ChrisHuisman Presentation

FROM
R FORM VERTICAL
TO VENUE FESTIVAL
P5 PRESENTATION Public Building Graduation Studio, MSC3/4 2021-2022 17-06-2022 CHRIS HUISMAN
P5 PRESENTATION
1 / 93 CHRIS HUISMAN
BINCKHORST
AMBITION
FORM
FESTIVAL
STRUCTURE
CONCEPT
DESIGN
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BINCKHORST
AMBITION
FORM
FESTIVAL
STRUCTURE
CONCEPT
DESIGN
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TABULA - ALMOST - RASA
TABULA OUT:
TAKING - ALMOST - RASA
TAXONOMY
TAKING OUT: TAXONOMY
1. WAREHOUSES
Amount of structures: 52
Characteristics: squares, rather large
2. OFFICE BUILDINGS
Characteristics: quite diverse
3. OTHER STRUCTURES
Characteristics: some large, most small
4. INDUSTRY
Characteristics: very diverse
1. WAREHOUSES 2. OFFICE BUILDINGS 3. OTHER STRUCTURES 4. INDUSTRY

Amount of structures: 52 Amount of structures: 51 Amount of structures: 52 Amount of structures: 23
Characteristics: squares, rather large Characteristics: quite diverse Characteristics: some large, most small Characteristics: very diverse
TABULA - ALMOST - RASA 5. MONUMENTS
TAKING OUT: TAXONOMY

Characteristics: Diverse, fixed place
5. MONUMENTS
1. WAREHOUSES 2. OFFICE BUILDINGS 3. OTHER STRUCTURES 4. INDUSTRY
Amount of structures: 52 Amount of structures: 51 Amount of structures: 52 Amount of structures: 23
Characteristics: squares, rather large Characteristics: quite diverse Characteristics: some large, most small Characteristics: very diverse
RELOCATE: MAX. MIXING

RELOCATE: MAX.
= BINCKHORST MIXING
FESTIVAL 5. MONUMENTS
= BINCKHORST FESTIVAL
NEW PROGRAM - AMPLIFICATION: MUSIC MARVEL / LIVING / LEISURE / ETC.
Characteristics: distinctive shapes, iconity, strengthens the Binckhorst

RELOCATE: MAX. MIXING

= BINCKHORST FESTIVAL
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BINCKHORST
AMBITION
FORM
FESTIVAL
STRUCTURE
CONCEPT
DESIGN
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The
in thegoal is to design
scheme below.aWith
large the
andgroup
iconicabstract,
hybrid music venue which
we propose can host weak
to strengthen multiple musical
aspects genres.
from The idea
the design derives
location from
using an
the concept
‘amplifier’, of a within
fitting festivalthe
or theme
a ‘city-within-a-city’, where
of the graduation several
studio. events
If this can take
metaphor of place next toiseach
an amplifier other ininanitsenclosed,
interpreted broader
designed
sense, onespacecouldand
saywhere the wholesmall
that something is seen as one great
is enlarged experience.
in such a way thatThe music venue
it becomes will beinlocated
observable, in a future
other words: public
amplifying
park in ascaling
is about dense up.
urban context. Because of the aim to mix multiple functions and musical genres, it is important that the
venue can blend in with this site, to even further enhance the mixing of functions and its relation with the context.
AMPLIFYING
AMP
The idea of using the concept of an amplifier in the research is derived from the group abstract (see Appendix I). An
amplifier is an electronical device used for making weak signals audible by increasing the power of these signals, as shown
in the scheme
input:below. With the group abstract, we propose
weak signal to strengthen weak aspects from the
add energy design
output: location
strong signal using an
‘amplifier’, fitting within the theme of the graduation studio. If this metaphor of an amplifier is interpreted in its broader
sense, one could say that something small is enlarged in such a way that it becomes observable, in other words: amplifying
Fig. 1: Schematic operation of an amplifier. [by author].
is about scaling up.
This concept can be projected onto the field of architecture: applying an intervention (i.e. adding energy) to make certain
FORM
aspects of a design or a physical location more prominently visible (note that in this example audible is substituted for
AMP
visible, this would of course also be applicable to other senses).
input: weak signal add energy output: strong signal
AR3AP100 Public Building Graduation Studio 2021-22. (2021). MUSIC MARVEL. [Studio Handbook]. https://brightspace.tudelft.nl/d2l/le/content/398
796/viewContent/2481011/View Fig. 1: Schematic operation of an amplifier. [by author].
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This concept can be projected onto the field of architecture: applying an intervention (i.e. adding energy) to make certain
THE GOAL IS TO
DESIGN AN ICONIC
MUSIC VENUE THAT IS
MULTIFUNCTIONAL,
MIXED, FEELS LIKE
A FESTIVAL AND
THAT AMPLIFIES THE
BINCKHORST.
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GROSS AREA NETT AREA TOTAL VOLUME
24.570 m2 ± 19.000 m2 ± 160.000 m3
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BINCKHORST
AMBITION
FORM
FESTIVAL
STRUCTURE
CONCEPT
DESIGN
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WHAT FORMS CAN BE FOUND ON SITE?
WHAT FORMS DO MUSIC VENUES HAVE?
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250 m.
500 m.
750 m.
1.000 m.
1.250 m.
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Emphasis on verticality Triangular shapes (pointing upwards) A lot of rhythm / repetition (strong grid, facades) Round shapes used as details
Concert halls are more sculptural and iconic Inspiration from direct context and / or music Strong movements / lines, both vertical / horizontal Sometimes a grand entrance (big gesture)
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A CONCERT HALL, A THEATRE AND A JAZZ HALL,
WHAT FORMS DO THESE MUSIC VENUE

TYPOLOGIES HAVE?
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PLAN LONGITUDINAL SECTION CROSS SECTION
MUZIEKGEBOUW
AAN ‘T IJ,
AMSTERDAM (3XN)
CASA DA MUSICA,
PORTO (OMA)
ROYAL FESTIVAL
HALL, LONDON
(LESLIE MARTIN,
ROBERT MATTHEW
& PETER MORO)
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OSLO OPERA
HOUSE, OSLO
(SNØHETTA)
LA LLOTJA
THEATRE AND
CONFERENCE N/A
CENTRE, LLEIDA
(MECANOO)
AGORA THEATRE,
LELYSTAD N/A
(UNSTUDIO)
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FLOOR PLAN LONGITUDINAL SECTION CROSS SECTION
BIMHUIS,
AMSTERDAM
(STUDIO C N/A
ARCHITECTEN &
3XN)
TIVOLI
VREDENBURG
(CLOUD NINE),
UTRECHT
(HERMAN
HERTZBERGER,
THIJS ASSELBERGS)
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BINCKHORST
AMBITION
FORM
FESTIVAL
STRUCTURE
CONCEPT
DESIGN
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LOWLANDS PINKPOP MYSTERYLAND INTO THE WOODS
BEST KEPT SECRET DOWN THE RABBIT HOLE DECIBEL ZWARTE CROSS
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A FESTIVAL TERRAIN CONSISTS OF A SEQUENCE OF OPEN
AND CLOSED SPACES, WHICH ARE FREE TO EXPLORE IN ALL
DIRECTIONS. ALL THE STAGES AND OTHER TYPES OF PROGRAM
(SUCH AS BARS, STANDS AND ART INSTALLATIONS) ARE PLACED
AROUND THESE SPACES, EVENLY SPREAD OUT OVER THE WHOLE
FESTIVAL TERRAIN.
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BINCKHORST
AMBITION
FORM
FESTIVAL
STRUCTURE
CONCEPT
DESIGN
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Emphasis on verticality Triangular shapes (pointing upwards) A lot of rhythm / repetition (strong grid, facades)
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BINCKHORST
AMBITION
FORM
FESTIVAL
STRUCTURE
CONCEPT
DESIGN
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+ +
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+ +
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THE MAIN HALLS
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CHRIS HUISMAN
Mercuriusweg
DESIGN LOCATION
Train tracks
48 / 93
TOP: Chamber music TOP: Theater hall TOP: Chamber music TOP: Concert hall TOP: Theater hall TOP: Concert hall
MIDDLE: Theater hall MIDDLE: Chamber music MIDDLE: Concert hall MIDDLE: Chamber music MIDDLE: Concert hall MIDDLE: Theater hall
BOTTOM: Concert hall BOTTOM: Concert hall BOTTOM: Theater hall BOTTOM: Theater hall BOTTOM: Chamber music BOTTOM: Chamber music
+ Very compact configuration + Fly tower highest point + Multi-purpose theater at the + Multi-purpose theater at the + Fly tower highest point + Largest volume on top
- Big volume at the bottom - Big volume at the bottom bottom bottom - Big volume at the bottom + Small volume at the bottom
- Smallest volume on top + Compact
+ Largest volume on top
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TOP: Chamber music TOP: Theater hall TOP: Chamber music TOP: Concert hall TOP: Theater hall TOP: Concert hall
MIDDLE: Theater hall MIDDLE: Chamber music MIDDLE: Concert hall MIDDLE: Chamber music MIDDLE: Concert hall MIDDLE: Theater hall
BOTTOM: Concert hall BOTTOM: Concert hall BOTTOM: Theater hall BOTTOM: Theater hall BOTTOM: Chamber music BOTTOM: Chamber music
+ Very compact configuration + Fly tower highest point + Multi-purpose theater at the + Multi-purpose theater at the + Fly tower highest point + Largest volume on top
- Big volume at the bottom - Big volume at the bottom bottom bottom - Big volume at the bottom + Small volume at the bottom
- Smallest volume on top + Compact
+ Largest volume on top
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CONCERT HALL
CHAMBER
MUSIC
THEATRE
PARK
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THE OTHER PROGRAM
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DRESSING
ROOMS
BAR VIP &
CREW
AREA
RESTAURANT
BAR
RECORDING
STUDIOS
DRESSING
ROOMS
DRESSING
ROOMS
BAR
CREW
OFFICE AREA
CAFE TICKETS
PARK SHOP
PARKING
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01. 4 x 4 x 4 m. 02. 4 x 4 x 4 m. 03. 4 x 4 x 4 m. 04. 4 x 4 x 4 m. 05. 4 x 4 x 4 m.
01. Ticket booth 06. Bar (bottom) + toilet block (top) 11. Cafe
02. Small toilet block 07. Bar (top) + toilet block (bottom) 12. (Record) shop
03. Small dressing room 08. Large dressing room 13. Office
04. Small storage 09. Office + storage + tech. space 14. Restaurant
05. Wardrobe 10. VIP room + crew area 15. Rehearsal space + recording studio’s
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THE FESTIVAL SPACE
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FOYER
FOYER
FOYER
WORK-
SHOPS FOYER
FOYER
ENTRANCE
HALL
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User flows Festival terrain Integration
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FOYER PARTY CONFERENCE WORKSHOPS
PLAYGROUND RESTAURANT MARKET BUSINESS FAIR
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THE SUPERSTRUCTURE
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BINCKHORST
AMBITION
FORM
FESTIVAL
STRUCTURE
CONCEPT
DESIGN
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00 - GROUND FLOOR
Office
211 m²
Toilets
13 m²
Ticket booth Ticket booth Ticket booth (Record) shop

13 m² 13 m² 13 m² 186 m²
Entrance plaza
2439 m²
Cafe
142 m²
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70 / 93 CHRIS HUISMAN Sca
04 - THEATRE HALL
Theatre hall (1618 seats)

740 m²
Dressing room & crew

area
90 m²
Bar
14 m²
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09 - JAZZ HALL
Storage Toilets
28 m² 13 m²
Iso room 1
21 m² Lounge
35 m²
Entrance & office

43 m²
Recording studio
75 m²
Control room
48 m²
Iso room 2
16 m²
Iso room 3
7 m²
Theatre hall - flytower

360 m²
Restaurant
265 m²

area
59 m² Jazz hall (346 seats)
364 m²
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13 - CONCERT HALL
Toilets
14 m²

area
137 m²
Concert hall (1585 seats)

1292 m² Bar
14 m²
Bar
14 m²
Toilets
14 m²
VIP room
90 m²
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NORTH EAST
North - simple East - simple
9-6-2022 13:18:53
VO-20-01 VO-20-02
Scale 1 : 100 Scale 1 : 100
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SOUTH WEST
South - simple West - simple
9-6-2022 13:19:35
VO-20-03 VO-20-04
Scale 1 : 100 Scale 1 : 100
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Volumes that stick out from the building provide
natural shading, reducing the sun load.
Screens in their rolled-out state will block sunlight and

HR++ glazing with protective coating, blocking a create a colourful, pixelated facade, contributing to the
substantial amount of heat radiation. festival atmosphere.
The construction (and also installations) are

completely visible, adding to the notion of a festival
and the building as a machine. Automatic ventilation louvres are placed at the top of
a glass facade part, to allow for warm air to exit the
cavity of the double facade.
Mesh pathways are installed on every level, for cleaning

and maintenance purposes.
Trees cool down the environment and provide shading
(on the ground floor and on the facade).
At the same place, on every level, automatic roller blinds
are placed, to block direct sunlight when needed.
Balconies provide shading on the facade.
Bracing all around the building has a structural as well

On every level, hot air can naturally exit the building by
as an architectural reason. It is needed to provide
the chimney effect of the double facade. These louvres
stability and the industrial and diamond pattern
are mechanically controlled.
aesthetic is directly related to the context.
Openings to the cavity (both from inside and outside)

Double facade starts at the first floor, allowing cool are operated mechanically, making the facade fully
air to enter the cavity while also creating a more adaptable to changing weather conditions.
transparent entrance at the ground floor.
In a fully closed state, air inside the double facade will
not move and therefore act as an insulating buffer
which gets heated up by the sun, reducing the heat
demand in winter.
Interior trees and plants improve the interior climate. When the ventilation louvres are opened, air will
naturally travel up, creating natural ventilation and
extracting hot air from the building (chimney effect),
reducing the cooling demand in summer.
Reclaimed concrete slabs from the waste facility are

used as pavement around the building.
Plants and grass cool down the environment and make
sure cool air enters the double facade.
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Roof
Concert hall + roof
Concert hall
Restaurant / workshops
Jazz hall
Jazz hall
Theatre hall
Theatre hall
Theatre pit
Entrance area
Basement
Foundation
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SHS-HF 400x400 - 16
Wind bracing CHS 50 - 4 (exact dimensions

to be determined by constructor)
Brace connection plate
Welded on column
HEB 400
Bolted on fin plate (demountable)
Fin plate 290x100x20 mm (exact dimensions

to be determined by constructor)
Welded on supporting column, every 4000

mm (for flexibility and possible future
changes), on all sides
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No.
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630
410
120 300 110
20 80 20 100 20 260 20 40 2020 30
JAZZ HALL FACADE

Cladding, wooden planks 30 mm
Horizontal timber frame 20 mm (600 mm apart)
Vertical timber frame 20 mm (600 mm apart)
Moist-permeable foil
Insulation 40 mm
Multiplex 20 mm
JAZZ HALL FLOOR
Structural timber frame 260x70 mm (600 mm apart)
Wooden floor 20 mm
Insulation 260 mm
Insulation 40 mm
Multiplex 20 mm
Multiplex 20 mm
Moist blocking foil
Wooden beams 200x70 mm (600 mm apart)
Acoustic isolators
Acoustic spring isolators
Multiplex 20 mm
Moist blocking foil
Timber frame 80x40 mm (600 mm apart)
Multiplex 24 mm
Insulation 80 mm
Multiplex 24 mm
Multiplex 20 mm
Wooden beams 340x70 mm (300 mm apart)
Interior finishing
Insulation 340 mm
Multiplex 24 mm
Insulation 40 mm
Moist-permeable foil
Timber frame 20 mm (600 mm apart)
Timber frame 20 mm (600 mm apart)
Cladding, wooden planks 30 mm
Rubber blocks (acoustic)
20 40 20
80
200
430
350
150
24 24
952
412
HEB 400
340
522
30 20 40 20 24
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THANK YOU
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P4 PRESENTATION
CHRIS HUISMAN
IMAGE SOURCES
P. 06 https://wonenindenhaag.nl/nieuws/werken-en-wonen-nieuwe-binckhorst/
P. 33 https://nl.wikipedia.org/wiki/Mysteryland#/media/Bestand:Mysteryland_2018.jpg
P. 33 https://partyflock.nl/party/364806:Lowlands
https://partyflock.nl/party/380617:Into-the-Woods
https://www.gelderlander.nl/zwarte-cross/festivalterrein-zwarte-cross-groter-dan-ooit~ac1bed96/107960338/
P. 36 https://partyflock.nl/party/363680:Mysteryland
P. 40 https://lowlands.nl/
https://www.fosterandpartners.com/projects/sainsbury-centre-for-visual-arts/
P. 41 http://jsa-stage.company/layher-stage-constructions-atlas-weekend-festival-ukraine/
https://www.tiqets.com/nl/parijs-bezienswaardigheden-attracties-c66746/tickets-voor-centre-pompidou-permanente-collectie-priority-toegang-p974349/
All other images and drawings are produced by the author.
P4 PRESENTATION
CHRIS HUISMAN

ChrisHuisman Presentation

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FROM

1. WAREHOUSES 2. OFFICE BUILDINGS 3. OTHER STRUCTURES 4. INDUSTRY

TABULA - ALMOST - RASA 5. MONUMENTS

TAKING OUT: TAXONOMY

RELOCATE: MAX. MIXING

NEW PROGRAM - AMPLIFICATION: MUSIC MARVEL / LIVING / LEISURE / ETC.

RELOCATE: MAX. MIXING

input: weak signal add energy output: strong signal

WHAT FORMS DO MUSIC VENUES HAVE?

WHAT FORMS DO THESE MUSIC VENUE

06. 8 x 8 x 8 m. 07. 8 x 8 x 8 m. 08. 8 x 8 x 8 m. 09. 8 x 8 x 8 m. 10. 12 x 8 x 8 m.

11. 12 x 12 x 8 m. 12. 20 x 12 x 8 m. 13. 20 x 12 x 8 m. 14. 20 x 16 x 8 m. 15. 20 x 16 x 12 m.

PLAYGROUND RESTAURANT MARKET BUSINESS FAIR

Ticket booth Ticket booth Ticket booth (Record) shop

Theatre hall (1618 seats)

Dressing room & crew

Entrance & office

Theatre hall - flytower

Dressing room & crew

Dressing room & crew

Concert hall (1585 seats)

North - simple East - simple

South - simple West - simple

Screens in their rolled-out state will block sunlight and

The construction (and also installations) are

Mesh pathways are installed on every level, for cleaning

Balconies provide shading on the facade.

Bracing all around the building has a structural as well

Openings to the cavity (both from inside and outside)

Reclaimed concrete slabs from the waste facility are

Concert hall + roof

Wind bracing CHS 50 - 4 (exact dimensions

Brace connection plate

Bolted on fin plate (demountable)

Fin plate 290x100x20 mm (exact dimensions

Welded on supporting column, every 4000

8000 4000 No. Description Date No. Description Date

1-20 fragment Jazz 1-20 elevation Jazz

120 300 110

20 80 20 100 20 260 20 40 2020 30

JAZZ HALL FACADE

Rubber blocks (acoustic)

All other images and drawings are produced by the author.

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