Utopia LTD Act2

ACT II - 125 -
SCENE -- Throne Room in the Palace. Night. FITZBATTLEAXE discovered singing to ZARA.
No. 13. Recit: Oh, Zara, my beloved one

Song: A tenor all singers above
Captain Fitzbattleaxe
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Allegretto a la serenata
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Fitz.: RECIT.
Oh, Za-ra, my be - loved one, bear with me! Ah, do not laugh at my at-tempt-ed C! Re-
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n ww n www ww
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- 126 -
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V b b n ÏJ JÏ ÏJ JÏ Ï
J
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J Ï Ï. Ï Ï î 68
pent not, mock-ing maid, thy girl - hood's choice. The fer-vor of my love af - fects my voice!
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1. A ten - or, all sing-ers a - bove, (This does - n't ad - mit of a
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sing, if my fer- vor were mock, It's eas - y e - nough if you're
.
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b b b b j Ïj ä Î Ïj Ï . Ï Ï Ï Ï Ï Ï . Ï Ï Ïj Ï Ïj j . Ïr Ï Ï Ï Ï Ï j ä Î j
V Ï J R J J J J JRJ J Ï J J JJ J Ï Ï
ques-tion), Should keep him-self qui- et, At - tend to his di - et, And care-ful-ly nurse his di - ges-tion. But
bb
act - ing. But when one's e - mo-tion is born of de- vo- tion, You must-n't be ov - er- ex - act- ing. One
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when he is mad - ly in love, It's cer - tain to tell on his singing. You
bb Ï. Ï Ï j Ï
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D ought to be firm as a rock To ven - ture a shake in vi - bra - to. When
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ä ÏÏ ÏÏ ä J
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bb Ï J Ï ä J Ï Ï Ï Ï Ï ä Ï Ï ä ä
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Rev. 23 July 2003
b b Ï n Ï j b Ï j j Ï n Ï jb Ï j j Ï . Ï Ï j j j j Ï ä ä Ï Ï n n n b
- 127 -
b
V b J J Ï J Ï Ï J J Ï J Ï Ï J R J Ï Ï Ï nÏ J J J n
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can't do chro- mat- ics With prop - er em-phat- ics When an- guish your bos- om is wring-ing! When dis -
bb b b Ï n Ï b Ï Ï nnnb
fer- vor's ex - pect- ed Keep cool and col- lect- ed Or nev - er at - tempt a - gi - ta - to. But, of
& Ï Ï n Ï Ï b Ï Ï jä ä j ä ä ä j Ï Ï n
n ÏÏ n ÏÏ ÏÏ ÏÏ n ÏÏ n ÏÏ ÏÏ ÏÏ ÏÏ n ÏÏ n ÏÏ Ï Ï
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j ä ä j ä ä Ï ä Ï Ï ä Ïj n n
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tract - ed with wor - ries in plenty, And his pulse is a hun - dred and twen- ty, And his
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course, when his tongue is of leath - er, And his lips ap - pear past - ed to - geth- er, And his
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&
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(spoken)
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flat- ter- ing bos- om the slave of mis- trust is, A ten - or can't do him-self jus- tice. Now ob - serve... Ah -
Ï. Ï Ï Ï Ï Ï. Ï.
sen - si- tive pal - ate as dry as a crust is, A ten - or can't do him-self jus- tice. Now ob - serve... Ah -
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b Ï Ï Ï Ï Ïjä ä j ä ä Î ä ä nÏ Ï ä
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ä j jä ä j ä ä Î
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1.
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You see, I can't do my-self jus-tice! 2. I could
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j j j ä ä j ä ä Î j b Ï Ï Ï .b Ïb Ï Ï . Ï b ÏÏ ä ÏÏj b Ï . Ï Ï Ïj jä j ä .
1.
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J ä j jä Ï Ï ää Ï . jä Ï Ï ä Ï ..
b b Ï .Ï Ï Ï bÏ Ï ÏÏ Ï
b Ï .Ï Ï Ï Ï
Vers 2.0 10 Oct 2011
- 128 -
UÏ
b Ï . Ï Ïb Ï b Ï Ï Ï
Ï Ïb Ï Ï Ï Ï J n Ï Ï Ï . Ïr j Ïj . Ïr Ïj Ïj j ä Î
2
Vb Ïb Ï J J J Ï Ï ä ·
F f F
Uj j
j ä ä j ä ä j ä ä ÏÏÏ ä ä jä ä Î ä
It's no use, I can't do my - self jus-tice!
& b bb ÏÏ ... ÏÏ ä b ÏÏ Ï Ï Ï Ï
2
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n ÏÏ Ï J Ï
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bÏ. Ï Ï Ï Ï Ï
Zara: Why, Arthur, what does it matter? When the higher qualities of the heart are all that can be desired, the
higher notes of the voice are matters of comparative insignificance. Who thinks slightingly of the coco-
anut because it is husky? Besides (demurely), you are not singing for an engagement (putting her hand in
his), you have that already!
Fitz.: How good and wise you are! How unerringly your practiced brain winnows the wheat from the chaff—the
material from the merely incidental!
Zara: My Girton training, Arthur. At Girton all is wheat, and idle chaff is never heard within its walls! But tell
me, is not all working marvelously well? Have not our Flowers of Progress more than justified their
name?
Fitz.: We have indeed done our best. Captain Corcoran and I have, in concert, thoroughly remodeled the sister-
services—and upon so sound a basis that the South Pacific trembles at the name of Utopia!
Zara: How clever of you!
Fitz.: Clever? Not a bit. It's easy as possible when the Admiralty and Horse Guards are not there to interfere.
And so with the others. Freed from the trammels imposed upon them by idle Acts of Parliament, all have
given their natural talents full play and introduced reforms which, even in England, were never dreamt of!
Zara: But perhaps the most beneficent changes of all has been effected by Mr. Goldbury, who, discarding the
exploded theory that some strange magic lies hidden in the number Seven, has applied the Limited Liabil-
ity principle to individuals, and every man, woman, and child is now a Company Limited with liability re-
stricted to the amount of his declared Capital! There is not a christened baby in Utopia who has not al-
ready issued his little Prospectus!
Fitz.: Marvelous is the power of a Civilization which can transmute, by a word, a Limited Income into an In-
come Limited.
Zara: Reform has not stopped here—it has been applied even to the costume of our people. Discarding their
own barbaric dress, the natives of our land have unanimously adopted the tasteful fashions of England in
all their rich entirety. Scaphio and Phantis have undertaken a contract to supply the whole of Utopia with
clothing designed upon the most approved English models—and the first Drawing-Room under the new
state of things is to be held here this evening.
Fitz.: But Drawing-Rooms are always held in the afternoon.
Zara: Ah, we've improved upon that. We all look so much better by candlelight! And when I tell you, dearest,
that my Court train has just arrived, you will understand that I am longing to go and try it on.
Fitz.: Then we must part?
Zara: Necessarily, for a time.
Vers 2.0 10 Oct 2011

- 129 -
Fitz.: Just as I wanted to tell you, with all the passionate enthusiasm of my nature, how deeply, how devotedly I
love you!
Zara: Hush! Are these the accents of a heart that really feels? True love does not indulge in declamation. Its
voice is sweet, and soft, and low. The west wind whispers when he woos the poplars!
No. 14. Words of love too loudly spoken

Zara and Captain Fitzbattleaxe
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&bb 4 · · · Î
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Zara: 1. Words of
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2. Let the
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Fitz.:
Ï
Andante espressivo
& b bbb 34 ä
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ú .. ÏÏ ÏÏ .. ÏÏ
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ð Jð Jð Jð Jð Jð Jð ð Jð J Ï. Ï
love too loud - ly spo - ken Ring their own un - time - ly knell; Noi - sy
ú .ÏÏ ÏÏ .. ú .ÏÏ ÏÏ ..
conqu' - ror, flush'd with glo - ry, Bid his noi - sy cla - rions bray; Lov - ers
ÏÏ ÏÏ
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& b bb J
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& b b JÏÏ ÏÏ .. ÏÏ ÏÏ ..
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ð ð Jð ð ð ð J Jð J Jð
vows are rude - ly bro-ken, Soft the song of Phil - o - mel. Whis - per sweet - ly, whis - per
ú Ï. ÏÏ .. n ú .Ï Ï . úÏ Ï. ÏÏ
tell their art - less sto - ry In a whis- per'd vi - re - lay. False is he whose vows al -
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J Ï Ï. Ï Ï Ï. Ï
Vers. 2.0 10 Oct 2011
Ï Ï ä Ï . Ï b Ï . b Ï Ï Ï n Ïj Ï Ï Ï . Ï
- 130 -
bb j n Ï . Ï nÏ . Ï
& b b Ï Ï ä ÏJ ÏJ J J Jð J J Jð J J Jð
slow - ly, Hour by hour and day by day; Sweet and low as ac - cents ho - ly Are the
n ú Ï. Ï . úÏ Ï. nÏÏ n ú Ï. Ï . ú. nú .
lur - ing Make the list - 'ning e - choes ring; Sweet and low when all en - dur- ing, Are the
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&
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Zara:
& J ú J
p
notes of lov - er's lay! Sweet and low, sweet and low, Sweet and
songs that lov - ers sing! Sweet and low, sweet and low, Sweet and
bb ÎÎ Ï Ï Ï Ï Ï Ï Ï ÏJ
Vb b · ·
Fitz.:
J J Ï J J Ï J
p Sweet
ú. ú.
and low, sweet and low, Sweet and
Sweet and low, sweet and low, Sweet and
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1. 3
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low as ac - cents ho - ly Are the notes of lov - er's lay, Are the notes of lov - er's lay!
low when all en - dur-ing, Are the songs that lov - ers sing, Are the songs that lov - ers
b b Ï Ï bÏ Ï Ï bÏ Ï
Ï Ï Ï Ï . j ú Ï Ï Ï Ï Ïj Ï . Ï ú
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3
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3
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low as ac - cents ho - ly Are the notes of lov - er's lay, Are the notes of lov - er's lay!
low when all en - dur-ing, Are the songs that lov - ers sing, Are the songs that lov - ers
ú
bb ûjÅ ú
1.
& b b ÏÏ b ÏÏ ÏÏ b ÏÏ ÏÏ Ï Ï b ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ j ..
ÏÏ ÏÏ ÏÏ úúú ÏÏÏ
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b b ú. Ï Ï ú Ï
ú. ú. ú. Ï Ï Ï Ï
bb Uj ûj - 131 -
&bb ú Î Î Î Ï. Ï ú Î Î Î Ï. Ï ú Î · ·
2
J Jð
Exit Zara.
sing! Sweet and low! Sweet and low!
b UÏ . Ï ú
V b bb ú Î Î Î ÏJ . JÏ ú Î Î Î J Jð Î · ·
ð
UÏ Ï ú . Ï
sing! Sweet and low! Sweet and low!
Ï Ïn Ï
b b Ï Ïn ÏÏ .Ï Ï Ï ä Ï . Ï ÏÏÏ Ï Ï Ï Ï
& b b ÏÏ Î Ï. Ï Ï
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2
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úú úú Ï ú .
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b Ï ú
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(Enter KING dressed as Field-Marshal.)

King: To a Monarch who has been accustomed to the uncontrolled use of his limbs, the costume of a
British Field-Marshal is, perhaps, at first, a little cramping. Are you sure that this is all right? It's
not a practical joke, is it? No one has a keener sense of humor than I have, but the First Statutory
Cabinet Council of Utopia Limited must be conducted with dignity and impressiveness. Now,
where are the other five who signed the Articles of Association?
Fitz.: Sir, they are here.
(Enter LORD DRAMALEIGH, CAPTAIN CORCORAN, SIR BAILEY BARRE, MR. BLUSHINGTON, and MR. GOLDBURY from different
entrances.)
King: Oh! (Addressing them) Gentlemen, our daughter holds her first Drawing-Room in half an hour,
and we shall have time to make our half-yearly report in the interval. I am necessarily unfamiliar
with the forms of an English Cabinet Council—perhaps the Lord Chamberlain will kindly put us in
the way of doing the thing properly, and with due regard to the solemnity of the occasion.
Lord D.: Certainly—nothing simpler. Kindly bring your chairs forward—His Majesty will, of course, pre-
side.
(They range their chairs across stage like Christy Minstrels. KING sits center, LORD DRAMALEIGH on his left, MR.
GOLDBURY on his right, CAPTAIN CORCORAN left of LORD DRAMALEIGH, CAPTAIN FITZBATTLEAXE right of MR. GOLDBURY,
MR. BLUSHINGTON extreme right, SIR BAILEY BARRE extreme left.)
King: Like this?
Lord D.: Like this.
King: We take your word for it that this is all right. You are not making fun of us? This is in accordance
with the practice at the Court of St. James's?
Lord D.: Well, it is in accordance with the practice at the Court of St. James's Hall.
King: Oh! it seems odd, but never mind.
Vers 2.0 10 Oct 2011

- 132 -
No. 15. Society has quite forsaken

all her wicked courses
King Paramount with Six Flowers of Progress
## 2 . Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï. Ï. . . Ï. Ï. Ï. Ï.
Allegro con brio
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King:
Ï Ï. R Ï Ï
1. So - ci - e - ty has quite for - sak - en all her wick - ed cour - ses, Which
2. Our ci - ty we have beau - ti - fied, we've done it wil - ly nil - ly, And
#
3. Our Peer - age we've re - mod - ell'd on an in - tel - lect - ual ba - sis, Which
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j Ïr Ï Ï Ï Ï Ï J Ï. Ï Ï Ï Ï Ï Ï Ï ÏJ Ï Ï JÏ
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Flowers of Progress:
V Ï. R R R
emp - ties our po - lice courts and a - bol - ish - es di - vor - ces. Di - vorce is near - ly
all that is - n't Bel - grave Square is Strand and Pic - ca - dil - ly. We have - n't an - y
##
cer - tain - ly is rough on our he - red - i - ta - ry ra - ces. We are go - ing to re -
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Ï . Ï Ï Ï Ï Ï Ï. Ï Ï Ï Ï . Ï Ï Ï
? ## Ï. Ï.
Ï. Ï. Ï. Ï. Ï. Ï. Ï. Ï. Ï. Ï. Ï. Ï. Ï. Ï. Ï. Ï. Ï. Ï.
- 133 -
## j j r Ïj Ïj Ïj Ïj Ïj Ï
Ï Ïj Ïj Ïj Ï Î ä Ï Ï j
King:
V Ï Ï. Ï J
R R
ob - so - lete in Eng - land. No tol - er - ance we show to un - de -
slum- mer - ies in Eng - land! We have solv'd the la - bour ques - tion with dis -
#
mod - el it in Eng - land. The Brew - ers and the Cot - ton Lords no
& # Ï Ï ÏÏ. ÏÏ ÏÏ Ï Ï ÏÏ.

Ï Ï Ï Ï Ï Ï .
Ï Ï Ï Ï Ï Ï Ï. Ï Ï Ï Ï Ï. Ï Ï Ï Ï Ï
? ## Ï.
Ï. Ï. Ï. Ï.
Ï.
Ï.
Ï.
Ï.
Ï.
Ï.
Ï. Ï. Ï. Ï. Ï. Ï. Ï. Ï. Ï.
# j j j r j j j j j j Ï Ïj Ïj
V # Ï . ÏR Ï Ï Ïj Ïj ä Ïr Ïr Ïj. Ï Ï Ï Ï Ï Ï ÏJ Ï . R
serv - ing rank and splen - dour;
J
For the high - er his po - si - tion is, the great - er the of -
crim - i - na - tion pol - ish'd, So pov - er - ty is ob - so - lete and hun - ger is a -
#
long - er seek ad - mis - sion, And Lit - er - ar - y Mer - it meets with prop - er re - cog -
& # Ï Ï Ï ÏÏ. Ï Ï ÏÏ. Ï Ï ÏÏ. Ï

Ï Ï Ï Ï Ï Ï. Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï.
? ##
Ï Ï Ï. Ï Ï Ï Ï Ï Ï Ï
Ï. . Ï. . Ï. Ï. . Ï. . Ï. . Ï. . Ï. . Ï. . Ï. .
## j j ä Ïj Ï Ï Ïj Ïj Ï
Ï Ïj Ïj Ï Ï Ï Î ä ÏJ
King:
V Ï Ï J J J J
R R
fend - er. That's a max - im that is prev - a - lent in Eng - land. No
bol - ish'd. We are go - ing to a - bol - ish it in Eng - land. The
##
ni - tion. As Lit - er - ar - y Mer - it does in Eng - land. Who
J
& Ï Ï ÏÏ. Ï Ï Ï Ï Ï ÏÏ Ï Ï ÏÏ. Ï Ï ÏÏ.
Ï Ï Ï Ï Ï Ï Ï Ï. Ï Ï . Ï Ï Ï Ï Ï Ï
? ## Ï. Ï. Ï. Ï.
Ï. Ï Ï. Ï. Ï. Ï. Ï Ï Ï. Ï
Ï. Ï. . Ï. . Ï. . Ï. Ï. .
- 134 -
## Ï j j Ï j j j j
V J Ï Ï J Ï # Ï Ï ÏJ Ï ÏJ ÏJ ÏJ Ï ÏJ ä Ïj Ï Ïj Ïj Ï
J J J
peer - ess at our Draw - ing Room be - fore the Pre - sence pass - es Who would- n't be ac -
Cham - ber - lain our na - tive stage has purg'd be - yond a question, Of "risk - y" sit - u -
#
knows but we may count a - mong our in - tel - lec - tual chick - ens Like you, an Earl of
& # Ï Ï #Ï Ï Ï Ï # Ï Ï ÏÏ Ï Ï
Ï Ï Ï Ï Ï. Ï Ï Ï Ï Ï. Ï Ï Ï Ï Ï. Ï Ï Ï . Ï Ï Ï Ï Ï.
? ## Ï Ï Ï. Ï. Ï Ï Ï. Ï. Ï. Ï. Ï.
Ï. . Ï. . Ï. Ï. Ï. . Ï. . Ï. Ï. Ï.
## j j j j
V Ï Ïj Ïj Ï Ï Ïj Ïj j j Ïj ä ÏJ Ï j j Ï Ï # Ïj Ï Ï
Ï Ï J Ï Ï J J J
cept - ed by the low - er mid - dle class - es. Each sha - dy dame, what - ev - er be her
a - tion and in - del - i - cate sug - ges - tion; No piece is tol - er - at - ed if it's
#
Thack - er - ay and p'r'aps a Duke of Dick - ens. Lord Fildes and Vis - count Mil - lais (when they
& # Ï Ï Ï Ï Ï ÏÏ. Ï
Ï Ï Ï Ï # ÏÏ.
Ï Ï
Ï Ï Ï Ï Ï.
Ï
ÏÏ ÏÏ
ÏÏ
Ï Ï# Ï Ï Ï ÏÏ.
.
? ## Ï . Ï.
Ï. . Ï Ï. Ï. Ï Ï. Ï. Ï. Ï. Ï. Ï. Ï. Ï. Ï.
Ï.
Ï.
Ï.
Ï.
.
## j Ï Ï Ï ä j j j j j j j
Ï Ï Ï Ï JÏ Ï Ï
V J J J J J Ï J Ï Ï Ï Ï
}
rank, is bow'd out neat - ly.
cos - tum'd in - dis - creet - ly. In short, this hap - py coun - try has been
#
come) we'll wel - come sweet - ly.
& # Ï Ï Ï Ï Ï ÏÏ #Ï Ï Ï. Ï. Ï. Ï. Ï. Ï. Ï.
. Ï Ï Ï Ï Ï. Ï.
? ## Ï. Ï. Ï. Ï. Ï. Ï. Ï. Ï. Ï. Ï. Ï. Ï.
Ï. Ï. Ï. Ï.
Rev. 20 July 2003

- 135 -
## j j j j j j j j j
V Ï Ï Ï #Ï Ï Ï ä Ï Ï Ï ä Ï Ï Ï Î ·
J J J
An - gli - ciz'd com - plete - ly, com - plete - ly, com - plete - ly!
# j j j
& # Ï. Ï Ï. # Ï. Ï. Ï. ä Ï. Ï. Ï. ä Ï. Ï. Ï. ä Ï. Ï. Ï. Ï. Ï.
.
Ï. Ï. Ï. Ï. Ï. Ï. Ï. Ï. Ï. Ï. Ï. Ï. Ï.
dim.
? # # Ï. Ï. Ï. # Ï. ä J ä J ä J
## Î r r r r r Ï ÏR Ï Ï Ï Ï Ï Ïr
ä Ïj ÏR ÏR ÏR ÏR Ï Ï Ï Ï Ï Ï Ï Ï Ïr Ï Ï Ï
Mr. Blush. & Lord Dram.:
V R R R R R R R R R R R R
r rr r r r r r r r r r r r r r r r r r r r r r
It real-ly is sur-pris-ing What a thor-ough An-gli-ciz-ing We have brought a - bout, U - to-pia's quite an -
# # Î ä j ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ
Sir B. Barre:
V Ï R RR R R R R R R R R R R R R R R R R R R R R R
Cap. Fitz.:
J
j r r r r Ïr Ïr r r r r r r r r r r r r r r r
r r r
? # # Î ä ÏJ ÏÏ ÏÏ ÏÏ ÏÏ Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
Mr. Goldbury:
Capt. Corcoran:
R RR R R R R R R R R R R R R R R R R R R R R R
## Ï Ï
K
& . Ï. . Ï. ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ
Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
. Ï. Ï. Ï. ¹
Ï
? ## Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
Vers. 2.1 21 Oct. 2011

## r r Ï r r r r r
Ï ÏJ ÏJ Ï Ï ÏR R ÏR ÏR Ï
- 136 -
V Ï Ï Ï Ï Ï Ï Ï Ïr Ï Ï Ï
J R R R R R R
j j j r r r r r r r r r r r r r r r r
oth - er land. In her en - ter - pris - ing move-ments, She is Eng - land with im - prove - ments, Which we
# # ÏÏ ÏÏ ÏÏ r r ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ
V J J J RÏ ÏR R R R R R R R R R R R R R R R R
j r r r r r r r r r r r r
Ï
j j r r r r r r
? ## Ï ÏÏ ÏÏ Ï Ï ÏÏ ÏÏ ÏÏ ÏÏ Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
J J J R R R R R R R R R R R R R R R R R R
#
& # ÏÏ Ï ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ
Ï ÏÏ Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
? ## Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
## .. Î j
· · ä Ï
King:
V
1, 2. 3.
Ä
It
## Ï Ï Ï Ï r Ï Ï .. Ï Ï Ï j
V R R R R Ï Ï Ï Ï Ï J ä J Ï
R R R J J J J
Ä
r r r r r r r r j j j j j j
du - ti - ful - ly of - fer to our moth - er - land! moth - er - land! It
# Ï Ï Ï Ï Ï Ï Ï Ï ÏÏ ÏÏ ÏÏ Ï ÏÏ ÏÏ j
V # ÏR ÏR RÏ ÏR ÏR ÏR ÏR ÏR J J J ä .. JÏ
J J Ï
ÄJ
r r r r r r r r j j
j j j j j
? # # ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ Ï
Ï ÏÏ ÏÏ ä
Ï
.. Ï ÏÏ ÏÏ Ï
J
R R R R R R R R J J J J J J Ä
## j ä .. Ï
& ÏÏ ÏÏ ÏÏ Ï
1, 2. 3.
ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ
Ï Ï Ï Ï Ï Ï Ï ÏÏ Ï Ï
f
? ## Ï j j
Ï Ï Ï Ï Ï Ï ä .. Ï Ï Ï ä
Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
Vers 2.1 21 Oct 2011
- 137 -
## Ï Ï Ï Ï r r r r r r Ï Ï Ï Ï r Ï Ï r r
Flowers of Progress with King:
R
V R RR R R RÏ Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï R R R R Ï Ï Ï Ï Ï J J Ï Ï
R R R R R R J
real-ly is sur-pris-ing What a thor-ough An-gli-ciz-ing We have un-der-gone, U-to-pia's quite an oth-er land.
- In her
# ÏÏ Ï Ï Ï Ï
& # Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ÏÏ ÏÏ ÏÏ Ï
Ï Ï Ï Ï Ï Ï
? ## Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
Ï Ï Ï
## Ï Ï Ï Ï Ï Ï Ï r Ï Ï Ï r r r r r Ï Ï Ï Ï Ï Ï Ï r Ï Ï Ï ä
V R R R R R R R Ï R R R Ï Ï Ï Ï Ï R RR RR R R Ï J J J
en-ter-pris-ingmove-ments,She is Eng-land with im-prove-ments,Which we du-ti-ful-ly of-fer to our moth-er-land!
# ÏÏ Ï Ï Ï Ï Ï Ï Ï Ï ÏÏ ÏÏ Ï Ï j
Ï Ï
& # Ï Ï Ï Ï Ï Ï Ï
Ï ÏÏ Ï Ï ä
Ï Ï Ï Ï Ï Ï j
? ## Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ä
Ï Ï Ï
(At the end all rise and replace their chairs.)

King: Now, then for our first Drawing-Room. Where are the Princesses? What an extraordinary thing it
is that since European looking-glasses have been supplied to the Royal bedrooms my daughters are
invariably late!
Lord D.: Sir, their Royal Highnesses await your pleasure in the Ante-room.
King: Oh. Then request them to do us the favor to enter at once.
(Enter all the Royal Household, including (besides the Lord Chamberlain) the Vice-Chamberlain, the Master of
the Horse, the Master of the Buckhounds, the Lord High Treasurer, the Lord Steward, the Comptroller of the
Household, the Lord-in-Waiting, the Field Officer in Brigade Waiting, the Gold and Silver Stick, and the Gentle-
men Ushers. Then enter the three Princesses (their trains carried by Pages of Honor), LADY SOPHY, and the La-
dies-in-Waiting.)
- 138 -
No. 16. Entrance of Court

(Instrumental)
Ÿœ# œ œ œ . œ œ œ œ # œ œ œ . œ œ Ÿ œ
œ# œ œ œ ® œ œ œ ® œ œ œ ® œ
Allegretto maestoso
## 3
& 4 œ œœœ œ œœ œ œœ œ
f œ œ . œœ œœ . œœ œœ œ
? ## 3 œ œ œ œ œ œ œ œ œ œ œ œœ .. œ œ .. œœ œœ ... œœ œœ œœ œ œ # œœ
4 œœ œ œ œœ œ
J
œ . œ œ œ œ œ œ . œ œ œŸ œ œ œœœ
## œ
œ . #œ . œ œ .
œ œ Ÿœ# œ œ # œ # œ
œ
œ®œ œ®œ œ®œ
œ # œ œ Ÿœœ œ
& ≈
œœ n œœ # œœ ƒ
? ## œ œ œ ‰ œœ œœ . œœ œœ . œœ œœ .. œœ œœ œœ œœ
œ .. œ œ .. œ œ . œ œ n œ œ ‰ œœ ‰ œœ ‰ œ œ œ œœ
œ œ œ
œ œ
œ œ
J œ J J J J
œ œœœ œ œ œ Ÿ# œ œ œ œ œ œ œ œ œ œ
## œ œ œ œ œ . œœ œ œ œ . œ œ #œ œ œ . œ œ œ œ
&
œœ œ œœ .. œœ œœ œœ œ .. œ œ œ œœ .. œœ œœ œœ œ
? ## œ œ œ œ. œ œ œ œ œ
œ. œ œ œœ œ œ. œ œ œ œ œœ
œ œ œ
œ œ
œ œ
# # œ . œ œ œ œ œ œ œ œ œ j # œœœ œœœ œœœ œœ œœ ‰ n # œ
œ œ œ
œ œœ
& œ J œ œ œ œ œ
œœ œœ œœ # œœ œœ œœ p œœ œœ
œ œ
? ## j. R # œ œ œ œ j # œœ œœ
œ J œœœ œ œ ‰œ œ n œ œ œ œ œ j j œ œ œ
œ. œœœ œ œ
# œ œ œ œ œ œ œ œ œœ œ œ œ œ œ œ #œ #œ œ œ œ #œ œ
& #œ œ #œ
? # j œ œœ œ œœ œ j œ œœ œ œœ œ œ œ # # œœ œ # œœ #œ œ
j œ nœ œ œ œ jœ œ j #œ # œ œ œ œ
œ œ œ œ œ
# œ œ œ œ œ œ œ œ #œ nœ #œ nœ œ œ
œ œ œ œœ
œ
& œ œ œ œ œ
œ #œ œ #œ œ œ œ œ œ œ
? # j Jœ œ œ œ jœ œ œ œ œ jœ œ œ œ œ jœ œ œ œ œ
œ J ‰ Œ Œ
œ œ œ
- 139 -
# œ œ œ œ œ œœ nœ œ œ œ #œ œ œ œ œ œ œ j œ #œœ #
#
& œ œ œ œ œ œœ œ ‰
œ œ
b œœ ƒ
œ œ œ œ œ ˙
˙ œ
? # jœ œ œ œ œ jœ œ œ œ œ œ ‰ ˙ œ œ j ‰ œ ##
œ œ œ œ
œ œœœ œ œ
## œ œ œ œ . œ œ œ œ œ œ . œ œ # œ œ œ œ . œ œ œŸ # œ œ
&
œœ œ œœ .. œœ œœ œœ œ .. œ œ œ œœ .. œœ œœ
? ## œ œ
œ œ . œ œ œ œ
œ . œ
œ œ
œ œ
œ œ. œ œ œ
œ œ
œ
œ œœœ œ œ œ œ œ œ œ œ œ
## œ œ œ œ . œ œ œ œ # œœ
œ œ j œ œ œ œœ œœ
œ œ
& œ J ‰ Œ
œœ œœ œœ œœ œœ # œœ œœ œœ
? ## œ œ j R #œ œ œ œ œ œ j
œ œ. J œ œ œ œ œ ‰ Œ
œ œ. œ œ œ œ œ
King: My daughters, we are about to attempt a very solemn ceremonial, so no giggling, if you please.
Now, my Lord Chamberlain, we are ready.
Lord D.: Then, ladies and gentlemen, places, if you please. His Majesty will take his place in front of the
throne, and will be so obliging as to embrace all the debutantes. (LADY SOPHY much shocked.)
King: What—must I really?
Lord D.: Absolutely indispensable.
King: More jam for the Palace Peeper!
(The KING takes his place in front of the throne, the PRINCESS ZARA on his left, the two younger Princesses on the
left of Zara.)
King: Now, is every one in his place?
Lord D.: Every one is in his place.
King: Then let the revels commence.
(Enter the ladies attending the Drawing-Room. They give their cards to the Groom-in-Waiting, who passes them
to the Lord-in-Waiting, who passes them to the Vice-Chamberlain, who passes them to the Lord Chamberlain,
who reads the names to the KING as each lady approaches. The ladies curtsey in succession to the KING and the
three Princesses, and pass out. When all the presentations have been accomplished, the KING, Princesses, and
LADY SOPHY come forward, and all the ladies re-enter.)
- 140 -
No. 17. Drawing room music

(Instrumental)
œ œ
Allegretto moderato à la Gavotte
###
C . œ. . œ. Œ . œ. . œ. Œ œ. œ. œ. œ. œ. œ. œ. œ. # œ. œ. œ. œ. œ. œ. œ. œ. œœ œœœ œœ œœœ œœ œœœ œœ œœœ œœ œœ ‰ œ. œ. œ. œ.
& œ œ œ œ œ œ œ œ. . œ. . œ. . œ. . J
p ˙ ˙
˙ œ rit. a tempo
œœ. œ. œœ. . œ. œ.
œ
# ˙
? # # C Ó ˙ Ó ˙˙ œ Œ Ó ∑ œ
œ œ.
œ.
# # # œœ œœœ ‰ œ. œ. . œ. œ œœ ‰ Ó œ œœ . œ. . œ. œ œ œ. . œ.Aœ
& œ œ # œœ œ œœ œœœ œœ œœœ œœ œœœ œœ œœœ œœ œ‰œ œ .
# œœ œœ ‰ œ œ J ‰ Œ œ
œ
J J œ. . œ. . œ. . œ. . J J
. . .
. œ. œ. œœ. œœ œœ. œœ. œ. œœ. .œ œœ œ. .œ # œœ œ. œ. œ.
cresc.
? ### œ
œ. œ. œ œ œ œ œ Ó
œ. œ. œ.
nœ œ œ
# # # œ œ œ œ œ J ‰ # œ œ. œ. œ Jœ ‰ œ œ œ œ
J‰ # œ . œ.
œ
& # œ œ. œ. œ J‰œ œ œ
p subito
˙˙ œœ œœ n œœ œœ # œœ œœ œœ œœ
œ œ œœ cresc. ˙˙ œœ # œœ œœ pœœ subito œ
? # # # œ ˙ œ œ œ Jœ ‰ Jœ ‰ J ‰ J‰J‰ œ
œ
J‰Ó ˙ œ œ œ ‰ J ‰ œœ ‰
œ œ œ J J
œ
# # # œ Jœ ‰ œ # œ. œ. œ ‰ œ. œ. œ. œ. œ. œ. # œ. œ. œ. œ. œ. œ. œ. œ.B œ œœ œœ œœ œ œœ œœ œœ œœœ œœœ ‰ œ. œ. œ. œ. œœœ œœ . œ. . œ.

œ‰œ œ
& œ œœ œ. œ œ. œœ œ. œ œ. J J
J . . . .
# œœœ œœœ œœœ œœ rit.
œœ. œ. œœ.
a tempo .
œ. œ œ.
.
œ. œ œ.
? ### J ‰ J ‰ J ‰ œ œ
œ J‰Œ Ó ∑ œ œ. œ.
œ.
>œ œ œ. œ. œ.
### œ œ œ œ œ œ n œ œ #œ. œ œ œ j‰ nnnb
# œœ œœ ‰ Ó œœ œœ œœ œœ œœ œœ œœ œœ .
œ œ œ . œ Œ
& J œ. . œ. . œ. . œ. . œ. œ. œ. . œ. œœ
.œ œœ. œ. Pœ.
œ œ
.œ . œ.
œ œœ œ # œœ # œœ. œœ. œœ. œœ œ œ
? ### œ œ œ œ œ‰ Œ nnnb
œ. nœ œ œ œ
œ. œ. J
n œ. œ. .
- 141 -
C
œ j
œœ œ œ œœœ œœœ œœœ œœœ œœœ ... œœ œœ Œ ˙˙ ˙˙ ˙˙ œœ
& b ˙˙ ˙˙ ˙˙ œ œ ˙ ˙ ˙ œœœ
œ
˙ ˙ ˙ œœ
P
? Œ œ Œ œ Œ œ Œ œ Œ œ Œ œ Œ œ Œ œ Œ œ Œ œ Œ œ Œ œ
b œ œ. œ. œ.
. œ. œ. œ. œ. œ. œ. œ. œ.
j œ j
œ œ ˙ œ
& b œœ œœ b œœœ œœœ ˙˙ œœ .. œœ # ˙˙˙ ˙˙
˙
˙˙
˙
œœ œ œ œœœ œœœ œœœ œœœ œœœ ... œœ ˙˙˙
œœ
? Œ Œ bœ Œ œ Œ Œ œ Œ œ Œ œ Œ œ Œ œ Œ œ Œ œ Œ œ
b œ œ œ.
œ. b œ. œ. œ. œ. œ. œ. œ. œ. œ. œ.
˙ ˙˙ œ D
˙˙ œœ œ œ
œœœ œœœ œœœ œœœ œœ œ œœ œœ œœœ b ˙˙˙ ˙˙˙
b
& ˙˙ ˙˙ ˙˙ œ œ ˙ ˙
˙ ˙ ˙˙ œœ œ
œ
? Œ œ Œ œ Œ œ Œ œ œ œ œ œ œ œ Œ œ Œ œ œ œ œ
b œ. œ œ œ
œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ.
œ . j ˙ ˙˙˙ ˙˙ œœ œ œ n œœ œœ œœ œ œ œœ œ œ œ œ
œ œ œ œ .
& b b œœœ œœœ œœœ œœœ œœœ .. œ
œœ œœœ Œ n ˙˙˙ ˙˙ œœ œ
˙ œ œœœ œ œ
F
. œ. œ
? œ Œ Œ œ œ œ Œ œ œ œ œ œ œ œ n œœ œœ œ œ Ó
b œ œ œ œ œœ œ Œ œ. œ. œ. œ. œ. œ. .
. . œ. œ. . œ.
œœ œ . j
œ œ œ œœ œœ Œ ˙˙ ˙˙
& b ˙˙˙ ˙˙ ˙˙ œœ œ œ œœ œœ œœ œœ œœ .. œ œ ˙ ˙˙ ˙˙
˙ ˙ œœ ˙ ˙
P
?b Œ œ Œ œ Œ œ Œ Œ œ Œ œ Œ œ Œ œ Œ œ Œ œ Œ œ Œ œ
œ. œ. œ œ. œ. œ.
œ. œ. œ. œ. œ. œ. œ.
. œ. œ. œ. œ. œ. œ. œ. # œ. œ. œ. œ. œ. œ. œ. œ. n # # #
E
. . . . . .
& b œœœ œœœ œœœ œœœ œœœ œœ Œ œ. œ œ. œ # ˙ œ. œ œ. œ # ˙ œ. œ œ. œ n
#œ œ
œ
F # œœ P # œœ p œ rit.
#
?b
œ œ œ œ œœ Œ Ó
œŒÓ œŒÓ œ Œ Ó ∑ n##
œ. œ œ. œ. .
.
- 142 -
# # # œ œœ œ œœ œ œœ œ œœ œœœ œœœ ‰ œ. œ. . œ. œœœ œœœ ‰ œ. œ. . œ. # œœ œœ œ œ œ œ œœ œœ . œ. . œ.

& œœ œ. œœ œ. œœ œ. œœ œ. œ œ œ œ ‰ Ó œœœ œœ. œœ œœ. œœ œœ. œœ œœ. œ œ ‰ œ œ
. . . . J J J . œ. œ. œ. J
.
p a tempo .œ . œ. . . . . . . . œ . . . . . œ
œ
? ### œ œœ œ œ œ œ œ œ œ œœ œ œœ œœ œ. œœ œ œ.
œ œ. œ. œ. œ œ œ
œ. œ. œ.
# # # # œœ œœ . œ. . œ. œ œ œ œ œ n Jœ # œ œ. œ. œ Jœ œ
œ œ ‰ œ œ ‰ Œ œ œ ‰ ‰# œ œ œ œ J ‰œ œ
& J
J œ ..
. # œœ. . . œ. cresc. ˙˙ œœ œ npœœœ subitoœœœ # œœ œœ œœœ œœœ œœ cresc.
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& œ œ. . œ. . œ. . œ. .
J
˙˙ œœ # œœ œœ pœœsubito œœ # œœœ œœœ œœœ œœ p .
œœ œ. œœ.
? ### œ ˙ œ œ œ ‰ J‰œ ‰ J ‰ J ‰ J ‰ œ ‰ Œ Ó ∑ œ
J J œ J œ
œ œ.
>œ œ œ. œ. œ.
# # # œœœ œœ . œ. . œ. œœœ œœ . œ. . œ. # œœ œœ œ œ œ
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& œ‰œ œ œ‰œ œ œ œ‰Ó œ. . œ. . œ. . œ. . œ œ.
J J J
.œ œ. œ. .œ œ. œ. .œ œœ. œ. .œ . œ. Pœ. # œœ. œ. œœ.
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. . . . . . . . . . . .
p œ. . œ. .œ . œ. œ. . œ. .
œ œ. œ ˙ .
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cresc.
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# # # œœ œœ œœ œœ œœ œœ œœ œœ ˙ ˙ ˙ ˙ œ
œœ
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& œ œ œ œ Œ Œ Œ
f œ œ œ œ
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˙ œœœœ œ œ œ œ œ œ Œ Œ œ œ Œ Œ w
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- 143 -
No. 18. Recit:This ceremonial our wish displays

Song: Eagle high
King Paramount and Ensemble
### c j j j j j j j j j
Ï Ï Ï Ï Ï Î ä Ï Ï Ï Ï Î ä Ï Ï Ï Ï Ï Ï Ï.
RECIT. King:
V J J J J J
###
This cer - e - mon-ial our wish dis-plays To co-py all Great Brit-ain's
& c ä ww ww ww
w w w
F
? ### c ä w w w
### j ÏÏ Ïj j j
j j r j
V Ï. j n Ï Ï Ï . Ï
Ï Ï ä Ï J J J R J Ï Ï Ï bÏ Î Î Ï Ï. Ï Ï b ÏJ n Ï Ï Ï Ï
3
J
### j j
court - ly ways. Though lof-ty aims cat-as-tro-phe en - tail, We'll glo - rious-ly suc-ceed, or
ÏÏ ÏÏ Î nw bw ÏÏÏä n Ï
& ÏÏ ..
Ï. Ï Ï n ww n ww b n úúú Ï
? ### Ï. Ï Ï Î w nw nú Ïä
J J bÏ
### j nnnb 9 j
V Ï Ï nÏ nÏ Ï Ï . Ï 8 Ï . Ï ääÎ ä · · ·
### nnnb 9 Ï. Ï Ï Ï ÏÏÏÏäÏÏ Ï

no- - - bly fail!
8 Ï .. Ïj ää Ï Ï Ï Ï ÏääÏÏÏ
Allegretto moderato
& Ï. J ÏJ Ï ÏJ
n n úúú b úúú ÏÏ . ÏÏ J J J
Ä ÏÏ Ï. Ï Ï Ï Ï. Ï ÏÏÏ
ÏÏ ÏÏ ÏÏ ÏÏ .. ÏÏ ÏÏ ÏÏ Ï ÏÏ .. ÏÏ ÏÏ ÏÏ ÏÏ ÏÏÏ ÏÏÏ ÏÏÏ Ï Ï Ï
? ### n ú nnn 9 j ää ÏÏ
ú b 8 Ï. Ï J J Jää Ï ÏÏäÏÏ Ï
JJ J J
Vers 2.0 10 Oct 2011

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Ï Ï Ï. Ï Ï
& b î. Ï Ï ÏJ Ï . Ï J Ï ä Ï Ï ÏJ Ï Ï Ï . Ï . Ï ÏJ
Zara, Nek., & Kal. with Sopranos:
J J ú.
f
j Ï. Ï Ï Ï Ï Ï. Ï ä
Ea - gle high in cloud - land soar-ing Spar - row twit - t'ring on a reed Ti - ger
& b î. Ï j Ï Ïj Ï . j
Lady Sophy with Altos:
Ï Ï Ï Ï. ú. Ï Ï
f Ea - gle high inJ cloud - land
J
Ï Ï . Ï Ï Ï Ï Ï . Ï Ï Ï Ï Ï Ï.
soar-ing Spar - row twit - t'ring on a reed Ti - ger
b î . Ï ä Ï. Ï Ï
V Ï J J J ú. J
Fitz., Barre, Dram., & Blush. with Tenors:
J J
f Ea - gle high in cloud - land soar-ing Spar - row twit - t'ring on
Ï Ï Ï. Ï Ï Ï Ï Ï. Ï ä Ï Ï
a reed Ti - ger
? King,
î . j j J
b J J J Ï Ï Ï Ï Ï. nÏ. ú.
Corcoran, & Gold. with Bass/Bar:
f Ea - gle high in cloud - land soar-ing Spar - row twit - t'ring on

j j
Ï. Ï ÏÏ .. Ï
a reed Ti - ger
Ï Ï Ï Ï Ï Ï Ï Ï Ï
.
& b Ï . Ï ä ä Ï Ï Ï Ï . Ï JÏ Ï ÏJ ä ÏÏ Ï Ï Ï ÏÏ ÏÏ .. ÏÏ .. úú .. Ï Ï Ï
J Ï Ï Ï Ï Ï. Ï. J
f Voices only J
Ï Ï Ï. Ï Ï Ï Ï Ï. Ï ÏÏ ÏÏ
? b Ï .. Ï ä ä Ï Ï Ï . Ï ÏJ Ï ÏJ Ï . Ï ä
Ï Ï Ï j j úú . J
J J Ï Ï Ï Ï Ï. nÏ. .
Ï Ï Ï. Ï. # ú. Ï Ï Ï ÏA
&b J #Ï. Ï Ï ÏJ J J Ï. Ï ä ä Ï Ïj
S J
j Ï n Ïj Ï .
in the jun - gle roar - ing Fright - en'd fawn in grass-y mead Let the
b
& #Ï Ï ú. j Ï ÏJ n Ï Ï Ï . Ï ä ä Ï Ïj
Ï. Ï Ï J J
Sroar
Ï Ï Ï Ï Ï Ï.
in the jun - gle - ing Fright - en'd fawn in grass-y mead Let the
ú. #Ï. Ï Ï ää Ï Ï
V b Ï ÏJ Ï . Ï. J J J J J
S
? n Ï ÏJ Ï . Ï. b ú. Ï. j ä ä Ï ÏJ
in the jun - gle roar - ing Fright - en'd fawn in grass-y mead Let the
Ï Ï Ï Ï Ï Ï
b J J J Ï. Ï
S
j j j j
# úú .. Ï ÏÏ ÏÏ n ÏÏ ÏÏ Ï . Ï ä ä
in the jun - gle roar - ing Fright - en'd fawn in grass-y
mead Let the
Ï Ï ÏÏ . n Ï ÏÏ .. Ï j
& b #Ï Ï ÏÏ Ï Ï
A
J J # # ÏÏ .. Ï
J
Ï. Ï
S
Ï
? nÏ
ÏÏ ÏÏ .. ÏÏ .. b úú .. ÏÏ .. ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ j ÏÏ ÏÏJ
b J J J J Ï. Ï ä ä
Vers 2.0 10 Oct 2011
j Ï. Ï j j ä n Ï Ï Ï. Ï ä Ï Ï
- 145 -
Ï
& b Ï Ï Ï ä Ï nÏ J äÏ Ï Ï Ï Ï Ï J J
F
ea gle, not the spar - row, Be the- ob ject of your
- ar - row. Fix the
j j j j j j
&b Ï Ï Ï ä Ï Ï Ï. Ï äÏ Ï Ï Ï Ï ä Ï Ï Ï. Ï ä Ï Ï
FFix the
Ï. Ï Ï Ï. Ï
- ar - row.
Vb ä nÏ Ï Ï. Ï äÏ J ä nÏ Ï Ï. Ï ä Ï Ï
J
J J F
. Ï Ï.
? Ï nÏ Ï Ï Ï nÏ Ï Ï Ï Ï. Ï Ï
- ar - row. Fix the
J Ï Ï. ä J J Ï ä J
b J Ï J
FFix
Ï. Ï.
ea - gle, not the spar - row, Be the ob - ject of your ar - row. the
j ÏÏ j j ä Ï n Ï ÏÏ Ï . ÏÏ ä ÏÏ Ï
& b Ï Ï Ï ä Ï n Ï ÏÏ Ï. Ï äÏ Ï Ï Ï Ï Ï
J J F J
Ï. Ï ä j ÏÏ ÏÏ ÏÏ .. Ï ä Ï Ïj Ï . Ï ÏÏ ÏÏ
? Ï . n Ï Ï Ï
Ï ÏÏ ÏÏ .. nÏ Ï Ï Ï Ï.
b J J ä J J Ï ä J
Ï J
Ï Ï Ï . Ï. Ï . Ï ä Ï Ïj Ï . Ï ä ä Ï . j j
&b J J p Ï # Ï Ï ä ä Î ä ú. Î ä
P ¹
ti - ger with your eye, Pass the fawn in pi - ty by.
j jä ä j jä ä Î ä
& b #Ï Ï Ï . Ï. Ï. Ï ä j .
Ï Ï pÏ . Ï Ï Ï . Î ä
P Ï Ï ¹ú
Ï Ï Ï . Ï . Ï . Ï ä Ï Ïj Ï . j Ï.
V b J Ï ää n Ï Ï Ï ä ä Î ä ú. Î ä
P p J J ¹
? n Ï ÏJ Ï . Ï . Ï . Ï ä Ï Ï Ï .
b Ï ä ä Ï. Ï Ï Ï ääÎ ä Î ä
J J p J J ú.
P ¹
j j j j
Ï Ï Ï . Ï. ÏÏ .. ÏÏ ä Ï
& b #Ï Ï Ï . Ï. Ï ÏÏ ÏÏ .. Ï ä ä Ï.
Ï Ï. ÏÏ # ÏÏ ÏÏ ä ä Î ä úú .. Î ä
J ú.
p ¹
Ï Ï ÏÏ .. ÏÏ .. Ï. Ï P ÏÏ ä ä ÏÏ ..
? n Ï ÏJ Ï . Ï ä ÏÏ ÏÏ ÏÏ .. n ÏÏ ÏÏ ÏÏ
ä ä Î ä ú. Î ä
b J J J J
Vers 2.0 10 Oct 2011

- 146 -
Ï. Ï Ï Ï Ï Ï Ï Ï. . j Ï.
&b · Î äÎ ä Ï Ï ÏJ Ï Ï ää
Ï .J Ï Ï J Ï J Ï Ï. Ï ä ä
B Zara, Nek., & Kal.:
J J
f Glo - ry then will crown the day Glo - ry glo - ry a - ny - way! SGlo -
&b · Î äÎ ä Ï Ïj Ï . Ï Ïj Ï Ïj Ï . Ïjää Ï Ïj Ï Ïj Ï . Ï . Ï . Ïj ä ä Ï .
Lady Sophy:
ú . Ï . Ï . Ï Ï Ï Ï . Ï Ï Ï Ï Ï .Ï Ï Ï Ï Ï Ï . Ï . Ï . Ï Ï.
V b ää J J J J ää J J J ä ä
Capt. Fitzbattleaxe:
J
f Glo
Sir B. Barre:
- ry, glo - ry, Glo - ry then will crown the day Glo - ry glo - ry a - ny - way!
SGlo -
b ú . Ï . Ï . Ï ää Ï Ï Ï . Ï Ï Ï Ï Ï . Ï ää Ï Ï Ï Ï Ï . Ï . Ï . Ï ä ä bÏ.
V
Lord D. & Mr. Blush.:
f J J J J J J J J
SGlo -
ú. Ï . Ï . Ï Ï Ï Ï . Ï Ï Ï Ï Ï .Ï Ï Ï Ï Ï Ï . Ï . Ï . Ï
Glo - ry, glo - ry, Glo - ry then will crown the day Glo - ry glo - ry a - ny - way!
?King:
b J ää J J J J ää J J J ä ä Ï.
f Glo - ry, glo - ry, Glo - ry then will crown the day Glo - ry glo - ry a - ny - way! SGlo -
?
b · Î äÎ ä Ï ÏJ Ï . Ï ÏJ Ï JÏ Ï . ÏJ ää Ï ÏJ Ï JÏ Ï . Ï . Ï . Ï ä ä Ï.
J
Mr. Gold. & Capt. Cor.:
Sopranos: . Ï jä ä Ï.
&b · Î äÎ ä Ï Ï Ï Ï Ï Ï Ï Ï Ï . Ï ää Ï Ï Ï Ï ÏJ Ï . Ï . Ï . Ï
J J J J J
f Glo - ry then will crown the day Glo - ry glo - ry a - ny - way!
SGlo -
&b · Î äÎ ä Ï Ïj Ï . Ï Ïj Ï Ïj Ï . Ïjää Ï Ïj Ï Ïj Ï . Ï . Ï . j
Ï ä ä Ï.
Altos:
V b ú. Ï. Ï . Ï ää Ï Ïj Ï . Ï Ïj Ï Ïj Ï . Ïjää Ï Ïj Ï Ïj Ï . Ï . Ï . Ï ä ä bÏ.
Tenors:
J J
f Glo - ry, glo - ry, Glo - ry then will crown the day Glo - ry glo - ry a - ny - way!
SGlo -
?b · Î äÎ ä Ï ÏJ Ï . Ï ÏJ Ï JÏ Ï . ÏJ ää Ï ÏJ Ï Ï Ï . Ï. Ï. Ï ä ä Ï.
J J
Bass/Bar:
f Glo - ry then will crown the day Glo - ry SGlo -

Ï . Ï Ïj Ï j Ïj Ï Ï Ï j Ï.
glo - ry a - ny - way!
&b · Î äÎ ä Ï Ï Ï ÏÏ .. ÏÏ Ï Ï ÏÏ ÏÏ .. Ï ää Ï Ï ÏÏ
Ï Ï Ï ÏÏÏ ... ÏÏÏ ... ÏÏ .. ÏÏ ä ä Ï .
B
J Ï Ï J J
f S
ú. Ï. Ï . Ï ÏÏ ÏÏ ÏÏ ... ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ... ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ Ï . Ï . Ï . Ï b Ï .
?b J ää Ï ÏJ Ï Ï ÏJ Ï ÏJ Ï ÏJ ää Ï ÏJ ÏÏ ÏÏ ÏÏ .. ÏÏ .. ÏÏ .. ÏÏ ä ä Ï .
J J
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Ï Ï Ï. b Ï. bÏ . Ï ä ä Ï. Ï Ï Ï.
&b J J J Ï. Ï . Ï ä ä Ï Ïj Ï . Ï ÏJ Ï ÏJ
SGlo J
ry, a - ny - way! - ry a - ny - way! Glo - ry still will crown the
Ï. j j j ä ä Ïj Ï . Ï Ïj Ï Ïj
& b Ï ÏJ Ï . Ï . Ï ä ä #Ï. Ï Ï Ï. Ï.
Ï. Ï Ï
SGlo
Ï Ï Ï. Ï. Ï . Ï #Ï. Ï Ï Ï.
Vb J J ää J Ï. Ï . Ï ä ä Ï Ï Ï. Ï Ï Ï Ï
J J J J
ry, a - ny - way!
SGlo - ry a - ny - way! Glo - ry still will crown the
b Ï Ï Ï. Ï. Ï . Ï ä ä Ï. Ï Ï Ï. Ï . Ï ä ä Ï Ï Ï. Ï Ï Ï Ï
V J J S J Ï. J J J J
Ï. Ï. Ï j Ï Ï Ïj Ï Ïj
ry, a - ny - way! Glo - ry a - ny - way! Glo - ry still will crown the
? b Ï ÏJ Ï . J ä ä Ï. Ï JÏ Ï . # Ï . Ï. Ï ä ä
J Ï Ï .
SGlo
Ï. Ï. Ï j j
? Ï Ï Ï. J ä ä Ï. Ï JÏ Ï . # Ï . Ï. Ï ä ä j
b J J Ï Ï Ï. Ï Ï Ï Ï
SGlo
Ï Ï Ï. b Ï.
bÏ . Ï ä ä Ï. Ï Ï Ï. Ï. Ï . Ï ä ä Ï Ïj Ï . Ï ÏJ Ï Ï
&b J J J J J
ry, a - ny - way!
Ï. j j j Ï . Ï Ïj Ï Ïj
& b Ï ÏJ Ï . Ï . Ï ä ä #Ï. Ï Ï Ï. Ï. Ï. Ï
jä ä
Ï Ï
ry, a - ny - way!
Ï Ï Ï. Ï. Ï . Ï ä ä Ï. Ï Ï Ï. j
Vb J J S J
Ï. Ï . Ï ä ä Ï ÏJ Ï . Ï ÏJ Ï ÏJ
Ï. Ï. Ï j Ï Ï Ïj Ï Ïj
ry, a - ny - way! Glo - ry a - ny - way! Glo - ry still will crown the
? b Ï ÏJ Ï . J ä ä Ï. Ï JÏ Ï . # Ï . Ï. Ï ä ä
J Ï Ï .
SGlo
Ï Ï Ï . b ÏÏ . b Ï . Ïj ä ä Ï . j j
Ï Ï Ïj
Ï Ï Ï. Ï . Ï . Ï ä ä Ï Ïj ÏÏ ... ÏÏ
& Ï ÏJ ÏÏ .. Ï ..
b Ï . Ï #Ï. Ï JÏ Ï . Ï . Ï. Ï Ï Ï ÏÏ . ÏÏ ÏÏ ÏÏ ÏÏ
S
Ï Ï Ï . Ï .. Ï. Ï Ï. Ï Ï Ï . Ï ..
? b Ï ÏJ Ï . Ï J ä ä Ï. Ï Ï Ï. #Ï Ï . Ï ä ä Ï Ï ÏÏ . ÏÏ ÏÏ ÏÏ ÏÏ
J J Ï Ï .
J J J
Vers 2.0 10 Oct 2011
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Ï. Ï j j j j j
b ä ä Ï. Ï. Ï . Ï Ï ú. Ï. Ï. Ï ä ä Ï Ï Ï Ï Ï . Ï. ú. # Ï Ï
C
& J p
jä ä
day, Crown the day. Glo-ry then will crown the day, Crown the
& b Ï . Ï jä ä j j j
Ï. ú. Ï. Ï. Ï. Ï . Ï . Ï
p
Ï Ï Ï Ï Ï . Ï. ú. Ï Ï
day. j
Ï .
ú Ï. Ï. Ï. Ï. Ï. Ï Ï Ï Ï
Crown, crown the
V b Ï . Ï ä ä Ï . Ï. . Ï Ï ú. Ï. Ï ä ä J Ï Ï . Ï. ú. Ï Ï
J J J p J J
jä ä Ï. j ú. jä ä Ï Ï Ï Ï Ï . Ï . ú .
V b Ï . Ï Ï. ú. Ï Ï Ï . Ï Ï Ï
p J J J
? b Ï . Ïj ä ä Ï . Ï . ú . j
ú. Ï . Ï . ÏJ ä ä Ï ÏJ Ï ÏJ Ï . Ï . ú . Ï Ï
p
j j
ú
?
b Ï. Ï ä ä Ï. Ï. ú. ú. Ï . Ï Ïj ä ä Ï ÏJ Ï ÏJ Ï . Ï . . Ï Ï
. p
Ï. Ï ä ä j j
day. Crown the day. Glo-ry then will crown the day, Crown the
j j
& b
J Ï. Ï. Ï . Ï Ï ú. Ï . Ï . Ïj ä ä Ï Ï Ï Ï Ï . Ï . ú . # Ï Ï
p
j jä ä j j j
& b Ï. Ï ä ä Ï. ú. Ï. Ï. Ï. Ï . Ï . Ï Ï Ï Ï Ï Ï . Ï. ú. Ï Ï
p
j j j
ú.
V b Ï. Ï ä ä Ï. Ï. Ï Ï ú. Ï . Ï ä ä Ï ÏJ Ï Ï Ï . Ï . ú .
J
Ï Ï
J
p
? b Ï . Ïj ä ä Ï . Ï .. ú . j
ú. ú. Ï. j ä ä Ï ÏJ Ï ÏJ Ï . Ï . ú . Ï Ï
Ï. Ï p
Ï. Ï ä ä j j
b Ï . Ï jä ä Ï j ú. j
Ï
& Ï. Ï . Ï Ï . Ï úÏ. . Ï . ÏÏ .. ÏÏ ÏÏ ÏÏ ÏÏ .. Ï. Ï
C
Ï . Ï . úú .. Ï. Ï Ï Ï . ú . # ÏÏ Ï
J Ï. Ï p
ÏÏ .. ÏÏ Ï . Ï. ú. jú j Ï Ï Ï ÏÏ ÏÏ ... ÏÏ ... úúú ... ÏÏ ÏÏ
? b Ï. Ï ä ä Ï . Ï. Ï Ï . Ï. Ï ä ä Ï Ï Ï Ï Ï Ï
ú. ú. Ï. J J Ï Ï
J Ï. Ï J
Rev. 6 July 2003
Vers 2.0 10 Oct 2011
- 149 -
ú. j j ú. j
&b Ï Ï Ï ä Ï. Ï.
J Ï Ï Ï . Ï Ïj ú . #Ï Ï Ï Ï
day, crown the day. Glo - ry then will crown the day, crown the day, crown the
& b ú. Ï Ïj Ï ä Ï . Ï . j
Ï Ï Ï. Ï . j j
ú. Ï Ï ú. Ï Ï
Ï Ï Ï ä Ï. Ï.
ú. # Ï Ï Ï. Ï . ú. Ï Ï ú. Ï Ï
Vb J J J J
j j
V b ú. Ï Ï Ï ä Ï. Ï.
J Ï Ï Ï. Ï . ú. Ï Ï ú.
J Ï Ï
j j
? b ú. Ï Ï Ï ä Ï. Ï. Ï Ï Ï. Ï . ú.
Ï Ï ú
J . Ï Ï
J
j Ï Ï. Ï. j
? ú. ä Ï Ï Ï. Ï . j
b Ï Ï J ú. Ï Ï ú. Ï Ï
ÏÏ ÏÏj Ï ä Ï . Ï . j
. j ú. Ï Ïj
& b úú . Ï Ï Ï Ï . Ï Ïj ú . #Ï Ï
j j j
& b ú. Ï Ï Ï ä Ï. Ï. Ï Ï Ï. Ï . ú.
j
Ï Ï ú. Ï Ï
j
V b ú. Ï Ï Ï ä Ï. Ï. # Ï Ï Ï. Ï . ú. Ï Ï ú. Ï Ï
J J J
j j
? b ú. Ï Ï Ï ä Ï. Ï. Ï ÏJ Ï . Ï . ú. j
Ï Ï ú. Ï Ï
j j
úú .. j j
&b ú.
ÏÏ
Ï
ÏÏ ÏÏ ä Ï .
Ï Ï. ÏÏ ÏÏ ÏÏÏ .. ÏÏ Ïj úú . # ÏÏÏ ÏÏ ú ..
úú . ÏÏ ÏÏ
Ï. Ï. # Ï Ï . . ú .. Ï Ï Ï
ú. Ï Ï Ï Ï .. j
? b ú. ÏÏ .. ÏÏ ÏÏ ÏÏ .. ÏÏ ä Ï Ï úú . Ï Ï
Ï Ï Ï äÏ J ú. Ï Ï . Ï Ï
J J
Vers 2.0 10 Oct 2011
- 150 -
ú. j U
b
& Ï Ï. ä Ï . Ï. Ï. Ï Ï Ï. ú. Ï. ú. Ï. ú. Ï.
f Ä
U
day! Glo - ry, glo - ry then will crown the day!
Ï j
&b Ï ä Ï. . ú. Ï. Ï. Ï Ï Ï. ú. Ï. ú. Ï. ú. Ï.
f Äglo
UÏ .
Ï ä Î äÎ ä ú. Ï. Ï Ï Ï. ú. Ï. ú.
day! Glo - ry, - ry then will crown the day!
Ï. ú. Ï.
Vb J
Ä Glo
UÏ
day. - ry then will crown the day!
Ï.
V b Ï ä Î äÎ ä ú. Ï. ú. ú. Ï. ú. Ï. ú. .
Ä
Ï. ú. Ï. ú. Ï. UÏ .
? b Ï ä Î äÎ ä ú. ú. Ï. ú.
day. Glo - ry then will crown the day!
Ä Glo
day. - ry then
Ï.
will crown the day!
U
? ú. ú. Ï.
b Ï ä Î äÎ ä ú. Ï. ú. Ï. ú. Ï. ú. Ï.
Ä Glo
ú. U
b
& Ï Ï. ä Ï . Ï. Ï . Ï Ïj Ï . ú. Ï. ú. Ï. ú. Ï.
f Ä
U
j
& b Ï ä Ï. Ï . ú. Ï. Ï. Ï Ï Ï. ú. Ï. ú. Ï. ú. Ï.
f Ä
U
Ï. ú. Ï. ú. Ï.
V b Ï ä Î äÎ ä ú. ú. Ï. ú. Ï.
Ä
day. Glo - ry
ú.
then will crown the day!
U
?b äÎ äÎ ä ú. Ï. ú. Ï. ú. Ï. ú. Ï.
Ï ú. Ï. ú. Ï .. ú. Ï.
Ä Glo
U
Ï . úú ..
ÏÏ .. j
& b ÏÏ ä Ï . ú. ÏÏ .. ÏÏ .. ÏÏ Ï ÏÏ .
ú. .
úú ..
ú.
ÏÏ ..
Ï. úúú ... ÏÏÏ ... úú .. ÏÏ ..
Ï ú. Ï.
f Ä
ú. Ï. ú. Ï. U
?b ä Î ä Î ä úú .. ÏÏ . ú. ÏÏ .. ú. Ï. ú. Ï. ú. Ï.
Ï ú. Ï .. ú. ú. Ï.
Rev. 6 July 2003
Vers 2.0 10 Oct 2011
Ï. Ï Ï
Ï ä ä Ï Ï Ï Ï Ï.
- 151 -
äÏÏÏ Ï Ï Ï Ï
(Processional. Exeunt all)
&b Î äÎ J J Ï. J Ï Ï
J
ÄÏ Ï Ï Ï ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ .. ÏÏ Ï Ï Ï Ï Ï Ï.
ÏÏ ÏÏ ÏÏ ÏÏ .... ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ .. ÏÏ ä ä ÏÏÏ ÏÏÏ ÏÏÏ ÏÏÏ ÏÏÏ ÏÏÏ ...
ÏÏ ÏÏ
?b Î äÎ äÏÏÏ Ï ÏÏ ÏÏ
J J J J J
ÏääÏÏÏ Ï. Ï ÏÏ Ï . j Ï Ï Ï Ï. Ï. Ï. ÏääÏÏ
Ï
& b Ï. n Ï ä ä Ï
D
J J J Ï Ï J J
ÏÏ .. ÏÏ ÏÏ ÏÏ ÏÏ Ï . ÏÏ .. F
? ÏÏ .. ÏÏ ä ä ÏÏ ÏÏ ÏÏ ÏÏ .. ÏÏ # ÏÏÏ ÏÏÏ # ÏÏÏ ÏÏ .. n ÏÏ ä ä ÏÏÏ ÏÏÏ ÏÏÏ ÏÏ ÏÏ ÏÏ .. n ÏÏ ..
b J J J J J ú.
ú.
Ï. Ï. Ï Ï Ï Ï. Ù
Ï . Ï Ï Ï Ï Ïj Ï . n Ï . Ï. Ï . Ï Ï#Ï Ï Ï #Ï Ï Ï #Ï Ï
&b ÏÏ J J
j Ï.
? n úú .. bÏ. ú. b Ï. nú. bÏ.
dolce
Ï. # Ï . n ÏÏ .. Ïú .. Ï Ï
b Ï. ú. Ï. ú. Ï. ú. Ï.
Ï Ï Ï Ï Ï #Ï Ï Ï Ï Ï. Ï Ï Ï
&b J JÏ J Ï JÏ n Ï J Ï n ÏJ Ï ä Ï Ï Ï Ï Ï. ÏääÏÏÏ
E
J J J
Ä
ÏÏ ÏÏ ÏÏ ÏÏ .. ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ .. ÏÏ ÏÏ ÏÏ ÏÏ
ú
? b ú.. b Ï . Ïú . # Ï . n ÏÏ . ÏÏ . ÏÏ ä ÏÏ ÏÏ ÏÏ ÏÏ .. ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ .. ÏÏ ä ä ÏÏ ÏÏ ÏÏ
Ï. . . . J J J
Ï Ï Ï Ï. Ï Ï Ï Ï. Ï j Ï Ï. Ï. Ï Ï Ï Ï Ï Ï. Ï.
b Ï Ï ä ä Ï ÏÏ J
& J . J Ï J
ÏÏ ÏÏ ÏÏ .. ÏÏ ÏÏ ÏÏ .. ÏÏ ÏÏ ÏÏ ÏÏ b Ï . Ï Ï Ï Ï bÏ. ÏÏ ..
? ÏÏ ÏÏ ÏÏ .. ÏÏ ÏÏ ÏÏ .. ÏÏ ä ä ÏÏ ÏÏ ÏÏ Ï . Ï Ï Ï Ï Ï. Ï . ÏÏ ÏÏ ÏÏ ÏÏ .. ÏÏ ..
b J J J J J Ï. Ï Ï Ï Ï. Ï.
j Ï Ïj Ï j Ï Ïj Ï j Ï Ïj Ï Ï Ï ú. UÏ .
& b Ïj ä Ï Ï . Ï . Ï ä Ï Ï . Ï . Ï ä Ï Ï . Ï . Ï ää Ï ää Ï ää úú .. ÏÏ ..
J J J J J
j
? ÏÏÏ ä ä Î ä Ï . Ïj ä ä Î ä Ï . Ïj ä ä Î ä Ï . Ï ä ä Ïj ä ä j ä ä U
b J Ï Ï Ï ú. Ï.
Ï. Ï Ï. Ï Ï. Ï ú. Ï.
Vers. 2.0 10 Oct 2011
- 152 -
No. 19. With fury deep we burn

Scaphio and Phantis (with King)
Enter SCAPHIO and PHANTIS, now dressed as judges in red and ermine robes and undress wigs. They come down stage
melodramatically -- working together.
˙. ˙.
Allegro agitato
6 . ˙. #œ U
&b 8 ˙ j j j j
# œ ‰‰œ œ œ ‰‰ œ œ œ ‰‰œ œ œ ‰‰ œ œ œ ‰‰ j‰‰ ∑
J #œ
f
? 6 ˙. U
b 8 ˙. j ‰‰œ œ Jœ ‰‰ œ œ Jœ ‰‰œ œ Jœ ‰‰ œ œ Jœ ‰‰ j‰‰ ∑
#œ #œ
˙. ˙. œ U U
˙. ˙.
A
j
&b œ ‰‰œ œ œj‰‰ œ œ œj‰‰œ œ œj‰‰ œ œ œj‰‰ j‰‰ ∑ œœ ‰‰ j‰‰ ∑
J œ # œœ œ
? ˙. j œœ œœ œœ œœ j U U
b ˙. œ ‰‰œ J ‰‰ œ J ‰‰œ J ‰‰ œ J ‰‰ œ ‰‰ ∑ # œ œ Jœ ‰‰ œj‰‰ ∑
j j ‰ j j‰ œj œ œj œ j j ‰Phan.:
j j‰Sca.:
j
Sca.: B Phan.: Sca.:
Vb ∑ Œ ‰Œ j
œ œ œ
j
œ œ œ œ œ œ œ œ œ œ
F
With fu - ry deep we burn! We do! We fume with smo - ther'd rage! We do! These
& b œ# œ œ œ œ b œ œ #œ œ œ œ bœ œ #œ œ œ œ b œ œ # œ œ œ œ b œ œ# œ œ œ œ b œ œ#œ œ œ œ bœ
p
?b œœ .. œœ .. œœ .. œœ .. œœ .. œœ ..
œ. œ. œ. œ. œ. œ.
j j j j j
V b œ œ œ œ œ œj œ j œ œ œ œ œ œj j œ Jœ œ œ œ j
œ œ œj
œ œ œ
Eng - lish-men who rule su-preme Their un - der-tak - ing they re-deem By sti - fling ev - 'ry harm - less scheme In
& b œ # œ œ œ # œ œ œ# œ œ œ œ œ œ # œ œ œ# œ œ œ # œ œ œ œ œ œ # œ n œ n œ bœ œ œ # œ n œ œ b œ œ
?b œœ .. œœ .. œœ .. œœ .. œœ .. œœ
j‰ ‰ œ. œ ‰
œ. œ. œ. œ. œ œ.
- 153 -
j j ‰ œj œj‰ j
Phan.: Sca.:
j j j j j j ‰ j j‰ œj
Phan.:
œ œ œ œj ‰ ‰ œ .
Sca.: Phan.:
Vb œ œ œ œ œ œ œ œ œœ œ œ œ œ
which we both en - gage. They do! In which we both en - gage. We think it is our turn. We do! We
&b œ œ œ b œ œ# œ œ œ œ bœ
œ #œ œ œ œ œ œ #œ œ œ œ œ œ #œ œ œ œ œ œ#œ œ nœ œ #œ œ#œ
?
b œ . # œœ .. œœ .. # œœ .. œ
œ . # œ ..
œœ ..
œ. œœ .. œœ ..
œ. œ.
j j j Phan.:
j j Sca.: j j j j j j
V b œ œ œ ‰
œ œ œ œ œ ‰ œ œ œ œ œ œ j œ œ œ œ œ œj j
œ œ œ œ
think our turn has come. We do! These Eng - lish-men they must pre-pare To seek at once their na - tive air. The
& b œ # œ œ œ œ b œ œ # œ œ œ œ b œ œ # œ œ œ # œ œ œ # œœ œ œ œ œ # œ œ œ # œ œ œ # œ œ œ œ œ
?b œœ .. œœ .. œœ .. œœ .. œœ .. œœ ..
œ. œ. œ. œ. œ. œ.
j j j ‰ œj œj ‰ j
Vb œ j j
Sca.:
j j j ‰ j j ‰Both:
Phan.: Sca.:
œ œ œ œ œ œj
Jœ œ œ œœ œ
jœ œœ œ œ œ œ œœ
King, as here - to - fore we swear, Shall be be-neath our thumb! He shall! Shall be be-neath our thumb! He shall! For
& b œ# œ n œ n œ b œ œ œ# œ n œ œ b œ œ
œ #œ œ œ œ œ œ #œ œ œ œ œ œ #œ œ œ œ œ œ #œ œ nœ œ #œ
? b ‰ ‰ œœ .. œœ ‰ # œœ .. œœ .. # œœ .. # œœ .. œœ ..
j œ. œ œ . œ . œ.
œ œ.
jCj j j j j j j j j
Vb œ œ œ œ œ œ œ
J œ œ œ œ œ œ œ œ Jœ œ œ œ œ œ œ
this must-n't be, and this won't do. If you'll back me, then I'll back you; No, this won't do, no,
œ œœ
& b œ #œ nœ œ œ bœ œ #œ œ œ œ #œ œ #œ nœ œ œ bœ œ #œ œ œ œ #œ œ #œ œ
cresc.
? b ˙˙ .. ˙˙ .. ˙˙ .. ˙˙ .. œœ .. œœ ..
˙. ˙. ˙. ˙. œ. œ.
- 154 -
j j j j j j j j
(Enter the KING.)
j j
King:
U
Vb œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ Jœ œ . Jœ ‰ ‰ Œ ‰ ∑
f
œ œ œ n œœj ‰ ‰ Œ ‰ U
this must-n't be, No, this must-n't be, and this won't do. No, this won't do!
œœœ œ œœ
&b œ #œ œ œ #œ œ œ#œ œ œ ∑ ∑
ƒ
? œœ .. œœ .. œœ .. œœ .. œœ .. œœ .. U
j
b œ. œ. œ. œ. œ. œ. #œ ‰‰ Œ ‰ ∑ ∑
#œ
King: Gentlemen, gentlemen—really! This unseemly display of energy within the Royal precincts is al-
together unpardonable. Pray, what do you complain of?
Scaphio: (furiously) What do we complain of? Why, through the innovations introduced by the Flowers of
Progress all our harmless schemes for making a provision for our old age are ruined. Our Matri-
monial Agency is at a standstill, our Cheap Sherry business is in bankruptcy, our Army Clothing
contracts are paralyzed, and even our Society paper, the Palace Peeper, is practically defunct!
King: Defunct? Is that so? Dear, dear, I am truly sorry.
Scaphio: Are you aware that Sir Bailey Barre has introduced a law of libel by which all editors of scurrilous
newspapers are publicly flogged—as in England? And six of our editors have resigned in succes-
sion! Now, the editor of a scurrilous paper can stand a good deal—he takes a private thrashing as
a matter of course—it's considered in his salary—but no gentleman likes to be publicly flogged.
King: Naturally. I shouldn't like it myself.
Phantis: Then our Burlesque Theater is absolutely ruined!
King: Dear me. Well, theatrical property is not what it was.
Phantis: Are you aware that the Lord Chamberlain, who has his own views as to the best means of elevating
the national drama, has declined to license any play that is not in blank verse and three hundred
years old—as in England?
Scaphio: And as if that wasn't enough, the County Councillor has ordered a four-foot wall to be built up
right across the proscenium, in case of fire—as in England.
Phantis: It's so hard on the company—who are liable to be roasted alive—and this has to be met by enor-
mously increased salaries—as in England.
Scaphio: You probably know that we've contracted to supply the entire nation with a complete English out-
fit. But perhaps you do not know that, when we send in our bills, our customers plead liability
limited to a declared capital of eighteenpence, and apply to be dealt with under the Winding-up
Act—as in England?
King: Really, gentlemen, this is very irregular. If you will be so good as to formulate a detailed list of
your grievances in writing, addressed to the Secretary of Utopia Limited, they will be laid before
the Board, in due course, at their next monthly meeting.
Scaphio: Are we to understand that we are defied?
King: That is the idea I intended to convey.
Phantis: Defied! We are defied!
Scaphio: (furiously) Take care—you know our powers. Trifle with us, and you die!
- 155 -
No. 20. If you think that when banded in unity

King, Scaphio, and Phantis
b j
V b 68 · Î ä ä j j Ïj Ïj Ïj Ïj Ïj Ïj Ïj Ïj Ïj ä Ïj Ï
Scaphio:
Ï Ï
b
If you think that when band - ed in u - ni - ty, We may
& b 68 Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
Allegro moderato
Ï Ï Ï Ïp Ï Ï Ï Ï
fj j j j j j j j
? b b 68 Ï ä ä Ï ä ä Ï ä ä Ï ä ä Ï ä ä Ï ä ä Ï ä ä Ï ä ä
Ï Ï Ï Ï Ï Ï Ï Ï
b b Ï Ï Ï Ï Ï Ï Ï Ï Ï ä Ï Ï Ï Ï Ï j j j Ï Ï Ï ä Phantis:
j j Ïj Ïj Ïj Ïj Ïj Ïj
V J JJ J J J JJJ J J J JJ Ï Ï Ï J JJ Ï Ï
b
both be de-fied with im - pu-ni-ty, You are sad-ly mis-led of a ver - i -ty! If you val-ue re - pose and tran-
&b Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ÏÏ Ï Ï ÏÏ Ï Ï ÏÏ Ï Ï # ÏÏ Ï Ï Ï Ï Ï Ï Ï Ï
Ï Ï Ï Ï Ï Ï
j j j j j j j j
? b Ï ä ä Ï ä ä Ï ä ä Ï ä ä Ï ä ä Ï ä ä jä ä Ï ä ä Ï ä ä Ï ä ä
b Ï Ï Ï Ï Ï Ï Ï J Ï Ï
b b j j jä j j Ï Ï Ï Ï Ï Ï Ï Ï Ï ä Ï Ï j j j j j j j j jÎ ä
V Ï Ï Ï Ï Ï J JJ J J J J JJ J J Ï Ï Ï Ï Ï Ï Ï Ï Ï
b
quil - i - ty, You'll re - vert to a state of do - cil - i -ty, Or pre - pare to re - gret your tem - er - i - ty!
j
j Ï
& b Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï # Ï Ï Ï # ÏÏ # Ï
Ï
ä ä ää
Ï
j j j j j j f
? b Ï ä ä Ï ä ä Ï ä ä Ï ä ä Ï ä ä Ï ä ä j ä ä j ä ä Ï ä ä Ïj ää
b Ï Ï Ï Ï Ï Ï Ï Ï J Ï
U King: E j j j j j j j [, ] [, ]
b Ï Ï j
V b Î ä ä Ïj Ïj Ï Ï Ï Ï Ï Ï # Ï Ïj Ïj ä Ïj Ïj ÏJ J ÏJ ÏJ J ÏJ Ï Ïj Ïj ä Ïj Ïj
If my speech is un - du - ly re - frac -to - ry, You will find it a course sat-is - fac-to - ry At an
b U j j j
&b · ä ä ä ä # ÏÏ ä ä Î ä Ïj ä ä j j
ÏÏ ä ä ÏÏ ä ä Î ä
[ meno mosso ]
Ï
# ÏÏ Ï
ÏÏ Ï ÏÏ Ï Ï
p
? b U
b · Ï ä ä Ï ä ä Ï ä ä Î ä Ï ää Ï ä ä Ï ä ä Î ä
J J J J J J
Vers. 2.0 10 Oct 2011
b Ï Ï j Ïj j j j Ï Ï [ ä, ] j j j Ïj j j Ïj j j j j [ ä,] j j
- 156 -
b J J Ï Ï Ï Ï J J
V Ï Ï Ï Ï Ï Ï #Ï Ï Ï Ï Ï
b jä ä j ä ä j ä ä ä ä ä j ä ä j ä ä j
ear - ly Board meeting to show it up. Though if pro- per ex - cuse you can trump a - ny, You may
b
& # ÏÏ ÏÏ # Ï # Ï
Ï Ï
Ï # Ï
Ï ä ä Î ä
Ï Ï Ï
Ï Ï Ï Ï
? b Ï ä ä Ï ä ä Ï ä ä ä ä ä Ï ä ä Ï ä ä Ï ä ä Î ä
b J J J J J J
,
b Ï Ï Ï Ï Ï Ï j j jÎ j Ï Ï Ïj Ïj Ïj j Ïj Ï Ï Î ä
(SCAPHIO and PHANTIS thoroughly baffled, KING dancing quietly)
n#
b · Î ä Î j n
[ ]
V J JJ J JJ Ï Ï Ï Ï JJ Ï JJ Ï
b j ä ä jä ä j ä ä Î ä jä ä j ä ä Ï #Ï n Ï Ï nn#
wind up a Lim-it-ed Com-pa-ny. You can-not con-ven-ient-ly blow it up! When -
b Ï n Ï Ï # Ï
[ Tempo Iº ]
& ÏÏ ÏÏ ÏÏ # ÏÏ ÏÏ # Ï Ï Ï Ï nÏ# Ï Ï nÏ # Ï Ï
Ï Ï Ï Ï Ï Ï
? b Ï ä ä Ï ä ä Ï ä ä Î ä Ï ä ä Ï ä ä Ïj ä ä ä ä ä #
b J J J J J
· · nn
Ï
n# j j j
Vn Ï Ï Ï ä ä Î ä Î Ï Ï Ïj Ïj ää Î ä Î j Ï Ïj Ïj ä ä
Ï
Î ä Î j Ï Ïj Ïj ää
Ï
ÎäÎ j
Ï
# Ï
e'er I chance
Ï Ï Ï Ï Ï Ï
to baf-fle you,
Ï I al - so dance
ÏÏ J ÏÏ ÏÏ Ï ÏÏ Ï Ï Ï Ï
a step or two.
Ï
Of
n Ï Ï Ï Ï Ï Ï Ï ÏÏ J Î ÏÏ
& n Ïä Ï ä Ïä Ï Ï Ï J Î ÏJ Ï ä Ï Ï Ï Ï J Î ÏÏ
Ï Ï
F
ÎJ ä ä
J J
FÏ Ï Ï Ï Ï Ï Ï Ï Ï . Ï ÏÏ .. Ï ÏÏ ÏÏ Ï Ï ÏÏ ÏÏ Ï Ï Ï . Ï Ï. Ï
Ï Ï
? n n # ä Ï ä Ï ä Ïä Ï Ï Ï Ï . Ï . Ï. Î Ï
Î Ï Î Ï ä Ï äÏ ä Ïä Ï Î Ï
J J J J
# j j j j j j
V Ï Ï Ï ä ä Î ä Î Ï Ï Ï Ï ää Î ä Î # Ïj Ï Ï Ï Ï Ï ää Ï ää j ä äÎ ä
J J J Ï
Ï Ï
this now guess the hid-den sense Of this now guess the hid - den sense:
# ÏÏ äÏ ÏÏ ä Ï ÏÏ ä Ï ÏÏ Ï ÏÏ Ï J Î J Ï Ï Ï Ï Ï Ï Ï ÏG Ï Ï ÏÏÏ
& Ï JÎ J Ïä Ïä Ïä #Ï
Ï Ï Ï Ï Ï Ï Ï Ï ÏÏÏ ... ÏÏ n # ÏÏ .. ÏÏ # ÏÏÏ ÏÏ # ÏÏÏ ÏÏÏ ÏÏ
? # Ï äÏ Ï ä Ï Ï ä Ï Ï ä Ï Î ÏJ Ï. Î Ï Ï ää
J Jää J J ää J ää J ä ä Î ä
Vers 2.0 10 Oct 2011

# Ï Ï Ï Ï ä Ï Ï Ï Ï Ï ä Ï Ï ä Ï Ï ä Ï Ï Ï# Ï Ï ä Ï Ï ä Ï Ï ä Ï Ï Ï#Ï Ï ä Ï Ï Ï Ï Ï ä Ï
(SCAPHIO and PHANTIS consider the question as KING continues dancing quietly -- then give it up) - 157 -
& J J
?# ÏÏÏ ÏÏ ÏÏÏ ÏÏ ÏÏÏ ÏÏ ÏÏÏ ÏÏ ÏÏ Ï ÏÏ Ï

· JÎ Ï Î
J Î ÏJ Î J Î ÏJ Î J Î ÏJ Î J Î ÏJ Î J Î ÏJ Î J
ÏÏÏÏÏÏ ÏÏÏ
# Ï
ÏäÏ ÏÏÏä Ïä Ïä Ï Ï Ï Ï Ï# Ï Ï ä Ï Ï Ï Ï ä Ï Ï# Ï Ï ä Ï
Ï H
& J J ä
ÏÏ Ï ÏÏ Ï ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ Ï
?# Ï Ï
JÎ ÏÎ JÎ ÏÎ JÎ ÏÎ JÎ ÏÎ JÎ ÏÎ JÎ ÏÎ JÎ ÏÎ Ï Ï
J J J J J J J
# Î äÎ j Ï JÏ Ï ÏJ Ï Ïj Ï Ïj Ï Ïj Ïj ä Ïj Ï Ïj Ï Ïj Ï Ï ÏJ Ï ÏJ
Scaphio and Phantis:
V Ï
Ï #Ï Ï Ï Ï Ï Ï
# ÏÏÏÏäÏ ÏÏ
It means com-plete in - dif- fer-ence. Of course it does Of course it does It means com-plete in-
& ä J ä Ïj ÏÏ Ïj ÏÏj ä Ïj ÏÏ Ïj ÏÏj ä Ïj ÏÏ Ï Ï ÏÏ ä ÏÏ

ÏÏ Ï .. Ï ÏÏ Ï .. Ï ÏÏ Ï Ï
Ï Ï ÏÏ ÏÏ Ï j j j j j
Ï
?# JÎ Ï Î Ï Ï
Ï Ï Ï. Ï ä Ï Ï. Ï äÏ Ï j ä
J Î J Î JÎ Î
J Ï Ï. Ï Ï Ï. Ï Ï Ï Ï Ï Ï
# j
Ï Ï Ï ä Ïj Ï Ïj Ï Ïj Ï Ïj Ï Ïj Ï ä ä ÏJ ä ä Ïj ä ä Î j Ï Ïj Ï j
j j
King: Scaphio and Phantis:
V
f AsÏ we've a dance forÏ
# j Ïj J j Ï .
dif - fer- ence. ...in - dif-fer-ence in - dif-fer-ence in - dif - fer - ence!
j j j j j j j
ÏÏ ä Ï Ï ä Ï ÏÏ Ï ÏÏ ä Ï ÏÏ Ï ÏÏ ä Ï ÏÏÏ ä ä Ï ä ä Ï ä ä j ÏÏÏ Ï ä Ï
& Ï ÏÏ ÏÏ ÏÏ Ï .. Ï ÏÏ Ï .. Ï ÏÏ
j j j j j j F ÏÏ ÏÏ
?# ä jä j Ï . Ï ä Ï Ï . Ï ä Ï j ääÏ ää Ï Ï
ä ä Î ä JÎ Ï Î
Ï Ï Ï Ï Ï . Ï Ï Ï . Ï Ï ÏÏ Ï Ï J
# j j j j j
(KING dancing quietly, SCAPHIO and PHANTIS dancing furiously)
V j
Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï j j Ï Ï Ï j Ï Ï Ï Ïj Ï JÏ Ï Ïj
Ï
# Ï Ï ÏÏ Ï Ï Ï Ï Ï Ï Ï Ï
Ï ä Ï Ï ä Ï Ï Ï # Ï Ï ä Ï Ï ä Ï Ï ä Ï Ï Ï# Ï Ï ä
ev - 'ry mood, With pas de trois we will con-clude. What this may mean you all may guess It typ - i-fies re -
& ä
Ï Ï ÏÏÏ ÏÏ ÏÏÏ ÏÏ ÏÏ Ï ÏÏ Ï
? # ÏÏ Î ÏÏ Î ÏÏ Ï
JÎ
J J JÎ ÏÎ
J JÎ ÏÎ
J JÎ ÏÎ
J
ÏÎ
J
JÎ ÏÎ
J
- 158 -
#
V œ œ œ j œ Jœ œ j œ Jœ œ ‰ Œ ‰ Œ ‰ Œ ‰ Œ j œ Jœ œ j
J œ œ œ œ
morse-less-ness re - morse-less-ness re - morse-less-ness Re - morse-less-ness re -
#
Œ ‰ Œ j œ œj œ j œ œj œ j œ Jœ œ j
King:
V ∑ ∑
pœ œ œ œ
# œœœ œ œ œœ œ
It means un - ruf-fled cheer-ful-ness! It means un - ruf-fled
& J‰J œ œ ‰œ œ ‰ œ œ ‰ œ œ œ # œ œ ‰ œ œ ‰ œ œ ‰ œ œ œ# œ œ ‰
œ œ œ œœ œœ œœ œœ œœ œœ œœ
? # Jœ Œ œ Œ œœ Œ œŒ œ Œ œŒ œ
JŒ œŒ œ
JŒ œŒ
œœ
JŒ
œ
œŒ
J J J J J J J J
# œ œ œ œ œ
4
œ œ œ œ j
V J j R R R R J œ ‰‰Œ ‰ ∑ ∑ ∑
œ
morse-less-ness It typ - i- fies re-morse-less - ness!
# œ œ œ œ œ œ œ œ œ j‰‰Œ ‰
4 (KING dances off placidly as SCAPHIO and PHANTIS dance furiously)
V J j J œ ∑ ∑ ∑
œ R RR R
œ # œ œœ œ
cheer - ful- ness It means un-ruf-fled cheer - ful - ness!
œ œ œ œ œ œ œ # œ œ œ œ œœ
# œœ œ J ‰‰œœœ J‰‰œ ‰‰ j
& ‰ œ ‰‰Œ ‰
J
œœ œ œœ œ
œœ
? # J Œ œŒ J Œ
œ œœ œŒ œœ œœ œ œœ œj
J ‰‰Œ ‰ J‰ ‰ J‰ ‰ J ‰ ‰ ‰ ‰ j
J J œ œ ‰‰Œ ‰
œ
Phantis: (breathless) He's right—we are helpless! He's no longer a human being—he's a Corporation, and
so long as he confines himself to his Articles of Association we can't touch him! What are we to
do?
Scaphio: Do? Raise a Revolution, repeal the Act of Sixty-Two, reconvert him into an individual, and insist
on his immediate explosion! (TARARA enters.) Tarara, come here; you're the very man we want.
Tarara: Certainly, allow me. (Offers a cracker to each; they snatch them away impatiently.) That's rude.
Scaphio: We have no time for idle forms. You wish to succeed to the throne?
Tarara: Naturally.
Scaphio: Then you won't unless you join us. The King has defied us, and, as matters stand, we are helpless.
So are you. We must devise some plot at once to bring the people about his ears.
Tarara: A plot?
Phantis: Yes, a plot of superhuman subtlety. Have you such a thing about you?
Tarara: (feeling) No, I think not. No. There's one on my dressing-table.
Scaphio: We can't wait—we must concoct one at once, and put it into execution without delay. There is not
a moment to spare!
- 159 -
No. 21. With wily brain upon the spot

Tarara, Phantis, and Scaphio
#### 2
V # 4 Å · · · Î ä Ïj Ï Å Ï Ï Å Ïr
Tarara:
p J R J
#### 2
With wi - ly brain up-
V # 4 Å · · · Î ä Ïj Ïj Å Ïr Ïj Å Ïr
Scaphio:
p
#### 2
With wi - ly brain up-
V # 4 Å · · · Î ä Ïj j Å r j Å Ïr
Phantis:
pWith wiÏ - lyÏ brain

Ï
.
ÏÏ ÏÏ Ï. ÏÏ ÏÏ. ÏÏ. ÏÏ. ÏÏ. Ï. Ï. ÏÏ
up-
? # # # # 24 Ï ÏÏ Å ÏÏ ÏÏ Å Ï Ï
Ï Ï J ä ä ÏJ JÏ ä
Andante misterioso
# R Å Î
p staccato
? # # # # 24 Å ÏÏ Å ÏÏ ÏÏj ä j j
ÏÏ Å ÏÏ ÏÏ Ï Ï Ï Ï Ï Ï Ï ÏÏ ä ä ä ÏÏ ä Î
# Ï ÏÏÏÏÏ Ï
## ## r j j
V # Ï Å Ï Ï RÏ ÏR ÏR ÏJ ä ÏJ ä Ï ää Ïj ÏJ Å ÏR ÏJ Å Ïr ÏJ Å ÏR ÏR Ï Ï Ï Ï ä Ï ä
J R R J R R
## ## j r j j rj j r r j j
# Ï Å Ï r Ï Ï Ï Ï ä Ï ä Ï ää Ïj Ï Å Ï Ï Å Ïr Ï Å Ï Ï Ïr Ïr Ïr Ï ä Ï ä
on the spot A pri-vate plot we'll plan, The most in-gen - ious pri - vate plot Since pri-vate plots be -
V ÏRR R J J
## ##
j j
V # ÏjÅ Ïr Ïr Ïr Ïr Ïr Ïj ä Ïj ä ÏJ ää Ïj Ïj Å ÏrÏjÅ Ïr Ïj Å Ïr Ïr Ïr Ïr Ïr Ï ä Ï ä
# Ï ÏÏ ÏÏ ÏÏ ÏÏ Ï Ï ÏÏ ÏÏ Ï Ï Ï Ï Ï
? ## # Ï ä Å
# J J ä ÏJ ä ÏJ ää ÏJ Ï
Jä Î
Ïä
J Å Ï Ï Ï ÏJ äÜ Ï ä
J
j j
? # # # # ÏÏjä Å Ï Ï Ï Ï ä Ï ä ÏÏj äÎ jä Î jä Å jä jä
# ÏÏ Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
#### j j j j r r
- 160 -
j
V # Ïj ä ä Ïj Ï Å ÏR Ï Å Ïr Ï Å ÏR Ï Å Ïr ÏR Ï ÏR Ï ÏJ Ï
#### r r r r j j
gan. That's un - der -stood. So far we've got, And strik - ing while the i - ron's
V # Ïj ä ä Ïj Ü Ïj Å Ï Ïj Å Ïr Ü Ïj Å Ï Ïj Å Ïr Ï Ü Ïr Ï Ïr Ï Ï
####
V # j ä ä j j Å r j Å r j Å r j Å r r r r r j # Ïj
Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
? #### Ï ä ä Ï Ü ÏÏ Å ÏÏ ÏÏ Å Ï Ü ÏÏ Å ÏÏ ÏÏ Å Ï ÏÏ Ü ÏÏ ÏÏ ÏÏ ÏÏ # ÏÏ
# J J
? #### · jä Î j ä Î
#
Ï Ï Ï Ï Ï Ï ÏÏ n ÏÏ
#### Ï j j
V # ÏJ ä ä Ïj JÏ Å ÏR ÏJ Å Ïr ÏJ Å ÏR ÏJ J ÏR RÏ ÏR ÏR Ï Ï 68 ÏJ ä ä Î ä
####
hot, We'll now de - ter - mine like a shot The de- tails of this pri- vate plot.
V # JÏ ä ä Ïj Ïj Å Ïr Ïj Å Ïr Ïj Å Ïr Ïj ÏJ ÏR RÏ Ïr Ïr Ïj Ïj 68 Ïj ä ä Î ä
####
V # Ïj ä ä n Ïj Ïj Å Ïr Ïj Å Ïr Ïj Å Ïr Ïj Ïj Ïr Ïr Ïr Ïr Ïj Ïj 68 Ïj ä ä Î ä
ÏÏ ÏÏ Ï Ï Ï Ï Ï AllegroÏ con brio
? # # # # n ÏÏ ä ä Ï ÏÏ ÏÏ Ï Ï Ï Ï Ï 6 Ï ääÎ
# J J J ä Î J ä ä J 8 J ä&
p
? #### j j j j j
Ï 6 j ÏÏÏ ÏÏÏ ÏÏÏ ÏÏ ÏÏ
ÏÏ
# ÏÏ ä ä ÏÏ ÏÏ ä Î ÏÏ ä ä ÏÏ Ï Ï Ï Ï Ï 8 ÏÏ
Ï Ï Ï Ï Ï Ï
#### · · Î äÎ Ï Ï Ï Ï ä · ·
V #
Scaphio:
J J
# # # # Î ä Î ÏJ Ï ä ä Î ÏJ Ï ä ä ä Ï Ï Ï Ï Ï Ï Ï ä ä Î ÏJ Ï ä ä Î ÏJ
I think we ought (whispers)
& # J J ÏÏ J J
j
Ï Ï Ï Ï Ï Ï ÏÏÏ ÏÏ Ï Ï Ï Ï Ï Ï Ï ÏÏ Ï ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ j ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ
? # # # # ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ j Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ïú . Ï Ï Ï Ï
# Ï J ääÎ ä Ï
Ï Ï
- 161 -
####
# Î ä Î ÏJ Ï JÏ Ï ÏJ Ï ä Î ä ÏJ ä ä ä Ïj Ïj ÏJ ä ä Î ä ·
L Phantis:
V
Tarara & Phantis:
# # # # Ï ä ä ä Ï Ï Ï Ï Ï Ï Ï Ï Ï ä ä Î Ï ä Ï# Ï ä Ï ä Ï #Ï ä Ï ÜÏ ä Ï Ï Ïn Ï
Such bosh I nev - er heard! Ah! hap-py thought! (whispers)
& # J J J Ï Ï
j
Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ÏÏÏÏÏ Ï ÏÏ Ï Ï ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ
? # # # # Ï Ï Ï Ï Ï Ï Ïú . Ï Ï Ï Ï Ï ÏÏ Ï Ï Ï Ï Ï Ï Ï Ï ÏÏ ÏÏ Ï ÏÏÏ ÏÏ Ï
# J ääÎ ä
#### j j
Î ä Î Ï Ï Ï Ïj Ï ÏJ Ïj ä ä Î ä n Ï . n Ï Ï
Tarara & Scaphio:
# · ·
Tarara:
V J J
. . .
Ï .
Ï . . - surd!
Ï n Ï Ï
#### Ï . Ï ä Ï ä Ï # Ï ä Ï Ï ä Ï# Ï ä Ï Ï Ï Ï Ï nÏ
How ut-ter-ly dash'd ab I'll tell you
# J J Ï J ääÎ J J ääÎ J
&
Ï Ï Ï Ï Ï Ï ÏÏ Ï Ï ÏÏ ÏÏÏ Ï ÏÏ nÏ Ï Ï Ï Ï
? # # # # Ï Ï Ï ÏÏ ÏÏ ÏÏ Ï Ï Ï ÏÏ ÏÏ ÏÏ Ï Ï Ï ÏÏ ÏÏ ÏÏ n ÏÏÏ ÏÏÏ ÏÏÏ # ÏÏÏ ÏÏÏ ÏÏÏ ÏÏ Ï Ï Ï Ï Ï n Ï n ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ
#
#### j nÏ ä ä Ï Ï
# nÏ ä ä Î ä · · · ·
Phantis & Scaphio:
V J J
n Ï Ï
# # # # Ï ä ä än Ï Ï Ï Ï Ï Ï Ï n Ï n ÏJ ä ä Î J n ÏJ ä ä Î J Ï ä ä ä n Ï Ï Ï Ï Ï Ï Ïn Ï
how (whispers) Why, what put
& # J J
n n ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ú n. ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ nn ÏÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ n n ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ n n ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ú .n ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ
#
? ## # Ï Ï Ï Ï Ï Ï J ä ä Î ä nÏ Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
#
#### nÏ j j j O Ï n ÏjÏj Ïj ä ä
Scaphio:
V # J nÏ Ï Ï ä ä · · J · ·
# # # # n ÏJ Ï n Ï# Ï Ï Ï n Ï# Ï n Ï Ï n Ï# Ï n Ï
that in your head? I've got it now (whispers)
& # ä ä Î JÏä ä ä ä Ï än Ï # Ï ä Ï ä ä #Ï ä Ï Ï ä Ï
n n ÏÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ Ï Ï Ï Ï n Ï Ï Ï Ï Ï Ï Ï Ï n Ï Ï Ï Ï # ÏÏ ÏÏ n Ï Ï
? # # # J ä ä Î ä Ïn Ï Ï Ï Ï n Ï Ï Ï Ï Ï Ï n Ï Ï Ï Ï
# n Ï Ï Ïn Ï Ï Ï Ï Ï Ï Ï
# nÏ nÏ nÏ
- 162 -
#### j jä j j j j Ï ä Ï Ï j j
# Î ä Î n ÏJ ÏJ # ÏJ n ÏJ # Ï Ï ä ä Ïj ä Ïj
Tarara & Phantis: Phantis: Tarara: Scaphio:
V Ï Ï Ï Ï Ï Ï J J J Ï Ï J
ÏÏ Ï Ï nÏ Ï Ï Ï Ï
Ï Ï Ï ÏÏ
Oh, take him a - way to bed! Oh, put him to bed! Oh, put him to bed! What! put
#### Ï ä Ï nÏ Ï # Ï. n Ï. Ï Ï Ï j Ï #Ï Ï
& # Ï J Ï J
? # # # # ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ Ï ÏÏÏ ÏÏÏ ÏÏ ÏÏ ÏÏ Ï # ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ Ï ÏÏ
Ï ÏÏ ÏÏ Ï Ï Ï
# Ï Ï Ï Ï
# # # # Ï j j Tarara j j j j j j j j j j j j
# J ä# Ï Ï ä Ï Ï Ï # Ï Ï Ï Ï Ï ääÎ Ï Ï Ï Ï Ï ÏJ ää Î ÏJ # ÏJ ÏJ ÏJ Ï Ï
& Phantis: Scaphio: Phantis:
V
Ï Ï Ï #Ï Ï Ï Ï Ï #Ï Ï Ï Ï Ï
me to bed? Yes, cer-tain - ly put him to bed! But, bless me, don't you see Do lis-ten to me, I
#### J äää
P
äÏ Ï äÜ Ï Ï Ï Ï ä Ï # Ï ä ÏÜ Ï ä Ï
& # ÏÏ Ï Ï
ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ Ï ÏÏ Ï ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ú#.ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ
? #### Ï Ï Ï
ä Ï äÏ Ï ÏÏÏ ÏÏ ú . Ï
# Ï J
#### j j j j Ï Ï j j
# J ä ä Î Ï Ï Ï # Ï J Ï ä ä J ä ä J Ï Ï # Ï Ï J ä J J # Ï J n Ï J J ä ÏJ
Tarara: Scaphio: Phantis: Tarara:
V J J J
pray It cer-tain -lyseems to me Bah! this is the on - ly way! It's rub-bish ab-surd you growl! You
####Ï nÏ Ï Ï Ï Ï Ï ÏÜ Ï# Ï Ï # Ï Ï Ï Ï Ï # Ï Ï Ï Ï Ï Ï Ï # Ï. Ï.
& # ä Ï ä Ï ä J ä J J ä#Ï ä ä ä
J
Ï Ï Ï Ï Ï Ï Ï ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ # ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ Ïn ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ
#
? ## # Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
# J Ï
#### Ï Ï Ï Ï j Ï Ï Ï Ï Ï j j j j j j
# Ï # Ï Ï Ï Ï Ï Ï
Scaphio: Q Phantis:
V # JJ JJ n Ï J J J JJ j j # Ï Ï n Ï Ï Ï Ï Ï
Ï Ï JJ J J
# # # # Ï. # Ï. Ï. Ï. Ï. Ï Ï # Ï. Ï. Ï. Ï n Ï
talk ri-dic - u -lous stuff! You're a driv - el-ing barn-door owl! You're a va-pid and vainold muff!You're a vain old
Ï
& # ä ä ä ä ä Ï ä Ï # Ï äÏ n Ï Ï Ï Ï Ï Ï
ÏÏ Ï Ï Ï Ï Ï Ï ÏÏ Ï Ï Ï Ï ÏÏ
? # # # # # Ï Ï Ï Ï Ï Ï Ï n Ï Ï Ï Ï Ï # Ï Ï Ï n Ï Ï Ï Ï ÏÏ ÏÏ n Ï ÏÏ ÏÏ Ï n Ï Ï Ï Ï Ï
cresc.
#
Vers 2.0 10 Oct 2011
- 163 -
#### Ï Ï Ï Ï Ï Ï Ï Ï ä Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ïj ä ä Î ä
V # Î äÎ
Tarara:
J J JJ J J J J J J J J J J J JJ J
####
You're talk-ing ri-dic - u - lous stuff! Ri - dic'-lous, ri - dic'-lous, ri- dic-u-lous stuff!
V # Ïj ä ä Î ä Î ä ä ÏJ ÏJ JÏ JÏ ÏJ Ï Ï Ï ä Ï Ï
J J J
Ï Ïj ä ä Î ä
J
####
muff! You're a va- pid and vain old muff, a vain old muff!
V # ä JÏ ÏJ ÏJ ÏJ JÏ Ï
Ï Ï ä Ï Ï Ï Ï Ï ÏÏ Ï Ï Ï Ï Ï jä äÎ ä
Scaphio:
J J J J J J J JJ J JJ J Ï
Ï Ï Ï
You're a driv-el-ing barn - door owl!
Ï #Ï Ï Ï
A driv-el-ing, driv - el-ing,
Ï Ï # Ï Ï Ï Ï#Ï Ï
driv - el-ing barn - door owl!
#
## # Ï # Ï Ï #Ï ä Ï Ï # Ï #Ï Ï ÏÏ
# ä ä ä J J
&
Ä
Ï Ï Ï Ï Ï # ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ f ÏÏ ÏÏ # ÏÏ ÏÏ ÏÏ Ï Ï Ï # ÏÏ ÏÏ ÏÏ Ï . Ï .
ÏÏ ÏÏ ÏÏ n Ï Ï Ï ÏÏ .. ÏÏ ..
? #### Ï ÏÏ ÏÏ Ï Ï Ï Ï Ï jÏ Ï n Ï Ï Ï
# Ï Ï Ï
#### j
Î ä Î Ïj Ï Ï
R Tarara, Phantis, & Scaphio:
· · Ï Ï Ï Ï Ï Ï Ï
(All, coming down to audience)
V # J J J J J
Ï
#### Ï Ï Ï Ï # Ï Ï n Ï. Ï. ? ÏÏ ä Ï Ï Ï Ï
Ï Ï Ï Ï
So far we have-n't quite solved the plot. They're
& # J Ï Ï Ï ÏÏ Ï ÏÏ ä ä
Ï
Ï. Ï. Ï
dim.
p
.
? # # # # ÏÏ . ÏÏ . . ÏÏ ÏÏ ä ÏÏ ÏÏ
# J ä ä Î ä Î ä Î Ïj ÏÏ ä ÏÏ ÏÏ ÏÏ ÏÏ ä ÏÏ
#### j j
V # Ï ÏJ ÏJ Ï ÏJ Ï ÏJ Ï Ïj ÏJ ÏJ ÏJ JÏ ÏJ ÏJ Ï ÏJ Ï Ï JÏ Ï Ï ÏJ Ï Ï Ïj Ïj
J JJ J J J
Ï Ï Ï Ï Ï Ï ÏÏ Ï Ï ÏÏ Ï Ï ÏÏ Ï Ï n ÏÏ Ï Ï Ï Ï Ï
? #### Ï ä Ï Ï Ï Ï
not a ve-ry in - gen - ious lot. But don't be un-hap-py, It's still on the ta-pis, We'll pres-ent-ly hit on a
ä ä Ï
#
? # # # # Ï ä Ï ÏÏ ÏÏ ÏÏ Ï ä Ï Ï ä Ï j j j j j j
# Ï Ï Ï Ï
ÏÏ ä ä ä ä Ï ä ä ä ä Ï
Ï ä äÏ ä ä
Vers 2.0 10 Oct 2011
- 164 -
####
V # Ïj JÏ ÏJ ÏJ ä ä · · · ·
Ï ä ÏÏ Ï Ï Ï Ï Ï Ï Ï Ï
? # # # # Ï JÏ ÏJ ÏJ ä Ï
cap - i - tal plot!
Ï Ï Ï ä Ï Ï ä ä Î ä Î ä Î J
# J &Ï Ï J J J
J J p
f ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ .. ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ
? # # # # Ï Ï Ï Ïj ä ä Ï Ï Ï Ï Ï. Ï ä
# Ï Ï Ï Ï Ï ä Ï Ï
Ï Ï
####
# · Î äÎ Ï Ï Ï Ïä ä · · Î äÎ Ï
Phantis:
V
Scaphio:
J JJ J
# # # # Ï ä ä Î JÏ Ï ä ä ä Ï Ï Ï ä ä Î ÏJ Ï ä ä Î ÏJ Ï ä ä ä
Sup - pose we all (whispers) Now
Ï ÏÏ ÏÏ Ï ÏÏ
S
& # J J J J J
j
? #### j ÏÏÏ ÏÏÏ ÏÏÏ ÏÏÏ ÏÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏú ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ
.
ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ j ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ
Ï
ÏÏ ÏÏ
# Ï J ääÎ ä Ï
Ï Ï
#### j Ï j Ï
V # Ï ÏÏ Ï Ï ä ä Î ä J ä ä Ï ä ä J ä ä JÏ ä ä · ·
J J
#### ÜÏ ä Ï Ï Ïn Ï Ï .
there I think you're right. Then we might all (whispers)
Ï ä ä Î Ï ä Ï# Ï ä Ï Ï ä Ï# Ï ä Ï Ï Ï
& # Ï ÏÏ Ï ÏÏ J J Ï JäJ
j
ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ Ï Ï Ï Ï Ï Ï ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ
Ï Ï Ï ÏÏ ÏÏ ÏÏ
? #### ú. Ï Ï ÏÏ ÏÏ Ï ÏÏÏ
# J ääÎ ä
#### j Ï n Ïjä ä Î
· Î ä Î Ï Ï Ï ÏJ ÏJ ÏJ Ï ä ä Î ä n Ï . Ï j ä
T
#
Tarara:
V J J
. . .
Ï .
Ï . Ï. might. n Ï Ï
#### Ï# Ï ä Ï Ï Ï Ï nÏ
That's true we cer-tain-ly I'll tell you what (whispers)
Ï Ï J J Ï Ï
& # Ï ä Ï # Ï ä Ï ä J ä ä Î J ääÎ J ä ä ä nÏ
ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ Ï Ï Ï Ï Ï Ï Ï nÏ Ï Ï Ï Ï nÏ Ï Ï Ï Ï Ï
#
? ## # ÏÏÏ Ï Ï Ï n ÏÏ ÏÏ ÏÏ # ÏÏ ÏÏ ÏÏ Ï Ï Ï Ï ÏÏ n Ïn ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ n ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ
#
- 165 -
#### j j
# · · · Î äÎ j j j j Ïj Ïj j n Ï ä ä Î Ï
Scaphio:
V nÏ n Ï Ï Ï Ï
nÏ nÏ Ï
# # # # Ï Ï Ï Ï Ï n Ï J ä ä Î J J ä ä Î J Ï ä ä ä n Ï Ï Ï Ï Ï Ï Ï n Ï J ä ä Î ÏJ
n Ï n Ï
We will if we pos-si -bly can. Then
& # J
ú n ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ n ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ n Ï Ï Ï Ï Ï n Ï Ï Ï Ï Ï Ï ú n ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ n ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ
? #### . nÏ n ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ n ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ . nÏ
# J ääÎ ä n Ï J ääÎ ä
#### j
# nÏ Ï Ïä ä · · · · Î ä Î Ïj
Tarara & Phantis:
V J
#### Ï ä n Ï# Ï ä n Ï Ï ä n Ï # Ï ä Ï Ï ä n Ï # Ï ä n Ï ä Ï ä
on the spot (whispers) Bra-
Ï Ï ä Ï nÏ
& # Ï än Ï # Ï ä #Ï Ï Ï Ï J
n ÏÏ ÏÏ ÏÏ ÏÏ n Ï Ï Ï Ï n ÏÏ ÏÏ ÏÏ ÏÏ n Ï Ï Ï Ï # ÏÏ ÏÏ n Ï Ï ÏÏ ÏÏ ÏÏ ÏÏ
? #### Ï n Ï Ï Ïn Ï Ï Ï Ï n Ï n Ï Ï Ï n Ï Ï Ï Ï Ï Ï Ï
# nÏ Ï Ï
# # # # Ï ä Ï Ï Ï Ï j äää j j Ïj ÏjÏj Ï j Ï ääÎ Phantis:

Ï # Ï Ï Ï Ï j Ï ä ä Î j
#
Scaphio: Tarara:
V J JJ J J Ï Ï Ï Ï J J J JJ Ï J Ï
# # # # Ï# Ï. n Ï. Ï ÏÏ nÏ Ï Ï
vo! a cap-i -tal plan! That's ex - ceed-ing-ly neat and new! Ex- ceed-ing-ly new and neat! I
# Ï Ï Ïj äää
U
ä Ï Ï äÜ Ï Ï ä # Ï ä Ï Ü Ï ä Ï Ï äÏ
& Ï Ï Ï ÏÏ
? # # # # Ï ÏÏ ÏÏ Ï ÏÏ ÏÏ j ÏÏÏ Ï Ï ú.ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ Ï ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ú#.ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ Ï ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ

# Ï J J
#### j Ï Ïj ä ä Ï . j j Ïj # Ï Ï j Ï ä Phantis:
# Ïj Ï # Ï Ï Ï Ï Ï Ï j jä Ï
Scaphio:
V Ï Ï Ï
Tarara:
J J JJ J J J Ï Ï J
# # # # Ï Ï Ï Ï ÏÜÏ # Ï Ï # Ï Ï Ï Ï Ï # Ï Ï Ï Ï Ï Ï Ï # Ï. Ï.
fan-cy that that will do. It's cer -tain-ly ve-ry com - plete. Well done, you sly old sap! Bra-
& # ä ä J J J J ä
ä ä # Ï ä ä
# ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ # ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ n ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ
? ## # Ï Ï Ï Ï Ï Ï
# Ï
- 166 -
#### j
# Ï Ï Ï # Ï Ï Ïj ä Ï Ï Ï Ï Ï j j ä Ï Ï ÏJ Ï Ï n Ï Ïj Ï j
Phantis:
V Ï
Scaphio:
J J J J J J JJ Ï Ï J
# # # # Ï. ä # Ï. Ï. ä Ï. .
vo, you cun - ning old mole! You ve-ry in - gen - ious chap! You in - tel-lect - ual, in - tel-lect - ual
# Ï. ä Ï Ï # Ï. Ï. V Ï ä Ï n Ï ä Ï Ï ä Ï # Ï ä Ï n Ï Ï Ï Ï Ï Ï
&
Ï Ï Ï Ï Ï Ï ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ
Ï n Ï Ï Ï Ï Ï # Ï Ï Ï n Ï Ï Ï Ï ÏÏ ÏÏ n Ï ÏÏ ÏÏ Ï n Ï Ï Ï Ï Ï
cresc.
? #### #Ï Ï Ï Ï Ï Ï
#
####
# Î ä Î JÏ Ï ÏJ ÏJ ÏJ ÏJ ÏJ ä ÏJ ÏJ ÏJ ÏJ ÏJ JÏ ÏJ ÏJ ÏJ ÏJ Ïj ä ä Î ä
Tarara:
V
#### j
Bra - vo! you cun-ning old mole, You cun-ning, you cun-ning, you cun-ning old chap!
V # Ï ää Î ä Î ä Î Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ïj ä ä Î ä
J J J J J J J J J J J
####
soul! You in - tel - lect - u - al, lect - u - al, lect - u - al chap!
V # Î Ï Ï ÏÏ Ï Ï Ï ä Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ïj ä ä Î ä
Scaphio:
J J JJ J J J J JJ J J J J J J J
Ï # Ï Ï Ï Ï # Ï Ï #Ï Ï Ï# Ï Ï
You ve-ry in - gen - ious chap, You ve - ry in - gen-ious, in - gen-ious, in - gen - ious chap!
#### Ï # Ï Ï Ï Ï # Ï Ï Ï Ï ÏÏ
& # ä ä Ï #Ï ä ä Ï J J
Ä
Ï Ï Ï Ï Ï # ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ f Ï Ï # ÏÏ ÏÏ ÏÏ Ï Ï Ï # ÏÏ ÏÏ ÏÏ Ï .. Ï ..
? #### Ï Ï Ï ÏÏ Ï Ï Ï Ï Ï j ÏÏ ÏÏ n Ï Ï Ï ÏÏ ÏÏ ÏÏ n Ï Ï Ï ÏÏ . ÏÏ .
# Ï Ï Ï
#### j j
Ï Ï Ï Ï Ï
(All, coming down and addressing audience)
· · Î äÎ Ï Ï Ï
Tarara, Phantis, & Scaphio:
V # Ï Ï J J J J J
Ï
At last a cap - i - tal plan we've got. We
#### Ï Ï Ï Ï # Ï Ï n Ï. Ï. ?
W Ï
Ï ä
ä ä
& # J ÏÏÏ ÏÏ Ï Ï
ÏÏ
Ï. Ï. Ï
dim.
p
.
? # # # # ÏÏ . ÏÏ . . ÏÏ ä ä Î ä Î ä Î j Ï ä Ï Ï Ï Ï Ï ä Ï Ï ä Ï
# J Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
Vers 2.1 21 Oct 2011

#### j
- 167 -
Ï Ï Ï Ï Ï Ï Ï j Ï Ï Ï ÏJ Ï Ï ÏJ Ï
V # Ï J J J J Ï ÏJ J JÏ ÏJ J ÏJ J J J J
Ï Ï Ï Ï Ï Ï Ï ÏÏ Ï Ï ÏÏ Ï Ï ÏÏ Ï Ï
Ï äÏ Ï Ï Ï
won't say how and we won't say what. It's safe in my nod -dle, Now off we will tod- dle, And
? #### ä ä
#
? #### Ï Ï Ï j j j j
Ï äÏ Ï äÏ Ï Ï
# ÏÏ ä ÏÏ Ï Ï Ï Ï Ï Ï Ï
ÏÏ ä ä
Ï
ä ä Ï ä ä
Ï Ï
ä ä
#### Ï Ï Ï j j j j Ï Ï Ï ä j Ï Ï jÏ Ï Ï Ï Ï Ï jÏ
V # J Ï Ï Ï Ï Ï Ï Ï
J J J J J fÏ Ï J J J J J Ï J J J
Ï ÏÏ Ï Ï Ï Ï Ï ÏÏ Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
sly-ly de-vel-op this cap - i -tal plot! At length a cap - i - tal plan we've got. We won't say how and we
? ## # nÏ# Ï Ï JJ Jä Ï Ï Ï Ï J
# J &Ï Ï ä Ï Ï Ï Ï J
äÏ Ï Ï Ï
J
j f ÏÏ Ï Ï Ï Ï Ï Ï Ï Ï Ï
? # # # # Ïj ä ä Ï ä ä ÏÏ ÏÏ ÏÏ ÏÏj ä ä Ïj ä ÏÏ ÏÏ ÏÏ ÏÏ Ïj ä ÏÏJ ÏÏ ÏÏJ Ïj ä ÏÏ ÏÏ ÏÏ ÏÏ
# Ï J J
Ï Ï Ï Ï
#### Ï Ï j Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ïj Ïj j j Ï Ï Ï ä ä
V # J Ï Ï J J J J J J J J J J J J J JJ Ï Ï JJ J
Ï
# # # # Ï ÏÏ Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ÏÏ
won't say what. It's safein my nod-dle, Now off we will tod-dle, And sly-ly de-vel-op this cap - i-tal plot!
& # ä Ï J Ï Ï Ï äÏ
J J
j ÏÏ ÏÏ ÏÏ ÏÏ Ï Ï Ï Ï ÏÏ ÏÏ ÏÏ ÏÏ Ä
? # # # # Ï ä Ï Ï Ï ÏJ ä ä ÏÏ ä ä ÏÏ ä ä ÏÏ ä ä ÏÏ ä ä Ï ä ä Ïj Ï Ï Ï ä Ïj
# Ï J J J J J J J J
Ï
# # # # ÏÏÏ ä ä Î ÏÏÏ ÏÏ ä ä ä Ï Ï Ï Ï Ï Ï Ï Ï Ï ä ä Î ÏÏÏ ÏÏÏ ä ä Î ÏÏÏ ÏÏ ä ä ä Ï Ï
(Business. Exeunt SCAPHIO and PHANTIS in one direction, and TARARA in the other.)
& # J
J J J J J J J
ÏÏ ÏÏÏÏÏÏ Ï ÏÏ
? # # # # j ä ä Î j j ä ä ä ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ä ä Î j j ä ä Î j j ä ä ä ÏÏ ÏÏ
# Ï Ï Ï J Ï Ï Ï Ï
Ï Ï Ï Ï Ï Ï Ï
#### Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
& # Ï J ä ä Ï Ï Ï Ï ä ä Ï Ï Ï Ï ä ä Ï ä ä ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ä ä Î ä
J J J J
ÏÏÏÏÏÏ Ï ÏÏÏ Ï ÏÏÏ Ï Ï
? # # # # ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ä ä ÏÏ ÏÏ ÏÏ ÏÏ ä ä ÏÏ ÏÏ ÏÏ ÏÏ ä ä ÏÏ ä ä j
# J J J J ÏÏÏÏÏÏ Ï ääÎ ä
Vers. 2.1 21 Oct. 2011
ÏÏÏÏÏÏ Ï
- 168 -
(Enter LORD DRAMALEIGH and MR. GOLDBURY.)
Lord D.: Well, what do you think of our first South Pacific Drawing-Room? Allowing for a slight dif-
ficulty with the trains, and a little want of familiarity with the use of the rouge-pot, it was, on the
whole, a meritorious affair?
Goldbury: My dear Dramaleigh, it redounds infinitely to your credit.
Lord D.: One or two judicious innovations, I think?
Goldbury: Admirable. The cup of tea and the plate of mixed biscuits were a cheap and effective inspiration.
Lord D.: Yes—my idea entirely. Never been done before.
Goldbury: Pretty little maids, the King's youngest daughters, but timid.
Lord D.: That'll wear off. Young.
Goldbury: That'll wear off. Ha! here they come, by George! And without the Dragon! What can they have
done with her?
(Enter NEKAYA and KALYBA timidly.)
Nekaya: Oh, if you please, Lady Sophy has sent us in here, because Zara and Captain Fitzbattleaxe are
going on, in the garden, in a manner which no well-conducted young ladies ought to witness.
Lord D.: Indeed, we are very much obliged to her Ladyship.
Kalyba: Are you? I wonder why.
Nekaya: Don't tell us if it's rude.
Lord D.: Rude? Not at all. We are obliged to Lady Sophy because she has afforded us the pleasure of
seeing you.
Nekaya: I don't think you ought to talk to us like that.
Kalyba: It's calculated to turn our heads.
Nekaya: Attractive girls cannot be too particular.
Kalyba: Oh pray, pray do not take advantage of our unprotected innocence.
Goldbury: Pray be reassured—you are in no danger whatever.
Lord D.: But may I ask—is this extreme delicacy—this shrinking sensitiveness—a general characteristic
of Utopian young ladies?
Nekaya: Oh no; we are crack specimens.
Kalyba: We are the pick of the basket. Would you mind not coming quite so near? Thank you.
Nekaya: And please don't look at us like that; it unsettles us.
Kalyba: And we don't like it. At least, we do like it; but it's wrong.
Nekaya: We have enjoyed the inestimable privilege of being educated by a most refined and easily
shocked English lady, on the very strictest English principles.
Goldbury: But, my dear young ladies—
Kalyba: Oh, don't! You musn't. It's too affectionate.
Nekaya: It really does unsettle us.
Goldbury: Are you really under the impression that English girls are so ridiculously demure? Why, an
English girl of the highest type is the best, the most beautiful, the bravest, and the brightest
creature that Heaven has conferred upon this world of ours. She is frank, open-hearted, and
fearless, and never shows in so favorable a light as when she gives her own blameless impulses
full play!
- 169 -
Nekaya and Oh, you shocking story!
Kalyba:
Goldbury: Not at all. I'm speaking the strict truth. I'll tell you all about her.
No. 22. A wonderful joy our eyes to bless

Mr. Goldbury
? b b 6 .. j j Ïr Ï Ï Ï
Mr. Goldbury:
bbb 8 · · · Î ä Î Ï ÏR Ï . . J J
pR
>Ï >Ï 1.2. With
Ï
A won - der-ful joy our
j Ï Ï Ï
Allegro con spirito
bb Ï
6 .. Å Ï Ï Ï Å Ï Ï Ï Ï Å Ï J ä Ï Ï ä ä Î ä jä ä jää
a ten mile spin she
&bbb 8 Ï Ï Ï J J J ÏÏ ÏÏ
Ï Ï Ï
f ÏÏ Ï Ï Ï Ï >Ï j p
? bb 6 .. Ï Å Ï Ï Ï Ï Ï Ï J J j j
bbb 8 J Å Å ä Ï Ï ä ä Î ä Ï ä ä Ï ää
J >Ï Ï Ï
j j. r j 2. downstem
j Ï ä j Ï Ï Ï Ï Ï ÏÏ Ïj Ïj n Ïr Ïr Ï Ï Ïj . n ÏrÏj Ï Ï
r
1. upstem
? b b ÏJ Ï Ï Ï Ï.. J J Ï J ä J . J J Ï ÏJ
bbb J
J J J
eyes to bless, In her mag-ni -fi-cent come-li-ness, Is an Eng - lish girl of e - lev'n stone two, And
bb j j ä ä jä ä jää Î
stretch- es her limbs. She golfs, she punts, she rows, she swims. She plays, she sings, she dan - ces too, From
& b b b ÏÏ ä ä Î ä ÏÏ ÏÏ ÏÏ ä ÏÏ äÏ Ï ä Ï Ï äÏ Ï äÏ
ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ
Ï Ï Ï Ï Ï
? b b b Ïj ä ä Î ä j j
Ï ä ä Ïä ä
j
Ï ää Î ä äÏ Ï ä Ï Ï äÏ Ï äÏ
bb Ï
Ï Ï Ï Ï Ï ÏÏ Ï Ï Ï Ï Ï
Ï j jÏÏ Ï Ï Ï j j j j j
Ï Ï Ï.. J Ï Ï nÏ
? bb
bbb R RJ R J ä Î äÎ Ï Ï Ï Ï Ï Ï Ï
J J J ä
Ï
five foot ten in her dan-cing shoe! She fol-lows the hounds, and on she pounds. The
bb j
ten or e -lev -en till all is blue!
Ï Ï Ï
Ï
At ball or drum till small hours come,
& b b b ÏÏ ä ÏÏ ÏÏ ä ÏÏ ÏÏ ä ÏÏ ÏÏ ä JÏ J ä ä Î ÏÏj j j j
ÏÏ ÏÏ ÏÏ Å ÏÏ ÏÏ ÏÏ ÏÏ Å ÏÏ n ÏÏ ÏÏ ÏÏ Å ÏÏ ÏÏ ÏÏ ÏÏ Å ÏÏ
j
Ï Ï Ï Ï Ï Ï Ï f pÏ Ï Ï Ï Ï ÏÏÏ Ï Ï Ï Ï Ï Ï Ï Ï Ï
? bb b ä j j j
bb Ï Ï Ï ä Ï ÏäÏ Ï ä Ï Ï ä ä Î Ïj Ï ä Ï Ï ä Ï Ï ä Ï Ï ä Ï
Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
Vers. 2.0 10 Oct 2011
j r
Ï Ïj Ï Ï Ï Ï Ï Ï Ï .
- 170 -
j rr Ï RÏ Ï ä äÏ Ï . .
? bb Ï Ï Ï Ï Ï Ï nÏ J J J J J
Ï
J
bbb J J J J J R J
"field" tails off and the muffs dim - in-ish. O - ver the hedg - es and brooks she bounds,
bb j j j
Å Ï Ï Ï Ï Å Ïj j j
(Cha- per -on's fan con - ceals her yawn-ing), She'll waltz a - way like a tee - to - tum, And
j j
& b b b ÏÏ ÏÏ ÏÏ Å ÏÏ ÏÏ ÏÏ ÏÏ Å ÏÏ n ÏÏ ÏÏ ÏÏ Å ÏÏ ÏÏ ÏÏ ÏÏ Å ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ Å ÏÏ ÏÏ ÏÏ ÏÏ Å ÏÏ
Ï ÏÏ Ï ÏÏÏ Ï ÏÏÏ Ï Ï Ï Ï Ï ÏÏÏ ÏÏÏ Ï ÏÏÏ Ï
? bb b ä Ï Ïj ä ä Ïj ä ä j j
bb Ï ä Ï Ï ä Ï Ï ä Ï Ï Ï ä ä Ï ä ä
Ï Ï Ï nÏ nÏ Ï Ï
? b b b J . n ÏR J n Ï Ï J J J J ä Î äÎ Ï Ï J j j n Ï n Ï n Ï Ï n Ï n Ï Ï ä
Ï
bb J J J J
Ï
Straight as a crow from find to fin-ish. At crick-et her kin will lose or win
jn Ï Ï Ï Å Ïj n Ï Ï Ï Å Ïj Ï Ï Ï Ån n ÏÏÏ n ÏÏ ä ä Î ä A j ä ä j ä ä j ä ä Î ä
nev - er go home till day - light's dawn-ing. Lawn ten - nis mayshare her fav - ors fair, Her
b bbb Å
& b n n ÏÏ ÏÏ ÏÏ ÏÏ Ï Ï Ï Ï n ÏÏ ÏÏ ÏÏ ÏÏ n Ï Ï Ï J J n ÏÏ ÏÏ n ÏÏ
Ï Ï Ï Ï ÏÏÏ Ï ÏÏÏ n Ï n Ï n Ï
f p
? b b j ä ä j ä ä j ä ä Ïj ä Ïj Ïj ä ä Î ä Ïj ä ä Ïj ä ä Ïj ä ä Î ä
b b b nÏ Ï nÏ
nÏ Ï nÏ Ï Ï Ï Ï Ï Ï
j j Å Ïr Ï . n Ï n Ï r r
j n Ïj Ï n Ï . Ï Ï n Ï Ï Ï # Ï Ï . n Ï n Ï # Ï b Ï Ï
? bb b n Ï J J R J n Ï J R J J J ä n Ï J R J J ä ä
bb J J Jä
She and her maids on grass and clo-ver, E - lev - en maids out, e - lev - en maids in, And per-
b
eyes a - dance and her cheeks a-glow-ing Down comes her hair, but what does she care?
& b b b b n Ïj ä ä Ïj ä ä n Ïj ä ä Î ä ä ä ä
# # ÏÏÏ ÏÏÏn n # ÏÏÏ ÏÏÏ # # ÏÏÏ ÏÏÏn n # ÏÏÏ
ä ÏÏ
n ÏÏ n ÏÏ n ÏÏ Ï
? b b Ïj ä ä Ïj ä ä Ïj ä ä Î ä nÏ ä Ï nÏ ä Ï nÏ ä Ï nÏ ä Ï
bbb nÏ Ï nÏ Ï nÏ Ï nÏ Ï
Ï Ï Ï
Ï . n Ï Ï b JÏ . Ï Ï n Ï Ï Ï Ï ú Ï. Ï Ï Ï Ï Ï Ï
? bb b
bb J R J JJ J ä . J ä J J J
haps an oc - ca - sion - al "maid - en o-ver"! Oh!
} Go search the world and
j Ï B ÏÏ n ÏÏ b ÏÏ
It's all her own, and it's worth the show-ing! Ah!
ÏÏ ä ÏÏ Ï Ï Ï Ï
& bbbb b b b ÏÏ ä ÏÏ ÏÏ ä ÏÏ n ÏÏ ä ÏÏ ÏÏ ä J J n ÏÏ ÏÏ ..
Ï. Ï Ï Ï Ï Ï
bÏ Ï bÏ Ï Ï Ï Ï j Jj J J J J
ÏÏ n ÏÏ b ÏÏ Ï ÏÏ ÏÏ ÏÏ
j ä ä ú. Ï. Ï ä ä Ï ÏJ Ï Ï
dolce
? bb bÏ ä Ï nÏ ä Ï ÏäÏ J J
bbb bÏ Ï nÏ Ï Ï Ï
Ï Ï Ï
Vers. 2.0 10 Oct 2011
- 171 -
Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ÏJ Ï Ï Ï ÏÏ Ï Ï Ï
? bb J J J J J J J J ÏJ ÏJ
bbb J
Ï Ï Ï Ï Ï Ï ÏÏ Ï
search the sea, Then come you home and sing with me, There's no such gold, and no such pearl, As a
bb Ï Ï Ï Ï Ï Ï Ï
Ï Ï Ï Ï Ï Ï ää .
& b b b Ï ÏJ Ï Ï ÏJ Ï ÏJ Ï J J ÏÏ . n ÏÏÏ ... Ï.
Ï. Ï.
ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ
? b b b Ï ÏJ Ï ÏJ Ï Ï Ï Ï Ï Ï Ï j
bb Ï J J J J Ï ä ä ÏÏ .. Ï. Ï.
Ï Ï Ï. Ï.
Ï Ï Ï Ï Ï . Ï Ï 1. Ï . Ï Ï. Ï
? bb b Ï Ï J J J J J ä Î ä Î ÏJ Ï Ï Ï . nÏ Ï
2.
bb ä .. J J RJ
bright and beau -ti-ful Eng - lish girl! girl! 3. Her soul is sweet as the
bbbb
& b b ÏÏj ä ä jää ä .. j ä Ïj Ï ä Ï ÏÏ ä ÏÏ ÏÏ ä ÏÏ ÏÏ ä ÏÏ ÏÏ ä ÏÏ
1. 2. C
Ï ÏÏ úú .. ÏÏ .. ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ Ï ÏÏ Ï Ï Ï nÏ Ï
nÏ bú . Ï. Ï Ï p
? b b jä ä j j j
bbb Ï Ï ää ú. Ï. Ï ä .. Ï äÏ ÏäÏ ÏäÏ ÏäÏ ÏäÏ Ï ä Ï
Ï Ï ú. Ï. Ï Ï Ï Ï Ï Ï ÏÏ Ï Ï Ï Ï Ï
? bb b Ï Ï Ï Ï Ï . Ï Ï Ï n Ï Ï
Ï
Ï Ï ä Ï Ï ÏJ ÏJ Ï Ï Ï ÏJ Ï b Ï Ï
bb J J J RJ J J J J J J R R
j
o - cean air, For prud - er- y knows no hav - en there. To find mock mod -es- ty, please ap - ply To the
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con - scious blush and the down -cast eye. Rich in the things con - tent-ment brings, In ev - 'ry pure en -
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Vers. 2.0 10 Oct 2011
- 172 -
Ï .n Ï n Ï Ï Ï Ï nÏ nÏ Ï Ï
? b b Ï n Ï ÏJ JÏ ä n Ï . ÏR JÏ Ï . RÏ ÏJ Ï n ÏJ Ï Ï
J J R J J J J J ä
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joy-ment weal-thy, Blithe as a beau-ti-ful bird she sings, For bo - dy and mind are hale and heal-thy.
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Ï Her eyes they thrill with right good-will. Her heart is light as a float-ing fea-ther, As
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pure and bright as the moun - tain rill That leaps and laughs in the High - land hea -ther!
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Ah! Go search the world and search the sea, Then come you home and
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- 173 -
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sing
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with me,
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There's no such gold, and no such pearl, As a bright and beau - ti - ful
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Eng - girl!
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No. 23. Then I may sing and play

Nekaya, Kalyba, Lord Dramaleigh & Mr. Goldbury
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Lord D.: Kalyba:
&b cî Î Ï Ï V bÏ Ï
Nekaya:
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Then I may sing and play? You may! And
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Allegro
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- 174 -
j Ï ? ÏJ b ÏJ Nekaya:
Goldbury:
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& b ÏJ b Ï ÏJ Ï b Ï b Ï Ï J V J ÏJ & JÏ
Ï D.: Kalyba:
Ï J & J J J
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I may laugh and shout? No doubt! These max - ims you en - dorse? Of course! You
& b ä b b ÏÏ ä ÏÏ ä ÏÏ ä ÏÏ ä b ÏÏ ä
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Nekaya:
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Then I may sing and play, And I may laugh and shout, You won't ex-claim"Oh
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Gold.:
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Kalyba:
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?
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b ä j ä j ä jä
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won't ex-claim "Oh fie!" Not I! Then I may sing and play, And I may laugh and shout, You won't ex-claim"Oh
& b n ÏÏÏ ÏÏÏ ÏÏÏ

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fie!" Ha, ha, ha, ha, ha, ha, ha, ha!
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fie!" Ha, ha, ha, ha, ha, ha, ha, ha!
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Vb ä J J J J J J J J ä Î î · ·
Lord Dramaleigh:
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Ha, ha, ha, ha, ha, ha, ha, ha!
Ï Goldbury:
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Ha, ha, ha, ha, ha, ha, ha, ha! What - ev - er you are be that: What -
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Allegro con brio
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Vers. 2.0 10 Oct 2011
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Ï Ï Ï n Ï3 ÏJ Ï b Ï
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J JJ Ï n3Ï Ï Ï Ï
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j ä j ä Ïj ä j ä j ä j ä Ïj ä Ïj ä n Ïj ä Ïj ä Ï ä Ïj ä
ev-er you say be true: Straight - for-ward-ly act Be hon - est in fact Be no - bo-dy else but
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Lord Dramaleigh:
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you. Give ev - er - y an - swer pat Your char -ac - ter true un - furl: And
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V J JJ Ï Ï J Ï Ï. Ï Ï Ï J Ï
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when it is ripe, You'll then be a type of a cap - i - tal Eng - lish girl!
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jä
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b nÏ Ï ä Ïj ä Ï ä Ï ä Ï ä Ï bÏ Ï ä
- 176 -
b 9 Ï Ï Ï ÏJ ÏJ ä ä Ï ä Ï ä Ï ä Ï Ï Ï Ï ÏJ ÏJ ä ä
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Nekaya:
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Oh, sweet sur - prise, oh, dear de-light, To find it un - dis-put - ed quite,
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Kalyba:
J J
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Lord Dramaleigh:
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Ï Mr. Goldbury: Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ÏJ
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Oh, sweet sur - prise, oh, dear de-light, To find it un - dis - put - ed quite,
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All mus - ty, fus - ty rules de-spite, That Art is wrong and Na - ture right!
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- 177 -
b bÏ ä Ï ä Ï ä bÏ Ï Ï Ï Ï ÏJ ä ä b Ï ä Ï ä Ï ä b Ï Ï Ï Ï Ï ÏJ ä ä
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Oh, sweet sur - prise, oh, dear de- light, To find it un - dis - put - ed quite,
& b Ï ä bÏ ä Ï ä bÏ Ï Ï Ï Ï ä ä Ï ä b Ï ä Ï ä bÏ Ï Ï Ï Ï ä ä
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Oh, sweet sur - prise, oh, dear de - light, To find it un - dis - put - ed quite,
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- 178 -
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When hap-py I,
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with laugh-ter glad I'll wake the e-choes
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Kalyba:
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fair - ly, And on - ly sigh when I am sad And that will be but rare - ly! I'll row and fish and
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gal-lop soon No long - er be a prim one And when I wish to hum a tune, It need - n't be a
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Vers. 2.0 10 Oct 2011

- 179 -
b 3 Î Î Ï Ï Ïj Ï Ï Ï Ï Î 9
&b 4 · · · ·
Nekaya:
J 8
b
It need-n't be a hymn one!
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8
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hymn one? It need-n't be a hymn one!
Vb 4 Î Î Ï Ï Î Ï Ï Î Ï JÏ ÏJ Ï Ï Ï Ï Î · · 9
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Lord Dramaleigh:
Ï Ï Ï Ï
No, no! no, no! It need-n't be a hymn one!
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Mr. Goldbury:
Î · ·
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No, no! no, no! It need-n't be a hymn one!
Å 34
M Tempo I
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p j j j j
? b b 34 Ïjä Ï ä Ï ä j j j j Ïä Ïä j j j
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Vers. 2.0 10 Oct 2011

- 180 -
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b ú.
j j j j j j
& b Ï. Ï ÏÏ Ï Ï ÏÏ ä Ï. Ï Ï Ï Ï Ï Ï nÏ Ï .
b j
V b Ï. Ï ÏÏ Ï
J Ï Ï Ï ä Ï. Ï Ï Ï Ï Ï
J J
Ï Ï äÎ äÎ ä
J
J
Ï Ï Ï. Ï Ï Ï
? bb Ï . ÏÏ Ï Ï j j
Ï J J ä J Ï Ï Ï Ï äÎ äÎ ä
J
b j ä j ä j ä j ä j ä j ä Ïj ä
j j j
&b ÏÏÏ ÏÏ ÏÏÏ ÏÏ ÏÏÏ ÏÏ ÏÏ ÏÏ ä n ÏÏj ä ÏÏ ä Ï ä b Ïj ä
Ï Ï Ï Ï Ï
Ï j Ï j ä j ä j ä j ä j j j j j
? bb ä Ï ä ä Ï Ï Ï Ï ä Ï ä Ïä Ï äbÏ ä
Ï Ï Ï Ï Ï Ï bÏ
J J
b
& b bÏ ä Ï ä Ï ä b Ï Ï Ï Ï ÏJ ÏJ ä ä b Ï ä Ï ä Ï ä b Ï Ï Ï Ï ÏJ ÏJ ä ä
J J
j j j j j j
Oh, sweet sur -
b
prise, oh, dear de-light, To find it un - dis - put - ed quite,
& b Ï ä bÏ ä Ï ä bÏ Ï Ï Ï Ï ä ä Ï ä b Ï ä Ï ä bÏ Ï Ï Ï Ï ä ä
b Ï
V b bÏ ä Ï ä ä b Ï Ï
J Ï Ï ÏJ ä ä b Ï ä Ï ä Ï ä b Ï
J
Ï Ï
J Ï ÏJ ä ä
J
? bb bÏ ä b Ï ä Ï ä Ï Ï bÏ ä ä b Ï ä b Ï ä Ï ä Ï
Ï Ï Ï
J J J J Ï Ï bÏ ä ä
J J
b j ä Ïj ä j j j j j j j
b
& bÏ Ï Ï ä
ÏÏ bÏ ä
b b ÏÏ b Ï ä ÏÏj ä jä Ï ä
bÏ Ï
Ï ä
ÏÏ bÏ ä
b b ÏÏ b Ï ä ÏÏj ä
ÏÏ Ï ÏÏ Ï
j j j j j j b Ïj j j j
b
? bb bÏ ä äÏ Ï ä Ï ä Ï ä b Ïj ä bÏ ä ä Ï ä Ï ä Ï ä b Ïj ä
bÏ b Ï Ï Ï Ï bÏ bÏ bÏ Ï Ï Ï bÏ
- 181 -
b bÏ . Ï Ï Ï Ï bÏ Ï Ï ú. Ï.
&b J J J ä Ï. Ï Ï ÏnÏ . Ï. Ï äÎ äÎ ä
J
b j j
ä Ï. j
& b bÏ . Ï Ï nÏ Ï Ï ÏÏ
J Ï Ï Ï. Ï. ú. Ï . Ï äÎ äÎ ä
b Ï. ú. Ï . Ï äÎ äÎ ä
Vb bÏ Ï Ï
J Ï Ï
J ÏÏ äb Ï . nÏ Ï Ï .
J
Ï.
J
Ï b Ï ÏJ Ï ä Ï. Ï . Ï äÎ äÎ ä
? bb Ï . bÏ Ï Ï Ï Ï Ï. Ï. ú.
J J J
b j j ä j ä Ïj ä j ä Ïj ä Ïj ä Ïj ä Ïj ä
& b b b ÏÏÏ ä Ï n ÏÏ
b ÏÏ b ÏÏ
n ÏÏ n Ï
Ï n ÏÏ ÏÏ ÏÏ úúú ÏÏÏ úú
ú
Î
Ï Ï
f Ï Ï
? b b Ïj ä j Ïj b Ïj j j j j
Ï ä Ï ä Ï ä Ï ä Ï ä ú
j
Ï Ïjä ÏÏ ä ÏÏ ä
bÏ ä ä ä
Ï bÏ Ï b Ï Ï Ï Ï Ï Ï ú Ï Ï J J
Ï Ï ÏÏ Ï
b Ï Ï ÅÏÏ ÅÏÏ ÅÏ Ï Å Ï# Ï Ï ÅÏ
(Dance, and off)
&b Î ä Å ÏR Å Å ÅÏÏ Å
Ï ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ
? b b Ïj ä ÏÏ j
ä J ä Ï ä J ä ÏJ ä
Ï Ï j ä ÏÏÏ ä ÏÏÏ ä j Ï ä ÏJ ä
J Ï J J Ï ä J
Ï Ï Ï Ï
b ÙÏ Ï j Ï Ï Å Ï Ï Å Ï Ï Ï Ï Ï Å Ï Ï Ï Ï ÏÏ Ï Ù Ï
JäÎ
& b #Ï Ï Å R ÅÏ Å Å Ï ÅÏ Å ÅÏÏ Å Ï ÏÏ
Ï Ï Ï Ï Ï
? b j ä ÏÏ ä ÏÏ ä j ä ÏÏ ä ÏÏ ä j ä ÏÏ ä ÏÏÏ ä ÏÏ ÏÏ ÏÏÏ ÏÏ
b Ï J J Ï J J Ï J J Ï ä Ï ä J ä Ïj ä Ï
JäÎ
J J
Ï Ï Ï Ï
- 182 - No. 24. Recit: Oh would some demon pow'r...
Song: When but a maid of fifteen year
Lady Sophy
b c j r j
j j Ï . Ï Ï Ï j Ïj Ïj
Recit.
b
& b · · · î
Lady Sophy:
Ï Ï Ï Ï
ú nÏ Ï Ï Ï Ï Oh, would some de - mon pow'r the gift im-
b Ï Ïä
Allegro
& b b c ú nÏ Ï Ï J Ï Ï
j ä Ï #Ï
Ï ÏÏ ÏÏ ÏÏ î w
nÏ Ï Ï nÏ Ï n ww
f ú b úú Ï Ï p f p
ú
? b c ú ú Ï Ï Ï bÏ
J ä nÏ Ï Ï Ï Ï ä Ï bÏ ÏÏî w
bb J ÏÏ
b b
b ä j
j j j j j . r b Ï . Ïr Î j j bÏ . Ï j j j Ï Ï j ä j
& Ï Ï Ï Ï Ï Ï Ï Ï J Ï Ï Ï Ï J Ï Ï Ï J J nÏ Ï
part To quell my o - ver con - sci - en -tious heart Un-speak the oaths that nev -er had been spo -ken, And
b
& b b ww
n www n ww
w
ww
w
? bb w w w w
b
w w
b j j
& b b Ï . Ïj Ï . Ïj Ïj Ïj Ïj Ïj Ï j ä · .. Ï Ï Ï Ï Ï Ï Ï Ï .ú Ï
Ï J
break the vow that nev-er shall be bro-ken! 1. When but a maid of fif - teen year,
(The KING enters and overhears this verse.) 2. Each morn- ing I pur - sued my game (An
b .. Î
&bb w Î î · Î ÏÏ Î Ï Î Ï
Andante moderato
ÏÏ ÏÏ Ï ÏÏ b ÏÏ
w Ï
p
? b bw
bb Ï Î î Ï Ï Ï Ï .. ÏÏ Î Ï Î Ï Î Ï Î
bw Ï Ï Ï Ï Ï Ï Ï Ï
b j j
&bb Ï Ï ú Ï Ï Ï Ï î Ï Ï Ï Ï Ï Ï Ï ú Ï Ï ú Ï Ï
Un - sought un - plight - ed Short pet - ti - coat - ed and, I fear, Still short - er
ear - ly ris - er); For spot - less mon- archs I be - came An ad - ver -
b Î
&bb Î ÏÏ Î n ÏÏ Î Ï Î Ï
ÏÏ ÏÏ w ÏÏÏ
Î Ï
ÏÏ
Î Ï Î Ï
ú ÏÏ b ú ÏÏ
Î
ú ÏÏ ÎÏ n ÏÏ
Ï Ï Ï . Ï Ï
J
? b Î Ï Î Ï Î Ï Î Ï Î Ï Î Î Ï Î Î Ï Î
bb Ï Ï Ï Ï Ï Ï
Ï Ï Ï Ï Ï
Vers. 2.0
10 Oct 2011
Ï Ï
j
- 183 -
b Ï . nÏ Ï Ï Ï. Ï
&bb Ï Ï Î Ï Ï Ï Ï Ï Ï Ï Ï Ï J Ï Ï
sight - ed I made a vow, one ear - ly spring, That on - ly to some spot - less king, Who
tis - er. But all in vain I search'd each land, So, king- less, to my na - tive strand Re -
b
&bb Î Ï Î Ï Î Ï Ï Î Ï Ï Ï Î Ï Î
A
Ï n ÏÏ bú Ï Ï ÏÏ
Ï Ï Ï Î ú Ï n ÏÏ ÏÏ Ï
? b Ï Î Ï Î ú bú ú Î ú ú ú Î
bb Ï Ï Ï Ï
b .
& b b Ï Ï Ï Ï Ï JÏ Ï Ï n ú . Ï Ï ÏÎ bÏ Ï Ï Ï Ï . n Ïj Ï Ï
Ï
proof of blame-less life could bring, I'd be u - nit - ed. For I had read, not long be - fore, Of
b
turn'd a lit - tle old - er, and A good deal wis- er! I learnt that spot- less King and Prince Have
& b b Î Ï Î #Ï Î Ï Î Ï Î n ÏÏ ÏÏ ÏÏ Î ÏÏ ÏÏ Î b Ï Ï Ïú Ï j
Ï Ï Ï Ï ÏÏ ú Ïw. n Ï Ï Ï
? b ú ú nú w ú ú w
bb î ú ú. Î î Î Ï Î Ï Î ÏÎ
Ï Î Ï Î nÏ Î Ï Î î Ï î
b j
& b b nÏ Ï n Ï bÏ bÏ . Ï Ï ä Ï
j j Uj j j j Ï Ï
Ï Ï Ï Ï Ï. Ï Ï Ï Ï Ï Ï Ï
blame-less kings in fai - ry lore, And thought the race still flour-ish'd here I was a maid of fif - teen
U
dis - ap - pear'd some a - ges since E'en Par - a - mount's an - gel - ic grace Is but a mask on Na- ture's
b j
& b b n Ïú Ï n Ïú b Ï b Ïw . Ï ú j
Ï Ïú . Ï ÏÏj ä Î ÏÏ Î ÏÏ Î
B
úw Ï
J Ï Ï
? bb ú ú w ú UÏ
b Ï Ï Ïw nw ú Ï ä Î nÏ Î Ï Î
Î Î Î î J nÏ Ï
b
&b b ú ÎÏ ÎÏ ä Ïj Ïj Ïj Ï Ï Ï Ï Ï î · · ..
1.
ú ú Ï ú
year! Well, well Well, well I was a maid of fif-teen year!
face! Ah, me! Ah, me! Is but a
bb
& b w ÏÏ ÎÏ Ï b úÎ Ï Ï Ï ÏÎ nÏ ÎÏ Î Ï Î Ï ÏÏ ú Ï
. .
ÏÏÏÏ.
1.
ww ÏÏ ÏÏ úú
Ï Ï
ú úú úú ÏÏ
? b Ï Î úú w Ï Î î ..
b b ú bú Ï Î Î Ï ÏÎ Î Ï Ï Î ú
ú bú Ï
Vers. 2.0 10 Oct 2011
- 184 -
b b Ï ÏÏ Î Ï Ï ú. Î · ·
b
2.
& Ï ÏÏ Ï Ï Ï ú.
ú
mask on Na - ture's face, on Na - ture's face!
bbb î Î
2. (KING comes forward.)
& ww Ï Ïb Ï bÏ Ï Ïb Ï Ï Ï Ï Ï Ï Ï Ï Ï ú ú
ww úú Ï ÏÏ ê
Ä
? b Ï Î Ïb Ï bÏ Ï Ïb Ï Ï Ï Ï Ï Ï #ú nú
bb w ú î w Ï ÏÏ ÏÏÏ
w ú w Attacca No. 25
No. 25. Ah, Lady Sophy, then you love me!

King and Lady Sophy
(indignant and surprised.
b b c ÏKing: Ï Ï ä n Ï Ï Ï Ï ä Ï n Ï Ï Ï Î & Ï Î Ï ä Ïr Ïr # Ïj Ïj Ïj Ïj
Lady Sophy: Producing Palace Peeper)
b ä Ï Ï
Recit.
V R RJ J R R J JJ
Ah, La-dy So-phy, then you love me! For so you sing No, no, by the stars that shine a-
b
&bb c úú ú ú ú úú ú ú ú ú ú úú ú ú
p
? b c # únú ú ú nú bú ú ú nú ú ú ú bú ú ú ú
bb
b j j r n Ïj . Ïr Ïj . Ï b ÏJ . Ï Ï Ï Î Ï
& b b Ï Ï Î ä Ï ú . JÏ j Î
Ï ú Ï bÏ . Ï R R
bove me, De - grad - ed King! For while these ru - mours, thro' the ci - ty bruit - ed, Re -
bb úú î jä jä jä jä j ä jä jä j ä
F Più vivo
& b ú ú n ww bÏ Ï Ï Ï bÏ Ï Ï Ï
nú ú
n ww úú Ï Ï Ï Ï Ï Ï Ï Ï
? b ú ú úú j j j j j j j j
bb w ú î n ÏÏ ä ÏÏ ä ÏÏ ä ÏÏ ä n ÏÏ ä ÏÏ ä ÏÏ ä ÏÏ ä
w ú
Vers. 2.0 10 Oct 2011
- 185 -
b j r bÏ . j r j r j r j r
& b b n Ïj . Ïr Ï . Ï ÏJ . ÏR J ÏR Ï Ï Î Ï Ï . Ï Ï . Ï Ï .Ï Ï . Ï Ï Ï Î Ï
main un -con - tra-dict-ed, un-re - fut - ed, The ob - ject thou of my a - ver - sion root - ed Re -
b j j j j j j j j
& b b b Ïjä ÏÏ
jä
ÏÏ
jä jä j ä j ä j ä j ä
ÏÏ b ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ä ÏÏ ä ÏÏ ä ÏÏ ä # ÏÏ ä ÏÏ ä ÏÏ ä ÏÏ ä
Ï
j j j j j j j j
? b n Ïjä j
ÏÏ ä
j
ÏÏ ä
j j j j j
ÏÏ ä n ÏÏ ä ÏÏ ä ÏÏ ä ÏÏ ä Ï ä Ïä Ïä Ï ä #Ï ä Ï ä Ï ä Ï ä
bb Ï Ï Ï Ï Ï Ï Ï Ï Ï
bbb j Ïj Ï Î î V n n n Î ä Ïj Ï ä Ïj Ïj Ïj j Ïj Ïj Ïj j Ïj b Ï . Ïr Ï Î ä Ïj
King: Recit.
& #ú. Ï #Ï Ï J
pul - sive thing! Be just the time is now at hand when truth may pub-lish'd be. These
bb
& b # úw. Ï Ï Ï Î î
nn Allegro non poco agitato
G
n ú
bw n ÏÏ bú ú ú ú bú ú ú ú bú ú ú
p
? b ú ú ú ú ú ú
bb w Ï Îî nnn #ú ú #ú ú #ú ú
w Ï
j j j j j j j j n Ï .Ïr Î ä j w î Îä Ï Ï ä Ï ÎV Ïj ÏjäÏj Ïj Å Ïr Ï
j j King:
Lady Sophy:
V Ï Ï #Ï Ï Ï Ï Ï Ï J Ï Ï &
Ï
par-a-graphswere writ-ten and con - tri-but-ed by me! By you? No, no! Yes, yes. I swear, by me!
& ú jäÎ Î Ï Ï ÏÏ ÏÏ ÏÏ ÏÏ Î î · ·
nú ú ú ú ú Ï ÏÏ ÏÏ Ï Ï Ï Ï
Ä Ï
?ú ú ú ú ú ú Ï äÎ Î Ï Ï Ï Ï Ï ÏÏî · ·
J Ï Ï Ï
j j j j j r j
V bú Ï Ï Ï Ï nÏ . Ï Ï î Î ä bÏ Ï Ï Ï Ï b bb Ï Î î · &
J J J J
j
I, caught in Sca-phio's ruth - less toil, Con-tri-but-ed the lot!
j b ÏÏ ä Î n úúú ÏÏÏ
& b b úú úú n n úú ú bú Ï ä Î b b Î úúú
a tempo
ú ú #ú ú ú ú #ú Ï Ï
p F f j
? bú ú
cresc.
ú ú bú jä Î
bú ú ú ú bú Ï b b b Î úú Ï ä Î ú Ï
Ï ú Ï
Vers. 2.0 10 Oct 2011
- 186 -
b j j j Ï . Ï Ï Ï j Ï ÎV Ï Ï .Ïj j Ïj Ï Ïj Ï . Ï Ï Ïj j Ïj
j j
& b b î Î Ï Ï . Ï Ïj Ï ÏJ Ï
Lady Sophy: Recit. King:
JJ Ï ú Ï J JJ Ï
And that is why you did not boil the au-thor on the spot! And that is why I did not boil the au-thor on the
Ï
b Ï
H
& b b ÏÎ î · · · ÏÏ Î î
Ï
·
? b Îî · · ·
bb Ï Ï Îî ·
Ï Ï
King: (spoken) I knew very well
why I did not...
Ï Ï Ï Ï Ï Ï Ï Ï . Ï Ïj j j j U
bbb Î& Ï Ï Ï Ï Ï Î ÏJ ÏJ ä ÏR ÏR C
Lady Sophy: Both:
V J J J J J J J
ú
spot! I could -n't think why you did not boil The au - thor on the spot! Boil him on the
U
bb · î î Î C
J
& b w úúú
# n ww Ï
F U f.
? bb · · · î Ï Î C
b
Ï.
No. 25a. Oh rapture unrestrained

King and Lady Sophy
b
&bb C Ï Î Î Î · · î Î
Lady Sophy:
Ï
spot! 1. Oh
b
(King, verse 2)
&bb C Î Î ÏÏ Î ÏÏ Î Ï Î Ï
Allegro vivace
Ï Ï nÏ Ï Ï Ï #Ï Ï Ï Ï Ï Ï Ï ÏÏ ÏÏ
f. p
? bb C Ï Î Î Ï Ï Ï # Ï Ï Ï Ï . Ï.
Ï Ï. Ï. Ï.
b nÏ Ï Ï. Ï.
Ï. Ï.
Vers. 2.0 10 Oct 2011

- 187 -
b j Ï Ï Ï Ï Ï Ï Î j
& b b .. Ï Ï Ï Ï ú Ï. Ï Ï Ïj Ï Ï Ï ÏÏ
rap - ture un - re - strain'd Of a can - did re- trac - ta - tion! For my sov - er- eign has
skies are blue a - bove, And the earth is red and ros - al, Now the la - dy of my
b
& b b .. Î ÏÏ Î ÏÏ ÎÏÎ
ÏÏ
Î Ï Î Ï Î
ÏÏ
ÏÏ ÏÏ ÏÏ Î ÏÏ Î Ï Î
ÏÏ
Ï
ÏÏ
Ï Ï Ï Ï Ï
? b .. Ï. Ï. Ï. Ï.
Ï. Ï. Ï. Ï. Ï. Ï. Ï.
bb Ï Ï. Ï.
. Ï. Ï. Ï. Ï. Ï. Ï.
b j Ï Ï nÏ n Ï n Ï Ï Î j j Ï Ï Ï Ï ú nÏ .
&bb ú Ï. Ï Ï Ï nÏ
J
deign'd A con - vin- cing ex - pla - na - tion And the clouds that gath- er'd o'er All have
love Has ac - cept - ed my pro - pos - al! For that as - in - or - um pons I have
b
& b b Î ÏÏ Î ÏÏ Î Ï Î #Ï Î Ï Î Î n ÏÏ Î ÏÏ Î n ÏÏ Î n ÏÏ
K
ÏÏ
n ÏÏ Ï Ï Ï Ï Ï Ï
. n Ï. . Ï.
? b Ï Ï. Ï. Ï. Ï. Ï Ï n Ï. Ï. n Ï. Ï.
bb . Ï. Ï. Ï. Ï.
Ï. Ï. Ï.
b j j bÏ Ï Ï Ï
&bb Ï Ï Ï Ï nÏ Ï Î Ï Ï
Ï Ï
Ï Ï Ï
Ï Ï Ï
van - ish'd in the dis - tance, And of Kings of fai - ry lore One, at least, is in ex -
cross'd with - out as - sist - ance, And of prud - ish par - a - gons One, at least, is in ex -
b
&bb Î Ï Î Ï Î ÏÏ Î ÏÏ Î b ÏÏ Î ÏÏ Î ÏÏ Î ÏÏ Î bÏ Î Ï
Ï Ï
Ï nÏ Ï Ï Ï Ï
n Ï. Ï. Ï. Ï. Ï. Ï. Ï. Ï. Ï.
? bb
b nÏ n Ï. Ï. Ï. Ï Ï. n Ï. Ï. Ï.
. Ï. Ï. .
b Ï Ï Ï
&bb Ï Ï Î Ï Ï Ï Ï Ï Ï Ï Î j j ..
1. King:
Ï Ï Ï Ï
Ï Ï Ï
ist- ence! Of Kings of fai - ry lore One, at least, is in ex - ist - ence! 2. Oh the
ist- ence! Of prud - ish par - a - gons One, at least, is in ex -
b ..
& b b Î ÏÏ Î ÏÏ Î ÏÏÏ Î ÏÏÏ Î ÏÏ Î Î bÏ Î Ï Î Î
1.
ÏÏ Ï Ï ÏÏ ÏÏ
. . n Ï. Ï. Ï. Ï. Ï. Ï. Ï. Ï. Ï. Ï. Ï.
? b b Ï. Ï Ï. Ï Ï. Ï. Ï. Ï. ..
b n Ï.
Vers. 2.0 10 Oct 2011
- 188 -
b
&bb î Î Ï Ï Î Î Ï Ï Î Î Ï Ï Ï Ï Ï Ï Ï î
2 Lady Sophy:
The clouds, the clouds, the clouds that gath - er'd o'er
b
Vbb Ï Ï î Î Ï Î Î Ï Î Î Ï Ï Ï Ï Î Î Ï
King:
Ï Ï
ist-ence! The clouds, the clouds that gath - er'd o'er Have
b
L
& b b Î ÏÏ Î ÏÏÏ Î Ï Î Î Ï Î Ï Î Ï Î Î Î Ï
2
ÏÏ ÏÏÏ ÏÏ ÏÏ ÏÏ ÏÏÏ ÏÏ ÏÏ
Ï
? b Ï. Ï. Ï. Ï. Ï. Ï. Ï. Ï. Ï. Ï.
bb Ï. Ï. Ï. Ï. Ï. Ï. Ï. Ï. Ï. Ï.
b Ï Î Ï Ï Ï
&bb Î Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
Have van - ish'd, have van - ish'd, van-ish'd in the dis- tance, All have van-ish'd, all have
b
Vbb Ï Ï Î Ï Ï Ï Î Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
b Î
van - ish'd, have van - ish'd, have van-ish'd in the dis- tance, All have van-ish'd, all have
b
& b ÏÏ Î ÏÏÏ Î ÏÏ Î ÏÏ Î ÏÏ Î Î Ï Î Î Ï Î
Ï Ï Ï Ï Ï
ÏÏ ÏÏ ÏÏÏ ÏÏ ÏÏÏ
. . Ï. Ï Ï. Ï. Ï. Ï Î Ï. Ï Î
dim.
? b
b b Ï Ï Ï. Ï Ï. . Ï. Ï
Ï. . Ï. . Ï. .
.
b
&bb Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï î ·
van - ish'd, all have van - ish'd, van - ish'd, van -ish'd in the dis-tance! -
b b
V b Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï î ·
b
van - ish'd, all have van - ish'd, van - ish'd, van -ish'd in the dis-tance!
&bb Î Ï Î Ï Î Î Î Î Î î î Î Ï.
ÏÏ ÏÏ ÏÏÏ ÏÏÏ ÏÏÏ ÏÏÏ ÏÏ
Ï ¹
? b . Ï. Ï. Ï. Ï.
b b Ï Ï Ï. Î Ï. Î Ï. Î Ï. Î Ï. Î
Ï. Ï. Ï. Ï.
.
Vers. 2.0 10 Oct 2011
Ï Ï. Ï. ú Ï Ï Ï. .
(KING and LADY SOPHY dance gracefully. While this is going on LORD DRAMALEIGH enters unobserved with - 189 -
Ï. Ï Ï Ï ÏÏ ÏÏ ÏÏ Ï ÏÏ
b Ï Ï Ï nú
j
Ï
M
&bb Î
Ï
J
? b Ï. Ï. Ï. Ï. Ï. Ï. Ï. Ï. Ï. Ï. Ï. . Ï.
b b Ï Ï. Ï. Ï. Ï. Ï. Ï. # Ï. Ï
. Ï. Ï
. Ï.
ÏÏ ÏÏ
NEKAYA and MR. GOLDBURY with KALYBA. Then enter ZARA and CAPT. FITZBATTLEAXE. The two girls direct ZARA 's
b b b Ï Ï #ú Ï ÏÏ .. Ï n ÏÏ .. Ï Ï Ï
& b Ï Ï . J Ï . J Ï Ï ÏÏ. ÏÏ. ÏÏ Ï Ï Ï Ï.Ï Ï.Ï Ï Ï Ï. Ï.
. . . .
Ï . Ï. Ï.
? b b n Ï Ï Ï. Ï Ï. Ï Ï. Ï. Ï Ï. Ï Ï. Ï Ï. Ï. Ï. n Ï Ï. Ï Ï.
3
b . . . . Ï. .
ÏÏ .. ÏJ ÏÏ .. Ï ÏÏ . Ï Ï . Ï ÙÏ .~~~~~Ï Ï Ï. Ï.
attention to the KING and LADY SOPHY , who are still dancing affectionately together.)
b J . JÏ. J Ï Î Î n Ï Ï n Ï Ï ä# Ï ÏJ ä Ï ÏJ ä Ï nÏ ä
&bb Ï J J
Ï n Ï Ï Ï
Ï Ï
Ï Ï Ï Ï Ï cresc. Ï
? b Ï ÏÏ Ï Ï Ï Ï n Ï Ï Ïn Ï Ï ÏÏ ÏÏ ÏÏ
bb Ï ÏÏ Ï Ï Ï Ï Ï
Ï Ï. Ï. ú Ï Ï ú n Ï . n Ï
J ú Î
O
b n Ï n Ï Ï n Ï ÏJ ä # Ï ÏJ ä Ï ÏJ ä Ï J ä
&bb Jä Ï
ÏÏ n ÏÏ # ÏÏ
? b b Ï ÏÏ Ï ÏÏ Ï ÏÏ Ï ÏÏ
Ï
ÏÏ
Ï
ÏÏ Ï ÏÏ Ï Ï
n ÏÏ
Ï Î
b Ï Ï Ï Ï Ï
Ï . n Ï.
Ï Ï n Ï Ï. Ï. Ï Ï Ï Ï Ï Ï .
b b Ï ú nÏ Ï.
j
Ï nÏ Î Ï Ï bÏ Ï Ï.
& b J
più f ÏÏ ÏÏ
nÏ Ï nÏ Ï n Ï Ï n ÏÏ ÏÏ bÏ Ï ÏÏ ÏÏ
? b Ï Ï Ï Ï Ï Ï Ï Ï
Ï Ï Ï Ï
Ï Ï Ï Ï Ï Ï
bb nÏ Ï Ï Ï
Ï Ï. Ï. Ï Ï Ï Ï. Ï. Ï Ï Ï. Ï.
b Ï Ï Ï Ï. . U 6
&bb Ï Î Ï Ï Î Î 8
>Ï >Ï
Ï Ï Ï ÏÏ Ï Ï ÏÏ ÏÏ ÏÏÏ ÏÏÏ
? b ÏÏ ÏÏ Ï ÏÏ Ï Ï Ï Ï Ï Ï U 6
bb Ï Ï nÏ Ï Ï Ï Ï Ï Ï Î Ï Î 8
>Ï >Ï
(At this point the KING kisses LADY SOPHY, which causes the Princesses to make an exclamation. The KING and LADY SOPHY
are at first much confused at being detected, but eventually throw off all reserve, and the four couples break into a wild
Tarantella.)
- 190 - No. 25b. Tarantella
(Instrumental)
b Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ä Ï Ï ä Ï
Vivace
6 j
Q
b
& b 8 Ï ä Ï Ï Ï Ï Ï ä Ï Ï Ï Ï ä ä
Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
f j ÏÏ ÏÏ ÏÏ
? b 6 ä Ï Ï Ï Ï ÏÏÏ ÏÏÏ
ä
bb 8 Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ä ä J ä ä J ä ä J ä ä J ä ä J ä ä
b bb Ï ä Ï Ï ä Ï Ï ä ä Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ä Ï Ï ä Ï Ï ä Ï Ï ä Ï
& J
ÏÏ ÏÏ ÏÏ Ï Ï
? b b Ï ä ä Ï ä ä ÏÏ ä ä Ï ä ä ÏÏ ä ä ÏÏ ä ä ÏÏÏ ä ä ÏÏÏ ä ä b n ÏÏÏ ä ä ÏÏÏ ä ä
Ï
b J J J J J J J J J J
b b Ï ä Ï Ï ä Ï Ï ä Ï Ï ä Ï Ï nÏ Ï Ï Ï Ï Ï nÏ Ï Ï Ï Ï Ï ä Ï Ï ä Ï
& b
Ï Ï Ï
? b b ÏÏÏ ä ä ÏÏ ä ä ÏJ ä ä ÏÏ ä ä n ÏÏ Ï n ÏÏ Ï ÏÏ ÏÏ
b J J
Ï Ï
J ä ä J ä ä J ä ä J ä ä J ä ä ÏJ ä ä
J
b b Ï ä Ï Ï ä #Ï n Ï Ï nÏ Ï Ï Ï nÏ Ï Ï Ï Ï nÏ Ï n Ï Ï Ï Ï Ï Ï nÏ Ï Ï Ï nÏ
& b
Ï Ï Ï ÏÏ Ï Ï n Ï Ï Ï n Ï Ï Ï
? b ÏJ ä ä ÏÏ ä ä ÏÏÏ ä ä ÏÏÏ ä ä n ÏÏ ä ä ÏÏ ä ä
dim.
bb J J J ä J Ï ä ä
J J J J
b Ï Ï Ï ä Ï Ï ä Ï bÏ ä Ï Ï ä Ï Ï ä Ï
b
& b Ï ä Ï ä Ï ä Ï Ï n Ï Ï Ï ä Ï
p
? b ÏÏÏ ä ä ÏÏ ä ä ÏÏÏ ä ä ÏÏ ä ä ÏÏÏ ä ä ÏÏ ä ä ÏÏÏ ä ä ÏÏ ä ä ÏÏ ä ä ÏÏ ä ä
bb J Ï J Ï J Ï J Ï J Ï
J J J J J
b Ï Ï Ï ä Ï nÏ ä Ï bÏ ä Ï ä
& b b Ï ä Ï Ï nÏ Ï Ï ä Ï ä Ï Ï Ï ä Ï Ï ä Ï
Ï Ï
? b b ÏÏ ä ä ÏÏÏ ä ä ÏÏ ä ä ÏÏÏ ä ä ÏÏ ä ä ÏÏÏ ä ä n ÏÏÏ ä ä ÏÏÏ ä ä ÏÏ ä ä ÏÏ ä ä
cresc.
b J J J J J J J J J J
- 191 -
n Ï Ï Ï Ï Ï Ï Ï
& b bb Ï ä nÏ Ï ä Ï Ï ä Ï Ï ä Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
J
Ï Ï F Ï Ï f
ÏÏ ÏÏ Ï ÏÏ
? b ÏÏ ä ä ÏÏ ä ä ÏÏ ä ä ÏÏ ä ä ÏÏ ä ä Ï ä ä n ÏÏ ä ä ÏÏ ä ä Ï Ï Ï Ï Ï Ï
bb J J J J J J J J
ÏÏÏ ÏÏÏÏÏÏ Ï Ï
ÏÏÏÏÏÏR Ï Ï ä ÏäÏÏ Ï Ï ÏÏÏ
b Ï ä ä Jää
&bb Jää
Ä Ï ÏÏ
Ï ÏÏ Ï j Ï
Ï Ï ÏÏ Ï ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ
? bb
b Ï ä ä Ï ä ä Ï ä ä ÏÏ ä ä ÏääÏää ÏääÏää ÏääÏää
Ï J J J J J J J J J
ÏÏÏÏÏÏ Ï ÏÏ Ï Ï ÏÏ Ï Ï Ï Ï ÏÏÏÏ Ï Ï
bbb ä ä ä ä ÏÏÏÏ Ï nÏ Ï Ï nÏ
&
ÏÏ b Ï Ï f
Ï Ï Ï
? b Ï ä ä ÏÏ ä ä ÏÏ ä ä ÏÏ ä ä ÏÏ ä ä ÏÏ ä ä ÏÏÏ ä ä ÏÏÏ ä ä ÏÏÏ ä ä ÏÏÏ ä ä n ÏÏÏ ä ä ÏÏÏ ä ä
bb J J J J J J Ï Ï Ï Ï nÏ Ï
J J J J J J
ÏÏÏ ÏÏÏ ÏÏÏÏÏÏ ÏÏÏÏÏÏ ÏÏÏÏ
b Ï Ï Ï Ï Ï Ï Ï nÏ Ï # Ï Ï Ï
&bb nÏ Ï
Ï Ï F cresc. molto
n Ï Ï Ï Ï Ï Ï
? b ÏÏ ä ä ÏÏ ä ä ÏÏ ä ä Ï ä ä ÏÏ ä ä Ï ä ä Ï ä ä Ï Ï Ï Ï Ï úú ...
bb nÏ Ï Ï Ï Ï Ï Ï Ï n Ï Ï Ï úú .
Ï
J J J J J J J
ÏÏ Ï
Ï Ï n Ï Ï n Ï Ï # Ï Ï Ï n Ï Ï ÏÏÏ ÏÏÏ ÏÏÏ ÏÏÏ ÏÏÏ ÏÏÏ
b b n Ï Ï# Ï Jä J
& b
Ä
? bb úú ... úú ... ÏÏ ... ÏÏ ÏÏÏ
ÏÏ ÏÏÏ Ï Ï Ï Ï
Ï ä ä Ï ä ä ÏÏ ä ä ÏÏÏ ä ä ÏÏ ä ä ÏÏÏ ä ä
b úú . úú . ÏÏ . JÏÏ ä Ï J J
J J J J J
ÏÏ Ï ÏÏÏ Ï Ï Ï Ï Uú .
ÏÏ Ï
b
&bb J ä ä Î ä J ä ä Î ä ÏÏJ ä ä Î ä ÏJ ä ä Î ä úú ..
j j j U
? b b ÏÏÏ ä ÏÏÏ ÏÏÏ
ä Ï ä ä ä ä Î ä Ï ä ä Î ä Ï ä ä Î ä Ï ä ä Î ä ú.
b J J J Ï Ï Ï ú.
- 192 -
No. 26. Upon our sea-girt land

Chorus
? bb c · · · î Î ä ÏJ
Men:
b
f Up -
b Ï Ï Ï ÏÏ Ï jä j
b
& b c n Ï n Ï ä j ä ÏÏ ÏÏ ä ÏÏ
Allegro vivace
Ï Ï Ï #Ï Ï Ï
J Ï Ï Ï ÏÏ
n Ï n Ï Ï Ï Ï
fÏ Ï Ï Ï Ï F Ï Ï Ï Ï Ï
? bb c Ï Ï # Ï Ï nÏ nÏ Ï
b Ï nÏ n Ï Ï Ï Ï
Ï Ï Ï Ï#Ï Ï Ï Ï Ï Ï Ï#Ï Ï Ï Ï
? b ÏJ ÏJ ÏJ ÏJ Ï
. Ï ÏJ ÏJ ÏJ ÏJ Ï . Ï ÏJ ÏJ Ï Ï Ï Ï Ï
bb J J J J J J Ï Ï Ï ÏJ ÏJ ä ÏJ
J J
b jä jä jä
on our sea-girt land, At our en-forc'd com-mand, Re- form has laid her hand like some re-morse-less o-gress And
& b b j ä Ï
Ï Ï
Ï Ï
Ï jä ÏÏ ÏÏ ÏÏ j ä ÏÏ ÏÏ ÏÏ j ä ÏÏ ÏÏ Î
? b
bb Ï Ï Ï # Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï nÏ Ï Ï Ï
Ï Ï Ï Ï #Ï Ï Ï Ï Ï
bb · · · î Î ä Ïj
Women:
& b
J
Ï nÏ Ï Ï Ï Ï Ï Ï Ï #Ï Ï j
So
Ï Ï n Ï Ï b Ï Ï b Ï Ï Ï Ï
? b b ÏJ JÏ J J ä J J J J J ä Ï Ï n Ï Ï Ï Ï Ï Ï Ï Ï # Ï ÏJ ÏJ Î
b J J JJ JJ J J J
b ä Ïj
made us dark-ly rue The deeds she dared to do And all is ow-ing to those hat-ed Flowers of Pro-gress!
& b b Ï Ï n Ï Î b Ï bb ÏÏ Ï Î Ï n Ï Ï Ï Ï Ï Ï Ï Ï Ï #Ï Ï Ï
Ï Ï nÏ bÏ Ï Ï f
? b Ï nÏ Ï Ï Ï Ï Ï Ï Ï Ï #Ï Ï Ï Î
bb Ï Ï Ï Ï Ï Ï #Ï Ï Ï Ï
Ï Ï Ï Ï Ï Ï Ï Ï nÏ Ï Ï Ï Ï nÏ Ï Ï Ï Ï Ï Ï
Vers 2.0 10 Oct 2011

- 193 -
j j
ÏÏ .. ÏÏ Ï ÏÏ .. ÏÏ Ï Ï
bb ÏÏ Ïj ÏÏ Ïj n Ïj ÏÏj ä j ÏÏ .. ÏÏ Ï ÏÏ .. ÏÏ Ï
& b J R n ÏJ ä J R ÏJ ÏJ nÏ Ï Ï Ï J R J n Ï ä J R ÏJ ä
J
down with them!
Ï #Ï Ï Ï Ï Ï Ï
Down with them! Re - form's a hat-ed o - gress. So down with them! Down with them!
? b î
bb Î ä ÏJ JÏ JÏ ÏJ ÏJ ÏJ JÏ Î ·
b ÏÏ .. ÏÏ n ÏÏ ä ÏÏ .. ÏÏ ÏÏ ä ÏÏ Ï ÏÏ Ï n Ï ÏÏ ä j ÏÏ .. ÏÏ n ÏÏ ä ÏÏ .. ÏÏ ÏÏ ä
Re - form's a hat-ed o - gress.
b
A
& b J J # Ï n ÏÏ Ï ÏÏ Ï Ï J J
? b
bb ú ú ú ú ú ú
ú ú ú ú ú ú
b Ï ÏR ÏR Ï Ï Ï Ï Ï ÏR ÏR Ï Ï ÏÏ Î ÏÏ .. n ÏÏ ÏÏ ä
&bb î J J J J J Î J J J JJ J R J
DownwiththeFlow'rsof Pro-gress! DownwiththeFlow'rsof Pro-gress! Down with them!
Ï ÏR ÏR Ï Ï Ï Ï Ï ÏR ÏR Ï Ï Ï Ï ÏÏ .. n ÏÏ ÏÏ ÏÏ .. ÏÏ ÏÏ
? b J J JJ J Î J J JJ J Î J R J ä J R J ä
bb
j j
DownwiththeFlow'rs of Pro-gress! Downwith theFlow'rs of Pro-gress! Down with them! Downwith them!
& bbb úú
ú
úú
ú
úú
ú
úú
ú
ÏÏ ä Î
Ï
ÏÏ ä Î
Ï
ú ú ú ú j j
? bb ú ú #Ï ä Î Ïä Î
b ú ú #Ï Ï
j
bb ÏÏ .. n ÏÏ ÏÏ ä ÏÏ .. ÏÏ ÏÏ ä ú Ï Ï Ï Ï Ï Ï Ïj Î î ·
& b J R J J R J ú Ï Ï Ï Ï Ï Ï Ï
Ä J R R J J
ÏÏ .. n ÏÏ ÏÏ ÏÏ .. ÏÏ ÏÏ ú Ï Ï Ï Ï Ï Ï Ï
Down with them! Down with them! Down with the Flow'rs of Pro- gress!
? b J R J ä J R J ä ú Ï Ï Ï Ï Ï Ï Ï Î î ·
bb J R R J J J J
ÄDown
b n ÏÏ ÏÏ
Down with them! Down with them!
ÏÏÏ ÏÏ
with the Flow'rs of Pro- gress!
Ï.
& b b n Ï ä Î Ï ä Î Ï Î n ÏÏ Î ÏÏ Î Ï Î Ï Î î
J J Ï. Ï.
j j Ä
? b #Ï ä Î Ï ä Î Ï Î Ï Î Î Ï Î Ï Î î
b b #Ï Ï Ï. Ï. Ï Ï.
Ï. Ï.
Vers. 2.0 10 Oct 2011
- 194 -
No. 26a. (Trumpet flourish)
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ U̇.
(Enter KING, his three daughters, LADY SOPHY, and the Flowers of Progress.)
#### œ œ œ œ
& c œ œ Œ
King: What means this most unmannerly irruption? Is this your gratitude for boons conferred?
Scaphio: Boons? Bah! A fico for such boons, say we! These boons have brought Utopia to a standstill!
Our pride and boast—the Army and the Navy—have both been reconstructed and remodeled upon
so irresistible a basis that all the neighboring nations have disarmed—and War's impossible! Your
County Councillor has passed such drastic Sanitary laws that all the doctors dwindle, starve, and
die! The laws, remodeled by Sir Bailey Barre, have quite extinguished crime and litigation: The
lawyers starve, and all the jails are let as model lodgings for the working-classes! In short—Uto-
pia, swamped by dull Prosperity, demands that these detested Flowers of Progress be sent about
their business, and affairs restored to their original complexion!
King: (to ZARA) My daughter, this is a very unpleasant state of things. What is to be done?
Zara: I don't know—I don't understand it. We must have omitted something.
King: Omitted something? Yes, that's all very well, but—
(SIR BAILEY BARRE whispers to ZARA.)
Zara: (suddenly) Of course! Now I remember! Why, I had forgotten the most essential element of all!
King: And that is?—
Zara: Government by Party! Introduce that great and glorious element—at once the bulwark and foun-
dation of England's greatness—and all will be well! No political measures will endure, because
one Party will assuredly undo all that the other Party has done; and while grouse is to be shot, and
foxes worried to death, the legislative action of the country will be at a standstill. Then there will
be sickness in plenty, endless lawsuits, crowded jails, interminable confusion in the Army and
Navy, and, in short, general and unexampled prosperity!
All: Ulahlica! Ulahlica!
Phantis: (aside) Baffled!
Scaphio: But an hour will come!
King: Your hour has come already—away with them, and let them wait my will! (SCAPHIO and PHANTIS
are led off in custody.) From this moment Government by Party is adopted, with all its attendant
blessings; and henceforward Utopia will no longer be a Monarchy Limited, but, what is a great
deal better, a Limited Monarchy!
No. 27. There's a little group - 195 -
of isles beyond the wave
Finale, Act II
b Î Ï. Ï
&bb c · · · î
Zara:
J R
j ÏÏ
1. There's a
b b ÏÏ ÏÏ ÏÏ ÏÏ n ÏÏÏ ÏÏÏ n ÏÏÏ ÏÏ b ÏÏ ÏÏ ä ÏÏ ÏÏ Å jä î

&bb c · Ï äÏ Ï Ïä J
Allegro maestoso 3
J Ï Ï J ÏÏÏ Ï
p Ä j j 3
? bb c ú ú Ï ä Ï j Ï Ï Ï nÏ Ï
b Ï Ï ä Ï
Ï Ï Ï nÏ Ï ä Ï Ï Å Ï Ï Ï ÏJ ä î
ú ú Ï Ï Ï Ï Ï J Ï Ï
b ú Ï . Ïr Ïj . Ïr Ï . Ïr Ïj . Ïr
& b b .. ÏJ . ÏR ÏJ . RÏ ÏJ . RÏ ÏJ . ÏR Î Ï
J J
lit - tle group of isles beyond the wave So ti - ny, you might al - most won - der
b . Ïj ä j j j j j j j
may we co - py all her max - ims wise, And im - i - tate her vir - tues and her
b ÏÏ ä ÏÏ ä ÏÏ ä ÏÏ ä ÏÏ ä j j jä jä
& b . ÏÏ Ï Ï Ï Ï Ï ÏÏ ä ÏÏ ä ÏÏ ä ÏÏ ä Ï Ï
p Ï Ï Ï Ï Ï Ï
? b .. Ïj ä j
Ï ä
j
Ï ä
j
Ï ä
j
Ï ä
j
Ï ä
j
Ï ä
j
Ï ä
j
Ï ä
j
Ï ä
j
Ï ä
j
Ï ä
bb Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
b Ï . Ïr Ïj . Ïr Ï . Ïr Ïj . Ïr Ï ä Ï JÏ . RÏ Ï . ÏR Ï Ï Ï
& b b Ïj . Ïr Ï Î Ï J J J J nÏ
where it is That na - tion is the bravest of the brave, and cow- ards are the rar - est of all
b j ä Ïj ä j j j j
ÏÏ ä ÏÏ ä n ÏÏj ä ÏjÏ ä
char - it - ies; And may we, by de- grees, ac- cli - ma - tize Her Par - lia - men - ta - ry pe - cu - li -
jä jä jä jä jä
&bb ÏÏ
jä j ä jä
ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ Ï ÏÏ Ï
b ÏÏ ä ÏÏ ä
Ï Ï Ï Ï Ï
Ï Ï Ï Ï Ï
j j j j j j j j j j j j
? b j j j j Ï äÏ ä Ï ä Ïä Ï äÏ ä Ï äÏ ä
bb Ïä Ï äÏ äÏ ä Ïä Ïä Ïä Ïä
b Ï. Ï bÏ . Ï Ï. Ï Ï. Ï Ï. ú Ï
&bb J R
Ï Î Ï
J R J R J R J
Ï
R
Î
rar - it- ies. The proud - est na - tions kneel at her com - mand; She
bb
j j j A j j j j j ä j ä b Ïj ä Ïj ä
ar - it- ies! By do - ing so, we shall, in course of time, Re -
j ä Ï
& b ÏÏ ÏÏ ä ÏÏ ä
Ï
ÏÏ ä b ÏÏ ä
Ï Ï ÏÏÏ ä ÏÏÏ ä ÏÏÏ ä b ÏÏ ÏÏ ÏÏ ÏÏ
? b jä j ä j ä j ä j ä j ä jä j ä j j Ïj Ïj
bb Ï Ï Ï Ï Ï Ï Ï Ï bÏ ä Ï ä ä ä
Ï Ï Ï Ï Ï Ï Ï Ï bÏ Ï Ï Ï
- 196 -
bb
b Ï . r j r b Ï . Ï Ï . Ï b Ïj. . Ïr Ï Ï . Ï nÏ . Ï
& b J bÏ Ï . Ï J R J R Î Ï J R J R n JÏ . ÏR ÏJ . RÏ
j j
ter - ri - fies all for - eign born rap - scal - li - ons; And holds the peace of Eu - rope in her
j j j
bbb ÏÏ ä Ïj ä j j ä Ïj ä Ïj ä Ïj ä Ï ä j
gen - er - ate com- plete - ly our en - tire land Great Bri - tain is that mon - ar - chy sub -
& Ï ä ÏÏ ä Ï ä Ï ä Ïä
b b ÏÏ Ï b ÏÏ Ï n ÏÏÏ ÏÏ ÏÏ ÏÏ Ï Ï Ï Ï
j j j Ï j
? bb b Ï Ï ä Ï ä Ï ä jä Ï ä j ä Ï ä Ï Ï ä Ïä
b bÏ ä Ï Ï Ï Ï Ï Ï Ï
J Ï J
Ï ä
J
Ï ä
J Ï Ï
J Ï J
b j r Ïj . r j ä
& b b ÏJ ä Ï Ï Ï Ï.Ï Ï Ï Ï Ï Ï î ·
j r Ï . n Ïr Ï j r
hand With half a score in - vin - ci - ble bat - tal - ions.
b
lime, To which some add (but oth - ers do not) Ire - land.
&bb · · î Î Ï . . Ï Ï Ï . Ï Ï Ï . .Ï
Women (incl. Principals):
J R J J R
j r Ï. Ï j r
Such, at least, is the taleWhich is
? b Men (incl. Principals): Ï . . Ï Ï Ï . # ÏÏ Ï Ï . . Ï

bb · · î Î J R J R J R
j j j j
Such, at least, is the taleWhich is
bb Ï
& b Ï ä ÏÏ ä ÏÏ ä ÏÏ ä
jä Î jä j ä j ä j Å Ï Ï Ï . Ï Ï ÏÏÏ ...# n ÏÏÏ ÏÏÏ Ï . Ï
B
ÏÏ ÏÏ ÏÏ ÏÏ Ï R
Ï Ï Ï Ï Ï Ï
j Ïj Ï j f
? bb Ï Ï j j jä j ä Ï ÅÏ Ï Ï. Ï Ï Ï. Ï
b Ï ä ÏäÏäÏ ä Ï ä Î Ï ä Ï Ï
Ï
.
Ï Ï Ï Ï Ï Ï Ï Ï Ï. Ï .
J J Ï Ï Ï R Ï. Ï Ï
r j r r r
b
& b
b Ï Ï
Ï . Ï
Ï Ï
Ï Ï .Ï ÏÏ j ÏÏ n ÏÏ j ÏÏ ú Ïj ä Ïj. . Ïr ÏJ . ÏR Ï Ï Ï . Ï
J. J. R Ï..
J
Ï..
J J J R J R
Ï rÏ j r
borne on the gale From the
Ï Ï. Ï Ï Ï. Ï ú Ï
is-land which dwells in the sea.
j r Ï. Ï Ï
Let us hope, for her sake, That she
. Ï
? b Ï Ï . # Ï Ï ÏJ . . ÏR n Ï Ï . Ï Ï Ï . Ï ú ÏJ ä JÏ . . ÏR J R Ï ÏJ . ÏR
bb J J R J R
Ï. Ï Ï Ï Ï Ï
borne on the gale From the is-land which dwells in the sea. Let us hope, for her sake, That she
b Ï. Ï Ï Ï n Ï
& b b Ï ÏÏ .. # ÏÏ ÏÏ Ï . Ï
ÏÏ ÏÏ n ÏÏ ÏÏ ú Ï Ï Ï . Ï JÏ ä Ï ä ÏÏ ä ÏÏ ä
Ï Ï . Ï Ï Ï . Ï úú J J J
Ï. Ï Ï Ï. Ï Ï Ä Ï j
? b Ï . Ï. Ï Ï Ï. Ï Ï Ï. Ï Ï . Ï Ï Ï Ï
b b Ï Ï Ï Ï Ï. Ï Ï Ï Ï Î Ï . Ï JÏ ä Ï ä Ï ä Ï ä
Ï. Ï Ï Ï J J
Vers 2.0 10 Oct 2011
- 197 -
b î Î Ï ..
&bb · · · ·
1. King: 2
j r j r . j r
b ÏÏ .. ÏÏ úú .
2. Oh,
& b b Ï JÏ . ÏR Ï Ï . Ï Ï .Ï ÏJ . Ïr Ï Ïj .Ïr ú î ..
ú
Î ÏÏ .. ÏÏ
Ï. Ï ú.
makes no mis-take,That she's all she pro-fess-es to be! be! Such, at least, is the
Ï Ï.Ï Ï Ï. Ï Ï Ï Ï. Ï Ï. Ï
? b
bb J R J R . J Ï Ï. Ï ú î .. ú Î JÏ . ÏR ú . Ï. Ï
R J R J R
Ï Ï Ï Ï ÏÏÏÏ ÏÏ ÏÏ Ï ÏÏÏÏ Ï ÏÏÏÏ ÏÏÏ ÏÏ
Ï Ï Ï
makes no mis-take,That she's all she pro-fess-es to be! be! Such, at least, is the
Ï Ï Ï 2 Ï Ï
b Ï Ï ÏÏ ä ÏÏ ä ÏÏ Å ÏÏ ÏÏ ä ÏÏÏ ä 1. ú î Ï
& b b J ä JÏ ä J J
ÏÏ ä Ï Ï Ï J ú .. Ï
J J J
j j Ï ÏÏ .. ÏÏ úú .. ÏÏ .. ÏÏ
? b ÏäÏä Ï äÏ ä j j ÏÏ .. ÏÏ ú .
bb Ï Ï Ï ÏJ Ïä Ï Å Ï Ï ä Ï ä úú î .. ú.
ú.
Ï. Ï
J J Ï Ï Ï Ï
U
b ú.
Nekaya and Kalyba:
ÏÏ w w w
&bb · JJ · · ·
borne on the gale!
b ú. j rw Uú . . ÏÏ w w
& b b ú. ÏÏ ..ÏÏ w ú.. · · ·
J w w
ÏÏ w Uú . .
tale Which is borne on the gale!
ú. Ï . Ï ww w ú..
? bb ú . Ï. Ï J w w · · ·
b J R
Ï Ï
ÏÏÏÏÏÏÏÏÏÏÏÏÏÏÏÏ ÏÏÏÏÏ ÏÏÏÏÏÏÏ ÏÏ úú U ú úú úú úú úú úúú úú ÏÏ ÏÏ Uww
tale Which is borne on the gale!
b ú ú ú ú ÏÏ Î ÏÏ Î ww
&bb úú ú ú ú ú ú ú
úú .. ÏÏ .. ÏÏ U U
? b b úú .. ÏÏ .. ÏÏ
ú ú ú ú nú Ï ú Ï Ï Ï
ú ÏÎÏÎ ú
3 3
b
ú ú ú ú ú nú Ï ú Ï Ï Ï w Ï Ï ú
w End of Opera
Vers. 2.0 10 Oct 2011

- A1 -
Appendix I. Ah! gallant soldier, brave and true
(Chappell version, but with playout)
#### c Ï Ï Ï Ï Ïj j j j Ï n Ï Ï Ï Ï Ï
Zara, Fitzbattleaxe, Troopers and Chorus
& · î Î Ï J J J J Ï ÜÏ Ï J J Ï
Zara:
j
Ah! gal-lant sol-dier, brave and true In tent-ed field and
#### c Ï Ï Ï ú
Allegro moderato
ÏÏ Ï
& ÏÏ ÏÏ ÏÏ úú Ï ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ Ü ÏÏ ÏÏ # Ï Ï Ï Ï Ï Ï Ï Ï
ÏÏÏÏÏÏÏ Ï Ï Ï Ï Ï Ï Ï Ï ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ
f j p
? ## # c Ï Ï Ï ú
# Ï äÎ î Ï Î î Ï Î î
Ï ÏÏú Ï Ï Ï
Ï Ï
#### j Ïj Ïj # Ïj j j j j
& Ï Ï Î Ï Ï Ï Ï Ï # Ï ÏJ ÏJ ú Ï
tour - ney, I grieve to have oc - ca - sion'd you So ve - ry long a
#### Ï Ï #Ï
& # ÏÏÏ ÏÏÏ ÏÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏÏ ÏÏÏ ÏÏÏ # ÏÏÏ ÏÏÏ ÏÏ ÏÏ # ÏÏ Ï Ü ÏÏÏ ÏÏÏ ÏÏÏ ÏÏÏ
ÏÏÏÏÏ J j
? #### Ï Î ú Ï. Ï Ï Ï Ü Ïú # Ï
î J Ï
Ï
####
& Ï Ï Î Ï Ï ÏJ ÏJ ÏJ Ï ÏJ JÏ ÏJ Ï Ïj # ú Ï
J J J
jour - ney. A Brit - ish sol - dier gives up all— His home and is - land
#### Ï Ï Ï Ï n ÏÏ Ï Ï Ï ÏÏ
& ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ Ï Ï Ï Ï Ï Ï ÏÏ ÏÏ # ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ
Ï Ï Ï Ï Ï Ï
ÏÏÏÏÏÏÏ
? #### ú . Ï ÏÏ ÏÏ ÏÏ # ÏÏ Ï ÏÏ ÏÏ ÏÏ Ï Ï
Ï Ï ú
ú. Ï
#### Ï Ï Ï Ï Ï j j j j Ï ÏJ ú
& Ï Î Ï J J J J Ï Ï ÜÏ Ï J Ï
beau - ty— When sum- mon'd by the trum - pet - call Of Re - gi - men - tal
####
& # ÏÏÏ ÏÏÏ ÏÏ ÏÏ Ï Ï Ï Ï ÏÏ ÏÏ ÏÏ ÏÏ # ÏÏÏ ÏÏÏ ÏÏÏ ÏÏÏ # n ÏÏÏ ÏÏÏ n ÏÏÏ ÏÏÏ ÏÏÏ ÏÏÏ ÏÏÏ ÏÏÏ
Ï Ï ÏÏ ÏÏ ÏÏ ÏÏ
? #### ú
Ï Ï Ï NÏ ú Ï ú Ï
####
- A2 -
& Ï î 12
8 · î. Î ää Ïj Ïj
Ï
Du-ty! Let us
#### Î ä Ï Ï 128 Ï . Ï Ï Ï. Ï Ï Ï Ï. Ï Ï Ï . Ïj Ïj Ïj
V î
Fitzbattleaxe: 3
J J JJ J
####
Oh my joy, my pride, My de - light to hide, Let us
· ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ Ï # ÏÏ ÏÏ ÏÏ
& Ï
Women: 3
f
Ï ÏÏ Ï
Knights - bridge nurse - maids— serv - - ing fair - ies—
? # # # # Î ä Å ÏJð Ï Ï
Men: ú ú ÏÏ .. Ï
J
Ï
f A Brit - ish sol - dier gives up all— His
####K ÏÏ ÏÏ ÏÏ ÏÏ ÏÏÏ ÏÏ ÏÏ # ÏÏ ÏÏÏ ÏÏÏ

3
j
& Ï Ïä î Ï Ï Ï Ï
Ï Ï f Ï
j ÏÏ Ï ÏÏÏ Ï ÏÏÏ Ï ÏÏÏ ÏÏ ÏÏ Ï Ï
? #### Ï Ïä î Ï Ï Ï Ï Ï
Ï Ï Ï Ï Ï
#### Ï . Ï Ï Ï . Ï Ï Ï # Ï Ï #Ï Ï . Î äÏ j Ï. Ï Ï Ï. Ï Ï ÏJ
& J J J J J Ï J JJ
#### Ï . Ï Ï Ï .
sing, a- side, What in truth we feel. Let us whis - per low Of our
Ï Ï Ï #Ï Ï #Ï Ï . Î äÏ j Ï. Ï Ï Ï. Ï Ï ÏJ
V J J J J J Ï J JJ
j
sing, a- side, What in truth we feel. Let us whis - per low Of our
#### Ï Ï Ï Ï ÏÏ Ï ÏÏ ÏÏ ÏÏ
# ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ
3
& Ï Ï Ï Ï
Ï
Stars
Ï
of
Ï
proud Bel
Ï
-
úú
gra - - vian air - ies;
ÏÏ
At
ÏÏ duÏ - ty'sÏ
stern
? #### Ï Ï NÏ NÏ
home and is - land beau - ty— When sum - moned by the
# # # # ÏÏ Ï Ï Ï ÏÏÏ ÏÏ
3
ÏÏ ÏÏ ÏÏ
& Ï Ï Ï Ï # Ïú Ï
ÏÏ
Ï
ÏÏ
Ï
ÏÏ
Ï
ÏÏ
Ï
Ï Ï
? # # # # Ï ÏÏÏ Ï ÏÏÏ Ï ÏÏÏ Ï
ÏÏ
Ï Ï ÏÏ ÏÏ Ï Ï Ï Ï Ï NÏ NÏ
Ï Ï Ï Ï Ï Ï NÏ NÏ
#### Ï . Ï Ï Ï Ï Ï Ï Ï j j Ï.
- A3 -
Ï Ï JÏ Ï Ï Ï . Ï Ï Ï .Î ä c
& Ï
J J J Ï Ï J J J J
#### Ï . Ï Ï Ï Ï Ï Ï Ï
love's glad glow, Lest the truth we show We would fain con-ceal.
j j Ï. Ï Ï JÏ Ï Ï Ï . Ï Ï Ï .Î ä c
V J J ÏJ Ï Ï J J J J
love's glad glow, Lest the truth we show We would fain con-ceal.
j j j
# Ï Ï Ï Ï Ïj n Ï j Ï Ï Ï Ïj # Ïú . Ïj Ï Î
3
# # # # ÏÏ . Ï Ï Ï
3
3
j
3
Ï ÏÏ
3
& J Ï Ï
3 3
Ï Ï Ï Ï Ï Ï
J J
Ï.
call
ÏÏ Ï
you leave
Ï
them,
Ï
Tho'
Ï
you
Ï Ï
know howthat
ú
must grieve
Ï
them!
? #### Ï . Ï Ï Ï Ï Ï ú
J Ï Î
trum - pet - call Of Re - gi - men - tal Du - ty!
j
# # # # # ÏÏ ÏÏ Ï Ï Ï Ï Ï Ïj n Ï j Ï Ï Ï Ï # Ïú . j
3
j ÏÏ
3 3
ÏÏ
3
& Ï Ï
3 3 3
Ï Ï J ú ÏN ÏÏÏ
ÏÏ Ï Ï ÏÏ ÏÏ ÏÏ
? ## ## Ï Ï Ï Ï Ï Ï ú
Ï Ï Ï ú Ï Ï
Ï Ï
#### c î Î Ï Ï Ï Ï Ï j j j j Ï nÏ Ï Ï Ï Ï Ï
J J J J Ï Ï ÜÏ Ï
Fitzbattleaxe:
V J J
Such es - cort du - ty. as his due, To young Life - guards - man
#### L j
& ÏÏ ÏÏÏ ÏÏÏ ÏÏÏ ÏÏÏ ÏÏÏ ÏÏÏ ÏÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ Ü ÏÏ ÏÏ # ÏÏÏ ÏÏÏ ÏÏÏ ÏÏÏ ÏÏÏ ÏÏÏ ÏÏÏ ÏÏÏ
Ïp Ï Ï Ï Ï Ï Ï Ï Ï
j
? #### ÏäÎ î Ï Î î Ï Î î
Ï Ï Ï
#### j Ïj Ïj # Ïj Ï Ïj Ï # Ï Ï Ï ú Ï
V Ï Ï Î Ï Ï J J J J J
fall - ing, Com - plete - ly re - con - ciles him to His un - e - vent - ful
#### Ï Ï #Ï
& # ÏÏÏÏÏÏÏÏÏ ÏÏÏ ÏÏÏ ÏÏÏ ÏÏÏ ÏÏÏ ÏÏÏ ÏÏÏ ÏÏÏ # ÏÏÏ ÏÏÏ ÏÏ ÏÏ # ÏÏ Ï Ü ÏÏÏ ÏÏÏ ÏÏÏ ÏÏÏ
J j
? #### Ï Î î ú Ï. Ï Ï Ï Ü Ïú # Ï
J Ï
Ï
Vers. 2.0 10 Oct 2011
## ##
- A4 -
V Ï Ï Î Ï Ï ÏJ JÏ ÏJ Ï Ï Ï
J J ÏJ Ï Ïj # ú Ï
J J J
call - ing. When sol - dier seeks U - to - pian glades In charge of Youth and
## ## Ï Ï
& ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ Ï ÏÏ n ÏÏ ÏÏ Ï
Ï ÏÏ
Ï ÏÏ ÏÏ # ÏÏÏ ÏÏÏ ÏÏÏ ÏÏÏ ÏÏÏ ÏÏÏ
ÏÏÏÏÏÏÏÏ
? ## ## ú . Ï ÏÏ ÏÏ ÏÏ # ÏÏ Ï
Ï
ÏÏ ÏÏ ÏÏ Ï Ï
Ï ú
ú. Ï
## ## Ï Ï Î Ï Ï Ï Ï Ï j j j j Ï Ï ú Ï
V J J J J Ï Ï ÜÏ Ï J J
Beau - ty, Then plea - sure mere - ly mas - quer - ades As Reg - i - men - tal
## ##
& # ÏÏÏ ÏÏÏ ÏÏÏ ÏÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ # ÏÏÏ ÏÏÏ ÏÏÏ ÏÏÏ n ÏÏ ÏÏ Ï Ï Ï Ï Ï Ï
Ï Ï Ï Ï # Ï Ï n ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ
? ## ## Ï Ï NÏ ú ú Ï
Ï ú Ï
## ##
V Ï Ï î · ·
Du-ty!
j ûj ûj j j j j j j
## ## ·
Women:
Ï Ï Ï Ï Ï Ï Ï Ï Ï ·
& Ï Ï Ï Ï Ï Ï Ï Ï Ï
fTan
Ï. Ï Ï Ï Ï Ï Ï Ï
- tan - ta - ra - ra - ra - ra - ra - ra!
? # # # # Î ä ÏJ JÏ ÏJ ÏJ ÏJ ÏJ ú ú Ï. Ï Ï Ï Ï Ï Ï Ï
Men:
ðð J Jð J J J J J J
f
Tan-tan - ta-ra-ra - ra - ra! The Trum - pet call of Prin-cess Za-ra!
## ## j Ïj Ï Ï Ï Ï Ï # Ïú Ï Ï Ï Ï ÏÏ Ï Ï Ï # Ïú Ï Ï Ï Ï ÏÏ Ï Ï Ï
M
& Ï Ï úú ÏÏ Î úú ÏÏ Î
Ï Ïf
? ## ## Ï jÏ Ï ÏÏÏÏ Ä
ÏJ
Ï Ï
####
- A5 -
V î Î ä ÅÏ
Fitzbattleaxe:
Ï Ï Ï Ï Ï Ï Ï Ï ä 128
Jð J Jð Jð J J J J J
And we are the es - cort— First Life Guards!
? #### Ï Ï Ï Ï Ï Ï Ï Ï Ï
î Î ä Å Jð J Jð Jð J J J J J ä
Troopers:
####
And we are the es - cort— First Life Guards!
& Ï Ï Ï ÅÏ Ï Ï Ï Ï ä ·
J J J Jðð Jðð J J J
That's trump call and we're all trump cards.
? #### J J J Å Jðð Jðð J J J ä ·

That's trump call and we're all trump cards.
#### Ï Ï Ï Ï Ï
& Ï ä Î Ï ä Î Ï ä Ï ä Ï ä Ï ä
J J J J J J
? #### j
Ï ä Î
j
Ï ä Î j
Ï ä
j
Ï ä
j
Ï ä
j
Ï ä
Ï Ï Ï Ï Ï Ï
# # # # Zara:
128 ä Ïj Ïj Ï Ï JÏ Ïj Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
& J J J J J J J J J J J
Oh! the hours are gold, And the joys un - told, when your eyes be - hold Your be - lov'd Prin -
# # # # Fitzbattleaxe:
128 ä Ïj Ïj Ï
V Ï JÏ Ïj Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
J J J J
J J J J J J J
Oh! the hours are gold, And the joys un - told, when my eyes be - hold My be - lov'd Prin -
? ####
Troopers:
J J J Å Jð J J J Å Jð J Jð Jð J J J J J ä
First Life Guards, the First Life Guards! And we are the es - cort— First Life Guards!
# # # #Nek. & Kal.

j with
ä j j j ûj j j j j j j
ÏÏ ä ÏÏ ä ÏÏ Å ÏÏ ÏÏ ä ä
Sopranos:
& ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ
ÏÏ ÏÏ ÏÏ ÏÏ Ï
Å Ï ÏÏ
Ï Ï Ï Ï Ï
They're her es - cort— the First Life Guards! First Life Guards!
? #### ä ä ä Ï Ï ä Ï Ï Ï ä
J J J J Jð J J J J J J
ÏÏ
They're her es - cort— the First Life Guards! First Life Guards!
ÏÏÏ ÏÏÏ ÏÏ ÏÏ ÏÏ Ï Ï ÏÏ Ï
#### Ï ÏÏ ÏÏ ÏÏ. ÏÏ. ÏÏ. ÏÏ.
& Å Å ÏÏ Å J Å Ï Ï Å Ï Ï Å Jð
f ÏÏ ÏÏ ÏÏ ÏÏ
? #### j j j
Ï ÅÏÏ Å ÏÏ Å Ï Ï ä Ï ä Ï ä
Ï ÏÏ ÏÏ ÏÏ Ï Ï
# ##
- A6 -
Ï j Ïj Ï Ï Ïj Ï Ï Ï Ï Ï Ï Ï Ï ä ä Î
& # J Ï Ï
J J J
Ï Ï
J J J J J J
ä
#### Ï j Ïj Ï
cess; And the years will seem but a brief day - dream In our hap - pi -ness!
Ï Ï Ïj Ï Ï Ï Ï Ï Ï Ï Ï JÏ ä ä Î
V J Ï J J J J J J ÏJ J
ä
Ï Ï Ï Ï Ï
cess; And the years will seem but a brief day - dream In our hap - pi -ness!
? #### Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
J J J Å Jð J J J Å Jð J J J Ï Ï Ï J Ï Ï
Jð Jð J J J
First Life Guards, the First Life Guards, the
ûj ûj j
First, the First Life Guards! Tan- tan - ta -
j
ra -
#### j ä j ä j ä j ûj j j j j
Å Ï Ï Ï Ï Ï j Ï Ï Ï Ï
& ÏÏ ÏÏ ÏÏ ÏÏ Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
Ï Ï Ï Ï
They're her es - cort— the First, the First Life Guards! Tan- tan - ta - ra -
? #### ÏÏ ÏÏ ÏÏ ÏÏ Ï Ï Ï Ï Ï ÏÏ
J ä J ä J ä J Å ÏJ Ï Ï Ï Ï J
Ï
Jð
Ï Ï
Jð J
Ï
J
ð J J J J
ÏÏ ÏÏ ÏÏ
They're her es - cort— the First, the First Life Guards! Tan- tan - ta - ra -
#### Ï ÏÏ ÏÏ ûj Ï Ï Ï ÏÏ ÏÏ ÏÏ ÏÏ
& Å Ï Ï Å Ï Ï
J Å Ï Ï Ï Ï Ï Ï Ï
Ï
Ï Ï Ï
Ï Ï Ï
Ï
Ï
Ä
? #### Ï Å Ï Ï Å Ï Ï Å Ï Ï Å Ï Ï Ï Ï Ï Ï
Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
Ï Ï Ï Ï
#### ä j j j j j j j j
& Ï Ï Ï Ï Ïj n ÏJ Ï Ï
j j
Ï Ï Ï n ÏJ Ï Ï Ï Ï Ï ÏJ Ï Ï Ï Ï ÏJ
#### ä Ïj Ïj Ï Ï Ïj n Ï j j nÏ j j j Ï j j
And the years will seem But a brief day - dream In the joy ex - treme Of our hap - pi -
j Ï
V J Ï Ï Ï Ï Ï J Ï Ï Ï Ï Ï J Ï Ï Ï Ï J
ú Ï Ï Ï Ï Ï ú Ï Ï Ï Ï Ï
And the years will seem But a brief day - dream In the joy ex - treme Of our hap - pi -
? #### ú Ï Ï Ï Ï Ï ú Ï Ï Ï Ï Ï
J Jð Jð J J J Jð Jð J J
ra!
j ûj ûj j
Tan - tan - ta -
j
ra ra! -
j ûj ûj j
Tan- tan - ta -
j
ra -
#### ú Ï Ï Ï Ï Ï ú Ï Ï Ï Ï Ï
& ú Ï Ï Ï Ï Ï ú Ï Ï Ï Ï Ï
ú Ï Ï Ï Ï Ï ú Ï Ï Ï Ï Ï
ra! Tan - tan - ta - ra ra! - Tan- tan - ta - ra -
? #### ú Ï Ï Ï Ï Ï ú Ï Ï Ï Ï Ï
J Jð Jð J J J Jð Jð J J
ra! Tan - tan - ta - ra ra! - Tan- tan - ta - ra -
nÏ Ï nÏ
# # # # n Ïúú Ï Ï Ïú
ú
Ï Ï Ï
n úú
Ï Ï Ïú
ú
Ï Ï Ï
&
? #### Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
####
- A7 -
& Ï . Ï Ïj Ï . Ï ÏJ c ú . Ï Ï
J J
Ï
J ä Î î
.
#### Ï . j Ï . Ï ÏJ c ú Ï Ï Ï
ness, In the joy of our hap - pi - ness!
V Ï Ï J J J ä Î î
Ï Ï Ï Ï Ï Ï
ness, In the joy of our hap - pi - ness!
? #### ú . Ï. Ï
J Jð
ú. Ï
ä Å Jð Ï
Ï
Ï Å JÏ JÏ
Ï
Ï Å ÏJ
J Ï J Ï J
J ð J ð
#### j . ûj j . ûj Ï
ra! Tan - ta - ra! The First Life Guards, the First Life Guards, the
& úú .. ÏÏ . ÏÏ úú .. ÏÏ . ÏÏ Ï ÏÏ Ï
Ï Å ÏÏ ÏÏ ÏÏ Ï
Ï Å ÏÏ
J J J Jð J J J Jð
úú .. ÏÏ .. ÏÏ úú .. ÏÏ .. ÏÏ
ra! Tan - ta - ra ra! The First Life Guards, the First Life Guards, the
? #### ÏÏÏ ÏÏ Ï Ï Ï ÏÏ Ï
J Jð J Jð JÏ J Å JÏ JÏ Ï J Å ÏJ
J ð J ð
Ï úú .. ÏÏ .. ÏÏ ÏÏ ÏÏ Ï Ï Ï ÏÏ Ï Ï
ra! Tan - ta - ra ra! The First Life Guards, the First Life Guards, the
# # ÏÏ ÏÏ ... ÏÏ ÏÏÏ ÏÏ ú. Ï. Ï Ï Ï ÏÏ Ï Ï ÏÏ Ï
& # # ÏJ ä Ï Ï Ï Å Ï Ï Ï Å Ï
? #### Ï ä Ï. Ï Ï Ï
Ï Ï Å Ï Ï Ï Å Ï
Ï Ï. Ï Ï Ï ú. Ï. Ï Ï Ï
J ú. Ï. Ï Ï Ï Ï Ï Ï Ï
Ï Ï Ï Ï Ï Ï Ï Ï ú.
? #### Ï Ï Ï Ï Ï Ï Ï Ï ú. Î ·
J J J J J J J J
#### Ï
First, the First, the First, the First Life Guards!
ÏÏ Ï ÏÏ Ï ÏÏ Ï ÏÏ ú .. Î ·
& Ï J Ï J Ï J Ï J ú
J J J J
First, the First, the First, the First Life Guards!
? # # # # ÏÏ Ï ÏÏ Ï ÏÏÏ ÏÏ Ï úú ..
Î ·
J Ï J Ï JÏ J Ï
J J J J
Ï Ï
First, the
Ï ÏÏ
First, the
Ï ÏÏ
First, the
Ï ÏÏ
First Life
Ï
Guards!
ÏÏ Ï Ï
# # # # ÏÏ ÏÏ ÏÏ Ï ÏÏ Ï ÏÏ Ï ÏÏ Ï ÏÏ ÏÏ
äÏÏÏÏÏÏÏ
3
& J ä Î J ä Î
3 3
j j j
? #### Ï Ï Ï Ï Ï ä Î Ï ä Î Ï ÏääÎ Î
3
Ï Ï Ï Ï
- A8 -
(Exeunt KING and ZARA in one direction, Lifeguardsmen and crowd in opposite direction.
j j j j Ï Ï Ï Ï Ï ÏÏ
3
# # # Ï ÏÏ
# Ï ÏÏ ÏÏ ÏÏ ÏÏ Ï ÏÏ ÏÏ ÏÏ Ï Ï Ï Ï
3
& Ï Ï Ï Ï ú Ï Ï Ï Ï
J ä JÏ ä ÏJ ä ÏJ ä ú Ï ÏÏ
J J J J ÏÏ ÏÏ ÏÏ ÏÏ
ÏÏ ÏÏ ÏÏ ÏÏ Ï ÏÏ ÏÏ ÏÏ
? ## ## Ï Ï Ï Ï j ÏÏ Ï ÏÏ Ï Ï Ï Ï Ï
Ï Ï
Ï Ï jÏÏ ÏÏ ÏÏ
Ï ÏÏ ÏÏÏ ÏÏÏ
Ï J J Ï
Enter, at back, SCAPHIO and PHANTIS , who watch ZARA as she goes off.)
j j j j nÏ Ï Ï Ï Ï Ï Ï ÏÏÏ Ï
# # # # ÏÏ ÏÏ ÏÏ ÏÏ Ï Ï
J ÏJ Ï Ï Ï Ï Ï ÏÏÏ
3
#Ï Ï
3
ÏÏÏ J J ä ÏÏ ä Ïj ä Î
3 3
& Ï Ï Ï Ï Ï J Ï
3 3
J J J J J ÏÏ
ÏÏ ÏÏ ÏÏ ÏÏ # ÏÏÏ ÏÏÏ ÏÏ ÏÏ úúú ú ÏÏ Ï j
#
? ## # Ï Ï nÏ Ï Ï Ï ÏÏ Ï ú ú ÏäÏäÏ ä Î
Ï J J Ï

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Utopia LTD Act2

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ACT II - 125 -

No. 13. Recit: Oh, Zara, my beloved one

bbbb Ï Ï . Ï Ï Ï ä Ï. ä Ï. Ï. ä ÏÏ. Ï ä ÏÏ ÏÏ. ä ä ÏÏ ä ÏÏ Ï.j ä j j ä Ïj

& b b b ÏÏÏ ...ÏÏÏ äb ÏÏ ÏÏ ä ä ÏÏÏ ÏÏ Ï Ï. Î Ï Ï b Ï ÏÏ .. Ï ÏÏ .. Ï ÏÏ ÏÏ ÏÏ .

Vers 2.0 10 Oct 2011

No. 14. Words of love too loudly spoken

(Enter KING dressed as Field-Marshal.)

Vers 2.0 10 Oct 2011

No. 15. Society has quite forsaken

& # Ï Ï ÏÏ. ÏÏ ÏÏ Ï Ï ÏÏ. Ï ÏÏ Ï Ï ÏÏ.

& # Ï Ï ÏÏ. ÏÏ ÏÏ Ï Ï ÏÏ.

& # Ï Ï Ï ÏÏ. Ï Ï ÏÏ. Ï Ï ÏÏ. Ï

Rev. 20 July 2003

Vers. 2.1 21 Oct. 2011

(At the end all rise and replace their chairs.)

No. 16. Entrance of Court

No. 17. Drawing room music

# # # œ Jœ ‰ œ # œ. œ. œ ‰ œ. œ. œ. œ. œ. œ. # œ. œ. œ. œ. œ. œ. œ. œ.B œ œœ œœ œœ œ œœ œœ œœ œœœ œœœ ‰ œ. œ. œ. œ. œœœ œœ . œ. . œ.

# # # œ œœ œ œœ œ œœ œ œœ œœœ œœœ ‰ œ. œ. . œ. œœœ œœœ ‰ œ. œ. . œ. # œœ œœ œ œ œ œ œœ œœ . œ. . œ.

No. 18. Recit:This ceremonial our wish displays

### nnnb 9 Ï. Ï Ï Ï ÏÏÏÏäÏÏ Ï

Vers 2.0 10 Oct 2011

f Ea - gle high in cloud - land soar-ing Spar - row twit - t'ring on

Vers 2.0 10 Oct 2011

f Glo - ry then will crown the day Glo - ry SGlo -

No. 19. With fury deep we burn

No. 20. If you think that when banded in unity

Vers 2.0 10 Oct 2011

?# ÏÏÏ ÏÏ ÏÏÏ ÏÏ ÏÏÏ ÏÏ ÏÏÏ ÏÏ ÏÏ Ï ÏÏ Ï

& ä J ä Ïj ÏÏ Ïj ÏÏj ä Ïj ÏÏ Ïj ÏÏj ä Ïj ÏÏ Ï Ï ÏÏ ä ÏÏ

No. 21. With wily brain upon the spot

pWith wiÏ - lyÏ brain

# # # # Ï ä Ï Ï Ï Ï j äää j j Ïj ÏjÏj Ï j Ï ääÎ Phantis:

? # # # # Ï ÏÏ ÏÏ Ï ÏÏ ÏÏ j ÏÏÏ Ï Ï ú.ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ Ï ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ú#.ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ Ï ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ

Vers 2.1 21 Oct 2011

No. 22. A wonderful joy our eyes to bless

No. 23. Then I may sing and play

& b n ÏÏÏ ÏÏÏ ÏÏÏ

& b ÏÏj ä ÏjÏ ä ÏjÏ ä ÏÏj ä ÏjÏ ä ÏÏj ä ÏÏ ä Ïj ä n Ïj ä j

Vers. 2.0 10 Oct 2011

& b 34 Ïjä Ïjä Ïjä j

Vers. 2.0 10 Oct 2011

No. 25. Ah, Lady Sophy, then you love me!

No. 25a. Oh rapture unrestrained

Vers. 2.0 10 Oct 2011

No. 26. Upon our sea-girt land

Vers 2.0 10 Oct 2011

b b ÏÏ ÏÏ ÏÏ ÏÏ n ÏÏÏ ÏÏÏ n ÏÏÏ ÏÏ b ÏÏ ÏÏ ä ÏÏ ÏÏ Å jä î

? b Men (incl. Principals): Ï . . Ï Ï Ï . # ÏÏ Ï Ï . . Ï

Vers. 2.0 10 Oct 2011

####K ÏÏ ÏÏ ÏÏ ÏÏ ÏÏÏ ÏÏ ÏÏ # ÏÏ ÏÏÏ ÏÏÏ

? #### J J J Å Jðð Jðð J J J ä ·

# # # #Nek. & Kal.

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