informative. P usually is expressed as its calculated logarithm, clogP.
Solubility parameters: Vaughan has covered the personal care applications of
SP in a valuable series of articles.17–21 The SP is a measure of all the cohesive forces in
a molecule. Its consequence can easily be seen in the size of a drop. Using a uniform
pipette, the weight of a drop of water, mineral oil or ethyl alcohol will be different,
and the difference can be correlated directly to the SP of the materials.
In a simplified way, where aroma chemicals might partition in an emulsion system
can be seen using the solubility parameter. Table 31.2 shows the solubility param-
eter of selected fragrance materials and some common emulsion ingredients.
The most common type of emulsion is o/w, with anionic or nonionic emulsifiers.
The emulsion has an oil phase of small droplets covered by emulsifier molecules,
an external phase and liquid crystal structures. These different phases must be kept
in mind when examining the fate of fragrance in the system.
A simplified view of the location of aroma
chemicals in an emulsion is shown in Figure 31.2.
Once the fragrance mixes into the emulsion, the
individual components of the fragrance partition
in varying degrees into the different structures of
the product. Pinene, with an SP under 9 and no
oxygen groups, will migrate into the internal oil
phase. Hydroxycitronellal, with its surface activity,
can concentrate on the micelle surface; there it
can displace some emulsifier, lower the viscosity Figure 31.2.
or break the emulsion. Phenylethyl alcohol and
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Fragrance in Emulsion and Surfactant Systems Beginning Cosmetic Chemistry
vanillin, with SP greater than 11, can have substantial presence in the external
aqueous phase. The amyl alcohol, with a fatty chain and hydroxyl group, can parti-
tion into the liquid crystal structure. The partitioning takes time, accounting for
the aging necessary before one can accurately evaluate the effect of the base on
the fragrance’s olfactory performance.
Ingredient SP
White mineral oil 7.09
Stearic acid 7.75
-Pinene 8.03
Amyl acetate 8.44
Citronellal 8.83
Stearyl alcohol 8.90
Citral 9.34
Linalool 9.62
Amyl alcohol 10.84
Benzaldehyde 11.00
Eugenol 11.12
Dipropylene glycol 11.78
Phenylethyl alcohol 11.79
Benzyl alcohol 12.31
Vanillin 12.34
Propylene glycol 14.00
Water 23.40
Behan and Perring26 used headspace analysis to examine the vapor phase con-
centration over a shampoo system. Sodium dodecyl sulfate (SDS) was used at a
range of 5–20%, but with 10% as the standard level. Aroma chemicals from 0.5–3%
were used, with 1% the standard. The aroma chemicals studied were octan-2-one,
benzyl acetate, anethole, limonene and heptan-1-ol. Several solvents/solubilizers
also were considered. It was found that the solvent could profoundly influence the
headspace composition of the volatile components. The perfume partitions in the
SDS/water system, and increasing the surfactant concentration reduces the quantity
of aroma chemicals in the headspace.
It is known that different perfume components could concentrate in differ-
ent areas of the micelle. Additionally, some polar materials can be present in the
external phase. Materials with some water solubility, such as phenylethyl alcohol
or vanillin, become less soluble if the polarity of the external phase is increased by
the addition of salt. Systems that overly rely on salt to build viscosity may be hard
to fragrance for two reasons: the low level of surfactant and the excessive polarity
of the external phase.
The partitioning of aroma chemicals
in a surfactant system is shown in Figure
31.4. Some materials will migrate into the
core of the micelle, some will align in the
hydrophobic tails, some will be near the
micelle surface and a small amount will
be in the external aqueous phase. The
viscosity is determined by the number, size
and geometry of the micelles, in addition
to any thickening that has been created in
the external phase. The fragrance materials
can change any of these parameters, and
make the viscosity increase or decrease. Figure 31.4.
The viscosity changes can be extreme and
difficult to correct.
Knowledge of the structure of bases and the chemical nature of aroma chemi-
cals allows intelligent conclusions to be drawn concerning the fate of fragrance
materials in finished products, but it is not conclusive scientific proof. Research
by a number of workers under the general guidance of Friberg27–42 confirmed the
nature of the interaction of fragrance chemicals with larger environments with the
a priori observations of many formulators
It is impossible to examine every aspect of complex systems in a thorough
way: the sheer number of variables make the calculations impractical. Three- or
four-component systems of clearly defined composition must be used to provide
manageable data. The methods used by Friberg involve titration combined with
visual and polarized microscopic examination, and low angle X-ray diffraction. The
X-ray diffraction measures the spacing of liquid crystal structures (Figure 31.5).
The titrations yield phase diagrams that map the different structures present in
the mixtures.
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Beginning Cosmetic Chemistry Chapter 31
Changing the initial blend a number of times allows a complete analysis of the
system (Figure 31.6). The line from A to B has no water content. Point A is 100%
oil; B is 75% oil, 25% surfactant; C is 50% oil, 50% surfactant; D is 25% oil, 75%
surfactant; and E is 100% surfactant. Water is titrated into the system, providing
data along the lines AG, BG, CG, DG, EG, where the point G is 100% water.
To add a fourth vari-
able, a blend of two in-
gredients is fixed and the
titration performed as in
the three-phase system.
Figure 31.7 has a 50:50
mixture of geraniol and
olive oil in a system with
steareth-10 and water.
Areas of lamellar liquid
crystals and microemul-
sions are formed.
The microemulsion Figure 31.7.
regions occur where the
mixture becomes clear.
Liquid crystals can be observed by a cross pattern in the micelles viewed in a polar-
izing microscope. The spacing between lamellar liquid crystals can be measured
by low-angle X-ray diffraction, revealing quantitatively the impact of the fragrance
molecules on the geometry of the system.
The cumulative work of Friberg’s group showed conclusively that different
fragrance molecules occupy different areas in the surfactant or emulsion system,
which certainly will affect the viscosity and stability of the system. The location
of the fragrance in the surfactant structures and the interaction of the surfactant
with the fragrance materials will affect the vapor pressure of the aroma chemicals
in the base. Thus the odor impact will be affected also.
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Fragrance in Emulsion and Surfactant Systems Beginning Cosmetic Chemistry
Summary
This chapter has only considered a few aspects of the importance of fragrance
chemistry in personal care. Interactions with packaging; safety and regulatory is-
sues; color interactions; problems at extreme pHs; incompatibilities with active
ingredients mean that the subject is endless. Some additional articles43–50 and Web
sites51–53 are included in the references to help guide interested readers, but many
more exist.
The challenge to perfumers and application chemists arises from the complexity
of fragrance chemistry, the varied interactions of aroma chemicals with the envi-
ronment of emulsion and surfactant systems, and the added influence of external
factors such as heat and light. Practical experience helps as a guide, and the brute
force approach of raw material studies can produce effective fragranced products.
True understanding comes with the realization that fragrances are chemicals, that
bases create an environment of varied character, and that the core of fragrance
chemistry is chemistry.
References
1. J Carles, A method of creation in perfumery, RBD Recherches #11 (Dec 1961), #12
(Dec 1962), #13 (Dec 1963)
2. JG Dellas and VG Lenoci, The EST principle: maintaining a fragrance accord in diverse
media, Cosm Tech (Feb 1980)
3. M Billot and FV Wells, Perfume Technology: Art * Science * Industry, Ellis Horwood,
Chichester, UK: (1975)
4. RR Calkin and JS Jellinek, Perfumery: Practice and Principles, Wiley Interscience,
New York (1994)
5. PM Muller and D Lamparsky, eds, Perfumes: Art Science & Technology, , Elsevier
Science, New York (1991)
6. D Rowe, ed, Chemistry and Technology of Flavors and Fragrances Blackwell,, Boca
Raton, Florida (2005)
7. CS Sell and DH Pybus, eds, The Chemistry of Fragrances, RSC, Cambridge, UK (1999)
8. E Theimer, ed, Fragrance Chemistry: The Science of the Sense of Smell, Academic
Press, New York (1982)
9. C Morel, Perfuming cosmetics and toilet preparations, SPC (Nov 1946)
10. W Wynne, Effect of perfume oils on emulsions, Amer Perf & Ess Oil Rev 381–383
(1949)
11. EG McDonough, Problems in perfuming cosmetics, Amer Perf & Ess Oil Rev 205–213
(1950)
12. J Pickthall, The effect of perfumery chemicals on emulsified products, SPC (Jan 1955)
13. SA Karas, The effect of some aromatic chemicals and essential oils upon the stability
of cosmetic emulsions, J Soc Cosm Chem 1 (1949)
14. CK Wellencamp, Fragrance stability of cosmetics with especial reference to acetals,
Pro Sci Sec TGA 12 20–22 (1949)
15. I Bonadeo et al, Hydrophilic properties of aromatics, Int J Cos Sci 2 215–229 (1980)
16. HC Saunders, An approach to fitting a perfume to the polarity of its substrate, Cosmet
Toil 88(11) 31–34 (1973)
17. CD Vaughan, Using solubility parameters in cosmetic formulation, J Soc Cos Chem
16(5) 319–333 (1985)
18. CD Vaughan, Solubility effects in product, packaging, penetration and preservation,
Cosmet Toil 103(10) 47–69 (1988)
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19. CD Vaughan and D Rice, Predicting O/W emulsion stability by the “required HLB
equation,” J Disp Sci & Tech 11(1) 83–91 (1990)
20. CD Vaughan, The solubility parameter: What is it? Cosmet Toil 106(11) 69–72 (1991)
21. CD Vaughan, Solubility parameters for characterizing new raw materials, Cosmet Toil
108(9) 57–62 (1993)
22. www.daylight.com/daycgi/clogp
23. US Pat 5 783 544, Composition for reducing malodor impression on inanimate
surfaces, assigned to The Procter & Gamble Company (1998)
24. DR Munden, Effect of perfumes on the viscosity of surfactant systems, Cosmet Toil
103(11) 65 (1988)
25. JM Blakeway et al, Studies in perfume solubilization, Int J Cosmet Sci 1 1–15 (1979)
26. JM Behan and KD Perring, Perfume interactions with sodium dodecyl sulphate
solutions, Int J Cosmet Sci 9 261–268 (1987)
27. SE Friberg et al, “The location of vanillin in a food emulsion system.” In SL Holt, ed,
Physical Chemistry of Flavors, ACS Sym Series #177, American Chemical Society,
Washington, DC: (1982)
28. SE Friberg and S Vona, Fragrance microemulsons, triethylcitrate, water, sodium
dodecylsulfate and pentanol, Soap Cosmet Chem Spec 32–40 (Aug 1994)
29. SE Friberg et al, Vapor pressure of phenylethyl alcohol in the system with water and
polyoxyethylene-4 lauryl ether (Brij30), Progr Colloid Polym Sci 101 18–22 (1996)
30. Yang et al, The phase behavior of polyoxyethylene-10 stearyl ether/geraniol/olive oil/
H2O system and preliminary evaluation of fragrance evaporation, Int J Cosmet Sci 18
43–56 (1996)
31. SE Friberg et al, Vapour pressure of a fragrance ingredient during evaporation in a
simple emulsion, Int J Cosmet Sci 19(6) 259 (1997)
32. SE Friberg, Vapor pressure of some fragrance ingredients in emulsion and
microemulsion formulations, Int J Cosmet Sci 19 75–86 (1997)
33. SE Friberg et al, Vapor pressure of phenylethyl acetate in the system with water and
polyoxyethylene-4 lauryl ether, J Molecular Liquids 72 31–53 (1997)
34. SE Friberg et al, Vapor pressure of phenylethyl alcohol in an aqueous hydrotrope
solution, Colloids Surf A 127 233–239 (1997)
35. SA Vona Jr et al, Location of fragrance molecules within lamellar liquid crystals,
Colloids Surf A 137 79–89 (1998)
36. SE Friberg and L Fei, Vapor pressure of phenylethyl alcohol and phenylethyl acetate in
aqueous solutions of sodium xylene sulfonate and polyvinylpyrrolidone, Progr Colloid
Polym Sci 109 93–100 (1998)
37. SE Friberg et al, Vapour pressures of phenethyl alcohol and limonene in systems with
water and laureth 4, Int J Cosmet Sci 20(6) 355 (1998)
38. SE Friberg, Fragrance compounds and amphiphilic association structures, Adv
Colloid Interface Sci 75 181–214 (1998)
39. SE Friberg et al, Stability factors and vapor pressures in a model fragrance emulsion
system, J Cosmet Sci 50 203–219 (1999)
40. SE Friberg et al, Vapor pressures and amphiphilic association structures, Colloids &
Surfaces 159 17–30 (1999)
41. SE Friberg et al, Phase diagram and emulsion stability of surfactant-fragrance
systems, Int J Cosmet Sci 22(2) 105–119 (2000)
42. SE Friberg et al, Change of amphiphilic association structures during evaporation
from emulsions in surfactant-fragrance-water systems, Int J Cosmet Sci 22(3) 181–199
(2000)
43. A Seldner, Fragrance: Basics for the formulating chemist, Cosm Tech (Feb 1980)
44. SJ Herman, Fragrance chemistry, Chem Tech (Aug 1992)
45. SJ Herman, Fragrancing emulsions, Cosmet Toil 109(8) 71–75 (1994)
46. A Baydar et al, Behavior of fragrance on skin, Cosmet Toil 111(2) 49–57 (1996)
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Fundamentals of
Formulating Hair Care
Products
An overview of formulating a variety of hair care products, the
chemistry behind them and why they are effective.
F ormulating hair care products requires a combination of science and art. The
science involves treating the physical needs of consumers’ hair; the art is in
giving consumers products that are pleasing to use and enhance their appearance
and, therefore, their self-esteem. Cosmetic scientists must keep these goals in mind
when formulating hair care products.
How products enhance hair: Hair care products physically enhance hair in
four basic ways. First, these products cleanse hair and leave it looking and feeling
better. Second, conditioning products overcome damage that has been done to the
surface of hair and enhance its feel and appearance. Third, styling products are
designed to enhance the configuration of hair and give the consumer better control
over their appearance. Finally, reactive products, those that chemically interact
with hair’s structure, can change both the color and the physical shape of the hair.
This chapter discusses some of the fundamental considerations of formulating
these hair care products.
Cleansing Products—Shampoos
Hair becomes soiled through a variety of mechanisms including natural secretion
of sebum (from oil glands beneath the scalp), sweat (and the salt it produces), styl-
ing residue (from hair sprays and other hair holding products), and environmental
pollution (such as dirt and dust). Shampoos are specially designed to remove all
of these materials. But they must do so without stripping hair of the natural oils
that give it sheen and manageability. Therefore, shampoos are formulated with
detergents (also known as surfactants) and other materials that are relatively mild
to biological surfaces.
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Fundamentals of Formulating Hair Care Products Beginning Cosmetic Chemistry
Surfactants
Surfactants are a class of chemicals used in shampoos to cleanse hair. They are
compounds which are both hydrophilic (“water loving”) and lipophilic (“oil lov-
ing”). The water soluble portion of the molecule is typically a polar group which
ionizes in solution to yield charged species. Water solubility may also be imported
through the polar moieties such as hydroxyl groups (OH-) which can hydrogen
bond with water to increase the solubility of the molecule. The oil soluble part of
the molecule is typically a long chain hydrocarbon, which can be either branched
or straight chain. According to the chemical principle of “like dissolves like,” the
lipophilic portion associates itself with oily materials, while the polar portion of the
molecule is attracted to water. The surfactants reduce the surface tension of the
solution, thus allowing them to disperse oil in water. In addition, these surfactants
create foam, which is a signal to the consumer that the product is working.
Choosing surfactants: The surfactants used in shampoo formulations are
selected on the basis of their cleansing and foaming properties. The primary types
include anionics, nonionics and amphoterics. The most commonly used anionics are
alkyl sulfates that are made up of long chain hydrocarbon backbone with a sulfate
group on one end. Examples include ammonium and sodium lauryl sulfates. A variety
of related surfactants can be created by altering the nature of the polar head group
and the carbon chain. For example, alkyl ether sulfates, alkyl phosphates, dialkyl
sulfosuccinates and alkanolamide sulfates are all examples of anionics.
Amphoteric surfactants such as beta aminopropionates (e.g., sodium laurimino-
dipropionate) are good detergents as well. Amphoterics are zwitterionic meaning
that they acquire a positive charge in acidic environments and a negative charge
in alkaline solutions. These materials are generally less irritating than anionics but
they also provide less foam. They are commonly used in mild formulations such
as baby shampoos.
Nonionic surfactants have no net charge and are good degreasing agents but
they provide little foam. They are frequently used to solubilize fragrances and other
oily materials. Examples include polysorbate compounds and fatty alcohol ethers
such as PPG-10 cetyl ether.
Conditioning Agents
Besides surfactants, shampoos also contain conditioning ingredients that smooth
the cuticle and improve the hair surface. These ingredients, which include silicones,
polymers, and other emollients, are discussed in detail in the next section.
Other Ingredients
In addition to surfactants and conditioning ingredients, other ingredients used
in shampoo formulations include thickeners, viscosity modifiers, preservatives,
colorants, and fragrances. It is the job of the formulator to combine these ingredi-
ents in the proper ratios to produce a product that will cleanse the hair and leave
it with a pleasant feel.
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Beginning Cosmetic Chemistry Chapter 32
Cationic Surfactants
Cationic hair care ingredients are important for two reasons. First, since they
have a positive charge, they tend to be more substantive to hair, which has a net
negative charge. In other words, they tend to remain on the hair through the rins-
ing process. For this reason, cationics are important in rinse-out formulations.
Furthermore, the charge on the molecule lets it dissipate static charge and keep
hair from becoming flyaway. Cationics are most commonly found in the form of
fatty quaternary ammonium compounds, or quats, and cationic polymers. Cationic
surfactants, in the form of quaternary ammonium salts, or quats, are widely used
to condition hair. Quats can be thought of as ammonium salts with the hydrogen
molecules replaced by alkyl groups. At least one group is a hydrophobic molecule
with a long hydrocarbon chain (typically 12–22 carbons). Methyl groups can oc-
cupy the remaining sites. The anion is usually chloride, but it can also be bromide
or methyl sulfate.
Improving hair manageability: A quat’s ability to condition comes from the
hydrophobic nature of the long hydrocarbon tail and the cationic charge of the polar
head group. In aqueous cosmetic formulations, quats dissociate into their ionic
components. The cation attached to the hydrocarbon chain is attracted to anionic
charges present in hair’s protein structures. This electrostatic interaction, coupled
with the fatty nature of a molecule’s hydrocarbon portion, inhibits rinse-off.
With the fatty portion of the quat deposited on the surface, many benefits become
apparent. The hair cuticle is smoothed, resulting in a more lubricious, softer feel
with easier combing ability. Also, quat conductivity reduces static electrical build
up. This reaction reduces flyaway and improves manageability.
Quat drawbacks: Potentials for formulation compatibility problems and irrita-
tion are some drawbacks of quats. For example, combining cleansing and condi-
tioning systems in products such as 2-in-1 shampoos can lead to stability problems
because quats and anionic surfactants may be incompatible. Another drawback is
the relatively high potential for skin and eye irritation.
A wide variety of quats exist, including ethoxylated and mono-, di- and tri-
substituted forms. If the degree of substitution increases, more fatty material is
deposited, and quats normally will exhibit better conditioning. However, this increase
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Fundamentals of Formulating Hair Care Products Beginning Cosmetic Chemistry
also reduces the material’s water solubility, making formulation more difficult. In
a process known as “ethoxylation,” formulators can overcome this insolubility by
increasing the number of molecular hydrophilic groups. The drawback, in this case,
is that a higher water solubility reduces quat substantivity.
Cationic Polymers
Cationic polymers are another type of substantive raw material commonly used
in hair-conditioning formulations. They are made by attaching quaternized fatty
alkyl groups to modified natural or synthetic polymers. While structurally similar to
quats, they have many more cationic sites per molecule and much higher molecular
weights. Cationic polymers must be substantive to effectively condition. As with
quats, a polymer’s cationic nature allows substantivity via coulombic attraction to
anionic surfaces. Cationic polymers are also used in anionic surfactant-containing
formulas, such as shampoos, where they are solubilized and expected to wash
away during use. However, that does not happen because of a unique solubility
mechanism.
Anionic surfactant systems containing cationic polymers can be designed so
that polymers are soluble in the product but become insoluble during rinsing and
depositing on the hair. This result occurs because of an association between the
cationic polymer and the anionic surfactant in cosmetic formulations like sham-
poos. With excess surfactant, the polymer is solubilized, creating a clear solution.
However, during rinsing, the surfactant concentration falls below the critical level
required for solubilization, and the polymer/surfactant complex deposits on the hair.
Once deposited, cationic polymers provide hair with slip, manageability, and good
combability. They increase body in damaged hair, have good spreading properties,
and can improve split ends. Their relatively high activity allows low-use levels.
Emollients
Emollients are materials that provide lubricity and slickness to the hair. These
materials include long-chain hydrocarbon esters, silicones, and other oily materials.
Silicones, specifically dimethicone, are highly effective in smoothing hair. These
materials work by forming thin, uniform films on the surface of hair. A siloxane
backbone makes dimethicone very hydrophobic and capable of waterproofing the
hair to protect it from environmental damage.
Humectants
Humectants are a class of conditioning agents that work by an entirely different
mechanism. They are “hygroscopic,” meaning they absorb water from the environ-
ment and promote water retention. This mechanism is helpful in controlling certain
physical properties of hair, such as brittleness. A variety of humectants are common
throughout the industry in both hair and skin care products.
Most humectants are “polyols,” meaning they contain multiple hydroxyl groups
that attract and bind water. Glycerin and sorbitol are two common examples often
used in hair care products to help retain moisture in the hair and to prevent the
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Beginning Cosmetic Chemistry Chapter 32
product from drying out. Polyols are typically used at relatively low concentrations
ranging from 1–5%.
Emulsifiers
Since many of the fatty materials used to condition the hair are not very water
soluble, other types of surfactants, known as emulsifiers must be used to allow
the water and oil soluble ingredients to form a homogeneous mixture. Common
emulsifiers include fatty alcohols such as cetyl and stearyl alcohol, and ethoxylated
chemicals such as steareth-21.
Other Ingredients
Other ingredients used in conditioners include auxiliary emulsifiers, thickeners,
preservatives, colorants, fragrances and preservatives as described above.
(Tg) also affects how a polymer behaves on hair. Above the Tg, the film is flexible.
Below this temperature, the film is harder and more brittle. These factors must be
considered when using a styling polymer.
Shellac and PVP: The first hair sprays used shellac—a resinous material
derived from insects. Unfortunately, while this material held the hair in place, it
produced a water insoluble film when it hardened that was difficult to wash out.
This problem was overcome by the incorporation of synthetic polymers into hair
styling products. Initially, polyvinylpyrrolidone (PVP) was used. PVP is produced by
the polymerization reaction of 1-vinyl-2-pyrrolidone. It is a water soluble material
that is substantive to hair and produces a clear, flexible film. This development was
a significant improvement over shellac but it did have its problems. PVP’s primary
disadvantage is that it is hygroscopic which means it tends to absorb moisture
from the air and makes hair sticky. This problem led to the development of the
copolymer resins.
Many different copolymer resins are now available for use in styling products.
Polyvinylpyrrolidone vinyl acetate (PVP-VA) copolymers provide a clear film with
good hair holding abilities. The incorporation of the vinyl acetate makes the material
less susceptible to atmospheric moisture. However, this addition also makes it harder
to remove through shampooing, so the proper ratio must be found. Carboxylated
resins such as vinyl acetate\crotonic acid copolymer are said to provide the excellent
flexibility in formulating. Because they yield a film whose characteristics such as
hardness, solubility, and moisture susceptibility, they are controlled by the degree
of neutralization of the free carboxylic acid groups.
Solvents
In addition to the styling polymer, a solvent is used in styling products. Perhaps
the most common solvent is ethanol. It is particularly effective in hair sprays because
of its high compatibility with many propellants and styling polymers. Water is also
used as a solvent because it has a low cost and does not add to the volatile organic
compound (VOC) content of the product. With the advent of current regulations
about VOCs a significant amount of work is going on to develop new hair styling
polymers that are more compatible with formulas that contain water. This change
represents a significant challenge to polymer manufacturers as well as cosmetic
formulators.
Other Ingredients
To modify the effects of the polymers, various other types of materials are added.
For example, plasticizers like isopropyl myristate are used to make the film more
flexible and less brittle. Neutralizing agents are also used. These materials, such as
aminomethyl propanol (AMP), help control the hardness of the film as well as the
solubility. Various emollients and conditioning agents that help make hair easier
to comb may also be included in styling preparations.
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Beginning Cosmetic Chemistry Chapter 32
Perms
Permanent waving products are designed to change the configuration of hair
to make it permanently curlier. During the early 1900s waving was accomplished
by heating hair with various electrical devices. These physical methods have been
largely replaced by chemical methods developed during the last 50 years. In these
products the primary reactive chemicals are thioglycolates and bisulfites. To un-
derstand the basics of permanent waving, it must be known that hair is composed
of helical proteins that are crosslinked by sulfur-sulfur bonds. These bonds give
the hair structure that can be modified by changing these bonds. (An experienced
chemist will note that this descripition is a simplified explanation of what is a
complex process.)
A 3-step process: The perming process can be broken down into three steps.
First, hair is physically rearranged with curlers or rollers. Before rolling, the hair is
protected with thin sheets of tissue which cover the ends. Next, the perming solu-
tion is applied and worked into the hair. During this stage, the bonds crosslinking
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Fundamentals of Formulating Hair Care Products Beginning Cosmetic Chemistry
the hair proteins are broken. Finally, the hair is rinsed with water and treated with
a neutralizing agent to reform the bonds in a new configuration.
In general, perms contain several different types of ingredients including reduc-
ing agents, wetting agents, buffering agents, conditioning agents, oxidizing agents,
stabilizers and ancillary agents. These ingredients are formulated into three general
types of perms, alkaline, acid and bisulfite. Alkaline perms, called cold waves, use
thioglycolic acid. :”Alkaline” may seem like a misnomer, but the name is derived
from the final pH of the product. Alkaline perms typically have a pH greater than
9. Acid perms are customarily made with glyceryl monothioglycolate, a derivative
of thiglycolic acid that is effective at a lower pH of 7–8. Even though the pH is
neutral to alkaline, these products have historically been referred to as “acid perms”
in comparison to their higher pH cousins. The name also has some marketing equity
since acid perms are perceived to be less damaging. Bisulfite perms were designed
for mildness; they are based on hydrogen bisulfite rather than thio derivatives.
Relaxers
Hair relaxing is a process used to straighten excessively curly hair. It is typically
done on African-American hair which has a unique, elliptical structure that makes
hair extremely twisted or kinked. Straightening can be done mechanically by press-
ing the hair with hot implements or chemically by breaking the bonds in the hair
with reactive products. The latter method is the topic of this discussion.
Relaxers work in a manner similar to permanent waves. Basically, they rely on
reactive chemicals to break amino acid-based sulfur bonds that allow the structure
of hair to be rearranged. The process of hair straightening is also known as lanthion-
ization, which refers to the conversion of the amino acid cystine to the amino acid
lanthionine. Relaxers are commonly based on metal hydroxides such as ammonium
hydroxide, sodium hydroxide, lithium hydroxide or guanidine hydroxide. These
agents react more aggressively with the hair than perming solutions.
Relaxer application: The procedure for relaxing hair begins with dividing
hair into sections to simplify application. Next a thin layer of protective process-
ing cream is applied to the hairline to protect the ears and the ends of the hair.
Cream relaxer is brushed on section-by-section and the hair is smoothed with the
back of the comb until the desired straightness is achieved. The relaxer cream is
then rinsed off after 20 minutes with warm water to remove the reactive agents.
Commonly, a neutralizing shampoo is used to remove any excess relaxer cream and
to neutralize excess alkalinity. The result is hair that is locked into a straightened
configuration.
Relaxer formulations contain three key components, an oil phase, a water phase
and an alkaline agent. The oil phase is made up of materials like petrolatum or
mineral oil to help protect the scalp. Fatty alcohols are also included to thicken the
product and alkali-stable emulsifiers help stabilize the formulation. Lye relaxers
contain between 1.85–2.4% sodium hydroxide, depending on the strength required.
No lye relaxers are formulated with guanidine hydroxide and are significantly less
irritating than the sodium type. Relaxers can also be formulated with different
specialty ingredients such as conditioner agents.
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Beginning Cosmetic Chemistry Chapter 32
Coloring
Changing hair color has been done for centuries. Cosmetic chemists developed
several ways to alter hair color, some of which involve reactions with the natural
pigments of the hair. This reactive technique is known as oxidative, or permanent,
hair coloring. To understand this process, the chemist should be familiar with
the chemistry of hair pigmentation. Primarily two melanin-based pigments affect
natural hair color: eumelanin, which produces blond, grey, brown and black shades;
and pheomelanin which produces reds and yellows. Oxidative coloring addresses
problems associated with natural hair pigmentation by producing lasting changes
in hair color. In this process, color is produced inside the hair shaft from aromatic
amines and phenols reacting with hydrogen peroxide resulting in hair color that is
locked inside the hair shaft. As new hair grows, the dyeing process must be repeated,
approximately every 30–45 days.
Simultaneous reactions: Permanent dye formulations consist of two compo-
nents that are separate until the product is ready to be applied. The first component
contains the oxidative dye precursors that are typically Thearomatic p-diamines or
p-aminophenols, such as p-pheylene diamine. These colorless precursors react to
form dye intermediates that in turn react with dye couplers to produce color. The
dye couplers include such materials as resorcinol, 1-napthol, and hydroquinone. To
produce different colors, formulations may contain five or more dye precursors or
couplers, so many reactions are occurring at the same time. An alkali is used as part
of the dye base to swell the hair and enhance penetration of the dye precursors. In
addition, this portion of the formula may include solvents, surfactants, thickeners
and metal chelating agents. The second formula component contains hydrogen
peroxide and stabilizing agents.
Oxidative hair coloring involves several steps. First, the two components are
mixed together to initiate the reactions that will form the permanents dyes. The
hair is then partitioned and the tint is applied from the scalp to the porous ends.
The hair is left for 10–20 minutes while the reaction proceeds. During the last 5
or 10 minutes, the solution is spread toward the ends to even the color. The hair is
then rinsed and shampooed to remove excess color and halt the reaction.
Summary
This chapter has discussed a few of the prime considerations for formulating hair
care products. We have not attempted to cover other important areas of product
development issues such as stability testing, performance evaluation, safety testing,
claims support, and packaging.
Introduction to Shampoo
Thickening
Obtaining the desired viscosity of a shampoo product is critical
to determining the product’s process and manufacturing costs,
performance, application and sensory profile.
C osmetic chemists are constantly searching for methods to control the various
physical and chemical characteristics of their formulations. Controlling these
characteristics is important because these factors, more than anything, determine
whether a consumer will like a formulation. Some of the most important char-
acteristics that we attempt to control include viscosity in addition to odor, color,
appearance, and feel.
The term viscosity generally relates to the thickness of a cosmetic formula-
tion. Typically, products with an optimized viscosity are easier to use, have better
efficacy, and are more aesthetically pleasing. Since most cosmetic products are
water and surfactant based, researchers have had to develop numerous methods
for controlling viscosity.
This chapter provides an introduction to a variety of thickening ingredients
used by cosmetic chemists. While it focuses on shampoos, much of the information
is applicable to other systems such as skin creams and hair conditioners. It also
provides information about basic rheology that will be particularly helpful to the
beginning cosmetic chemist.
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single surfactants with respect to cleansing, foaming and mildness but also provide
an ideal basis for further rheology adjustment.
time under constant shear rate. A thixotropic fluid displays a decrease in viscosity
with time under constant shearing, while a rheopectic fluid shows an increase in
viscosity with time under constant shearing. These effects may or may not be re-
versible. For a reversible thixotropic fluid, the initial viscosity can be regained over
a period of time, after the shear stress is removed and left undisturbed.
Salts
Electrolytes, although not usually referred to as thickeners, can be used to affect
the rheology of a shampoo system. Primarily, chloride salts of sodium, potassium and
magnesium can be added to anionic-amphoteric combination systems to provide
a thickening effect. These materials tend to be used between 1–2% as a solid or as
an aqueous solution and provide Newtonian rheology. Electrolytes are the most
commonly used rheology modifier and are often used in conjunction with other
salt responsive thickeners.
Micelle function: Shampoo systems consist mainly of water and surfactants,
which will form micelles. Surfactant molecules contain both water-loving (hydro-
philic) and oil-loving (hydrophobic) portions. In aqueous solutions, surfactant
molecules align themselves into micelles where the “like-loving” portions orient
themselves together. Micelle formation is a dynamic process where these portions
are constantly orienting and reorienting themselves. These orientations can take
many shapes and function in cleansing.
The primary surfactants of the shampoo tend to be anionic and the electrolyte
that is used to thicken should be compatible with the metal portion of the surfactants.
Micelles function in hair cleansing as the mechanism for soil and sebum removal.
When salts are added to these systems, the surfactant micelles swell and that affects
the overall ionic charge of the system. This swelling results in a resistance to move-
ment, thus increasing the system’s viscosity. The extent to which this mechanism
works depends on the type of surfactant, ratio of shampoo components, pH, ionic
strength of the electrolyte and the amount of electrolyte used.
The salt curve: The amount of salt added to the surfactant system versus the
viscosity achieved can be graphed as the “salt curve.” This relationship is rarely
linear and typically the product has a maximum viscosity value where the addition
of more salt will decrease the viscosity of the system (Figure 33.3). Typically, the
salt is added in 0.1% weight increments to the formula and the viscosity is measured
after each addition. Salt can be added as an aqueous solution so that the viscos-
ity can be immediately measured. Additions may be made to the same sample or
increasing increments of salt can be added to a series of samples of the base. The
salt curve is then graphed from this data. Viscosity data is collected typically until
at least two points past the maximum viscosity point are determined.
Avoiding “salting out”: After the maximum viscosity has been achieved and
more electrolyte is added, the electrolyte level interferes with the micelle structure,
lowers the resistance to movement, and thins the shampoo system. This event is
referred to as “salting out”. Salts can also be formed from incompatibilities within
the system. A formulator needs to be aware of separating charged species, such as
anionic surfactants from cationic conditioning aids. This occurrence is commonly
addressed by the order of addition and the inclusion of a betaine or by diluting
the anionic surfactant in one part of the water phase; then diluting the cationic
surfactant in another part of the water phase. When these solutions are combined,
it is referred to as the “dilution of species.”
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Alkanolamides
Alkanolamides are low molecule weight hydrophobic thickeners, which consist
of a mixture of ethanolamides that are derived typically from a coconut source. His-
torically, these products have provided an easy and cost effective means to modify
the rheology of shampoo systems. Both mono- and dialkanolamides are available,
however the dialkanolamides tend to be more effective for any given carbon chain
length (R group) (Figure 33.4).
The R group denotes the fatty moiety and “n” represents the average number of
repeating units of polyethylene glycol. This R group can be a fatty alcohol, glyceryl
ester or propylene glycol ester. Laureth-3 (Figure 33.6) is an example where the
R group is a fatty alcohol.
The “laureth” corresponds to the carbon chain length distribution and “3” cor-
responds to an average of three moles of PEG modification. This material produces
a shear-thinning rheology. PEG-18 glyceryl oleate/cocoate (Figure 33.7) is an
example where the “R” group is a glyceryl ester.
The “R” is the “oleate/cocoate.” This designation denotes the carbon chain
length distribution, which is a blend of coconut and oleic fatty acids, and the “18”
is the average number (x+y+z) of moles of ethylene oxide. This material produces a
Newtonian rheology. PEG-55 propylene glycol oleate (Figure 33.8) is an example
where the R group is a propylene glycol ester.
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Beginning Cosmetic Chemistry Chapter 33
The “oleate” denotes the carbon chain distribution and “55” represents the
average number of moles of ethylene oxide. This material provides a Newtonian
rheology. The chart in Figure 33.9 summarizes the thickening properties of these
types of materials in different surfactant systems.
The flow properties of a fluid can be characterized by the ratio of two fluid
viscosities, one measured at higher shear rate to the other one at lower shear rate.
A ratio of 1 indicates a Newtonian flow. For pseudoplastic (shear thinning) flow,
the ratio will be less than 1 and decreases as the degree of pseudoplastic behavior
increases. On the contrary, for dilatant (shear thickening) fluids, the ratio will be
greater than 1 and becomes bigger as the degree of dilatant behavior increases.
As demonstrated in Figure 33.9, the length of each bar represents the ratio
between the viscosity measured at a highest shear rate (spin speed 100 rpm) and
the viscosity measured at the lowest shear rate (spin speed 5 rpm) using Brookfield
Viscometer with same spindle. The longer the bar the more the solution follows
a Newtonian flow and as the bar length decreases the pseudoplastic properties
increases.
A fundamental difference between high molecule weight hydrophilic polymeric
thickeners and low molecular hydrophobic thickeners is evident from Figure 33.9.
A shampoo system thickened with polymeric thickeners such as PEG-55 propylene
glycol oleate and PEG-18 glyceryl oleate/cocoate shows its flow behavior more like
Newtonian (only weak shear thinning properties), while a system thickened with
the low molecular weight hydrophobic thickener such as laureth-3 shows a strong
pseudoplastic behavior (reduction of viscosity with increasing shear rate).
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Introduction to Shampoo Thickening Beginning Cosmetic Chemistry
Highly ethoxylated PEG thickeners have been developed and work along the
same principles as the other high molecular weight polymers. They were developed
to offer the formulator creative ways to thicken surfactant systems, to moisturize
the skin and hair, and to mitigate irritation from the primary surfactants. Both solid
and predispersed forms are available. The thickening efficacy of these high mol-
ecule weight hydrophilic thickeners is more sensitive to temperature variations. A
formulation thickened with this type of thickener will have lower viscosity at higher
temperature and will become more viscous at room temperature. This feature may
facilitate the bottle filling process during manufacturing at higher temperature
before the formula finally settled down at room temperature.
Cellulose
Cellulose derivatives are effective thickeners in water-based systems. Cellulosic-
derived thickeners, primarily cellulose ethers, are one of the most widely used
thickeners in all types of cosmetic products. Cellulosic thickeners vary based on the
method of modification, cost and viscosity characteristics provided. These materials
are water-soluble polymers that are compatible with most shampoo ingredients. The
most common of these cellulosics used to thicken shampoos are methylcellulose,
hydroxypropyl methylcellulose and hydroxyethylcellulose. As shown in Figure
33.11, these materials are based on cellulose structures.
Acid-Based Acrylics
High molecular weight crosslinked carbomer
resins are polymers of acrylic acid 7 (Figure
33.12).
The higher the molecular weight of the polymer
used results in a higher viscosity achieved. These
products are offered in a variety of molecular weights.
The carbomer does not function as a thickener
Figure 33.12.
until it is neutralized and formulators commonly Acid-based acrylics
use triethanolamine or sodium hydroxide. This
neutralization forms an acid salt, which results in
ionization of the polymer accompanied by rapid swelling of the polymer network.
The many swollen “arms” of this polymer trap water in “pockets” which results in
thickening. For efficiency, nonneutralized stock solutions of concentrated disper-
sions can be made. These stock solutions can then be diluted and used as required
by the formula.
Viscosity enhancement using carbomer systems can be effectively seen between
pH 6–8. However, carbomers are incompatible with cationic surfactants and do
not work well in the presence of electrolytes. Hydrophobically modified polyacrylic
acid polymers and polyacrylic acid/hydrophobically modified acrylate copolymers
(acrylate/alkyl acrylate copolymer) show benefits on improvement on electrolyte
tolerance and wider pH range for viscosity. Surfactant systems incorporating carbom-
ers show a non-Newtonian behavior. Many varieties of acrylic resins are available
to meet the formulator’s requirements. Examples include easy to disperse, clear
formulation compatibility, and rheology specific varieties.
Conclusion
Thickeners function by many mechanisms including hydrogen bonding, poly-
mer swelling, chain entanglement of the polymer backbone, surfactant micelle
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References
1. Drug Chain Review, Vol 22, No 2 ,15, 16, 18, 21, 22, 24, 26 (January 17, 2000)
2. HI Leidreiter, U Maczkiewitz, Utilizing Synergistic Effects in Surfactant Mixtures, Th.
Goldschmidt AG, Essen, Germany (1996)
3. JB Wilkinson, RJ Moore, Ed, Harry’s Cosmeticology: Shampoos, 7th Edition (1982)
4. HI Leidreiter, K Jenni, U Maczkiewitz, Rheology of Toiletry Product—Physical
Properties and Sensory Assessment, Th Goldschmidt AG, D-45116 Essen, Germany
(1995)
5. T Schoenberg, Formulating Alkanolamide-free Products, McIntyre Group, Happi, Vol
36, No 7 ( July 1999)
6. H Plate, “Hydroxyethyl Ethylcellulose: A New Surface Active Hydrocolloid for Use in
Personal Care Products, Cosmetics and Toiletries Manufacture Worldwide, 10th Ed
208 (2000)
7. RY Lochhead, WJ Hemker, D Casta–eda, D Garlen, Novel Cosmetic Emulsions, Cosm
& Toil., Vol 101, No 11, p 125 (1986)
8. J P Pavlichko, Cold Process Viscosity Enhancement of Surfactant Systems with a
New Naturally Derived Methyl Glucoside Triester, Amerchol Corporation.” Cosmetics
and Toiletries Manufacture Worldwide 10th Ed. 107 (2000)
Chapter 34
I n previous pieces we reviewed the basic technologies behind the primary styling
product forms including aerosols, pumps and gels.1 This chapter reviews how
changes in technology and regulatory pressures have “inspired” innovation. In order
to understand how and why chemists are innovating to accommodate regulations
presently, we need to start by looking at where it all began.
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Sidebar 34.1.
History of Consumer Product VOC Regulations in the USA
• 1978: CFC Ban
• 1983: South Coast AQMD (Los Angeles)
• 1988: California Clean Air Act
• 1989–1992: California Rules
• 1990: Federal Clean Air Act Revisions
• 1990–1995: Other State Rules
• 1996: EPA National Rule
• 1997-1999: More California Rules
• 2000: Reactivity-Based Aerosol Paint Rule in California Rule in
California
• 2000-2004 Northeastern State Rules 2004
• 2003: New California Rule
• 2005–2010: More California Rules
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Beginning Cosmetic Chemistry Chapter 34
It is best to check with the Cosmetic, Toiletry and Fragrance Association (CTFA)
or the CSPA to find a list of exempt compounds.
Low vapor pressure compounds: Materials with low vapor pressure such as
glycol ethers and propylene glycol can be used without affecting VOC content. This
strategy is useful for products such as gels but less useful for hair sprays.
Water-based formulations: By using water-based formulas the amount of
VOCs is easily reduced. Unfortunately, adding water usually requires surfactants or
emulsifiers to be added to the formula. These compounds will have various effects
on the product performance, many of which are not desirable. Water itself also
has negative impacts on the finished products such as increasing drying time and
decreasing hold. To date, most hair spray manufacturers have used this formulation
strategy even though it results in an arguably inferior product.
Increased amounts of inorganic compounds and solids: Compressed gas
propellants like carbon dioxide and nitrogen are not considered VOCs so they
could be used as substitutes. However, their use is limited due to technological
challenges. The major hurdle yet to be solved is the loss of pressure that products
using compressed gas experience. A consumer using such a product will notice a
weaker spray over time until eventually nothing gets dispensed. If product remains
in the container but cannot be removed, the consumer will be turned off and likely
never purchase the product again.
This strategy is more effective for products like antiperspirants, where VOC
levels can be decreased by adding non-volatile organic solids, such as surfactants
and polymers.
Innovative product exemptions: CARB allows an exemption for certain in-
novative formulations. To use this strategy, the chemist has to be able to provide
“ëclear and convincing evidence’ that, owing to some characteristic of the product
formulation, design, delivery systems or other factors, the use of the product will result
in less VOC emissions…”3 than a product with a comparable amount of VOCs. For
example, a concentrated hair spray can be produced to have more active ingredients
but be dispensed with less solvent.
Alternative compliance plans: California allows the VOC emissions of some
products to be averaged, or grouped together. This approach allows mixing products
that can be over-reduced with others than cannot be reduced much at all. To use
this strategy, cosmetic manufacturers have to submit an application to show the
VOC content of the products in the plan, a sales verification method, and other
emission tracking information.
Product use instruction labeling: Another way to reduce VOC emissions is
to educate consumers on an alternative method for using a product. This approach
attempts to change consumer behavior to increase use efficiency and deter exces-
sive VOC emissions. For example, instructing consumers to use less hair spray at
a given time will make the product last longer and reduce emissions over a given
time. While this method is not currently applied to hair care products, it could be
in the future.
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Beginning Cosmetic Chemistry Chapter 34
Conclusion
The regulatory climate for cosmetic products is arguably becoming more and
more difficult for formulators. Different states have different regulations that are
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Innovations in Hair Styling Technology Beginning Cosmetic Chemistry
constantly changing. This outlook does not even take into consideration regulations
proposed around the world. And these new rules have been particularly hard on
cosmetic chemists who are responsible for developing styling products.
Fortunately, innovation is alive and well in the styling field of cosmetic chemis-
try. By using a variety of strategies and partnering with raw material suppliers and
packaging houses, formulators have found ways to reduce the VOCs released and
still provide the consumers with what they want. Future regulations will likely make
the formulating job even more difficult, but they will also spark true innovation—
and that can’t be all bad, right?
References
1. P Romanowski and R Schueller, Aerosols for apprentices, Cosm Toil 111(5) 35–40
(1996)
2. D Fratz, USA VOC Regulations and Compliance Alternatives for Aerosol Products,
presented at the 24th International Aerosol Congress, Consumer Specialty Products
Association (September 2003) Available at: http://www.aerosols-info.org/nic02/
t_cspa.pdf
3. California Air Resources Board (CARB) regulations 94511, Innovative Products, Div. 3,
Ch. 1, Sub 8.5, Consumer Prod. Art. 2 (2004)
4. US Pat 6,752,983, Hair spray and consumer sprays with reduced volatile organic
compounds (2004)
5. US Pat 6,464,960, Water containing aerosol hair spray with a reduced content of
volatile organic compounds (2002)
6. US Pat 6,432,390, Low VOC methyl acetate hair sprays (2002)
7. US Pat 6,638,992, Hair care compositions (2003)
8. US Pat 6,562,325, Use of stabilized starches in low VOC, polyacrylic acid-containing
hair cosmetic compositions (2003)
9. US Pat 6,663,855, Cosmetic and personal care compositions (2003)
10. US Pat 6,649,154, Hairdressing cosmetic preparation and hairdressing method using
the same (2003)
11. US Pat 6,579,517, Cosmetic product (2003)
Understanding “Mild”
Cosmetic Products
Mildness for personal care products is defined and strategies to
achieve mild products discussed. The industry standard tests for
ascertaining mildness are also briefly described.
What is “Mildness?”
The term “mildness” means different things to different people. A consumer
generally understands the term as describing a product that will not cause irritation.
The second edition of the “American Heritage Dictionary” defines mild as follows:
“gentle or kind in disposition, manners, or behavior; moderate in type, degree, effect,
or force; and not very severe, not extreme.” In the context of cosmetic products,
consumers generally believe that mild cosmetic products will not cause extreme
or severe side effects. Even though the term does not have a specific meaning for
consumers, it does set up certain expectations that the formulator must address.
A specific technical definition is no easier to come by: A literature search was
unable to come up with a standard definition of mildness. So, for the purposes of
this article, we define it as follows: “Mildness is the ability of a product to perform
its primary function without causing an unacceptable level of negative side effects
such as irritation, allergic reaction, or sensitization of the skin or eyes.” A key term
in this definition is “unacceptable level.” For some products, a certain level of side
effects may be acceptable. For example, products designed to enhance skin exfo-
liation that contain alpha hydroxy acids (AHAs) or retinoic acid may cause some
minor burning and redness. Such reactions are generally considered acceptable
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Understanding “Mild” Cosmetic Products Beginning Cosmetic Chemistry
because of how such a product works and the benefits it provides. However, a
similar level of irritation from a foundation makeup or skin cleanser would be
completely unacceptable.
Allergic Reactions
Allergic contact dermatitis (ACD) presents symptoms similar to ICD but differs
in cause. ACD is an immunologic phenomenon in which invasive chemicals are
viewed as antigens, or potentially infectious agents, by the body. The presence of
these antigens triggers the body to produce antibodies: proteins that are capable of
interacting with the offending chemicals. Specifically, contact allergens are materials
that cause a response in T lymphocytes. This process can occur even with intact
skin as contact allergens are almost always small molecules that can penetrate the
skin and interact with the living tissue.1 Similar reactions can stem from exposure
to another class of materials known as haptens. Haptens are small molecules that
can not elicit an immune response by themselves but can prompt a reaction when
they are attached to a larger carrier molecule such as a protein. For both allergens
and haptens, the factors that cause a chemical to be sensitizing are related to its
molecular weight, charge, electrophilic potential, and to some degree its structure.
Because this cellular response can take time, initial exposure to allergen or haptens
may not cause symptoms. But after the antibodies have been developed, subsequent
exposures can rapidly cause the problem. How the allergy is expressed depends
on a combination of genetic factors, concentration of exposure, duration of skin
contact and the allergenic potential of the material.2
Sensitization
Once an individual has this immune response, that person is said to be sensi-
tized to the material. Subsequent exposure is more likely to result in appearance of
symptoms. A special type of sensitization is photoallergic dermatitis, which occurs
when the allergens are activated by certain wavelengths of light. When the offending
material is present on areas of skin that are exposed to sunlight, an allergic response
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Beginning Cosmetic Chemistry Chapter 35
is triggered. For both irritation and allergic reaction, the end result is similar: the
consumer may experience, redness, itching, and burning sensations
Harsh Ingredients
A variety of ingredients used in cosmetics and over-the-counter drugs are
known to cause allergic reactions. To name a few, sensitizers include: fragrances,
preservatives, hair dye (p-Phenylenediamine), lanolin, glyceryl thioglycolate (used
in permanent wave formulations), propylene glycol, toluenesulfonamide/formal-
dehyde resin (used nail polishes), and sunscreens.1
Interestingly, researchers have demonstrated that product mildness can be af-
fected by extraneous factors such as water hardness. Surfactant exposure is widely
recognized to cause contact dermatitis, which is a general term used to describe
nonspecific skin irritation. This irritation is due, at least in part, to the water loss
that occurs when the intercellular lipids are disrupted. Surprisingly, research by
Raphael Warren and Keith Ertel has shown that calcium ions present in wash water
can increase this damaging effect.
Using a forearm controlled-application technique, they evaluated the irritancy
of surfactant solutions with different levels of water hardness. Their results showed
that even water hardness levels found in homes with water softeners (0–11 grams)
caused increased skin damage. They surmised that this effect has a dual cause:
One is the direct effect of calcium on the skin and the other is related to the indi-
rect effect of calcium with surfactants. This correlates well with studies showing
that calcium can interfere with the skin’s ability to repair its moisture barrier after
exposure to surfactants. Therefore, harder water—with its higher level of calcium
can increase the damage caused to skin by certain surfactants.3
Harsh products
As one might imagine, a wide range of products can cause ACD, the North
American Contact Dermatitis Group reports the main causes in Table 35.1.
This list would be expanded if causes of irritation were surveyed as well. De-
tergent materials which degrease the skin and affect its barrier function are prime
problems in this case. These products include skin cleansers, bar soaps, facial
washes and shampoos.
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Understanding “Mild” Cosmetic Products Beginning Cosmetic Chemistry
Hypoallergenicity
Another important term associated with mildness is hypoallergenicity. Here,
too, no definition is universally accepted. Hypoallergenicity means that a product
is less likely to cause an allergenic reaction, such as redness, rashes, itching and
burning sensations. In 1974, the US Food and Drug Administration (FDA) stepped
in and proposed a standard definition for the term: that hypoallergenic products
cause significantly fewer adverse reactions. However, this regulation never took
effect because it was challenged in court by two cosmetic companies. Ultimately,
the courts did not uphold the FDA’s definition. A 1978 consumer survey seems to
corroborate that this is not a good definition.4 In this survey, panelists who were
familiar with the term hypoallergenic were asked to define it in their own words.
Next, they were asked to choose the most suitable definition from a multiple choice
list which included the FDA’s proposed definition. Finally, the panelists were asked
if hypoallergenic is considered to refer to all types of negative reactions or only
those involving an allergic reaction.
The responses to the first question indicated that about one third of the people
thought that hypoallergenic simply refers to products that are advantageous for,
or that are designed for, people with allergies or sensitive skin. Many respondents,
about 20%, thought that the term means that these products are nonallergenic,
meaning they do not cause any allergic reaction whatsoever. Other responses con-
sidered hypoallergenic products to be “milder” than comparable products. In the
multiple-choice questions, only a small number of panelists, about 9%, agreed with
the FDA’s proposed definition. Foremost, they considered the term to mean simply
that the products cause fewer allergic reactions. While Eiermann indicated that these
panel results represented good reason to not accept the FDA’s proposed definition,
he also noted that few consumers have the medical background to distinguish the
difference between irritation and sensitization. He also observed that a fairly large
number of respondents, about 37%, believe that hypoallergenic products cause
no adverse reactions whatsoever. This belief is somewhat alarming; it means that
consumers may have a falsely high sense of product safety.4 It might be interesting
to run a similar study again, as this panel was conducted in 1974. Nonetheless, it
indicates the need for careful consideration of truthful cosmetic labeling.
Mildness Testing
Developing a mild formulation requires testing to ensure that the new product
is milder than standard products. A variety of tests have been developed for this
purpose.
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The MTT test allows you to evaluate the mitochondrial dehydrogenase activ-
ity. It demonstrates toxic effects on cell metabolism by the rate of color change of
the MTT compound from yellow to blue. It tests mitochondrial integrity and cell
viability. These values have been shown to relate to surfactant irritation.10
The authors would like to thank Catherine Lazaro, Senior Regulatory Affairs Specialist at Alberto Culver
for her help in preparing this article.
Summary
Table 35.2 summarizes some of the principles of formulation to avoid irritancy
as explained in this article. Application of these principles should result in a milder
product than if they are ignored. However, a formulation must be properly tested
before mildness can be claimed; even applying all the principles may still not give
a totally nonirritating product, especially if the product type is inherently irritating,
such as an AHA renewal cream, or a permanent-wave solution.
References
1. Z Draelos, Cosmetics in Dermatology, 2nd ed, Churchill Livingstone, NY (1995)
2. R Rietshel and J Fowler Jr, Fisher’s Contact Dermatitis, 4th ed, Williams and Wilkins,
Baltimore (1995)
3. R Warren and K Ertel, Hard water: its impact on the mildness of personal care
products, Cosm Toil 112(11) 67–74 (1997)
4. H Eiermann, Consumers perceptions of hypoallergenic cosmetics, Cosm Toil 110(7)
33–7 (1995)
5. T Schoenberg, Formulating with non-traditional amphoterics, Cosm Toil 111(10)
99–103 (1996)
6. J Kabara and D Orth, (Eds.), Principles for Product Preservation in Preservative Free
and Self Preserving Cosmetics and Drugs Principles and Practice, Marcel Dekker NY
(1996)
7. R Bronaugh and H Maibach, Cosmetic Safety in a Primer for Cosmetic Scientists,
J Whittam (Ed.), Marcel Dekker NY,24 (1987)
8. http://www.dermatest.com.au/dermatest/protocolso.htm#patch
9. EM Jackson, Eye Irritation, Cosmetic Safety in a Primer for Cosmetic Scientists,
William Waggoner (Ed.), Marcel Dekker. NY 199(1987)
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A ctive ingredients have been popular for more than a decade, and new actives
are continuously being identified, studied and promoted. Many of these actives
are supported by good in vitro efficacy data, and we have an increasing number of
ingredients for which also good in vivo efficacy evidence is available.
Based on this evidence, one would expect to find many active cosmetic products
in the marketplace, but unfortunately that is not the case. Assuming that the efficacy
data provided is robust (i.e., the active ingredient has indeed its claimed cosmetic
activity); questions arise about the formulation development process that should
assure that the efficacy of an active ingredient is transformed to an efficacious
cosmetic product. Cosmetic formulators should therefore select their ingredients
and manufacturing procedures in such a way that cosmetic efficacy is obtained. In
other words, they should formulate for efficacy. In many cases, however, it does
not happen.
Many companies have a number of standard formulations to which the latest
new active ingredient is simply added. Following stability testing and elimination of
those failing the stability tests, small clinical trials are performed with the remain-
ing formulations to assess whether the claimed efficacy of the active ingredient is
maintained in the standard formulation. In most cases, no efficacy is seen and after
some additional work, the active ingredient is discarded. Whereas the reasons for
using standard formulations are very understandable, this strategy does not lead to
the best possible product because it completely ignores the principles that underpin
the skin delivery of the active ingredient.
This chapter describes the selection criteria for ingredients in cosmetic formu-
lations that help to optimize the delivery of the active ingredient into the skin. As
formulations can be very complicated, many factors must be taken into account.
To date only a few have been systematically studied. The guidelines described in
this chapter are, therefore, only guidelines but the guideline recipe will be much
343
344
Formulating for Efficacy Beginning Cosmetic Chemistry
Figure 36.1.
From this process, it can be concluded that both partition and diffusion are
very important in determining skin penetration. They are normally combined in
the permeability coefficient according to the formula:
(Eq. 36.1)
345
Beginning Cosmetic Chemistry Chapter 36
(Eq. 36.2)
(Eq. 36.3)
(Eq. 36.4)
n-Octanol and water do not mix and the octanol/water partition coefficient is a
measure of the polarity of a chemical. If the chemical is lipophilic, larger amounts
will dissolve in the lipophilic n-octanol than the polar water. For a hydrophilic
chemical, this process will be reversed.
This coefficient can be experimentally determined by assessing the maximum
solubility of a chemical in n-octanol and in water, respectively, or by assessing the
ratio of the concentrations of the chemical when dissolved in both phases at levels
below the maximum solubility. Alternatively, the partition coefficient can be esti-
mated from the chemical structure, although care should be taken which method
of calculation is being used.4 One should realize that the partition coefficient is
often expressed by its logarithmic value; in this chapter the RPI value of a chemi-
cal, stratum corneum or formulation is the 10log of the corresponding octanol/water
partition coefficient.
347
Beginning Cosmetic Chemistry Chapter 36
Figure 36.2.
348
Formulating for Efficacy Beginning Cosmetic Chemistry
In the second step, the polarity of the formulation is calculated. The polarity of
the phase of the formulation in which the active ingredient is dissolved should be
0.79 more or less than that of the active ingredient itself; that means either greater
than 0.8 (0.01 + 0.79) or smaller than –0.78 (0.01 – 0.79).
For formulations that are more lipophilic than the stratum corneum, the arbutin
will be more soluble in the stratum corneum than in the formulation and would
therefore prefer to be located in the stratum corneum, creating a driving force for
partitioning into the stratum corneum. The more extreme the difference in polarity
between the formulation and the active ingredient, the greater this driving force for
partition into the stratum corneum. This event is illustrated on the left in Figure
36.3 by the width of the red blocks (arrows).
However, at the same time, the solubility of the penetrant in the formulation
will reduce if the polarity difference between formulation and active ingredient
is enlarged. This phenomenon is illustrated by the green blocks on the right in
Figure 36.3.
Figure 36.3.
In the case of arbutin, a formulation with a polarity of 4 has a greater driving force
for partitioning arbutin into the stratum corneum than a formulation with a polarity
of 1 because 3.99 (4 – 0.01) is greater than 0.99 (1 – 0.01). Likewise, a formulation
with a polarity of –3 has a greater driving force for partitioning arbutin into the
stratum corneum than a formulation with a polarity of –1 because 3.01 (–3 – 0.01)
is greater than 1.01 (–1 – 0.01). Only the absolute difference counts. Practically, of
course, it is much more difficult to dissolve arbutin in an aqueous solvent with a
polarity of –3 than –1 or a lipophilic solvent with a polarity of 4 than 1.
Case III: Penetrants more lipophilic than the stratum corneum: A much
more common situation is that in which the penetrants are more lipophilic than the
stratum corneum. This time, it is assumed that the active ingredient is octadecene-
dioic acid (referred to hereafter as dioic acid), a much more lipophilic skin whitener6
with a theoretical log Koctanol/water of 5.84 and an experimentally determined log Koctanol/
water
of 5.74 ± 0.29. For simplicity, the value of 5.8 has been used in the calculations.
Again, the polarity difference between the stratum corneum and the active ingredi-
ent must be calculated first, which is 5 (5.8 – 0.8). See Figure 36.4.
349
Beginning Cosmetic Chemistry Chapter 36
Figure 36.4.
In the next step, the polarity of the formulation should be calculated. The
polarity of the phase of the formulation in which the active ingredient is dissolved
should be more than 5 away from that of the active ingredient itself; that is, either
above 10.8 (5.8 + 5) or below 0.8 (5.8 – 5).
For formulations that are less lipophilic than the stratum corneum, the dioic
acid is more soluble in the stratum corneum than in the formulation and would
therefore “prefer” to be located in the stratum corneum rather than in the formula-
tion, creating a driving force for partition into the stratum corneum. As before, the
more extreme the difference in polarity between the formulation and the active
ingredient, the greater the driving force for partition into the stratum corneum.
This is illustrated on the left in Figure 36.5.
At the same time, the solubility of the penetrant in the formulation will reduce
if the polarity difference between formulation and active ingredient is enlarged.
This phenomenon is illustrated on the right in Figure 36.5.
Figure 36.5.
In the case of dioic acid, a formulation with a polarity of 10 has a greater driv-
ing force for partitioning dioic acid into the stratum corneum than a formulation
with a polarity of 7 because 4.2 (10 – 5.8) is greater than 1.2 (7 – 5.8). Likewise, a
formulation with a polarity of –3 has a greater driving force for partitioning dioic
acid into the stratum corneum than a formulation with a polarity of –1 because
350
Formulating for Efficacy Beginning Cosmetic Chemistry
8.8 (–3 – 5.8) is greater than 6.8 (–1 – 5.8). Again, only the absolute difference
counts. Practically, of course, it is much more difficult to dissolve dioic acid in an
aqueous solvent with a polarity of –3 than –1 or a lipophilic solvent with a polarity
of 10 than 7.
Table 1. Relative Polarity Index values for some hydrophilic solvents and
lipophilic emollients typically used in cosmetic formulations
Calculated
log P
INCI name Trade name, supplier value
Glycerin Pricerine 9091, Uniqema –1.76
Dipropyleneglycol DPG LO+, Dow Chemical USA –1.20
Propylene glycol 1,2-Propylene Glycol Care, BASF –0.92
Ethanol Pharconix BPS PF, Ichimaru Pharcos. –0.32
Triethylhexanoin Estol 3609, Uniqema 2.70
Glyceryl isostearate Prisorine 2040, Uniqema 4.76
Isopropyl myristate Estol 1512, Uniqema 5.41
Propylene glycol isostearate Prisorine 2034, Uniqema 6.08
Isopropyl isostearate Prisorine 2021, Uniqema 7.40
Ethylhexyl palmitate Estol 1543, Uniqema 9.12
Ethylhexyl isostearate Prisorine 2036, Uniqema 10.05
Vegetable squalane Pripure 3759, Uniqema 14.93
Triisostearin Prisorine 2041, Uniqema 18.60
Trimethylolpropane
triisostearate Prisorine 3630, Uniqema 20.27
Pentaerythrityl
tetraisostearate Prisorine 3631, Uniqema 25.34
Isostearyl isostearate Prisorine 2039, Uniqema 26.98
For the formulation that was not optimized for skin delivery (Formula 36.2),
full-thickness pigskin (500 µm) was used in vitro in a Bronaugh flow-through dif-
fusion cell dosed at a rate of 66 µL/cm2. Cells were left in place for 20 hours after
which the formulation was removed; the skin was tape-stripped five times; strips,
remainder of skin and receptor fluid were analyzed to assess skin penetration.
Results of these experiments are given in Figure 36.6.
As can be seen from Figure 36.6, the total delivery (i.e., the sum of the amounts
recovered in the tapes, the skin and transdermal delivery) is far greater from the
formulation that was optimized for skin delivery, therefore illustrating the validity
of the use of RPI values for selecting emollients to enhance skin delivery.
Figure 36.6.
emollients according to the RPI concept rather than change the active ingredient
or its concentration.
The influence of the emulsifier: So far, the tested formulations only differed
in terms of their emollients, which showed that the choice of the emollients greatly
influences the total quantity of active ingredient absorbed into the skin. But the
effect of the emulsifier on skin delivery of active ingredients is also of interest.
Emulsifiers often act as skin penetration enhancers, in particular the cationic, fol-
lowed by the anionic and finally the nonionic. Whereas the nonionic surfactants
penetrate better into skin, their interaction with skin lipids and therefore skin
penetration enhancement is less extensive.9
In order to investigate the effect of the emulsifier on the skin penetration of
dioic acid, Formula 36.3 was prepared using the same concentrations of dioic acid,
propylene glycol isostearate and triethylhexanoin as in the skin delivery-optimized
formulation, but a different surfactant was selected. Because this emollient combina-
tion was selected on the RPI concept, it is also a skin delivery optimized formulation.
The only difference from the Formula 1 is the emulsifier system.
Skin delivery results are depicted in Figure 36.7 and show that while the total
amount delivered is high in both cases (due to the choice of primary and secondary
emollient via the RPI concept) a completely different skin distribution pattern is
obtained. Because it has been observed a few times for different emulsifiers, both
o/w and w/o, it is suggested that the emulsifier influences the distribution of the
active ingredient within the skin. No explanation can be given for this phenomenon
at the present time.
Figure 36.7.
Conclusions
Most cosmetic companies will formulate their active ingredients into a few
standard formulations prior to efficacy testing, almost exclusively based on physical
and chemical stability and sometimes on sensory properties. Subsequent efficacy
tests often reveal the cosmetic product to be without cosmetic activity.
355
Beginning Cosmetic Chemistry Chapter 36
References
1. BW Barry, Dermatological Formulations, Marcel Dekker, New York 128 (1983)
2. RJ Scheuplein and IH Blank, Mechanism of percutaneous absorption. IV. Penetration
of non-electrolytes (alcohols) from aqueous solutions and from pure liquids, J Invest
Dermatol 60 286–296 (1973)
3. C Hansch and A Leo, Substituent Constants for Correlation Analysis in Chemistry and
Biology, J Wiley & Sons, New York (1979)
4. R Mannhold, RF Rekker, C Sonntag, AM ter Laak, K Dross and EE Polymeropoulos,
Comparative evaluation of the predictive power of calculation procedures for
molecular lipophilicity, J Pharm Sci 84 1410–1419 (1995)
5. JA Bouwstra, A De Graaff, GS Gooris, J Nijsse, JW Wiechers and AC Van Aelst, Water
distribution and related morphology in human stratum corneum at different hydration
levels, J Invest Dermatol 120 750–758 (2003)
6. JW Wiechers, FJ Groenhof, VAL Wortel, NA Hindle and RM Miller, Efficacy studies
using octadecenedioic acid, a new nature-derived ingredient to even Asian skin tone,
SÖFW 128 2–8 (Sep 2002)
7. JW Wiechers, Melanosomes, melanocytes and dioic acid, Proceedings of the 37th
Annual Conference of the Australian Society of Cosmetic Chemists, “Cosmetics on a
New Horizon”, Hamilton Island, Queensland, Australia (13–16 March 2003)
8. JW Wiechers, FJ Groenhof, VAL Wortel, RM Miller, NA Hindle and A Drewitt-Barlow,
Octadecenedioic acid for a more even skin tone, Cosmet Toil 117(7) 55–68 (2002)
9. SB Ruddy, “Surfactants.” In EW Smith and HI Maibach (Eds), Percutaneous
Penetration Enhancers, CRC Press, Boca Raton 245–257 (1995)
Chapter 37
Formulating for
Sensitive Skin
Controversies, preliminary research and the complexity of the
numerous dermatological reaction patterns that encompass
sensitive skin.
Definition
Sensitive skin can be defined in both subjective and objective terms. Subjec-
tive perceptions of sensitive skin are derived from patient observations regarding
stinging, burning, pruritus, and tightness following various environmental stimuli.
These symptoms may be noticed immediately following product application or
delayed by minutes, hours or days. Furthermore, the symptoms may only result
following cumulative product application or in combination with concomitant
products. Approximately 50% of patients with sensitive skin demonstrate these
uncomfortable symptoms without accompanying visible signs of inflammation.2
357
358
Formulating for Sensitive Skin Beginning Cosmetic Chemistry
Cosmetics manufacturers note that one to 10% of facial cosmetic users experience
these subjective perceptions.3
Objective perceptions of sensitive skin are based on dermatologic evaluation.
These observations may include skin responses of erythema, stratum corneum
desquamation, papules, pustules, wheals, vesicles (small blisters), bullae (large
blisters) and erosions. In short, the entire repertoire of cutaneous reaction may be
included in the sensitivity spectrum. Sometimes the reaction pattern can be classi-
fied under a dermatological diagnostic heading such as: allergic contact dermatitis,
irritant contact dermatitis, contact urticaria (immunologic and nonimmunologic),
seborrheic dermatitis, perioral dermatitis, atopic dermatitis, eczematous dermatitis,
psoriasis, rosacea, comedogenic acne, and papular/pustular acne. Other labels for
skin sensitivity to cosmetics and toiletries include cosmetic intolerance syndrome
and status cosmeticus.4 Thus, the term sensitive skin is all encompassing, ill defined,
vague and somewhat bewildering as it is presently used in medical literature and
consumer advertising.
Physiology
The concept of sensitive skin remains useful, however and must be addressed in
a more organized fashion from a physiological standpoint. There is something unique
about the sensitive skin consumer. The dermatologist is familiar with the histology
and physiological findings in the traditional dermatoses previously discussed that
may contribute to sensitive skin., but not all patients with underlying dermatological
disease demonstrate the subjective complaints of stinging, burning, pruritus, etc.
in the absence of visible cutaneous disease. More puzzling are those patients who
have no objective findings and only subjective symptoms. It appears that individuals
with sensitive skin may possess one or more of the following anatomic cutaneous
changes: heightened neurosensory input, enhanced immune responsiveness and/
or diminished barrier function. Examination of each of these factors is helpful in
understanding the varied presentations of sensitive skin.
Testing Methodologies
One of the themes emerging from this sensitive skin discussion is the tremen-
dous variability in sensitive skin manifestation, considerably complicating cosmetic
and skin care product development. Premarketing testing is essential to insure that
products developed for this population perform up to expectations.12 This neces-
sity has resulted in development of a variety of testing protocols designed to select
panels of sensitive skin patients for assessment purposes, as well as to quantify
nonvisual responses and reinforce observer data. In addition, in vitro testing may
be necessary to assess irritancy prior to in vivo evaluation. The number of subjects
required for such testing is somewhat controversial. In general, given the power
of the data generated by human clinical testing, a minimum of 40 subjects must
undergo evaluation to achieve data that has a chance of showing statistical signifi-
cance. If the change induced by a given cosmetic or skin product is small, then
the numbers of subjects must increase. For example, when testing is undertaken
to determine if an ingredient new to the marketplace is appropriate in sensitive
skin populations, approximately 200 subjects must be tested to support the claim
of hypoallergenic.
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Formulating for Sensitive Skin Beginning Cosmetic Chemistry
The tests for assembling sensitive skin panels, bioengineering analysis of sensi-
tive skin and in vivo and in vitro tests for irritancy are summarized in Table 37.1
along with article citation. This table represents but a few of the proposed tests to
evaluate sensitive skin and irritation selected for discussion on the basis of their
current popularity.
Since it is financially impossible to perform all the tests listed in Table 37.1 for
all products, test should be selected based on the product function. For example,
facial products designed for a sensitive skin population should undergo the lactic
acid facial sting test. Products designed to enhance barrier function should be tested
using the dimethyl sulfoxide (DMSO) test. Moisturizers should be evaluated using
evaporimetry. Cleansers should be assessed using the modified soap chamber test
or the forearm controlled application technique (FCAT). In summary, the test
should elucidate any adverse reaction that may be encountered when the product
is released for use by the general population.
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Beginning Cosmetic Chemistry Chapter 37
Another sensitive skin screening test is the application of 90% or 100% dimeth-
ylsulfoxide (DMSO) at room temperature to the forearm for five minutes. DMSO
produces a strong burning reaction in sensitive skin patients but also results in
erythema and urtica formation, not found with lactic acid.25 Other cutaneous ef-
fects include significant increases in transepidermal water loss (TEWL), hydration
of the superficial dermis, and increased blood flow and skin thickness indicating
an inflammatory response.26
A different approach to identifying sensitive skin patients relies on vasodilata-
tion of the skin as opposed to cutaneous stinging. Many investigators prefer this
approach since objective changes can be visually and biomedically assessed. These
two tests are the nicotinate test27 and erythema assessment following sodium lauryl
sulfate exposure.28 In the first test methyl nicotinate, a potent vasodilator, is ap-
plied to the upper third of the ventral forearm in concentrations varying between
1.4% and 13.7% for a period of 15 seconds. Observing the erythema and employed
laser Doppler velocimetry assesses the vasodilatory effect. Similar analysis can be
performed following application of various concentrations of sodium lauryl sulfate
to the forearm.
hoped that physiologic changes indicative of sensitive skin can be detected at low
levels prior to clinical disease presentation. An excellent review of bioengineering
of the skin edited by Andreassi can be found in the July/August 1995 Clinics in
Dermatology (Elsevier).
tests to evaluate the irritant potential of soaps are: collagen swelling test,50 pH rise
test,51 and zein test.52 Many more tests are available, but these three have been
chosen for discussion since they represent different methodologies of evaluating
premarket, finished products. 53,54
The collagen swelling test employs a one square centimeter collagen sheet,
which is incubated for 24 h at 500 C with a solution of the finished cleanser product
at 1% of the dry extract at its own pH. The collagen is weighed before and after
exposure to determine the amount of swelling (more swelling indicating increased
product irritation). Another approach to irritation assessment is to examine pH rise
by incubating equal volumes of a 2% solution of bovine serum albumin at a pH of
5.6 with a 2% solution of the finished product at room temperature for one hour.
The pH of the solution is measured with greater pH rises indicating increased
product irritation. The last method is the zein test which utilizes a protein that is
insoluble in aqueous solution until denatured by irritation surfactant products. The
more protein that is solubilized, the more irritating the product.
Variability
Sensitive skin has also been studied from the standpoint of gender, skin type and
prior dermatological history to attempt to identify populations at risk for sensitive
skin. Previously, it was thought that women reacted more intensely to irritants than
men.55 This number was thought to be due to a higher female skin pH with less
buffering capacity.56 However, this thinking was refuted by Bjornberg who dem-
onstrated no difference in susceptibility to irritancy between men and women by
evaluating the cutaneous effects of an anionic detergent, cationic detergent, soap,
acid, alkali, other common skin irritants.57 Lack of gender difference was confirmed
by Lammintausta,et al. who examined transepidermal water loss (TEWL) and di-
electric water content (DEWC) following sodium lauryl sulfate application.58 Work
by Reed et al. demonstrated that skin type, but neither race nor gender influence
the epidermal permeability barrier function through tape stripping alaysis.59
Although barrier permeability is key to identifying sensitive skin populations,
the effects of skin type and race on cutaneous sensitivity also appear to be very
important in predicting sensitive skin populations. Studies to determine differences
have focused on barrier permeability, barrier recovery, epidermal lipid composi-
tion, dermal vasodilatation, transepidermal water loss, and stratum corneum thick-
ness and cohesiveness. It appears that fair skin, especially skin type I, is the most
reactive to all types of irritancy,60–61 is the most resistant.. While no difference is
apparent in the thickness of white and black skin, however, black skin, whichh has
a greater number of cell layers, as assessed by tape stripping techniques, due to
greater intercellular cohesion and thus furnishing superior protection.62,63 Additional
protection is afforded to black skin by increased epidermal lipids.64 Interestingly
enough, tape stripped white and black skin demonstrate equal irritancy.65 Table
37.2 contains a compilation of racial and age related cutaneous difference reported
in the dermatologic and cosmetic industry literature.
365
Beginning Cosmetic Chemistry Chapter 37
two to three weeks following exposure while black skin develops open comedones
14 days after application. Thus irritants of this sort tend to induce follicular dis-
integration in fair skin types and hyperkeratosis in dark skin with production and
retention of the horny cells.
The most reliable predictor of sensitive skin appears to be prior history of
dermatological diseases, especially eczematous dermatoses. These patients exhibit
increased transepidermal water loss, possibly due to alterations in epidermal lipids
from surfactant effects.70
Formulation Considerations
The preceding discussions lead to the conclusion that formulation challenges
for sensitive skin populations are indeed complex. Package labeling of currently
marketed sensitive skin products includes phrases such as hypoallergenic, safe for
sensitive skin, allergy tested, dermatologist tested, clinically tested, non-irritating,
nonsensitizing, fragrance free, preservative free, all natural, etc. 71 These must be
largely regarded as marketing claims however, since no standard testing methodolo-
gies exist for claim substantiation. One proposed approach for testing and evaluating
sensitive skin products is presented in Table 37.3.72
Summary
This discussion demonstrates the complexity of the numerous dermatologic
reaction patterns that fall under the heading of sensitive skin. Subjective symptoms
of sensitive skin include stinging, burning, pruritus and tightness following various
environmental stimuli, while objective findings include allergic contact dermatitis,
irritant contact dermatitis, contact urticaria (immunologic and nonimmunologic),
368
Formulating for Sensitive Skin Beginning Cosmetic Chemistry
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vivo clinical test to evaluate the irritation potential of antibacterial liquid soaps, J Soc
Cosmet Chem 46 291–299 (1995)
53. M Paye, FA Simion, SW Babulak and LD Rhein, Ability of four in vitro assays to
predict surfactant induced erythema, First International Symposium on Irritant
Contact Dermatitis, Groningen, Netherlands (1991)
54. CH Beek, The sensibility of the skin against soap among patients with eczema,
Dermatologica 93 167 (1946)
55. DS Andersson, The acid base balance of the skin, BR J Dermatol 63 283 (1951)
56. A Bjornberg, Skin reactions to primary irritants in men and women, Acta
Dermatovener (Stockholm) 55 191–194 (1975)
57. K Lammintausta, HI Maibach and D Wilson, Irritant reactivity in males and females,
Contact Derm 17 276–280 (1987)
58. JT Reed, R Bhadially and PM Elias, Skin Type but neither race nor gender, influence
epidermal permeability barrier function. Arch Dermatol 131 1134–1138 (1995)
59. K Lammintausta, HI Maibach and D Wilson, Susceptibility to cummulative and acute
contact dermatitis, Contact Derm 19 84–90 (1988)
60. HI Maibach and E Berardesca, Racial and skin color differences in skin sesnitivity:
implications for skin care products, Cosmet Toilet 105 35–36 (1990)
61. DA Weigand, C Haygood and JR Gaylor, Cell layers and density of Negro and
Caucasian stratum corneum, J Invest Dermatol 62 563 (1974)
62. HI Maibach and E Berardesca, Contact dermatitis in blacks, Dermatol Clinics 6 (3)
363–368 (1988)
63. RP Rienertson and VR Wheatley, Studies on the chemical composition of human
epidermal lipids, J Invest Dermatol 32 49 (1959)
64. DA Weigand, JR Gaylor, Irritant reaction in Negro and caucasian skin, South Med
Journal 67 548 (1974)
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Beginning Cosmetic Chemistry Chapter 37
65. RH Guy, E Tur, S Bjerke and HI Maibach, Are there age and racial differences to
methyl nicotinate induced vasodilatation in human skin? J Am Acad Dermatol 12
1001–1006 (1985)
66. CJ Gean, E Tur, RH Guy and HI Maibach, Cutaneous responses to topical methyl
nicotinate in black, oriental and caucasian subjects, Arch Dermatol Res 281 95–98
(1989)
67. HI Maibach and E Berardesca, Cutaneous reactive hyperaemia:racial differences
induced by corticoid application. Brit J Dermatol 120 787–794 (1989)
68. KH Kaidbey and AM Kligman, A human model for coal tar acne, Arch Dermatol 120
212–215 (1974)
69. E Berardesca and HI Maibach, Sensitive and ethnic skin,Dermatol Clinics 9(1) 89–92
(1991)
70. EM Jackson, TJ Stephens and LA Rheins, Assessing hypoallergenic facial
moisturizers using in vivo and in vitro tests, Cosmet Toilet 109 83–85 (1994)
71. ZD Draelos and RL Rietschel, Hypoallergenicity and the dermatologist’s perception,
J Am Acad Dermatol in press
72. D Maes, K Marenus and WP Smith, Invisible irritation: a new look at product safety,
Cosmet Toilet 105 43–50 (1990)
73. A Dooms-Goossens, Reducing sensitizing potential by pharmaceutical and cosmetic
design, J Am Acad Dermatol 10 547–553 (1984)
74. EW Clark and GF Kitchen, Autoxidation and its inhibition in anhydrous lanolin, J
Pharm Pharmacol 13 17–183 (1961)
75. EW Clark, A Blondeel, E cronin, et al., Lanolin of reduced sesnitixzing potential,
Contact Dermatitis, 7 80–83 (1981)
76. M Rieger, Human epidermis responses to sodium lauryl sulfate exposure, Cosmet
toilet 109 65–74 (1994)
77. FR Bettley, The influence of detergents and surfactants on epidermal permeability,
Brit J Dermatol 77 98–100 (1965)
78. BW Barry, Dermatological Formulations, Marcel Dekker, New York, 170–172 (1983)
79. AF Fransway and NA Schmitz, The problem of preservation in the 1990s:
formaldehyde and formaldehyde-releasing biocides, Am J Contact Dermatitis 2 (2)
78–88 (1991)
80. DC Steinberg, Cosmetic preservation: current international trends, Cosmet Toilet 107
77–82 (1992)
81. P Frosch and AM Kligman, Method for appraising the sting capacity of topically
applied substances, J Soc Cosmetic Chemists 28 197–209 (1977)
82. D Soschin and AM Kligman, “Adverse subjective responses.” In: Safety and Efficacy
of Topical Drugs and Cosmetics, AM Kligman and JJ Leyden (eds.), Grune and
Stratton, New York (1982)
83. T Agner and J Serup, Quantification of the DMSO-response: A test for assessment of
sensitive skin, Clin Exp Dermatol 14 214–217 (1989)
84. E. Beradesca, M Cespa, N Farinelli et al., In vivo transcutaneous penetration of
nicotinates and sensitive skin, Contact Dermatitis 25 35–38 (1991)
85. T Agner and J Serup, Individual and instrumental variations irritant patch-test
reactions, Clin Exp Dermatol 15(1) 29–33 (1990)
86. T Agner and J Serup, Skin reactions to irritants assessed by polysulfide rubber
replica, Contact Dermatitis 17 205–211 (1987)
87. GL Grove, “Dermatological applications of the Magiscan image analysing computer.”
In: R Marks and PA Payne eds, Bioengineering and the Skin, MTP Press, Lancaster,
England 173–182 (1981)
88. SW Babulak, LD Rhein, DD Scala, et al., Quantification of erythema in a soap
chamber test using the Minolts Chroma (Reflectance) Meter, J Soc Cosmet Chem 37
475–479 (1986)
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Formulating for Sensitive Skin Beginning Cosmetic Chemistry
89. GE Nilsson, U Otto and JE Wahlberg, Assessment of skin irritancy in man by laser
Doppler flowmetry, Contact Dermatitis 8 401–406 (1982)
90. T Agner and J Serup, Skin reactions to irritants assessed by noninvasive
bioengineering methods, Contact Dermatitis 20 352–359 (1989)
91. FA Simion, LD Rhein, GL Grove, et al. Sequential order of skin responses to
surfactants during a soap chamber test, Contact Dermatitis 25 242–249 (1991)
92. KD Ertel, BH Keswick and PB Bryant, A forearm controlled application technique
for estimating the relative mildness of personal cleansing products, J Soc Cosmet
Chem 46 67–76 (1995)
93. J Blake-Haskins, D Scala, LD Rhein, et al., Predicting surfactant irritation from the
swelling response of a collagen film, J Soc Cosmet Chem 37 199–210 (1986)
94. EA Tavss, E Eigen and AM Kligman, Anionic detergent-induced skin irritation and
anionic detergent induced pH rise of bovine serum albumin, J Soc Cosmet Chem 39
267–272 (1988)
95. BM Morrison and M Paye, A comparision of threee in vitor screening tests with an in
vivo clinical test to evaluate the irritation potential of antibacterial liquid soaps, J Soc
Cosmet Chem 46 291–299 (1995)
96. TJ Stephens and C Oresajo, Ethnic Sensitive Skin, Cosmet toilet 109 75–80 (1994)
97. E Berardesca and HI Maibach, Sodium lauryl sulphate induced cutaneous irritation,
Contact Derm, 19 136–140 (1988)
98. E Berardesca and HI Maibach, Racial differences in skin pathophysiology, J Am
Acad Dermatol 34 667–672 (1996)
99. TJ Stephens and C Oresajo, Ethnic Sensitive Skin, Cosmet toilet 109 75–80 (1994)
100. JD Harvell and HI Maibach, Percutaneous absorption and inflammation in aged skin:
a review, J Am Acad Dermatol 31 1015–1021 (1994)
101. E Berardesca and HI Maibach, Racial differences in sodium lauryl sulfate induced
cutaneous irritation: black and white, Contact Dermatitis 18 65–70 (1988)
102. RB Stoughton, “Bioessay methods for measuring percutaneous absorption.” In:
W Montagna, RB Stoughton and EJ Van Scott (eds.), Pharmacology of the Skin,
Appleton-Century-Crofts, New York, 542–544 (1969)
103. K Sugino, G Imosawa and HI Maibach, Ethnic differencesof stratum corneum lipid in
relation to stratum corneum function, J Invest Dermatol 100 597 (1993)
Chapter 38
S unscreens are a special class of personal care products containing active ingredi-
ents that can absorb ultraviolet (UV) radiation to shield skin from the damaging
effects of the sun. These products are classified as OTC drugs and are regulated
by the Food and Drug Administration (FDA) in the United States.
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The ABCs of SPFs: An Intro to Sun Protection Products Beginning Cosmetic Chemistry
While UVB is responsible for most sunburns, high doses of UVA can also cause
reddening.
Furthermore, the amount of UVA that reaches the earth’s surface is higher than
the amount of UVB. Higher doses of UVA can penetrate into skin structures and
cause damage to cellular DNA and structural components, such as the elastin and
collagen matrix. Chronic sun exposure, particularly to the UVA range, also results
in a condition known as UV-induced photoaging, which occurs when key support
matrix elements are damaged by radiation. This cumulative process contributes to
wrinkles, sagging and other signs of aging. The impact of photoaging can easily be
seen by comparing the difference in skin on the face to an area that is not exposed
to constant sunlight, such as the buttocks. While this skin is physiologically identi-
cal to the face, it appears smoother because it is exposed to less light. Studies have
shown intrinsic differences between photoaged skin and intrinsically aged skin.
In the United States, products that screen out this part of the spectrum can
make the antiaging claims that are extremely popular now. These products do
not just guard against sunburn and skin cancers, they also protect one’s youthful
appearance. In addition to dermal problems, data also suggests that UVA is one
possible agent causing certain types of cataracts.
Hair Damage
In addition to its effects on skin, UV light has also been shown to cause two
types of hair damage. When hair is exposed to enough UV light, it can become
discolored. Brown hair tends to fade, while blond and red hair tends to yellow.
This change has been attributed to photo-oxidative bleaching processes and the
photodegradation of amino acids, such as cystine, tyrosine and tryptophan. The
breakdown of amino acids is also responsible for the other types of hair damage
induced by UV exposure, namely the reduction in tensile strength. Due to short-
and long-term effects on health and beauty, it is desirable to protect skin and hair
from UV light. Of course, the most direct solution is to shield them from the sun
by physically blocking them with clothing, hats or umbrellas. However, this solu-
tion is not always practical or desirable. To protect exposed skin and hair from the
damaging effects of sunlight, scientists have developed various chemicals that can
absorb or block UV radiation.
Others emit in the blue range of visible light. In fact, products that use these types
of compounds give the skin a slight bluish cast. Each sunscreen molecule can repeat
this absorption-emission cycle multiple times before it decays.
A variety of compounds have been developed which have a molecular structure
capable of UV absorption. These absorbers can be formulated in appropriate vehicles
that can be conveniently applied to exposed skin to protect cells from interaction
with the radiation. Common UV absorbers include organic compounds, such as
para-amino benzoic acid (PABA) and its esters (salicylates cinnamates, benzophe-
nones, anthanilates, dibenzoylmethanes and camphor derivatives. In addition,
inorganic sun blocking materials, such as titanium dioxide, are commonly used in
sunscreen formulations.
convenient form for sunscreen products. They are easy to use and have good esthetic
characteristics. Because they are pressurized, they are not necessarily suitable for
products that will be left out in the sun. Other types of aerosols can be used for
sunscreen delivery, however, they have significant drawbacks. One problem is that
they are often oil based, so they are expensive and have lower SPF ratings. Also,
they produce a discontinuous film on the skin, reducing effectiveness. However,
they are a novel and convenient product form that has as recently as 2008 found
greater acceptance and market share.
Ointments: The last significant category of delivery vehicles are ointments. These
oily products are based on thickened mineral oil formulas. Their primary advantage
over emulsion-based products is that they are more water resistant and may be able
to provide more protection. Esthetically, they are generally not desirable.
Obtaining a Rating
To obtain any SPF rating in the United States, specific types of tests have been
developed. They include both biological and chemical evaluations. A variety of
methods are possible for determining the SPF of a formulation. One biological
evaluation involves the use of volunteers. In this test, the lower back of a non-
sunburned volunteer is subjected to UV light until a minimum amount of erythema
or redness develops. Light-proof barriers are placed around a measured section of
the skin so clear margins are visible. The amount of energy required to produce
this effect is determined and provides a base line for the SPF calculation. The next
day, the sunscreen formula is evaluated. It is first put on the volunteer’s skin and
allowed to dry. The skin is then irradiated with UV light at the estimated SPF value.
A preliminary value for this number is obtained by using a spectrophotometric
absorption estimation. The amount of UV light required is recorded and the SPF
is determined. In addition to SPF, other characteristics of the formulation can be
tested. For example, the water resistance of sunscreens can be determined.
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The ABCs of SPFs: An Intro to Sun Protection Products Beginning Cosmetic Chemistry
Future of Sunscreens
The FDA has issued a final OTC monograph that determines which materials
can be legally used in sunscreens in the United States. Even with a final monograph,
however, research into UV absorbers must continue. As the ozone layer continues
to decline and more damaging radiation reaches the earth’s surface, more effective
sunscreen molecules will be required to protect the public. The challenge will be
for regulatory concerns to keep pace with scientific discoveries to ensure the public
has safe and effective products from which to choose.
Additional Reading
1. J Lowe, Sunscreens Development, Evaluation, and Regulatory Aspects, N.&N Shaath
(Eds.), Marcel Dekker, NY (1990)
2. W Stevenson, Chemistry Saves Sun Worshipers, Today’s Chemist at Work, 10 47–52
(1998)
3. P&G, Gourley. Protect Your Life in the Sun, Highlight Publishing, Albuquerque (1993)
4. Formulation of Sun Protection Emulsions with Enhanced SPF Response, Cosm Toil 6
55–64 (1997)
5. Code Federal Regulations Parts 310, 352, 700, and 740. Sunscreen Drug Products for
Over the Counter Human Use; Final Monograph (May 21, 1999)
6. A Deflandre and G Lang Photostability assessment of sunscreens. Benzylidene
camphor and dibenzoylmethane derivatives,. Int J Cosm Sci 10(2): 53–62 (Apr 1988)
Chapter 39
Self-Tanners: Formulating
with Dihydroxyacetone
This chapter discusses the background behind the development
of self-tanning products using DHA. Its structure, chemistry,
self-tanning mechanism and formulation guidelines are also
discussed.
Background
The tanned look: The prevailing cultural esthetic among fair-skinned people
in many countries is to have tanned skin, which means skin with a light yellowish
brown or even deeper brown color produced by exposure to the sun or to an arti-
ficial source of ultraviolet light. The tanning of the skin is produced as a result of
the darkening of preformed melanin, accelerated formation of new melanin, and
retention of melanin in the epidermis as a result of retardation of keratinization.
For those individuals who wish to achieve tanned skin, the most readily avail-
able means for doing so is by exposing their skin to natural sunlight. However, this
method carries certain hazards. Chief among those hazards is the risk of sunburn,
which is an injury to the skin produced by excessive exposure to ultraviolet rays.
The injury is accompanied by erythema, tenderness and sometimes blistering.1
Furthermore, excessive exposure to ultraviolet radiation is considered by the
381
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Self-Tanners: Formulating with Dihydroxyacetone Beginning Cosmetic Chemistry
Chemistry: The site of action of DHA in the skin is the stratum corneum.13 The
first step of the self-tanning reaction is the conversion of DHA to pyruvaldehyde
with the elimination of water (Figure 39.2). Then the keto or aldehyde function
reacts with the amine functionality of skin keratin to form an imine. Subsequent
steps of this reaction are a complex chain of reactions and are not fully understood.
However, it is well known that the resulting products are cyclic and linear polymers
having yellow or brown color.14,15
The self-tanning process takes place in the outer layers of the epidermis. Only
the monomeric form undergoes the Maillard reaction that leads to tanning. In
this process, named after Louis-Camille Maillard, who first described it in 1912,
amino acids interact with sugars to create brown or golden brown compounds. The
Maillard reaction is defined currently as the reaction of the amino group of amino
acids, peptides, or proteins with the glycosidic hydroxyl group of sugars,16 forming
brown products referred to as melanoidins.
Melanoidins are polymeric compounds, which are linked by lysine side-chains
to the proteins of the stratum corneum. Although the formation of melanoidins is
different from that of melanin, some of their properties are similar, especially their
absorption spectra.17 Melanins consist of aromatic amino acids, originating mainly
from tyrosine. Melanoidines, on the other hand, consist mainly of an aliphatic
moiety with very few aromatic functions in the side chains.
pH plays a very important role in tanning. To achieve a uniform tan, the skin
should be exfoliated to remove loose skin scales before applying DHA. The opti-
mum pH for the Maillard reaction is between 5 and 6, which is the normal pH of
healthy skin. When formulations with a higher or lower pH are applied, the skin
buffer adjusts the pH on the skin to the optimal tanning pH. Tests showed that un-
buffered formulations with a pH between 2 and 6 always lead to the same coloring
results. Only when the pH was above 6 was the brown intensity reduced. However,
the desired formulation pH for DHA is between 3 and 4.
385
Beginning Cosmetic Chemistry Chapter 39
Formula Types
Tanning products fall loosely into two categories: wash-offs and wear-offs. Wash-
offs are cosmetic tanning products in cream or gel formulas, without DHA, that give
the appearance of a tan, but wash-off in the shower at the end of the day. Wash-offs
exist in a wide range of products available from all major cosmetic companies.
Wear-off formulations containing DHA are the true self-tanning products.
They are available in creams, lotions, milks, gels or sprays. When these products
are applied on the skin, they develop a tan over a matter of hours and wear off
over a matter of days.
By far the most popular of all vehicles used for self-tanning products, the emul-
sion, offers a wide variety of options. DHA is most often formulated in o/w emul-
sions. Lotions are more popular than creams owing to their ease of spreadability
on the skin and dispensability from bottles. Creams can lead to more intense tan
than lotions because the applied film is thicker.
From an aesthetic viewpoint, emulsions are an elegant medium that can give
the skin smooth silky feel without being greasy or tacky. They can accommodate a
wide variety of raw materials. Sunscreens and other ingredients can be incorporated
in the emulsion to make additional product claims.
Due to high water solubility of DHA, aqueous or aqueous-alcoholic lotions
and gels can be prepared easily. By appropriate control of viscosity, spray lotions
or gels can also be developed.
Formulation Guidelines
The content of DHA in tanning products depends on the desired browning
intensity on the skin and is normally in the range of 4–8%. Depending on the type
of formulation and skin type, a tanning effect appears on the skin in approximately
two to three hours after use. During product storage, the pH of a DHA-containing
formulation will drift over time to about 3 to 4. At this pH, DHA is quite stable.
In order to ensure end-product stability, the following factors must be considered
before developing new formulations containing DHA.
Temperature: Heating DHA above 40°C for a long period of time must be
avoided as it causes rapid degradation of DHA (> 40% within three months). During
manufacturing processes involving heating, as in the case of emulsions, DHA should
not be added until the formulation has been cooled down to below 40°C. Products
containing DHA should be stored in an opaque and re-sealable package.
pH: When DHA is incorporated in a formulation, the pH of the formula-
tion drops to 3 and 4 within about two days from the date of preparation. In the
past, buffering was recommended to keep the pH at a level of 4 to 6. Recent
investigations in our laboratories revealed that storage stability of DHA could be
increased when the formulations are kept at pH 3 to 4. Buffering at a higher pH is
counterproductive, as it enhances degradation of DHA thereby reducing its stor-
age stability. pH 3, however, is not the optimal pH for the tanning reaction; skin
buffers bring the applied formulation to the optimal tanning pH (5 to 6) and then
the tanning occurs.
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Self-Tanners: Formulating with Dihydroxyacetone Beginning Cosmetic Chemistry
Selection of Ingredients
In order to have a stable DHA formulation, one must carefully select appropriate
ingredients for each formula because a potential for ingredient interaction always
exists. Certainly, all ingredients selected must be cosmetically acceptable, have a
good safety record, be stable, and must not interfere with the efficacy of DHA in
any way. The following are some comments on how to select ingredients.
Emulsifers: The use of nonionic emulsifiers is recommended over ionic emulsi-
fiers because of improved stability of DHA in the formulations.
Emollients: Emollients represent one of the most important classes of emul-
sion components. They provide a silky skin feel on application.
Many types of emollients exist: esters, waxes, fatty alcohols, mineral oils and
silicone materials. Esters are the most common classes of emollients used in self-
tanning products. Silicone-based oils have also enjoyed an increase in popularity
in recent years. Dimethicone and cyclomethicones are the widely used materials
of this type. All these emollients are compatible with DHA.
Thickeners: Thickening a formulation containing DHA, especially to produce
a clear gel, is relatively difficult because many conventional cosmetic thickeners
are not compatible with DHA. Scientists at Merck KGaA, Darmstadt, Germany
screened a wide variety of thickeners in the early 1990s. The simple method used
for this study called for a solution of 5% DHA and a thickener, storing at room
temperature and at 40°C for three months, and analyzing for DHA content and
solution colors.
Based on this and other studies, they determined that three good choices
for thickeners are hydroxyethylcellulose, methycellulose and silica. Additionally,
xanthan gum and polyquaternium-10 may also be used for thickening emulsions.
Carbomers, sodium carboxymethylcellulose, PVM/MA decadiene crosspolymer, and
magnesium aluminum silicate are not acceptable thickeners because they cause a
rapid degradation of DHA at 40°C.
387
Beginning Cosmetic Chemistry Chapter 39
Quantification of Tan
The human eye is able to differentiate colors very easily, including the color
obtained from self-tanning products. The challenges are to remember a color
difference and to quantify it. Color standards like the Pantone color cards can be
useful, but the number of colors in such a system is very limited.
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Self-Tanners: Formulating with Dihydroxyacetone Beginning Cosmetic Chemistry
h = arctan (b*/a*)
C = √a*2 + b*2
When the hue intensity (C) is higher, the tanning is more intense. The hue
angle (h) for Caucasian skin remained in the yellow-red area. A good correlation
between the visual impressions and the C or h values was demonstrated.21 The eye
still has a greater sensitivity than the chromometric method, but the latter has the
advantage of quantifying the difference in tan color and intensity.
Formulations
An investigation of several self-tanning products on the market revealed that
in some formulations, the content of DHA decreases considerably even when
stored at room temperature. An elevated pH appears to be the main reason for
DHA decomposition.
One can easily make a fairly good formulation if one follows the guidelines
above regarding temperature, pH, buffers, stability evaluation, and selection of
ingredients. Using those guidelines, Thekla Kurz of Merck KGaA, Darmstadt,
Germany prepared a self-tanning o/w lotion (Formula 39.1) and studied its stabil-
ity at room temperature storage for three and a half years. Only 10% of the DHA
was lost (5% to 4.5%).
Formulas 39.2 through 39.5 show how DHA is used in different formula
types currently on the market.
Procedure: Combine A, stir and heat to 80–85°C. Heat B to 80–85°C. Slowly add
A to B while stirring with a propeller mixer. Homogenize AB, allowing the mixture
to cool. Combine C at room temperature by stirring. Add C to AB, when AB
temperature has reached 30°C. Adjust pH to 3.5–4.0 with citric acid if needed.
Note: Viscosity < 100 cps (Brookfield RV#1, 50 rpm @ 25°C)
Emulsion Stability Freeze/Thaw - no separation after 5 cycles
Emulsion Stability 50°C - no separation after 4 weeks
Conclusion
DHA, used as a self-tanning agent for more than 30 years, is a safe product for
use instead of sun-induced tanning. We now have a much better understanding
how DHA works with skin protein to provide an artificial tan. We also know how to
formulate stable formulations with DHA by careful selection of ingredients, pH and
storage conditions. Experimental and clinical evidence have shown DHA-containing
product provides some photo-protection (for better photo-protection always use
in combination with non-nitrogen-containing organic sunscreens). This photo-
protective property of DHA has been utilized in the treatment of psoriasis.
References
1. D Meyers, IR Scott and NJ Lowe, in Sunscreens: Development, Evaluation, and
Regulatory Aspects 2nd edition LJ Lowe, NA Shaath and MA Pathak, eds, Marcel
Decker, New York 101 (1997)
2. LR Kligman and AM Kligman, in Sunscreens: Development, Evaluation, and
Regulatory Aspects 2nd edition, LJ Lowe, NA Shaath and MA Pathak, eds, , Marcel
Decker, New York 117 (1997)
3. E Wittgenstein and HK Berry, Science 132 894 (1960)
4. RK Chaudhuri, The Chemistry and Manufacture of Cosmetics, M Schlossman, ed,
Allured Publishing, Carol Stream, Illinois: (in print)
5. T Kurz, Cosmet Toil 109(11) 55–61 (1994)
6. US Pat 5,770,411, HL Ohrem and F Westmeier (1998)
7. C Aretz, R Buczys, K Buchholz and H Driller, Eurocosmetics, 7 32 (1999)
8. H Fuehrer, Seifen-Oele-Fette-Wachse 20 607 (1960)
9. T Kobayashi and H Higasi, J Molec Struct 35 85 (1976)
10. PA Levene and A Watt, J Biolog Chem 78 23 (1928)
11. AJ Showler and PA Darlet Chem Rev 67 427 (1967)
12. VA Yaylayan, S Harty-Majors and AA Ismail, Carbohyd Res 318 20 (1999)
13. L Goldman, J Barkoff and D Blaney, J Invest Dermatol 35 161 (1960)
14. M Angrik, Chemie in Unserer Zeit 14 149 (1980)
15. T Severin, Lebensm Unters Forsch 178 284 (1984)
16. GP Ellis, Adv Carbohydr Chem 14 63 (1959)
17. A Meybeck, J Soc Cosmet Chem 28 25 (1977)
18. EP 0547864A1, A Suares (1993)
19. RG Kuehni, CIELAB Color Difference and Lightness, Hue and Chroma Components for
Objective Color Control, Technical Bulletin No 1, Detroit Color Control
20. RM Johnson, Pigment Handbook, vol III, TC Patton, ed, John Wiley & Sons, New York
(2291973)
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Beginning Cosmetic Chemistry Chapter 39
395
396
The Dry Facts About Wet Perspiration Beginning Cosmetic Chemistry
around the eyes, on the scalp, and amongst the genitalia. These glands are well
developed in animals, such as the skunk and the deer, however, their importance
in humans is significantly reduced. Apocrine secretions may function to allow an
infant to identify its mother and may function in courtship, but otherwise these
glands have little value.
The body’s thermostat: Eccrine perspiration is produced by the secretory coil
in response to acetylcholine, a neurotransmitter of the sympathetic nervous system.
The sweat is actually squeezed from the gland by special myoepithelial cells in a
duct that carries the liquid to the skin surface. The initial fluid released is dilute
and plasmalike, but sodium and excess water are reabsorbed by the duct creating
a hypertonic solution. This reabsorption is important to maintaining the electrolyte
and water balance of the body. In addition to electrolytes (Na+, K+, Ca2+) and
water, sweat can contain heavy metals and some organic compounds, including lac-
tate, urea, ammonia, amino acids, glycoprotein, and acidic mucopolysaccharides.2,3
Sweat is produced in response to stimuli from the hypothalamus, a special part of
the brain, which acts as a thermostat for regulating body temperature.
Apocrine perspiration is a milky, viscous fluid without odor when it is first
secreted. Bacterial action is necessary for odor production. Little is known about
the composition of pure apocrine sweat, since it is always secreted in combination
with eccrine sweat and cannot be isolated. The secretion is squeezed again by
myoepithelial cells into a duct that carries the mixture to the skin surface. Secre-
tion is induced by emotive stimuli after puberty under the control of epinephrine
and norepinephrine, which are neurotransmitters.4
Certain disease states, such as renal failure and ketoacidosis, can be recognized by
physicians because of the characteristic smell.
References
1. TC-26 Feb 9, 1940
2. For more information on labeling “Drug Facts”see FDA/OTC Label Requirements
from Hirschhorn & Young, Inc, New York, NY
3. The Cosmetic Directive 76/768/EEC
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The Dry Facts About Wet Perspiration Beginning Cosmetic Chemistry
Antiperspirant Efficacy
In order to be effective, an antiperspirant must reduce axillary sweating by
20% or more and decrease armpit bacterial colonization. The decrease in axillary
perspiration can be measured by collecting the moisture on armpit pads, which
are weighed before and after exposure to a hot room. The reduction in bacteria
count can be determined through bacterial culture plates and the sniff test. Ap-
plication of an antiperspirant formulation to a culture plate swabbed with human
perspiration can determine the percent reduction of bacterial growth. The sniff
test is performed by several individuals with highly trained noses to “sniff” armpits
before and after application of the product. In some regards, this test may be more
accurate than bacteria culture plates since it takes into account the actual environ-
ment of the armpit.
Many different antiperspirant formulations have been developed to meet con-
sumer preferences including aerosols, creams roll-ons, liquids, lotions and sticks.
The efficacy of these various formulations is summarized in Table 40.2.
Summary
The development of quality antiperspirants depends on an understanding of
the basic mechanisms operative in perspiration and body odor. Perspiration is a
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Beginning Cosmetic Chemistry Chapter 40
complex physiologic and psychologic process that can be physically and emotionally
disabling. Children who sweat profusely from the palms when stressed typically get
lower grades on their messy papers than children who are not afflicted with this
problem. Most individuals, personally and professionally, who aren’t embarrassed or
encumbered by underarm wetness, feel more comfortable in their daily activities.
Antiperspirants represent a category of OTC drugs that have a profound impact,
even though they are topically applied.
References
1. Y Kuno, Human Perspiration, Springfield, IL, Thomas, (1956)
2. T Morimoto, RE Johnson, Ammonia and the regulations of activity in human eccrine
sweat; Nature 216:813-814, (1967)
3. JC Pallavinvini, et al., Isolation and characterization of carbohydratprotein complex
from human sweat; Ann NY Acad Sci 106; 330-338, (1963)
4. WB Shelley, Apocrin sweat; J Invest Dermatol 1725, (1951)
5. S Plechner; Antiperspirants and Deodorants in Cosmetics, Science and Technology,
(2), 2nd ed., Wiley-Interscience, New York, (1972), 373
6. JB Wilkinson et al; Harry’s Cosmeticology; 7th ed, Chemical Publishing, New York,
(1982), 125
7. RP Quatrale; The Mechanism of antiperspirant action in eccrine sweat glands, in
LadenK, Felger CB (eds) Antiperspirants and Deodorants; Marcel Dekker, Inc. New
York, (1988), 89-110
8. CM Papa, AM Kligman; Mechanisms of eccrine anhidrosis II; The antiperspirant
effects of aluminum salts, J Invest Dermatol 49, 139-145, (1967)
9. WB Shelley, HJ Hurley Jr., Studies on topical antiperspirant control of axillary
hyperhidrosis; Acta Derm Vernereol 55: 241-160, (1975)
10. CM Papa, AM Kligman, Mechanisms of eccrine anhidrosis, II, The antiperspirant effect
of aluminum salts, J Invest Dermatol 49:139, (1967)
11. E. Holzle, AM Kligman, Mechanism of antiperspirant action of alumninum salts, J Soc
Cosmet Chem 30: 279, (1979)
12. L Juhlin, Topical glutaraldehyde for plantar hyperhidrosis, Arch Dermatol 97:327-330,
(1968)
13. K Sato, RL Dobson; Mechanism of the antiperspirant effect of topical glutaraldehyde,
Arch Dermatol 100: 564-569, (1969)
Chapter 41
C onspicuous pores are a perennial problem for women of various ages and concern
about them is increasing. In our own survey of 1,781 women in Japan, more
than half of women in their twenties or thirties complained of conspicuous pores.
An international attitude survey of women in their twenties revealed that enlarged
or highly visible pores are also a major concern among women outside of Japana.
In general, people who secrete a large amount of sebum have large facial pores.
However, there has been little scientific study of noticeable facial pores. Therefore,
we investigated the physiological characteristics of the cheek skin of healthy women
volunteers in their twenties and thirties.
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Improving the Appearance of Facial Pores Beginning Cosmetic Chemistry
Figure 41.1.
Figure 41.2.
Nucleated Cells
The term nucleated cells refers to cells that have nuclei. As described,
parakeratosis is a condition in which inflammation, stimuli or a similar cause
accelerates the keratinization process, giving rise to incomplete horny cells
with the nucleus retained. Horny cells developed through normal keratiniza-
tion do not have a nucleus.
Figure 41.3.
The relationships between noticeable pores and skin parameters such as tran-
sepidermal water loss (TEWL) value or the amount and composition of sebum
were investigated instrumentallyc. Because similar results were obtained in both
Caucasians and Japanese, only typical data obtained from Japanese are shown here.
The data were mainly analyzed by using the unpaired t-test.
Average TEWL values of subjects with unconspicuous and average pores were
slightly lower than those of subjects with conspicuous pores (22.3, 21.3 and 23.9 g/m2
per hr for groups A, B and C, respectively).
Sebum was collected with glass filter paper and extracted with acetone, and the
amount and components of sebum were analyzed by gas-chromatographyd.
The amount of sebum increased in parallel with the pore size (53, 100 and 135
µg of sebum for groups A, B and C, respectively). This result is consistent with
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Improving the Appearance of Facial Pores Beginning Cosmetic Chemistry
suggestions in cosmetics magazines and technical books that excessive sebum may
be related to noticeable pores.1 However, it is not known which component of
sebum is most associated with conspicuous pores.
We found no marked differences in components such as triacylglycerol, squalene,
wax and saturated fatty acids. However, unsaturated free fatty acids, such as oleic
acid and palmitoleic acid, were more abundant in sebum of women with conspicu-
ous pores (2.3, 3.4 and 4.4% unsaturated free fatty acids in the sebum for groups
A, B and C, respectively).
Oleic acid (C18:cis-9) is one of the major components among unsaturated
fatty acids in sebum. This material may be synthesized from saturated fatty acid
by desaturases or it may also be produced from triacylglycerides by lipases as
palmitoleic acid (C16:cis-9). These substances are known to cause roughness of
the skin surface, inflammation, acne and comedo.2, 3 Although the composition of
fatty acids on human face has been reported,4 this finding was the first of its kind
on the relationship between pore size and the sebum composition.
Furthermore, when the VC1 value is higher, the pores of the cheek are more
conspicuous. Among the 94 members of our three classifications based on pore
visibility, the VC1 values averaged 0.275, 0.330 and 0.425 respectively, for A, B
and C classifications. A possible explanation is that when the skin is plumped and
the skin texture pattern is well aligned, pores are inconspicuous. When the ridges
are flat and furrows are shallow, the skin texture is irregular, and the pores look
conspicuous.
The above results suggest that unsaturated free fatty acids, such as oleic acid, may
be one of the main causes of conspicuous pores through induction of parakeratosis
around the pores and impairment of skin texture (increase of VC1 value).
Figure 41.4.
Table 41.1. VC1 and TEWL values raised by the application of oleic acid
VC1 value TEWL value
Oleic acid 0.094 2.33
Oleic acid +POP/POE-14/7 0.043 –0.45
Figure 41.5.
Summary
Conspicuous pores are one of the most frequent skin problems for women of
various ages. A study of the relationship between the extent of conspicuous pores
and the skin condition revealed that females with conspicuous pores have a slightly
increased transepidermal water loss (TEWL) value, and a high skin sebum content,
especially in regards to unsaturated fatty acids. Experimental application of oleic
acid, an unsaturated fatty acid, to the forehead of humans promoted parakeratosis
and increased the TEWL value.
Polyoxyethylene (POE)/polyoxy-propylene (POP)-14/7 dimethyl ether was
effective in improving the parakeratosis caused by oleic acid, and reducing skin
roughness. Application of a solution containing POE/POP-14/7 dimethyl ether
improved skin texture and parakeratosis on human cheek, resulting in skin with
less obvious pores.
References
1. G Plewig and AM Kligman, Acne and Rosacea, 3rd edn, T Jansen, ed, Springer-Verlag;
Berlin 32–33 (2000)
2. T Maeda, An electron microscopic study of experimentally-induced comedo and
effects of vitamin A acid on comedo formation, J Dermatol 18 397–407 (1991)
3. RE Kellum and K Strangfield, Studies in pathogenesis: Fatty acids of human surface
triglycerides from patients with and without acne, J Invest Dermatol 58 315–318 (1972)
4. A Kotani and F Kusu, HPLC with electrochemical detection for determining the
distribution of free fatty acids in skin surface lipids from the human face and scalp,
Arch Dermatol Res 294 172–177 (2002)
5. M Takahashi, Image analysis of skin surface contour, Acta Derm Venereol Suppl 185
9-14 (1994)
6. T Omori et al, Development of new multifunction cosmetic raw materials and its
applications, In: IFSCC Proceedings Book II 149–162 (2003)
Chapter 42
A Light-Diffusing Concept
for Antiaging Effects in
Makeup Formulations
An innovative light-diffusing concept for special optical effect
(nylon fibers) makes possible the immediate visualization of
the reduction of signs of skin aging while maintaining a natural
makeup and a youthful appearance.
S kin aging is a natural phenomenon that only a few people accept without ap-
prehension. For many years, cosmetology has provided men and women with
appropriate tools for fighting aging. Numerous cosmetic formulations make it pos-
sible to reduce the visible signs of skin aging: skin care products have long-term
effects, but makeup gives more instantaneous results, perceptible immediately
after application.
In order to make the results more magic and spectacular, the current trend is for
products that leave a very transparent and thin film, in a word—natural. Previously,
mineral powders such as oxides, silicates and carbonates, were used extensively in
makeup formulations, providing high coverage, opacity and a mask-like effect on the
skin. Now, in order to achieve more lightness and transparency while maintaining
results, high-tech ingredients have been developed and consequently, talcs or others
minerals have been replaced by sophisticated substances for optical effects.
At LCW we define a “soft focus” effect to suggest the way light diffuses in the
skin of young people. Our studies indicate that light diffuses differently in the skin of
older people because their skin has less microrelief. We have found that by adding
nylon fibers to foundations and creams, we can achieve a “soft focus” effect on aging
skin. In this paper, the concept of light diffusion is evaluated according to two new
innovative methods: RSF (in vitRo Soft Focus) and VSF (in viVo Soft Focus).
Materials
Fibers are one recent significant development for creating optical effects in
makeup and skin care products. Many types of fibers are now available. They are
different in their nature, their size and their aspect. They can be classified as:
409
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A Light-Diffusing Concept for Antiaging Effects in Makeup Beginning Cosmetic Chemistry
Figure 42.1.
Nylon fibers: Polyamide fibers, and more precisely nylon-6, are the most
remarkable fibers. In a general way, nylon-6 is a linear polymer obtained by po-
lymerization of caprolactam. An optical microscope picture of nylon fibers is shown
in Figure 42.2.
Figure 42.2.
Nylon fibers present all the necessary physicochemical and optical characteristics
in order to create interesting optical effects. The nylon-6 properties are described
in Table 42.1 and its chemical resistance in Table 42.2.
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Beginning Cosmetic Chemistry Chapter 42
Acids—concentrated bad
Acids—diluted bad
Alkalis good
Alcohols good
Ketones good
Oils good
Halogens bad
Aromatic hydrocarbons good
*Decitex is a titration unit for textile fibers. It is the weight (in gram) of a 10,000-meter length of the
product.
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A Light-Diffusing Concept for Antiaging Effects in Makeup Beginning Cosmetic Chemistry
Raw nylon fibers are white, but a special dyeing process has been developed to
create a wide range of colored fibersa (Figure 42.3a) able to cover almost all the
possible colors in color space. Those of higher interest for cosmetic formulations
are black, beige, white and X-white (with a fluorescent brightening effect under
UV light) (Figure 42.3b and 42.3c).a
Novel optical films: To evaluate the anti-aging effect of nylon fibers on light
diffusion, we developed novel optical films for both in vitro (RSF) and in vivo
(VSF) tests.
For the RSF test, a transparent film containing nylon fibers was developed to
evaluate the fibers’ optical properties and more precisely their blurring character-
istics. Formula 42.1 was developed to achieve a fast film hardening and to provide
a homogeneous repartition of fibers.
We also developed a novel optical film for measuring the VSF effect. The VSF
optical film corresponds to a thin layer of the cream shown in Formula 42.2 or
the foundation shown in Formula 42.3 on the skin. Specific formulations must be
developed in order to prevent the fibers from twining during hand application on
the skin surface. The two proposed formulas help to apply an even film of fibers
on the skin with a manual application.
Colored fibers: Fibers are colored in order to achieve specific targets for the
final application. For these studies we use X-white fibers and beige fibers manu-
factured by LCW.
X-white fibers help to visualize the RSF optical film under UV light and give a
whitening effect when applied on an ethnic skin under visible light. A fluorescent
brightening substance was precipitated on the fibers using the color lake technology
(patent pending). The fluorescent brightener is a stilbene derivative. The X-white
fibers are fluorescent under UV exposure.
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Beginning Cosmetic Chemistry Chapter 42
Beige fibers are used for foundation. They are obtained by precipitating water-
soluble dyes such as FD&C Yellow 5 using a similar technique.
Figure 42.4.
In order to compensate for the changes in skin microstructure due to aging, the
introduction of ingredients generating optical effects in foundations allows the res-
toration of the translucence of younger skin while blurring wrinkles efficiently. The
substance on the skin surface must interact with light just as young skin does.
These ingredients with optical effects should have the following properties:
• To reduce the differences in glow of the skin surface without coverage or
masking effect between the wrinkles and the surrounding skin while main-
taining transparency. This is the non-covering matte.
• To diffuse the light and reproduce the “soft focus” effect of young skin. This
is the light diffusion property.
In Vitro Testing
In our experiments, the RSF optical film was poured into a plastic petri dish
containing a double-line cross-ruled background. This double-line cross-ruled
schema represents the microstructure of the skin. Thus, the two lines represent a
wrinkle (Figure 42.7).
Figure 42.7.
The first petri dish did not contain any fiber in the RSF optical film (Figure
42.8a). The second is composed of 3% of white fibers in RSF optical film (Figure
42.8b) and the third contains 3% of X-white fibers (Figure 42.8c). The X-white
fibers display a white bluish color under UV light. This demonstrates the good
homogenous repartition of fibers in the RSF optical film.
The film with 3% of fibers creates a blurring effect on the background. The visual
change from two lines to one single line is the consequence of the light diffusion
of the nylon fibers inside the film and demonstrates the RSF effect.
Another important point is that the film with fibers blurs the lines but doesn’t
hide them. The film keeps a good transparency and doesn’t become shiny. The
RSF optical film is matte.
Homogenous film, good transparency, matte aspect and change from two lines
to one line demonstrate the RSF effect of nylon fibers.
In Vivo Testing
The study was realized with a 20-year woman (young skin) and a 40-year woman
(older skin). The cream (Formula 42.2) and the foundation (Formula 42.3)
were spread on the upper side of the hand in thin layer on a clean and dry skin.
Moreover, in order to ensure a good reproducibility, the wrist of each woman was
immobilized with a clay mold. All the photography was done under artificial light
with a digital camera (magnification X 7.5).
One key parameter is the good repartition of fibers on the surface of the skin.
The application of the cream in an even layer on the young skin and its observation
under UV exposure (Figure 42.9) demonstrates the regularity of the repartition
of fibers on the skin. Although totally imperceptible under visible light, fibers are
well dispersed on the surface of the skin and there is no agglomeration.
Figure 42.9.
The VSF optical film was realized by spreading the foundation on the aged
skin. Figures 42.10a and 42.10b represent an aged skin on which a foundation
was applied with and without fibers.
Taken under the same experimental conditions, these pictures demonstrate
the matte effect of a foundation containing fibers. This formulation does not give
opacity to the skin when restoring a youthful appearance. Figure 42.10b can be
compared to Figure 42.5. Consequently, matte effect, transparency and luminous
restoration of aged skin demonstrate the VSF effect. This VSF effect also illustrates
the light-diffusing concept.
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Beginning Cosmetic Chemistry Chapter 42
Results
The uniform film of fibers at the surface of the skin reflects the light in all
directions giving the look of young skin (Figure 42.11).
Figure 42.11.
Conclusion
The surface of aging skin is characterized by an absence of microrelief and a
macrorelief (such as wrinkles and blemishes) in development.
It is often difficult to fight against these numerous transformations, but makeup
products can provide a remarkable improvement of the cutaneous aspect. However,
certain formulations cover the skin in a thick layer giving a mask effect.
Nylon fibers are an ideal solution to bring a natural appearance to makeup
formulations. They diminish the differences of shine between lines and the sur-
rounding skin, and reduce the appearance of wrinkles.
Nylon fibers diffuse light and restore the “soft focus” effect on aging skin.
References
1. GE Pierard, C Franchimont and CM Lapiere, Le vieillissement, son expression au
niveau de la microanatomie et des propriétés physiques de la peau, Int J Cosmet Sci
2 209–214 (1980)
2. PJ Tisnes, V.A.O. et Objectivation, Parfums, Cosmétiques, Arômes 72 67–71 (1986)
3. M Sakasaki, K Nishikata and N Nakamura, Optical investigation of aging skin and the
development of make-up that restores a youthful look, in Proceedings of the 21st
IFSCC Congress, Berlin 549–561 (2000)
4. U Hillgartner and R Anselmann, Optical wrinkle reduction, in Proceedings of the
Personal Care Ingredients ASIA Conference, Bangkok (2000)
5. M Kligman, P Zheng and RM Lavker, The anatomy and pathogenesis of wrinkles, Br J
Dermatol 113 37–42 (1985)
6. P Corcuff, JL Leveque, GL Grove and AM Kligman, The impact of aging on the
microrelief of periorbital and leg skin, J Soc Cosmet Chem 38 145-52 (1987)
7. K Nishikata, H Nishimura, K Mohri and N Nakamura, Optical properties of corneum
stratum and development of natural-looking makeups, in Proceedings of the 19th
IFSCC Congress, Sydney (1996)
Chapter 43
Cosmetic Product
Packaging
A variety of cosmetic packaging options and their uses are
important elements to be considered when formulating
personal care products.
Packaging
Definition: Simply put, the term packaging refers to the receptacle that holds
a product. It is typically made up of a container that houses the bulk of the product
with a closure that seals the container and controls dispensing. The primary pack-
age is sometimes enclosed in an outer wrapping or carton that is also considered
a packaging component.
Just by perusing the shelves at drug stores, supermarkets or department stores,
it is clear that cosmetic packaging is available in a wide array of sizes and shapes.
Personal care products are sold in bottles, jars, tubes and packets that are made of
plastic, glass, metal or combinations thereof.
Containers: Containers are produced in many forms and employ various materi-
als. A container for shampoo may take the form of a plastic bottle, while a perfume
package may be a stylized glass flacon. The container may be as simple as a plain
jar used to store cleansing cream or as complex as a multi-component swivel-stick
dispenser used for antiperspirants. Often companies will create a custom container
mold so they have a unique structure. Others use stock bottles and differentiate
themselves through labeling.
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Cosmetic Product Packaging Beginning Cosmetic Chemistry
The closures for cosmetic packaging are as variable as the containers. Many
products use a simple lid or cap that screws onto the neck of the container, which
prevents the product from spilling, but these have little control on how the product
is dispensed. Other products, such as aerosols and deodorants, have more compli-
cated closures that actively control dispensing.
Bottles and jars: Bottles and jars are the most commonly used packages for
cosmetic products. They are formed from specially designed molds and can take
on a number of sizes and shapes, mostly tapered designs. Depending on the type
of material used to construct them, bottles can be rigid or squeezable, clear or
opaque, refillable or disposable. They are particularly well suited for dispensing
liquids with a wide range of viscosities. This characteristic makes them useful for
a variety of products, including shampoo, skin lotion, suntan oil, makeup remover
and mouthwash.
Jars are straight-walled and have a larger opening than bottles, which is more
appropriate for products like skin creams that are too thick to pour.
Tubes: Tubes represent another type of common cosmetic package. They
are primarily used for thicker products such as toothpastes, styling gels and some
high-viscosity creams. Unlike bottles and jars, tubes are usually sealed with a cap
at one end. The opposite end is left open at the manufacturing stage to fill with
the product. After filling, this end is sealed, usually by application of pressure and
heat. Various types of materials have been used to construct tubes, but aluminum
was originally the most popular, due to its flexibility. However, aluminum has sev-
eral drawbacks. It is expensive, hard to obtain, inconvenient because it has to be
crimped when sealed and requires delicate handling to avoid denting.
Subsequent improvements in packaging materials allowed plastics to be formed
into appropriate tubes. Plastic tubes offer a number of advantages, including heat
sealability and good water and oil barrier properties. Plastic tubes can be decorated
easily and are compatible with a variety of manufacturing lines. Researchers have
found that the performance of plastic tubes can be further enhanced by lining them
with special polymeric materials to reduce moisture or to avoid fragrance loss.1
Stick packaging: Unique cosmetic packaging has been developed to deliver
products in solid stick form, such as antiperspirants and lipsticks. Stick dispensers
are multi-component devices that rely on either a friction-fit, push-up plate or a
more sophisticated elevator platform that moves up the housing along a threaded
shaft. These packages can be used with products that have already been molded
into stick form, or they can be filled with molten product that then molds itself to
the shape of the package.
Pouches/packets: Another type of cosmetic package is the pouch in an en-
velope usually made of a combination of polyethylene, cellophane, vinyl, and/or
aluminum foil. Pouches or packets are useful for distributing small samples of
product to consumers. They are also used in high-viscosity treatments, such as
mud packs or facial masks.
Aerosol packaging: The aerosol packages commonly used for cosmetic prod-
ucts such as hairspray and deodorants need superior strength and burst resistance.
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Beginning Cosmetic Chemistry Chapter 43
Therefore, they usually consist of metal cans (tin-plated steel or aluminum) that are
pressurized with a liquified gas propellant after filling. See the chapter on Aerosols
for more information.
One package type related to the traditional aerosol is the bag in a can technol-
ogy. This features an outer container in which an accordion-pleated plastic bag is
inserted. The bag is filled with the formula and the liquid gas propellant is injected
into the space between the bag and the can. This type of package is not a true
aerosol and does not deliver an atomized spray of small droplets, but it is useful
for certain products like shaving gels. This approach may be useful in formulating
certain low VOC products.
Some alternative aerosol packages rely on a stretched rubber bladder to dispense
the product instead of propellant; others rely on piston cans to push the product out.
The chemist should be aware that aerosol products are among the most complex
of all packaging used in cosmetic science.2
Closures
While housing the formulation is a key function of packaging, sealing the
container and controlling dispensing are important as well. It is crucial that the
chemist be aware of the role of closures so the proper one can be selected during
product development.
Passive closures: Generally speaking, closures can be considered to have a
passive or an active role in product dispensing. Passive dispensing closures control
product flow by preventing the product from running out. When the closures are
opened or removed, the product is free to be either poured or scooped out. Such
closures can take many forms but the most common is a simple cap with a threaded
finish that screws onto the opening of the container.
Caps may have other finishes also, such as a lug, plug or crimp-sealer snap-on.
The latter provides a vertical movement, and a seal friction cap forms a seal by
interference fit between the closure and the neck section of the container.
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Cosmetic Product Packaging Beginning Cosmetic Chemistry
Plastics
Plastic is the most commonly used packaging material in the industry today.
Plastics are economical, moldable, corrosion-resistant, visually appealing and adapt-
able to filling on a wide range of equipment. The plastics commonly employed for
making bottles include polyethylene, polypropylene, polyvinyl chloride and poly-
ethylene teraphthalate (PET). The type of plastic used on a given package depends
on the molding process used to form the package, the desired appearance of the
package, its required strength, and the nature of the formula it is to contain, along
with many other factors. The following section describes specific plastics and how
they are used.
Polyethylene: Polyethylene ([H2C=CH2]x), one of the most commonly used
plastics today, is made by polymerizing ethylene. It is used in great quantities be-
cause it is tough, chemically resistant, has a useful temperature range, is resistant
to environmentally-induced stress cracking and has good stiffness.1 It maintains
its strength after flexing that makes it good for use in squeezable packages. Poly-
ethylene is supplied in two primary forms: high density (HDPE) and low density
(LDPE). The desired stiffness and molding characteristics of the package deter-
mine whether high or low density is preferred. Polyethylene is commonly used to
make squeezable bottles for many hair- and skin care products such as shampoos,
conditioners and lotions.
Polypropylene: Polypropylene ([C3H6]n), or polymerized propylene, is useful
for making lightweight packaging because of its remarkably low density compared
to other thermoplastics. One advantage is its high melting point, which makes it
more resistant to elevated temperatures (up to 300ºF). Furthermore, it has excel-
lent gas- and water-vapor permeation properties. However, it is somewhat more
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Beginning Cosmetic Chemistry Chapter 43
expensive than some resins and must be modified with other elastomers to improve
certain properties such as low temperature breakage.1 Due to its high degree of
stiffness, polypropylene is useful in making more rigid packaging components such
as caps and lids.
Polystyrene: Polymerized styrene ([C6H5CHCH2]n), is hard, somewhat brittle
and low on toughness. Therefore, it is usually copolymerized with butadiene and
acrylonitrile to increase strength. Properly formulated polystyrene has good resis-
tance to alkalis, alcohols and water, in addition to good physical characteristics.1
Polyvinyl chloride: Polyvinyl chloride, also known as PVC ([–H2CCHCl–]x),
is made by polymerizing vinyl chloride. PVC can be transformed into a variety of
package types due to its adaptability to plasticization, its unbreakability, its resistance
to chemical and water penetration, and its availability in clear, as well as a large
array of colors.1 It is also useful in making bottles for a variety of products.
Polyethylene teraphthalate: Another plastic that is gaining in popularity is
polyethylene teraphthalate ([C10H8O4]x), a thermoplastic resin more commonly
known as PET, formed from a catalyzed ester exchange between ethylene glycol
and dimethyl teraphthalate. PET and its counterpart, oriented polyethylene teraph-
thalate, are commonly used in clear soft drink bottles and are finding increased
application in the cosmetic industry.
Other Materials
Glass: Although plastic is the packaging material of choice, other materials
provide certain unique benefits. Glass has excellent barrier properties, for example.
Glass is more expensive to use than plastic; nonetheless, it still enjoys popularity in
certain product categories because it is capable of providing unique bottle shapes
and its weight and texture connote high quality. For instance, glass bottles are still
preferred for perfumes and for some skin care and color cosmetics, such as nail
polish. It is not typically used for hair care products because of the inherent danger
associated with having glass in the shower or on wet countertops.
Metals: Another common category of packaging material, metals have superior
strength. This makes them well suited to withstand the pressures needed to accom-
modate aerosol products. Though usually more costly than plastic, metal containers
can also be formed into an array of shapes and sizes. Aluminum tubes and tin-plated
steel cans are the most common types of cosmetic product packaging and have been
used to package many different types of hair care and skin care products.
Package Selection
Selection of appropriate packaging is not usually done by the formulation
chemist. Nonetheless, it is useful for chemists to understand the many formulating
considerations involved in package selection, as the product-development chemist
is often responsible for evaluating the options.
Stability: One of the most important criteria is to ensure that a package does
not negatively affect the product or, conversely, that the product does not hurt
the package. It is the responsibility of the development chemist to determine the
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Cosmetic Product Packaging Beginning Cosmetic Chemistry
impact of the formulation on the package and to evaluate whether or not these
changes will have a significant effect on product integrity. This process can be done
by following the company’s stability testing procedures.
Depending on the package’s size, shape, and material, you may encounter vari-
ous stability problems. A general problem for all types of packaging is an excessive
loss of water or fragrance that can occur with an inadequately sealed closure or
from excessive permeability of the package.
Chemical effects: Plastic packages are prone to a variety of stability problems
depending on the type of resin and physical shape used. For example, water loss is
a function of the type and thickness of plastic in the packaging. Also, the formula
may react with resin components such as fillers and plasticizers that can cause
color loss in the product, change in fragrance character, and even the formation of
undesirable precipitates. Or, the package may craze or crack due to the formula/
package interactions, causing leakage. Correcting these types of stability problems
is usually done by changing the type of plastic used, but it may also require some
reformulation.
Metal packages are particularly susceptible to internal oxidation or corrosion,
especially when used with water-based formulas, such as the new, low-VOC hair
sprays. Often, the chemist must add corrosion inhibitors to the product to address
this problem. In the case of aerosol systems using plastic/foil packets to separate
product from propellant system, weight loss is of particular concern because the bar-
rier properties of the film may be inadequate or the pouch may have a poor seal.
Glass itself is unreactive with most formulations. However, plain glass does
not screen out light well, which can cause product discoloration or a change in
fragrance character. Fortunately, some light screening coatings can minimize some
of these issues.
Physical considerations: In addition to chemical interactions between formula
and package, the chemist must ensure the package is appropriate for the physical
form of the product. A bottle intended for use with a thick lotion must be of the
proper size and shape that the product will dispense properly. It should be made
of plastic that is adequately squeezable and must have an opening large enough
that the product can flow out easily. Conversely, a water-thin product may need a
restricted orifice to stop the product from flowing out too quickly. These critical
elements of shape, size of opening and appropriate closure must be correctly bal-
anced to ensure that the package is in harmony with the product.
Functionality: As already mentioned, the package must do much more than just
contain and deliver the product. It must protect the product from environmental
assault. It must also act as an advertising vehicle for communicating key informa-
tion about the product to the consumer. Evaluating these functions involves other
team members besides the formulating chemist, including packaging engineers,
creative services and art departments, and marketing.
Cost: Just as with formula development, packaging choice and development
has its cost limitations as well. Of course, a major consideration is the cost of the
materials chosen for the package. In the case of plastic bottles, that means the cost
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of the plastic resin used; for aerosol cans it would include the cost of the metal plus
necessary sealing compounds and coatings.
The price of a package also includes the cost of its manufacture, whether it
is blow-molded, injection-molded or assembled from multiple components. This
price includes costs for coatings or special additives, like antistatic treatment or UV
absorbers, that may be added to the package. Likewise, the cost of decorating the
package (by glued or shrink-wrapped labeling or printing directly on the container)
is important. Finally, the cost of shipping the empty packages to where you intend
to have them filled may have an appreciable impact on the cost.
Esthetic characteristics: Any package must have appropriate esthetic char-
acteristics to support its positioning. The package must be the right size and shape
to impress the consumer, it must be colored correctly and easy to handle. Elegant
designs look impressive but they may increase cost and complicate manufactur-
ing and filling efforts. Therefore, the best package for the job may be a tradeoff
between the ideal design desired by marketing and the pragmatic alternatives that
will allow the package to be produced at a reasonable cost, sold to the desired target
consumers and conveniently used by those consumers.
Manufacturing issues: The team designing the final product must consider
whether or not the package will be compatible with available manufacturing equip-
ment such as conveyor systems and filling attachments. Customized containers
may require special tooling, known as change parts, to allow the packaging to
move smoothly along existing guide rails. If change parts are required, it may be
a significant expense to the manufacturer or contract manufacturer, which will
ultimately affect the cost to the consumer.
Conclusion
Helping evaluate the suitability of packaging for specific formulations is an
important part of the cosmetic chemist’s job. As industry trends evolve, packaging
and formulations must change accordingly.
In recent years, the safety of chemicals used in the production of plastic packag-
ing has come into question. In 2008, laws essentially banning the use of Bisphenol
A (BPA), a commonly used starting raw material, were proposed in various US
states and in Canada. These use limitations were reactions to preliminary studies
linking BPA to health problems.
The environmental impact of packaging materials has also come under increas-
ing scrutiny from various regulatory bodies. Consequently a push to reduce the
amount of packaging material, to make it more reusble, refillable or recyclable
continues. A trend toward use of child-resistant closures and tamper-evident or
tamer-resistant shrink bands for consumer protection is also ongoing. Trends such
as these will make interesting future challenges for cosmetic chemists and packag-
ing engineers alike.
Acknowledgement: The authors would like to thank Diane Haidle, Group Leader of Packaging
Development for Alberto Culver, for her help in researching this article.
References
1. RH Thomas, Cosmetic Packaging Technology, Columbia University College of
Pharmaceutical Sciences
2. MA Johnson, The Aerosol Handbook 2nd Edition, Wayne Dorland Co, Mendham, NJ
(1982)
3. M Howe-Grant (Ed.), Kirk-Othmer Encyclopedia of Chemical Technology, v 17 4h Ed,
John Wiley & Sons, NY (1996)
4. F Lewis, Sr. and I Sax (Eds.), Hawley’s Condensed Chemical Dictionary, 11th ed, Van
Nostrand Reinhold Co, NY (1987)
5. R Kelsey, Packaging in Today’s Society, 3rd ed, Technomicc Publishing Co, Lancaster,
PA (1989)
6. S Sacharow, A Packaging Primer, Books for Industry Division of Magazines for
Industry, Inc, NY (1978)
Chapter 44
Emerging Technologies
and the Future
of Cosmetic Science
In this chapter, the authors look forward to what cosmetic
science might be like in the future with what emerging
technologies, radio frequency identification (RFID) tags and
nanotechnology, may offer to the cosmetics industry.
A s regular readers of our columns know, we usually look to the past to provide
historical background on the basics of cosmetic science. But this chapter is dif-
ferent; it looks forward to what cosmetic science might be like in the future. While
our previous pieces have been designed as “informational entrées,” this column is
meant to be an appetizer of things to come. So bring your appetite for innovation
and join us for a lighthearted glimpse of the potential future of our industry.
For this discussion, we will consider two emerging technologies and how they
might one day impact cosmetic science. The first technology is radio frequency
identification (RFID) tags—the tiny electronic information tags that are making
their way onto products worldwide. Currently, the information on these microchips
is primarily limited to inventory control. But, in the future, who knows how this
technology might affect cosmetic science? The second scientific advance we will
explore is nanotechnology, which is being developed to fight viruses, repair blood
vessels, and provide targeted delivery of drugs. But what if RIFD and nanotechnology
were ready for cosmetic products today? What would the industry look like? Let us
explore these new technologies and, we hope, spark some ideas in the process.
Today, tags come in two forms—passive and active. The passive versions do
not contain a power supply of their own; instead, the tag is receptive to incom-
ing radio frequencies that induce a minute electrical current. Thus, scanning the
tag with a radio wave can provide enough power for the tag to send a response.
This approach allows the tags to be made very small; in fact, passive tags can
currently be made small enough to be embedded under the skin. The tiniest
devices commercially available as of 2004 measured 0.4 mm X 0.4 mm and are
as thin as a sheet of paper. However, there is a trade-off in performance. Small
size limits both the amount of information a tag can contain and the distance
from which it can be read. The range for passive tags varies from approximately
10 mm up to about 5 m.
Active RFID tags are quite different; they contain their own power source
that frees them from the limitations of passive tags. Therefore, they have lon-
ger ranges—they can be read from a distance of 10s of meters, they have larger
memories, and their battery life can last up to several years. They can also store
additional information that is sent to them by a transceiver. They are, however,
larger and heavier. Currently, the smallest active tags are about the size of a coin.
As you might expect, passive tags are more common today because they are cheaper
and do not require a battery. Even so, these tags can cost upwards of $0.40. The
industry estimates the costs needs to be $0.05 or less to make widespread RFID
tagging commercially viable. Because the technology is new, supply and demand
have not yet lowered the price to this level. In fact, analysts predict that a cost of
less than $0.10 will not be achievable for six to eight years, which is a hurdle to
widespread passive RFID use.
The technology behind RFID is rapidly advancing as the industry tries to solve
the problems with these formats. For example, already some research has been done
into the use of ink as a magnetic media for RFID. While this change would dramati-
cally reduce costs, it is still years away from fruition. New applications for RFID are
also being explored—one bold visionary proposed the creation of a refrigerator that
could track the expiration dates of the food products inside it via their RFID tags.
Even though few of these ideas have moved beyond the prototype stage, imagine
the possible uses for future RFID technology in personal care products.
and dispense products for them as necessary. These electronic toiletries managers
(ETMs) could constantly monitor their inventory of products frequently used (see
the RFID-Assisted Shopping Experience sidebar).
Does this scenario sound too good to be true? Well, here is the bad news: with
RFID technology, products could have the ability to market themselves more
aggressively. Shelves full of products would send regular alerts that they are new
and improved, or that they are on sale at half price. Products could alert consum-
ers that the company is changing the fragrance and ask them if they would like
to request a sample of the new one. As consumers walk down the aisles of their
favorite stores, products could “call out” to their Web-based cell phones. This next
generation “spam” could overwhelm PDAs unless they are equipped with the latest
firewall technology.
At-home convenience: Now consider what RFID technology could do in
conjunction with the smart household appliances of the future. The consumer’s
ETM would also serve as the information hub for all product activity. Products
could be stored in rotating “garages,” where they would be automatically selected
and presented, ready for use. They could communicate with the clothes closet to
automatically coordinate color cosmetics with a chosen wardrobe. Based on RFID
instructions, personal computers would monitor live local weather information and
use this information to make recommendations for daily hair and skin care products.
The intense moisturizer would notify consumers to use it on cold, dry days and the
humidity-resistant hair spray would “speak up” when it is muggy outside.
Products would work in tandem with a new breed of cooperative appliances.
For example, hair styling gel might interact with the consumer’s blow dryer or
curling iron to automatically inform it of the proper temperature setting. A bath
gel might contact microcircuits connected to the shower to dial up the correct
water temperature. And the facial makeup consumers select could electronically
change their bathroom lighting, depending whether the foundation is formulated
for use at the beach or for indoors. And what about oral care? The “smart” micro-
wave oven could send a wireless signal to a consumer’s electric toothbrush telling
it to dispense extra-strength fluoride toothpaste because he or she just prepared
a batch of tooth-decaying chocolate brownies. Or perhaps the microchip in the
coffeemaker, recognizing the consumer made two pots of extra strong coffee this
morning, would beam a request for a whitening toothpaste formula when they go
to brush later in the morning.
Benefits to product developers and marketers: Consumers are not the only
ones to potentially benefit from widespread use of RFID technology; product de-
velopers and marketers could find new opportunities through the use of these tiny
tags. RFID information could aid formulators in creating new products that might
otherwise be problematic. For example, today it would be a challenge to market
a truly natural cosmetic product because of issues with spoilage. But in the RFID
future, chemists could create a new generation of fresh, all natural products that
have a limited shelf life. RFID chips in the products would track the shelf life so
consumers know exactly when they expire. This technology could even be used to
record the temperature and other factors that could negatively affect the shelf life.
By eliminating concerns about shelf life, RFID tags could allow the formulator to
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use a wider variety of raw materials. With a little thought, one could imagine many
examples where this technology could allow formulators to develop new products
that otherwise might be problematic.
Another application for RFID that would appeal to both formulators and
marketers alike would be real-time product usage data. In conjunction with com-
puterized ETMs, RFID tags could track specific data on how a product is used by
the consumer (e.g., information on how much product is dispensed for each use,
length of time of use, conditions of storage), could be collected and transmitted to
the company. By sharing this kind of use information with manufacturers, consum-
ers would be helping these companies to produce new products that would better
suit their individual needs. The consumer benefits by getting a more personalized
product and the company benefits by being able to target its product to specific
consumers. Of course, such an information exchange quickly raises issues involving
privacy and identity theft that will have to be resolved before the technology can
be fully implemented. While we have speculated on only few of the many areas of
personal care that could potentially benefit from RFID technology, we hope we
have given the reader a tantalizing taste of what could happen.
Now let us turn our attention to another one of today’s emerging technologies
and see where it’s headed for tomorrow.
Nanotechnology Today
Nanotechnology is another emerging area that has the potential to radically
change the way the cosmetics deliver their benefits. While some applications are
already being realized, the full potential is yet to be developed. But concerns over
safety are poised to sink this technology before it even gets afloat. Time will tell if
some of the possibilities of this technology will ever be realized.
What is nanotechnology? It should be obvious with a prefix like “nano” (from
the Greek “nanos,” meaning “dwarf”) that nanotechnology refers to that which
is incredibly small. A nanometer is one billionth of a meter and typical atoms
are about one third of a nanometer. So nanotechnology deals primarily with the
manipulation of atoms and molecules in this range to produce building blocks for
slightly larger structures.
However, nanotechnology is not only interested in the study of smallness but
also in the practical application of these structures. Currently, the three main areas
of development include the following:
1. Nanomaterials: building specialized structures whose dimensions are controlled
on a nanoscale
2. Nanobiotechnology: the manipulation of living systems using nanoscale en-
gineering or the construction of molecular scale materials inspired by biology
3. Nanoelectronics: related to the development of microelectronics for devices
such as RFID
Each of these fields could have an impact on the future of cosmetics, but most
promising is the area of nanomaterials.
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Nanomaterials
The area of nanomaterials is currently receiving the most attention in the cosmetic
industry. Specifically, nanoparticles have been used to encapsulate a wide range
of ingredients that are intended to provide cosmetic benefits. In some respects,
nanoparticles have characteristics in common with both emulsions and liposomes.
Like these structures, they have a spherical shape. Their size, on the order of
1000–20 nm in diameter, is comparable with liposomes. However, nanoparticles
are typically composed of a single layered shell, whereas liposomes are made up
of bilayered membranes. An additional difference is that the inner content of li-
posomes is water based, while the content of a nanoparticle is oily. In this manner,
they are like emulsion micelles, only much, much smaller.
How nanoparticles are made: Nanoparticles are produced in an aqueous
medium using an emulsifier such as lecithin, lipophilic active ingredients, and high-
pressure homogenization techniques. The specially designed homogenizer can mix
the components together at pressures up to 1200 bar. Reportedly, the technique
produces 100% encapsulation of the active ingredients in the nanoparticles. To
achieve this impressive rate and to produce homogenous particles, multiple cycles
through the homogenization chamber are required.
Suppliers of nanoparticles suggest that they can be made to contain 40% oil.
The exact concentration and size of the structures depends on factors such as the
type of oil, the concentration and type of lecithin, the water phase composition, and
the pressures achieved during production. The smallest particles (under 50 nm),
can only be produced by using a high ratio of emulsifier to oil. For example, 4%
lecithin would be combined with 10% oil.
A wide range of ingredients have been incorporated into these nanoparticles but
all are typically lipophilic. They include the fat-soluble vitamins such as vitamin E
or vitamin A; natural oils like jojoba, macadamia nut, or wheat germ oil; and various
functional ingredients such as ultraviolet (UV) filters and fragrances. All of these
materials are said to be more resistant to oxidation (and thus more stable) when
incorporated into a nanoparticle.
Characteristics of nanoparticles: The size of the particles will have an impact
on their functional characteristics. For example, nanoparticles that are 100–200 nm
in diameter will be opaque or translucent. When the particle size is reduced to 60
nm, they become “invisible,” thus producing clear solutions. This property is most
useful when trying to incorporate nanoparticles into clear systems.
Application to cosmetics today: The stability of nanoparticles has made them
an appealing choice for cosmetic formulators, especially for skin care products. Lead-
ing skin care marketers have used nanoparticles to deliver antiaging ingredients to
the skin because they believe they are more efficient, effective, and longer lasting.
One can imagine these conjectures could deserve some merit. The phospholipids
used to produce nanoparticles do have an affinity for the stratum corneum, and
numerous studies on drug delivery have shown liposome delivery systems work
better than conventional emulsions. Since nanoparticles are made of nearly the
same ingredients as liposomes, they should work similarly. Now, whether antiaging
ingredients actually work is a different story.
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Another skin care area that is making use of nanoparticles is sunscreens. Zinc
oxide is an excellent sunscreen ingredient but can have the unfortunate character-
istic of leaving a white coating on the skin. By incorporating it into nanoparticles,
the sunscreen can be made to spread more easily, cover more efficiently, and go
on clear.
For hair care, however, nanoparticles do not seem to offer much benefit except
perhaps for delivering active ingredients to the scalp. This use could be useful for
such applications as antidandruff compounds or sunscreens. Suppliers have also
suggested that nanoparticles can be produced with positively charged outer shells.
They will then be prone to attaching to hair at damaged sites, thus providing tar-
geted delivery for their payload. While the idea is intriguing, the proof of benefit
over standard emulsion technology is still lacking.
Future applications: The current state of nanoparticle technology is definitely
in its infancy. The production of the structures is a crude approximation of what it
potentially could be. In the future, molecular manufacturing could be employed
to produce more specific and better functioning nanoparticles. Unlike traditional
methods that rely on random collisions in a solution to create the structures,
molecular manufacturing involves assemblers that position molecules in specific
locations at specific times to create precise structures. Instead of single ingredient,
spherical shells, more complex particles could be produced.
These particles could be made to be much more substantive to skin and hair and
would have innumerable applications. For example, one could imagine nanoparticles
infused with fragrance bound to hair—to emit their essence each time the hair is
combed or touched. Or, a makeup could be designed with color incorporated into
nanoparticles that is invisible when applied but expresses color when rubbed with
a finger. If enough control over the structures could be achieved, it could even be
possible to rebuild hair by replacing cuticles.
Potential also exists for constructing nanomachines, thousands of which could fit
on the head of a pin. One could imagine these devices being placed on the surface
of hair or skin, patrolling up and down, repairing the surfaces as they go. Perhaps
the machines could be controlled electronically to emit color or reconfigure the
hair’s shape. Shampooing, conditioning, and styling could be a thing of the past,
and cosmetic chemists would have to turn in their mixing blades and beakers for
computer keyboards.
In the area of packaging, nanoparticles may also find extensive application.
Various nanoclays or nanocomposites are already being produced and sold as bar-
rier films. They could be incorporated into cosmetic packaging to reduce costs
(because less plastic would be needed) and improve stability. They could also
be used to create clever packages that change color or emit a specific odor. This
technology has the potential to significantly change the way people interact with
their cosmetic products.
and Royal Academy of Engineering to look at the health and environmental risks
of nanoparticles and nanofibers. This report concluded that the risks are great
enough that cosmetics with nanoparticles should be banned until their safety could
be determined. It suggested that nanoparticles behave in unpredictable ways and
could prove to be toxic in a manner that is different from the bulk ingredients. The
report went on to say, however, that that most of these ingredients will likely prove
harmless—but caution is urged.
Concerns from reports like these and articles in the popular press about the
dangers of nanotechnology in cosmetics prompted the Cosmetics, Toiletry and
Fragrance Association (CTFA) to respond. It suggested no risk is known to consum-
ers from nanoparticles currently in use, and the benefits are numerous. Whether
one or the other is right or wrong is unknown, but studies are already underway to
determine whether nanotechnology is safe. Only time will tell if regulatory concerns
will prevent the full potential of this technology from ever being realized.
Conclusion
Truly new technologies in our industry are rare. But the two examples the
authors discussed certainly have the potential to revolutionize our industry. Are
these notions ridiculous and far-fetched or just a little ahead of their time? As they
say, only time will tell.
References
1. K Bertrand, RFID, Chips Set to Make Big Waves, Brand Packaging 6–10 (Nov/Dec
2004)
2. P Jones, Don’t Tag Me!, GCI 23 (Jan 2005)
3. C Bolan, Is RFID’s Tag Too Pricey?, GCI 24–27 (Jan 2005)
4. K Drexler, The Future of Nanotechnology: Molecular Manufacturing, available at:
http://www.eurekalert.org/context.php?context=nano&show=essays. (April 2003)
5. R Weiss, Nanotechnology Precaution is Urged, Washington Post, A02 (July 30, 2004)
6. F Harvey, Can We Overcome Nano-fear?, Financial Times (Jan 15, 2004)
IV. Does It Work:
Product Testing,
Regulatory Compliance
and Claims Support
Chapter 45
Physiochemical Tests
Raw material quality control: Obviously, one way to better control the quality
of a finished product is to control the quality of its components. Since raw materials
may vary from lot to lot, a quality check prior to manufacture can catch problems
before they get into your finished product. On the most basic level, simply check-
ing the appearance of raw materials can be helpful. For example, certain cosmetic
raw materials, such as proteins, will tend to darken upon aging due to oxidation;
therefore, you can often spot a “bad” material by comparing its appearance with that
of a standard. Comparing the color, odor, or appearance of product to a standard
is the basis for qualitative tests commonly used in this industry.
A host of other analytical tests are also available which may be of use in control-
ling the quality of cosmetic raw materials (and to check composition of finished
products). Such tests include infrared spectroscopy (IR), gas chromatography (GC),
high pressure liquid chromatography (HPLC) and a multitude of wet chemistry
evaluations too numerous to mention here. Almost any analysis that provides
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Evaluating Raw Materials and Finished Products Beginning Cosmetic Chemistry
which help you ensure that incoming raw materials and batches of finished prod-
uct vary as little as possible. But sometimes additional testing is required to learn
more about your product. One very important area of consideration is microbial
preservation testing. Since many water-containing cosmetic products are good
growth media for bacteria, testing is required to ensure the component materi-
als and final product are adequately preserved. The specifics of such testing are
discussed in Reference2.
Product Performance
In addition to assuring the continued physiochemical integrity of the products
and the raw materials which comprise them, it is critical that testing be conducted
to determine that products themselves perform as required. Such testing may take
the form of functionality testing (i.e., testing to determine if a product successfully
does what it is sold to do—or just as importantly, if it is perceived as doing what it
sold to do—such as testing a hairspray to determine if it really holds hair in place)
and compliance testing (i.e., testing to ensure your product complies with any and
all restrictions placed on the product for legal or safety reasons—such as medical
safety testing or, in the US Food and Drug Administration (FDA) monograph
compliance testing).
An example of the former might be the testing of a hairspray to determine if it
really holds hair in place under certain conditions. The latter might be as involved
as the testing of an antiperspirant to confirm that it meets monograph requirements,
or as simple as the testing of a shampoo to determine if the bottle really delivers
the net weight as stated on the label.
Compliance
Regulatory considerations: Today it’s not enough for your product to simply
do its job. It must also comply with any relevant regulatory considerations. Although
compliance testing may involve aspects of functionality testing, it also incorporates
many other factors. For example, in the United States, certain products (such as
antiperspirants and dandruff shampoos) must comply with specific FDA issued
over-the-counter (OTC) drug monograph conditions before they are considered
“functional.” And although other personal care products, such as hairsprays and
conditioners, may not have specific mandated performance requirements, they must
comply with the US Bureau of Weights and Measures guidelines for dispensing.
While you may have to clinically test the performance of your antiperspirant, to
ensure it produces dryness as claimed, you may also have to measure the amount
of antiperspirant your can delivers to make sure it makes minimum legal delivery
weight.
Additional clinical testing may be required to determine the safety of
cosmetic products you have developed. The US Code of Federal Regulations dis-
cusses safety testing of cosmetic products sold in the United States. [see refer-
ence 21 CFR 740.10 (a)]. In any event, consult your management team to decide
what medical safety testing should be conducted for any given product.
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Functionality
For the purposes of this discussion we will loosely classify such tests as belong-
ing to one of three categories:
1. Laboratory (in vitro) functionality testing;
2. Salon (in vivo or “clinical” consumer testing); and
3. Consumer (home-use consumer testing).
These categories differ by the degree of control over experimental variables
they offer and by the different degrees of “technical” data and “consumer” data
they supply.
Laboratory testing: Of these three, laboratory functionality testing offers the
most control over experimental variables and provides the most technically precise
data. For example, measuring fiber tensile strength of hair provides hard, numeri-
cal data related to a very specific property of the hair shaft. Such a test may help
you answer the question, “Does my product really strengthen hair?” The answer is
an important facet of claim support. It does not, however, provide information on
consumer perception of the product. A hair- or skin care product can be the most
effective product on the market and still not be successful if it is not perceived
that way by the consumer. To gain information on consumer perception, you must
expose consumers to the product and evaluate their response.
Salon testing: This method evaluates your product during actual usage on
consumers while maintaining a measure of control. In salon testing, trained tech-
nicians (usually licensed cosmetologists) generate data on product characteristics
such as (for a shampoo) how well the product foams, the feel and texture of the
foam, how easily it spreads through the hair, how easily it rinses and how it leaves
the hair feeling.
Typically, the cosmetologists will evaluate the test product in comparison to a
designated control product. This evaluation is done by using the product on volun-
teers and recording all impressions the operator may have of these characteristics on
standardized rating scales. The formulating chemist still controls many variables in
the evaluation (such as amount of product used, temperature of water and length of
treatment time), but must sacrifice control in other areas (such as the exact condition
of the hair of the volunteers and the inherent personal biases of both volunteers and
operators.) This testing does provide preliminary information related to product
performance on consumers, but it does not provide a complete indication of how
the product will be perceived by a consumer using the product at home.
Consumer testing: Sometimes called home-use testing, this method provides
you with “real life” information. Panelists selected according to specific demo-
graphics are given the test product to take home and use for a specified time. They
then complete a questionnaire designed to gauge their perception of key product
attributes. This testing gives the formulating chemist feedback on product perfor-
mance under realistic consumer use conditions. Of course, the tradeoff is that the
chemist has relinquished most of the control over experimental variables. You can
no longer control, or even determine, such details as exactly how much product
was used per application, or the temperature of the water that was used to rinse
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Beginning Cosmetic Chemistry Chapter 45
away the product. But at least you can establish whether, in the consumer’s mind,
your product is performing up to their expectations.
Other concerns: Finally, specialized testing may be required to determine
that certain products will not stain clothes or otherwise damage materials through
incidental contact. Once all the appropriate tests are completed and you have es-
tablished that your product functions properly and complies with all regulations,
you’re on your way to having an “ideal” product.
Summary
In the formulator’s ideal world, nothing ever changes and every time a product
is made it is exactly the same. In reality, a multitude of things can be different every
time a product is made. Suppliers may change chemical feedstocks, processing
conditions—such as mixing speed or temperature—may not be duplicated exactly,
or a near-infinite number of other unforeseeable events may surprise you. And
although there are a near-infinite number of “preventative” tests that can be done
to counter these problems (only a few of which were discussed here), it is physi-
cally impossible and impractical to identify and test for every one of these factors.
The best approach is try to exert control over as many critical factors as you can
identify. Some of the tests discussed above are typically employed by formulating
chemists to help identify which factors are critical and establish this control during
the product development process.
References
1. M deNavarre, Chemistry and Manufacture of Cosmetics, v1, D Van Nostrand Company
Inc, Princeton NJ 315–338 (1962)
2. D Orth, Handbook of Cosmetic Microbiology Marcel Dekker Inc, New York (1993)
Chapter 46
Preservative Efficacy
Testing: Accelerating
the Process
A preservative efficacy testing method, called the accelerated
double challenge, can assess the ability of a product or
material to resist microbial contamination in only 14 days. It
also maintains a high degree of correlation with longer-term
preservative challenge protocols.
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Preservative Efficacy Testing: Accelerating the Process Beginning Cosmetic Chemistry
conventionally held concepts and beliefs regarding preservative test duration may
not be the only reliable approach for measuring the microbial resistance of preserved
formulations. This chapter will present an alternative testing approach using a con-
ventional microbial challenge technique that is capable of reducing the test cycle time
from four weeks to 14 days without the loss of sensitivity or impeding the predict-
ability of long-term preservative efficacy effects. Because standard microbiological
techniques similar to those employed in longer-term generic challenge protocols are
involved, no special equipment or training is necessary to perform the assay. In fact,
this accelerated double challenge (ADC) assay is currently being used in its basic form
or in variations at numerous laboratories for a variety of applications (see Current
ADC Applications sidebar).
Although the sequence of individual test days may vary somewhat from protocol
to protocol, the key indicator points where specified reductions are required are
essentially the same (i.e., 7 and/or 14 days with no increase in the recovered number
of microorganisms within 28 days). In terms of test applicability to specific product
forms, the pharmacopoeia methods generally have application for the full range of
parenteral, ophthalmic, topical and oral preparations.
Application: The AOAC, ASTM and CTFA methods are somewhat more re-
stricted in their application. The CTFA method is recommended for the evaluation
of water-miscible topical cosmetics, toiletries and eye-area products, as well as for a
number of OTC formulations such as sunscreens and antidandruff preparations.
The AOAC protocol, on the other hand, specifies application for “non-eye
area, water-miscible cosmetic and toiletry formulations” only. No recommendation
is suggested for eye-area preparations, although there does not appear to be any
significant reason why the method could not be applied to such formulations. It
is possible that the method has not been validated for those product forms or that
the proposed criteria of acceptability may not be applicable.
The ASTM method, which has recently been re-approved, was designed primarily
to determine the suitability of preservatives for use in cosmetic products. Although
it was not specifically developed for the evaluation of preservative effectiveness in
cosmetic products, it has been used for this purpose.
Organisms: In regard to the organisms recommended for inclusion in the
various preservative efficacy tests, all, with the exception of the EP/BP protocol,
include the same five indicator organisms: Pseudomonas aeruginosa, Staphylococ-
cus aureus, Escherichia coli, Candida albicans and Aspergillus niger. The EP/BP
excludes Escherichia coli. The CTFA, AOAC and ASTM methods that are only
applicable to cosmetic formulations go one step further and suggest a variety of
additional microorganisms and, if appropriate, environmental isolates.
The AOAC method specifies pooling groups of like organisms for inoculation
whereas the CTFA and ASTM methods allow either inoculation of product with
individual challenge organisms or inoculation of test product with compatible
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mixed cultures. The various challenge organism options for each of the specified
methodologies are presented in Table 46.2.
It is interesting to note that even with all of these variations of the basic theme,
most protocols in use, whether they are in-house or standard methods are capable
of identifying both well-preserved products and those that have weak preserva-
tive systems. The potential issue with some of these methods generally arises in
detecting formulations that have a marginal spectrum of activity, weaknesses in
activity against a particular category of organisms such as mold, or have a reduced
antimicrobial capacity or robustness.
With a single challenge protocol and inappropriately designated test points,
these difficulties could go undetected or, at best, not recognized until very late in
the testing cycle. Since the duration of many of the more rigorous in-house test
protocols generally is in excess of the 28-day minimum, as specified in the con-
ventional methodologies, and in many cases as long as 12 or more weeks, the late
detection of a potentially problematic issue could ultimately have a major negative
impact on the formulation development process.
PET Primary Objectives
The primary objective of any PET is to accurately and reproducibly measure
the ability of a product or formulation to resist both normal and abnormal microbial
insult. This objective may or may not necessarily be compatible with the precon-
ceived notion of passing some arbitrary criteria of acceptability, such as those speci-
fied in some of the standard methodologies, but rather with the goal of ensuring
that the product is properly and effectively preserved. The selected methodology
should be capable of predicting both the risk potential for product recontamina-
tion as well as the long-term continued efficacy of the preservative system during
its shelf and use life. In order to accomplish this end, the method must encompass
a means of measuring and determining two key preservative challenge predictive
elements—rate of kill or death rate, and robustness or capacity to continue to resist
subsequent recontamination.
Results: The results from the comparative challenge studies conducted in trip-
licate are presented in Tables 46.3 and 46.4 for the SPF cream and Tables 46.5
and 46.6 for the medicated lotion. Microbial counts are recorded as the number
of cfu’s recovered per gram of inoculated test material.
*Reinoculated at 7 days
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Preservative Efficacy Testing: Accelerating the Process Beginning Cosmetic Chemistry
*Reinoculated at 7 days
Discussion of the results from the SPF cream: Based on the results ob-
tained from the three MUSP trials (Table 46.3), the SPF cream passed the USP
criteria of acceptability and appears to be adequately preserved. A 6 log reduc-
tion in numbers was observed for each of the bacterial species within 14 days and
there was no increase in microbial counts thereafter. In terms of the fungi, both
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Beginning Cosmetic Chemistry Chapter 46
the C. albicans and the A. niger demonstrated a 3 log reduction in 14 days with
no increase thereafter.
The data generated in the three ADC trials (Table 46.4) demonstrated similar
results at the 7-day test point; however, it also identified an apparent weakness in
antibacterial preservative capacity after reinoculation. A 6 log reduction in 7 days
after the first inoculation for the mixed bacteria was observed, whereas only a 4 log
reduction in bacteria was apparent after the second inoculation.
Fungal reductions for the two methodologies were essentially the same with
3 log reductions demonstrated in both situations. Both protocols demonstrated
excellent procedural reproducibility as was evident from the triplicate data gener-
ated. Comparatively, one could conclude that, in this particular study, the ADC
protocol was more capable of defining product preservative system vulnerabilities
than was the MUSP single challenge methodology.
Discussion of the results from the medicated lotion: Data generated by
the three MUSP trials on the medicated lotion (Table 46.5) clearly demonstrate
that this model formulation is well-preserved and easily passes the acceptability
criteria for adequate preservation. A 6 log reduction in numbers was observed for
each of the bacterial species within 14 days and there was no increase in microbial
counts thereafter. In addition, a very respectable 4 log reduction was observed for
both of the fungal inocula.
Data developed in the three ADC trials (Table 46.6) also appears to sup-
port the well-preserved status of this formulation even after the second microbial
challenge. Excellent 6 log bacterial reductions were observed 7 days after each
of the mixed bacteria inoculations whereas a similarly acceptable 4 log reduction
was observed after each inoculation for the mixed fungi. From the additional kill
time data points at days 1 and 3, there is also the suggestion that the fungal rate of
kill, although acceptable, may be somewhat slow with low level survivors detect-
able at each test point through day 7. Depending on product recommended use
characteristics and final package configuration, this slower rate of kill could be a
potential vulnerability.
Conclusions: Based on the data developed during the comparative challenge
testing trials to determine equivalency between the USP 28-day PET and the de-
scribed 14-day ADC PET, it appears that both methods are essentially equivalent
and arrive at similar conclusions in determining preservative system effectiveness
for well-preserved product systems.
With marginal or reduced-capacity systems, however, it appears that the ADC
PET protocol has the capability of detecting preservative vulnerabilities or potential
weaknesses in efficacy that could go undetected by using only the USP methodol-
ogy. This additional ability to detect and measure robustness and rate of kill can be
an invaluable tool when evaluating the preservative capability of multiple dosage
cosmetic and OTC product forms.
Summary
On the basis of the comparative studies described here and the established history
of successful application of the accelerated double challenge test to the evaluation
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Preservative Efficacy Testing: Accelerating the Process Beginning Cosmetic Chemistry
of multiple product forms, it would appear that this methodology provides a reliable
and viable alternative option for conducting preservative efficacy testing.
The method is relatively easy to conduct using traditional microbiological prac-
tices and requires no specialized equipment. Obviously, it is strongly suggested that
before adopting this or any other testing methodology, appropriate qualification
and comparative verification studies must be conducted.
The current urgency to replace preservatives viewed as unacceptable by con-
sumers places high value on the use of accelerated preservative efficacy testing
methods to bring reformulated products more quickly to the marketplace.
References
1. GK Mulberry, MR Entryup and UR Agin, Rapid screening methods for preservative
efficacy evaluations, Cosmet Toil 103(12) 47–53 (1987)
2. DS Orth and CM Lutes, Adaptation of bacteria to cosmetic preservatives, Cosmet Toil
100(2) 57–64 (1985)
3. J O’Neil, CA Mead and EJ Scibienski, Presented at the annual meeting of the Society
of Cosmetic Chemists (December 1981)
4. M Chan and HN Price, A rapid screening test for ranking preservative efficacy, Drug
Cosmet Ind 129 34–37, 80, 81 (1981)
5. DS Orth, Linear regression method for rapid determination of cosmetic preservative
efficacy, J Soc Cosmet Chem 30 321–322 (1979)
6. DS Orth, “Evaluation of preservation in cosmetic products” In Cosmetic and Drug
Preservation, JJ Kabara, ed, Marcel Dekker, New York Chap 22, 403–421 (1984)
7. JI Yablonski, The microbiology of wet wipes, presented at the New Jersey SIM
meeting in Newark, Sept 18, 2002
T echnology transfer across industries carries with it the good and the bad;
innovation, the lifeblood of progress, as well as concern for safety. It is inter-
esting to note that 100 years ago, as the US Agriculture Department’s Bureau of
Chemistry (the predecessor to the US Food and Drug Administration) launched
an investigation of ingredients used to preserve food, The American Perfumer (the
predecessor to Cosmetics & Toiletries magazine) examined the use and manufacture
of ingredients for the perfumery, perfumed soap and toiletry markets. This chapter
reports some of the key progress made in ingredient regulation in the United States
over the past 100 years.
Establishing Roots
The number of US perfumery and toiletry manufacturers grew from 67 in 1880
to 262 in 1900, representing nearly a 400% increase. The value of products rose
from $2.2 million in 1880 to more than $7 million in 1900.1
As the industry grew it became more competitive, and manufacturing costs
became a major concern. The early Cosmetic, Toiletry, and Fragrance Associa-
tion (CTFA) manifest in 1894 as the Manufacturing Perfumers’ Association of the
United States (MPA) and primarily was the work of five individuals led by New
York perfumer Henry Dalley. It also included Bowles Colgate, president of Col-
gate & Company.1 According to the CTFA, Dalley’s motivation for initiating MPA
was pending Congressional legislation proposing an increased tariff on imported
raw materials, which would affect the cost of producing toiletry goods. With sup-
port from the group, Dalley coordinated industry opposition to the legislation. By
1894, Dalley saw the need for a permanent organization and persuaded a group
of colleagues to join him. The MPA was established at Delmonico’s Hotel in New
York in October 1894. During its first 10 years, the group focused on furthering
the industry’s interests regarding tariffs and taxes. In 1941, an intensive lobbying
effort was made by the association, but the tariff was enacted, imposing a 20% duty
on 90% of the raw materials used in perfumes and toiletry goods.1
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In the end, World War I created a timely “push” for the industry’s growth,
according to the CTFA. Although the war exposed nearly five million American
soldiers to French perfume and other toiletry articles and created a demand for
them, exports to the United States from France declined because of the war, open-
ing an opportunity for the growing American perfume and toiletries market.
Defining Cosmetics
The FD&C Act defines the term “cosmetics” as articles intended to be
applied to the human body for cleansing, beautifying, promoting attractive-
ness or altering the appearance, including the components of such articles.2
Examples are perfumes, lipsticks, makeup and hair dyes. Under the law, the
term “cosmetic” includes both finished products and ingredients.
If a product’s intended use is to cure or prevent disease or to affect the
structure or function of the body, however, it may be a drug under the law.
Some products are designed to be both drugs and cosmetics. For example, a
dandruff treatment is a drug; however, the same product, a shampoo designed
to clean and beautify hair, is a cosmetic, according to its intended use.
Labeling Concerns
With the rising concern for public safety, the original Pure Food and Drugs Act
passed in 1906, prohibiting misbranded and adulterated foods, drinks and drugs
from being introduced to the public. The act also prohibited the addition of color
additives to mask inferior products and the use of poisonous colors in confection-
ary applications. In 1913, the Gould Amendment was added to the Pure Food
and Drugs Act, requiring that contents be plainly marked on the outside of food
packages; however, it was not until the revised act of 1938 that manufacturers were
required to self-regulate the products they made.
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Beginning Cosmetic Chemistry Chapter 47
Batch Certification
The 1938 FD&C Act also extended regulatory control to cosmetic manufactur-
ers for the first time. Before the new act, a coal tar-based eyelash dye marketed as
Lash Lure had caused serious eye injuries and blindness to consumers.
Under the new act, this product was one of the first cosmetic seizures by the
FDA. By mid-1939, the FDA had seized more than 65 lash and brow dyes contain-
ing the dangerous paraphenylenediamine chemical.3 The new act required colors
to be pre-approved before being used in foods, drugs and cosmetics. In addition,
colors made from coal tar sources had to be batch-certified.2
Reconciling Cosmetics
By 1938, the MPA became known as the Toilet Goods Association (TGA). The
TGA identified the New York World’s Fair as an opportunity to counteract the nega-
tive publicity plaguing the industry. Seventeen companies leased exhibit space in a
cosmetic pavilion, including Revlon, Chanel and Coty. According to the fair guide,
the pavilion demonstrated how cosmetic products had contributed to American
“loveliness by enhancing the natural beauty of women.” The exhibits also were
said to have shown “that the preparation of cosmetics is scientific, although much
phatasy (sic) and imagination are associated with their glamorous results.”1
Alternative Thought
When World War II hit in 1939, the TGA convinced the US government to allow
the industry to continue manufacturing products as long as alternative sources of
raw materials could be obtained. Efforts to develop suitable alternative ingredients
became the focus of the association’s scientific advisory committee. Meeting ap-
proximately every two weeks during the war, the committee developed substitutes
for critical raw materials, packaging and closures. For example, the group developed
more than 30 proposed substitutes for glycerine.1
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The Century of Progressive Regulation Beginning Cosmetic Chemistry
During the war, the association also established a scientific division, which
brought technical and production personnel together to present and discuss sci-
entific papers. Out of World War II came much of the modern food technology
and medicinal chemistry that helped pave the way for many of today’s scientific
advancements in the cosmetic industry.1
Pre-market Clearance
The cosmetic industry faced new regulations in color with the passing of the Color
Additives Amendment in 1960. Color additives had to gain pre-market clearance
before use in food, drugs and cosmetics,1 and until they could be approved by the
FDA, these additives were put on a provisional list for use on an interim basis.
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Beginning Cosmetic Chemistry Chapter 47
Under the terms of the statute, the industry had to demonstrate the safety of both
coal-tar and non-coal-tar colors. Because of the costs involved in the process, the
industry was forced to forego testing on certain colors that were deemed expendable
to the industry. The colors chosen were based on a TGA polling of its members. A
program then was established to employ an independent testing laboratory funded
by the industry (on a voluntary basis) and based on certified color poundage used.1
Today, approximately half of the original 200 color additives are permanently listed
for use in foods, drugs, cosmetics and medical devices. Recent additions include
D&C Black No. 2 and mica-based pearlescent pigments.2
Self-regulation
In the 1970s, consumer and environmental concerns captured the attention of
legislators and the media. The CTFA found itself in a 10-year struggle to convince
regulatory agencies and consumer groups that the industry’s commitment to product
safety and self-regulation precluded the need to introduce new legislation.1
In 1970, Virginia Knauer, President Richard Nixon’s special assistant for consumer
affairs, urged the cosmetic industry to support a voluntary registration program.
According to the CTFA, the call for such a program emerged at a time when ingre-
dient labeling of finished products was not yet required and when both consumers
and the FDA voiced concern over the industry’s lack of disclosure of ingredients,
registration of manufacturers and reports of adverse reactions to products.
At a December 1970 meeting with the CTFA, the FDA staff stated that if the
industry agreed to voluntarily provide this data, the agency would not seek to legislate
such a program. In 1971, the CTFA proposed a first-of-its-kind program represent-
ing the industry’s cooperation with the government to better protect the consumer.1
Under the program, both member and nonmember companies voluntarily provided
the FDA with information concerning their operations. The program entailed: (1)
registration of manufacturing establishments; (2) submission of data on composi-
tion of finished products; and (3) annual filing of consumer product experiences,
detailing the number of complaints received by participating companies.
Ingredient Dictionary
Following the Voluntary Reporting Program was the publication of the first
edition of the Cosmetic Ingredient Dictionary in 1973. The dictionary was the first
authoritative source for commonly accepted names of cosmetic ingredients, and
it evolved out of an association effort in 1970 to compile a list of chemicals used
in cosmetics and personal care. Working with representatives from the FDA and
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The Century of Progressive Regulation Beginning Cosmetic Chemistry
International Affairs
The emergence of a global marketplace in the 1970s initiated a new area of
concern for the CTFA. In 1974, the CTFA participated in the launch of the Inter-
national Information Center for Cosmetics, a clearinghouse for the collection and
exchange of information. This center offered the industry an opportunity to access
valuable information concerning regulations, technical and scientific documenta-
tion, advertising and regulation of competition.1
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Beginning Cosmetic Chemistry Chapter 47
Animal Testing
The issue of animal testing emerged in the 1970s as a major concern for the
cosmetic industry. Animal welfare and animal rights groups criticized using the
Draize eye irritancy test to substantiate the safety of ingredients and products. In
the summer of 1970, the CTFA prepared an official position paper on animal testing
titled, “Animal Testing: What Are the Choices?”1 Picketing of the CTFA headquarters
and its member companies in 1979 pushed the issue to the forefront.
As pressure continued to mount, the executive committee ordered CTFA’s
science committees to continue exploring the issue and directed the drafting of
a detailed legal position. In April 1980, the CTFA’s pharmacology and toxicology
committee established a task force to review the Draize test, explore alternative
testing procedures, and recommend research programs for the development and
validation of alternative testing procedures. In 1981, the CTFA board approved a
program for the industry to fund a national center for the development of alterna-
tives to animal testing. It awarded The Johns Hopkins School of Hygiene and Public
Health a $1 million three-year grant, supplemented with an additional $700,000
in 1984, and continued funding in subsequent years. In cooperation with the Bat-
telle Memorial Institute, the CTFA has conducted an evaluation of the alternatives
program since 1988. Although the industry was able to greatly reduce the number
of animals used in safety testing, animal rights groups continued their offensive
throughout the 1980s.1
Colors Revisited
A long-running effort by the CTFA to permanently list color additives that
provisionally were listed under the 1960 Color Additive Amendments continued
into the 1980s. In March of 1983, the group set out to establish the safety of several
provisionally listed color additives and urged the FDA to adopt a “de minimis”
standard, whereby the FDA could approve color additives posing a minimal cancer
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The Century of Progressive Regulation Beginning Cosmetic Chemistry
risk.1 Subsequently, the US Court of Appeals ruled in 1987 that the FDA did not
have the authority to apply the de minimis policy, thereby mandating a strict in-
terpretation of the Delaney anti-cancer clause.1
California’s Proposition 65
In November 1986, California voters approved Proposition 65, the Safe Drink-
ing Water and Toxic Enforcement Act. The legislation required manufacturers to
either prove that ingredients in their products posed no significant risk of causing
cancer or reproductive toxicity or they would be required to include a warning
label on products containing an ingredient “known to the state” to cause cancer
or reproductive toxicity.1
The CTFA responded to this initiative on a number of fronts. First, it petitioned
the state to exempt cosmetics from the statute on the ground that cosmetics are
comprehensively regulated by the FDA. It also met with state officials and testi-
fied at various hearings in an effort to convince the state to adopt acceptable “no
significant risk” levels for several chemicals of interest to the industry. In addition,
CTFA attempted to convince both the FDA and Congress that the law undermined
the federal regulatory scheme.1
Wyden Hearings
In July and September 1988, hearings by Rep. Ron Wyden, D-OR, initiated
new charges concerning cosmetic safety and federal regulations. Specifically, the
Wyden legislation, which was drafted but never introduced, included a pre-market
testing requirement; increased FDA access to safety and consumer complaint data;
mandatory registration of manufacturing establishments, products and ingredients;
and mandatory ingredient listing for professional products.1 In response to the
Wyden hearings, the CTFA launched three initiatives: (1) a voluntary ingredient
labeling program for cosmetic products sold exclusively in salons; (2) an effort to
increase industry participation in the Voluntary Reporting Program; and (3) the
preparation of a report listing the status of approximately 1,000 chemicals alleged
to be toxic.1
Methylene Chloride in Hair Spray
During the “big hair” days of the 1980s, the FDA banned the use of methylene
chloride in all hair sprays, effective at the end of August 1989. This decision was
based on studies indicating that inhaling the chemical caused cancer in animals
and could be carcinogenic to humans. Methylene chloride was used in hair sprays
as a quick-drying solvent and flame retardant. The agency proposed the ban in
December 1985, after a study showed significant increases in the incidence of lung
and liver cancer in mice when the chemical was inhaled.4
“Antiaging” Challenged
In 1987, the term antiaging spiked interest from the FDA, which objected
to claims that certain cosmetics reversed the effects of aging. In response to the
marketing of several products by major cosmetic companies, the FDA sent letters
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Beginning Cosmetic Chemistry Chapter 47
citing violations of the Federal FD&C Act, stating, “A review of the labeling (of
the cited product) reveals what the FDA believes are drug claims.”4
Environmental Concern
As the 1980s came to a close, environmental concerns occupied a growing por-
tion of the CTFA’s time on legislative, regulatory and scientific fronts. The group
faced various attempts to restrict the volatile organic compound (VOC) content of
personal care products in an effort to reduce emissions from consumer and com-
mercial products. The state of California placed restrictions on certain categories
of products and set future VOC limits placing certain products at serious risk in
coming years. With other states considering similar regulations, the CTFA worked
to convince these states to defer legislating VOC limits until after the US Environ-
mental Protection Agency adopted standards for these products.1
The CTFA also began to focus on environmental packaging and claims issues
before state legislatures. Several states enacted regulations or statutes designed to
reduce packaging, encourage re-use or incorporate recycled content into packaging.
The CTFA generally opposed proposals mandating certain percentages of recycled
content in packaging by certain dates. Rather, the CTFA endorsed an integrated
waste management approach. In addition, the industry made a significant investment
in testing the safety of packaging with recycled material; changing to different types
of plastics and reducing the amount of packaging for finished products.1
Building Self-esteem
The “Look Good…Feel Better” program, funded by the industry through
the CTFA Foundation, was introduced to help female cancer patients overcome
appearance-related side effects resulting from chemotherapy and radiation, thereby
helping to improve their self-esteem. Launched nationally in 1989, this CTFA
partnership with the American Cancer Society and the National Cosmetology
Association and “sister” programs now is offered in all 50 states and the District
of Columbia, as well as in 14 other countries. Approximately 50,000 women are
served by the program each year.5
Bleaching Agents for Teeth
In 1991, the FDA ruled that it considered products designed for tooth-whitening
via a bleaching mechanism to be drugs. Thus, those products could not legally
be marketed without FDA approval. According to the agency, tooth-whitening
products affect the structure of teeth through the bleaching process. These prod-
ucts proliferated between 1989 and 1991, even though their safety had not been
established. According to the FDA, the main ingredient used in teeth bleaching
was peroxide.4
FDA on Cosmeceuticals
In 1995 and 2000, the FDA announced its position regarding cosmeceutical
products. It stated that “while the Food, Drug, and Cosmetic Act does not recognize
the term cosmeceutical, the cosmetic industry uses this word to refer to cosmetic
products that have medicinal or drug-like benefits.” The FDA elaborated that the
act defines drugs as products that cure, treat, mitigate or prevent disease or that
affect the structure or function of the human body, and that while drugs are subject
to a review and approval process by FDA, cosmetics are not approved by the FDA
prior to sale. According to the FDA, “If a product has drug properties, it must be
approved as a drug.”4
Spray-on Tanning
In response to consumer questions about the safety and legality of sunless
tanning booths in which consumers receive an application of the color additive
dihydroxyacetone (DHA) in the form of a mist or spray, the FDA released a state-
ment in 2003 regarding commercial spray tanning booths. According to the FDA,
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Beginning Cosmetic Chemistry Chapter 47
DHA is listed in the regulations as a color additive for use in imparting color to the
human body. However, its use in cosmetics—including sunless tanning products—is
restricted to external application. In addition, no color additive may be used in cos-
metics intended for use in the area of the eye unless the color additive is permitted
specifically for such use. The FDA explained that, when using DHA-containing
products as an all-over spray or mist in a commercial spray tanning booth, it may be
difficult to avoid exposure in a manner for which DHA is not approved, including
the area of the eyes, lips, or mucous membrane or even by inhalation. Thus, the
FDA warned that consumers needed to be protected around the eye and lip areas
and from inhaling or ingesting the product.4
Bovine Scare
In 2004, a form of spongiform encephalopathy that occurs in humans (vCJD)
was thought to result from the same protein (a prion) that causes bovine spongiform
encephalopathy (BSE) in cattle. According to the FDA, although it was likely that the
primary source of exposure was due to the ingestion of beef and other food derived
from cattle, it was feared that other routes of exposure should be considered.4
Cosmetics containing protein derived from bovine sources were considered
a potential source of exposure. As a result, the FDA concluded at that time that
there was some risk of occurrence of vCJD from the use of cattle-derived protein
in cosmetics.
As scientific information became available during the interim final rule’s com-
ment period, the FDA amended its ruling, stating that it no longer was necessary
to designate the entire small intestine as a prohibited cattle material, and that the
use of the small intestines in human food and cosmetics would be allowed.6
Phthalates
Advancing into 2005, the FDA continued to monitor potential exposure of
consumers to phthalates from the use of cosmetic products. The FDA’s Center
for Food Safety and Applied Nutrition announced plans to develop an analytical
method for the determination of phthalates in cosmetic products and to conduct a
survey of products to determine the contribution of phthalates to human exposure.
Presently, the FDA states that it does not have compelling evidence that phthalates
in cosmetics pose a safety risk.4
Nanoparticles
Most recently, the FDA announced plans to hold a public meeting in the fall of
2006 to discuss the current developments in uses of nanotechnology materials in
FDA-regulated products. A Federal Register notice invited all who are interested
in presenting at or attending the meeting to inform the agency of their interest.
According to the FDA, nanotechnology is a branch of science devoted to the design
and production of extremely small matter, and due to the small size and special
properties of nanotechnology materials, they have great potential for use in a vast
array of FDA-regulated products. The FDA will hold this meeting to further its
understanding of developments in nanotechnology.
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References
1. A Centennial History of CTFA, available at: www.ctfa.org/Content/ NavigationMenu/
About_CTFA/History/History.htm (Accessed Jun 2, 2006)
2. M Meadows, A Century of Ensuring Safe Foods and Cosmetics, in FDA Consumer,
7–13 40 1 (Jan–Feb 2006)
3. C Rados, “FDA Law Enforcement: Critical to Product Safety.” In FDA Consumer, 15–20
40 1 (Jan–Feb 2006)
4. The FDA Web site, available at www.fda.gov (Accessed Jun 21, 2006)
5. Look Good…Feel Better website available at www.lookgoodfeelbetter.org/general/
facts.htm (Accessed July 7, 2006)
6. Cosmetics & Toiletries Web site, available at: www.cosmeticsandtoiletries.com/
news/1822327.html (Accessed Jun 21, 2006)
Chapter 48
I n the past, companies could say almost anything about the performance of
cosmetic products. But today the industry is relatively modest both in what is
expected from products and in what is promised to consumers. Kerryn Greive gives
some beautiful examples of cosmetic claims made for soap in her 2002 Maison G.
de Navarre Essay Prize winning article.1 In the 1920s, soap claims related mainly to
safety: “Don’t make your face an experimental laboratory, say 250 skin specialists.”
Efficacy claims started to emerge in the 1930s: “Tests run under scientific conditions
prove conclusively that Lava Soap removes more dirt then ordinary toilet soap and,
therefore, removes more germs.”
In the 1940s, more sensory-related claims started to appear: “Two out of three
women can get more beautiful skin in 14 days! Palmolive beauty plan tested on 1,285
women with all types of skin.”
The experiments supporting these statements were no doubt performed, but
certainly no system was in place for consumers to verify the validity of the experi-
ments performed and claims made.
Cosmetic Claims
The European Cosmetic, Toiletry, and Perfumery Association (COLIPA) de-
fines a cosmetic claim as any public information—primarily provided for marketing
purposes—on the content, the nature, the effect, the properties, or the efficacy
of the product. A claim may constitute words, images, illustrations, marks, or
469
470
Mind Over Matter: Cosmetic Claim Substantiation Issues Beginning Cosmetic Chemistry
Figure 48.1
472
Mind Over Matter: Cosmetic Claim Substantiation Issues Beginning Cosmetic Chemistry
Putting this knowledge to the practical test, Shiseido scientists were able to
demonstrate that stress delayed the rate of recovery of skin barrier function by ap-
proximately 20%. They were also able to demonstrate that prolonged anxiety and
tension promote the secretion of adrenocorticotropic hormone (ACTH) from the
anterior pituitary gland, which promotes the secretion of cortisol, leading to a reduc-
tion of immunological functions of Langerhans cells and rough skin.
This, in turn, led to the NICE concept—in which our nervous, immune, cuta-
neous, and endocrine system (NICE) all work together to internally activate our
skin physiology via the secretion of homeostasin. Products like this “mind-body”
skin care that contain elements to improve the homeostasin secretion balance will
stimulate the mind-body connection from the outside, augmented by fragrance
that might have favorable effects on the mind.
The efficacy of the described skin care was shown in a one-month clinical study,
in which the skin condition of an arm to which no product was applied was equally
improved as the arm where it was applied. This result suggested that the skin pro-
tection was the result of an improvement of the balance of the whole body rather
than only a local improvement of skin condition. Treatments using the so-called
“fragrance element IP” were able to counteract the effects of stress on skin via an
increase of the skin’s immunological effects.7 An advertisement for such a holistic
treatment product is shown in Figure 48.2.
Figure 48.2.
Figure 48.3.
“Two quick sprays to your tongue release the positive energy you need to find
your inner calm again, restoring your center and focus, even after you’ve reached
the end of your tether.” This claim says more about the impact of the use of this
product on your mind than on any hard physical matter. Such a claim raises the
question of how it is being substantiated, as the four rules described above for
matter claims3 will no longer work, but an accountable and trustworthy company
should still provide the same level of scientific, firm quantifiable linear-logic data,
underpinning this mind-body connection.
Can claims that relate to quality of life be verified in ways other than the secre-
tion of homeostasin alone?
Quality of Life
The concept of Quality of Life (QoL) originates from cancer pain relief studies in
the 1980s. Since that time, it is an important aspect in medical studies, in particular
in oncology and dermatology. QoL is a much broader concept than “health.” The
World Health Organization (WHO) developed a new proposal in May 1999 for
the definition of health and described it as “a dynamic state of complete physical,
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Mind Over Matter: Cosmetic Claim Substantiation Issues Beginning Cosmetic Chemistry
mental, spiritual, and social well-being, and not merely the absence of disease
or infirmity.” The proposal is still not adopted because of considerable variation
among the United States and Islamic, former communist European, and East Asian
countries in regards to views of health. The words “dynamic” and “spiritual” were
new relative to the old adopted 1946 health definition.9
Roughly at the same time, the WHO also defined QoL to be “an individual’s
perception of their position in life in the context of the culture and value systems in
which they live and in relation to their goals, expectations, standards, and concerns.”
Six different domains can be distinguished in QoL issues: physical, psychological,
social relationship, level of independence, environment, and personal belief/religion/
spirituality. It will be clear that not all of us will favor the same domains of QoL to
the same extent and with the same priority, as exemplified by differences in our
culture and value systems.
An interesting example of this is the fact that the Japanese value items such as
sleep, vitality, and human relationships highly while family relationships and leisure
were ranked lower—in contrast to Western countries where such items were given
more importance.9 As a consequence, the concept of QoL, in contrast to a well-
hydrated skin, is not globally universal and therefore it is also unlikely that QoL or
mind claims will ever be universal.
Having assessed QoL, a next step must be to identify how this notion can be
measured. Questionnaires have been developed to measure this concept, and
with time, they have been simplified so that the currently used version has been
condensed from 15,000 to about 100 questions.10 The above-mentioned regional
differences in the emphasis on different aspects of QoL have been identified via
such questionnaires. More specific questionnaires do exist that identify, for example,
the impact of specific dermatological diseases.11,12
use of questionnaires, they observed that people with a strong contralateral stimula-
tion were characterized in cognitive analysis as “rationale” and “reactive,” whereas
those with a strong, ipsilateral stimulation were characterized by the psychological
descriptors “sensitive” and “imaginative” (see Figure 48.4).14
Figure 48.4.
Conclusion
The industry is about to enter a new era in its continuous development, namely
that of the mind claim. Although good quality science has been performed that
has demonstrated the proof of principle of the skin-mind connection, more clini-
cal work is necessary before general rules for the substantiation of cosmetic mind
claims can be drawn.
The author expresses his sincere thanks to Dr. Tatsuya Ozawa of Shiseido, Yokohama, Japan, and Dr.
Bernard Querleux, L’Oréal Research, Paris, France, for interesting, useful, and mind-blowing discussions
on this matter—and their permission to use some of their data to substantiate my claims. Both scientists
have great minds that will impact future cosmetic claims.
References
1. K Greive, Cosmetics and life sciences: A continuing courtship, IFSCC 5 4 303–305
(2002)
2. COLIPA, Guidelines for the evaluation of the efficacy of cosmetic products, 2nd edition,
4
3. JW Wiechers and VAL Wortel, Creating effective claim support packages, Cosmet Toil,
114 7 51–57 (1999)
4. J Hosoi, GF Murphy, CL Egan, EA Lerner, S Grabbe, A Asahina and RD Granstein,
Regulation of Langerhans function by nerves containing calcitonin gene-related
peptide, Nature 363 159–163 (1993)
478
Mind Over Matter: Cosmetic Claim Substantiation Issues Beginning Cosmetic Chemistry
B oth the cosmetic industry and the Food and Drug Administration (FDA) have
had a long and interesting history. FDA’s history began in 1906 with the enact-
ment of the Pure Food and Drug Act. This act was the first attempt to regulate the
safety of products (or additives). For almost 100 years Congress has set the stan-
dards and published them in the United States Code (USC). The FDA and other
federal agencies promulgate regulations through notice and comment rulemaking.
Proposed regulations are published in the Federal Register (FR) and the public is
given an opportunity to comment. The agencies then publish in the Federal Register
final regulations together with a preamble discussing each comment. Industry and
regulatory scientists eagerly follow these changes and access them on the Web. Final
regulations are compiled in the Code of Federal Regulations (CFR).
The role of cosmetics is best described in a 1986 speech by former FDA
Commissioner Frank Young, M.D., Ph.D., to the Scientific Conference of the
Cosmetic, Toiletry and Fragrance Association (CTFA): “Although our first aim in
consumer protection has always been product safety, the law also requires us to
protect consumers from misbranded products. We don’t want to over-regulate; we
just want (cosmetic) labels that are free of false and misleading claims (and that)
make cosmetic claims, not drug claims. If a label claims to prevent or treat disease
or otherwise affect the structure or function of the human body, it is deemed to be
a new drug, and the marketer carries the burden of proving it is safe and effective
before it can be legally marketed.”
479
480
The Regulatory Interface: When a Cosmetic and When a Drug? Beginning Cosmetic Chemistry
a skin cream, designed to beautify the body by direct application. Although most
people recognize hair, skin and nail products as cosmetics, they are surprised to
find other products, such as vaginal lubricants, fitting the description of a cosmetic.
The definition of a product that is applied to the human body is broad. Even some
generally recognized as safe (GRAS) oils advertised to enhance sex fit into this
definition of cosmetic. Therefore, the term cosmetics refers not only to women’s
makeup but to any skin-care creams, lotions, powders, sprays, perfumes, fingernail
polishes, permanent waves, hair colors, deodorants, baby products, bath oils, bubble
baths, or mouthwashes.
Drug: The FDA clearly distinguishes a cosmetic from a drug. The FD&C Act
defines drugs by their intended use, as “(A) articles intended for use in the diag-
nosis, cure, mitigation, treatment, or prevention of disease and (B) articles (other
than food) intended to affect the structure or any function of the body of man or
other animals.”1
The interface: The interface between cosmetics and drugs can be confusing
for industry. Occasionally, a product is developed both as a cosmetic and a drug. In
fact, small companies may have to decide whether they are developing a cosmetic
with no claims or whether they need to make claims and, therefore, develop a
“drug.” Clearly, there are times when it is advantageous commercially to develop
scientific claims and indications for a compound that could otherwise be marketed
as a cosmetic. In some cases safety concerns may help make this decision.
often complex chemical substances, the list may be incomprehensible to the prod-
uct’s average user.2 However, if all manufacturers use the same name, consumers
can compare different products and make reasonable value judgments.
(a) Each ingredient used in a cosmetic product and each finished cosmetic
product shall be adequately substantiated for safety prior to marketing. Any
such ingredient or product whose safety is not adequately substantiated prior
to marketing is misbranded unless it contains the following conspicuous
statement on the principal display panel:
The law requires that color additives used in food, drugs and cosmetics must
be tested for safety and approved by the FDA for their intended uses. A cosmetic
containing an unlisted color additive (i.e., a color additive that has not been ap-
proved by the FDA for its intended use) is considered adulterated and subject to
regulatory action. The color additives approved for use in cosmetics are listed at
21 CFR 73, 74 and 82.
Occasionally the FDA will raise concerns and provide guidance documents.
These guidance documents address special labeling considerations for industry,
and they are often intended to help consumers. One such example resulted from a
June 2000 citizen petition from the CTFA requesting that FDA issue a regulation
under 21 USC 362(a) establishing labeling requirements related to sun protection
482
The Regulatory Interface: When a Cosmetic and When a Drug? Beginning Cosmetic Chemistry
with use of cosmetic products containing AHAs. This example is but one of FDA
guidance that benefits the consumer.
For all of FDA, the label is the most important regulatory issue. It is the label of
a cosmetic or drug that can render a product misbranded. If the safety of a cosmetic
is not adequately substantiated, the product may be considered misbranded and
may be subject to regulatory action unless the label bears the following statement:
Warning—The safety of this product has not been determined.3 (See the
Warning—The Safety of this product has not been determined sidebar on
warning statements.)
Table 49.1. Useful Web sites for regulation of cosmetics and drugs
approval process. It also provides up to five years of marketing exclusivity for the
first approval of a new chemical entity regardless of patent status and up to three
years of exclusivity for the first approval of a new dosage form or new use.
Once the innovator’s patent terms and exclusivity have expired, Hatch-Waxman
allows FDA to approve abbreviated new drug applications (ANDAs) for generic
versions without the requirement of reproving the safety and efficacy of the active
ingredient. ANDA applicants simply show that their generic versions get the ac-
tive ingredients into the blood stream at the same rate and to the same extent as
the innovator version.
Hatch-Waxman requires sponsors of innovator drug products to submit, as
part of a New Drug Application (NDA) or supplement, information on any patent
that 1) claims the pending or approved drug or a method of using the approved
drug, and 2) for which a claim of patent infringement could reasonably be asserted
against an unauthorized party. Patents that may be submitted are drug substance
(active ingredient) patents, drug product (formulation and composition) patents,
and method of use patents. Process (or manufacturing) patents may not be submit-
ted to FDA. FDA publishes patent information on approved drug products in the
Orange Book, available electronically on the FDA web site. A generic manufacturer
that successfully challenges the validity of a listed patent and then wins approval
for an ANDA receives 180 days of marketing exclusivity against other generic
manufacturers. Hatch-Waxman also provides for a 30 month stay on generic drug
approvals while certain patent challenges are litigated.
Both Hatch-Waxman and subsequent amendments are intended to balance
two important public policy goals: meaningful market protection incentives to
encourage the development of valuable new drugs and early public access to
generic products once patent protection and marketing exclusivity have expired.
Under Hatch-Waxman, more than 10,000 generic drugs have entered the market
since 1984.7
Prescription Drug Marketing Act: The Prescription Drug Marketing Act
(PDMA) was enacted to ensure that prescription drug products would be safe and
effective by avoiding unacceptable risks that counterfeit, adulterated, misbranded,
subpotent or expired drugs can enter the marketplace. PDMA requires state li-
censing of wholesale distributors, requires wholesale distributors not authorized
by the manufacturer to provide purchasers a statement identifying each prior sale
and prohibits sale of drug samples. See the PDMA Report to Congress for a full
review.8
Transition from cosmetic to drug: Some cosmetics have successfully made
the scientific transition from cosmetic to prescription or over-the-counter drug
products. Earlier I noted that some cosmetic manufacturers might benefit by de-
veloping the product as a drug with an intended use. In some cases a product may
have two intended uses—one as a cosmetic and the other as a drug. For example,
a shampoo can be a cosmetic because the intended use is to cleanse the hair. This
same shampoo can be a drug because it is intended—based on scientific data—to
treat dandruff.
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Beginning Cosmetic Chemistry Chapter 49
A question industry often asks is how far can I go with a claim? The answer is
in the reading of the definition of a cosmetic versus a drug. The line is set some-
where between “articles intended to be applied to the human body for cleansing,
beautifying, promoting attractiveness, or altering the appearance without affecting
the body’s structure or function” and “articles used for diagnosis, cure, mitigation,
treatment or prevention of disease or articles intended to affect the structure or
any function of the body of man or other animals.” The claim for the shampoo
above was to cleanse the hair as a cosmetic and treat dandruff as a drug. The sex
cosmetics mentioned earlier must stay within this paradigm.
Summary
Aging consumers cherish each new product that reverses the ravages of life.
These consumers are looking for the magic genie in a bottle. If that bottle is to
be marketed as a cosmetic, it cannot promise more than to cleanse, beautify or
promote attractiveness.
References
1. FD&C Act, Sec 201(g)(1)
2. Cosmetic safety: More complex than at first blush, FDA Consumer (Nov 1991)
3. 21 CFR 740.10
4. 40 FR 8917 (Mar 3, 1975)
5. http://vm.cfsan.fda.gov/~dms/cos-ch00.html
6. 21 CFR 207
7. DE Troy, Statement of Chief Counsel US Food and Drug Administration before The
Committee on the Judiciary United States Senate (Jun 17, 2003) http://www/fda.gov/
ola/2003/generic0617.html
8. PDMA Report to Congress June 2001, http://www.fda.gov/oc/pdma/report2001/
default.htm
9. CTFA to seek clarity on wrinkle product regulatory status, BSE rule, The Rose Sheet 7
(Feb 16, 2004)
Chapter 50
Correlating Porosity
and Tensile Strength of
Chemically Modified Hair
This study validates the porosity method against the widely
accepted method of tensile strength for determining the hair
damage imparted to hair due to cosmetic treatments.
O ver the years, many individual studies have been conducted regarding the
extent of damage imparted to hair. These studies deal with the damaging
effects of various chemical processes such as permanent waves, permanent colors
and hair bleaches.1–8
The most commonly employed method to quantify this damage is the measure-
ment of change in tensile properties of the hair. This method takes two to three days
in the preparation of samples of hair fibers. It also requires a minimum of 30–40
fibers for statistical analysis. Therefore, there is a need for other simpler methods
that are equally valid and less time-consuming.
One such method could be the determination of hair porosity or water uptake of
hair fibers as described by Valko et al.9 and by Menkart et al.1 However, to the best
of our knowledge, no study so far has correlated the tensile strength method with
the water uptake (swelling/porosity) method following chemical treatments such as
permanent waves, permanent colors, hair bleach, and permanent hair relaxers.
Therefore, we have conducted a study whose purpose was to validate the po-
rosity method against the tensile strength method. Another purpose of this study
was to use these two methods to compare the magnitude of hair damage between
permanent waving, permanent coloring, hair bleaching, and permanent straighten-
ing processes. Finally, this study ranked the various chemical processes in terms of
their hair damage potential. We believe this is the first comparative damage ranking
for various chemical processes in the hair care field.
of liquid is said to be more porous than hair that absorbs less liquid. Hair stylists
associate higher porosity of hair with higher degree of damage.10
Water is able to penetrate into hair after a sufficient contact time. As explained by
Feughelman, the absorption of water takes place initially onto the hydrophilic sites
of the globular protein matrix and on the surface of the microfibrils. After the initial
absorption, more sorption of water builds up on water molecules already attached to
the protein structure.11 According to Chamberlain and Speakman, the total uptake
of water is 31.18% at 100% humidity.12 The uptake of water or swelling of hair can
be measured by two methods: the volume method or the weight method.
Volume method: Shansky, in 1963, was the first person to measure the change
in the diameter of the individual hair fibers using a microscope.13 In 1990, Nothen
et al. devised a more accurate instrument utilizing an optical unit for sensing the
diameter of a single fiber, and an online analyzer for displaying the data in real
time.14 In 1998, Syed et al. measured real time swelling of individual fibers using a
laser micrometer that measured the major and minor axis of the fiber simultane-
ously during the immersion of the fiber in an appropriate solution.15
In each of these volume methods, the selection of the fibers takes a long time
and then swelling of each fiber has to be measured over a 20–30 minute period.
Also many individual fibers have to be used in order to get statistically significant
results. Additionally, this method may not be appropriate for measuring the change
in diameter of African-descent fibers where the inherent variation in diameter is
significant within a single fiber along the hair shaft.16
Weight method: The weight method is much less tedious and has the ability
to study the swelling or water uptake of hair fibers using a centrifuge. With this
method, a single operator can conduct more than 50 measurements a day.17 The
weight method is also known as the liquid retention or porosity test. Valko and Bar-
nett have defined porosity as the capacity of hair fibers to absorb water.9 Chemically
damaged fibers are considered hydrophilic or porous and therefore would more
readily pick up moisture and retain water than the untreated or unmodified hair.
Valko and Barnett believed that the greater the porosity of hair, the greater was the
damage to the hair fiber. They found the uptake of water for unmodified or normal
hair to be 31.10%. Therefore, the porosity technique may become a primary method
for determining hair damage due to cosmetic treatments if it correlates with most
widely accepted methods for measuring hair damage. One of those methods is the
measurement of tensile strength.
Experimental
Treating the hair: For the porosity testing, all hair used was Caucasian hair 8
inches long, assembled into six tresses of equal weight. The tresses were accurately
weighed on an analytical balance at 4.0 g ±0.1 mg.
For testing the tensile strength of the hair, dark brown European-descent fibers
(Level 2) of 80–90 microns were obtainedc and separated into six different groups.
Of the six weighed tresses, one was left untreated as a control, and each of the
other tresses was subjected to one of the following cosmetic treatments: permanent
hair color, acid wave, permanent hair relaxer (sodium hydroxide), permanent hair
relaxer (guanidine hydroxide) and hair bleach. Details of these treatments are
presented in Table 50.1. The method of treatment employed in each case was
the same as practiced in the market place.
490
Correlating Porosity and Tensile Strength Beginning Cosmetic Chemistry
Treatment
Treatment contact
Hair Treatment quantity time
Treatment mixture applied with hair Rinsea Shampoo Rinseb
Hair color 28 g Logice AN 45 min ANc 3 min
Permanent Color TRP NCS
Blond-12G
38 g Logic Color
Developer
(30 vol H2O2)
a
Rinsed with warm running tap water
b
Rinsed with running tap water
c
Rinsed until all excessive Color was gone
d
Applied by brush to cover entire tress
e
Logic products are manufactured by Matrix, a part of L’Oréal, France.
f
Syntonics is a trademark of Syntonics International, Summit, Illinois USA.
g
Affirm is a trademark of Avlon Industries Inc, Bedford Park, Illinois USA.
h
Affirm Sensitive Scalp No-Lye No-Base Relaxer Normal Strength
j
Permanent hair relaxer containing sodium hydroxide
k
Permanent hair relaxer containing guanidine hydroxide
l
Permanent hair bleach
AN = as needed
NCS = non-conditioning shampoo
CNS = conditioning neutralizing shampoo
NCNS = non-conditioning neutralizing shampoo
TRP = tress wrapped in plastic
TRPH = tress wrapped in plastic and placed under overhead dryer at 55°C
491
Beginning Cosmetic Chemistry Chapter 50
The six sized groups were processed in the same way as the weighed tresses,
again according to the details presented in Table 50.1.
Determining hair porosity: The porosity of the hair was determined utilizing
the centrifuge method of Valko and Barnett.9 Each of the six tresses was divided
into eight samples weighing 0.5 gram each. All samples were equilibrated at 65%
relative humidity and 21°C for 2 weeks prior to using.
To begin the porosity measurements, each sample was weighed at 65% R.H.
using a microbalanced. The samples were immersed in 100 ml of deionized water
for 30 minutes, removed with stainless steel forceps, and placed into polystyrene
centrifuge tubes (28 ml) containing a mesh at the bottom of the tubes to keep the
hair separate from the drained water. The tubes were capped and centrifugede at
7,000 rpm for 10 minutes. After centrifuging, the samples were removed and weighed
again on the microbalance. This method produced repeatable results for each of
the treatments. The porosity of hair was calculated as shown in Figure 50.1.
Determining fiber tensile strength: The untreated fibers and fibers of chemi-
cally treated tresses were crimped at 30 mm length from the root tip and then
immersed in deionized water at 21°C for 30 minutes. Then the amount of work
required to extend the wet fibers by 20% of their original length was determined
on the automated tensile testerf (Phase 1 = 20%; Maximum Force = 200 gmf;
Number of cycles = 1; Gauge = 1).
Average porosity
Treatment type* (%)
Untreated 31.15 ±0.63 N=6
Hair color with 30 vol developer 32.01 ±0.12 N=8
Acid wave 35.32 ±0.29 N=8
Hair relaxer (NaOH) 36.15 ±1.26 N=8
Hair relaxer (guanidine) 38.00 ±1.17 N=7
Hair bleach with 30 vol developer 54.57 ±2.48 N=5
N = Number of samples
*See Table 50.1 for specific products tested.
As shown in Table 50.3, untreated hair had the highest average tensile strength
(1.210±0.180 mJ, N=60). On the other hand, cosmetic treatments such as permanent
hair color, acid wave, permanent hair relaxers and hair bleach produced increas-
ingly greater reductions in tensile strength (to a low of 0.480±0.080 mJ, N=51). The
order of damage in terms of tensile strength for each of the cosmetic treatments is
shown in Table 50.3 and it is similar to the order of water uptake for each of the
cosmetic treatments in Table 50.2.
Average tensile
Treatment type* strength (mJ)
Untreated 1.210 ±0.18 N=60
Hair color with 30 vol developer 1.138 ±0.20 N=41
Acid wave 0.991 ±0.12 N=55
Hair relaxer (NaOH) 0.776 ±0.11 N=53
Hair relaxer (guanidine) 0.698 ±0.11 N=57
Hair bleach with 30 vol developer 0.480 ±0.08 N=51
N= Number of samples
* See Table 50.1 for specific products tested.
Using a statistical packageg, we correlated the porosity data from Table 50.2
and tensile strength data from Table 50.3. The coefficient of determination (r2)
was found to be 0.9607 (Figure 50.2), which is statistically significant. Therefore,
the water uptake method or porosity method and the tensile strength method are
highly correlated.
493
Beginning Cosmetic Chemistry Chapter 50
Figure 50.2. Correlation between porosity and tensile strength of hair treated by
selected cosmetic products (see Table 50.1 for details on the products tested)
As shown in Tables 50.2 and 50.3, the order of damage caused by the cos-
metic treatments is as follows: Untreated hair < Permanent Hair Color (Golden
Blonde-Level 12) < Permanent Wave (Acid Wave) < Hair Relaxer containing sodium
hydroxide < Hair Relaxer containing guanidine hydroxide < Hair Bleach.
Conclusion
It is clear from this study that Valko and Barnett’s weight method (water uptake)
or porosity of hair is significantly correlated (r2 = 0.9607) to tensile strength of hair
when hair fibers are chemically treated with various cosmetic treatments.
This study also compares the damage imparted to hair fibers from various
chemical cosmetic treatments such as permanent hair colors, acid permanent
waves, hair relaxers and hair bleaches. The order of magnitude of hair damage is
also determined and it is found that permanent hair colors are least damaging fol-
lowed by acid permanent waves and hair relaxers, whereas the bleaching of hair is
the most damaging cosmetic treatment.
The weight method or porosity of hair is a less tedious and less time-consuming
method for cosmetic chemists. It can be used instead of the tensile strength method
to determine the degree of damage.
The porosity method would seem to be especially convenient to use on exces-
sively curly hair in which the Young’s modulus varies significantly within a single hair
fiber due to its ever-changing diameter along the hair shaft. The Young’s modulus
is equal to the stress/strain, where strain is the deformation expressed in length,
while stress is equal to the force divided by the cross-sectional area of the fiber.
The modulus is usually obtained in the Hookean region (less than 2% strain) where
the fiber can be stretched repeatedly without undergoing permanent deformation
or damage from extesion.
494
Correlating Porosity and Tensile Strength Beginning Cosmetic Chemistry
References
1. J Menkart, LJ Wolfram and I Mao, Caucasian hair, Negro hair, and wool: Similarities
and differences, J Soc Cosmet Chem 17 769–787 (1966)
2. CE Reese and H Eyring, Mechnical properties and the structure of hair, Textile Res J
20 743–750 (1950)
3. YK Kamath, SB Hornby and HD Weigman, Mechanical and fractographic behavior of
Negroid hair, J Soc Cosmet Chem 35 21–43 (1984)
4. R Wickett, Kinetic studies of hair reduction using a single fiber technique, J Soc
Cosmet Chem 34 301–316 (1983)
5. EG Bendit, There is no Hookean region in the stress-strain curve of keratin,
J Macromol Sci-Phys B17(1) 129–140 (1980)
6. W Edman and M Marti, Properties of peroxide-bleached hair, J Soc Cosmet Chem 12
133 (1961)
7. L Wolfram, The reactivity of human hair: A review, in Hair Research, Springer-Verlag,
New York 497(1981)
8. TA Evans, TN Ventura and AB Wayne, The kinetics of hair reduction, J Soc Cosmet
Chem 45 279–298 (1994)
9. EI Valko and G Barnett, A study of the swelling of hair in mixed aqueous solvents,
J Soc Cosmet Chem 3 108-117 (1952)
10. Milady’s Standard Text Book of Cosmetology, Thomson Learning, Albany, New York
233 (2000)
11. M Feughelman, Physical properties of hair, in Hair and Hair Care, DH Johnson, ed,
Marcel Dekker, New York 17 (1997)
12. NH Chamberlain and JB Speakman, Z Electrochemie 37 374 (1931)
13. A Shansky, The osmotic behavior of hair during the permanent waving process as
explained by swelling measurements, J Soc Cosmet Chem 14 427–432 (1963)
14. J Nothen, V Bollert, G Blankenburg and H Hocker, The influence of the cosmetic
swelling behavior on the quality of the permanent wave, Proceedings of the 16th
IFSCC Conference, New York, October 8-11, 1990, vol 1 315–324 (1990)
15. A Syed, H Ayoub and A Kuhajda, Recent advances in treating excessively curly hair,
Cosmet Toil 113(9) 47–55 (1998)
16. A Syed, A Kuhajda, H Ayoub and K Ahmad, African-American Hair: Its physical
properties and differences relative to Caucasian hair, Cosmet Toil 110(10) 39–47 (1995)
17. DH Powers and G Barnett, A study of swelling of hair in thioglycolate solutions and its
reswelling, J Soc Cosmet Chem 92–100 (1953)
18. JB Speakman, Mechano-chemical methods for use with animal fibers, J Text Inst 38(2)
T 102–126 (1947)
19. A Sookne and M Harris, J Res Natl Bur Stand 19 535 (1937)
a
Instron, Instron Corporation, Canton, Massachusetts
b
Dia-Stron, Dia-Stron Ltd, Broomall, Pennsylvania
Chapter 51
In Vivo Quantitative
Evaluation of Gloss
A real time polarization analysis technique is described that
differentiates components of scattered light in video images and
enables in vivo quantitative evaluation of gloss from hair and
skin during quality control and claims substantiation.
Figure 51.1.
495
496
In Vivo Quantitative Evaluation of Gloss Beginning Cosmetic Chemistry
Operating Principle
Our evaluation technique is based on differentiating and measuring the types
of scattering events. Depending on its origin, the light scattered exhibits various
polarization signatures.1,2,4 Specular light, for example, has the property of preserv-
ing the original polarization state whereas diffused light is fully depolarized. We
use an innovative real time polarization analysis5,6 technique (see the Polarization
Analysis sidebar) to quantify the scattering events described above.
By using a polarimetric camera with a high polarization contrast parameter
value (>100) at a fast video rate (15-30 frames/sec), one can now measure the
following scattering parameters—1,2,4 specular light, surface-scattered light, and
volume-scattered light, all in black and white— or if needed, in the red, green
and blue colorimetric space. Figure 51.2 presents three images delivered by this
imaging systema.
497
Beginning Cosmetic Chemistry Chapter 51
Figure 51.2.
Polarization Analysis
Using a polarized illumination, specular and diffused components of
light can be retrieved by measuring parallel and crossed polarizations. This
separation has already been used and explained in past literature for hair
luster analysis.7
Thanks to recent advancements in electro-optics technology, a fast polari-
metric video camera with a high polarization contrast (>100) was developed
in order to perform real-time analysis. The polarization contrast is actually a
parameter that quantifies how well the technique can break the scattered light
into its components. The higher the polarization contrast of the system used,
the better the analysis and the separation of the components. It is critical to
use a high polarization contrast (>100) technique in order to well separate
the components and carry out accurate gloss measurements.
The classical image is the real image delivered by a usual camera. It presents
both color and gloss information. It contains the information of totally reflected light
and is the sum of the parallel polarization (P) and the crossed polarization (C).
In the case of skin, the surface image does not provide any color information
and is black and white. It shows the distribution of the surface scattered light on the
complex shape of the face, highlighting the surface imperfections (pores, wrinkles).
In addition, it extracts and displays the specularly reflected light. Mathematically,
it is the exact difference between the P and the C image.
The volume-scattering image presents no specular light and shows the diffused
light and the true colors of the skin. It was calculated by multiplying by two the
crossed polarization image C.
Using the definitions previously given, the images are then processed and com-
bined to provide accurate and consistent gloss values Gd and Gd* on areas of the
object specifically chosen by the user. The primary innovation of this technique is
that it allows for the gloss characterization of curved and highly textured surfaces
which, until now, was not possible with classical gloss meters.
498
In Vivo Quantitative Evaluation of Gloss Beginning Cosmetic Chemistry
Experimentation
The experimental set-up for gloss measurement includes: a polarimetric imaging
sensor; a polarized illumination system; and a computer with software dedicated
to fast polarization image acquisition, processing and display of results (Figure
51.3).
Figure 51.3.
The illumination can be based on fluorescent lights (cool white) or white Light
Emitting Diodes (LEDs), which make it compact, cold and easily controllable. The
software was developed to provide calibration, acquisition of polarization images,
gloss measurement, real-time analysis, display and recording of various images. A
chin rest or a head rest is also used to control the position of the face for optimum
repeatability.
Results
In vivo gloss measurement of foundation: Foundations presenting various
levels of gloss were tested with the system. A Region of Interest (ROI) in the “T”
area of the face was chosen for the measurement. The gloss degree was measured
on each pixel in the entire ROI; then the average of all the values was calculated.
Results of eight commercially available foundations are shown in Figure 51.4.
The gloss results correlate to visual observation and confirm the matte/glossy
nature of each foundation. The glosses ranged from 19% to 45% on the Gd scale,
which demonstrates large differences between commercially available products.
The accuracy of our measurement was better than 0.5 gloss unit on the Gd scale
without using any additional time averaging with the video imaging sensor.
Efficiency testing of hair product: We also quantified the evolution of hair
shine in the following five different conditions: uncombed; combed; combed with a
reference conditioner; combed with a shine improvement conditioner; and combed
with a shine improvement conditioner plus a liquid polish. Since hair is a highly
reflective object with low diffusion (Gd>70%), we chose to plot the results on a
Gd* scale as shown in Figure 51.5.
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Beginning Cosmetic Chemistry Chapter 51
Figure 51.4.
Figure 51.5.
The results show a large range of Gd* values depending on hair conditions and
the products that were applied. Combing drastically increases the reflected light by
50% and makes hair shinier. A classical conditioner increased the shine of combed
hair by another 10% while a second conditioner, claiming to improve the shine,
increased it by 40%. By adding a liquid polish, we could further increase the shine
of combed hair by 60% reaching a Gd* value of 7.85. The total uncertainty of the
measurement was 0.3 on the Gd* scale.
The Gd* measurements obtained correlate to the visual assessment and depend
on the hair color of the model. The present measurements were carried out on light
brown hair. Higher values of Gd* as well as larger gloss effects due to the applica-
tion of the products are expected in the case of dark brown or black hair.
Gloss distribution: We calculated the Gloss Degree (percentage of specular light
in the total amount of reflected light), pixel by pixel, in order to instantly represent
the spatial distribution of the gloss of a complex 3D surface such as a human face
using the formula Gd = (P – C)/(P+C). The color of the images of Figure 51.6 was
encoded by the Gloss Degree using the color scale shown in each image. This “gloss
mapping mode” allows the user to visualize immediately the gloss distribution and
efficiently communicate the differences between two products. Figure 51.6 shows
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In Vivo Quantitative Evaluation of Gloss Beginning Cosmetic Chemistry
two examples of a model face with a matte and a glossy foundation. Here, the red
color corresponds to a gloss of 50% while blue corresponds to 0%.The right image
(glossy foundation) shows that Gd is larger in specific areas where specular light
can be observed by the camera: tip of nose, T area, eye lids. A matte foundation
presents a more uniform, low Gd on the face.
Figure 51.6.
Conclusion
The described imaging technique opens the possibility of measuring objectively
the gloss of textured, complex 3D objects. The examples presented in this chapter
demonstrate the efficacy of the technique for crucial applications such as the in vivo
gloss measurement of skin and hair. The technique is well adapted for the cosmetic
industry to formulate, evaluate products and substantiate claims.
References
1. S Breugnot, L Le Hors, D Dolfi and P Hartemann, Phenomenological Model of Paints
for Multispectral Polarimetric Imaging, Aerosense, Orlando, Florida (2001)
2. HC Van De Hulst, Light Scattering by Small Particles, Dover, New York (1981)
3. The Munsell Book of Color, Munsell Color Company, Baltimore, MD (1976)
4. E Collett, Polarized Light, M Dekker, Inc New York (1993)
5. M Rowe, EN Pugh Jr, JS Tyo and N Engheta, Polarization difference imaging: A
biologically inspired technique for observation through scattering media, Optics
Letters 20(6), 608–610 (Mar 15, 1995)
6. S Breugnot and P Cl menceau, Modeling of a polarization active imager at λ =806 nm,
Optical Engineering 39(10) 2677–2680 (Oct 2000)
7. R McMullen, J Jachowicz, Optical properties of hair: Effect of treatments on luster as
quantified by image analysis, J Cosmet Sci 54 335–351 (July/Aug 2003)
8. R Korichi, Video imaging in the measurement of makeup efficacy and performance,
Cosmet Toil 117(10) 39–48 (2002)
Chapter 52
T here is probably no personal care category that is more competitive than sham-
poos. With this in mind, formulators of shampoos are asked by marketing to
develop products to both appeal to consumers and perform (whatever “perform”
means).
Performance
Speaking about performance, I scanned the shampoo products available on www.
drugstore.com and quickly was able to come with a list of claims (see the Shampoo
Label Claims Found in a Quick Search of Drugtore.com sidebar). I stopped
looking at the claims after reviewing the labels of approximately 25 shampoos of
the more than 300 they sell!
We have come to expect these outrageous claims, as have consumers. A con-
sumer may indeed purchase the shampoo based on one or more of these claims,
but the four attributes that come into play only during use, and that are rarely
mentioned (and are most valued by consumers), are: cleansing, fragrance, viscos-
ity and foaming.
Cleansing: Cleansing is taken for granted by consumers. In fact, while market-
ing people may be concerned that the shampoo being developed by R&D cleans
adequately, in reality all shampoos contain several times the amount of surfactant
needed to clean even the most soiled hair! It would be almost impossible to make
a shampoo using today’s anionic surfactants that didn’t clean the hair.
Fragrance: Fragrance is one of the most important reasons a person buys a
shampoo. Have you ever seen a shampoo that was fragrance-free? I think not!
Viscosity: To a purchaser, a shampoo that is thick implies it must be “rich”
(whatever that means) and will certainly perform. It is silly, but who am I to argue
with consumers?
Foaming: The consumer, standing in the shower with eyes closed and wet hair,
applies the shampoo, rubs, feels the foam/lather and quickly makes a judgment as
to the performance of the shampoo. If it does not provide a copious, lubricious,
dense foam quickly (that also smells pleasant) the consumer will have a rather
negative impression of the shampoo that will be difficult to overcome even if it
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Evaluating Shampoo Foam Beginning Cosmetic Chemistry
does a great job in providing hair conditioning. Let’s spend a few minutes talking
about foam evaluation.
Foam Evaluation
Without question the best method to evaluate the foaming ability of the sham-
poo is consumer testing, most often done in a salon setup. However, it is costly and
very time consuming. Just imagine, you have just finished preparing a shampoo
formulation using a new conditioning polymer and you have to wait several days
(at best) before you will know if it negatively affects the foam attributes. This situ-
ation is intolerable.
Foam evaluation has been going on for many years. Following is a brief descrip-
tion of the most popular methods employed by chemists. In each of these methods
the temperature of the water and water hardness may be varied. Additionally, a
synthetic sebum may be added to simulate the presence of “soil,” i.e., dirty hair.
Ross Miles: This method is the oldest standardized method, dating back to
1941. A dilute solution is dropped from a fixed height into a pool of the same dilute
solution and the foam volume is measured. This test produces an airy foam that
in no way approximates foam produced in actual use by the consumer. These days
it is only used by suppliers of surfactants. It doesn’t give an accurate reading on
foam volume, foam density or foam longevity. In my opinion, it shouldn’t be used
by anyone.
Cylinder shake: Also developed in 1941 (Stiepel), the cylinder shake method
is, by far, the most widely used foam evaluation test method.
A fixed amount of dilute shampoo is poured into a graduated cylinder. A stop-
per is placed onto the cylinder and it is inverted for a fixed number of times. The
foam volume is then measured.
While is very easy and quick to run, the data generated, just like the foam, is
very inconsistent. It is very operator dependent. Even the same operator has dif-
ficulty in reproducing data. A standard shampoo should always be used to try to
insure reproducibility.
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Beginning Cosmetic Chemistry Chapter 52
Many people have tried to reduce operator dependence of this test. One such
modification (Beh-James) uses 300 ml of a dilute shampoo solution in a 1000 ml
graduated cylinder. The cylinder is subjected to rotation on a vertical plane perpen-
dicular to the axis of a motor (attached to the cylinder). It is rotated for 2 minutes at
36 rpm. The foam height reading is taken 30 seconds after rotation has finished.
Perforated disk: This foam evaluation method was developed in 1958 (Bar-
nett & Powers). A sample of 200 grams of shampoo solution is placed into a glass
cylinder (6.3 cm in diameter and 30 cm in length). A perforated disk (6 cm in
diameter) is moved up and down in the tube (26.5 cm) at a speed of 30 strokes per
minute. The foam height is measured after 30 strokes. This method is fairly good
in its consistency, but the foam it produces is loose and airy.
Moldovanyi-Hungerbuhler: A 500 ml shampoo solution is prepared and poured
into a flask. The flask has an input tube to permit nitrogen gas to flow into the solu-
tion (from the bottom) at a rate of 17 liters/minute. The time needed to produce
2 liters of foam is measured. The liquid is drained off and the flask is weighed. We
now have a measure of the foam density. If we wait a fixed period of time and then
drain off additional liquid, we have an indication of foam stability.
This method is a bit cumbersome and like the other methods discussed, pro-
duces a loose, airy foam.
Hart-deGeorge blender method: This foam evaluation method was the first
to incorporate a blender to generate the foam. The foam produced is thick and
creamy and very similar to the foam seen is actual use tests.
A 200 ml shampoo solution is agitated in a blender (1 liter vessel size) for one
minute. The foam is then poured into a funnel placed on a sieve with a mesh of
0.5 mm. The funnel measures 182 mm (top) to 23 mm (bottom). A gauging wire
is placed 80 mm from the bottom of the funnel. The time for the level of foam to
reach the wire (seconds) is recorded; the higher the number, the better the foam.
This is an excellent method for assessing foam.
Blender Foam Volume/Drainage: For this method (1981- Henkel Corp.), a
10% solution of shampoo is prepared. Four grams of this solution are added to 146
grams of water (50 ppm hardness) at 29°C. The solution is agitated for 10 seconds
at a medium speed in a blender. The foam is poured into a 1000 ml graduated
cylinder and the volume is measured. After 3.5 minutes the position of the foam
water interface is recorded (drainage). The evaluator may add 0.5 grams of synthetic
sebum (or castor oil) to determine its effect. Additionally, the time of agitation may
be decreased to 5 seconds to determine flash foam. This method is, in this author’s
opinion, the best technique (aside from salon testing) currently available.
Blender-Foam Density/Stability/Lubricity: In this method (1967-Unilever)
a 10% solution of the shampoo is prepared. Four grams of this solution are added
to 146 grams of water (50 ppm hardness) at 29°C. The solution is agitated for 10
seconds at a medium speed in a blender. The foam is poured into a 100 ml gradu-
ated cylinder to overflowing. A rubber stopper is gently dropped into the foam.
This stopper has been shaved so that it is slightly smaller in diameter than the
inside diameter of the graduated cylinder. The time for the rubber stopper to pass
between two points (80–40 ml) is measured. A longer time indicates a denser and
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Evaluating Shampoo Foam Beginning Cosmetic Chemistry
more stable foam. The rate at which the stopper falls is dependent on the upward
pressure. This upward pressure is inversely proportional to the size of the bubbles.
Thus, a more dense foam will cause the rubber stopper to fall more slowly. This
test is very good test method as it closely approximates consumer perception of
foam “quality.”
While none of these tests is without drawbacks, by using the last two (Blender
Foam Volume/Drainage and Blender-Foam Density/Stability/Lubricity), the
formulator can quickly get a very good reading on how consumers will judge the
foaming of the tested shampoo.
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What You Should Know About Testing on Human Hair Beginning Cosmetic Chemistry
hair purchase and preparation procedure throughout their entire system. It is not
enough for the supplier to buy high quality natural hair but also to maintain a system
where the hair is sorted, washed, dried, worked and stored properly.
Buying natural, raw, untreated hair, in and of itself is a difficult task. Getting
the wrong kind of hair can cause many problems. For example, imagine that you
need hair of a certain natural color for testing. One unscrupulous company has been
known to create “gray” by mixing bleached and pigmented hair together to create
a salt and pepper color. Another supplier fulfilled an order for natural red hair by
dying the tresses! And yet another provided what was supposedly kinky African hair
but was actually Chinese hair that had been crimped to resemble it.
One can imagine the waste of time and effort these examples must have caused.
These examples clearly point out the importance of understanding the origin of
the hair you use.
Something else that was used in washing years ago was conditioner in the water
to make the hair softer and shinier. Now for an individual or for someone who is
using this hair to make a wig that is perfectly acceptable. However, that result is
definitely not something a chemist wants to have on the hair that he is about to
use for testing!
The hair must be cleaned thoroughly but not by anything that has any kind of
fragrance or additive, such as a color or conditioner, then rinsed thoroughly. You
want the hair to be as natural in your lab as that of clean natural hair on a person’s
head.
The hair is then dried in a natural environment before processing. NOTHING
about the hair is altered unless of course the order is for bleached or dried hair.
When this hair is processed in some way (either by dyeing or damaging) it is done
in such a way to ensure that the process is highly reproducible so the next time you
order the same hair it has the same properties. It is essential that the substrates you
use are uniform and have a consistent and a standard level of damage is maintained
through out. And not only does the hair have to be processed in the same way, but
the size and weight and consistency of the tress need to be the same across a large
number of swatches.
Common hair treatments
• Virgin
• Bleached
• Permed
• Dyed
“Old timers” in this industry will recall a time, prior to 1993, when tresses
were required to be made by hand. In fact, the first edition of Beginning Cosmetic
Chemisty included a chapter that described how to make your own tresses. Prior
the early 1990s, almost all of the hair care work was based on ordering hair that
came in bundles of string tied hair. Whether the hair was six inches long or 14 inches
long overall, the chemist or lab technician would order the required substrate and
the hair would come in bundles so described and he needed to somehow get the
hair into a configuration that was practical for a lab environment. These bundles,
(for about 6 inch hair), were around 2.5 ounces each and almost unusable in their
delivered state and they were proportionately heavier if the hair was longer hair.
The chemist opened the bundle, pulled off and weighed out the desired amount
of hair, say for example 5 grams, tried to keep the hair even at the root and tip end
and then some how bound the root end so the hair didn’t fall all over the laboratory
counter, which happened in any case every now and then. Or, if the lab was large
enough, some companies would hire some one to come in and make the pieces,
which still was not very accurate as the binding agent was not always the best and
in rare cases an outside agency might be hired to make the pieces off site which
brought about extra time delays.
Thankfully, tress-making is no longer a skill that chemists are required to have
because advances in technology have made uniform hair tresses widely commercially
available. The first innovation of hair preparation for the laboratory, hair swatching
by International Hair Importers (IHIP), allowed the chemist to now order the hair
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What You Should Know About Testing on Human Hair Beginning Cosmetic Chemistry
in a preformed fashion, held at the root end so that when the technician or chemist
opened the box of pre-weighed, sewn and swatched hair, he or she would simply
have to cut off the section of hair they wanted to use and begin their testing.
This particular advancement along with the specific, consistent quality of labo-
ratory grade hair now gave laboratories a new and quicker way to get the testing
done. There was now no worrying about the origin or quality of the substrate and
no need to spend hours trying to prepare the hair to be used in the testing.
With the increased level of testing and further advanced equipment such as
computer enhanced robotic systems that were not only able to repeatedly soil, wash,
condition, rinse and dry hair swatches, the demand for newer ways of delivering
the hair brought greater demands for the suppliers of hair.
It is now possible to by tresses in almost any configuration imaginable, from a
.25 gram, 2 inch overall swatch to a 30 gram, 14 inch swatch using various binding
materials and parts. The possibilities are almost endless.
Tress Studies
A wide spectrum of information can be attained by evaluating formulations on
tresses (see Table 53.1).
Wet tresses
Application properties (how the product spreads through the hair)
Lathering properties (speed of foaming, volume of lather, richness, creaminess
of foam)
Rinsability
Detangling properties
Wet combing properties
Tactile properties (leaves the hair feeling clean, smooth, silky)
Dry tresses
Drying properties
Dry combing properties
Tactile properties (silky/smooth feel)
Tactile properties (leaves the hair feeling clean, smooth, silky)
Antistatic properties
Volumizing properties (leaves hair with body and fullness)
Styling properties (ease of curling)
Overall appearance
Such varied product properties as application feel, rinsability, and the wet and dry
feeling products impart to the hair are all readily observable on swatches. However,
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Beginning Cosmetic Chemistry Chapter 53
tress testing is most useful for evaluating the combing properties of shampoos and
conditioners. Naturally, the design of each study will depend on the specific goals
of the product being tested and so each study will vary somewhat. However, in the
most general terms, every tress study should adhere to the following guidelines.
Questionnaire design: A range of critical attributes should be explored with
each study. Avoid focusing solely on the most important qualities, as this may tend
to bias the panelists. The best data is obtained when the focus of the questionnaire
is not too narrow. Keep in mind that if a questionnaire is too lengthy, the impact
of each point may be diluted. Use your best judgment when determining which
questions to ask. Refer to Table 53.2 for an example of a questionnaire used in
an Ease of Combing Study.
Pay special attention to the questionnaire’s rating scale when considering how
panelists will rank the designated attributes. The scale in Table 53.2 assigned values
weighted by descriptive terms. The result is a 100-point scale which attempts to
assign some objective basis for gauging subjective sensory perceptions. This scale
can be adapted as necessary for individual tests, but some version of a weighted
scale should be maintained.
Study # ______
Panelist Name________________________
Date _________
Title: New Conditioning Shampoo Study
Attribute: Ease of Combing
Tress Code_______
100 Severe Drag—uncombable; comb will not pass through tress without extreme
force
75 Heavy Drag—comb passes but only with some snagging or catching; tress
feels very rough against comb
50 Moderate Drag—comb passes through tress without snagging, but tress feels
rough; rasping sound and friction are obvious
25 Slight Drag—combs easily but some dragging is readily perceived
10 Very Slight Drag—comb glides through tress with some friction barely
perceived
0 No Drag—comb passes through tress without apparent friction
Testing procedure: The mechanics of any given test vary from study to study,
but it can be assumed that the greater number of tresses and panelists, the better
the data. As a general recommendation, use a minimum of five pairs of tresses
evaluated by at least three panelists. Such a study should indicate large differences
in functionality. If more subtle differences are to be detected, a larger data base is
required. The key to obtaining good tress data is to treat all tresses as identically
as possible. Tresses used in a given test should be from the same lot of hair and, if
possible, should have been damaged at the same time.
Before beginning the study, tresses should be given a final wash with detergent
and, if necessary, air dried. While the tresses are drying, determine the code numbers
or symbols to be used on each tress and prepare 2x2 inch squares of index cards
marked with the appropriate code. These tags may be inserted into the top of the
plastic mounting card either prior to or immediately after product application.
Once all preparations are completed, the test can be initiated. Apply the test
and control products to the appropriate tresses following the product use direc-
tions. Each test may require a different protocol, but typically, the test would use
a 1 min application period followed by a 30 sec rinse with tap water at a specified
temperature. Transfer the tresses (with code tags in place) to a tress bracket ap-
paratus, which supports the tresses during combing. Slide the plastic mounting
card into the clamp on the end of the bracket. Insert the card, as far as possible, to
keep it from bending and causing the tress to move during combing. Tighten the
wing nut to hold the tress securely.
Evaluation of tresses: Once the tresses are in place, they are evaluated by
individual panelists. Using the specified combs, each panelist evaluates the tresses
according to the questionnaire. Each tress should be evaluated with one comb only,
to avoid contaminating the combs with residue from treated tresses. When several
panelists are conducting evaluations, it may be necessary to rewet the tresses to
ensure the evaluation of “wet combing.”
Treatment of data: Average the scores for the tresses and apply statistical
analysis as appropriate.
Tress testing is an important tool for determining how formulations may need
readjustment to achieve the desired performance for the marketplace.
Suggested Reading
G Scottand and W Waggoner, Instrumental Method for the Determination of
Hair Raspiness, JSCC 17 171–179 (1966)
Y Kamath and H Weigmann, Measurement of Combing Forces, JSCC 37
111–124 (1986)
J Prall and D Wedderburn, Hair Product Evaluation: From Laboratory Bench
to Consumer and Back Again, JSCC 24 561–576 (1973)
C Robbins and G Scott, Effects of Surfactant Solutions on Hair Fiber Friction,
JSCC 31 179–200 (1980)
Y Kamath, et al, Wettability of Keratin Fiber Surfaces, JSCC 28 273–284
(1977)
Chapter 54
W ebster’s Third New International Dictionary tells us that shine means “to be
bright with the reflection of light, to gleam or glisten.” But what Webster
doesn’t tell us is that shine is one of the most sought after, yet most elusive, of all
hair care benefits.
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Evaluating Shine on Hair Beginning Cosmetic Chemistry
reflectance. Some of the light passes through the cuticle, which is transparent, and
is reflected off the back wall of the hair. In light scattering analysis, this “back wall”
reflection is seen as a second peak. This secondary peak has greater intensity for
blonde hair but less for dark hair, because the melanin pigment present in darker
shades tends to absorb more light. Using a polarized illumination with a polarization
analysis makes it possible to differentiate between the specular and the diffused
light. The specular reflection gives information about how smooth and glossy or
conversely, how rough, the hair is. The diffused light provides information about
the color of the hair.
The physical construction of the hair and the optics involved in reflection are
only part of the story. To understand how complex the phenomena of hair shine
is, consider that hair consists of over 150,000 discrete fibers that can move inde-
pendently. Every movement of the body, every turn of the head can cause the hair
to cascade in new patterns that affect the continuity of its surface. Unlike hard
surfaces, hair is not continuous and is never completely at rest. The discontinuous
nature of hair makes an accurate assessment of shine very difficult.
Consumer expectations: To complicate matters even further, the formula-
tor must take into consideration the consumer’s mind set regarding hair shine. A
brief review of the claims made by today’s hair care products shows that shine is a
nearly ubiquitous benefit promised to some degree by almost every shampoo and
conditioner.
For the majority of products, shine is simply mentioned along with the other
conditioning benefits. But for some products shine is a pre-eminent claim. Take,
for example, Procter & Gamble’s Pantene Pro V. Throughout the 1990s Pantene’s
advertising proclaimed they would give you “hair so healthy it shines.” According
to data from Information Resources Inc., a Chicago-based market research orga-
nization, P&G spends somewhere in the neighborhood of $40 million on Pantene
advertising each year. Therefore, it is reasonable to assume they’ve spent close
to hundreds of millions over the past 10 years to convince women that their hair
should be shiny. Although P&G has since discontinued this campaign, shine remains
strongly associated with healthy hair in the minds of many consumers.
Another example of a product line in which shine is the key benefit is Advanced
Research Laboratories’ Citre Shine. The Citre Shine line consists entirely of treatment
products focused on making hair shiny. While not as influential in terms of advertis-
ing as Pantene, Citre Shine continues to be successful in the market place.
The net effect of brands like Pantene and Citre Shine has been to raise consumer
awareness and expectations regarding shine even though it is difficult for women to
ascertain when it is being delivered. Therefore, formulators must understand that
hair care products can affect shine both positively and negatively. The remainder of
this article is designed to give the cosmetic scientist a fundamental understanding of
how hair care products affect shine and how changes in shine can be measured.
uniformly. Some improvement can be made just by lubricating the hair so the cu-
ticles are not disturbed during grooming. Smoothness can be further increased by
coating the hair with materials that are reflective themselves. Certain silicone- and
hydrocarbon-derived materials will form reflective films on hair. Similarly, shiny
particles like titanated mica can give hair a glitter effect.
However, the drawback is that in both these cases the process requires that a
substantial amount of material be left behind on the hair. Here we encounter one
of the most dreaded of all hair care sins—weighing down the hair. According to
a 1999–2000 Gallup study of female hair-care practices, nearly 15% of all women
are concerned specifically about hair shine. But, 28% percent of women are wor-
ried about their hair becoming limp and weighed down. For this reason, merely
coating the hair with a shiny layer is not a solution that will be acceptable to all
consumers.
Not only is it difficult to increase shine, but many hair care products can actually
decrease it. Even the hair’s own natural sebum can make its surface look dull. Rob-
bins cites a study by Scherbece that shows the natural oils on the hair can indeed
negatively impact shine. Similarly, soaps that can leave a hard water residue on hair
also diminish shine. This effect occurs because fatty anions in the soap combine
with metallic cations in the water and form an insoluble complex that deposits on
the hair. This problem is less common today since true soaps are very rarely found
in shampoo products.
This same type of dulling effect has also been shown to occur in some shampoo
formulations that contain cationic polymers. These polymers do not deposit uni-
formly on the hair and may therefore increase light scattering. Studies have shown
that hairsprays can also dull hair, once again presumably because deposition of the
resin reduces uniform reflectance. Not surprisingly, hair treatments, which chemi-
cally degrade the hair, such as permanent waves and oxidative colors, also reduced
shine. This effect is presumed to be due to the the weakening of the cuticle.
It is important for formulators to be aware of the potential dulling effects that
these products may have. They should not assume their product will increase shine
just because it provides conditioning benefits. If hair shine is a desired benefit, each
product should be evaluated on hair tresses and on panelists to ensure it is having
a positive effect on light reflection.
people will get closer to finding out how well consumers will perceive increases in
hair shine. This testing can be done on both hair tresses and in a salon.
Tress analysis: One of the simplest types of subjective analysis for hair shine
is performed using hair tresses. In these studies, human evaluators rate multiple
hair tresses before and after treatment with a product. The most important factors
to control in these studies are the characteristics of the hair tresses and the way
they are displayed. The type of tress used can significantly affect the results from
subjective evaluations. For shine studies, darker hair generally works better than
lighter hair because the contrast with reflected light is greater. The tresses should
be of identical length and type. It has been suggested that six to nine tresses are
the most that should be used for any single test. Any more can lead to evaluator
burn out.
Since hair shine is dependent on how a tress is displayed, care should be taken
to reduce variations. When having tresses evaluated, the alignment of hair fibers
should be consistent and parallel. It is advisable to get a shine box for displaying
tresses. A shine box is an all black box equipped with uniform lighting and mount-
ing devices. Tresses in a shine box can be viewed in a consistent manner which
helps reduce variability. To reduce positional bias, tresses should be rearranged
between evaluations.
Whenever subjective analyses are done, the question arises as to whether to
use trained or untrained evaluators. Which evaluators to use depends on the type
of data desired. Trained evaluators are taught to consistently give shine ratings in
line with a controlled scale. They are shown tresses with different levels of shine
intensity and told the shine rating. They are then tested on a blind basis to see
how well their blinded rating matches the given rating. They will provide tighter
and “theoretically” more objective data that will be useful during the formulation
stage. Untrained evaluators are given no initial testing prior to evaluation. In this
way different evaluators may give entirely different relative shine ratings. However,
untrained evaluators may better reflect the perception of the consumers. Therefore,
it may be better to use untrained evaluators after instrumental testing has shown that
a formulation improves hair shine and before performing a consumer use study.
To get repeatable data, 15–20 evaluators should be used. This number should
provide adequately precise data so a study is repeatable. In a typical study, tresses
are treated with a product, allowed to dry and displayed in a shine box. The evalu-
ators score each of the tresses on a set scale and then rank the tresses in order of
shine intensity. Reliable and consistent data can be obtained by using the optimum
number of tresses and evaluators.
Tress testing is a convenient method for evaluating shine, making it useful during
the formulation process. It does have certain drawbacks, however. For example,
the differences in hair shine are typically subtle. Tress testing typically will find
only big differences, missing smaller, subtle changes. Also, tresses only simulate
real life, which means they do not show exactly how a product will perform on a
consumer’s head.
Salon evaluations: Another useful type of testing for hair shine is salon test-
ing. In these tests, professional salon technicians apply the product in a half-head
518
Evaluating Shine on Hair Beginning Cosmetic Chemistry
manner. One is the test side and the other is the control. The products are applied
in a blinded manner and the hair is rated after treatment. These tests are much
like tress tests although they are even more indicative of a real-life situation. For
best results, 20 or more test subjects should be used along with multiple salon
evaluators.
Salon tests suffer from the same drawbacks as tress tests in that they can only
show large differences and may miss small, subtle differences. However, salon
tests use human volunteers so they require significantly more resources than lab
instrumental or tress tests. This makes them more difficult to use for directing
formulation and evaluating raw materials. They are better for comparing different
finished products.
Consumer-use studies: Consumer perception is the ultimate judge as to whether
a product increases shine, so a consumer-use study is an appropriate way to measure
it. A general plan for conducting a consumer-use study is to have panelists rate the
level of hair shine before and after product use. The increase (or decrease) in shine
is determined by the difference between the initial and final ratings.
It is important that subjects are chosen thoughtfully for these types of studies
to be most effective. First, the panelists should be selected to reflect the demo-
graphics of the consumers who would use a shine product. They should also be
prescreened and only those who would find benefit from a hair-shine product should
be used. Factors such as hair type, color and condition should all be recorded and
controlled. A significantly large number of panelists (30) should be used to get
reliable, repeatable data.
The initial phase of a consumer-use test would be to develop a questionnaire.
It should minimally ask the panelists to rate their hair shine using, for example, a
10-point scale. Prior to testing, it is legitimate to require a minimum shine rating for
any panelist who will be included in the study. This ensures that only people who
would measurably benefit from using a hair shine enhancing product are tested.
At least two questionnaires are given during the study. The initial questionnaire
should be designed to collect all the appropriate ancillary data such as hair type,
color and condition. Subsequent questionnaires should repeat the questions from
the initial survey excluding the background information.
Depending on the desired information, panelists can be instructed to use the
product once or repeatedly over the course of a few weeks. Certain products such
as shine sprays, gels or hair sprays are better for single use tests. Other products
such as shampoos and conditioners are better tested over the course of a few days
or weeks.
The test can be monadic or comparative. A monadic test involves having pan-
elists use the product for a certain length of time and rating their hair before and
after. This type of test works well for claim substantiation. A comparative study is
more useful for product development. In this type of study, the group of panelists
is segmented into control and test groups. The average initial hair shine rating
should be the same for both groups. One group is given the test prototype and the
other is given a control product. The control product should be one that gives a
519
Beginning Cosmetic Chemistry Chapter 54
known shine value or one that would not be expected to impart hair shine such as
a normal shampoo.
Another possible test design is to have both test groups try each product sequen-
tially. That is, one group tries the control product first and then the test product. The
other group tries the test product first and then the control product. The benefit
to conducting this type of study is that each panelist tries both products so a more
direct comparison is possible. The drawback is that the effects of one product may
be influenced by the other product. For example, if a shampoo that relies on coat-
ing the hair is being evaluated, the panelists who use the control product second
may have artificially high scores.
Rating scores obtained from these types of consumer use tests can be converted
into a percentage increase or decrease in shine. The changes can be quite large and
impressive. It should be noted, however, that to some extent these types of tests are
affected by the halo effect. If a consumer likes the product because of how it smells
or how easy it makes hair to comb, he or she may give higher ratings for hair shine
even though no shine improvement was present. Another drawback to this type of
testing is that unless a large number of test panelists are used, small differences
between how two products affect hair shine may not be found.
The ideal testing situation for any hair product is a combination of both instru-
mental and consumer tests. The instrumental tests provide a scientific rationale for
consumer perception. They also provide a good screening tool that can be used to
guide formulation. The consumer tests tell the formulator how well consumers will
like the product and their perceptions of how well the product works.
The authors would like to thank Philippe Clemenceau of Bossa Nova Technologies for his help in
researching this article.
K Keis and K.R. Ramaprasad, Studies of light scattering from ethnic hair fibers,
J Cosm. Sci 55 49–63 (Jan/Feb 2004)
R McMullen and J Jachowicz, Optical properties of hair: effects of treatments
on luster as quantified by image analysis, J Cosm. Sci 54 335–51 (July/Aug
2003)
Index
521
522
Index Beginning Cosmetic Chemistry
L microencapsulation–microcapsules/
millicapsules
lab notebooks
fragrance management, 273–276
example, 218–220
performance enhancement, 277–279
formats
technology, 271–273
books, 212, 217–218, 220–221
microorganisms, personal care products
electronic, 209–212, 221–222
contamination of products, 198–199
pages, 212–213
bacteria, 197–198
information to include, 209, 217
molds, 198
patent issues, 211
yeasts, 198
regulations, 211
growth/infections, 198
storage/preservation, 209, 210,
tracking/controlling, 199
216–217, 221–222
preservatives, 199–200
value, 207–208, 215–216
alcohols, 202
labeling
diols with higher molecular weight,
FDA, 22–23
203
INCI nomenclature, 41
formaldehyde, 201
regulations, 458, 465–466, 480–482
organic compounds, 202–203
requirements, 28
parabens, 200
LAST (lactic acid sting test), 82–83
phenol derivatives, 201–202
quaternary compounds, 202
M Ministry of Health, Labor and Welfare,
manufacturing Japan, 47–48
aerosols, 268–269 MPA (Manufacturing Perfumersí
contract manufacturers, 4, 12 Association), 457
cosmetic sticks, 256–257 MSDSs (Material Safety Data Sheets), 19,
FDA 57–58. See also regulations; safety
inspections, 16 critical sections, 58–60
registering with FDA, 25 requirements
finished goods manufacturers, 12 international, 60
gels, 254 preparing MSDSs, 60–61
gels/mousses, 254
GMPs (good manufacturing practices), N
28
NAD (National Advertising Division of the
ingredient supplier careers, 9
Council of Better Business Bureaus), 16
laboratory batching
nanotechnology, 431
considerations, 227–229
nanomaterials, 432–433
preparations, 225–227
nanoparticle regulations, 467
product storage, 229–230
safety, 433–434
procedures, 16
National Fire Protection Association
Manufacturing Perfumersí Association
(NFPA), 59
(MPA), 457
Natural Movement. See green
Material Safety Data Sheets. See MSDSs
natural oils
methyl esters, natural oils, 125–126
classification, 121–123
cosmetic applications, 123–124
methyl esters, 125–126
527
Beginning Cosmetic Chemistry Index
U–Z
United States
Consumer Products Safety
Administration (See CPSA
(Consumer Products Safety
Administration))
Department of Transportation
(See DOT (Department of
Transportation))
Environmental Protection Agency
(See EPA (Environmental Protection
Agency))
Federal Registry (See Federal Registry)
Federal Trade Commission (See FTC
(Federal Trade Commission))
Food and Drug Administration
(See FDA (Food and Drug
Administration))
Occupational Safety and Health
Administration (See OSHA
(Occupational Safety and Health
Administration))
Patent and Trademark Office (See
Patent and Trademark Office)