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  • I M Still Standing PDF

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    tomas calitl
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    The document is a musical score composed of symbols representing musical notes. It depicts a song with lyrics that repeat throughout in a cyclical pattern, as indicated by markings instructing performers to return to earlier sections of the song (codas). The score shows the melody moving up and down across multiple octaves.

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    I´M_STILL_STANDING PDF

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    The document is a musical score composed of symbols representing musical notes. It depicts a song with lyrics that repeat throughout in a cyclical pattern, as indicated by markings instructing performers to return to earlier sections of the song (codas). The score shows the melody moving up and down across multiple octaves.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    8 views2 pages

    I M Still Standing PDF

    Uploaded by

    tomas calitl
    The document is a musical score composed of symbols representing musical notes. It depicts a song with lyrics that repeat throughout in a cyclical pattern, as indicated by markings instructing performers to return to earlier sections of the song (codas). The score shows the melody moving up and down across multiple octaves.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 2

    I´M STILL STANDING


                

                           

       
                 
            
             


               
      
                  
          
    6

                     
            



          
                                     
            
    
    11

                 
            
           


     
                             
                                
    16

        
      
                    
           


     
                            
                            
     
    21

         
               
                  
         


    
                           
           
                   
                      
    27

          
                  
               
     

       
               
         
    2


                   

    32

      
           
                       
       


      
               
    38 To Coda D.S. al Coda

     
            
        

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