Professional Documents
Culture Documents
Book Edcoll 9789047409076 BP000009-preview
Book Edcoll 9789047409076 BP000009-preview
1
Louis Ellies Du Pin, Joannes Gersonii Omnia Opera (Antwerp, 1706), IV.98.
2
Dyan Elliot, Proving Woman: Female Spirituality and Inquisitorial Culture in the Later
Middle Ages (Princeton, NJ, 2004), 270.
3
Jo Ann McNamara, “The Rhetoric of Orthodoxy: Clerical Authority and Female
Innovation in the Struggle with Heresy,” in Maps of Flesh and Light: The Religious
Experience of Medieval Women Mystics, ed. Ulrike Wiethaus (Syracuse, N.Y., 1993),
24–25.
294 wendy love anderson
4
Nancy Caciola, Discerning Spirits: Divine and Demonic Possession in the Middle Ages
(Ithaca, N.Y., 2003), 289.
5
Barbara Newman, “What Did It Mean To Say ‘I Saw’”?: The Clash Between
Theory and Practice in Medieval Visionary Culture,” Speculum 80 (2005), 41.
6
For instance, in Barbara Newman’s God and the Goddesses: Vision, Poetry and Belief
in the Middle Ages (Philadelphia, 2003), which will be discussed in more detail below;
or in Rosalynn Voaden, God’s Words, Women’s Voices: The Discernment of Spirits in the
Writing of Late-Medieval Women Visionaries (Rochester, N.Y., 1999), in which Gerson’s
view of female visionaries is seen as contributing to a larger “misogynistic culture”
(67).