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Before You Accuse Me

(Take a Look at Yourself)


Words and Music by Ellas McDaniels

Intro
Moderate Blues q = 94  __ =   3

E7 Eº7 Am6/E
3 3

          


 

  
      
          
mf
w/ fingers
let chords ring throughout
4 4 4 4 4 4 4 3 3 3 2 2


3 3 3 3 3 3 3 2 2 2 1 1
4 4 4 4 4 4 4 3 3 3 2 2

X 0 0 0 0 0 0 0 0 0 0


E B7

     

1. Be -


         
  
3

         

 0
3 3

3 0 3 0 0 0 0
0 3 0 3 0 3 0 0 0 0 0
0 1 2 0 1 2 2 2 2 0
2 2
2

Verse

   3   
E A
       
 
fore you ac - cuse me, take a look at your -

 3

          
              
  
0
0 0
0
0 2 2 4 4 2 2 4
2 2 4 4 2 2 4 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0

© 1957 (Renewed 1985) EMI LONGITUDE MUSIC


All Rights Reserved International Copyright Secured Used by Permission 1
E
  3       
 
self. Be -
  
  
3
 

           
            
0
0
2 0 1
2 2 0
2 2 4 4 2 4 4 2 2 4 0
0 0 0 0 0 0 0 0 0 0 0 0 0

     
A7
 3    
3

   

fore you ’cuse me, take a look at your
3

   3

               
            
3 0
2 0
2 2 4 4 2 2 2 0 4 4 2 2 2 0 2
0 0 0 0 0 0 0 0 0 0 0 0 0

E
  3 3 
        

self. You say I’m

 
3
         
       


  
  3 
1/4
0 0 0 0 0 0
0 3 0 0 0 3 2 0 0 0
0 1 2 0 1 2
2 2
2 0
0 0 0 0

 3   3   
B7 A
  3   3   3  
    
 
spend - in’ my mon - ey on oth - er wom - en, you tak - in’ mon - ey from some - one

 
         
            
0 0 0
2 2 2 2 2
2 2 4 2 4
2 2 2 2 0 0 0 0 0 0 0 0 0

2

E B7

       

else. 2. I

       


3 3

        
3
  
   

43
3 3

4
0 0 4 0 0 0
0 3 3 0 0 0 0 0 0
4 2 0 1 2 2 2 2 0
2 1 0
2 2 2 2 2
0

Verse

 
E A
  3        
3

   
called your ma - ma ’bout three or four nights a - go.

 
         
             
      
0
0
0 2 2 4 4 2 2 4
2 2 4 4 2 2 4 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0


E

       


I

 
  
3

 
            
           

0
0
2 0 1 1
2 2
2 2 4 4 2 2 0 4 4 2 2 4 0
0 0 0 0 0 0 0 0 0 0 0 0 0

 
A
       
3
     
3

 
called your ma - ma ’bout three or four nights a -

 
                
              
0
0
0
2 2 4 4 2 2 4 4 2 2 4 4 2 2 4
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

3
E

  3    
3

       


go. Well, your

         



  
       
3

 
 
 3 3  3 
0 3 4 0 4 0 0 0
 0 0
0 2 3 3 3 3 0 0 0 3 2 0 0 0
3 4 4 4 4 4 2 0 1 2 0 1
2
2 0
0 0 0

 
B7 A
 3       
    
3

   
ma - ma said, “Son, don’t call my daugh - ter no more.”


  
3

        
           
0 0 0
2 2 2
1 2 4 2 4 2
2 2 2 2 0 0 0 0 0 0 0 0 0

 
E B7

       

3. Be -

         

3 3

    
3
    
    
 3 3 
0 4 0 4 0 0
0 3 3 3 3 0 0 0 0 0 0
4 4 2 0 1 1 2 2 2
2 1 1 2
2 2 2 2 2
0 0

 
Verse

  
E A
       

3
 
3

 
fore you ’cuse me, take a look at your -

 

          
              
0
0
0
2 2 4 4 2 2 4
2 2 4 4 2 2 4 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0

4
E
  3 
       

self. Be -

                  
    

 3 3 3 3

0 4 0 4 4 4 4 4 4 4 4 4 4 3 3 4 4
0 3 3 3 3 3 3 3 3 3 3 3 3 2 2 3 3
4 4 4 4 4 4 4 4 4 4 4 4 3 3 4 4
2 2
2 0
0 0

   
E A
       
3
 
3
  
fore you ’cuse me, take a look at your -


                
               

2 2 4 4 2 2 4 2 2 2 4 4 2 2 4 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

E
  3  3 
        

self. You say I’m

         3        


     
  
 3 3  3 
0 4 0 4 0 0 0 0
0 3 3 3 3 0 0 0 3 2 0 0
4 4 4 4 2 0 1 1 2 0 1
2 2
2 2 0
0 0 0

B7 A
  3   3    3     3   3 
3

        

spend - in’ my mon - ey on oth - er wom - en, you tak - in’ mon - ey from some - one


          
           
0 0 0
2 2 2
2 2 4 2 4
2 2 2 0 0 0 0 0 0 0 0 0

5

E B7

    
else.

      
3 3

     
3

    
 3      
0 4 0 4 0 0 0
0 3 3 3 0 0 0 0 0 0 0
4 2 0 1 1 2 2 2 2 0
2
2 2 2 2 2 2
0 0

Guitar Solo
E A7
          
             
     
3 3 3
    
10 10 10 10 10 10 10 10 10 9 9 7 0
12 12 12 12 12 12 12 12 12 10 10 8 0 0
0
4 4 2 2 4
0 0 0 0 0

E
                    
             
 
 
3 3 3 3 3 3

10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 9 9 9 7 0
12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 10 10 10 8 0
0
0 0

            
A
           


 3 3 3
3 3
1/4 1/4
7 6 5 7 6 5 5 0 0
5 5 8 5 8 8 5 5 5
2 6 6 6

    
         
         
 3    
4 4 4 4 4 4 4 4 3 4 4
3 3 3 3 3 3 3 3 2 3 3
4 4 4 4 4 4 4 4 3 4 4 8

0 0 0 0 0

6
    
B7 A
            
       


 3
 3 3


3 3 3
3
1/4 1/4
0 0 9 8 7 0 0 7 6 5 5
7 10 5 5 8 8 5 5
0 6 6 6


E B7

    
 
4. Come

    
     
3

        
3

3
  
0 0 4 4 0 0 0
0 3 3 3 0 0 0 0 0
4 4 4 4 2 0 1 2 2 2 2 0
2
2 2 2

Verse

 
E A
  
3
      
3
 3   3 
    
on back home, ba - by. Try my love one more

 
        
              
      
0
0
0
2 2 4 4 2 2 4
2 2 4 4 2 2 4 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0

E
 3 
         

time. Come

            
3

        
3

 
 
 0
3 3 3

0 4 0 4 0 0
0 3 3 3 0 3 2 0 0 0
4 4 2 0 0 2 0 1
2 2
2 0
0 0

7
 
A
         3     
3 3

   
on back home, ba - by. Try my love one more time.


              
       

2 2 4 4 2 2 4 2 2 4 4 2 2 4
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0


E

       
3
 
You know if things

         3        
3
  

     
 
 3 3 3

0 4 0 4 0 0 0 0
0 3 3 3 0 3 2 0 0 0 0 0
4 4 2 0 1 2 0 1
2
2 2
0

 
B7 A
               
3 3 3

3
  
don’t go to suit you, I think I’ll lose my mind.

  3
      

      
           
0 0 0 0
2 2 2 0 1
2 2 4 4 2 2 4 2
2 2 2 2 0 0 0 0 0 0 0 0

 
E B7

       


5. Be -

  
  
3 3 3
    
3 3 3
  
 
           

0
0 0 0 0 0
4 3 2 0 1 2 2
2
5 5 4 4 3 3 2 2 2 2 2 2
0

8
 
Verse

  
E A
       

3
 
3

 
fore you ’cuse me, take a look at your -

  

3
  
           


   
      
0
0 0
0 0
2 2 4 4 2 2 4
2 2 4 4 2 2 4 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0

E
  3
        

self. Be -

                   


 3 3 3 3 3 3  
0 4 4 4 4 4 4 4 4 4 4 4 4 3 3 3 4 4 4
0 3 3 3 3 3 3 3 3 3 3 3 3 2 2 2 3 3 3
4 4 4 4 4 4 4 4 4 4 4 4 3 3 3 4 4 4
2
0 0 0

 
A
    
       
3
  
3

 
fore you ’cuse me, take a look at your -

 
                
              
0
0
0
2 2 4 4 2 2 4 4 2 2 4 4 2 2 4
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

E
  3 3 
        

self. You say I’m

       
         
3

  
3

    
  
  
 
3 3 3

0 3 2 0 0 0 0 0 0
0 0 0 0 2 0 0 0 0 0 3 2 0 0
2 2 0 1 2 0 1 1
2
2 2 0
0 0 0

9
B7 A
  3   3   3    3  
     
3

 
spend - in’ my mon - ey on oth - er wom - en. You’ve tak - in’ mon - ey from some - one

 
     
       
           
0 0 0
2 2 2
1 2 2 4 4 2 2 4
2 2 2 2 0 0 0 0 0 0 0 0
0


E B7

    
else.

         3     


3

    
    
 3 3

0 4 0 4 0 0 0
0 3 3 3 3 0 0 0 0 0
4 4 4 4 2 0 1 2 2 0
2
2 2 2 2 2
0

Outro-Guitar Solo
E A
           
               
   
     
3 3 3 3

10 10 10 10 10 10 10 10 10 9 9 9 7 0
12 12 12 12 12 12 12 12 12 10 10 10 8 0
4 2 4
0 0 0 0 0 0

                  
E

            

    
 

 3 3 3 3 3
3
3
1/4
10 10 10 10 10 10 10 10 10 10 10 10 10 12 0 0 0
12 12 12 12 12 12 12 12 12 12 12 12 10 12 12 10 10 8 0 5
0 6

10
A7

                
         


 3 3 3 3
3 3 3

1/4 1/4 1/4 1/4


7 6 5 5 0 7 6 5 5
8 8 5 0 0 5 5 8 8 5 5
6 6 6 6


E

              
     
3

    
3

3 3 3
 

0 0 4 0 4 0 0
 0
5 0 3 3 0 3 2 0 0
6 4 4 2 0 1 0 2 0 1
2
0 0

B7 A

     
3
    
    

    

1/4
2 2 2 7 6 5
0 0 8 5 5
2 6
2
2 2 3 4

E D#9 E9

   
    
     


    

1/4 1/4
7 7 0 0
8 8 0 0 0 6 7
2 0 1 6 7
5 6
6 7

11
Hey Hey
Words and Music by William “Big Bill” Broonzy

Intro
Moderately fast q = 157  __ =    3


E A7

 
       
      
  


   
      
    
mf
w/ fingers


1/4


0 9 9 0


8 0 8 8 8 0 0
7
2 7 0 0 0 2 7
0 0 0


E A7

   
              
       

 
          
       
1/4
0 9 9 0 3 2 0 3
8 0 8 8 8 0 0 2 2 2 0 2
7
0 0 0 7 0 0 0 0
0 0 0


E A7

 
          
       

  
        
  
      
1/4
3 X 2 0 0 9 9 0
2 X 2 0 8 0 8 8 8 0 0
7
2 4
0 0 2 7 0 0 0
0 0 0

© 1952 (Renewed 1980) SCREEN GEMS-EMI MUSIC INC.


All Rights Reserved International Copyright Secured Used by Permission 1
B7 A7 E


       

  
     
   
3

 
     

   
        let ring
3
  let ring

5 7 5 3 2 0 2 0 4 0 2 0
4 0 2 2 0 0 0 2
0 2 0 1 0 1
4 2
0 0
0

  
Verse


E7

            
1. Hey, hey, hey, hey, ba - by, hey.

           
2., 3., 4. See additional lyrics
  
        
 

      

           
          
        
 
let ring

 
0 0 0 0
0 0 0 0 3 3 3 3 3 3 3 3 3
0 1 1 1 1 1 1 1 1 1 1 1 1
2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0


A7

         

 
Hey, hey,

 
               

    

   
  
           
         1/4 
0 3 3
3 3 3 3 0 3 3 2
0 1 1 1 1 2 2 2
2 2 2 2
0 0 0 0
0 0 0 0 0 0

  E7

        
  


hey, hey, ba - by, hey.

          
        
  


        
               
   1/4 

       
let ring
3 3 0
2 3 3 3 3 3 3 0 3 0 2
0 1 1 1 1 1 1 1 2
2 2 2 2 2 2 2 2
0 0 0 0
0 0 0 0 0 0 0 0

2

B7 A7 E

             


 

I love you ba - by, sure ain’t gon - na be your dog.

   
     
3
       
         


    
          
     
1/4 let ring

5 3 3 0 4 0 2 0
4 4 4 4 2 2 0 0 0 2
4 4 4 4 0 1
4 4 4 4 2
0 0 0 0
0

Interlude


E A7

 
        
       
  

  
         
  
let ring      
1/4
0 0 0 0 9 9 0
0 0 0 8 0 8 8 8 0 0
0 1 1 7
2 2
2 7 0 0 0 2 7
0 0 0


E A7
 
 
               
        

 
          
       
1/4
0 9 9 0 3 2 0 3
8 0 8 8 8 0 0 2 2 2 0 2
7
0 0 0 7 0 0 0 0
0 0 0

E A7

 
          
       

  
        
  
      
1/4
3 0 2 0 0 9 9 0
2 0 2 0 8 0 8 8 8 0 0
7
2 4
0 0 2 7 0 0 0
0 0 0

3
1., 2.
B7 A7 E

     
3

   
           
     
 
3
  
  
       
3
  let ring let ring

5 7 5 3 2 0 2 0 4 0 2 0
4 0 2 0 0 0 0 2
0 2 0 1 0 1
4 2
0 0
0

3.
E

  
                     
            
    

 let ring  let ring 
3

let ring

 
 
0 0 0 0 4 0 2 0 0 0 0
0 0 0 0 0 0 0 2 0 0 0
0 1 1 1 0 1 1
2 2 2 2
2 7
0

4.
E E7

 
    
 
  
      
  
    

  
    
  

let ring

let ring

4 0 2 0 0 0 0 0
0 0 2 0 0 2 0 2 3
1 0 1 1 1 1 1 1 1
2 2 2 2 2 2 2
0 0 0

Additional Lyrics

2. Hey, hey, hey, hey, baby, hey.


Hey, hey, hey, hey, baby, hey.
My arms around you baby, ’s all I can say is hey.

3. Hey, hey, hey, hey, baby, hey.


Hey, hey, hey, hey, baby, hey.
Love you baby, but I sure ain’t gonna be your dog.

4. Hey, hey, lost your good thing now.


Hey, hey, you lost your good thing now.
You had me fooled, I found it out somehow.
4
Layla
Words and Music by Eric Clapton and Jim Gordon

Intro
Moderately slow q = 98   =  3  1., 2.


D5 Bb5 C5 D5

                   
                
mf

 

 
3 3 3 3
2 2 3 3 3 5 5 2 2
0 0 3 3 3 5 5 0 0
0 3 3 1 1 1 3 3 0 3

       
3.

 
C5 D5 Bb5

          
 

   
  

3 3 3 3
3

3 5 6 5 6 5 5 6 5 6 6 8
5 5 2 7 7 7
5 5 0 7
3 3

C5

 
D5
  
           Bb5
    
       
  3
 3
3
3 3 3 3 3
3 3

10 12 10 12 10 10
6 8 8 10 8 10 10 13 10 13 13 13 10 10
12 12 10 12 10

 C5
  
C5

D5
       
Bb5 μ(A) (C)

           

3
  
3

  
 

3
3

5 6 5
9 10 9 7 7 7 5 7
7 7 5 3 5 3
8 5 5 3 5 3
5

Copyright © 1970 by Eric Patrick Clapton and Throat Music Ltd.


Copyright Renewed
All Rights for the U.S. Administered by Unichappell Music Inc.
International Copyright Secured All Rights Reserved 1
Verse
C#m7 G#7 C#m7 C D
             
3

          
3


3 3

1. What will you do when you get lone - ly? No one wait - ing by your

                


                
                 

4 4 4 4 4 4 4 4 4 4 4 4 4 4
5 5 5 5 5 4 4 4 4 4 4 5 5 5 5 7
4 4 4 4 4 5 5 5 5 5 5 4 4 4 5 7
6 6 6 6 6 4 4 4 4 4 4 6 6 6 5 7
4 4 4 4 4 4 6 6 6 6 6 6 4 4 4 3 5
4 4 4 4 4 4


E E7 F#m B E A

                 
3 3 3 3 3

    
side. You’ve been run - nin’, hid - in’ much too long.

               


            




      
       
        
0 0 0 0 0 2 2 2 0 0 0 0 0 0
0 0 3 3 3 2 2 2 4 4 4 0 0 0 2 2 2
1 1 1 1 1 2 2 2 4 4 4 1 1 1 2 2 2
2 2 2 2 2 4 4 4 4 4 4 2 2 2 2 2 2
2 2 2 2 2 4 4 4 2 2 2 2 2 2 0 0 0
0 0 0 0 0 2 2 2 0 0 0

Chorus

      
F#m7 B E A D5 Bb5

 3
            
3


You know it’s just your fool - ish pride. Lay - la,

       
    








    
       
      
     
  
2 2 2 0 0 0 0
2 2 2 4 4 4 0 0 0 2 3 3
2 2 2 4 4 4 1 1 1 2 2 2 3 3 3
4 4 4 4 4 4 2 2 2 2 0 0 3 3 3
4 4 4 2 2 2 2 2 2 0 3 1 1 1
2 2 2 0 0 0

C5 D5 Bb5 C5 D5

               
3

    
 
got me on my knees. Lay - la, beg - gin’ dar - lin’, please. Lay - la,

     


         
      
     
         
3 3 3 3 3
5 5 2 2 2 3 3 3 5 5 2 2
5 5 0 0 0 3 3 3 5 5 0 0
3 3 0 3 3 1 1 1 3 3 0 3

2
Bb5 C5 D5 Bb5
               
3



dar - lin’ won’t you ease my wor - ried mind?

                     
                  

3 3 3 3 3
2 2 3 3 3 5 5 2 2 2 3 3 3
0 0 3 3 3 5 5 0 0 0 3 3 3
3 1 1 1 3 3 0 3 3 1 1 1

Verse
C5 μ(A) (C)
 C#m7
        
G#7

     
3

2. Tried to give you con - sol - a - tion,


3. See additional lyrics

            
                   
             
 
 4 4 4 4 4 4 4 4 4 4 4


5 5 5 5 5 4 4 4 4 4 4
5 5 4 4 4 4 4 5 5 5 5 5 5
5 5 6 6 6 6 6 4 4 4 4 4 4
3 3 0 3 4 4 4 4 4 4 6 6 6 6 6 6
4 4 4 4 4 4

 
C#m7 C D E E7 F#m7 B

            
      
3 3

   
your old man had let you down. Like a fool, I

                


       
           



          
     
4 4 4 0 0 0 0 0 2 2 2
5 5 5 5 7 0 0 3 3 3 2 2 2 4 4 4
4 4 4 5 7 1 1 1 1 1 2 2 2 4 4 4
6 6 6 5 7 2 2 2 2 2 4 4 4 4 4 4
4 4 4 3 5 2 2 2 2 2 4 4 4 2 2 2
0 0 0 0 0 2 2 2

 3
E A F#m B E A
               
 
      
3

fall in love with you. You turned my whole world up - side down. Lay - la,

                 
        




        
            
0 0 0 0 0 0 2 2 2 0 0 0 0
0 0 0 2 2 2 2 2 2 4 4 4 0 0 0 2
1 1 1 2 2 2 2 2 2 4 4 4 1 1 1 2
2 2 2 2 2 2 4 4 4 4 4 4 2 2 2 2
2 2 2 0 0 0 4 4 4 2 2 2 2 2 2 0
0 0 0 2 2 2 0 0 0

3
 Chorus
D5 Bb5 C5 D5 Bb5

              
3

  

got me on my knees. Lay - la,

                     
                  

3 3 3 3 3
2 2 3 3 3 5 5 2 2 2 3 3 3
0 0 3 3 3 5 5 0 0 0 3 3 3
3 1 1 1 3 3 0 3 3 1 1 1

To Coda 
C5 D5 Bb5 C5 D5

                       
3


beg - gin’ dar - lin’, please. Lay - la, dar - lin’, won’t you ease my wor - ried
 
     
         
      
     
           

3 3 3 3 3
5 5 2 2 2 3 3 3 5 5 2 2
5 5 0 0 0 3 3 3 5 5 0 0
3 3 0 3 3 1 1 1 3 3 0 3

 
1. 2.
Bb5 C5 μ(A) (C) Bb5

            
3 3

   


mind? mind?

                        
                
 


3 3 3 3
2 2 3 3 3 5 5 2 2 3 3 3
0 0 3 3 3 5 5 0 0 3 3 3
3 1 1 1 3 3 0 3 3 1 1 1

C5 D5 Bb5 C5 D5

                  
3 3

 
Lay - la, got me on my knees. Lay - la,

     


         
    
     
           

3 3 3 3 3
5 5 2 2 2 3 3 3 5 5 2 2
5 5 0 0 0 3 3 3 5 5 0 0
3 3 0 3 3 1 1 1 3 3 0 3

4
Bb5 C5 D5 Bb5

           
3
 
   
beg - gin’ dar - lin’, please. Lay - la,

  
                      
                 

3 3 3 3 3
2 2 3 3 3 5 5 2 2 2 3 3 3
0 0 3 3 3 5 5 0 0 0 3 3 3
3 1 1 1 3 3 0 3 3 1 1 1

C5 D5 Bb5 C5 D5
         
  
dar - lin’, won’t you ease my wor - ried mind?
   
              


  

 
    
      
       
1/4

5 5
3 3 3 3 6 6
5 5 2 2 2 3 3 3 5 5 2 7
5 5 0 0 0 3 3 3 5 5 0
3 3 0 3 3 1 1 1 3 3

             
Guitar Solo
D5 Bb5 C5 D5

        
3 3

  

3 3
3
1/4 1/4 1/4

5 5 5 5
6 6 6 6
7 7 5
7 6 5 3 5 3 3
5

                             


Bb5 C5 D5
   
   
   
 3 3 3 3 3 3 3

3

12 13 13 13 12 13 13 13 12 13 13 13 12 13 13 13 12 13 13 13 12 13 13 13 13 15 11
13 14 14 14 13 14 14 14 13 14 14 14 13 14 14 14 13 14 14 14 13 14 14 14 12 14 14 12 12

5
        
Bb5 C5 D5
           
      

3 3
3 3 3 3 3 3
3

1/4
10 12 10 12 10 10
10 13 13 13 10 10 10 10 11 10
10 10 12 12
12

               3
Bb5 C5 D5
 
       
3


3 3 3
3 3 3

5 6 5 6 5
10 9 7 9 7 5 7 7 5
7 7 6 5 3 5 3
5

            
Bb5 C5 D5 Bb5
  

           
  3
   3

 
3 3 3 3 3
1/4 1/2

13 10 10 12 10 12 10 10 13 10
13 13 10 9 9 10 13
12 10
12
5

             
C5 D5 Bb5 C5 D5

  
 
       

  3
 3
   
3
3 3 3 3 3 3
1/2

15 13 15 13 15 13 10 12 13 15 13 15 12 13
10 15 13 13 10
14 12 10 12 12 10
12

D.S. al Coda
Bb5 C5 D5
   


      
Lay - la,
   
          
3 3

3 3 3
3
1/4
10 0
10 10 10 10
10 9 9 9 10 5
12 12 7 6 5 3
3

6
 Coda
3
Bb5 C5 D5

 
    

mind. Lay -

   
 
     

 




 


    
3 3 3 3
2 2 3 3 3 5 5 2 2
0 0 3 3 3 5 5 0 0
3 1 1 1 3 3 0 3

Bb5 C5 D5 Bb5

                
3 3

  

la, got me on my knees. Lay - la,

   
 
         


     
      
      
   
3 3 3 3 3
2 2 3 3 3 5 5 2 2 2 3 3 3
0 0 3 3 3 5 5 0 0 0 3 3 3

 ___ = 3 
3 1 1 1 3 3 0 3 3 1 1 1

C5 D5 Bb5 C

            
3 rit. poco a poco
3

          

beg - gin’ dar - lin’, please. Lay - la, dar - lin’ won’t you ease my wor - ried

     
          
 
    


       
rit. poco a poco


3 3 3 5
5 5 2 2 2 3 3 3 5
5 5 0 0 0 3 3 3 5
3 3 0 3 3 1 1 1 3

Rubato
μ(Dm) 
  


                         
mind?

  
5

  

3 3

5 6 5 6 5 6 5 6 6 8 6 5 6 5 6 5 5
5 7 7 7 7 5
7 6 5 3 3 5 3
5 5 5 5

Additional Lyrics
2. Make the best of the situation,
Before I fin’ly go insane.
Please don’t say we’ll never find a way.
Tell me all my love’s in vain.

7
Nobody Knows You When You’re
Down and Out
Words and Music by Jimmie Cox

Intro
Moderately slow q = 91  __ =   
3

C E7 A7 Dm A Dm
3

        
3

                 
      
   
mf
let chords ring throughout

0 3 3 3 1 1 3 1


1 1 0 3 2 2 2 2 3 3 3 2 2 3
0 0 0 1 0 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 0 0 0 2 0
3 3 0 0 0 0
0

F F#º C A7

   
                
             

0 1 3 3
3 3 1 1 1 1 1 2 2
2 2 2 2 2 2 0 2 2
0 0 0 0 1 2 3 3 4 4 2 2 0
3 2 1 0

Verse
D7 G7 C E7

     3    3 

1. Once I lived the life of a mil -

           
        








     
     

2 2 2 2 1 1 1 1 1 0 0
1 1 1 1 0 0 0 0 0 1 1 3
2 2 2 2 0 0 0 0 0 0 0 1
0 0 0 0 0 0 0 0 2 2 2
3 3 3 3 2 2
3 3 3

Copyright © 1923, 1929, 1950, 1959, 1963 UNIVERSAL MUSIC CORP.


Copyright Renewed
All Rights Reserved Used by Permission 1
A7 Dm A7 Dm
         
      
3
   
3
  
3 3 3

ion - aire. Spent all my mon - ey, did - n’t have an - y cares.

     


    

             
3

   
3 3 1 1 3
2 2 3 3 2 3
2 2 2 2 2 2
0 0 0 0 2 0 0 0 1 2 3
0 0 0 0 3 0 0

F F#º C A7

            
3

   
3

Took all my friends out for a might - y good time.

 
  




 

  
     
3 3
1 1 1 1 1 2 2
2 2 2 2 0 2 2
3 4 4 2 2 0
3 2 1 0

D7 G7

     
         
3 3 3

We bought boot - leg liq - uor, cham - pagne and wine.

        
  


 










 
  
2 2 2 2 1 1 1 1 1
1 1 1 1 0 0 0 0 0
2 2 2 2 0 0 0 0 0
0 0 0 0 0 0 0 0
3
3 3 3

Verse
C E7 A7

        3  
 
3

  
3 3 3
 
2. Then I be - gan to fall so low,

     
     




 
     
0 0 3 3 3
1 1 3 2 2 2
0 0 1 2 2 2
2 2 2 0
3 3 3 2 2 0 0 0

2
Dm A7 Dm F F#º

     3                  
3 3 3

  
3
 
lost all my good friends, had no - where to go. If I get my hands on a dol -

      
        


   
      
    

1 0 0 0 1 1
3 2 2 2 3 3 1 1 1 1
2 0 0 0 2 2 2 2 2 2
0 0 2 2 2 0 0 0 1 2 3 3 4 4
0 0 0 0 3

C A7 D7 G7

   3      3
                  
3 3 3 3

   
lar a - gain, I’ll hang on to it till that old ea - gle grins. Be - cause

          

             
         



 

  

3 3 2 2 2 2 1 1 1 1 1
1 2 2 1 1 1 1 0 0 0 0 0
0 2 2 2 2 2 2 0 0 0 0 0
2 2 0 0 0 0 0 0 0 0 0
2 1 0 3
3 3 3

Chorus
C E7 A7 Dm A7
          
  
3

   
no - bod - y knows you when you’re down and out.

      
   

        
        
    
0 0 3 3 3 1 1 0
1 1 3 2 2 2 3 3 2
0 0 1 2 2 2 2 2 0
2 2 2 0 0 0 2 0
3 3 3 2 2 0 0 0 0 0

3
Dm F F#º C A7

 
            
3 3

      
In your pock - et not one pen - ny,

    
                
           
 
1 1 1 3 3
3 3 3 1 1 1 1 1 2 2
2 2 2 2 2 2 2 0 2 2
0 0 1 2 3 3 4 4 2 2 0
3 2 1 0

Verse
D7 G7 C E7
 
     
               
3 3 3


and as for friends, you don’t have an - y. 3. When you get back on your

           
      
        
         

2 2 2 2 1 1 1 1 1 0 0
1 1 1 1 0 0 0 0 0 1 1 3
2 2 2 2 0 0 0 0 0 0 0 1
0 0 0 0 0 0 0 0 2 2 2
3 3 3 3 2 2
3 3 3

 3   
A7 Dm A7 Dm

               
3

3 3 3

 

feet a - gain, ev - ’ry - bod - y wants to be your long lost friend.

  






   
 


      
      

3 3 3 1 1 0 1 1
2 2 2 3 3 2 3 3
2 2 2 2 2 0 2 2
0 0 0 2 0 0 0 1 2 3
0 0 0 0 0

4
F F#º C A7 D7

  3          3
3

              

I said it straight with - out an - y doubt, no - bod - y knows you when you’re down

     
        

   
     
      

3 3 2 2 2 2
1 1 1 1 1 2 2 1 1 1 1
2 2 2 2 0 2 2 2 2 2 2
3 4 4 2 2 0 0 0 0
3 2 1 0
3

Guitar Solo
G7 C E7 A7

       
3


 
and out.

     


 
         


3
     
3

 



3 3
3 3

1
0 8 10 8 10 8 10 8
0 5 7 9 9 7 5 5 6
0 5 7 7 7
3 5 7

 
Dm A7 Dm F F#º

          3   
3 
         
              
3

3

 
3 3 3
3 3 3

5 6 5 6 5
7 5 7
7 5 3 5 3 10 12 10 12 13 10 12 10 10 13 12 10
5 3 4 5 12 12 12

 
C A7 D7 G7

                        
  

3

          


3


3 3
let ring

5
8 8 8 7 6 5 5 7 7 8 8 9 10 10 12 13 14 15 15 16 15
9 9 9 8 7 6
7 7 8 9 10 10 10 12

5
Piano Solo
C E7 A7 Dm A7
     
            
          

0 3 3 1 1 3
1 3 3 2 2 2 2 3 2
0 1 2 2 2 2 2
2 2 2 2 2 0 0 2 0
3 0

 
Dm F F#º C A7
         
                      

 
1 0 1 3 3
3 3 3 1 1 1 1 1 2 2
2 2 2 2 2 2 2 0 2 2
0 1 2 3 3 4 4 2 2 0
3 2 1 0

Outro-Chorus

 
D7 G7 C E7

      
   
Lord, no - bod - y knows

           
        








    
        

2 2 2 2 1 1 1 1 1 0 0
1 1 1 1 0 0 0 0 0 1 1 3
2 2 2 2 0 0 0 0 0 0 0 1
0 0 0 0 0 0 0 0 2 2 2
3 3 3 3 2 2
3 3 3

   
A7 Dm A7 Dm
   
3
      
you when you’re down and out.

       
 
 
  
    


     
 


  
 
3 3 3 1 1 0 1 1 1
2 2 2 2 3 3 2 3 3 3
2 2 2 2 2 0 2 2 2
2 0 0 0 2 0 0 0 1 2 3
0 0 0 0

6
F F#º C A7 D7
            3   
        
3 3

 
In your pock - et not one pen - ny, and as for friends, you

     
        
   
 
 
       
   
3 3 2 2 2 2
1 1 1 1 1 2 2 1 1 1 1
2 2 2 2 0 2 2 2 2 2 2
3 4 4 2 2 0 0 0 0
3 2 1 0
3

G7 C E7 A7

        3      
3

       
3
 
don’t have an - y. When you get back on your feet a - gain

          
           
     
             

1 1 1 1 1 0 0 3 3 3
0 0 0 0 0 1 1 3 2 2 2
0 0 0 0 0 0 0 1 2 2 2
0 0 0 0 0 2 2 2 0
3 3 3 3 2 2 0 0 0
3 3

Dm A7 Dm F F#º
              
  
        
3 3 3 3

 
ev - ’ry - bod - y wants to be your long lost friend. I said it straight, with -

      
  
   
 
     
 
  
 
  
 
1 1 0 0 1 1 1
3 3 2 2 3 3 1 1 1 1
2 2 0 0 2 2 2 2 2 2
0 2 2 0 0 0 0 1 2 3 3 4 4
0 0 3

7
 
C A7 D7
             
    


out an - y doubt, no - bod - y knows you,

        
                    
      

3 3 2 2 2 2 2 2 2
1 2 2 1 1 1 1 1 1 1
0 2 2 2 2 2 2 2 2 2
2 2 0 0 0 0 0 0 0 1 2 3
2 1 0

F D7

      
     
3

  
  
no - bod - y knows you, no - bod - y knows

   
          
             

2 2 2 2
1 1 1 1 1 1 1 1 1 1
2 2 2 2 2 2 2 2 2 2
3 3 3 3 3 3 3 3 2 1 0 0 0 0 0 0
3

G7 μ B9 C9

 
  
3

      
   
you when you’re down and out.

 
        
    
           
 
3
     
  3 3

1/2
1 1
0 0 6 6 4 2 3
0 0 5 3 2 3
0 0 5 4 3 1 2 1 2
X X 2 3
3 3

8
Rollin’ and Tumblin’
Written by McKinley Morganfield (Muddy Waters)

Open G tuning:
(low to high) D-G-D-G-B-D

Intro
Moderately q = 122
G
        
 

                  

     
mf
w/ slide
0 0 2 3 0


0 0 2 3 0 2 3 2 3
0 0 2 3 0 0 0 0 0 2 3 0 0 2 3 0 0
2 3 2 3 2 3

Verse

       
D

    
    
1. Well, I woke up this morn - in’,

   
           
                          
  
0 2 3 2 3
0 0 0 2 3 0 0 0 2 3 0 0 0 2 0 0 0 7 7 7 7 7 7 7 7
2 3 0 0 0 7 7 7 7 7 7 7 7
0 0 0 7 7 7 7 7 7 7 7


C G
    
      
I best get roll - in’ on.

         


  
       
       
   

0 2 3 0 0 2 3 0 2 3
5 5 0 2 3 0 0 2 3 0 2 3 0 0
5 5 5 3 3 5 0 2 3 0 0 2 3 0 2 3
5 5 5 5 3 5 0


  

    
         

    
  

0 2 3 0 2 3 0 0 2 3 0 0 2 3
0 2 3 0 2 3 0 0 0 2 3 0 0 2 3 0 0
0 2 3 3 3
0

© 1960 (Renewed 1988) WATERTOONS MUSIC (BMI)/Administered by BUG MUSIC


All Rights Reserved Used by Permission 1
             
C
 
     

  
Well, now, come here, ba - by, sit down on dad - dy’s knee.

 
              
                     
              
0 0 0 5 5 5 5 5 5 5 5 5 5 5 5
0 0 0 5 5 5 5 5 5 5 5 5 5 5 5 5 5 3
0 0 0 0 0 5 5 5 5 5 5 5 5 5 5 5 5 5
0 0 0 0 5 5 5 5 5 5 5 5 5 5 5 5 5
0 0 0 5 5 5 5 5 5 5 5 5 5 5 5


G

      

 
        

             

  
     
0
0 2 3 0 2 3 0 0 0 0 0 2 3 0 2 3
2 3 0 0 2 3 0 0 0 0 0 2 3 0 0 2 3 0 0
0 2 3 0 2 3 0 0

              
C
 
    
Well, now, come here ba - by, sit down on dad - dy’s knee.
 
      
              
                       
                 
0 0 0 5 5 5 5 5 5 5 5 5 5 5 5 5 5
0 0 0 5 5 5 5 5 5 5 5 5 5 5 5 5 5
0 0 0 0 0 0 5 5 5 5 5 5 5 5 5 5 5 5 5 5
0 0 0 0 0 0 5 5 5 5 5 5 5 5 5 5 5 5 5 5
0 0 0 0 5 5 5 5 5 5 5 5 5 5 5 5 5 5

G
       
     

I wan - na

          
    
    
  
   
     
            
  

2 3 0 2 3 0 2 3 0 2 3 0 0
0 2 3 0 0 0 2 3 0 0 0 2 3 0 0 2 3 0 0 0 0
0 2 3 3 2 3
0

2
           
D C
      
  
tell you a - bout the way they treat - ed me.

  
                
               

7 7 7 7 7 7 7 5 5 5 5 3 0 3
7 7 7 7 7 7 7 5 5 5 5 3 0 3
7 7 7 7 7 7 7 5 5 5 5 3 0 3

G
  
       

  
          

       
 
  
  
               
 
 
 
0 0
0 2 3 2 3 0 2 3 2 3 0 0
0 2 3 0 0 0 2 3 0 0 0 0 2 3 0 0 0 2 3 0 0 0 0
0 2 3 2 3
0 0 0

 
Guitar Solo
C
      
  
   
    
  
 
3 5 5 5 5 5 3 0 3 3
5 5 3 0 3 3
3

G
    
        
 

            

  

1 2 3 0 2 3
1 0 2 3 0 2 3 3 2 3 0 0 0 0 2 3 0 0 2 3 0 0
2 3 2 3 3 2 3


C
    

    
           

 
 

  3
0 0 3 5 5 5 5 0 5 5 3 0 3 3
0 5 0 5 5 3 0 3 3 3
0 0 0

3
 
G

   
  

  
     
 
              

1 0 0 2 3
0 2 3 0 0 0 2 3 0 0 0 0 2 3 0 0 0 2 3 0 0
2 3 2 3

   
D C
              
                     
  

0 0 0 0 7 7 7 7 7 0 5 5 5 3 0 3 4
0 7 7 7 7 7 0 5 5 5 3 0 3 4
0 0 7 7 7 7 7 0 5 5 5 3 0 3 4

 

G
     
                     
 
2 3 2 3 0 2 3 2 3 0
0 0 2 3 0 0 2 3 0 0 0 0 2 3 0 0 2 3 0 0
0 0 2 3 2 3
0 0

      
  
2. Well, I

 
    
               

0 0 0 2 3 0 0 0 0 0 0
0 0 0 2 3 0 0 2 3 0 0 0 0 0
2 3

Verse

       
C

      
  
rolled an’ I tum - bled, cried the whole night long.
 
               
   

























5 5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5 5

4
G

      



              

      
   

0 0 2 3 2 3 2 3 0
0 0 2 3 0 0 2 3 0 2 3 0 0 2 3 0 0
2 3 0 2 3

      

Well, I

 
   
  

            

0 2 3 0 0 2 3
0 0 0 2 3 0 3 0 2 3 0 0 0
3 0 0 0
0 0

C
            
    
rolled an’ I tum - bled, cried the whole night long.
  
   























  
            
5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5

G
  
   

    


 
       
 
              

0 0 2 3 0 0 2 3 2 3 0 0 2 3
0 0 2 3 0 0 2 3 0 0 0 0 2 3 0 0 2 3 0 0
2 3 2 3
0

5
               

D C

  

   

When I woke up this morn - in’, all I had was gone.

  
             
                     

0 0 0 0 0 0 7 7 7 7 3 5 5 5 5 5 5
7 7 7 7 3 5 5 5 5 5 5
7 7 7 7 3 5 5 5 5 5 5

 G

    

       


 

            
 
    

0 0 2 3 0 0 2 3 2 3 0 0 0 2 3
0 0 0 2 3 0 0 0 2 3 0 0 2 3 0 0 0 2 3 0 0
0 0 3 3 2 3
0

                



  
  
          
 

0 2 3 0 2 3 0 0 2 3 0 0 2 3 0 0
0 0 0 2 3 0 0 0 2 3 0 0 0 0 2 3 0 0 2 3 0 0
2 3 2 3

Verse

     
C

  
      
     

3. Well, I, hmm, mmm, ah.

 
 

              
                   
                
5 5 5 5 5 5 5 5 5 5 5 5 5
0 0 5 5 5 5 5 5 5 5 5 5 5 5 5
0 0 5 5 5 5 5 5 5 5 5 5 5 5 5
0 0 0 5 5 5 5 5 5 5 5 5 5 5 5 5
0 0 0 5 5 5 5 5 5 5 5 5 5 5 5 5

6
G
 
      

 
           
 
   
             
  

0 2 3 0 0 0 2 3 2 3 0 2 3 0
0 2 3 0 0 0 2 3 0 0 0 0 2 3 0 0 2 3 0
2 3 2 3

     
 
Well, I,

        
  

               

let ring 
0 0
0 2 3 0 2 3 0 0 0 0
0 0 2 3 0 0 0 2 3 0 0 0 0
2 3 0 0 0
0 0

 
C
       
   
     
hmm, mmm, mmm, mmm.
  
             
              
            
5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5

 
G

   

         


          
 
      

2 3 0 0 2 3 0 0 0 2 3 0 0 2 3 0 0
0 2 3 0 0 2 3 0 0 2 3 0 0 2 3
0 2 3 2 3

7
    
   
Mmm,


   
    

          
   

0 0 2 3 0 0 2 3 0 0 0
0 2 3 0 0 2 3 0 0
2 3 0 0 0
0 0

  
D C
    
         
ah, ah, ah, mmm, whoa.

   
            
              

7 7 7 7 7 7 5 5 5 5 5 5
7 7 7 7 7 7 5 5 5 5 5 5
7 7 7 7 7 7 5 5 5 5 5 5


G

    

     



       
 
 
          

0 0 2 3 0 0 2 3 0 2 3 0 0 2 3 0
0 0 2 3 0 0 2 3 0 0 2 3 0 0 2 3 0
2 3 2 3

 
  
         
 
                

0 0 2 3 0 2 3 0 0 2 3 0 0 2 3
0 2 3 0 0 2 3 0 0 2 3 0 0 2 3 0 0
2 3 2 3

8
Outro-Guitar Solo


G

                           


  

let ring

2 3 0 0
0 0 2 3 0 0 0 2 3 0 0 0 0 2 3 0 0 0 0 0 2 3 0
3

  
                   
 
      
let ring 
0 0 0 2 3 2 3
0 2 3 0 0 0 2 3 0 0 0 0 2 3 0 0 0 2 3 0 0
2 3 2 3


                
  
          

0 0 0 2 3 0 0 0 2 3 0 0 0 0 2 3 0 0 2 3 0 0
2 3 2 3

 
                   
 
      
let ring

2 3 2 3
0 0 0 2 3 0 0 0 2 3 0 0 0 0 2 3 0 0 2 3 0 0
2 3 2 3


     
       
          
 
 

let ring 
0 2 3 0 0 0 2 3 0
0 0 2 3 0 2 3 0 0 2 3 0 2 3 0 0
2 3 0 3

9
 
  

     

          

4 5 5
0 0 0 2 3 0 0 2 3 0 0 0
2 3 0

     
 
   
      

 
12 10 5
12 10 10 12 12 12 3 5
12 12 3 5 0

    
 
   
      


3 2 12 10 10 12
2 3 10 12
0 12

  
        


 

      

 
5 5 3 3 3
0 3 3 1
3 4 0 0 3 4

 
             
          

 
5 5 5 3 0 5 5 0
5 3 0 2 3 5 5 0
0 3 2 0 2 3 0

10

    
       
   
  
   
 
   

 
5 3 0 5 5 0 5 3 0 5 5 0
5 3 0 5 5 0 5 3 0 0
2 3 0 2 3 0 0

 
       
 
       
 
   

 
5 3 0 5 5 5 3 0 5 5
0 2 3 0 2 3 0
2 3 0 0 0 0

     
 
        
 
  
       
    

   


5 3 0 5 5 0 5 3 0 5 5 0
0 0 2 3 0
2 3 0 0 0 0 0 0

   


                  
              

   


5 3 0 5 5 0 5 3 0 5 5 0
5 3 0 2 3 0 5 3 0 2 3 0
2 3 0 0 0 2 3 0 0 0

      
 
        
 
  
   
       
   

   


5 3 0 5 5 0 5 3 0 5 5 0
2 3 0 0 0 0 2 3 0 0
2 3 0 0 0 2 3 0 0 0

11
   
       

  
 
    
  
   
 
    

   


5 3 0 5 5 0 5 3 0 5 5 0
0 2 3 0 0 0 5 3 0 2 3 0
2 3 0 0 2 3 0 0 0

   


                
              

   


5 3 0 5 5 0 5 3 0 5 5
5 3 0 2 3 0 0 5 3 0 0
2 3 0 0 2 3 0 0 0


    
   
     

5 3 0 5 0
0
5 0
5

 
               
            

 
5 3 0 5 5 5 3 0 5 5 5
0 0 5 3 0 0
2 3 0 0 2 3 0 0


  
 
     

    
      
      
5 3 0 0 0 0 0

5 3 0 0 0 0 5 12 12
2 3 0 0 0 0 0 5 12 12
0 0 0 0 5 12 12

      
  

   

12 10
11 12
12

12
Running on Faith
Words and Music by Jerry Lynn Williams

Open G tuning:
(low to high) D-G-D-G-B-D

Intro

 
Slowly q = 68

 
G D/F# Em

 
             
      

mf

  


w/ slide let ring


10 12 12 10 10 10 8 3 5 5 3
3 4

      
    
G D/F# Em G7


      
   
3

  


12 10 5
11 12 5 5 5 5 6 6
0 12

 
C D
          
       
 
 
let ring let ring

5
4 5 3 5 5 7
5 7 4 2 0
5 7

 
  
G C D

    
     
  

  

  
  
   
5
0 5
0 2 5 X 5 7 7 6 5 3 2 0
0 2 5 X 5 7
2 5 X 5 7

Copyright © 1985, 1989 UNIVERSAL - SONGS OF POLYGRAM INTERNATIONAL, INC., UNIVERSAL MUSIC - CAREERS and STAGE THREE MUSIC LTD.
All Rights for STAGE THREE MUSIC LTD. Administered by BMG CHRYSALIS
All Rights Reserved Used by Permission 1
Verse
Em
 
G D/F#

            

 
1. Late - ly I been run - nin’ on faith.


          



5 0
3 5 5 0

G D/F# Em G7
          
       

 
What else can a poor boy do? But my

    
   

     


5 0
4 2 0 2 4

  
C D
  
         

 

   


world would be right when love comes o - ver

  

       
 
 
  
let ring let ring w/o slide

5 7
5 4 5 5 7
2 4

  
 
G C D
   

 

you.
     
        


 let ring 
 
let ring
w/ slide

5 7 7 6 5 2 4 2 0
0 2 5 5 7
0

2
Verse


G D/F# Em

             

   
2. Late - ly I been talk - in’ in my sleep.

    
    
  
 
5 5
3 5 5
3 4 2 0

G D/F# Em G7

                   
3


Can’t im - ag - ine what I’d have to say ’cept my

        
    

0 2 3 2 0 2 4


C D
 
        

   


world would be right when love comes back my way.

    

   
   


let ring

0 5 5 7
4 5 5 5 7

G C G G7

 

  

  
     
  
3

       

 

5 5 4 3 0
5 4 2 0 2 5
3 5 2 5

3
Bridge


C B7
  3  
     


I’ve al - ways been

 
        

5 4 4 4
5 4 4 4

       
Em Em/D C G/B
 
      


  
one to take each and ev - ’ry day.


       
  
 
3 5
5 4 2
2 5 5 4 2

    
A7
   3         
    

  
Seems like by now I’d find a love who would

  

2
2

C D
     
      
3

  
 
care, care just for me.





       


6 7 6 5 2 3 2 0

4
Verse
G D/F# Em

           
3

  


3. Then we’d go run - nin’ on faith.


 
          
  
5
3 5 3 5
2 4 2 0

G D/F# Em G7

 
         
3

    
 

All of our dreams would come true and our

   
      

3 5
0

C D

       
3

         

 


world would be right when love comes o - ver me and

    
  
    


let ring

5 5 7
2 5 5 5 7


G C D

    

  


you.

 

        
    

  
5 5 7 7 5 7 7 6 5
2 5 5 5 7 7

5
 
Guitar Solo
G D/F# Em

       
          
 
  
7 9 9 9 9 12 12 12 11 5 7
3 5
12

  


      
G D/F# Em G7

    
       
  


   
7 9 9 9 9 14 12 12
10 12 12 11 10 2
2

          


   
C D

        
   

  let ring

5 7
5 5 4 5 6 6.5 7 7 6 2 3 2 0
5 5 4 5 7 2 3 2 0 2 0
0

  


   
G C G
      
   
      
 
       
   
        
  
let ring

3 5 3 3 3 5 5 0
3 2 0 3 5 0
0 3 4 3 5 0 3 5
0 3 5 3 0 3 0 0 3 5
0 3 4 0 3 4 0

Bridge
C B7
       
3

       

 
But I’ve al - ways been

 
         



 
let ring

5
5
5 4 4 4 4
4 4

6
Em Em/D C G/B
          
    
3


 
One to take each and ev - ’ry day.


    
     
 
5
5 4 2
2 5 5 4 2

   
A7
            
  


Seems like by now I’d find a love who would


   

2
2

C D

    3 
3

      


 
care, yeah, just for me.


      

   

7 2 4 2 0
4 7

Verse


G D/F# Em

   

     
 

  
4. Then we’d go run - nin’ on faith.

      

       

 
 
5 5
4 5 5
2 4 2 0

7
 
G Bm Em G7

        
3

    
3

   
All of our dreams would come true.

     
 
  
    
 

5 9 12 9 11.5 11
11 12
12
2 5

         
C D
       
   
3

    

  

And our world would be right when love comes o - ver me ’n’

 

         
 

 
let ring

7
7 7 0 0
5 5 7 7 0 0

F6 Cadd9 μ F6

         
you, yes, it would.

  
                       
                    
w/o slide
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
1 1 1 1 1 1 1 1 1 1 1 0 1 1 1 1 1 1 1 1 1 0
2 2 2 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 2 2 0
3 3 3 3 3 3 3 3 3 3 3 0 2 2 2 2 2 2 2 3 3 0

Outro
G F6 Cadd9

            
Love comes o - ver you.

                       
                 
w/ slide

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 3
0 0 0 0 1 1 1 1 1 1 1 1 1 1 1 1 3 2
0 0 0 0 2 2 2 2 2 2 0 0 0 0 0 0 3 2 3 4 0
0 0 0 0 3 3 3 3 3 3 2 2 2 2 2 2 3

8
G F6 Cadd9
  
           


Love comes o - o - ver you.

       

               
                 
 

0 0 0 0 0 0 0 0 0 0 0 0 0 0 3 5 3 3
0 0 0 0 1 1 1 1 1 1 1 1 1 3 3 2 3
0 0 0 0 2 2 2 2 2 2 0 0 0 3 2 3
0 0 0 0 3 3 3 3 3 3 2 2 2

G F6 Cadd9
 
             
Love, love comes o - ver you.

                     
                      
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 1 1 1 1 1 1 1 1 1 1 1 1 1 1 0
0 0 0 0 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 3 3 3 3 2 2 2 2 2 2 2 2 2 2 0

G F6 Cadd9
    
           
3
    
All of your dreams will come true. I said when

                         
                         

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 0
0 0 0 0 0 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 3 3 3 3 3 3 2 2 2 2 2 2 2 2 2 2 2 2 2 0

G F6 Cadd9


     
3 3

         

    


love, when love comes o - ver you.

    
    
                    
                 
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 0
0 0 0 0 0 0 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 3 3 3 3 3 2 2 2 2 2 2 2 2 2 2 2 2 0

9

  
G F6 Cadd9
      
    
All of your dreams will come true.

        


    
              
                  
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 1 1 1 1 1 1 1 1 1 1 1 1 1 1 0
0 0 0 0 0 0 0 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 3 3 3 3 3 3 2 2 2 2 2 2 2 2 0

G F6 Cadd9

  
      
3 3 3

          

When love, when love comes o - ver you.

                         
                         
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 1 1 1 1 1 1 1 1 1 1 1 1 0 1 1 1 1 1 0
0 0 0 0 0 0 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 3 3 3 3 3 3 2 2 2 2 2 2 0 2 2 2 2 2 0

G F6 Cadd9

           
6

   
3

   
And all of your dreams will come true.

      
                      
                          

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 0 3 12
0 0 0 0 0 0 0 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0 3 12
0 0 0 0 0 0 0 3 3 3 3 3 3 3 2 2 2 2 2 2 2 2 2 2 0 3 12

 
w/ misc background voc. next 12 meas.


G F6 Cadd9

                    


     
             
 

  


3
12 12 12 0 0 10 10 10 10 0 0 3 5 5 5 5 5 3
12 12 12 0 0 10 10 10 10 0 0 3 5 5 5 5 5 0 3 3 5 5
12 12 12 0 0 10 10 10 10 0 0 3 5 5 5 5 5 0 3 5 3 5 3 5 5 0

10
    
G F6 Cadd9


      
      
  
             

     

 
3

10 12 12 12 12 10 10 12
10 12 12 12 12 10 10 12 12 10 12 10 12 10 0 3 5 5 5 5 3 0 3 3 5 3 3
12 10 12 10 12 10 0 3 5 5 5 5 3 0 3 0 3 5 3 0 3 0 0
0 3

     


     

G F6 Cadd9
                 
    
    

    
  

   


3 5 0 5 8 8 10 10 12 12 11 12 11
3 3 3 11 11.5 12 12 12 10 12 10 12
12 12 12 10 12 10 12


G F6 Cadd9
  
                 
           

     

     


  

10 12 12 0
10 12 12 0 3 10 10 10 0 5 5 3 0 3 5 3 0 3 3.5 0 0 0
10 12 12 0 3 10 10 10 10 10 0 3 5 5 5 3 0 3 5 3 0 3 3.5 0 3 4.5 0 3 5 0 0
3 5 5

     
           
       
G F6 Cadd9

         
              
 
 12 10
 10 12
 12 10

10 12 0 0 11 12 12 12 10 11 12 10 12
10 12 12 12 12 12 0 5 10 10 10 10 0 0 11 12 12 12 12 10 12
10 12 12 12 12 0 5 10 10 10 10 0 0

 

G F6 Cadd9

   

  
Love

     
 
             

 
  

 
       
   

3 5 5 3 0
2 4 2 3 2 3 4 0
0 2 4 2 4 2 3 2 0 0 3 4 0 0 3 4 0
3 4 0 3 0 3 0 3 4 0
3 4 0

11
G F6 Cadd9

            
comes o - o - ver you.

                   
                     
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 1 1 1 1 1 0 1 1 1 1 1 1
0 0 0 0 2 2 2 2 2 0 0 0 0 0 0 0 3 2 0 0 2 0
0 0 0 0 3 3 3 3 3 0 2 2 2 2 2 2 2 2

   
G F6 Cadd9

  
      


Love comes o - o - ver you. When

                      
                      

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
0 0 0 0 0 0 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 3 3 3 3 3 3 2 2 2 2 2 2 2 2 2 2

Free time
G F6 C

 
 rit.

         

  



love comes o - ver you.



   

   

  
       



rit.
 


0 0 0 5 3 3 0 3
0 1 1 3 1
0 2 2 3 0
0 3 3 3 5
0

 
 
          
3

      

  


 
let ring

5 3 4 0 0
3 5 3 5 3 0 3 3 5 3 0 3 5
3 5

12
Signe
By Eric Clapton

A
Intro
Moderately fast h = 88
A E/A A E/A A E/A A

    
                   
              
   
mf
w/ fingers
let chords ring throughout

0 0 0


2 0 2 0 2 X 0 0 2
2 1 2 1 2 X 1 2
0 0 0 0 0 0 X 0 0
0

E/A A E/A A E/A

      
                 
                
  

0 0 0
2 2 0 X 2 X 0 0 2 2 0 X
2 1 X 2 X 1 2 1 X
0 0 X 0 0 X 0 0 0 X 0

B
A E/A A μ A B/A E/G#
 
                  
 
    
    

   

     

0 0 0
2 X 0 0 2 0 2 4 5
2 X 1 2 1 2 2 4
2
0 X 0 0 0 0 0
4

Copyright © 1992 by E.C. Music Ltd.


All Rights for the U.S. Administered by Unichappell Music Inc.
International Copyright Secured All Rights Reserved 1
F# Bm7 E A

    
  
                 
 
         
       
 
4 2 0
5 2 3 3 3 2 0 0 3 2 0 2
4 2 3 2 2 2 1 2
2 2 2 2 0
4 2 2 0 0

F#m F# Bm7 E

                      


  
              
    
0 2 2
2 2 2 0 2 2 2 3 3 3 2 0
2 2 2 3 3 4 2 2 1
0 0 0 2 2 2
2 2 0 0

A Dadd9/F# E7sus4

    
 
  
               
           
     
0 0 0 0 0
0 0 2 2 2 2 3 3 3
1 2 1 2 2 2 2
0 0 0
0 0 2 2 2 0

E7 A Dadd9/F#

     
               
      
  

          
  
0 0 0 0 0
3 3 3 3 0 2 2 2 2 3
2 1 2 1 2 2
2
0 0 0
0 0 0 0 2

2
E7sus4 E7 A

       
  
                

            
   
0 0 0 0 0
3 3 3 3 3 3 3 0 2
2 2 1 1 2 2
2
0
2 2 2 0 0 0 0

B/A E/G# F# Bm7 E


 
                 
    

  
            

     
0 0 4 2
2 4 5 2 3 3 3 2 0
2 4 2 3 2 2 1
0 0 0 2 2 2
4 2 2 0

A F#7 Bm7


       
             
  
           
    

0 0
0 3 2 2 2 2 0 2 2 3
1 2 2 1 2 3 3 3 4 2
0 0 0 2
0 0 0 2 2 2

E A Dadd9/F#

    
                   
   
  
        
     
2 0 0 0
3 3 3 2 0 0 0 2 2 3
2 2 0 1 2 1 2 2
2 2 2 0 0 0
0 0 2

3
E7sus4 E7 A

     
   
                
 
              
   
0 0 0 0 0
3 3 3 3 3 0 2
2 2 1 1 2 2
2
0
2 2 0 0 0

Dadd9/F# E7sus4 E7

      
    
              
 
             
     
0 0 0 0 0 0
2 2 2 3 3 3 3
2 2 2 2 1
0 0 0
2 2 2 0 0 0 0

C
C#m7 F#m7 Bm7

          

  
   
       

   
        


0 2 2
3 0 4 5 5 5 2 2 2 3
1 1 2 4 4 4 2 2
2
4 4 4 2
0 2 2 2

E C#m7 F#m7

     
                   

      
      
     

2 0
3 3 3 2 0 0 0 4 5 5 5 2
2 2 0 1 1 2 4 4 4 2
2
2 2 2 4 4 4
0 2

4
Bm7 E

     
                 
3

   
  
           
   
2 0
2 2 2 2 3 3 3 2 0 0 0
2 2 1 1 2
2
2 2 2
2 2 2 0

C#m7 F#m7 Bm7 E

   
             
        
       
       
 
2 2
5 5 5 2 2 3 3 2 0
4 4 4 2 2 2 1
4 4 4 2 2 2
2 2 2 0

A Dadd9/F# E7sus4

     
     
     
       
 
             
     
0 0 0 0 0
0 0 2 2 2 3 3 3 3
1 2 1 2 2 2
0 0 0
0 0 2 2 0

E7 A Dadd9/F#

     
            
      
   
  

          
 
  
0 0 0 0 0
3 3 3 0 2 2 2 3
2 1 2 1 2 2
2
0 0 0
0 0 0 0 2

5
E7sus4 E7 A

     
                 
      
              
   
0 0 0 0 0
3 3 3 3 3 3 0 2
2 2 1 1 2 2
2
0
2 2 2 0 0 0 0

D
Aº7 E/G# F#7 Bm7 E

               

      
     
 
  
        
     
0 0 4 2 2
2 4 5 2 3 3 3 2 0
2 5 4 2 3 2 2 1
4 2
0 0 2 2 2
4 2 0

A F#7 Bm7

 
 

                    
        
      
    

0 0 2
0 3 2 3 2 2 2 0 2 2 3
1 2 2 1 2 3 3 4 2
2
0 0 2
0 0 2 2 2

E A Dadd9/F#

     
    
 

              
             
   
 
2 0 0 0
3 3 3 2 0 0 2 2 2 3
2 2 0 1 2 1 2 2
2 2 2 0 0 0
0 0 2

6
E7sus4 E7 A

     
   
                
 
             
   
0 0 0 0 0
3 3 3 3 3 3 0 2
2 2 1 2 1 2
2
0
2 2 0 0 0

Dadd9/F# E7sus4 E7

      
  
  
              

             
     
0 0 0 0 0 0
2 2 2 2 3 3 3 3 3
2 2 2 1
0 0
2 2 0 0 0

A Dadd9/F# E7sus4

       
                  
 

           
   
0 0 0 0 0
3 0 2 2 2 3 3 3 3
1 2 1 2 2 2
2
0 0 0
0 2 2 0

E7 A Dadd9/F#

     
                  
   
  

           
  
0 0 0 0 0
3 3 3 3 0 2 2 2 3
2 1 2 1 2 2
2
0 0 0
0 0 0 2

7
E7sus4 E7 A

     
                
       
              
   
0 0 0 0 0
3 3 3 3 3 0 2
2 2 1 2 1 2
2
0
2 2 2 0 0 0 0

Dadd9/F# E7sus4 E7

      
                 
  
              
     
0 0 0 0 0 0
2 2 3 3 3 3 3
2 2 2 1
0 0 0
2 2 2 0 0 0 0

A Dadd9/F# E7sus4

         
       
       
 
  

     
      
  

0 0 0 0 0
3 0 2 2 3 3 3 3
1 2 1 2 2 2
2
0 0 0
0 2 2 2 0


E7 μ A

     
   
           



 
        
  rit.


0 0 0 5
3 3 3 3 0 2
2 1 2 1 2
2 2
0
0 0 0 0

8
Tears in Heaven
Words and Music by Eric Clapton and Will Jennings

Intro
Moderately slow q = 80
A E/G# F#m F#m/E

               
   3
        
mf w/ fingers
let ring throughout


2 3 2 5 5 2 2 2 2
2 2 4 4 2 2 2 2
0
0 2 4 4 2 2 2 0 0 0

Verse


D/F# E7sus4 E7 A A E/G# F#m
 
       
1. Would you know my name,
2. See additional lyrics

                 
 
              3   

3 3 3 3 2 2 2 2  2 3 2 5 5 2
2 2 2 1 2
0 0
2
0
2
0
2
 0
2 2 4 4 2

2 2 2 0 0 0 0 0 2 4 4 2


F#m/E D/F# A/E E
     
        
if I saw you in heav - en?

  

      

              
 


 

     
 
 
5 7 5 0 0
2 5 7 5 5 7 5 2 5 3 2 3 0 2 3
2 4 6 4 2 4 2 2 1 1 2 4
2 4 4 5
2 2 2 2 2 0 0 0

Copyright © 1992 by E.C. Music Ltd. and Blue Sky Rider Songs
All Rights for E.C. Music Ltd. Administered by Unichappell Music Inc.
All Rights for Blue Sky Rider Songs Administered by Irving Music, Inc.
International Copyright Secured All Rights Reserved 1

A E/G# F#m F#m/E D/F# A/E

                 
Would it be the same, if I saw you in heav -

       
                 
   
3       
2 4 5 4 2 0 0
2 2 3 2 5 2 3 3 2 3
2 2 4 2 2 4 6 4 2 1 2 2 2 1
0
0
4 4 2 2 2 2 2 0

 Chorus

 
E F#m C#/E#

         
en? 1. I must be strong
2., 3. See additional lyrics

       
   
                  
  
 
2 2 1 1
0 2 3 2 2 2 2
1 1 2 4 2 2 2 2 1 1 1 1
4 4 3 3
2 4 4 5
0 0


Em F#7 F#7sus4 Bm7 E7sus4

                    

and car - ry on, ’cause I know I don’t be - long

  
               
        
0 0
0 0 2 3 3
0 0 0 0 3 3 4 2 2 2
2 2
2 2
0 0 2 2 2 2 0

2

A E/G# F#m F#m/E

           
here in heav - en.

    


                    
     3     
5 7 5
3 3 3 2 3 2 5 5 2 5 7 5 5 7 5 2 5
2 2 2 2 2 4 4 2 4 6 4 2 4
0
0 0 0 2 4 4 2 2

1. 2.

To Coda 
D/F# E7sus4 E7 A A
 
       
          

  
           



3 3 3 3 2 2 2 3 2 2 2 2 2
2 2 2 1 2 2 2 4 4 2 2 2 2 2
2 2 4 4
0 0 0 0 0 2
2 2 2 0 0

Bridge
C G/B Am D/F# G D/F#
           
      
Time can bring you down, time can bend your knees.

   
              
 
 

      
0 3 0
1 3 1 3 3 3 3 3
0 0 0 0 2 2 2 2 2 0 0 2 2
3 2 0
2 3 2 2 2

3
Em D/F# G C G/B Am D/F#
          
    
Time can break your heart, have you beg - gin’ please,

  
             
  
       
0 3 0
3 3 3 0 1 3 1 3 3
4 2 0 0 0 0 0 2 2 2 2
3 2 0
0 0 0 2 2 3 2 2

Guitar Solo
G D/F# E A E/G# F#m

        
      
beg - gin’ please.

   

     
           
   

    
3

9 10 9 12 14 12 9
3 3 3 2 3 10
0 0 2 2 1 2 4
0
2 2 4 5 0
3 2 0

 
F#m/E D/F# A/E E

   

     

  
  

           
 
   
9 10 9 7 5 7 9 7 7
2 2 2 3
2 2 2 2 9 11 9 7 6 7 9 7 7

2 0 0 2

4
D.S. al Coda


A E/G# F#m F#m/E D/F# A/E E

   
      
 
          
       
   
3

9 10 9 12 14 12 9 10 9 7 5 7 9 7 7
10 2 2 2 3
2 2 2 2 9 11 9 7 6 7 9 7 7

2 0 0 2

 Coda
Verse


A A E/G# F#m F#m/E

         
 
3. Would you know my name,

            
                   
     
2 4 5 4 2 0
2 2 2 3 2 2 5 2
2 2 2 4 4 2 2 4 2 2 4 6 4 2 1
2 2 4 4 2
0 0 0
4 2

 
D/F# A/E E A E/G# F#m
 
             
if I saw you in heav - en? Would it be the same

          
        
  

   
     
  3

0
3 3 2 3 0 2 3 2 3 2 5 5 2
2 2 2 1 1 2 4 2 2 4 4 2
0
2 4 4 5 0
2 2 2 0 0 0 4 4 2

5
   
F#m/E D/F# A/E E

           

if I saw you in heav - en?

  

     

       
   

  


 

 
       

5 7 5 0 0
2 5 7 5 5 7 5 2 5 3 2 3 0 2 3
2 4 6 4 2 4 2 2 1 1 2 4
2 4 4 5
2 2 2 2 2 0 0 0

Chorus

 
F#m C#/E# Em F#7 F#7sus4

                  
I must be strong and car - ry on, ’cause I know

      
                          
     
2 2 1 1 0 0
2 2 2 2 0 0 2
2 2 2 2 1 1 1 1 0 0 0 0 3 3 4
4 4 3 3 2 2
0 0 2 2 2 2

 
Bm7 E7sus4 A E/G# F#m

                

I don’t be - long here in heav - en,


                 

    
     3 

3 3 3 3 3 2 3 2 5 5 2
2 2 2 2 2 2 2 2 4 4 2
2 2 0
0 0 0 2 4 4 2

6

F#m/E Bm7 E7sus4 A E/G# F#m

                       
 
’cause I know I don’t be - long here in heav - en.

   
                    
          3
 

2 2 2 2 3 3 3 3 3 3 2 3 2 5 5 2
2 2 2 2 2 2 2 2 2 2 2 2 2 4 4 2
0 2 2 2 0
2 2 2 0 0 0 0 0 0 2 4 4 2

Free time
F#m/E D/F# E7sus4 E7 A
   

       
         
  

    
        3

grad. rit.

5 7 5
2 5 7 5 5 7 5 2 5 3 3 3 3 2 3 2 3 2 5 5
2 4 6 4 2 4 2 2 2 1 2 4 2 4 6
2
0
2 2 2 2 2 0 0

Additional Lyrics

2. Would you hold my hand


If I saw you in heaven?
Would ya help me stand
If I saw you in heaven?

Chorus 2. I’ll find my way


Through night and day
’Cause I know I just can’t stay
Here in heaven.

Chorus 3. Beyond the door


There’s peace, I’m sure,
And I know there’ll be no more
Tears in heaven.

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