DOCUMENT RESUME ED 061 851 48 FL 003 179 AUTHOR Hashimoto, Mantaro J. TITLE A Guide to the Shanghai Dialect. INSTITUTION Princeton Univ., N.J. Chinese Linguistics Project. SPONS AGENCY Office of Education (DHEW), Washington, D.C. Bureau of Research. BUREAU NO BR-9-7734 PUB DATE gun 71 CONTRACT OEC~0-9-097734-45 16-014 NOTE 355p. EDRS PRICE MF-$0.65 HC-$13.16 DESCRIPTORS Bibliographies; *Chinese; Consonants; Descriptive Linguistics; *Grammar; Language Styles; Morphemes; ‘Morphology (Languages); *Phonology; *Regional Dialects; Syllables; Syntax; Tone Languages; Vocabulary; Vowels IDENTIFIERS *Shanghai Dialect ABSTRACT This document describes the Shanghai dialect of Chinese. An introduction to the paper provides information on previous research on the dialect. Items covered in the phonological description include syllable structure, initials, finals, tones, tone change, and differences in initials and finals in the colloquial and literary forms. The morphemes of the Shanghai dialect are presented in the matrix of Ancient Chinese sound categories to allow comparison with similar items among the other dialects. The tables are arranged according to rime group distinction, division distinction, and tonal distinction, in that order. Five colloquial shanghai dialogues in phonemic notation with English are presented, and the grammatical notes that accompany them cover pronouns, deictics, interrogatives, aspects, negatives, sentence particles, and classifiers. The dialogues are the Shanghai equivalents of the five dialogues of Peking-Mandarin given in T. Kuraishi's "A Textbook of Beginning Mandarin." A bibliography listing relevant works is included in the document and a character index is provided. For documents on other Chinese dialects, see FL 003 180 through FL 003 184. (VM)ED 061851 TITLE VI, Sec. 602, NDEA PA~48 Bureau No. 9-7734, Contract No. 0-9-097734-4516 A GUIDE TO THE SHANGHAI DIALECT sees Mantaro J. Hashimoto ULS, DEPARTMENT OF HEALTH, EDUCATION & WELFARE OFFICE OF EDUCATION ‘THIS DOCUMENT HAS BEEN REPRODUCED EXACTLY AS RECEIVED FROM THE ‘PERSON OR ORGANIZATION ORIGINATING IT, POINTS OF VIEW OR OPINIONS; STATED DO NOT NECESSARILY REPRESENT OFFICIAL OFFICE OF EDUCATION POSITION OR POLICY.A GUIDE TO THE SHANGHAL DIALECT by Mantaro J. Hashimoto June 1971ACKNOWLEDGMENT This study is supported by the U. S. Office of Education Contract No. OEC-0-9-097734-4516(014) and the Chinese Linguistic Project of Princeton University. -ii-ACKNOWLEDGMENT Chapter 1 Introduction 1.1 The Wu Dialects 1.2 A Critical Survey of Shanghai Dialectology 1.3 Informant Chapter 2 Phonological Description 2.1 Syllable structure 2.2 Initials 2.3 Finals 2.4 Tones 2.8 Tone Change 2.6 Colloquial versus literary forns 2.6.1 Initials 2.6.2 Finals Chapter 3. Lexicon Chapter 4 Texts and Grannar 4.1 Colloquial Texts 4.1.1 Dialogue I 4.1.2 Dialogue 17 4.1.3 Dialogue ITT 4.1.4 Dialogue IV * 4.1.5 Dialogue V ~iii- ii 1 1 el 12 12 aa 240 240 242 243 245 2474.2 Grammatical notes . 4.2.1 Pronouns +2.2 Deictics 4.2.3 Interrogatives = +2.4 Aspects 4.2.5 Negatives 4.2.6 Sentence particles 4.2.7 Classifiers BIBLIOGRAPHY INDEX wive 249 249 250 251 282 254 255 256 261Chapter 1 Introduction 1.1 The Wu Dialects Being one of the most fertile areas in the wnole of China, the lower Yangtze basin has long been (perhaps since the T'ang, certainly since the Southern Sung dynasty) the economic, and consequently cultural, as well as political, center of southern China. Be- cause of its rich literature, represented by the Wu-dialect novels such as the Hai-shang hua lieh~chuan, Chiu-wei kuei, etc., the Wu- dialect play-books like the Chui-pai-ch'iu, Chi-ch'eng ch't-p'u, ete., as well as by such unique folk literature as t'an-tz'u and pao-chuan, the study of the Wu dialects has the longest history within Chinese dialectology. It goes as far back as Sun Lou's Wu-yin ch'i-tzu (The Peculiar Characters of the Wu-dialects) of the mid-sixteenth century and Hu Wen-ying's Wu-hsia fang-yen k'ao (Studies in the dialects of the Wu area) of the eighteenth century. While Soochow has traditionally been the cultural center of the Wu district, so that studies of the Soochow dialect dominate in the Wu dialectology, the Shanghai dialect attracted the attention of linguists as well as Western missionaries in the modern period particularly after Shanghai was opened to foreigners and thus be- came the trade and industrial center of China. Thus the great majority of the Wu dialect studies are focused on either the Shanghai or Soochow dialect. It was with the Wu dialects that modern Chinese linguists ‘Started their scientific study of Chinese dialects, Thus Yuen 16Ren Chao's Hsien-tai Wu-yu te yen-chiu (Studies in the modern Wu- dialects), published in 1928, constitutes the first monument of Chinese dialectology initiated by the Research Institute of His- tory and Philology, Academia Sinica. ‘The Province of Kiangsu, the major part of the Wu dialect district, is one of the provinces which published, in a series of detailed reports, the results of the large scale dialect survey conducted during the 1950s; the dialect's geographical data being generally available to the public in these studies, the immediate and urgent task of Wu dialectology nowadays consists in the detailed, accurate comparative study with the Ancient Chinese phonological system (which has never been at- tempted exhaustively in the previous publications) and the system- atic description of syntax and lexicology for individual dialects. Our present study is thus intended to be an exhaustive de- scription of the phonological correspondences :between Shanghai dialect and Ancient Chinese, and a first attempt at the synchronic description of the grammatical structure of modern colloquial Shanghai. 1.2 A Gritical Survey of Shanghai Dialectology A systematic description of the Shanghai dialect was started by Western missionaries around the middle of the 19th century. Studies of the Shanghai dialect before these missionary works, re- mained fragmentary observations on dialect etymology by traditional scholars of pre-modera China comparable to the sections on local customs or dialects in such local gazetteers as Cheng Lo-shu et al., Chia-ching Shang-hai_hsien-chih (1524), Chang Chih-hsieng et al., ?Wan-1i Shang-hai_hsien-chih (1588), etc. The first Western book on the Shanghai dialect was J. Mac- gowan's Shanghai textbook, published in 1858 (revised in 1862), which was soon followed by the famous Shanghai grammer by J. Edkins (1868), M.T. Yates' granmar. (1871), etc. P. Rabouin pub- lished the first Shanghai dictionary (1894-96). Authors of Shanghai granmars or lessons during this century include F.L.H. Pott (1907, 1934), D.H. Davis (1910), F.C. Cooper (1914), W.A. Scharfenberg (1932-33), G. MacIntosh (1934), and A.M. Bourgeois (1939, 1941). Shanghai dictionaries were also compiled in this century by D.H. Davis and J.A. Silsby (1900), C. Petitton (1905), De Lapparent (1929), ete. Together with their economic as well as military expansion into China, particularly through Shanghai, the Japanese next took over this Western missionary fuction. .Mihata Nasabumi started publishing practical manuals on Shanghai towards the end of the last century (1892), but it was around the 1930s that Japanese publications dominated the market for this kind of publication. Under the devoted training of Wang T'ing-yu (Oo Tei-kaku), the author of various ‘textbooks (1919, 1929, etc.), three Japanese sinologists emerged as very productive. writers on Shanghai. These include Kita-Seiji (1932-33, 1933), Inaba Teiichiroo (1935, which is the only ‘Shanghai: dictionary compiled by a Japanese; 1936), Kageyama ‘Kai (1930,. 1936; 1937), ete. All of them are, however, practical-manuals, and none: of them pretended to be scientific descriptions. ‘This applies to all the Japanese pub- lications on Shanghai, except perhaps for some of Sakamoto Ichiroo's writings, a scholar trained and taught at the Téoa Doobunshoin 3g(Tung-ya T'ung-wen Shu-yuan), Studies by Chinese linguists during this period are not many, even if one includes Chinese translations of Western missionary work, such as Wei Liang (1947), a Chinese transletion of A, Bour~ geois' Gramar. But they include such monumental works as Yuen Ren Chao (1928). The numerous handbooks for learning the national language, compiled for Wu dialect speakers in late 1950s, include those for speakers of Shanghai (1958) as well as Chia-ting (1959), Hai-men/Ch'ung-ming/Ch'i-tung (1959), Nan-t'ung (1959), Sung- chiang (1959), and Ju-kao (1959), all of which were incidentally reprinted in Japan with the rather confusing title Chiang-su/ Shanghai Fang-yen Tiao-ch'a in 1970. These are, however, literally handbooks for learning the national language, and they provide no systematic information on these dialects. The fifty pages of Shanghai word lists, attached to the first edition of the Shanghai handbook, were eliminated in the second in order to reduce the "economic burden upon readers." The second monumental work on Wu dialectology was, however, published in 1960 as the result of the joint efforts of the City of-Stanghai and the Province of Kiangsu, the Chieng~su ho Shang-hai- Fang-yen Kai-k'uang (An outline of the dialects of Kiangsu and Shanghai City), The report covers dialects of 74 localities, with some detailed description on major dialects, and gives a good bird's~ eye view of some of the Wu dialects. The most extensive bibliography of Wu dialect studies was com- piled by the Wu Dialect Research Group of Kobe City University of — 2Foregn Studies (1953) with ample annotations and remarks, though it is already somewhat out-dated as far as recent studies in mainland China are concerned. 1.3. Informant The informant for the present study is Mr. ['fey”> za )?-2id”7y who was born in Shanghai [6 pe 2g, 2s)? fue? ef hy? cl. sot?-tfhy”?), 997g? tau", pa??-sa?*-pa??=ag"? tiat?-ho'} in 1939, where he stayed until,at the age of cighteen years, he came to Tokyo by way of Hong Kong. Belonging to one of the most eminent families in Shanghai, the [tsy”°] family might very well have in- cluded speakers of what Yuen Ren Chao calls the “old type" dialect. However, our informant's dialect clearly belongs to the "new type" -- the word for 'warm' is pronounced the same as the word for ‘south’ (ng!?), the words for 'suddenly'(hua?>) and 'king' (ub?) are never pronounced the same as the words for 'to brush away’ (£a?>) and ‘house’ wo!) respectively; the word for ‘each' is pronounced the same as the word for ‘valley’ (kat?), and the word for 'to raise’ is distinguished by tone from the word for ‘superior of the dual powers", Chapter 2 Phonological Description 2.1 Syllable structure The structure of Shanghai syllables can be described by the following general formula: CCM vG)iaar where C stands for initial consonants; M for a medial vowel, /i/, 40ul, or /y/; V for syllabic vowels, /a/, /o/, /¥!, lel; /$!; lal, Jil, Ia!, ox /y/; NW for the nasalization of the preceding vowel, or a dental or velar nasal segment depending upon what kind of vowels precede N; and T for tones. Besides syllables in this format, there are four syllabic dental-sibilants and one syllabic velar nasal. 2.2 Initials Initial consonants or semi-consonants in Shanghai include the twenty-nine segments given in Table 1. labial dental dental sibilant palatal | veter-guttural voiceless unaspirated stop/affri- cate ts § k voiceless aspirated stop-affri- cate ph th tsh t{n kh voiced aspirated stop/affri- cate phi th nasal voiceless fricative voiced fricative/ Ligquia/ glide ffi sf zero/ . glottal stop Table 1 644The aspiration of voiceless aspirates is indicated by the symbol h, and that of voiced aspirates by fi, What we have de- scribed as voiced aspirates and fricatives are in fact a series of initial consonants that start with voiceless stops, affrica- tes, or fricatives very soon followed by heavily voiced as- piration. This is the typical articulation of these sounds in initial position preceded by a voiceless sound or by a pause. In case a voiced segment precedes them -- in other words, in inter-vocalic position -- these sounds are fully voiced. What is more characteristic of these sounds is that they always carry lower tones, whereas voicelsss unaspirates, aspirates or frica- tives carry higher tones, For convenience of presentation, we use a set of phonetic symbols for voiced sounds from now onwards, in the following way: b for pfi a for ef 4, for 3h . g for kh vo for fff : z for sft The palatals occur in complementary distribution with the corresponding velars or glottals. j also occurs in complementary distribution with y, which occurs before rounded high-front vowels, with j elsewhere. A smooth vocalic ingress alternates with the glottal stop initial. The distinction between the dental and the velar nasal is neutralized before high-front vowels: only the 7 : 12palatal nasal can occur in that environment. We can thus phonemicize Shanghai initials as in Table 2. labial dental dental sibilant velar-guttral P t c k ph th ch kh > a g n n 9 f s h < s = 2 Table 2 2.3. Finals Shanghai finals include those given in Table 3. ending -h N : - medial syllabic -i- | -¢- i Tha (ia?) vy | -G- 7. Fn ya? -u- | -g- u/u -g- ® ay Nia -i- du joy ia? -g- $ ow ga? i. ip -x- | -g- * ep. @) is (in) (ia?) -e- € ay a 13 vie Fr in) ta? : page 8 CeonTEy Table 3Table 3 (con't) ending -® N “2 medial cur ug uy vat ~o- -- 3 8 2 vit a) aay (ia?) na- -g- a a at vie ia if ia? mu ua io ua? {u] and [au] occur in complementary distribution, namely [u] after labial initials, [eu] elsewhere; the shwa occurring before {u] here is very weak and short, though we have not provided any diacritic to indicate that property. High-front vowels tend to become lower variants whenever they are preceded by the initial /1/. We need only one nasal phoneme for Shanghai finals; all the nasals occurring in post-vocahic position are complementary, in- cluding the nasalization of vowels. Finals given in parentheses are those finals which should theoretically be there but have merged with others. Thus (8y] of the eighth horizontal line in the above table means that there existed one final exactly corresponding to (y] (namely *[yy ]) and another corresponding to [¢] (namely *[gn])s these coalesced later and now occur as [an], which could be placed in the eighth line or in the tenth. 44Finals with the nasal /N/ occur only with legato tones, and finals with the glottal stop occur only with staccato tones. Thus if we can set up two distinct tone groups, legato and stac- cato, we need only one consonantal segment in the phonological representation of Shanghai morphemes. Thus the above list of Shanghai finals can be phonemicized as given in Table 4. ending medial -h -N syllabic ot- -p- 2 i in Je -o- y yw vu | -- u -u- | -b- u UN iv iN - it - gt vir ig |g : oi ie -e- | ~G- e en oie ie ieN cur ue ueNN +o -p- ° on io a a aN ia iaN cu ua uaN Table 4 1452.4 Tones Phonetically Shanghai has seven tones, yin-p'ing, yang-p' ing, yin-shang, yin-ch'l, yang-ch'l, yin-ju and yang-ju. Those cor- responding to the yang-shang of other dialects merged completely with yang-ch'll in Shanghai. The correspondence of Shanghai tones with the four tones of Ancient Chinese can be summarized as Table 5. pling shang chit ju ch'iian. ch'ing yin-p'ing yin-shang yin-ch'i yin- ju 53 55 a 5 yang-p' ing yang-ch't yang ju 12 15 Table 5 In Table 5, numerals indicate the rough pitch contours of the seven tones, each numeral indicating the relative height of the pitch divided into five levels. Among these seven, yin-ju and yang-ju constitute the staccato group, the rest the legato group. The yin group can occur with those syllables having voiceless initials, and the yang group with those having voiced initials. The phonological representation of Shanghai morphemes thus requires only four tones, namely p'ing, shang, ch'ti and jus 2.5 Tone Change ‘The most conspicuous tone change in Shainghai is that of the Pen 16yang-p'ing and the yang-ch'd. The low rising pitch-contour of the yang-p'ing (which we indicate as 12) and the high rising pitch-contour of the yang-ch'ti (15) change into high falling unless the syllable carries primary stress. Shanghai composite nouns normally carry primary stress on their first syllables. Hence the following can be observed: aay! ?oe ft? ‘the nerves' = t(ta?-2 ni? ‘spirits’ win! 292? "nation! : 20y)? tn’? "people! 15_ | 42(15) oa ‘nearsighted’ : yp'-dgtn’? ‘'aistance’ pie-efns’ ‘uprightness' - 2ay'? pal? "righteousness" 2.6 Colloquial versus literary forms The systematic distinction between the colloquial and the literary layers in Shanghai are manifested in the denasalization of the initial /m/ in the case of initials, and the vowel dis- tinction between /a/ and /e/ in the case of finals.” 2.6.1 Initials The literary layer underwent the denasalization of Ancient bibabial initials, while the colloquial layer did not. literary colloquial kua?> ‘destruction of the nh? (sl "to forget! State’ efn”?-vaq!? "news! may'?-tsq°° 'mosquitoes* 2.6.2 Finals The descendants of Ancient Chinese keng rime-group have the syllabic vowel /e/ in the literary layer, while they have /a/ in 147the colloquial layer. literary colloquial ie sacrifice a= sf a sister's son 53. sa"? A ot y 15_ 45531. sister! A Ke eake?> = reform! ka?>-khe>> ‘to separate! Chapter 3 Lexicon Shanghai morphemes are arranged in the following tables in the matrix of Ancient Chinese sound categories so as to afford easy comparison with similar items among other dialects. The tables are arranged according to rime group distinction, division distinction, and tonal distinction in that order. The Ancient initials are listed in the extreme left column, next to which are listed morphemes of Ancient origin but still in use in the modern dialects in one form or another. The two columns are “separated by a vertical line. Ancient initials are grouped ac- cording to their point and manner of articulation and are sepa~ rated by horizontal lines. In order to give maximal convenience for cross-dialect comparison, the original page number of the Ancient syllabary is retained at the upper right corner of each page. Any form given in square brackets is the literary reading of the character in question, and may not represent the genuine dia- lectal word. A form given within slanted lines is the colloquial correspondent of the character. 13 18SRB 3 ca K Sa | & teu 53 ~ 3 | Hi theu 53 fis tha 53 #le dou 12 Ekg wR SP fe ye | Bh FE | ait leu 22 se lev 12 i leu 12 iit lo 12° Ae ij | aE thau 53 te a> | Raw Ei BR |x + kas 53 a kou 53 wR | Hare khau 53 & KE | * neu 12 #8 “neu 12 & S neu 12 Be | ay (|W feu 12° a : Rye fou 12 at Ckhou_533 & na Bis 2 | : 44a Sit ge | ou 15 | CB) ~ a? aK wm) z tsou 55 it He & BS kb wR) kheu 55 ie ke | neu 15 _ BE | s~ = Rp 3K & ffi Sit & gel dau 15 RAF : ye | BB aR mw) (TE) tsau Wh it ae a» - B®ww BL | Meas nw kou hb Fs Be | fh nau 15: ae we | awe ( FH) fi | fu 15 — RS 2 HK aE x —- a RB : R | Hinz Cka 122 EL ___ RA 3 x x | pu 53 ty | Bi & phu 53 KAR pu 53 Ma |B bu 12 BA | BE mw 12 Bon mu 12 iE mu 12 (i (BE) Bay Ya ae | BR Jou 12 Bw tou 12 Bstex (HI )~R tou 53 16it it te | Bes a> | BE se 53 Bian~ sou 53 Lu~ sou kh Baw H BR | ku 53/kou 53 Sh kou 53 &e |B khu 53 Bs khou 53 #CB) khou 53 a Se | ih BE EE | Ag hau 12 R Chau 127 cad wT a (338) . Bis NR RAs dg Re BW | BoOe /tfnis 53/ ed /pon 53/ & | : Me Ba R2 17we tg | A teu 55 (#8) 6 |e theu 15 it se | M8 dou 15 Rite~ ( #) Eo ga og we dou 15 Ya A | Bow Beas ie ut _ HE | zou 15 & | sou 55 Ble B® . LR ku 55 ae ku 95 + oe : R | M-~w Mia? 2/ e 3 BK fu 55 B(x) . = | fu x5 RA 2k & Fol BR) Bos 7pen 53/ ced pu hh B | wm Mi | Bly (* B) | Bogs. sy wis 418Sit | 3) | Mam nu /ze 12-thay Wh/ ie [+H GE) cv A | R~wx ae | He a | tshou hh wat wy Tega te | zou 15 & zou 15 i ku kh BR khou 4) FA Zkhua Wh/ bee fu bh Fly is ge we» eae gp 88] FR SB /He SE SH tm] Sec a> Mu Xs Mt A Ma 8 ae Jp 33 AE~ iF ae SS 2S x | 49{REA 3 Bit - BE g |B po 53 ie po 53 o ay | WR bo 12 Bue bo 12 at~ gee (48) AA | mo 12 HR mo 12 Ra~ Ja 12-ka 35-po 53/ G6) ma 12 we | 2) Joe 57 aK Sa tik @ | # tfha 12 #R( B) /tha 53/ He | Hin~ (18) ts0 53 ie (41) tsa 53 om |X icha os Bi~ La, ~ Re tsho 53 u | T€ (Hg. 722 | & $0 53 ® so 53 20© Bn| & tfia 53 an ka 53 itt a8 ttfia 533 Bon (R) ke 53 & ba Ke F na 12 RE na 12 8 na 12 (a BF (PIE) we | TBayw~ he 53 * oom | & Je 53 Hh Br 8 ae | Ria 5h Y~ Ri 20 12 Bia "isd Fi BH hi - ee B | dem ~9 > —~ po 55 & : xu FAY RS mo 12 Baz % ) mo 12 aE a a. w | sa 55 2hRr~ ka 55 5h ia ka 55 a Fe | BE Jas Bi HL) Fm~s~u fo 1s Be ho 15 _ | Bia Cho 153 Be | ag 20 55 t= : OR pa . . ABBAS 5 Bi Ey ® A | Mi po hh ig po bk gies po hl oa w | ta pho hi Fig (He) Mt | Baws ~w (18) A |e “mo 15 ‘a fk | rm & | sex Bw HE | RE tsa 4h h~ it tsa hl CHES tsa uh @ | @2—m (*R) “Hpk bet wk | 4 Cz@ 159 W [te a e~ 22ka Wh B | Ban~ Rg ka 44 B tfia bh He ka hh mR id ka hh BE | Ban ges ete RE BE | a ~ : By~ ow. BE | Sie Jha? 5/ |) Pome tw fu 15 Bee fu 15 ues ge | ig Cia Wha tee Bip - BRAS ¢ We aE a | @ it ig a | BB | kia 12 - a zia 12 lg tia 53 ft cl 23i m |e tso 93 | iig~ tso 53 ip | He zo 12 WR : Ani Was Mt | Be (#) 5 Ne WB) AB Si ja 12 a. = ja Wh |e tsia 55 we | Ctshi 55] He © | sia 55 % |S gm | ik (48) tsta 55 at : : % |B so 55 im_ | it 515 A | ® za 15 We "iiyy| haw > wt fa 15 a ja 15 ta Las 24eae it tsia Wh i ae sis? 2 ny {sia 443 sia Wk BE zia bb RR tso bb = ith | ay 20 15 BOE ae | a se lh “GaMS gece 18 it ie OR = OR al BZ jas BAR 2 ht zz We HE | it~ 0 ak an BIO ko 53 a keu 53 wR | i kho 53 ® BE | CH) Ing snp 15/ 3013 ho 53 fo 12 20 53 HE oD ak Ww | /q 1Sdou 15/ (8) : EL | 3k ko 55 : Al /fua? 5/ we | ( *) (8) khua 55 a % LE 9015 BER 2 ik & a i& : R |S ko by ba | Row we | {b ho hh Be] Bin>e fo 12 TB. 26Ba 2 hh - Bi at . w | fine Baw bu 12 Hi (i) yyw 7JiQq S3khs dx 12/ WB | oz hve mu 12 HL (m0? 2f | Be Mon | dau 12 “- B dau 12 ccd dou 12 ; & dou 12 ft dau 12 aK nau 12 it At leu 12 BE ap Bh ot : ie) a. tseu 53 te | Pag (a) tshou 53 ca oy) sou 53 BK sou 53 & HB 27 a2BL I ae ku 53 cig ku “53 i ku 53 ES BR khou 53 SE az fu 12 Bow a neu 12 i~ ia neu 12 BEE hou 53 ca) fu 12 i fu 12 al fu 12 i fu 12 aE S~ et 4 (#1) hu 53 ai i 1 Qu 53 5 du 53 coy Hi Phy Be 2ik de we Bol ag pu 55 Cl phu 55 g@ | & phu 12 8 phu 12 se | ® bu 15 i€ bu 15 nA 33 28oi |e ie teu 55 Ih tn + si~ dau 15 6 & theu 55 gy theu 55 #z oa dau 15 : Skin are | & nau 15 eR) lou bh ie (8 lau 15 | lou bh wi. Jeu 15 Ed fi] i tsou 55 ia tsou 55 tt te & a Bl a ku 55 fi~ at ku 55 Hw 48 BR ku 55 RK gu 15 Ra~ & 5 B)e ae | EB 915 | 925 Chu 153. & 23fu 15 t~ fu 15 He i 1R fu 15 B fu 15 ® [i : f= Lv) Ba— ik & # wR olde pu hk 6 pu 4h 8 | aig~ : tin pu 53 & bu 15 ci bu 15 Big (#) |e Bg mu 15 Eg mu 15 td | th thge~ thou hh & thou Mh & dou 15 ti dou 15 &E dou 15 we | & | leu 15 is & leu 15 a t es ” 35 30ma | te ( fe) iseu bh wm | : tshou bb in i BL tshau 4h te a | 5 sou bh oF sou hh Be C20? 23 Uwe ri BR lk ku 4k ku Wh ~R ie Bi kou 4h we | khou 4b th (#9 ) khou bb & i | f neu 15 ie i neu 12 Ea | ; Bw k E fu 15 . 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