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    43 views228 pages

    Anatomy

    Uploaded by

    Marcjay Buban

    Copyright:

    © All Rights Reserved
    Download as PDF or read online from Scribd
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    ULDIS ZARINS WITH SANDIS KONDRATS ATOMYéor SCULPTORS UNDERSTANDING THE HUMAN FIGURE 2014 FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 8 KAUNGTHEP KREETHA, BANGKOK 10240 ALLRIGHTS RESERVED BY EXONICUS LLC ‘utror and Designer: Ulds Zains Project Drectar Sandis Kordrats Layout and Graphic Designer Edgars Vegners Photography. Sebina Grams Eeitor Johennah Larsen Froofteading and Edting Monike Henley 3D scanning: Chris Rawinson (3d6canctore som) 3D sculpting: Sargic Alessandro Servilo (page 99) Copyright 2014 EXOMICUS, LLC Allrights reserved. This book s protected by copyright "No part ofthis book may be reproduced n any for or by any means, including ‘hotocopving, or uiized by any information storage and retrieval systemvthout viten permission fromthe copyright owner ented in USA Fist Eatin, 2014 ‘The publishers have made every efortto trace the copyright holders fer borromed ‘mater. f they have inadvertent overlooked any, they vil be pleased to make the ‘necessary arrangements atthe frst opportuni, ‘To purchase adctvanal copies of tic book. call our customer service doparimart at (310) 868-9962 Vist anatomyéscubptors.com FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP. 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 ALLRIGHTS RESERVED BY EXONICUS LLC ABOUT, HISTORY, BACKGROUND High Hepes ‘Atthe beginning of the 1990s, om the ruins of the USSR, in the newly formed Latvian nation, a young person, named) Uldis Zarns, ful ofideals and hopes, dreamed of becoming 2 sculptor. in 1994, ne was accepted'to the Art College of Riga. Studies were dificult and competition was fierce, but thoy resulted in satisfaction, Every day he replicated famous classical Greek portrats, busts, and figures in clay. ‘The outlock prevailed thot frequent replication of antique sculptures would facitate tne understanding ot ‘orm creation ‘After only half a yeer, Ulcis understood that eyes, of course, adapt, and hands become mere agio; howaver, Understanding of the form dig not materializ ‘The Cheek of the Amazon (One day, when replicating the head of the Amazon portrait of famous sculotor Polykletos, he ran into a prablem: How to construct a cheek? II was clear that the form was not just 2 sohere, but several complicated forms combined. He thought: “It would be great to understand what these forms are and how they go together” ‘Teachers only discouraged, saying: “Study, research, measurel”— But what to measure, when there arent even ny comers, nor facets!? A teacher answered: ‘Study enatomy, maybe youll get by somehow” First Anatomy Studies ‘Amoceling teacher told Ulais:“It you want to understanc everything, here is a human skull and anatomy book Study ‘and ereate an Scorche for us|" Uldis decided to create o bust vith shoiders. Al ofits muscles were in place, however, the sculpture looked bed. The main thing was that his Understanding of ihe form had not increased one bit In the place of the form, he had studied muscles, In digaing through 3 mourtann of anatomy books, Uldis realized thet they were all meant for painters and drawers He found thet all of those books were equelly boring, with Scant, chaotic dravvings. "No one, turns oLf, nes thought ‘bout sculators! Ulds found only one anatomy boc, which nly sigmy toucned on tne form — Gottied Semmes’ Der nackte Mensch. Then he asked himself the question “Why ‘re there so few pictures in the books and so much text!” Academy Stu Attar college, Uldis enrolled in the Art Academy of Latvia (Latujas Maksias Akademija) There, same as in college, emphasis vas placed on exercises, not on the understanding of how to create tho form. Each time Uldis croated a non sculoture, he made preparations, not only to arrange the frame and the edge, but also drew a small peper sketch where he could analyze the form in an understandable way Over the course of soveral years, ranings, skotchos, ‘anatomy books and successiul photographs were accrued Uidis began to netice, that the sketches he had created, as, ‘well as mages, were in high demand among colle2ques, He often heard the suggestion that he should collect them all end pubisn a book, whicn would be a composite of form analysis, as well as fundamental inforation about anatomy thet scuptors nould need to know. This was how Uldis came ‘up with the idea for the creation ofthe Book Kickstarter ‘Years went by and Ulds orested the website ‘anatomy4sc-dptors.com, a proportion calculstor, and Facebook page, where ne publishes anatomy reference images and his drawings. On the Facebook page, Uldis ‘engaged in conversatons and tested tne ways of explaining the humen anatomy, In the spring of 2012, with the help of friend Sandis Kondrots, 0 Kickstarter campaign was ‘organized, creating an international team, with whose Nelo iis cealized his dream of publishing the book, Anatomy for ‘Sculptors, During the project development phase, Sandis ‘and Uldis were joined by frends from Latvia, Sabina Grams ‘and Edgars Veoners, who contributed with thei expertise in Grephic Design and Photography Wh much help from ‘Sancis’ brother Janis Kendrats, ie were able to create @ unique subscription systom on the webstt te ongage and test the book's content with the project supporters. 4s English 15 @ second languege for Uld's and Sands, the assistance of editors anc proofteaders, Monke Haney and Jonennan Larsen, was indispensable Friendshios, created through the project win Chns Rewinson ena Sergio Alessandro Servllo, filed in the blanks with 3D scans and sculpt reference materials, The Shutterstock service, which supplied Uldis With a lt of greet artwork to buld on the books content, was ‘also a great help, Thanks to the fiends of the international ‘Sand sculpting community, witn whom Ulais and Sands had conversations about the book during ther travels over the couree ofthe year, which was a groat help in the book's development process. The support of the Seattle Latvian ‘community was very special while working on the project Aso, without the support and understanding of te families and friends of Ulcis and Sendis, this project would not have been possioie Finally the book has come into physical form after herd and passionate work over the course of 20 years, since Uldis ‘came up with the dream of creating such a book. Ittook hhim 11 years of ctassical att studies, over 200 international sculpting fesbva's, symposiums and exhibitions in 9 years ‘and the past 4 years spent on reading books, researching hhuman anatomy, and creating ilustrations for this book to come to ite. FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP. 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 ALLRIGHTS RESERVED BY EXONICUS LLC FIGURE & TORSO SKELETON MALE VS FEMALE SHAPES SIUSOUETTE CONTRAPPOSTO tazy's" NOVABLE WASSES REALISTICTO SIMPUFIED ANGULAR RELATIONSHIP HORIZONTAL CROSS SECTIONS ECORCHE ANID REAL MUSCLES AND LANMARK POINTS ‘ABDOMINAL MUSCLES MOST IMPORTANT MUSCLES. CLAVICLE: CHEST MUSCLES FEMALE ARERST SHOULDER MUSCLE ‘TRAPEZIUS MUSCLE SERRATUS ANTERIOR [BROADEST MUSCLE OF THE BACK (GREAT ROUND MUSCLE, UTTLE ROUND MUSCLE 'AND INFRASPINATUS MUSCLE ABDOMINAL EXTERNAL OBLIQUE MUSCLE HIPS BUTT SUBCUTANECUS FAT PADS (OBESE PROPORTIONAL CHANGES FATACCUMULATION an scan’ ‘ARMS REFERENCE ‘SHOULDER BLADES: FROFOSTIONS HEAD & NECK ‘SKULLEONES MUSCLES SKULL, HEAD SHAPE AND MASSES BABY HEAD HEAD SHAPE EYES Jaw MouTH FLATYSMA MUSCLE ‘STERNOCLEIDOMASTOD MUSCLE NECK MUSCLES, EAR NOSE FACIALMUSCLES WRINKLES FROFORTIONS GENDER OFFERENCES EMOTIONS SUMMARY er 1314 15 18 7 113 2021 2 2425 2527 2623 30:32 33 9433 snag 4145, 4647 4049 50st 82 53 54 55 5058 e031 82 earl 72.98 99 90.82 3 ry 9697 96-99 00 ot 102 103.109 110 aes ur ua 110-120 121 v.28 124 125 128.130, 13 192.142 UPPER LING HANDAND WRIST MUSCLES HAND AND WRIST BONES: MUSCLES OF UPPER LIB: SUPINATIONAND PRONATION PARTIALLY FLEXED ARM BICEPS AND TRICEPS, [BRACHIALIS AND CORACOBRACHIALIS [BRAGHIORACIAUS AND EXTENSOR CARP! "RATIALIS LONGUS ANCONEUS, EXTENSOR CARP! ULNARIS, ‘EXTENSOR OIGIT MINIM! AND EXTENSOR DisrToRum SUPINATION AND PRONATION FLEXOR MUSCLES. ‘ABDUCTOR POLLICIS LONGUS AND EXTENSOR POLLICIS BREVIS ULNA ‘ARMS CONNECTION BLOCKING OUTARM. HANDY TIPS FINGERS PROPORTIONS HAND SHAPING HAND AND FINGERS HAND MOVEMENTS WRIST POSITIONS FINGERS ‘AGING HANDS. LOWER LIMB: BONES MUSCLES: SD SCAN BONY LANOMARKS: ALE LEG SHAPES: ‘QUADS ‘SARTORIUS MUSCLE ADDUCTOR MUSCLES OF THE HIF FLEXORS OF THE THIGH CALVES EXTENSOR D1G/TORUM LONGUS AND TIKALS. ‘ANTERIOR MUSCLES PERONEUS BREVIS AND PERONEUS LONGUS MUSCLES tes CROSS SECTION KNEE MECHANICS ‘THE KNEE apscan FEVALE LEGS LEG SHAPES ap scan TRAVERSING ADDITONAL SHAFES: FOOTMUSCLES FOOTSHAPES ap scan, BABY FEET oe 144s 146 1a? 148-163 154 188.158 160-161 162168 164 165 188-186 168 170 im 172173 wmaT5 176 7 e 178 180 et 182 184 185 180-187 vee-t89 se0-101 1s2198 195, 196 197 198 199 200-201 202 203 208 205 206 201 200-210 2H 212 213 214 215 26 217-218 20-221 22 FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP. 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 ALLRIGHTS RESERVED BY EXONICUS LLC THANKS TO KICKSTARTER AND 384 SUPPORTERS FROM ALL OVER THE WORLD! SPECIAL THANK YOU: ‘Aiman Akhtar Alexander Jack Ware ‘Amazin’ Walker ‘Amy Medford and Leonid Siveriver Andrew Plumb Barbara ¢ Brown Brent Baxter Carles NCT. Damen Langlois Digital Double Dominie Quek Douglas Heitz Dr. Patrieta Beckmann Welle and Potey Electric Geisha LLC Ellsabetn Frost Hellman Gerhard Schelere Hasan Bajramovie J Quiney Jason Hil Jeanne Young tina van Bruinessen Josh Ruiz Karen Jean Fralich Kasper Appel Kirk Rademaker Kristopher Viex ‘Kurt Papstein Lee Hutt FNSS Martin Rijerse and Hanneke Supply Martin de Zoete Miguel Guerrero. [Nick Sho Ite and zbrushhangeut community Raffaele Pisoni Rob Macko Solemon Temows Steven R. Berkshire ‘Themas Stanton Toban Mages Warren Marshall worw.Stigerart.nt ‘Wyeth Johnsen FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAU! ALL RIGHTS RESERVED BY EXONICUS LLC. {GTHEP KREETHA, BANGKOK 10240 FIGURE & TORSO UPPER LIMB 143 LOWER LIMB 185 FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240. ALLRIGHTS RESERVED BY EXONICUS LLC HUMAN SKELETON FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240. 9 ALLRIGHTS RESERVED BY EXONICUS LLC ANAT SCULPTORS IMPORTANT LANDMARKS OF TORSO @ FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 ALL RIGHTS RESERVED BY EXONICUS LLC 10 ANATOMY: SCULPTORS MAIN LANDMARKS OF BACK OF THE TORSO @ COLLARBONE eee) ACROMON PROCESS SPINE unc cREST. Psis. FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 11 ALL RIGHTS RESERVED BY EXONICUS LLC ANATOMY SCULPTORS MAIN LANDMARKS OF FRONTAL TORSO. @ COLLARBONE cet) > BREASTBONE ren FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 ALL RIGHTS RESERVED BY EXONICUS LLC 2 STOMYicr SCULPTORS MAIN DIFFERENCES BETWEEN MALE AND FEMALE SKELETONS IATOMYn SCULPTORS MOST IMPORTANT DIFFERENCES BETWEEN MALE AND FEMALE BODY SHAPES. FEMALE FORMS ARE SOFTER AND CURVILINEAR MALE FORMS ARE MORE ANGULAR, FeWiLE Ato MALE BREASTS baal FEMALE HAS SLIGHTLY THICKER SUBCUTANEOUS FAT THAN MALE. 1WALE Ag FEWALE WANELDEFERENOES Ma FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 ALL RIGHTS RESERVED BY EXONICUS LLC 4 é \ TOMY SCULPTORS. HOW TO MAKE A FIGURE MORE ATTRACTIVE 6 90 | LONGER NECK 4 _ wer svoutoens conan 0o ~ LONGER ARMS: | 99 SMALLER HEAD 9 990 BIGGER HANDS 9 NARROWER AND HIGHER WAIST HIGHER AND ROUNDER HIPS 9e | sumer Leos | {| 9e Loncertecs | 99 = FEET- ACTUAL SIZE OR SMALLER FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/59 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 15 ALLRIGHTS RESERVED BY EXONICUS LLC IATOMYn ULPTORS SILENT KILLER BY SILHOUETTE ALONE, THEN RECONSIDER THE COMPOSITION! AN UNCLEAR SILHOUETTE IS THE'SI “ThE MOST ESSENTIAL ELEMENTS IN @ ENOUGH FROM THE BODY IF YOU CAN'TEASLY DISTINGUISH YOUR CHARACTER NT KILLER’ OF DESIGN! ANOTHER KILLER IS SYMMETRY! SYMMETRICAL FIGURE SEEMS LIFELESS AND BORING FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 ALL RIGHTS RESERVED BY EXONICUS LLC 6 PTORS CONTRAPPOSTO THIS TERM DESCRIBES THE POSITION OF A FIGURE IN WHICH THE HIPS AND LEGS ARE TURNED IN A DIFFERENT DIRECTION FROM THAT OF THE SHOULDERS AND HEAD; THE FIGURE TWISTS ON ITS OWN VERTICAL AXIS. THE FIGURE’S BODY AND POSTURE IS DEPICTED AS A SINUOUS OR SERPENTINE "S” SHAPE. INCHANAPAYAP, 10/56 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGK: DRAW IMAGINARY S-SHAPED LINES AND BY FOLLOWING THEM, YOU CAN EASILY CONSTRUCT THE CURVES OF THE BODY. AUTRES 5 POSITION COMBINATIONS OF MOVABLE MASSES @ TIPPED Back ‘CowsINATION a wer ROTATED. TED. FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 3 KAUNGTHEP KREETHA, BANGKOK 10240 19 ALL RIGHTS RESERVED BY EXONICUS LLC =) ATOM SCULPTORS PROPORTIONS IN HEAD UNITS OF MOVABLE MASSES @ 1 head unit FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/53 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 ALL RIGHTS RESERVED BY EXONIGUS LLC 20 FEMALE TORSO FROM REALISTIC TO SIMPLIFIED @ NE 6) SRACHIORADIALIS. 7) FLEXOR CARP RADIALIS FOR 1 KARNCHANAPAYAP, 10/56 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 SOF QHTS RESERVED BY EXON IATOMY, RUTRTORS MAIN MUSCLES AND BONES OF THE BACK (A) STERNOCLEIDOMASTOID' (0) EXTENSOR CARP RADIAUIS LONGUS ((8) BICEPS BRACHI Cane earce CANES DE Gaye (2) Tearezils Ga) extensor oieiroruv @) cance 7) SPINE OF SCAPULA LEXOR CARP! ULNARIS (@) FHONEOIDMAJOR (o/BaLTOID (4) ENTERWHL OBLIQUE LaTISSiNUS 6oRS! (6) TERES MINOR (is) ABCUCTORFOLLICIS LONGUS (4) GLUTEUS MaxMUS T)INFRASEHATUS (36) EXTENSOR CAR RADIALS REVS) (@5) FOSTERIOR SUPERIOR (8) TERES MAIOR SNSOR CARFI LLNARIS TUAC SPINE (0) TRICEPS BRACH (ie) SRACHORADIALIS FOR PERSONAL USE ON! A ¥ OF GOMESH KARNCHANAPAYAP, 10/56 TOWNPLUS RAMA 9 KAU! flan TS RESERVED BY EXONIGUS LL HEP KREETHA, BAN ATOMYci SCULPTORS. ABDOMINAL MUSCLES (1) EXTERNAL OBLIQUE: LOCATED ON SIDE AND FRONT OF ABDOMEN (2) APONEUROSIS OF EXTERNAL OBLIQUE: \2) BROAD, FLAT, TENDINOUS PORTION OF EXTERNAL OBLIQUE MUSCLE (3) TRANSVERSUS ABDOMINIS: LOCATED UNDER OBLIQUES, IT IS THE DEEPEST OF ABDOMINAL (3) MUSCLES AND WRAPS AROUND SPINE FOR PROTECTION AND STABILITY (4) RECTUS ABDOMINIS: ALSO KNOWN AS “ABS” OR SIX-PACK — LOCATED ALONG FRONT \4) OF THE ABDOMEN. THIS IS THE MOST WELL-KNOWN ABDOMINAL MUSCLE (5) RIB CAGE coRacIe case on THORAH (¢) INTERNAL ABDOMINAL OBLIQUE: LOCATED UNDER EXTERNAL OBLIQUES (6) AND RUNS IN THE OPPOSITE DIRECTION (7) WING OF ILIUM— COMMONLY CALLED “HIP BONE? (ILIAC CREST) FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/53 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 29 ALLRIGHTS RESERVED BY EXONIGUS LLC IS A “SIX-PACK” REALLY AN “EIGHT-PACK"? SKINLESS ( FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 ALL RIGHTS RESERVED BY EXONIGUS LLC IATOMYcn SCULPTORS MOST IMPORTANT MUSCLES OF FRONTAL TORSO FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/59 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 31_ALURIGHTS RESERVED BY EXONICUS LLC (AYER BY LAYER) Omer 7 N\ JATOMY son, SCULPTORS MOST IMPORTANT BACK MUSCLES (LAYER BY LAYER) Oi Ficnee a USCLE ees WOR) FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/53 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 ALL RIGHTS RESERVED BY EXONIGUS LLC 32 ATOM SCULPTORS. MOST IMPORTANT BACK MUSCLES e (LAYER BY LAYER) Orns. o- SONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 IGHTS RESERVED BY EXONIGUS LLC. ANATOMY: SCULPTORS CLAVICLE - SHAPE AND CONNECTIONS CAN SEE IT'S AN “S” SHAPE. LATERAL THIRD OF THE CLAVICLE. IF YOU LOOK AT THE CLAVICLE FROM ABOVE, YOU BOTH, (0) AND (7) CONNECT ON THE @ SONAL USE ONLY 0 fS RESERVED BY EX‘ 34 ANATOMY: SCULPTORS GREAT CHEST MUSCLE (PECTORALIS MAJOR) ONE END OF PMS. CONNECTED TO THE HUMERUS AND OTHER END CONNECTS: A: TO 3/5 OF CLAVICLE ~ B:TO STERNUM BONE ¢:TORIBS D: LYING ON ABDOMINAL MUSCLES. A: THIS PORTION IS OFTEN VISIBLE AS SEPARATE PART OF PM. PPNIIS PARTIALLY COVERED BY DELTOID MUSCLE, FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP. 4 [OWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 35 ALLRIGHTS RESERVED BY EXONIGUS LLC ‘THE PECTORALIS MINOR MUSCLE PUSHING PECTORALIS MAJOR OUTWARD FROM UNDERNEATH, AS CHEST MUSCLES BECOME MCRE DEVELOPED, LES AVICLE) IS iSIELE “| COLLAR BONE (CLAVICLE) AND CHEST MUSCLE (PECTORALIS MAJOR FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP. 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 ALLRIGHTS RESERVED BY EXONICUS LLC FOR PERSONAL USE ONLY ATOM Yc SCULPTORS CHEST AND SHOULDER FEATURES (1) COLLARBONE (CLAVICLE) IS LIKE A BRIDGE OVER A VALLEY. UNDERNEATH THE COLLARBONE IS THE INFRACLAVICULAR. TRIANGLE (INFRACLAVICULAR FOSSA), WHICH IS A PIT BETWEEN THE CHEST MUSCLE (PECTORALIS MAJOR) AND SHOULDER MUSCLE (DELTOID). THE COLLARBONE (CLAVICLE) IS ALWAYS VISIBLE. (2) EACH BODY @ @ @ OF THE CHEST MUSCLE ~~ (PECTORALIS MAJOR) HAS DIFFERENT INSERTIONS (ON THE HUMERUS. FIBERS CHANGE DIRECTIONS, CROSSING OVER EACH OTHER AND CREATING MULTIPLE MASSES ON THE EDGE OF THE ARMPIT. (3) SOMETIMES IN VERY MUSCULAR INDIVIDUALS, YOU CAN SEE ~” A SEPARATION BETWEEN THE CLAVICULAR SECTION AND. STERNAL SECTION OF THE CHEST MUSCLE (PECTORALIS: MAJOR). (4) BONY TRIANGLE BETWEEN CHEST MUSCLES AND ABDOMINAL SIX-PACK. SOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KRUNGTHEP KREETHA, BANGKOK 10240 ALL RIGHTS RESERVED BY EXONICUS LLC JATOMY son, SCULPTORS FEMALE BREAST IMAGINING THE SEPARATION BETWEEN BREASTS AND PECTORAL MUSCLES MAY HELP YOU SCULPT THEM CORRECTLY. J DN C) ‘SUBCUTANEOUS FAT PAD LOBULES AREOLA NIPPLE PECTORAL FAT PAD ‘SKIN KYaKala Xl) la) PECTORALIS MAJOR PECTORALIS MINOR © FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/53 TOWNPLUS RAMA 9 KRUNGTHEP KREETHA, BANGKOK 10240 ALL RIGHTS RESERVED BY EXONICUS LLC 38 FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/53 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 ALLRIGHTS RESERVED BY EXONICUS LLC BREAST VOLUME AND POSITIONING ALTHOUGH THE SHAPE CHANGES, VOLUME REMAINS CONSTANT. FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240. ALLRIGHTS RESERVED BY EXONICUS LLC ATOMY eon, SCULPTORS: a THE LARGER THE BREASTS, THE MORE THEY ARE SHAPED BY GRAVITY WHEN A WOMAN IS LYING ON HER BACK. 3 TIPS ON HOW TO MAKE FEMALE BREASTS LOOK YOUTHFUL. C ‘TOP SIDE: STRAIGHT OR CONCAVE, SUT NEVER CONVEX NPPLEPONTSUPHARD ° © LUFT LOWER BORDER WHERE BREAST ‘CONNECTS TO CHEST Wall 40 TOMY SCULPTORS. WEIGHT AND MASS DISTRIBUTION OF FEMALE BREAST @ FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240. 41 ALURIGHTS RESERVED BY EXONICUS LLC ANAT SCULPTORS WHAT CREATES A SHOULDER’S SILHOUETTE? @ BONES MUSCLES (5) LATERAL HEAD OF TRICEPS FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 ALL RIGHTS RESERVED BY EXONICUS LLC ANATOMY: SCULPTORS SHOULDER MUSCLE (DELTOID) ISE ONLY OF H KARNCHANAPAYAP. 10/50 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 FRVED BY EXONICUS LLC IATOMYn SCULPTORS SHOULDER MUSCLE (DELTOID) HAS 3 SECTIONS: FRONT (ANTERIOR PART), MEDIAL (LATERAL PART) AND BACK (POSTERIOR PART) FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 ALL RIGHTS RESERVED BY EXONICUS LLC 4 TOMY SCULPTORS. WHICHEVER WAY YOU TURN YOUR ARM, THE DELTOID'S LOWER, TAPERED END IS ALWAYS ON THE FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 45 ALURIGHTS RESERVED BY EXONICUS LLC TOMY SCULPTORS WHERE DOES IT Go? Q WHERE DOES THE SHOULDER MUSCLE (DELTOID) DISAPPEAR TO WHEN THE ARMIS LIFTED UP? IT JUST TURNS TOWARD THE BACK AND YOU WILL SEE IT IF YOU LOOK FROM THE OTHER SIDE. ‘THE CLAVICLE IS ONLY COVERED BY SKIN. IT IS ALWAYS VISIBLE EXCEPT WHEN ARMS ARE LIFTED. THEN, THE CLAVICLE IS HIDDEN BEHIND THE GREAT CHEST MUSCLE (PECTORALIS MAJOR). FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/53 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 ALL RIGHTS RESERVED BY EXONIGUS LLC IATOMY in SCULPTORS. TRAPEZIUS MUSCLE ORIGIN: MEDIAL SUPERIOR NUCHAL LINE 2 EXTERNAL PROTUBERANCE OF THE SKULL. INSERTION: LATERAL CLAVICLE, ACROMIONAND SPINE OF SCAPULA (GUPPERIFIBERS#| ELEVATE AND UPWARDLY ROTATE SCAPULA; EXTEND NECK [MIDDLE FIBERS: ACDUCT (RETRACT) SCAPULA “LOWER FIBERS: DEPRESS AND HELP UPPER FIBERS UPWARDLY ROTATE SCAPULA FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/53 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 47 ALURIGHTS RESERVED BY EXONIGUS LLC TRAPEZIUS MUSCLE FOR PERSONAL USE ONLY OF ALL RIGHTS RESERVED BY EXON! ‘ARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 ARE THESE RIBS? JUSTUKE FINGERS: WHAT IS THIS BULGE UNDER THE SHOULDER BLADE? ‘SERRATUS ANTERIOR IS A MUSCLE THAT ORIGINATES CN THE SURFACES OF THE 1ST TO STHRIES ON @ THE LATERAL CHEST AND INSERTS ALONG THE ENTIRE ANTERIOR LENGTH OF THE MEDIAL BORDER OF THE SCAPULA 114 AND SIDE VIEW FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/59 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 ALL RIGHTS RESERVED BY EXONICUS LLC ATOM SCULPTORS BROADEST MUSCLE OF THE BACK (LATISSIMUS DORSI~ LD) ‘TERES MAJOR COVERED WITH LATISSIMUS DORS! CREATES THE TRIANGULAR SHAPE OF AMALE TORSO. © FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/53 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 51 ALLRIGHTS RESERVED BY EXONICUS LLC IDENTIFY THE BROADEST MUSCLE OF THE BACK! [LATISSIMUS ORS!) 53 TPS GREAT ROUND MUSCLE (TERES MAJOR TMA), LITTLE ROUND MUSCLE (TERES MINOR TMI) AND INFRASPINATUS MUSCLE (IS) TMS ALMOST NEVER VISIBLE TOWNPLUS RAMA 9 KRUNGTHEP KREETHA, BANGKOK 10240 KARNCHANAPAYAP, Lc ATOM SCULPTORS ABDOMINAL EXTERNAL OBLIQUE MUSCLE (EO) MALE FLANK ISLARGER ‘AuIO EXTENDS OUTWARD OVER THE HP BONE 'S ON THE HIP BONE, SONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/56 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 FS RESERVED BY EXONICUS LLC 54 MALE AND FEMALE HIPS @ center mocHanTeR — @ wacceest Pusic SYMPHYS: SUBCUTANEOUS FAT PADS UNDER THE SKIN GIVE FEMALE HIPS THEIR CURVY SHAPE -ERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP. 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240. IGHTS RESERVED BY EXONICUS LLC ALL ABOUT “BACKSIDES” FOR PERSONAL USE ONLY OF ALL RIGHTS RESERVED BY EX IESH KARNCHANAPAYAP, 1 (CUS LLC [OWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 ATOM Yc SCULPTORS. MALE SUBCUTANEOUS FAT PADS () PECTORALIAT AD) (4 )LATERAL LUTEAL FAT PAD (7) POPLITEALFATPAD @ pueicrar exo een GLUTEAL FAT EXTENSICH LUTEAL BANO = OREATES SiN y (5) FOLD WHEN THE THIGH FLEXES, (3) FLANKFAT PAD (6 )INFRAPATELLAR FATPAD coo eee ee FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP. /58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 57 ALLRIGHTS RESERVED BY EXONIGUS LLC TOMY a1 SCULPTORS FEMALE SUBCUTANEOUS FAT PADS (FRONT VIEW) (@)IATERAL LUTEAL FATPAD (©) PUBICFATFAD (5) OUTER THIGH FAT PAD (7) nweR TH GH FaT a0 (@)LOWERANTER.OR THIGH FATPRO © nFRapsrELLAR Par PAD (2) ABDOMINAL WALL FAT PAD. (3) RLANKFATPAD -ERSONAL LSE ONLY OF GOMESH KARNCHANAPAYAP. 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240. IGHTS RESERVED BY EXONICUS LLC 58 ANATO Meg SCULPTORS FEMALE SUBCUTANEOUS FAT PADS (GIDE VIEW) (Daneasrear 6 J OUTER THIGH FATPAD (H)NEERIOn eLuTEALEAT 22) ASDOMINAL FAT PAD [OWER ANTERIOR THIGH FATPAD EXTENSION ranicrar rao (@ INFRAPATELLARFAT PAD POPLTEALEATPAD (4) LATERAL GLUTEALFATPAD (10) POSTERIOR GLUTEAL FAT PAD Gig FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/53 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 59. ALL RIGHTS RESERVED BY EXONICUS LLC FEMALE SUBCUTANEOUS FAD PADS. (BACK VIEW) (@)FLANKEATEAD (SOUTER THIOHFATPAD (®) POSTERIOR GLUTEALFATPAD (4) LATERAL GLUTEALFATPAD (7) INNER THIGH FAT PAD a INFERIOR GLUTEAL FAT EXTENSION: (@) POPLITEAL FAT PAD (C)FRHONBUS OF MIGHAELISE a) (©) GLUTEAL BAND - CREATES SKIN FOLD WHEN THE THIGH IS FLEXED, GLUTEAL FOLD DISAPPEARS a oe _ FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/53 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 ALL RIGHTS RESERVED BY EXONIGUS LLC PISS PROPORTIONAL CHANGES OF AN OBESE MALE: 7.5 HEAD UNITS FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/53 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 81 ALL RIGHTS RESERVED BY EXONICUS LLC ATPASES PROPORTIONAL CHANGES OF AN OBESE FEMALE: 7.5 HEAD UNITS FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 ALL RIGHTS RESERVED BY EXONICUS LLC 62 ATOM Yc SCULPTORS. AREAS OF THE BODY THAT ARE LESS AFFECTED BY FAT ACCUMULATION SONAL_USE ONLY OF GOMESH KARNCHANAPAYAP, 10/56 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 FS RESERVED BY EXONICUS LLC 63 ATOM SCULPTORS 3D SCAN OF MIDDLE-AGED WOMAN 'S RESERVED BY EX‘ Lc 64 ATOM Yc SCULPTORS. 3D SCAN OF YOUNG FEMALE FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 65 ALL RIGHTS RESERVED BY EXONICUS LLC ATOM SCULPTORS 3D SCAN OF YOUNG FEMALE -ERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/53 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240. IGHT9 RESERVED BY EXONICUS LLC 66 TPS 3D SCAN OF YOUNG MAN KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 Lc ATOM SCULPTORS 3D SCAN OF MIDDLE-AGED MAN SONAL_USE ONLY OF GOMESH KARNCHANAPAYAP, 10/56 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 FS RESERVED BY EXONICUS LLC 8 ANATOMY SCULPTORS ARMS REACHING BEHIND BODY ty 1 FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/59 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 69. ALL RIGHTS RESERVED BY EXONICUS LLC TOMY SCULPTORS ARMS AT SIDES om FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/53 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 ALL RIGHTS RESERVED BY EXONIGUS LLC 70 ATOM Yc SCULPTORS. ARMS HELD STRAIGHT OUT TO SIDES 3M FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/53 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 71 ALURIGHTS RESERVED BY EXONICUS LLC TOMY SCULPTORS ARMS IN A “Y” POSITION T ( terse FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/53 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 ALL RIGHTS RESERVED BY EXONIGUS LLC 72 ARMS HANGING NATURALLY - MALE FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 ALL RIGHTS RESERVED BY EXONIGUS LLC ARMS HANGING NATURALLY - FEMALE ARMS HELD STRAIGHT OUT TO SIDES - MALE FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 ALL RIGHTS RESERVED BY EXONIGUS LLC ARMS HELD STRAIGHT OUT TO SIDES —- FEMALE ARMS IN A “Y” POSITION — MALE FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 ALL RIGHTS RESERVED BY EXONIGUS LLC ARMS IN A“Y” POSITION - FEMALE ARMS STRAIGHT UP - MALE FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 ALL RIGHTS RESERVED BY EXONIGUS LLC ARMS STRAIGHT UP - FEMALE Pi" ANATON SCULPTORS. ARM REACHING UP AND FORWARD FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/53 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 81 ALL RIGHTS RESERVED BY EXONICUS LLC ANATOMY: SCULPTORS ARM REACHING UP AND FORWARD FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/53 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 ALL RIGHTS RESERVED BY EXONIGUS LLC 282 ATOM Yc SCULPTORS. ARM REACHING UP AND FORWARD , FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP. 10/56 TOWNPLUS RAMA 9 KRUNGTHEP KREETHA, BANGKGK 10240 83. ALL RIGHTS RESERVED BY EXONICUS LLC REACHING BACK 3 6 we FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP. [RIGHTS RESERVED BY EXONICUS ALL REACHING BACK FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/53 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 ALL RIGHTS RESERVED BY EXONIGUS LLC REACHING BACK FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 ALL RIGHTS RESERVED BY EXONIGUS LLC ONE ARM BEHIND BACK FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/53 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 ALL RIGHTS RESERVED BY EXONIGUS LLC LIFTING ARM HIGHER AND HIGHER r I Tey a FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/53 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 ALL RIGHTS RESERVED BY EXONIGUS LLC HAND HOLDING OPPOSITE SHOULDER FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/53 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 ALL RIGHTS RESERVED BY EXONIGUS LLC ANATONs SCULPTORS LET’S FIND SHOULDER BLADES (SCAPULA)! FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/53 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 ALL RIGHTS RESERVED BY EXONIGUS LLC PROPORTIONS OF TEENAGER AND CHILD ‘TEENAGER PROPORTIONS-7 HEAD UNITS. FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240. 91 ALL RIGHTS RESERVED BY EXONICUS LLC AUTRE PROPORTIONS OF ADULT MALE AND FEMALE IDEALIZED ADULT PROPORTIONS 8 HEAD UNITS é a A (A/a FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 ALLRIGHTS RESERVED BY EXONICUS LLC 92 PROPORTIONS OF CHILD, TODDLER, NEWBORN AND SENIOR (CHILD: 5.5 HEAD UNITS TODDLER § HEAD UNITS SENIOR: 7 HEAD UNITS: FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP. 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240. 93. ALL RIGHTS RESERVED BY EXONICUS LLC ) a) « FRONTAL BONE PARIETAL BONE NASALBONE ‘TEMPORAL LINE FOR PERSONAL USE ONLY OF GOME: 95. ALL RIGHTS RESERVED BY EXONICUS LLC yer \< Zio ¢ G ~y ZYGOMATIC BONE (7) cearaL bone SPHENOD BONE (B) MAXLLABONE sh TEMPORAL BONE (9) wanbeLesone MASTOD PROCESS KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 ATPASES MAJOR HEAD MUSCLES @ FRONTALIS MUSCLE WASSETER MUSCLE TEMPORALMUSCLE CORSICULARIS OFIS MUSCLE CORSICULARIS OCUL| MUSCLE i) DEPRESSOR ANGUL! ORIS MUSCLE nasais wScLE fia) derress0 Le nFEOR'S MUSCLE LEVATOR LABI SUPERIORS MUSCLE (16) PRocERUS MUSCLE 2YGOMATICUS WiNloR MUSCLE CORRUGATOR MUSCLE ZYGOMATICUS MAJOR MUSCLE (OCCIPITALIS MUSCLE RISORIUS MUSCLE ZYGOMATIC BONE )) BUCCINATOR MUSCLE 2yooMATIC ARCH MANDIBLE (LOWER JAW) EPICRANIAL APONEUROSIS FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/53 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 ALL RIGHTS RESERVED BY EXONIGUS LLC 96 eTPIORS MAIN NECK MUSCLES @ "x (1) stenocusoomastoD (4 )etesraone (rerun) (7 /siresivae wiscies (2) rRarezus (5) ineranycio wusctes (B) sounes suave ee \B saruia) (3) eouareone cuvicis) (6 )HvoIneowe FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 ee e 7 78 RESERVED BY EXONICUS ( ARYSTpAYE: MAIN NECK MUSCLES @ (A)tonensarioavore| (2) aeserer ( (3 )nitonves: (4 ) picastric (5) stricken (6) HyoID BONE (7) owonvon © ) STERNOHY. (8) sTeionvon FOR PERSONAL USE ONLY OF SOMESH KARNCHANAPAYAP, 1 (9) ADAN'S APPLE (ARYNGEAL PROMINENCE) (10) TRAPEZIUS (11) sTeRNocLEIDOMASTOD (42) cricoTHyROD (43) sternotHveo0 (13) (ia) THer00o-aN0 et 15) (46) PaRoTIO GLAND (47) SewisrINALis CAPITIS (1 (19) sPLenwus xem (20) weston scams 3) HYOOLOSSUS (21) scaLeNus PosTERIOR ae (22) scaLeNus MEDS (23) SCALENUS ANTERIOR TOWNPLUS RAMA 9 KRUNGTHEP KREETHA, BANGKOK 10240 IGHT5 RESERVED BY EXONIGUS LLC (—ti‘i‘C;™~*CRERAEtCi‘sSCS®Y SHAPES THAT FORM A SKULL oF & 0.5. G o.@. B FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KRUNGTHEP KREETHA, BANGKOK 10240 99 ALL RIGHTS RESERVED BY EXONICUS LLC MODELING A 3D SKULL 099° PPO? FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/53 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 RIGHTS RESERVED BY EXONICUS LLC HEAD SHAPE AND MASSES UTR SE BABY HEAD FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 ALLRIGHTS RESERVED BY EXONICUS LLC EOP TORS THE HEAD SHAPE CONTOUR OF THE CHIN (SHOT THE SAME AS JAWLINE, TEMPORAL LINE ve coor eerneen I HEAD Is NOT ROUND. wipesTromr OF HEAD FOR PERSONAL USE ONLY of TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 103 ALL RIGHTS RESERVED BY EX KARNCHANAPAYAP. Lc FRAMING THE EYES EYEBALL IN THE ORBIT ) ao i EVEGROW CHANGES DIRECTION AS IT RUNS EYEBROWS LB across THe rer 5 SLOFING SBP commanoeack Towaro THE EAR FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/53 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 ALLRIGHTS RESERVED BY EXONICUS LLC (RR? ALL ABOUT EYES WHAT MAKES A FACE LOOK FLAT? -ERSONAL LSE ONLY OF GOMESH KARNCHANAPAYAP. 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240. IGHTS RESERVED BY EXONICUS LLC 106 TRIOS BLOCKING-OUT A CLASSICAL EYE (STEP-BY-STEP) FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240. 407 ALL RIGHTS RESERVED BY EXONICUS LLC ANATOMY EYES COME IN A VARIETY OF SHAPES -ERSONAL LSE ONLY OF GOMESH KARNCHANAPAYAP. 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240. IGHTS RESERVED BY EXONICUS LLC 108 EYE MOVEMENTS (EXPRESSIONS) FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 ALL RIGHTS RESERVED BY EXONIGUS LLC SCULPTOR EYE MOVEMENTS (EXPRESSIONS) FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240. ALLRIGHTS RESERVED BY EXONICUS LLC 110 TRIOS WHAT STRONG JAWS YOU HAVE! (0 CLOSE THE MOUTH AND KEEP IT SHUT! ® THE CHEWING MUSCLE (MASSETER MUSCLE), TEMPORALIS MUSCLE -HELPS 1T1S THE PRIMARY CHEWING MUSCLE 'AND PULLS ‘THE JAWS CLOSED. ITS OUTER PORTION ORIGINATES FROM ‘THE ZYGOMATIC ARCH AND INSERTS (ON THE SURFACE ‘OF THE RAMUS OF THE MANDIBLE, PAROTIO GLAND (SALIVARY GLAND) ALSO PLAYS IMPORTANT ROLE IN SHAPING THE JAWNLINE AND FACE. i) FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 111 ALL RIGHTS RESERVED BY EXONICUS LLC FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 ALL RIGHTS RESERVED BY EXONIGUS LLC 112 TRIOS SHAPE OF STILL LIPS a roumam FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 ‘113. ALURIGHTS RESERVED BY EXONICUS LLC WHAT IS THIS BUMP? x ITIS CALLED THE “NODE”. ITIS THE PONT WHERE SEVERAL FACIAL MUSCLES CONNECT TO THE CORNER OF THE MOUTH WHEN YOU SCULPT EXPRESSIONS, REMEMBER BONY LANDMARKS! BY PULLING IN DIFFERENT DIRECTIONS, THES= MUSCLES CREATE THE EXPRESSIONS, WHILE SKULL REMAINS THE SAME FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 RIGHTS RESERVED BY EXONICUS LLC 114 MOUTH EXPRESSIONS FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP. 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240. }© ALL RIGHTS RESERVED BY EXONICUS LLC MORE MOUTH EXPRESSIONS FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 ALL RIGHTS RESERVED BY EXONIGUS LLC EVEN MORE MOUTH EXPRESSIONS FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240. ALLRIGHTS RESERVED BY EXONICUS LLC APS PLATYSMA MUSCLE THE PLATYSMA BELONGS TO THE GROUP OF FACIAL MUSCLES AND DRAWS THE CORNERS OF THE LOWER IP AND MOUTH TO THE SIDES DOWIAARD. WHEN FLEXED FORCEFULLY, IT EXPANDS THE NECK AND DRAWS ITS SKIN JPWARD. WESKHESS OF THIS MUSCLE IS OFTEN THE MAJOR FACTOR IN CAUSING SAGGING UNDER THE CHIN i OLDER FEOFLE (THIS ‘SNOT QUE TOAGING SKIN OR FROM FAT ACCUMULATION) FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 ALL RIGHTS RESERVED BY EXONIGUS LLC 8 (—ti‘i‘i;~”:C RAS i‘sCS®Y STERNOCLEIDOMASTOID MUSCLE IN ACTION HEAD UP (BN) ABOVE (SE) BOTTOM OF NOSE (6N) BOTTOM OF EAR (BE) HEAD STRAIGHT (BN) LINED UP WITH (BE) ~® (EN) HEAD DOWN (3=) ABO BOTTOM OF EAR (BE) BOTTOM OF NOSE (BN) FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/53 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 119 ALLRIGHTS RESERVED BY EXONICUS LLC 7TH CERVICAL VERTEBRAL BONE (WHERE THE NECK MEETS THE ‘SHOULDERS) WHEN HEAD IS BENT FORWARD, YOU CAN ‘SEE PROVINENT VERTEBRA AT THE TCP (OF THE SPINE PROTRUDING CUTWARD, SUGHTLY ao TRAPEZIUS MUSCLE, STERNOCLEIDOMASTOID MUSCLE é aX -ERSONAL LSE ONLY OF GOMESH KARNCHANAPAYAP. 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240. IGHTS RESERVED BY EXONICUS LLC 120 MAJOR NECK MUSCLES (TRAPEZIUS AND STERNOCLEIDOMASTOID) FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240. ALL RIGHTS RESERVED BY EXONIGUS LLC FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 ALLRIGHTS RESERVED BY EXONICUS LLC 122 TRIOS CLASSICAL NOSE FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/53 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 123 ALL RIGHTS RESERVED BY EXONICUS LLC ARTRORE ) ALL ABOUT NOSES NOSES CHANGE WiTH AGE PARTS OF ANOSE FEMALE VS. MALE NOSE © eglreeeeltie mii @ “TPPING UP THE POINT OF THE NOSE WLLNAKEITLOOK CHLO-LKE. GVNG ITA CONCAVE OR THIN BRIDGE WILL MARE IT LOOK MORE FEMININE! FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 ALLRIGHTS RESERVED BY EXONICUS LLC 124 FUNCTIONS OF FACIAL MUSCLES -ERSONAL USE ONLY OF GOME: IGHTS RESERVED BY EXONICU RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 KARNCHANAPAYAP, 10/58 TOWNPL Lc AGING WRINKLES FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 ALLRIGHTS RESERVED BY EXONICUS LLC 26 | RTP IORS IDEALIZED PROPORTIONS OF ADULT HEADS -ERSONAL USE ONLY OF GOME: IGHTS RESERVED BY EXONICU RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 KARNCHANAPAYAP, 10/58 TOWNPL Lc RTRORE PROPORTIONS OF CHILDREN’S HEADS FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 ALL RIGHTS RESERVED BY EXONIGUS LLC 128 OR PROPORTIONS OF BABY AND TODDLER HEADS Rena ena FOR PERSONAL USE ONLY OF 129 ALL RIGHTS RESERVED BY EXON! KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 Lc AN Kron, PROPORTIONS OF ELDERLY HEADS FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/53 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240. ALL RIGHTS RESERVED BY EXONIGUS LLC 130 _—_————————— PROPORTIONS OF TEEN HEADS ISONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240, HTS RESERVED BY EXONICUS LLC A GENDER DIFFERENCES BETWEEN IDEALIZED ADULT HEADS + DISTINCT PROTRUDING BROW UDGES [NOSE ROOT IS USUALLY EXPRESSED CLEARLY AND CAN BE ‘ouiTe OcEP + BLAWE OF FOREHEAD HAS A SMALL SLOPE TOWAROS THE REAR, CONTOUR OF FOREHEAD IS NOT STRAIGHT BUT ‘SOMEWHAT WAY + CHEEKHONES EXPRESSED CLEARLY + BUSIIY €YEOROWS STANO OUT, ASA RULE ARE LESS [ARCHED SHAPE AND SIT LOWER OVEREYES + UPPER EYELIO IS NOT PARTICULARLY DISTINGUISHED AND IS LOCATED CLOSE TO EDGE OF THE INFRAOREITAL FORAMEN “ UNDERLYING TIE NOSE ISA CLEARLY VISIOLE BONE- SKELETAL STRUCTURE, I fS USUALLY LARGE, FORMIS [ALMOST STRAIGHT OR SLIGHTLY CONVEY. + NOSE ISTHICK AND BROAD "BASE OF NOSE LIES OWA HORIZONTAL PLANE "TWP OF NOSE ISLARGE AND ROUNDED = FOLD CONTOUR OF UPPER LIPS SLIGHTLY CONVEX FeMALe’s + PROTRUDING CHEEKSONES iB IS MASSIVE, CLEARLY DEFINED, OFTEN DIMPLED + LOWER JAWS WOEST CORNERS ARE MARKED CLEARLY ‘AND SOMEWAIAT SHIFTED LATERALLY DUE TO DEVELOPED. ‘CHEWING MUSCLES) + CLEARLY EXPRESSED EYEBROWS + SMALLER NOSE ANGLE + MORE VERTICAL, PROMINENT ANO ROUNDER PLANE OF FOREWEAD + PROTRUDING CHEEKBONES + THN EY ESROWS WHTH AM ARCHED FOR, USUALLY MUCH MIGHER THAN THE EVES OF MALES LARGER UPPER EYELID LUNWOTICEABLE + STRUCTURE OF NOSE IS THN AND USUALLY STRAIGHT OR SLisiTty Concave = NOSE, THN WELL DEFINED + BASE OF NOSE ON PLANE, TILTED SOMEWHAT UPARRD “TIP OF THE NOSE CLEARLY EXPRESSED (DUE TO CARTILAGE STRUCTURE) + UPPER LIP OFTEN HAS A SLIGHT INDENTATION CENTERED UNDER THE NOSE CALLED THE PHILTRUM + LIPS ARE SMALL, OFTEN FULL AND POUTY + CEES ARE SMOOTH, AND SOMETIMES PUBESCENT, FLAT OR SLIGHTLY CONVEX + ASMALL Ch WATHLA ROUND SHAPE + LOWER JAWIS MARKEDLY DEFINED, WITH A ROUNDED ANGLE WOMEN HAVE A LONG, SLENDER NECK. " FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/53 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 ALL RIGHTS RESERVED BY EXONIGUS LLC 132 EMOTION - EXCITEMENT FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP. ALL RIGHTS RESERVED BY EXONIGUS LLC @ TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240, EMOTION - HAPPINESS FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 ALL RIGHTS RESERVED BY EXONIGUS LLC EMOTION — ANGER -ASONAL USE ONLY OF GOMEs 119 RESERVED BY EXON(CU FOR PEI ALL RIGH EMOTION — SURPRISE FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP. ALL RIGHTS RESERVED BY EXONIGUS LLC [OWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 EMOTION — DISGUST -ERSONAL LSE ONLY OF GOMESH KARNCHANAPAYAP. 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240. IGHTS RESERVED BY EXONICUS LLC EMOTION - FEAR FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 ALL RIGHTS RESERVED BY EXONIGUS LLC EMOTION - INTEREST FOR PERSONAL USE ONLY OF Gor ALL RIGHTS ‘ARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 IESERVED BY EXON! C EMOTION - WORRY ETHNICITIES -ERSONAL USE ONLY O/ (GHT9 RESERVED BY EX .NCHANAPAYAP. 10/56 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKO 10240 BABY EMOTIONS FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240. ALLRIGHTS RESERVED BY EXONICUS LLC SENIOR EMOTIONS FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 ALL RIGHTS RESERVED BY EXONIGUS LLC FOR PERSO ALLRIGHTS ATOM SCULPTORS HAND AND WRIST MUSCLES 6 PALM SIDE BRACHIORADIALS FLEXOR CARP RACIAL. fds" FLEXOR CARP, ULNARIS PALMARIS LONGUS ABDUCTOR POLLICIS LONGUS (CPPONENS POLLICIS ‘ABDUCTOR POLLICIS BREVIS. FLEXOR POLLICIS BREVIS PISIFORM BONE PALMARIS BREVIS ABDUCTOR Q1GITI MINIM FLEXOR OGIM MINII BREVIS ADDUCTOR POLLICIS LUMBRICALS TENDONS OF fds" ECTeNSOR CARP! ULHARIS THE HEAD OF THE ULNA, as urn FINGER SIDE REASON IDOE @ ter gum erties ., FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/53 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 145 ALLRIGHTS RESERVED BY EXONICUS LLC TOMY ics SCULPTORS HAND AND WRIST MUSCLES @ DORSAL SIDE (1) SeENSOR BISITERUN EXTENSOR C1GIT MINIM EXTENSOR CARFI ULNARIS ) FLENOR CARP! ULNARIS (8,/ ExTENSOR POLLICISEREMS 6) ADUCTOR FOLLICIS LONGUS ) EXTENSOR RETINACULUM THE HEAD OF THE ULNA BONE ) TENDON OF end (0) TENDON OF eri 41) TENDON OF ep bs 42) ABOUCTOR DIGIT MINIM (13) TENDON OF epi TENDONS OF eds" THUMBSIDE ALL RIGHTS RESERVED BY EXONIGUS LLC 146 RTPIORE HAND AND WRIST BONES e DORSAL EW (40) TRAPEZOID df) TRaPEZIUM (i2) SCAPHOD FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240. 147 ALL RIGHTS RESERVED BY EXONICUS LLC ANATOMY: SCULPTORS MAJOR MUSCLES OF UPPER LIMB 7.) SHOULDER MUSCLE (dekoid) (1) PALMARIS LONGUS (3) cers eracet @) rLEor carciULAMAs (3) TRICEPS GRACHII ® EXTENSOR CIGITORUM 7) SRACHUS a) Tensor cane ULNAR = eae (6) SRACHIORADIALIS (6) ADUCTOR FOLLICIS LONGUS (7 ExTE\son CARP RABALIG LONGUS fr) eereNsoR Powis ares 8) PRONATOR TERES: (18) EXTENSOR O1GITI MINIMI on a (10) FLEXOR CARI RADIALIS (20) FLEXOR DIGITORUM SUPERFICIALS FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 L RIGHTS RESERVED BY EXONICUS LLC 148 OTROS SUPINATION AND PRONATION IN-THE POSITION OF THE ARM CALLED SUPINATION, THE RADIUS AND ULNA ARE PARALLEL, THE PALM OF THE HAND FACES FORWARD OR UPWARD. AND THE THUMB IS AWAY FROM THE SODY. IN THE POSITION CALLED PRONATION, THE RADIUS AND ULNA ARE CROSSED, THE PALM FACES TO THE REAR OR DOWNVARO, AND THE THUNB IS TOWARD THE BODY. NOTE THAT PRONATION OF THE FOREARM DOES NOT INVOLVE ROTATION OF THE UPPER. ARM FROM THE SHOULDER JOINT! DURING PRONATION, RADIUS ROLLS AROUND THE ULNA FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP. 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240. }9 ALL RIGHTS RESERVED BY EXONICUS LLC PRONATION AND FORM CHANGES IONS OF ARM DURING PRONATION ANATOMY: SCULPTORS SUPINATED UPPER LIMB (WHEN THE FOREARM OR PALM FACES TOWARD THE FRONT) RIGHT LEFT FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 ALL RIGHTS RESERVED BY EXONIGUS LLC ANATOMY: SCULPTORS SEMIPRONATED UPPER LIMB (WHEN THE FOREARM OR PALM FACES TOWARD THE TRUNK) FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 ALL RIGHTS RESERVED BY EXONIGUS LLC 152 ANATOMY: SCULPTORS PRONATED UPPER LIMB (WHEN FOREARM OR PALM FACES TOWARD THE BACK) LEFT FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/53 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 193 ALL RIGHTS RESERVED BY EXONIGUS LLC ANATOMY: SCULPTORS FORCED PRONATION OF THE UPPER LIMB (WHEN THE FOREARM OR PALM FACES AWAY FROM THE TRUNK) LEFT -ERSONAL LSE ONLY OF GOMESH KARNCHANAPAYAP. 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240. IGHT9 RESERVED BY EXONICUS LLC 154 ANAT: SCULPTORS PARTIALLY FLEXED ARM (AS IF HOLDING AN OBJECT) FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240. 195 ALL RIGHTS RESERVED BY EXONIGUS LLC ANATOMY: SCULPTORS BICEPS AND TRICEPS IN ACTION we ay FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/53 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 ALLRIGHTS RESERVED BY EXONICUS LLC 156 BICEPS BRACHII MUSCLE Moves THe Aan FORWARD THE HERD OUTWERDS SUPRATION) (1) sasctexon Tuserosiry (2) conscciprocess (@ momwsetosry Creuse FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/53 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 ALL RIGHTS RESERVED BY EXONIGUS LLC BICEPS BRACHII MUSCLE FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 ALL RIGHTS RESERVED BY EXONIGUS LLC TRICEPS BRACHII MUSCLE ‘exenos orca Tone EAD ENTERS SHOULDER (1) iehaattNbe serous oF comets (2) sear ne Rew eurcue (Q)ettow mensoia siccus wseaous {AL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240) SERVED BY EXONIGUS LLC TRICEPS BRACHII MUSCLE BRACHIALIS AND CORACOBRACHIALIS MUSCLES BRACHIALIS (1) vrenion suarace oF THe HUMERUS: sennon: (2) tibenosnvor texas CORACOBRACHIALIS Geenorowenac ait (3) pomtcow process or S201 (© wera numenus FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 161 ALL RIGHTS RESERVED BY EXONICUS LLC ALIS AND CORACOBRACHIALIS MUSCLES ANATOMY: SCULPTORS. BRACHIORADIALIS AND EXTENSOR CARPI RADIALIS LONGUS BRA CHIORADIALIS LUTERALsLeRAcoNOWR OGE oF THEPAnIERUS Clee EXTENSOR CARP! RADIALIS tongus Soouers ne Wa a THe is (Gyurera semcorown nce 4 re eatin FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/53 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 163 ALL RIGHTS RESERVED BY EXONICUS LLC BRACHIORADIALIS AND EXTENSOR CARPI RADIALIS LONGUS FOR PERSONAL USE ALL RIGHTS RESERV SH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KRUNGTHEP KREETHA, BANGKOK 10240 iS ULC TOMY SCULPTORS ANCONEUS, EXTENSOR CARPI ULNARIS, EXTENSOR DIGITI MINIMI AND EXTENSOR DIGITORUM MUSCLES MM ‘ANCONEUS EXTENSOR DIGIT MINIM (©) WENA emiconoie oF THE HUMERIS (C)UTERALEPICoKO ME OF THE HuNERUS eR rIon: Serniow: *1) LaTeRA sunrsce oF THe LecRAONFROCESS @) Bae pups gems onprom 7) SUFERION FART OF rH POSTERIOR UNADISTALY (CE) LATERAL EPICOND LE OF THE HUMERUS, ULNA (EJ LATERAL EPICONDWLE OF THE HuNERUS eee Cee FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 165 ALL RIGHTS RESERVED BY EXONICUS LLC ANATOMY: SCULPTORS SUPINATION AND PRONATION ‘zeoeronanoue spaiow seupmonsnion — eenation ne, SSUPINATION PRONATION (. FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 ALL RIGHTS RESERVED BY EXONIGUS LLC 166 ANATOMY: SCULPTORS FLEXOR MUSCLES FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 167 ALLRIGHTS RESERVED BY EXONICUS LLC ANATOMY es SCULPTORS FLEXOR MUSCLES (FROM INNER SIDE) ahem PRONATOR TERES PALMARIS LONGUS ronan js Rot FLEv0R (oc MEDULEFICOND HE OE MUMERUS (EDA EFIOOND WE GF HUME RUS (We) (conmowruexor TeNooH) (COMMON FLEXOR TeNoCN) una HeAo. cononaw Process: ‘ora (QySPRE Rictis MRM SIREACE (4 Yeananaroneunoss FLEXOR CARPI RADIALIS FLEXOR CARP! ULNARIS FLENONA ABDUCTIONAT WRT FLENoW me AEDUCTIN AT WSF ‘onion: oven, EDU EFICONDLE CF MMERUS (MEDAL PIEONDE OF HOMERS {Cowonrisxor eno (Gontonrisxor enon (2) weincaeracoones ca FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 ALL RIGHTS RESERVED BY EXONICUS LLC 168 ANATOMY: SCULPTORS FLEXOR MUSCLES -ERSONAL LSE ONLY OF GOMESH KARNCHANAPAYAP. 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240. IGHT9 RESERVED BY EXONICUS LLC ANATOMY: SCULPTORS ABDUCTOR POLLICIS LONGUS AND EXTENSOR POLLICIS BREVIS MUSCLES ABDUCTOR POLLICIS LONGUS ua maps nehosseous wenseane EXTENSOR POLLICIS BREVIS usennow: FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/53 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 ALL RIGHTS RESERVED BY EXONIGUS LLC 170 THE BODY OF THE ULNA ae tteow Drourner FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 ALL RIGHTS RESERVED BY EXONIGUS LLC Ro on SCULPTORS HOW ARMS CONNECT TO THE BODY FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 ALL RIGHTS RESERVED BY EXONIGUS LLC 172 ANATOMY: SCULPTORS BLOCKING OUT A SEMIPRONATED ARM JUSTUKEA CHAIN, FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 WS ALLRIGHTS RESERVED BY EXONIGUS LLC ATRIOS BLOCKING OUT AN ARM 174 FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/53 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 ALLRIGHTS RESERVED BY EXONICUS LLC ATOM SCULPTORS HOW DO YOU MAKE ARMS AND HANDS LOOK LESS STIFF? FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240. 75. ALL RIGHTS RESERVED BY EXONICUS LLC JATOMYon ULPTORS HANDY TIPS BODY SILHOUETTE APPEARS TO SEND INWARD RIGHT BELOW THE ELBOW QUE TO THE FLEXOR CARP! ULNARIS MUSCLE (#) POPPING OUTWARD, o> ULNA BONE @ REMAINS STRAIGHT. WHEN ARMS ARE HELD OUT AT THE SIDES WITH PALMS FACING FORWARD (SUPINATION), FOREARM AND HANDARE ABOUT 5 TO 15 DEGREES AWAY “THIS IS CALLED “THE CARRYING FEMALE ARMS HAVE AGREATER CA, THE HIGHEST POINT OF THE EXTENSOR MUSCLES |S LOCATED HIGHER THANI THE TOP PONT OF THE FLEXOR MUSCLES. FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 ALLRIGHTS RESERVED BY EXONICUS LLC 176 UL SHAPES OF THE HAND PALM IS MADE OF 9 PADS: FINGERS ARE NOT ROUND FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 WT ALLRIGHTS RESERVED BY EXONICUS LLC ATOM Yc SCULPTORS IDEALIZED HAND PROPORTIONS SIZE OF ANADULT'S HAND MAKE SURE YOU LENGTH OF ARE MODELING HANDIS THE THEHAND LARGE DISTANCE: ENOUGH FROM CHIN TOEYESROW IDEALLY HAND IS SAB UNE THE SANE SEAS. y FACE (FROM TIP OF CHIN TO HAIRLINE) LENGTH OF HANDIS| THE DISTANCE FROM (CHIN TO THE MIODLE (OF FOREHEAD. ‘THERE ARE TWO METHODS YOU CAN USE TO CALCULATE FINGER LENGTH. set METHOD. 2nd METHOD (01/4 parts) 2 parts + (14 ofparts) FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 RIGHTS RESERVED BY EXONICUS LLC 178 FINGER LENGTHS OF AN IDEALIZED HAND Sourgeumaas mamma ‘THUMB NAILFACES A DIF NTDIRECTION THAN OTHER NAILS. FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP. 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240. 79 ALL RIGHTS RESERVED BY EXONICUS LLC ATOM Vice SCULPTORS SHAPING HAND AND FINGERS ITISMUCH EASIER TO BEGIN MODELING FINGERS FROM SIMPLE SQUARE FORMS. FINGERNAIL FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/58 TOWNPLUS RAMA 9 KAUNGTHEP KREETHA, BANGKOK 10240 ALLRIGHTS RESERVED BY EXONICUS LLC 180 181 ATOM SCULPTORS HAND MOVEMENTS ULNAR DEVIATION (ADDUCTION) oe } RADIAL DEVIATION (ABDUCTION) FOR PERSONAL USE ONLY OF GOMESH KARNC! RIGHTS RESERVED BY EXONICUS LLC HANAPAYAP, 10/50 TOWNPLUS “THIS GAP BETWEEN THE PISIFORM BONE AND THE HEAD OF THE ULNA, MAKES THIS MOVEMENT POSSIBLE / ULNAR DEVIATION (ABDUCTION) ITS AN UNNATURAL MOTION: THERE: ANY MUSCLES DESIGNED SPECIFICALLY TO DOTHS COVES FROM T ANID EXTENSOR TENDONS. WOULD Be BETTER TO AVOID SCULPTING THIS HAND POSITION! HEP KREETHA, BANGKA! 10240 REOPTORS WRIST POSITIONS 3"

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