rhe

ywinter wive
G major Scale
Viva La Fraue
MraCain
Ice Hockey
fiie Got Rivey

RiveÂ
3'X

H
(3) H
26

o Chord I The
CD 13| 9 Skaters
Thelce
7 3 mf 2 mp Gliding Waltz
5
(play 1

along 1
(light,
light) Chord
light
ry (J=
p. ly) 116-132) Pattern
16,
17
h ChordV7
Play
5, each
T
-17 (light,
light) example
5
(play
four
Perf lightly, -
2 4
times
pp.
11 3 as
* ChordV7 a
original daily
GY
Fine 2
play
ight French 5
warm-up.
(1837-1915,
France)
5 2 lightly) - Waldteufel
Émile
title -( (light,
light)
Les (prepare)
Patineurs arranged

I08!
 On the repeat, play R.H. 8ra HIGHER.
17 4 1 1

(play light - ly. play light ly)

21 2
1 5 2 5 1 2

(play light - ly, play light - ly)

mp

a 1 4 2 2

D.C. al Fine
29|

rit.
mf

Reading Chord Symbols

With your LH,play these chords in the key of C. Repeat using awaltz chord patterm.
I V7 V7 I I
VZ
27
FF1084
 16

"
Magic
Tips
" Artistry 3.
Dynamics
refers 1.
2. Aristry
forward
motion.
with
CreateWhen notes, First Forward Articulation R
4
Allegro practice
your
articulation,
a
3
"winter
slow
motion Quiz:
s-l-0-w-l-y refers
e wind"
practice to
1 refers to
ce and (b) (a) (b) (a) (Circle
2
) movingdynamics. to(a) the the t the the
mf is for a
3 going (b) sharps, loud
the dynanmics
slurs, or
2 across
playing b
well, and
forward flats, staccatos, for
the play
soft each
5
heavily, and
bar direction sounds of
allegro!
line naturals and the R
hesitating in following.)
of thaccents
e
1 2
the
3
at music
4 notes;each
2
musical bar
ine
3

1 flow
Over Winter
Wind
Minor C
2

3
FaberN.
 8
3 3

1 5

11

|15

|18 2 3 2
3

ritardando

FF1099 17
5
The GMajor Seale
G5-finger scale 2 new notes
G A B C D E F# G

tonic
1eads
step 1
dominant leading toné tonic
step 5 step 7 step 1

In the Key of G:
The Ist tone, G, is the tonic.
The Sth tone, D, is the dominant.
The 6th tone, E. is a whole step above the
The 7th tone, F, is the leading tone. It is adominant.
below G and pulls to G, the tonic. half-step

Play the tonic, dominant, and leading tone

in the key of G.

Play and sing with your teacher. 1. Key of G Roadmap

Rather slowly shift
4

5
R.H.

Ton - ic up to dom - i nant and lead - ing tone to G

f-p on repeat

Play hands alone, then hands together. 2. Traveling Thumb

Steady (J= 112-132) Contrary Motion
thumb Cross
2 3 under shift s
1 Over

mf legato

2 '3 thumnb shift s Cross 2

under Over

DISCRY
See how quickly you can play the tonic, dominant, and leading tone in the
key of G major as your teacher drills you on them,

FFI084
28
 " Memorize the fingering! 3. One Hand - 8 Fingers
Smooth and steady
4
2 3 2 4 3 3 2

mf Cross -ing un - der, shift so smooth-ly, step - ping down and Cross to G.

nf
Step - ping up now cross 3 0 - ver un - der thumb.shift back to G.

3 2 3 2 1 2 2 3 4

Optional: J= 80 J=104 J= 138

4. The Ultimate G Seale Warm-up

Play six G scales on six different G's, 4. Switch to R.H. on the next higher G.
ascending and descending! Continue with R.H. Scales up the keys!

T T HULTIMATE
E
Keep the
G SCALE R.H. going!
R.H. O23 5
U
1|23
-
M

3. Lift and repeat again

with the L.H. on the
L.H. 5 4 3|21(3) next higher G.

2. L.H. ifts to the next higher o

Play theG scale and down.
L.H. 54|3|21 (3)

1. With the L.H., begin on

G and play a G scale up
the LOWEST
and down.
L.H, 54 321 3 Listen for steady, even fingers!
UP

DOWN
FF1084 'Theory p. l18 29
The Key Signature
Review: The G maior scale has an ".
F"
Gw A piece in the kev of G major will also use F, insteadof a "plain
at the
A Sharp is not written before every F. Instead, an F is shown
beginning of each staff. This is called the key signature.
(F)
Laris
Key signature These sharps mean
for G major (F) to play all F'sas F#.

KeySignature Warm-up
Starting at measure 5, trace the F sharps
at the beginning of each line of music. Vive la Franee!
French Folk Song
Cheerfully (J=108-120) T

Think: Vì Ve la, vi - ve la, Vi ve la France!

1 3

Cross 3 OVer

mf

(Student plays l octave higher)

Teacher Duet:

R.H.

1
pedal
L.H. with
mp'1

Theorypp. 19, 20 Tech p.18 Perf pp.12-13 FFIO

 mf

|13
move!

mf

17
3

rit.
f

Remember that transposition means playing the same music in a different key.
Can you transpose this piece to the key of C major?
Reading the intervals and listening to the sound will help you transpose.

13
93

PP cresc.

Cresc. mfi
rit.

FF1084 31
 A maraca is a percussion instrumcnt which is shaken like arattle.
It is shaped like a gourd andcontains sceds and pebbles.

Rhythm Tips
" First play Maracas! on the closed keyboard lid.
" Keep your wrists relaxed and fingertips firm.
" Listen for alight drumnming sound as you "shake the maracas."

Maracas!
Brightly
Stav close to the kevs!

mpp

I V7

3 1. 2.

mf mf L.H. 2 over

V7 I

DISCERY
Transpose Maracas! to the key of C major.

Teacher Duet: (Student plays I octave higher)

R.H.

|2
L.H.

1. 2
3

1 2 2

FF1099 Lesson p.33 (Boom Boom!) 19

5

Sa Technique Secret:
arm weight
Warm-up with Heavy Arms (p. 2).

Scale Tips
Listen for an even tone as each hand plays the G scale.
Don't let the thumb "bump" as it crosses under finger 3. leeHockey
Ferdinand Beyer
(Op. 101,Tonleiter inG
Steadily original form
2 3
1

Skating up the ice. Hit the puck to the forward.

3 (tie) 4
1 3 1

Skating down the ice.

Try again.

(tie) 2 3 1
5 4
(tie) 1 3

6
(tie)
2 1 3 1

Pass the puck to the forward. He hits!

Successfulgoal!
1 2 3
(tie)

Optional: Practice lce Hockey at these 3 tempos.

J=72 Andante J=88 Moderato J= 104-I12 Allegro

18 Olesson pp.30-31 (Viva la France!) FFI099

 32

Notice
Other 8 4
12
-31CD
verses the and I
er,.
riv - 2
Moderately
100-112)
(J=
rier,v - 2 2 leading
include: myf I've
1 3 1
I V
joy I've got tone
y1 2-note
Chords
like I'vgote I've
V7
got
to
a peace tonic
fountain,
got 3-note
peace is V7
peace
love like
marked
peace in
like like like
an in the
like red.
ocean, a

strength riery, - 3
Key
riy -
er, riv -

like er riyer-

a
of
mountain. in I've
my I've
G
got 1.
in I've
soul. got
African-American
Spiritual
Spirituals
Two 2-note
3-note
my Got V7
peace
peace
Peace
soul. V7
like like River
Like a

IOS4
 Aceidentals
Elats or sharps that are written in the music but
are not in the key signature are called accidentals.
A
natural is also an accidental.

Circle the accidental in measure 6. 2. Deep River

Slowly, expresively (J=56-63) African-American Spiritual

1

cross 2) Over
5 1
octave 2

(count:3 4 +)
home is ver

1
3

riv er, Lord,

deep mf
move
512

4 2

rit.
ver in to camp ground.
want to Cross

3
word
best known and best-loved spiritual." The
Deep River has been called perhaps the gather and worship, freedom in this
ampground" has various meanings: camp meetings to
ife, and Heaven in the afterlife.

FFI084 o CD 32-33 Theory pp.22, 23 Tech p.19 33

 Musical Form
Musical form is a way of organizing or structuring
The simplest musical form is one scction of music music.
followed by another:
sectionA followed by section B.
Each section usually has a
repeat sign.
This twO-part form, called AB form, can be
shown like this:
FA section
B
section

" Label the sections in the blue

boxes.

Section
Allegro Moderato (J= 100-116) Horse-Drawn Carriage
3
5

mp (run ning, run ning, run - ning, run - ning,

|3
3

walk, walk, walk, walk, hop, hop, hop)

Teacher Duet: (Student plays 1 octave higher)

A Section
Play the A Section 4 times.
1 RH.
R.H.

LHpls
34 o CD 34-35 Theory pp.24, 25 STech pp.20-21 GSight pp.50-55 FFI084
 3

Section
2

mp -p on repeat

1 2

11 |1. 2.
2 3

rit.

DISC ERY Play this chord pattern in the keys of G and Cwith each hand: I V7 I V7
Then transpose Horse-DrawnCarriage to the key of C.

B Section 2.
9

rit.
mp-p on repeat

FF1084 35