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  • SEC 1B.A 1st SEM Gen

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    232459কাব্যের-গঠনগত-রূপ-SEC-1B.A-1st-SEM-Gen

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    Zggxhx vxdhfhf xud

    Copyright:

    © All Rights Reserved
    Download as PDF or read online from Scribd
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    14 views21 pages

    SEC 1B.A 1st SEM Gen

    Uploaded by

    dNA
    Zggxhx vxdhfhf xud

    Copyright:

    © All Rights Reserved
    Download as PDF or read online from Scribd
    Flag for inappropriate content
    of 21
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Gt Poetics-I4 RS HATTT wor fg ones wafer, ae Celt ‘tragedy’ a ACA GUST ‘epic’ 04 Gartt aes Pita 6% ace adort (iw) worn ag we mAs Tes Coie Crews CF HHACE TORTS ae arate Vfl | fey, Fry core ates ame Gor abate Fert cata, Ayers, wee @ SA CHICA Arantere a1 Sfeeatire mR, a aig crys ARIS as AIG 6 AT HB | OC “afaee aarere (narrative) 1 WS Boats, Aare ances Gao AS ae Aeaios wen AACS WA + ‘they (Tragedy and Epic) should be based 0” a single action, one that is complete whole in itself, with a beginning, a middle. and an end so as to enable the work to produce its own proper p re with all the organic unity of a living creature...As for its metre, the heroic has bee" assigned to it from experience.’ gueatera aoe ‘alae’ al Heyl 6 spieaa ave att wfafriareA (plod 8° ANCA AAA (simple) 4A CAA (complex) | wa weyry Barmera wos A (song) @ “4A” (spectacle) aA cmGA epIfER aI— “his parts, too, will the exception of Song, and Spectacle must be the same, as it requires Peripel ‘Scanned wth CamScanet iter », i id scenes of suffering just Ij piscoveries, an ‘ering just like Tragedy,’ y." OFA Cats a eh: aeieit ae ree een ea Am Bars matte crate Br ‘story of suffering’ 30H FR TFA Carentan wea wali ae RRs ebaa AAT MOAT FCT Ge Aa UII, cUoRIOY Bricaoa eat > F = ag Te SPR HREATCI @ MENT cats care eae ct a atgt eoneny 6 Raibo nore ‘Pie atom BRR act) : FAS ARMAGH AY FA Sta ABET Hf ice wea aomtefi om water : “m mee oar TRE A Aas at afeatis ; XC RRA ANS Rteaets wHTARO— CHEN CTAB a BHAI at WAR; YM PCR ABs Hie Ro af were foe Za ; ae Aes CIE aah eta APAl tec ; fea Hef aay ace abe wa, vite HOlT CIT GAT eH IWS WA ; oe eiittea, Tafa at zero fier wVsAA GIS ; eRe AOS R RA ASOT 5 oat, 2a 6 sero eat aa ae ODOR aero eT ; 8. Fea agente, Rer-fiay yaa Bona aft areca ; &, 2Dal WA GASARTS 6 TST ANTS ; EIT OR AA EA 6 EY Bol oe OTRAS HET Ola PIMPLE ACTA HA ATCT TALE AT ARS ACA COM GHATS 2A AT Aer Aw frac | CHPRPOEA Pea 77 RG Sar salir, ace UKTI Fete Tees STOTT FR refers Com eAFOA AT ACCA ACG AL YEA WC OTAAS HNP WAR; Grae RecA Gey eras FRE, TAT ATH eB HR CHAM OPT Refs sereracs dora aceite Fal CIOS AGH : Che megane earsficet areas enel Crcra Aware at CATE TEE a ice a e Stef often ASR WTA A, STAT wT 18 eH FAT ef eee ete, sifatafeaTeet afer eH ICTR eI Sa ree, earn, cage eer FH 5 At STF AES ferro Faoirora epacattas ce ee AAD Hare HRTEM MRT Rey a Eo: cafes oTaHT TE oo TET Epic Hea wore merase | yea yea Hear AACA SAT ‘ca i eee which si nae AA GNA surrounding community.” A, HET ee vo ee Fee oecaet A AaT GC, HEN ACH TY 6 afte a, af center swrey Pang eat "HIS | CATBL CLG cafes Banas a ver area ort ae Se TA syatant | ATA APM RPS ABTA, TP-ABT ASIA, MCAT caters @ eae genie antertia PeyuIer! Primary al Authentic fara * A HAYMAN Te ZAI UPAR H AIAN, Secondary 7 Literary «faz RARE GRIT rE A SWS HAL S awa worried aia Fife ada Rea waKprT wa oats, frmafos wis, ace afeF wifes BeLRALeraaer Boi wee wera AA wT Ff AOATS HE AAC, AB HI ACTA HAC TAA ala maine aifae year | afer rea 3S al GC MUPAAT HIT | Primary Epic oF Ree GRIER, SHAS WHA HMMA IC eA ATS At ang za ar Sort Secondary / Literary Epics Neh A | Gifal-<2a HPTS, BylcrtA aware cofbrené, fieibaa opraretenr ab TR ea He Aw Ca ar ae RRR EEL PAB anita eifecmel aye Girt < wes aionke oe Aa Cert aia lin TAPHICTTA AoA! 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Gi Bax wa YS aeracer— wan a AfSafFSt (Subjective Lyrical) 4 SAR a1 VMAS BT (Objective/lmpersonal)| @ Ft FS SRERATTS, US FA Yt OF StH GIA THC TRI Sia, Se TeAS ofeaol 6 ago as cic toe aim Git Rare ore mai saK CAR, OL AA FA Ga VATS sO) orara oraies Wak Gra sheers ARG =a qwercos UAT wa, Sis wait SEL a AA aI AA, afaeticos SRA, SIT, SSTCE TG Clee a Ge GT Git aS, wea i Ree areal AA waE a aVAD ser waa a eee seas FER 6 wgiea ARCO ea ; TICE, TEER Ces Banas a a a aa sere feat oats war SAO aT La yaa comatoe CES aes tons chara a Gir oP a AL RT ACH | TTA AAT CT TAT AR HY Coe T-BOT saat @ AROSE GAA GIAIMICIT SIT © foal OTF TET ACT are IAA cece ara e wa Baar PSR mea a ateiee AROMAT rca eR CICS ACAI co AifseRiora eaeat © Hat 6 TAIT © TAB @ far Talos (cor a a ee safes nso AI © GINS Afseat ora ae wa Oe aN tet at AifSeaCT| aS Borate ata o aH Ae ASAI at lyric PRAT pata ex air ery Ast at ‘lyre? cae | farEACT lyre a roe oe er ann SE arnt Awana | AMET AEH GANT OT SPS MOM “1G OMT PALMS BIA GPISDSATCH AAG beter} wry FE Se giea sees aires G8 AIS BAS AE AGH fretay SUNAB atSAAe~a ‘A Musical Instrument’ Fecal eae Fifa ara wih snarl arcane free Barca’ 8 Premewcta area | HG AOA UtAtA AAA GE Rey egies re eet wba a Ofer aI ot AOS ZT TS a GIS ao Se DA “AS-stet” I Lyrical Ballad, WI— cueaTa TeAAAA TASlhee’, safer atera ‘bre als’, Tra ‘Fram Borate’, eadspentfaaa ‘Goody Blake and Harry Gill’ egfS | Ga WA-4a ‘The Canonisation’ 94 Wot AROS Se 0A ‘Dramatic Lyric’ Gril a Rete aA AARBoS caters yay QE AR A RG, CRs Rated Fas GEA as UMS oie Geet el was Ufeces wes fin Ae Sra wraehS AES aa) Ga <& “The Lady of Shalott’ feat aAeAAT HAA 4B MATA ADA | IRIS VA TRA HaF Saul, cI CATA eI aie oor aR a ofa ea a5

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