Professional Documents
Culture Documents
Saira Iftikhar
Ma’am Saima
Classical Poetry
18 December 2023
Introduction
Religion was employed as a tool to shape public opinion in the 16th century because of
the tight knot between the state constitution and the church. Queen Elizabeth's accession to the
throne contributed to the favor of Protestantism. The Roman Catholic Church started propaganda
against Queen Elizabeth in the form of pamphlets and other literary works. A national policy was
imposed to censor all the works that carried diverse opinions against the Crown and prevalent
religion. On the other hand, the Catholics were labeled as necromancers who follow the practices
of devil and black magic. Edmund Spencer very consciously wrote to please the Queen,
combining his religious inclinations with his masterful poetry in Faerie Queen which was later
termed the first national poem of the English nation. All the knights of Faerie Queen are enriched
with the one dominant Protestant Christian value through which they defeat the corrupt and
With the introduction of the Printing press in England, expansion of knowledge and ideas
gained rapid momentum. Books were now available to common man increasing the literacy rates
and people could make their own opinions rather than relying on any authority to dictate them
the teachings of religion and politics. The expeditious Reformation in England in 1520 was a
consequence of tremendous publications by printing houses. Though the Protestant belief itself
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favors subjective interpretation of an individual rather than the objective approach of a Pope, it
spread and pamphlets were written against the Queen and Protestantism. It created a turmoil for
Protestantism which was taxing to gather foundation after the accession of Queen Elizabeth. The
heretic literature dealt with the introduction of censorship policies. Bishop's band became a
famous term in the 16th century. The formation of High Commission carried necessary
censorship by regulating and supervising the contents of any literary work before its publication.
11 statues were passed collectively by Parliament that addressed the topic of treason against
Monarch. Treason at that time was termed any sort of act or word that promoted disloyalty to the
Monarch. The existence of dual religion did not contribute much to religious toleration in the
16th century. Anabaptists were still treated with hostile policies. Yet major efforts were made to
harmonize religious tension by offering lenient punishments to the blasphemers and introduction
of a 1552 prayer book which carried the codes that were acceptable to the majority.
Errours
The first dangerous being that the Red Cross knight and Lady Una encounter is Errours in
her den. Aristotelian belief that humans who are born with deformities such that they partially
resemble animals are monsters and it is because of their mothers. The corrupted feelings and evil
thoughts of the mother seep in and contribute to the constitution of their offspring during
gestation (Huet 13). Errours is half-serpent and half-female (Spencer, 129). She is the product of
the corrupt and immoral intentions of the Roman Catholics that were passed down by previous
generations to her. Her half-serpent body carries the biblical allusion to the Devil, who sneaked
into Heaven to manipulate Eve and eventually led to the fall of mankind. Secondly, she is
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surrounded by her offspring that suck her poisonous dung. Her female half represents her ability
to reproduce, multiply, and increase the monstrosity in the world. Moreover, being shone upon
by the Christian armor of the Knight, she prefers to stay hidden in darkness (Spencer 143). This
is similar to the idea of Platonic caves which are the embodiment of human ignorance, lack of
will to change their situation, and incomprehension to the outside world. Therefore, even before
Lady Una, being the one true faith, warns the Knight to withhold the encounter. Queen
Elizabeth never adopted brutal methods like Bloody Mary but also didn’t stop the rash activities
against the practicing Catholics and Anabaptists. The passive approach of Lady Una resembles
the Queen’s methodology. Her censorship is advocated by her stance to protect the nation against
the fallacious and distorted truth of the Catholics so they could adhere to one true faith of
Protestantism. But the Knight is full of fire and greedy hardiment and proceeds to encounter evil
(Spencer 123). Upon his encounter, he is caught by the tail of Errours and then Lady Una advises
to strangle Errours. Protestants believed that there was no need for a Protestant pope and that
one’s faith was enough to guide him through the phases of life. Therefore, Una’s voice became
the voice of his faith and he slayed the monster. Errour vomits books and papers which are
allegorical to all the literature produced by evil propagandists of Roman Catholicism. Errours is
the personification of the wicked Catholic propaganda while her offsprings embody the divisions
in the Protestant religion which were fueled by the catholic propagandists. The different sects of
the Protestant religion burst when they consumed the poisonous and false blood of Errours
because it lacked the coherence of truth. With the encounter of errors, a true Christian learns to
Archimago
Necromancy and the art of Black magic was common in the Middle ages. Various books
in Latin Like Arts Norotia were surfacing among the intellectual class who could read Latin.
Among that class, came the popular Priests and Bishops of the Catholic Church. During the
learning period, a clergyman is made to learn several rituals and develop a deep understanding of
Latin. With the procedure of anti-exorcism, came the idea of conjuring spirits and demons.
Therefore, most of the universities which taught theology or Latin made scholasticism an
important aspect of their system so that the students would not stray beyond the traditional
teachings. In 1563, Acts against conjurations and witchcraft were passed, legally forbidding the
Protestants accused the Catholics as idolatry and necromancers because of the extensive
usage of art and symbols in their Churches. The excuse for the need of the Pope because of the
difficult language of Latin and usage of images to teach the common man was rejected overall by
Protestants. The clergy and ritualism of Roman Catholicism lead to the belief that Witchcraft and
Black magic was the common practice of higher Catholic authorities (Walter 281). In the view
of Protestants, they were the liberators of God’s words from the authority of the Pope, "Away
with the Altar that smacked of Roman idolatry! Away with cape and surplice and amici. . . .
Away with organs and canticles. . . . Away with incense and flowers. . . . with fair houses of
Archimago, the architect of images, espouses the image of an old hermit whose book was
held by his belt, knocked his breasts and recites prayers on beads (Spencer 268). The hypocrisy
of Archimago to present himself as sage and saint aligns with the Protestant beliefs of
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Catholicism. Archimago attempts to separate the Red Cross from Lady Una by questioning their
chastity. He conjures spirits and tries to seduce the Holy Knight but the celibacy of the Knight
makes him steadfast to his faith. Archimago used the fake image of Una to manipulate the knight
into believing in the illicit affair of Lady Una. Finally, he succeeds in splitting a true Christian
from his one true faith during his odyssey to gain high spiritual holiness by the use of images and
necromancy.
Conclusion
The religious tension between Catholics and Protestants, the critique of corrupt and
immoral Catholic clergy, the defense of true Christian values and the portrayal of struggle to
reach a higher spiritual morality is allegorically depicted in Faerie Queen. It became the greatest
account for the ideals of Protestantism during the 16th Century and the hostile commentary on
Catholicism.
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Works Cited
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Craig, Joanne. "The Image of Mortality: Myth and History in the Faerie Queene." ELH
english3290.wordpress.com/2011/12/13/allegorical-interpretation-of-archimago.
Frederick Morgan Padelford, "Spenser and the Puritan Propaganda," MP, xi (1913-14),
86
Necromancers During the Period 1100-1500 CE. Diss. Georgia Institute of Technology,
2020.
Padelford, Frederick Morgan. "The Spiritual Allegory of the Faerie Queene, Book One."
Sammysturgess. “Parliaments, Politics and People Seminar: The Political and Religious
thehistoryofparliament.wordpress.com/2019/11/05/parliaments-politics-and-people-
seminar-the-political-and-religious-origins-of-the-1563-witchcraft-act.
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Shimko, Alison. “Popes and Papacy from 1000-1300, the Church and the State in
Conflict.” HTS 3030: Medieval Europe. Class lecture, Georgia Institute of Technology,
Spenser, Edmund. The Faerie Queene: Book One. Edited by Carol V. Kaske, Hackett
Walters, D. Douglas. "'Mistress Missa,' Duessa, and the Anagogical Allegory of the
Faerie Queene, Book I." Papers On Language And Literature: A Journal For Scholars
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Whitaker, Virgil K. "The Theological Structure of the Faerie Queene, Book I." ELH 19.3
(1952): 151-164.