an — an elaborate, showy passage, played freely g4gal [HE] Broadly J=76) Cader: i i 12342 oy, a rit. SS f P a (prepare LH.) A] With mtn, “tn tm?Frno ‘The form of this piece is AB A coda. Find and label each section in your music. 29Interval Review 5 RA. x z oe Th” Bve mf 2nd 3rd 4th Sth 6th anes nd 3rd ath Sth th 7th Be LH. 2 Sits a Sg ied nf F fa ae + Transpose each hand to G major and D major. (Remeber be seb Octave Playing *+ Play this C major seale in octaves. Spring oe te ae igiay fo Ga ae Vantin ee Ee gees ga 1234567 74 § Note: Omit this exercise ifthe student ‘cannot reach an octave. The Seale i in Octaves Steady (J= 108-120) Repeat P fc Us Explore playing Twinkle, Twinkle Little Star with RAH. octaves i cey of G major. Pi Oy ea eta on cee ari RAL otaesin the Key of G 30 @STech p.3 (Open Hand for Extensions}, p.20 muLeopold Mozart was the father of the famous ‘composer Wolfgang Amadeus Mozart, Form Check: This minuets in two parts (A B form) Is two-part form called binary form or ternary form? Leopold Mozart (a719-1781, Gemany) ‘original form Andante (J=96-108) sao Sor(3) : K * Does the LLH. in the B section begin on the ‘onic or dominant note? FruGrace Note Warm-up + Practice these examples. (Your teacher will demonstrate.) ahs aka “ Phantom of the Keys fa Key of __ Major/Minor Mischievous, with energy (J=88-100) % N. Faber i 32 PP Theory pp-1415 EdTech p21 Ge/ Sight pp. 3639 ————_ =subito P fe ne ra Dal Segno al Coda (DS. al Coda) ‘means “from the sign to the coda." Return to the $$ sign and play tothe 6, then jump to the Coda (ending). DS.$% al Coda‘A humoresque is an instrumental piece of humorous quality. r Ostinato Review An ostinato is @ musical pattern repeated over and over * Name the two intervals used for this L-H. ostinato. SEA and) With mischief (J=84-96) 34 Pret pp.1219 GLSigh pp 404s = | aBs) DS.% al Coda Coda+ The L-H. uses only one interval. What is it? __ ‘+ What is the musical term for a repeating pattern? ____—— ‘+ The R.H. uses only two intervals. Name them, ___ and ___ + There is no key signature but there is a “tonal center.” What is it? + Play the R.H. alone, Notice the articulations — staccatos and tenutos. Are there any slurs? + Play hands together slowly. Bring out all the dynamics. Andante (J = 88-100) wu 36 Theory pp.l617 vtech pp.2223 /Petfpp.1415 G/Sight pp.s6-49Identify and explain these terms for your teacher: andante (measure 1) tenuto (measure 3) simile (measure 5) 37or wT Intervals: Major and Minor 3rds ‘Major 3rd — abbreviated M3 ‘The major 3rd spans 2.whole steps or 4 half steps. melodic M3. harmonic M3 minor 3rd — abbreviated m3 ‘The minor 3rd spans a whole step plus a half step, " melodic m3 harmonic m3 Vv A triad is a 3-note chord built in 3rds. ‘The 3 notes of a triad are the root, 3rd, and Sth. F Major triad 3. © Play the root and 3rd of the F major triad. Listen to the sound of the major 3rd. + Now play the triad. Listen to the sound of the major triad. 38 PP Wreory 9p.1819 1. Find and play these Major 3rds. D, upa major 3rd to F, up a major 3rd to _? or 3 half steps. 2. Find and play these minor 3rds. G, up a minor 3rd to_? E, up a minor 3rd to__ Major and Minor Triads 8 F minor triad 4. + Play the root and 3rd of the F minor triad. Listen to the sound of the minor 3rd. Sth 3rd + Now play the triad Listen to the sound of the minor triad.The 12 Major and Minor Triads yy D>DFe= “a b Bahia edb ped + Practice this triad exercise g¢ up the keyboard chromatically (by half steps). Smoothly, “in two” (J, = 60-69) c cm c Cm nic mf Root-3rd-Sth, major chord.] Root=3rd-Sth, mi-nor chord. pre D> Dim D> = Dbm D> prepare rare 2 + Use the chart below to continue, beginning on D, Bb, B, F, F#, G, Ab, A, Bb, B, and C. Db Dim FiTriad Quiz j * Write the name for each triad below. Use a capital letter for major. Ex: G Use a capital letter with a small m for minor. Ex: Gm Bx: Fe am — ae a Sag + Now play each triad on the piano. Bee at N. Fal 40 @aTech pp.2425 eeu) SocaRemember the Ft ss t 1 ETS SS ato ‘Move RH, “in on the black keys, (aay nerd te aad $ ' i i Create an extended ending by playing the F¥ and G major chords going down the keyboard. End with the final pianissimo chord,Liebestra (Dream of Love, No.3) Key of ___ Major/ Think of § as a combination of $ +f: dddeddd (1611-1886 Hn Allegro moderato (4 = 104-120) 1 = a on 3 fr ie +P eos pa SS a a era ree wa er 4 a —=—= SS oe ‘Slide the. ———=_:S Ss | ——— Se pein p 42 PP Theory p.20 EaTech pp.2627 a‘atempoExploring the 12-Bar Blues ‘The blues often uses three chords built on steps 1,4, and 5 of the ‘The Roman numerals I, TV, and V are used to name these chords. major scale. 1. Play and say, “I chord,” “IV chord,” and *V chord.” 1 Vv Blues Facts ‘The word bar means measure. The 12-bar blues is a 2 repeating pattern of chords—a chord progression. b 1 2 It can be played with only three chords: I, IV, and V. 2. + Practice and memorize this 12-bar blues progression. ( The Key of C BI * Then play hands together with the R.H. one octave higher. \ c SSS8 a a i mf Countaloid: I 2-3-4 LT 2-3 HF F ¢ c pet # j W234: IV 2 3/-74eIe a -3-4 «6 2 Se FE ae = fe Vio sae 2-3 eee 34 Tl : ‘K * Can you learn the Teacher Duet? ‘Teacher Duet: (Student plays as written) =a} at I = gr tower troughout 7 5 a DA ae reIn the early 1900s, blues pianists sometimes performed in shacks called barrelhouses. ‘The barrelhouse piano style has a steady, repeating left-hand pattern + First practice the L4H. alone for smooth hand position changes, + Then practice slowly hands together. Listen for a steady beat! Barrelhouse Blues ‘Moderately slow (J = 96-104) | ic c c © swing the Shs! | wera? WS Pig ay) 4 ae a te A troory pp21 G/Sigh pp.5659 45Walking Bass Pattern This 12-bar blues piece features a “walking bass” pattern based on ‘major and minor triads. runmee The Piano Playin’ = ibe Chocolate Eater’s Bh root 3rd Sth Lytics by Jennifer Music by N. Moderate Blues swing (J= 100) (J2=2 3) ean We gotcha’ -tate, Fo like spin - ach, could eat it all the | time, the best__ thing a -| round, s i swing the 8thst ping the Bh 3 +3 oe it | makes my fingers stick to the ’ v Fee sesinaesy Protppl0ao Geog pees a = Vvswing the Sihst i f Ws the swing! jan -© Play in’ Choc’-late Eat -er's oe (die Se rH 1 the Pi -| an - 0 Play in’ Choe’-late Eater's Blues, Choc’ = late Eat - er's | Blues, an - © Playin’ Choc’-late Eat-er's | Blues. choo’ = late now U'm Create @ R.H. tremolo using any 3rd. Now try using any 4th, then any Sth. 47wiTes. a Chord Inversions: | Three Positions for Triads ‘The letter names stay the same. ‘The notes of a triad can be rearranged, or inverted. Oe a kee den Every triad has 3 positions: root position, Ist inver + Play these 3 positions for the C major triad. Listen to the sount 2nd Inversion 5 i Root Position Ist Inversion i i The root is the lowest note. The 3rd is the lowest note. ‘The Sth is the lowest n + Watch as your teacher demonstrates. + Your turn! Play slowly and memorize. 1. C Major Chord Inve Broken chords 1523) RH. ee joist and po. im, ime a LH. OT ior os. Blocked chords9, 6 Major Chord Inversions RH. + Transpose to A minor, D minor, and F major. + Write the chord letter names in the boxes, Remember the chord root is the upper note of the 4th. Inversion Etude Andante (J=80) @ ite eT Piheory p22 49IE SRL TET AITT “Agavotte is dance in moderate { time, popularized in 18th century France. — Rounded Binary Form When part of the A sectic ims within the Meee end ae Cavot + Is Gavoue in binary form or rounded binary form? Benjamin| Moderato (= 108-120) a 3 i 3 ==" pisegyeny Can you play Gavorte by memory? 50 PP theoryp23. ExTech p30 GL/Sight pp.6467« First play slowly feeling 6 beats per measure. + When ready, play vivace feeling 2 beats per measure. Vivace, “in two” (J.=92-104) Tacha A treory p24 Grech p3} z The Return Cornelius Gurlitt, (1820-1901, Germany) ‘original form i i erfpp.2021 GL/Sight pp.6871 SI