“yea ginbh [ok I If you wanna PASS. es DO NT SHARE this Review Material with others... WHY? Read page 32 1. Good Luck... We know that YO U will CONTI N U E our winning TRADITION And GOD BLESS!!! Just don’t forget to do the JPT... Just Pray and Trust ©REFRESHER NOTES 1. STRUCTURAL TERMS Il. HISTORY BATTERY TEST Ill. QUESTION BANK A. Professional Practice . HOA/TAPP . Structural Design . Building Technology Building Utilities mmrmon ® Architectural Design Part 1. Problem Solving Part 2. Home Exercise Part 3. Home Reading 12 29 70 139 162 216 262 282 290STRUCTURAL DESIGNJPT REVIEW CENTER, INC Engr. Veron Masangkay Bridge cap ~ is the highest part of a bridge pier, on which the bridge bearings or rollers are seated. It may be of stone, brick or plain or reinforced concrete, usually the last for heavy loads. Joist - a wood, steel, or pre-cast concrete beam directly supporting a floor. Usually wooden joist. Live load - load which may be removed or replaced on a structure, not necessarily a dynamic load excluding wind and earthquake loads. Live loads are moving loads or movable loads. Girder ~ a large beam, originally of wood or iron, now usually of steel or concrete, though light alloys have occasionally been used. Apart from the bowstring girder its chords are parallel. Bending Moment — the total bending effect at any section of a beam is called the bending moment. It is equal to the algebraic sum of all the moments to the right of the section (or to the left of the section, which amounts to the same thing) and is called M for short. Every bending moment can be expressed as a force times a distance called the arm. The units are pound-inches, ton-inches, kg-m, N-m, tonne-m, etc. Agaregates — gravel, sand, slag, crushed rock or similar inert materials which form a large part of concretes, asphalts or roads including macadam. Admixture — in concrete or mortar, a substance other than aggregate, cement or water added in small quantity, normally less than 5% of the weight of the cement, to alter the properties of the mix or the hardened solid. Some 80% of the concrete made in North America, Australia, Japan and most of Europe contains an admixture, and more than half contains air-entraining agent. Other admixtures are accelerators, bonding admixtures, super plasticizers, water reducers, retarders, anti-freeze, corrosion inhibitors, pore fillers and thickening agents. Shrinkage preventers, colouring (pigments), damp-proofing, expanding, fungicidal, gas-forming, grouting and flocculating agents also exist. For coneretes with high cement needed to such an extent that the admixture pays for itself without harm to the physical properties. But this saving probably never occurs with very lean concretes. ‘Accelerator — an admixture which hastens the hardening rate and/or initial setting time of concrete. Calcium chloride (CaCl) was widely used, but because it can corrode embedded steel it is now banned in the UK éxcept in unreinforced concrete. Chloride-free accelerators that are safe with steel are based on inorganic. chemicals including formats, nitrates and thiocyanates. Sodium carbonate (washing soda) can be used.to make a flash set for quick repairs but it weakens the concrete. Retarder — an admixture which slows up the setting rate of concrete, sometimes applied to formwork so that when itis stripped the cement paste which has been in contact with it can be removed by light brushing. The rough texture thus formed may be needed for its visual appeal or to make @ good bond for plaster Some retarders accelerate the initial set. This can be late as possible. An 4!admixture used in the USA in 1988, Delvo, made by Master Builders of Cleveland, Ohio, allows concrete to be used even after several days. It must be added before the conerete is three hours old, but can be added to concrete at up to 32°C. Ready-mix concrete makers use it. Diaphragm — in general a stiff plate or partition such as a bulk-head. The temporary wall built across each end of each unit of an immersed tube to enable it to be floated into position and sunk next to its neighbor is also a diaphragm. When the next unit is jacked up to it, the water in the space between the diaphragms is pumped out and air is admitted. The force of the water then pushes the two units more closely together and the diaphragms can be broken ‘out without flooding the tube. In a hydro-pneumatic accumulator, the diaphragm is flexible. Boring ~ making a hole in rock blasting, using a rotative or percussive drill Gusset Plate — a piece of steel plate, usually roughly rectangular or triangular, which connects the members of a truss. Punching Shear — When a heavily loaded column punches a hole through a base, the base is said to fail by punching shear. Punching shear is prevented by thickening the base or enlarging the foot of the column so that the shear stress (assumed uniform) round the perimeter of the column does not exceed twice the allowable shear stress in concrete. Seismoaraph — an instrument at the ground surface which records the electrical effects transmitted to it by a seismometer and thus shows the times and amplitudes of earth shocks. Span — the distance between the supports of a bridge, truss, arch, girder, floor, beam, etc. Modulus of Elasticity - for any material the ratio of the stress (force per unit area) to the strain (deformation per unit length). It is expressed in units of stress, and is usually constant up to the yield point. The values for some common materials in GN/m? are about as follows: steel 200; light alloys of aluminum, 69, of magnesium, 45; green-heart, 23; Douglas fir, 11; English oak, 10; mostly softwoods about 12; English ash and beech, 13; resin-bonded chipboard, or lightweight concretes (of density around 960 kgim®) about 3. Yield Point — the stress at which noticeable, suddenly increased deformation ‘occurs under slowly increasing load. This occurs for mild steel at a stress slightly above the elastic limit. For light alloys, and for cold-drawn or high-tensile steels, many of which do not have such a pronounced yield point as mild steel, the 0.1 or 0.2% proof stress is taken as the yield point for estimating safe stresses. Elastic Limit — the stress beyond which further load causes permanent set. In most materials the elastic limit is also the limit of proportionality. Plastic Limit - the water content at the lower limit of the plastic state of a clay. It is the minimum water content at which a soil can be rolled into a thread of 3 mm diameter without crumbling Force — that which tends to accelerate a body or to change its movement; for example, the weight of a body is a force which tends to move it downwards.Deflection ~ the elastic movement of loaded parts of a structure. The word often refers to the sinking of the mid-span of a beam which in British housing generally is not allowed to exceed 1/325 of the span Shear — the load: acting across a bean near its support. For a uniformly distributed load or for any other symmetrical load, the maximum shear is equal to half the total load on a simply supported beam, or to the total load on a cantilever beam. ‘Stress — the force on a member divided by the area which carries the force, formerly expressed in psi, now in N/mm?, MPa, etc. Strain - a change in length caused usually by a force applied to a piece, the change being expressed as a ratio, the increase or decrease divided by the original length. Shear Wall — a core wall. Slump Test — a test for the stiffness of wet concrete. A conical mould is filled ‘with concrete, well rammed, and then carefully inverted and emptied over a fiat plate. The amount by which the concrete cone drops below the top of the mould is measured and is called the slump. This test is valuable only when the aggregates are used all the time and in the same proportions. It then gives a rough idea if the water content of the mix. This otherwise most useful test cannot be applied to stiff concretes with slump of less than about 20 mm. Spiral Reinforcement — steel bar wound continuously round the main bars of a cylindrical concrete column or pile instead of links. Beam — a structural member designed to resist loads which bend it. The bending effect at any point in a beam is found by calculating the bending moment. Beams. are usually of wood, steel, light alloy, or reinforced or pre-stressed concrete. Column ~ a post carrying compressive force. Fixed-End Moment — the bending moment at the support of a beam required o fx it in such a way that it cannot rotate, so that it has a fixed end, Contraction Joint — in concrete work, a break in a structure made to allow for the drying and temperature shrinkages (of concrete or masonry) thus to prevent cracks forming at undesirable places. Since all materials containing cement shrink appreciably on drying, contraction joints are needed in every long structure. ‘Tendon ~ a pre-stressing bar, cable, rope, strand or wire. Grade Beam ~ the US term for ground beam Pre-tensioning ~ concrete members are pre-cast, in a works, with the tensioned wires embedded in them. The wires are anchored either against the moulds or against permanent abutments in the ground. After hardening, the concrete is released from the mould and the wires are cut at the anchorage. This method may give a larger loss of pre-stress than with post-tensioning but is usually economical for small members and may produce better concrete since it is always factory controlled. In long-line pre-stressing, used for the pre-casting of pre-tensioned floor slabs or beams, the casting bed may be as much as 180 m long; enabling units may be 1.2 m, and their thickness 15, 20 or 25 cm. Theyusually have tubular voids running down the length and occupying about 30% of the cross-section. Pre-cast Concrete ~ concrete beams, columns, lintels, piles, and parts of walls and floors which are cast and partly matured on the site or in a factory before being lifted into their position in a structure. Where many of the same unit are required, pre-casting may be more economical than casting in place, may give a better surface finish, reduce shrinkage of the concrete on the site, and make stronger concrete. Earthquake — sinking of part of the earth’s surface along a fault plane, i.e. a crack in the earth's crust Seismometer ~ either a geophone, used in seismic prospecting, or a device for detecting earthquake shocks. An early seismometer made in Japan about AD 136 consisted of balls dropping from a dragon's mouth into a frog’s to show the direction of the shock. Slag — the waste glass-like product from a metallurgical furnace, which flows off above the metal. The slags most used in building and civil engineering in Britain are blast-furnace slags (B). Mortar - a paste of cement, sand and water laid between bricks, blocks or stones, and usually now made with masonry cement, formerly with cement and lime putty. Cement paste can be regarded as the mortar of concrete. Embedment Lenath — ACI term for grip length Dead Load ~ the weight of a structure and any peimanent loads fixed on it Creep — gradually increasing permanent deformation of a material under stress, well known in metals as high-temperature creep. Base — the base course of a road. Slenderness Ratio — the effective height of a column divided by its radius of gyration, the value U/k in the formula for the Euler crippling stress. Resilience ~ the strain energy stored in an elastic material per unit of volume. The modulus of resilience is the greatest quantity of energy per unit volume which can be stored in a material without permanent set. Steel can store 0.027 kg-micm®, rubber about 0.54 kg-m/cm’, Ductility — the ability of a metal to undergo cold plastic deformation without breaking, particularly by pulling in cold drawing. Modulus of Rigidity ~ the ratio of the shear stress to the shear strain in a material. Modulus of Rupture — the breaking stress of a cast-iron, wooden or mass concrete rectangular beam, calculated on the assumptions that the tensile strains in the beam are equal distances from the neutral axis. Stirrup —a link. —A link around the main steel in a concrete column, beam or pile.Batter Pile — a pile (usually driven not bored) at an angle to the vertical Footing — a widening of any structure at the foot to improve its stability, in breakwaters, earth or other dams, or simple walls. Web — the vertical plate joining the flanges of any beam or rail, of whatever material. Fillet Weld — a weld of roughly triangular cross-section between two pieces at right angles. Bench Mark ~ a relatively fixed point whose level is known and used as a datum for leveling. Deck — a.flat roof or a quay, jetty or bridge floor, generally a floor with no roof over. Strut - a long column, usually of wood or metal, not necessarily vertical. Poisson's Ratio — for elastic materials strained by a force in one direction, there will be @ corresponding strain in all directions perpendicular to this, equal to p times the strain in the direction of the force.ARCHITECTURAL PAST BOARD EXAMINATIONS Itis an assemblage of framing members designed to support loads and resists lateral forces. a. Concrete Building b. Steel Frame. Bridge ‘None of the above Occupancies and structures housing or supporting toxic or explosive chemicals or substances; Non= building structures storing, supporting or contajning quantities of toxic or explosive substances. a. Essential facilities |b, Hazardous facilities, ¢. Special occupancy d. Standard occupancy e. None of the above 3. This consists of the weight of all materials and other fixed or permanent loads. a. {Dead Toad! b. Live Load ©. Soil Pressured. Gravity Load_¢. None of the above 4. Awall design to resist the lateral displacement of soil or other materials. a._Shear wall b. Bearing wall 4. Exterior wall _¢, None of the above 5. Itis.a horizontal or nearly horizontal system acting to transmit lateral forces to the vertical-resisting elements, including the horizontal bracing systems. E_Diaphragm| b. Slab c. Dual System — d. Scaffolding _e. None of the above 6. Itis one in which the lateral stiffness is less than 70% of the stiffness of the story above. “Ta_Softstory| b. Weak story. Story drift d. Story shear ¢. None of the above 7. {tis one in which the story strength is less than 80% of the story above. a. Sofi story ©. Story drift d. Story shear ¢. Notie of the above 8. It is the secondary effect on shears, axial forces and moments of frame members due to the action of the vertical induced by horizontal displacement of the structure resulting from various loading. a. Afier shock b. lateral deflection c. Camber: ¢. None of the above 9. tis an artificial stone derived from a mixture of properly proportioned amount of hydraulic cement, fine aggregates, coarse aggregates and water, with or without admixtures. a. Reinforced concrete | b.Conercte|. c. Precast concrete d. Masonry e. None of the above 10. A material other than aggregate, water, or hydraulic cement used as an ingredient of concrete and added to concrete before or during its mixing to modify its properties. ‘4. Ineit materials. accelerator, waterproofing "[d_ admixture] ¢. none of the above 11. Load that is movable or transferable is called: a, Dead Load c. Wind Load. Seismie Load e. None of the above 12, Large beam supporting a smaller beam is called: b.Git . c. TieBeam 4. Lintel Beam _e. None of the above 13. From the list, which is an advantage of steel over concrete? a. Brittleness "[b_Elastioty| c. Creep d. Resistance to corrosion _e. None of the above 14, The sharp bending or buckling when a eolump is loaded heavily is called: a. Sagging b. Strengthening 4. Elongation 6. none of the above 15, Usual eof a long column: v {a,_BusKling}, b. Crushing c. Fatigue e. none of the above fa. Bs16. What usually happen to reinforcing steel in a reinforced concrete slab or beam if such member is about to collapse? peCrackb. Rupe diCreep . &. None of tho above 17, Reinforcing bars put in contact to act as a unit is called: a. Temperature bars. Tendons fe Bundled bars| 4, Bottom bars .. None of the above 18, Structural member that is subjected to transverse load which bends it: a. Pier [Bea ¢.Column — d. Footing e. None of the above 19. What is the purpose of the stirrups aside from resisting vertical and diagonal tensions in a beam? a, Resist flexure ~(b-Hott-tongitudinal bars in plicd. c. Serve as temperature bars d. Resist shrinkage e. none of the above — 20. Honey comb in concrete can be limited by the: a. Use of admixture in concrete mix b. Use of chemical [o/Us compactor ‘concrete vibrator) d. Use of — 21. The degree to which a location is subjected to earthquake risk, usually refers to the frequency of ‘occurrence and magnitude of past earthquake and expectation of future earthquake activity: a. Plasticity b.Elasticity c. Blectricity -{arSeimMiicty! e. none of the above 22. Ties are used for what type of structural elements? a. Slabs b. Beams 4. Footings ¢. None of the above 23. What do you call a column that is not aligned to a lower floor column? = Plante b. Eccentric ¢. Floating 4. Unaligned _¢. None of the above 24. ‘Type of pre-stressing for which tension is applied prior to the placing of concrete, a. Pre-Stressed Concrete pt Pre-Tensioning c. Post Tensioning d. Precast Concrete e. None of the above 25. It is one in which the lateral stiffness is less than 70% of the stiffness of the story above. Ta Sofistory| b. Weak story c. Story drift d. Diaphragm e. None of the above. 26. A type of conerete floor which has no supporting beams. a Slabs —_b. One-way slab [E: Flat slab’. Two-way slab ¢. None of the above 27. The failure of a base when heavily loaded columns strike a hole through it is due to: ‘a. Flexural stress b. Single shear \g,Punching sheaf, d. Crippling ¢. None of the above 28. ‘The force adhesion per unit area of contact between two bonded surfaces is: ‘Axial stress c. Hydrostatic Pressured. Adhesive stress_e. None of the above 29. The distance between two structural supports is called: a. Bay length “p. Span Tengil c. Overhang d. Development length. None ofthe above 30. What is the temporary force exerted by a device that intraduce tension into a pre-stressing tendons? '@ lacking foroe|, b. Pre-stressing force c. Tensile force d. Driving foree 6. None of the above 31. Rapid hardening cement is called “early, cement”. a. Cracking b.Crippling ¢. Curing [d/Setting |e. None of the above 32. ‘The gradual downward movement of an engineering structure due to compression of the soil below the foundation. (0ity of soil to allow water to flow through it. page ¢. Capillarity d, Osmosis. None of the above 34. Slump test is done in fresh concrete in order primarily to determine: 8. Workability (b. Waterconten} c. Elasticity d. Rigidity _¢. None of the above 35. This has the effect of delaying the onset of hardening and reducing the rate of hydration process in conerete: a. Additives b, Accelerator. Air entrain we agent [Retard e. None of the above 36. Inert materials in concrete which occupy more than 75% of the volume of the hardened concrete: a. Crushed Rocks b. Sand c. Gravel (Aggregated. e. None of the above 37. The wall that resists horizontal forces applied in a plane of the wall: A Bearing wall ¢.Dam d.Dike _ e, None of the above 38. It is formed, sawed, oF tooled groove in a concrete structure to create a weakened plane and regulate the location of cracking resulting from the dimensional change of different parts of the structure. +{g2-Comaction oink 'b. Construction Joint ¢. Seismic Gap d. Hole e. None of the above 39. Itis the length of embedded reinforcement required to develop the design strength of reinforcement at acritical section. ios Dev b. Dowel c. Hook — d. Splice |e, None of the above 40. It is a method of pre-stressing in which tendons are tensioned after concrete has hardened. a. Pre-Stressed Concrete, Pre-Tensioning )Y Post Tensioning) d. Precast Concrete e. None of the aboveHISTORY| ACOMPREHENSIVE REVIEWER IN HISTORY OF ARCHITECTURE L whee eae 10. u 12, 3. 4. 15, 16, 7. 18. w. 20. 2. 2. 23. R 27. 30. a. 22. 33. 4. 35. sieon (aowsers oF pyeur) (UNDRE coomsD -gePFe) Pyramids). 3. The upright stone slab containing the name of the dead found in the mastaba is called (a. Pilaster b, Band Pre-Historic, Egyptian and West Asiatle Architecture Time: 30 Minutes ‘The earliest form of dwelling developed by manis the (a. Hut —_b. Rockeave ¢. Megaron d. Tent). a petri mn Fillet ¢. Tumulus’ =. Didoron). tne. an (eee or are ofthe Egyption(@, Masaba b, Pyramid” ¢. Sphinx d. Pylon). Teueentatanle ms come cl Ziggurat spate © ypeethral SiR a sionscield. famous pyramids at Gizch is (2. Pyramid of b. Pyramid of Mykeris Pyramid of Zoser_d. ‘Pyramid of Chephen). one Sarees 3 ‘The Egyptian gateway to temples is called (2. Hypostyle hall —b..Pylon _" ¢, Torus. Caravanserais). ‘The Egyptian omament symbolizing fenility s (@. Scarab b. Papyrus ¢. Grape, d. Continuous coil spiral). Pillars that stood in pairs atthe front of Egyptian temples are called (a. Obelisk. ‘Triglyphs ts & Banister 4. Osiris pillars) sore Pett ‘Tomb-houses that were made to take the body at fulllength ae called (a. Columbia b, Hypopeum .c, Mastaba. 4. Patera). ne i s Ree Characteristic feature of Egyptian extemal walls is (a. Braced , Battered c. Levered d, Syriax). Egyptian architecture was designed principally for (e, Internal effect. Light and color © Shade and shadow 4. External adoration). haba c ure baat 146 PI The Exptian comico that const of olan holow moldings ale (a. Soon ‘Plath ¢ Gage Tos urs nln Eatin tees were woo cover th (Anglo Uper,_ a Lower, d. Bu) ofthe wale tian architecture is characterized by massiveness, monumentality and (a, Dignity b, simplicity © Gane Ca Lge one ‘Egyptian system of construction is essemiilly (a, Arcuated - b. Trussed , Buttressed’ —d, Colummar and The Colossi of Memnon was erected by (a. ThothmesI b, Seti, Amenophis Id, Semusreti). ‘The architect of the Great Serapeum at Alexandria is (@. Darius b. Ptolemy Mle, Xenes Deinocrate). The funerary temple st Der-el-Bahari was built by (a, Cleopatra «b, ‘Nefewiti ==) Tutankhamen d.* ‘The forerunners of the caryatids of the Greeks is (a. Osiris pillars b. Hathorsheaded capital 6, Atlas d. Lotus capital). Characteristic wall omament of the Egyptians is (s. Hieroglyphics b, Bead and reel « Polychrome brickwork —_d. Papyrus leaves). The favorite motifs of design of the Egyptians include the lotus, papyrus and (a. Sexi |b. Nipa—c. Palm 4. Caveto). ‘ Structure whose sides were made to face the four cardinal points is the (a. Palace b, Temple, Pyramid 4. Ziggurat), The size of the Great Pyramid of Cheops is equated to the (@. Escorial b, Pisa Cathedral“ c. ‘Pgatheon, Rome 4, St. Peter, Rome). Known as the royal architect and superintendent of pyramids is the (a. This b. Sargon © Chephren 4, Rameses I), . In the Egyptian temples a pillared hall in which the roof rests on columns is called (2, dagoba 1b, Sanctuary ‘c. Hypostyle hall d. Sarcophagus chamber).PecH c=nmaus¢ Corra! +. Egyptian temples were sanctuaries into which only (a. Kings & priests b. Kings & queens Priests &. Priestesses Queens & priests ) penetrated, ‘Temples were approached through an imposing avenues of (a, Pylons , Osiris pillars 6 Sphimses ‘Scuncheon 4. Stele). . The inner seeret chamber in the mastabs containing the statues of the deceased members of the family is called (@. Cella b. Naos c. Serdab —d. Cimbis). ‘The grandest example of all Egyptian temples built from the XIlth Dynasty to the Ptolemaic Period is (a! Palace of Sargon _b. Great Temple of Abu-simbel c. Ramesseum, Thebes. Great Temple of Ammon, Karak). Huge monoliths, square in plan and tapering to a pyramidal summit are (a, Pyramids "b, Obelisks ©. Espalier 4. Columns). A colonnade or portico either concealed or partly enclosed is called (a. Crypto-porticus ——b,Diathyros es Peristyle —_d. Battened column). ‘The Great Sphinx at Gizeh which is in the form of a recumbent lion with the head of « man is said to probably represent ‘the god, (a Amon b. Isis. —_¢. Horus 4, Serapis). . ‘The small-Egyptian shrine dedicated to the rites of the goddess Iss is called (a, Mammisi temples b. ‘Yatzin —«. Tempietto —_d, ‘Templet), & ‘he Oba at th Piazza ofS. Yobn Lateran, Rome was orginal fom the (2. Great Temple of Amon, Kamak Great Temple of Abu-Simbel ‘& Temple of the Sun, Heliopolis d, Great Templé, Abydos).36 37, 38, 39, The building of the Great Hypostyle Hall at Kamak was began by (a. Ptolemy I b. ThothmesT 6, Seti &. Rameses ). The builder of the famous Pharos or Light House is (a. Ptolemy b. Rameses II —_o, “Amenemhat I 4 Semusrets), {ihe most stupendous and impressive of the rock-cut ternpes isthe (a. Mammisiteinple b, Great Serapeum «. Funerary Temple, Der-el-Bahari —_d, Great Temple, Abu-Simbel). The four-seated colossal statues of Rameses Il is carved in the pylon of the (e, Great Temple, Abu:Simbel b 7 Great Temple of Ammon, Karnak c. Temple at.Luxor __ d. ‘Temple of Hathor, Denders). 40, a 4, 43, 44. 4s 46 a. 48 49, 50, s1 82, 3 54, 55 56, 37. 58, $9. 60, n 61, 62, 8, 64, 65, 66, 67 68 69, 70. n 2, ‘Tombs built for the Egyptian nobility rather than the royalty are the (a. Rock-hewn tombs. Sarcophagus. rock temples d. Mastaba). ‘Vayptian temples built forthe worship of the gods were (3. Mortuary temples b, Cult temples _¢. Capitolium 4d. Almemor). . 11 the pyramid complex, embalment and interment rites took place inthe (a, Elevated causeway _b, Offering chapel © Mortuary temple" d, Valley building) ‘The palace proper found in Assyrian palaces is called (a, Seraglio _b, Khan Thalamus _d, Jawa). Mesopotamian architecture is a conglomeration of (a, Assyrian & Persian _b, Babylonian & Assyrian 8 Egyptian & Babylonian, Seleucid & Parthian). i Temples in Mesopotamia were elevated on platforms because of (8. Historical b, Religious ¢, Social Climatic) factor. ‘The orientation of the ziggurat had its (a. Four sides b, Fourcomers —«. Fourramps. —_d. Four doors) oriented towards the cardinal points. i Ziegurats are also called (a, Source oflife b. Sacrificial altars. c, Holy mountains. Dweling house of the gods. The use Of monsters in doorways is prevalent (2. Greek , Egyptian & Preistoris , Persian) architecture, ‘The system of construction used by the Assyrians is principally one of (a, Arch & vault, Columnar & trabeated © Truss & vault 4, Domical). Found at the top ofthe siggurat is (a. Fire altar. Temple-observatory , Mortuary temple 4, High altar), Assyrian walls ere'fnished atthe top by (a. Comices b, Turrets _¢, Battlemented erestings d. Gorge mouldings), "ya cine ‘The chief architectural ornament of the Assyrians is (a. Stucco'plaster b. Sgraffito . Chiselled alabaster slab 4. Polychrome brickwork). Upiee oR get The ziggurat at Borsippa was rebuilt by (a. Nebuchadnezzar b. Darius ©, Alexander the Great. Xen‘es) The Famous “hanging gardens” is found in the (a. Temple of Marduk _b. ‘Temple of Ninib, Babyion . Palace of Sargon 4, Palace of Nebuchadnezzar). a Tre palace proper in most Assyrian palaces is called (a, Seraglio b. Maqsura ¢. Gomphi _d. Bet ila). ‘The Hall ofthe Hundred Columns was built by (a. Nebuchadnezzar b. Xentés - c, Darius d, Marduld, ‘The Propylaea, forming the monumental entrance to the Palace platform, Persepolis was built by (a, Miiesicles & Xerxes . Callicrates 4. Callimarchus), : Jn the absence of windows, ventilation in Assyrian palaces were allowed in the interiors through (a. Slits in the roof b. Clearstories . Terra-cota pipes . Slits in the walls). ‘The harem in the Assyrian palaces is (a. Women’s room . Children's playroom ¢, Men's apartment 4. Private family apartments), The Persians developed s column because of (a. Climate & geology. Geography & religion ¢. Geology & Teligion d. History & climate). Greek and Roman Architecture Time: 30 minutes Pece Creo Bue. WIRE stor Thy Aczeam beehive shaped typeof tomb is called (a, Tholos b. Menhir _¢'Maussicum” “"“d, roelp" See The epinaos is also called (a, Trachelion —__b. Opisthodomos cum d. Portico). The intercolumniation of an eustyleis(a. 4D. 15D d. 3D). PStDx ‘The sacred enclosure found in the highest part of a Greek cit called (a. Peribolus —b, Teme ©. Pteroma + 6. Comps de logis), ons ewer Sunk panels found in the ceiling Sf Greek temples is called (a. Acroteria b. Lacunaria c. Agora 4. Festoon). Dewwan ye Hep PP FT mon “THe Grenk male statue used as columns is called (a. Canephorac/®, Guadsigns ¢ Atlantes —d,- Osi). Gite sbace between tilyphs with or without sculptures is ealled (@. Metopeb. Denil &. Architrave dé Suttae) The ily used order during the Greek periods the a, Tonic b. Doric. Corinthian, Tuscan, rhe tomb of Atreus, a noted example of the tholos type of tomb is also known as (a. Mausoleum, Hellesmassos b, Tomb of Agamemnon —_¢, ‘Tomb of Clytemnestra 4. Thersilion, Megapolis). A recess or alcove with raised seat where disputes took place is the (a. Crest b. Rolock ce Exedue d, Niche), [Nig caves of the Greck temple are protected by a detail whichis used to eject rain water is ealed (a, Apteral b Analoi Any ._Antefixae. A {gmple arranged with a single line of columns surrounding the naos is called (a, Perstyle ——b, Perper’ = og. Dodecastyle —d, D. Apteral),73. In the Greek theater, the scene building which was merely a tent or a booth in which the performers prepared isthe («. Paraskenia —b, Skene, Orchestra, Cavea). 74. The tow square whic was the center of the Greeks social and business life is the (a. Stoa b. Fora, Agora Circus) : 75. A long colonnaded building used around public places and as shelters and religious shrines is the (a. Pron b. Stoa . Exedrae 4, Pinacotheca. 76. ‘The building that served as senate house for the chief dignitaries of the city and as a place where distinguished visitors and citizens might be entertained (s, Bouleuterion , Thersilion , Prytancion —d._ Diiathyros), ‘77. The Greek council house which is a covered meeting place for the democratically-elected councils is called (2. ‘Leontarium b. Hypaethrum . Farrarium d. Bouleuterion), 78, A kindred type to the theater, the (a. Postem b. Odeion °c, Bustum 4. Farrarium). 79. 4 foot racecourse in the cities, where games were celebrated is the (a, Stadium , Circus, Thermae 4. xystu). 80, Siva to the stadium, though longer stype of building for horse and chariot racing is the (a, Prytaneion b Hippodrome. Velodrome. d. Hypocaust) 81. “The hippodrome was the BrotPE ofthe Roman bulding called (@. Hospium b, Hypertaum —@, Circus. d, Pelmed 82, The Greek wrestling school is called (a. Palaestra _—b, Gymnasia ©. Dipteral Spina). 83. A place forall types of physical exercises isthe (a. Prytancion b, Circus Gymnasium: ‘ Crypto-porticus), 84, ‘The most famous ofall tombs and one of the seven wonders of the world erected for King Mausolos is the (8. Nereid ‘Monument, Xanthos ’. Tomb of the Weepers ©. Mausoluem, Helicarnassos 4. Lion Tomb, Cnidos), : 85. Greek temples stood on 2 foundation of three steps called (a. Base _b. Podium © Crepidoma 4 Stereobate). 86, The crepidoma is made up of two parts, namely stylobate and (a. Stereobate —b. Probate ©. Corbiestep é planade), 87, Vertical features such as columns were inclined inwards towards the top to correct the appearance of falling outwards waitin lscaled (a Eafld teBsogpe tals. Elevator, 88, The characteristic Greek surface omaneif ly the (a. Acanthus leaf and scroll . Anthemion ©. Bgg and dart 4. Guilloche), 89, A quadrigasis a(e. Fourhorse chariot _b. Sculptured metope _b. Denticulated pediment d. Mutullary). 90. The origin of the Corinthian capital, which is distinguished by its bell shape and the acanthus leaf, is attributed t0 (a, Pericles b, Mnesicles ©. Callimarhus 4. Phetdiss). 91, The Parthenonisa (a,Doric ‘ , Corinthian _¢, Ionic. Tuscan) temple. 92, The Etruscans originated in houses called the (a. Impluvium b, Petistyle . ¢ Domus d. Atrium), 93. The character of the Roman architecture is (a. Simplicity __b. Ostentation & omateness ©. Light & airy magnificence 4. Sober & dignified). 94, The wall facing developed by the Romans which is made of small stones laid in a loose pattern roughly assembling the polygonal work is called (a. Opds‘®ékiindrinum: b. Opus mixtum —_, Opusincertum —_d, Opus testaceum). 95, ‘The buttress which is used for retaining earth is called the (a, Flying buttress b. Pilaster ©. Hemicycle Spur). . 96. Marble mosaic pattern used on wall isthe (2. Opus musivium b Opus seciile __¢. Opus spicatum a Opus reticulatam), 97, Roman rectangular temples stood on (a. Crepidoma _—_b. Stylobate © Podium 4, Pedestal) Te, 98, The structure used as halls of justice and commercial exchanges by the Romans is the (a. Thermae b, Circus. ¢. Basilicas —d. Spina). 9. The palatial public bath generally raised on high platform within an enclosing wall is the (a. Thermse b Gymnasium ¢, Laconicum ——_d, Triclinium). on 100. The furnace that provided the warm baths to the thermae is the (a. Xystus . Calidarium =e. Hypocaust d. Fauees) ‘ 101, The Roman subterranean vault is called (a. Coemeteria. _b. Tholos___c. Mausoleum d. Pyramid). 102. The difference between the Roman & Greek theater is that the Roman auditorium encircled (a2/3 b.A&. % 4. Whole) of a circle fae: 103, Amphitheaters are used in'(a. Horse racing b. Gladiatorial contests. Marathon. Chariot racing). 104 “To eelebrate victorious naval campaigns of the generals the usual monument built is_ (a, Memorial column b ‘Rostral column 'e. Triumphal arches _d, Festoons), bari or emay (Roma) 10. The luxurious country house of the Romans which is surrounded by terraces and garden isthe (a. Palace b. Castle ©. Insula Vil). ce a ren einen Dy ve ‘oman are called (a, Pons b, Gryse _e. Facet oat). 108 The walt wich wet formed by the intersection of rwo semi-circular vaults of equal span and used over 2 square ‘apartment is the (a. Sexpartite vault, b. Cupola, Fan vault d. Cross vault). 108, The favourite of the Romans among the five orders is the (a. Composite b. Tonic. Corinthian. Doric). 109, That which corresponds to the Greek agorais theRoman (a, Place b. Forum c. Plaza d. Market). 110. The erownig glory of the Roman architecture is the (a. Temple of Vesta ', Temple of Portunus °. Pantheon, Rome _d. ‘Temple of Fortuna Virlis). ; 111, The architeot of Trejan’s Basilica, Rome is (a. Mnesicles _b, Emperor Caligula _,Apollodorus of Damascus, 4, Callicrates), 5112. The plar of the Colloscum, Rome is sheped in the form of (a, Circle b, Half-ircle «. Ellipse Trapezoid). , . 113, The dividing wall running down the middle of the arena in a slightly oblique direction in the circus is called (a. Spina b, Esplanade °c Axicia ——d. Creeper). 114. The triumphal afch that was built to commemorate. the capture of Jerusalem was (a. Arch of Septimus Severus b. Arch ofTiberius —_¢, Archof Titus. d. Arch of Constantine). 115, The Roman palace building began by Augustus and added to by later emperors was the (@, Palaces of the Emperors, Rome —b, Palace of Diocletian —_—_¢, Golden House of Nero, Rome... d. House of Livi 116, The entrance passage in the domus is called (a, Atrium b Protynit”™“c. Fauces-d. Pesinyie) 117. The palace thawt forms the greater part of the medieval town of Spalato, which has therefore been called a city in « house isthe (, Palace of Sargon, House of Pompei. —¢. Palace of Diocletian douse of the Surgeon). 118. A building in classic architecture for plants, lowers, and running water, ornamented with statues and forming @ cool and agreeable retreat is called (a. Nymphacwm’ —b. Podium . Cinerasium 4. Panopticon). 119."The curved ares formed by the intersection of vaulting surfaces is called (8. Pavimentum —b. Centering Groin d. Ribs). 120. The dome ofa circular building isthe (@. Tholos , Podium ¢, Angularvault 4. Vaul). 121. The smooth channel that i ined with hard cement and carried on arches in an aqueduct i called (@, Specus _b. Thames c. Shehipets Alber). 122, The second largest Greek temple is (a. Parthenon, Erectheion —c,‘Teple of Zeus. od. Temple of Nike Apteros), 123. A single line of column surrounding the naos wall is an arrangement called (8. Pevipterdl 6, Octastyle. Monotrglyph — d. Arteosyle). ivcyagd et wnt & 124, In isthe protorype of the Roman themnae (aPenbolta "bs. Skene ‘SEpcboum” 125. The Aegean tomb which is « subterraneen stone-vaulted construction shaped like an old-fashioned bechive is ‘b. Tholos—¢. Dolmen 4, Mausoleum). 126, The space between the colonnade and the naos wall in the Greek temple is called (@. Diathyros Tjandi - b._ Impluvium © Pteroma——d, Temenos). 127. The open to the sky passage leading to the rock-cut or tholos Aegean tomb is called (a. Prontos . Hypogeum ‘c. Dromos. —_. Acropolis). 128. A Greek building that contains painted pictures is called (a. Xyst_ -. Gilyptothees—, Pinteotheca =. Zotheca). 129, The triangular-shaped feature terminating the roof span of a Greek temple is called (a. Conditory _b. Pediment ¢. Tympana ——d. Regula), 120, The naos, epinaos and the (8, Cell. Posticum _«. Peristyle © d.-Pronaos) are the 3 chambers of the, Greek temple. 131, A temple with 1 to-4 columns arranged between antae at the front is called (¢, Inantis _b.Amphi-antis Astylar——d. Prostyle). 132. A temple with 1 t6 4 columns arranges between antae at the front and the rearis called (a, Pseudo-dipteral — b. jeantis, —¢, Inantis, 4. Gynaekonitis) 133. A temiple arranged with a portico of columns at the front is called (e, Prostyle _b, Tempietto ©. Stoa 4, Peripteral) seononey nse 134, A temple ith a portico of columns arranged at the front and at the rear is called (a, Pseudo-peripteral b. Poste ©. Acropolis 4, Amphi-prostyle). ane 135, A temple arranged! with flank columns attached to the naos wall i (2, Bawa ', Pocudo dipteral «Pseudo “peripteral a. Portico), 136. A temple ‘arranged with « double line of columns surrounding the naos is called (a, Diathyros b. Diastyle Diptera d. Ditriglyph). : 137. The space between columns is called (a. Interposition __b. Intercupolx «©. Intercapedo 4. Inter columnation). 138. The intercolumniation of an aracostyleis(a. 3D b. 25D =. AD. 3.25). 139. The intercolumniation of a pycnostyleis(@. 15D b. 2.5D 38D od. 4.5D), 140. The intercolumniation of diastyle(a. 2D = b. 3D sw, AD 4. 5D). 141, The seats that rose in ters and founded on natural rocks in a Greek theater is called (@, Cavea b. Exedrae, ‘&, Logeion 4. skene), 142 Inthe development ofthe skeng the (a Parscnin |b Prose ©. Episcenium 4. prytancon) are wings at the ends which projected forwards that marked the width of the orchestra, 143. tn the development of the skens (a. Parssceni 'b. Proscenium ——¢, Episcenium 4, prytaneon) , built in front ofthe skene, had its roof serving as a stage gr logeion. Poke , 144. 1N the development ofthe skene, the (a, Parascenis b. Proscenium ¢, Episcenium d. prytaneon) was raised background of the upper part of « two-storey skene. t aeamemeliieiatian 145. One of the best examples of a surviving megaron type of greek domestic building is (a. House no, 33, Prine b. Ecelesiasterion, Priene ©, Maison de la Colline, Delos . Necropolis, Vulci). : 146. The water-leaf & tongue is the usual omament found in the (a. Cyma reversa b. Cyms recta . Fillet dd, cavetto). : 1147. "The anthemion or honey suckle is the usual omament found in the (a. Corona -—b. Scotin, «. Tous, od yma recta). . i 148, The egg & dart or egg & tongue is the usual omament found in the (a. Astragel b. Fillet Oval scotia)149, The bed & reel is the usuel omament found in the (a, Tors |b. Cavetto Astrigal d. cyme 150, The torus usually have a (a, Bead & reel b. Egg & dart Key pattem d._guilloche ) omament. 151. The corona is usually painted with the (a. Water-leaf & ‘tongue b. Key pattern c. Bead & reel 4. Init) omament 152. The moulding that is often found in the Doric order is the (a. Astragal —b, Ovolo © Tors bird’ beak) 153. Greek sculptures may be classified as architectural sculpture, free-standing statuary & (a. Sculptured relief b. ‘Tympanum . Metope d. taenia), . 154. The Greek order that do not have a base is the (a, Tuscan ‘b. Doric” ¢. Tonic d, corinthian ), 155. The proportion of the Greek Doric columnis(t. 9D b. 10D, 468 4. 5-70), ‘156, The propor ‘of the Greek Ionic column is (2, 7D ». 6D 6 3D 4, 10D). 157. The proportion of the Greek Corinthian column is(@, 10D b. 7D ° 8D 4. 9D). 158. The shaft of the Greek Doric order terminates in the (a. Trachelion +b. Hypotrachelion ¢. Abacus d. echinus), 159, Both the regula & mutules hes guttae numbering a total of (a. 24 bs © 21 d, 12) distributed ‘equally in 3 rows, : 160. tn the later Tonic order, a lower torus was added to the base which originally consisted of an upper torus and scotia ‘aking what is known as (a. Atticbase b, Batten seam ¢, Knotted shaft 4, pilaster base). 161, Entablature height of the Greek Doricis (8. 1/3 b. & Yd. 1/5) height of the order, 162, Entablature height ofthe Greek Ionic is (a, V6 b. 1/3. % 4, 44) height ofthe order. 163. Entablature height of the Greek Corenthian is(a. U5 b % «. %& -d 1/3) height of the order 164. The continuation of the uted shaft in the Greek Doric column is called (a. Hypogeum b. Hyptrachelion © trachelion — d. entasis) } 165. The wall or colonnade enclosing the temenosis called (a. Peristyle b, Prostyle 6. Peribolus d. pedestal). . 166. The architects of the Parthenon are (2, Ietinus and Callcrates b.Pheidias and Mnesicles 6, “Anthemius and Tetinusd, ‘Theron and Pheidias). 167. The master sculptor ofthe Parthenon is (a. Scopas b. Mnesicles 0, Pheidias d. ‘Theron 168. ‘The architect ofthe Erectheion is («. Callcrutes b, Mnesicles c. Theron. Ictinus). 169. The architect ofthe Temple of Nike Apteros, Athens is (a. Pheidias b. Scopas c. Deinocrates d. Calicrates). 170. The temple of Zeus, Agrigertum was designed by (a. Theron b. tctinus ¢.Callicratesd. Mnesicies). cosmureg 171. The temple of Artemis, Ephesus, also called the Hellnistic temple was erected from the designs of (a. Scopas b, Theron ¢, Callicrates_ , Deinocrates). 172, The master sculptor ofthe temple of Artemis, Ephesusis (a..letinus b. Scopas ¢. Theron d, Pheidias 173. The erectheion, Athens which stands on the Acropolis north of the Parthenon has an unusual feature which is the (& Composite columns. Caryatid porch ¢, Atlantes porch d. osisris pillars). 174. Th e temple of Zeus, Agrigentum, the second largest Greek temple is umsnal because it has (a, 2 naoa b 3 naos © 4naos d, no nsos 175. The temple of Zeus, Agrigentum. The second largest Greek temple is unusual because of the (e. Canephoree figures , Caryatid figures \c. Bigas d. atlantes figures ). 176. The tiers of seats in the greek theater are separated by (a. Spina b, Pteroma / Diazoma _d, petityle). 177. ‘The theater of Epidauros, the most beautiful and best preserved by Greek theaters was designed by (@ Polyclcitos. _b. Deonicrates . Callcrates d. Scopas), 178. The Mausoleum, Halicamassos, the most famous of all tombs and one of the seven wonders of the ancient world was designed by Satyros together with (a. Polycletos , Deinocrates c. Pythias d. Maesicles). » 179. ‘A water clock or instrument for measuring by the discharge of water through a small opening is a (a, Vane b, Flush ©. Clysydra_d. enplecton ). : 180. ‘The triangular surface bounded by the sloping and horizontal comives of a pediment is the (a. Metope b. Pateras ©. Taenia -d. tympanum), 181, It is an omament inthe aassic or renaissance architecture consisting of an assemblage of straight lines intersecting at right tangles & of various patters (a, Diaper pattem b, Demi-metope ¢, Termini, fre)¥=4 PVC. 182. A type of monument erected to support a tripod as a prize for athletic exercises, or musical competitions in Greek festivals (a. Monumental tomb. Choragic monument. Rostral monument. hermes). 183. Figures of which the upper parts alone are carved, the rest running into a paralelopiped or diminishing pedestal (a, Quadrigis —b, Hermes. Termini”, aeroterion). 384. A flat circular omament which resembles the classical saucers used for wine in sacrificial vations is (a. Loop —b. Continuous coll spiral ©, Scroll. paterés) 185. A circular projecting portico is (8. eyclostyle . Apteral © Cyrtostyle 4. consoles). . 186. Consoles on either side of a doorway supporting a comice is (a. Antefixae b. Leconeria ©. ancones: 6. beam). 187, A bracket or truss, generally with scrolls or volutes at the two ends, of unequal size und contrasted, but connected by 2 flowing line from the back of the upper one to the inner convolving face of the lower is a (a, Comice b Clepsydra——c, Consoles 4. conventicie). 188. Blocks resting on the vertex and lower extremities of the pediment to support atatusry or omament is (a, Ancones bo. Antifexae cAcroteria od. boss). 189, The Etruscans invented the (a. Tuscan _b, Dorie, Tonic. composite). _ 190, The wal facing developed by the Romans which is made of rectangular blocks of stone, with or without mortar joins but frequently secured with dowels or cramps is (. Opus mixtum 9, Opus sectile «Opus quadratum 4. opus testaceum). "7191. The wall facing developed by the Romans which is made of rectangular, net-like stone work is (a, Opus spicatum , Opus sectile —¢, Opus mixtum 4, Opus reticulatum ), 192, The wall facing developed by the Romans which is made of brick facing with stones eut in triangular form is (a, Opus sectile —b, Opusquadratum —, 4, opus incerum). 193, The buttress which catches the thrusts of the main vaults where they are concentrated in the pockets above the columned pillars is the (a, Spur b, Corbel arches ©. Niche d. pirinacle), 194, The buttress which were placed on the top of the spur buttress to help by their weight to drive the oblique thrusts more steeply down to earthis called the (a, Canopy b. Hemicycle —_c, Pinnacle r a 4. flying buttress. 195, Marble mosaic petter used on ceilings of vaults and domes is the (a. Opus topiariumn ', Opus alexandrinum ©. Opus testaceum 4, opus tesselatum). 196, Marble mosaic atom ued on floor is the (a Opus spicatum —b. Opus mixtum © Opussigninum ‘opus vermiculaturn) 197, Thie dry sweating room in the thermacis the (a, Unctoria _, Sudatorium 6, Palaestra—_d, apodters). 198. "The dressing room in the thermae is called (a. Frigidarium b. Hypocaust. ¢. Apodyteria—d. lnconicum). 199. The room containing the oils and ungents in the thermae is the (a. Lacoicum b, Unctuaria —_¢.-Sudatorium 4. tepidarinm). 200, Niches, similar to pigeon-holes, formed in the rocie where ashes of the dead placed in an um were deposited is the (a. Tholobste —. Columbaria’ ~—_c. Loculi__—d. dromos). 201, Recesses for corpses sealed with a front slab inscribed with the name of the dead isthe (a, Loculi b. ‘Chotagic ‘monument, Tholos.—__, rock-out tomb). 202, Minor tombs that are extremely varied in their forms, richly ornate ou but coparatively small is the (a. Temple- Stand tomb Prada) s:Scupturs| memorials, 4. stcophags). 203, The private house of the Romans isthe (a. Megaron Villa ¢, Domus. 4, insula), 204, The multi-storey tenement housing for the workers is the (a. Insula . Condominium , Apartment 4. domus), 205. The arched waterways erected to supply most parts of Rome with water isthe (a. Cistem b, Aqueduct. Agger 4, alatorium). 206, A Roman fountain designed with a large basin of water is called (8, Sudatorium _b, Syrinx © Locus 4. laconieam) 207. A Romen fountain designed with sprouting jets is called (a. Locus b. Salintes 6, Impluvium —_d. fauces). 208. The vault that is carried throughout its length on the two parallel walls of « rectangular apartment is called (a, Groin vault b. Cross vault ©. Waggon-headed vault 4. quadripantte vault), 209. The specially characteristic of the Roman ornament is the (a. Statues b. Anthemion cc. Acanthus scroll d, console). 210. The oldest and most important example of a Roman forum is the (a, Forum of Trajan ’, Forum Romanum ¢. ForumofDomitian d, forum of Titus). 211. The Pantheon, Rome is known today as the (a, Sta. Maria, Rotunda ‘b, Sta, Maria Maggiore, Rome « Sta, Maria della Strada d. Sta, Maria Cancellaria, Rome), 212, The small private bath, very usual in Roman palaces and houses were called (8. Balneum b. Hypogeum ‘Bathtub d._sensorium). 213. The stalls for horses and chariots found at one end of the circus is called (a. Chancel b. Cancelli c. Carriage 4. carceres). a 214, The memorial column builtin the form of a tall Doric order and made entirely of marble is (@. Column of Antoninus Pius b. Trajan’s Column: ¢, Column of Marcus Aurelius d, column of Diocletian), 215, The wated cistern found in the center of the atrium is called (2. Aqueduct b. Ljibe © Implavium 4. spicatum), 216. The open saloon found beyond the domus atrium is called (a. Bustum b. Haram ¢. Tablinum d, seraglio). 217, The bedroom in the domus is called (a. Dormitorio b. Cubicula —, Thalamus ——d, alooba), 218, The bedroom in the megaron is called (a. Thalamus _b. Cuarto —_«, Cubicula_d, harem), 219. The dining room in the domus with different aspects for summer and winter is called (a. Megeron . Seragtio & Khan >, triclinia), 220, The reception room of the domus is called (a. Albarium b, Amulejo _c. Ocous 4. splay). 21. The recess for conversation surrounded by the peristyle in the domus is called (a, Cubieula b. Alec: « Chancel 4. ciborium). 222, A memorial monument to persons buried elsewhere is called (a, Podium b, Nymphaeum —_g._Cenotaphs 4. rostral column). 23, Pictorial representations or omaments formed of small pieces of stone, marble or enamel of various colors is called (a. Tesserae —b. Fresco: Spraffito d, mosaic). Il, Early Christian, Byzantine and Romanesque Architecture Time: 30 minutes 224, Chief structure of the Early Christian period were the (a. Campanille b. Beptisteries 0, Churches. skene). 225, Church plan of early Christian churches is (a. Basilican . Latin cross c. Greekeross _ , calvary cross). 226, Tis a rule in the Early Christian period that churches should be built over the burial place of the (a. Priest b. King ‘c. Seint _ d, emperor) to whom the church is dedicated, 221. istian churches, immediately over the burial place of the sant, is raised the (a, Tower b. Camparille eer 28, Principal interior decoration of Barly Christian is (a, Stained glass b, Mosaic —_o, Painting, brick). 229, Orientation of Roman temple is towards the (a, Basilica b, East c. Palace 4, forum), —equanroren Fat cupenyny, CS oe Wisen 230. Oriemtation of Greek temple is towards the (&. South b, East, Agora’ d, bouleuterion). 231. Orientation of early Christian churches is towards the (a. Piazza b. Forum East d, north), 232, Orientation of medieval churches is towards the (a. North -b. Market ¢. Plaza .d, west). 233, In the center of the Early Christian church’s atrium is a fountain of water for ablutions - custom which is still adopted by Roman Catholics by the use of (a. Stoup b. Waterbasin c. Cistem d. moat ). 234, The covered space between the atrium and church which was assigned'to penitents is the. (2. Baldackino b, Apse Gallery, narthex 235, The central aisle of the church is called (a. Choir loft b, Nave ¢. Bema, ambo). 236, The High Altar is covered above by a canopy called (a. Ambo b. Confession ¢ Baldachino carpet ). 237. Underneath the High Altar is the crypt or burial place of the saint to whom the cturch was dedicated and which was called (a, Confessio b. Dais c. Narthex d, apse). 238, Fronting the High Altar of an Early Christian church and later medieval churches is the (a. Bema b, Transept Contessio d. choir). ize tea) 1 CUNEO 239 9 beggave for clergy and chris separated by alow screen wal om the body ofthe church called (a, Iconons Reredoc, Pendentive d. cancelli). 240. On either side of the choir, pulpits for the reading of the Epistle and the Gospel are called (a, Bema b. Ambo, Transept d. narthex ). 241, In some churches there is 2 raised dais as part of the sanctuary which later developed into the transepts end this is called (a. Extension b, Lesene—_c, Bead. abo). 242. In Early Christian churches, the Bishop took the central place at the end of the church called (@. Nave b, Dais & Apse 4, baldachino), 243, The Teonoclastic Movement during the Byzantine period forbade the use of (a. Glass mossic ob, Statues, Paintings d. carvings) for representations. 244. The smallest cathedral in the world built during the Byzantine period is the (a. Small Church of the Apostles, Athens b, Little metropole Cathedral, Athens ¢, Church ofthe Prairie. S, Irene, Constantinople). 245, Due to its length, the Early Christian church gives an impression of (a. Horizontalty . Airiness 6 Spaciousness _d,_magnificence). 246, Because of the dome as its central feature, Byzantine churches gave an impression of (a. Grandeur _b, Verticality ©. Massiveness —d, aspiring quality) 247. When the dome and the pendentives are part of the same sphere, the dome is classified as (a. Acute _b. Double ©. Simple 4. compound), 248, When the dome is placed on a drum, the dome is classified as (a. Simple b, Superimposed ©. Superpositioned 4. compound). 249. In the melon-shaped type of dome, there is a treatment of the inner surfuce which consisted of (a. Pilaster strips ». Lacunaria ‘e. Curved fluttings 4. carvings). 250, Byzantine column capitals have a deep abacus called (a. Respond ». Dosseret block «©. Abacus blocie 4. baccha) which is used to support the wide voussoirs of en arch oF « hick wall 251, In Byzantine interior ornament, the endless knot isthe symbol of (a. Love _b. Peace ¢, Immortallife 4. unity), 252. In Byzantine interior omament, the endless knot is the symbol of (@. Endless love b, Fenility 6 Happiness 4d, eternity). 253. Figures in sculptures were banned by the Byzantine church and where mosaic was not used (a. Sgraffito b Carving. ‘Stained glass fresco painting) was present, 254, The Byzantine style is a fusion of Classic columnar style of the east with the (a. Trussed , Arcuated Trabeated . domical) construction of the west. 255. The triangular curved overhanging surface by means of which a circular dome is supported over square or polygonal compartment is called (a. Dosseret block b. Pendentive ——c. Ambulatory. hypodromus ) 256, A screen which separates the chance! from the space open to the laity isthe (a, Yoonostes —b, Proscenium 6, Mutin. ——d. bracketing 257, The Church of Santa Sophia, Constantinople was built for Justinian by the architects (a, Tctinus & Callicrates b Apolladorus of Damascus & isidorus of Miletus «. Tetinus & Isidorus 4, Anthemius of Tralles & Isidorus of Miletus). 258. AS the Parthenon is the masterpiece of Greek architecture and the Pantheon of Rome, so it remains for all ages'the rmasterpiee: of Byzantine architecture which is (a. S. Vitele, Ravenna . S. Mark, Venice «. 8. Sophia, Constantinople, S, Theodore, Constantinople). 259, A gallery behind an open colonnade of arcade is the (a. Esplanade b. Severy cc. Loggia d. chancel). 260. A tower or cimborio raised above a roof pierced to admit light is the (a. Clearstory ——_b, Coorbel arches « ‘Lantem ———d, baldachino). 261, Arches placed diagonally at the intemal angles of towers to bring them from the square to support an octagonal dome or spire isthe (a, Stilted arch b. Squincharch —_¢, Pointed arch 4. flat arch) 262. The place for assembly for abbot, prior and members of a monastery for the transaction of business is the (a. Patio 6 Refectory ¢. Loggia. chapter house). 263, The dising hall is a monastery, convent or college isthe (2, Refectory b. Cloister , Transept _d, corbel). 264, That pant of a cruciform church, projecting at right angles to the main building isthe (a, Dais b. Narthex ‘Transept ——_d. bem). f 265, Church plan of the Byzantine church is (a. Latin ross _b. Greek cross. Doublecross _. basilican). 266. Church plan of Romanesque churches is (a, Fleur-de-lis cross. ‘Papal cross ©. Lorraine cross. “latin cross). 19267, The covered passage round an open space or garth, connecting the church to the chapter house, refectory and other parts ‘of the monastery is the (a, Cloisters b. Triforium —c. Causeway d. hallway) 268, Ronanesque means (2, Departure ftom the classic lines __b, ‘Theretumtothe classic ines, Romane at d_architecture of the curve line), 269. Character of Romanesque architecture is (a. Simplicity & harmony b. Lofty & aspiring quality ©. Sober & dignified 4, massiveness & grandeur), 270, Prominent features of Romanesque churches are (a. Flying buttresses b. Domes © Stained glass ‘owers) which maybe square, octagonal or circular 27. walnetibe Romanesque churches are relieved by shallow buttresses or pilaster strips, connected at the top by (a. Wheel window b. Corbelarches —c. Comices —d. ancones), 272. In Romanesque architecture, door & window opening have jambs or sides formed in a series of receding moulded planes known as (a, Orders. Piers c. Mouldings —-d. dado) 27, Usually, over the principal west door or a Romanesque church is (a. Dormer window b. Wheel window « Ciel-deboeuf ——d. unette) 274, Ti tpical monastery plan during the Romanesque period consisted of «group of buldings designed forall occupations, a both spiritual and temporal, of the monks, and resembled a village with the (a. Patio. b, Monastic church Baptistery .—d. cloister cours ) as the center. 275. A privileged guild of architects and sculptors originating in Como, which caried out church building characteristic decoration during the 11" century (a. Maestro de obras. b ©. Comacine designers d. Comacine masters), 216. The prominent feature of the facades in Romanesque Central Italy isthe (a. Omemientl arcades b. Projecting porch. Canopied statues 4, stained glasses) 277, Characteristic feature of Romanesque in North Italy isthe wheel window and the (a Flying buttress —_‘b:"Marble wallfacing _¢. Central projecting porch d. caryatid porch). 278, Because of the application of stripes of coloured marbles and the use of stilted pointed arches, Romanesque in South Italy {s suid to be influenced by (a, Byzantine at b. Egyptian art —c. Greckart. Maslim an), 279. Completing the world-famous Pisa group of esthedral and baptistery is the campanille known as the (a. Tower'of London b. Leaning Tower ¢, Tower of Babel. ‘Tower of the Winds), 280. In southeta France, particularly in Normandy, the west facade of the cathedral is distinguished by (a. Lancet openings b. Rose window «. Flanking towers 4, domes), 28). The church with a remarkable narthex believed to have the earliest pointed cross-vault in France built during the Romanesque period is (a. Abbaye-aux-Hommes, Caen ‘b, 8. Madeleine, Vezelay ©. Worms Cathedral 4, York Cathedral). 282, Considered as the prototype of later Gothic facades is the French Romanesque church (a, Autun Cathedral b. Cahors Cathedral. S, Semin, Toulouse 4, Abbaye-aux-Hommes, Caen). 283. Aside fom circular and octagonal turrets and polygonal cupolas, German Romanesque church plans are peculiar in having both (a, Northern & easter transept ', Easter & western apses 6. Easter & western rose window 4, aisless naves). : 284, The best example of a German Romanesque church with apses at both east & west ends is the (a, Cologne Cathedral . Aicla-Chapelle Cathedral ©. Worms Cathedral 4, Trier Cathedral) I. Gothic and Renaissance Architecture Time: 30 minutes 285. An arch having its springing line higher than the line of the mouldings isthe (a. Stited arch b. Aquinch arch ©. Folisted arch ——_d, corbel arch). 286, The space between the sloping roof over the aisle and the aisle vaulting isthe (a, Gallery . Triforiam ° Severy 4, nave) 287. The upper storey of the nave walls rising above the aisle roof which is pierced with windows is the (a. Aisle vault = b, Blind storey ©. Clear storey 4. gallery), . 288. A block of stone projecting from.a wall, often elaborately carved or moulded, supporting any incumbent weight is (a, Keystone b. Respond¥ict™ c. Dosseret block ~ . 289. A type of roof in which four faces rest diagonally between the gables and converge at the top is a (a. Helm b Mansard ——¢, Gable. d,_gambrel), 220, Gothicin France was called (a, StleLiberty —_b. Sezeasione _e. Style Ogivile Jugend). 291, The term applied to the episcopal church of the diocese and also the important structure of the Gothic period is the (a, Shrine b. Baptistery © Cathedral, chapel). 292, During the Tudor period of the English Gothic architectural activity was geared towards (a. Ecclesiastical b. Military ¢: Domestic d._ educational) structures. 293. The intermediate ribs between the main ribs of a Gothic vault is the (a. ‘Tierceron b. Ridge rib © Diagonal ribs 4, formere) : 294. A projecting block or spur of stone carved with foliage to decorate the raking lines formed by angles of spires and canopies isthe (a Boss b. Crocket —c, Pendant ——_d, pinnacle). 295, The upper portion of a pinnacle, bench-end, or other architectural feature is the (a. Crocket . Pinnacle ‘Final d. turret). 296, A sal tures triton 0 the top of buttresses, parapets or elsewhere often omamented with bunches of foliage called crockets is (a. Dome. Pinnacle. ©. Spire 4. tower bolt). = 297. The ornamental patternwork in stone filing the upper part of a gothic: window is (a. Stained glass b. Billet moulding ©. Tracery 4. cresting). 298, Keystone which were set to cover the miley produced by the meeting of moulded ribs is also called (a. Conoidal », Boss ——_c, Triglyph 4. chevron). 299. It is very usual in English Gothic cathedrals to include.a chaspel in honor of the Virgin Mary called (a. Chantry chapel ‘>, Lady chapel ¢, Perpetual chapel 4. benediction chapel), 7 nD300, It isa chapel where mass is sai for the souls of pious founders and their families (a. Gregorian chapel b. Lady, chapel _&, Chantry chapel 4. weeping chapel). 301. The simplest open timber roof used during the Gothic in England is the (a. Aisle roof b, Hammer beam roo! ©, Tie beam roof 4, trussed rafter roof). 302. The characteristic English Gothic cathedral is (a. Wells b. Salisbury ©. Hereford “ d. Bristol). sea. ne Siuracteristic Norman church in England is (a, York b, Durham 6, Rochester d. Oxford), 304, The longest medieval cathedral in Europe is the (a. Amiens b. Peterborough © Salamanca 4 Wit . 305, Known as the coronation church of England and the burial place ofits kings and honoured dead is the (e. Norwich Cathedral b, Lincoln Cathedral, Westminster Church 4, Ripon Cathedral). 706. the Wwestminster church, a Gothic structure, contained the celebrated Chapel of Henryn VII which was built by (a. Wren |b. Henry Yevele . c. Robert Vertue. Thigo Jones). 307. The 1* Cistercian monastery in England built during the Gothic petiod is (a. Westminster Abbey . Fountains Abbey, Yorkshire __¢. Abbey ofBemay —d,_Abbaye-aux-Hommes, Caen). 308, An octagonal spire rising without a’ parapet above a tower, with pyramidal forms at the angles of the tower is the (a. Steeple b, Broach spire _¢, Pinnacle 4, fleche). 309. Each of the small arc openings in a Gothic window is (a. Cusp by Foil Boss. —_d, almonry), 310. A place behind the altar in the principal choir, in which there i a small altar standing back to back withthe former isthe b. Rood lo 6, Galilee, vestry).SHAW oot 311, One of the oldest of French Gothic cathedrals and probably the finest and most characteristic in France, serving as a ‘model for many later churches, Noter Dame , Paris was began by (a. Philibert de Orme b, Antoni Gaudi © LeVau —— d. Bishop Maurice de Sully), 312. This French Gothic catheral is remarkable for the wonderful 13 century stained glass ofits 130 winclows and for the profusion of fine sculptured figures in the doorways of the west front and in the triple porches of the noith and south transepts (a. Madeleine, Paris b. Church ofthe Val de Grace, Paris ©. Chartres Catedral 4. Pantheon, Pari). 313. Known as the coronation church of the French kings, this Gothic eathedral is also famous for the 500 stitues exquisitely carved in the recessed door of the westem facade (6, ‘Rheims Cathedral Amiens cathedral ©, Hereford Cathedral d: Notre Dame Cathedral) 314. The great glory of this cathedral is the wwonder of its carved woodwork in the choir stalls and its easter facade which is considered as one of the noblest among the wonderful facades in France, this typically French Gothic catliedral is (a. 'S. Etienne du Mont, Paris, Church of the Sorbonne, Paris ‘©. Amiens Cathedral dS, Sulpice, Pats). 315, Though this cathedral was never completed westward of the choir and transepts, it is the lofyiest in Burope with an extreme height of 157° to the vault and about 3 % times its span, the most daring achievement in Gothic architecture and regarded 1s one of the wonders of Medieval Framce («. Rouen Cathedral b. Coutances Cathedral =o. Beauvais Cathedral 4, Strasbourg Cathedral) 316, Notable for the striped marble used on walls and piers and on the camparill, this building is one of the most stupendous undertakings since the build of Pisa Cathedral for it involved all ts artists in its construction and adoramert (2. Doge's Palace, Venice. Sienna Cathedral ——c. Milan Cathedral d, Florence Cathedral), 317, One of the largest churches in Europe designed by Amnolfo di Cambio, it contains many monuments to celebrated Italians, hence itis called the Westminster Abbey of Italy (a, Florence Cathedral. Broletto, Monza “. 8. Croce, Florence d._ Milan Cathedral). : 318. The church which is half-Gothic and half-Renaissance and known at present as $. Maria del Fiore is (a. Pantheon, Rome 'b, Florence Cathedral © 8. Andrea, Mantua 4. Superga, Turin), ; 319. The grandest effort in civic architecture of the Gothic period in Italy and which made Venice a great trade community of the same period is (8. $, Maria dei Miracoli, Venice ». 8. Giovanni and Paolo, Venice ©. Doge's Palace 4, Palazzo Pompeii, verona). - 320. The Moorish influence of Muslim features such as horseshoe arch, pierced stone tacery and excessive ornament in Spanish Gothic was ducto (a. Geography b. Climate c, Building materials d. religion). 321. The most decorative feature in the Spanish churches made of wood, stone or alabaster and crowded with nichts, figures, canopies and panelling isthe (a. Cancelli 6. Retablo. —_c, Tracery ——d, baluster). 322, The largest medieval cathedral in Europe with the exception of S. Peter, Rome is (a. Milan b. Cologne, StPaul —d. Seville), 323, renaissance means (a. Architecture of the curve ine b, Re-birth ofthe classic. Departure from the classic lines d. romanlike art) 324. The characteristic Renaissance wall which have cut stones having strongly emphasized recessed joints and smooth or roughly textured block faces is (a. Polychrome brickwork b. Serato c Rusticated masonry 4 Iygonal facing). sas inter the High Remlsane period, hee was a phise wherein buildings were conceived in a nom-Roman way (e. Gothic revival —_b. Baroque &. Rococo d. 326, The favourite feature of palaces in Florence during the Early Renaissance period is the (a. Columnar arcade 6 Superimposed columns ¢. Peristyle 4d. colonnade). 7 327. Important feature of palaces in Venice during the Early Renaissance period is the (8. Open cout ,aleony ©, Azotea” ——d, facade). 328, Because of its location, Venetian renaissance sculptured carvings have (a, Ornate windows b. Heavy woodwork - . omate tapestry). ; aas{ rmsd car ofthe cet inne to lrence was defeated in the competition for the bronze doors of the Baptistery , Florence by (2. Michelozzo Michelozzi b, Bemardo Rosselino ©. Carlo Madera 4 Lorenzo Ghiberti).330. It is known as the architecture of the curve line (a. Renaissance b: ArtNoveau sc, Roman. 4. Baroque). me 331. The largest palace in Italy except the Vatican, Rome was designed by (a. Bramante _, Brumelleschi e Palladio d, da Cortona). 332. Considered as the constanmt residence of French rulerstill its destruction in 1871, which together with the Louvre formed ‘one of the most imposing palaces in Europe is the (a. Place de le. ‘Concorde, Paris b: Palais de Versailles al ileries, Paris d. Hotel de Brunoy, Paris). 333, Begun in the mid-16" century and was not completed until the 19° century, thus exhibited a complete history of the Progressive stages of French Renaissance art, this structure together with the Tuileries, constituted one of the ‘mostimposing palaces in Europe and enclosed an areaof over 45 acres (a. Palais de Versailles bi: Palais de Fountainebleu 6, Palais de Louvre 4, Place Louis XV), 334. The block, often of several storeys, forming the residence of the family in a French chateau, usually facing a court and flanked on two sides by lower wings (a. Eniresol b. Piano nobile —_. Cortile . i 335. The-priipal floor of the tain palazzo (a. Entresol b. Piano nobie sgrafitto). 336, The internal court, surrounded by an arcade, in an Italian palace (a. Cortile _b. Patio ©. Atrium hypaethral court) 327. A treatment of a facade which stops at the angles (a. ‘Torus mould . Sgraftto © Applique facade 4. polyehromy). 338. A form of decoration on colored plaster (a, Sgrafiio’ __b, Appliqueficade . Rustication _—. fresco). 339. It means “silversmithlike” , the richly decorative style of the Spanish renaissance in the 16% century and its early phase is uso referred to as Isabelline architecture (a. Plateresque b, Rococo. Churrigueresque —d. Baroque). 340, The Escorial was began by Juan de Bautista and finished by (a, Felix Roxas b, Juande Hemera c. Juan Arellano d, Juan de Churriguera, 341, Perhaps the most striking feature of the Elizabethan mansion, this ran the whole length of the upper floorand connected the wings on.either side of the central hall (a Long Gallery |b. Withdrawing Room . ¢. WinterRoom ¢. Grand Staireasee), 342, It is the Eclectic Style of domestic architecture of the 1870's and 1880s in England and the USA and actually based on country house and cottage Elizabethan architecture which was characterized by a biending of Tudor Gothic,, English Renaissance and Colonial elements in the USA (a, Mannerist Phase 'b. Queen Anne Style ¢. Jacobean Architecture d. Stuart Architecture). 343, It is the principal decoration for walls and ceilings of renaissance palaces as well as churches (@, Mosaic b. Rustication ¢. Brick facing d. fresco painting). 344, Renaissance ornament is generally founded on pagan subjects and (a, Fairy tales ‘b. Classical mythodology €. Monsters & ogres 4. heavenly planets). 345. Forerunner of the Gothie in France was (a. Francois Mansard ». Villard de Hannecourt ©. Amolfo di Cambio 4. Czeri) 246, Forerunner ofthe Goth in lly was (2, Brunelieschi —b, Dioti Salvi ¢. Carlo Madema —, Amolto di ome io). 347, Forerunner of the Gothic in Germany was (a, Charlemagne ». Hugh Herland ©. Peter Parler. a Tigo Jones) 348, One of the two forerunners of Gothic in England was (a. Wren —b, Andrea Palladio c, Henry Yevele 4, Domenico Fontana), 349, The period known as the Early English period of the Gothic style in England and which is less massive in character and simple in omament is the (@. Lancet b. Rayonnant ¢. Rectiinear —, Tudor). 350. It was during this period Of the English Gothic when the triforium disappeared due to the increased height of the clear- storey and aisle windows (2. Norman b. Recilinear ¢. Decorated d, Stuart). ; 351. A moulding made up of wve curve and which could also be applied t6 an arch is called ( b, Cymatium +6, Ogee d. egg & dart). wok . 352.11 is a term applied to any rib other then a ridge rib which does not start from the springing of the vaulting Fillet compartment(a, Lieme _b, Trahsverse —_c, Lesene —d, formeret). 353. The pattern produced by the lieme is called (a. Sexpartite vault b. Qusdtipartite vault 6. Pendant vault 4. stellar vault). FAN vO 354, The stellar vaulting led to fan vaulting which is also called (a. Lieme vault b. Conoidal vault. ©. Barrel vault d._waggor-headed vault), 355, Its type of open timber roof in Gothic England which consists of a series of trusses repeated a intervals to support the intermediate purins and rafters and whose object is to transmit the thrust of the roof as low down as possible in the supporting wall (a. Collar braced roof. Helm roof ¢, Hammer beamroof ——d. aisle roof), 356. Ibis « Nprman convex moulding usually % ofa circle, applied to an angle, a form of roll moulding (a. Bowtell Torus | ‘¢. Gorge d. eyma recta), 357, Aroll moulding in which two faces meetin a blunt ris (a, Pointed bowtell yb. Bowtell Billet sero s 358. A late Gothic moulding consisting of two ogee mouldings with convex faces adjoining (a. Double cone b. Bezant ae fi Dae i i it hollows (a. Vitruvian scroll b. 359. A moulding of the Decorated perod consisting of a slight convexity followed by hollows (a. Keele Bracket d. wave). 360. A moulding formed of two ogee curves meeting in a sharp arris (a. Pointed bowtell —_b. Seroll «Kel dé. cable).$01, A moulding the nd of which projects over the other partis (a, Scroll _b, Tablet lower «, Hood =. oundy), 362, A wide Oat hollow moulding so called because it encased bunches of foliageisa(a, Wave b. Casement - c Beak-head , label). 363. The projecting mouiding over the heads of doorways, windows and archways to throw off ran isa dripstone also known as (a is b, Embattled sandwich © Dogtooth ——d, nail heads). 364, Its the periof in French Gothic which is characterized by pointed arches end geometric traceried windows (a. Decorated b. Mannerist © Baroque dé! 365, It is the period in French Gothic which is characterized by circular windows with wheel tracery (a. Rayonmant ——b. ‘Norman . Tudor — 9d. Lancet). 1366. Itis the period in French Gothic which is characterized by flame-like or free-flowing ‘window tracery (@. Rectiinear , Curvilinear 4, norman) 367, Restored by Viollet-le-Duc in the 19% century , this best example of a French Gothic castle stands on a rocky height above the village enclosed by a cliff-like wall of 20° thick (a. Chateau de Blois 6. ChateaudePierrefonds —c. Chateau d” Amboise od, Chateau de Chambard). 368. These are known as town halls during the Gothic perod in France (a. Hotels de Ville ~ b. Maison diew ° Palais de Justice 4, Chateaux), 369, One characteristic feature of the German Gothic is its use of (@. Limestone b, Marble ¢. Brick 4 siltstone). 370; Special characteristic of German Gothic was having the nave and the aisles approximately of the seme height resulting to the absence of the triforium and clear-storey and is known as (e. Basilican church . Balke church. Classical church 4. hall church). 371, The most impressive church in Belgium and which has one immense tower with spire reaching to a height of 400 feet is, the (@. Utrecht Cathedral —_b, Befffoi, Bruges c, Antwerp Cathedral d. Cloth Hal , Ypres). 372, Considered as the most typical example of 2 hall church in German Gothic is (a, Limburg Cathedral BS. Elizabeth, Marburg 6, UlmCathedral ——d. Worms Cathedral). 373. The largest Gothie church of northern Europe covering about 91,000 square feet and forming 2s an imposing monument with its great towers 500" high is (a. Cologne Cathedral —b. Lubeck Cathedral ¢, Aix-la-Chapelle Cathedral 4. Monastery of S. Gall). 374, Gotti character of vertcalty wes neutralized in Italy by (@. Corba arches Ancones——& ‘Hovizoatal “comices. d. balustrades ) 375. The 2" largest Medieval cathedral is (@. Milan b. S. Antonio, Padua o. Certosa, Pavia a Florence). 376. The author of the book “De Re aedificatoria”, the 1" architectural book published with movable type which helped the revival ofthe old Roman style was (a. Leon Battista Alberti b. Michaelangelo ¢. Antonlode Sangello d. Raphael) 377. He was Rome's 1" outstanding architect of the Renaissance and made the 1" designs to the St. Peter's Basilica, Rome (2, ‘Baldassare, Peruzzi so Brawanie ——&, Luciano Laurana —_ d. Meo del Caprino).. 378. One of the world’s greatest painter and an architect of distinction, he disigned the Palazzo Pandolfni, Florence (2. Michaelangelo. Givlio Romano _. Raphael Santi 4. Pirro Ligorio). 379. One of those commissioned in the design of St, Peter’s Basilica, Rome and author of “The Five Orders of Architecture”, and designed the Gesu church, Rome considered as the prototype of later Jesuit churches is (a. Giatomo Barozzi da Vignot . Domenico Fontana. Carlo Madera 4. Flaminio Ponzio), “Long-lived ‘and world famous Florentine sculptor, the painter of the vaulted ceiling of the Sistine Chapel and designer of the famous dome of St. Peter's Basilica, Rome is (a. Fra Giacondo +b, Michaelangelo _¢, Domenico Fontana 4. Giacomo della Porta), 381. The I plan the St. Peter’s Basilica made by Bramante was (a. Latin cross _b. ‘Basilican 6. Greek cross d. Calvary cross). 382. The 1* Latin cross plan to the St. Peter’s Basilica, Rome was made by (a. Bernini ‘b. Peruzzi -¢, Vignola 4. Raphael), 2383, The final plan of the St, Peter’s Basic, Rome in the from ofa Latin cross and who made the gigantic facade was (2 Raphael” _b, Giuliano de Sangalo —_c. CarloMaderna _—d. Baldassare). 384, He erected the entrance piazza surrounded by 284 Tonic columns to the St. Peter’s Basil, Rome (a. da Sangallo b. apie Shoo d. della Porta). 385, The famous Scala di Spagna was designed by (a. Ferdinando Fuga b, Pietro da Cortona , Raphael 26, He bea the nous Fontana & Trevi, Rome which was ater Gnised by Peon (a. Carlo Ramadi b, Nicola ¢. Filippo Juvarra 4. ‘Michele Sanmichéle). 387. 1* trained as a mason, he wrote “I Quattro libri dell” Architecture” (a. Andrea Palladio b. Jacopo Sansovino Baldassare Longhena —_d. Carlo Dott). 388. In France, a more delicate and intimate version of Baroque was developed butt yas ypore ofa style of decoration rater than a style of architecture (2. Meissonier iat Nonens nado” Sere), 389, This church designed by Alberti was of special significance as the prototype of many later Renaissance churches (a. S, Maria dei Miracoli, Rome —_b. St. Peter's Basilica, Rome. S. Maria della Pace, Rome, S. Andrea, Mantua). : 390, Da. Vignola built one of the most magnificent of all Renaissance palaces, recalling Hadrian's mausoleum in mass and ‘outline, while the circular internal court suggests the Colosseum, Rome (a, Capitol, Rome 'b. Ducal Palace , Rome e. Palazan Famese, Rome. Vill of Pope Julius, Rome), >391. Considered a5 Michaelangelo's most successful civic work is (a. Palazzo Carigano, Turin b. Porta Pita, Genoa © Capitol, Rome —d, Palazzo Municipale, Genoa). 392. The English Renaissance was influenced by (a. Bernini __b, Vignola, Palladio_‘d.Raphael), : 393. The French Renaissance was influeuced by (a. Vignola. 407.4 syle of decoration in archtetur and applied art developed principally in France and Belgium toward the end of 19" Saw characterized by organic and dynamic forms, whiplash lines and curving desiga (a. Art Nouveau. b. Beaux Arts _¢, International Architecture _d, Colonial Architecture. 408. The Revival and Eclectic Architecture in 19% century Great Britain which is also used for its American counterpart (@. b. , Carolingian Architecture ©. Tudor Architecture 4. Elizabethan Architecture). ; 409, One of the most important architecture of the Early Victorian éra and designed by Sir Joseph Paxton is the (a. Victoria Railway Station ©. Biffel Tower. d. Library of S. Genevieve, Paris), 410. The Queen Ann Style was popularized by the architect (a, Robert Adam b. SirJosephPaxton. Norman ‘Shaw d. Sir Charles Berry),. 411, The principal exponent of the Art Nouveau in Britain was (a, Wells Coates —_b, E, Maxwell Fry ©. Walter Gropius , : | 412. Act Nouveau in France is known as (a, Beaux Arts _b,_ Le Modem Style’ © Stile Liberty. a ‘Modernismo). 413, Arc Nouveau in Spain is known as (2, imo: b, Jugendstil, Stile Liberty. Plateresque). 414, Art Nouveau in Germany is known as (a. », Bauhaus c. Empire Style d, Eclecticism). 415, ArNowvon italy Lovwnan (Css Se “Ey Sento 2 416, Art Nouveau in Austria is known as (a. Federal Style b. Sezessione- c. Utilitar 417. Considered as America’s single contribution to arachitectural development is the (a. townhouse fics donee wee cence " 418. The predominant style during the 1" Eclectic Period in the USA was the (a Egyptian Style b. Renaissance Style «, Elizabethan Styled Greek Sie) - : 419. The 2™ Eclectic Period saw Amer Architecture international significance through 2 important worldwide cxostion ve of wich. Wolfs Comba agoion "bBo apo "ema apo ‘usalan Exp) 420, Romanesque Revival in the USA was introduced by (a. Louis Sullivan _b, Henry H. Richardson ©. Frank Lloyd Weight 4. Richard Upjohn), : f 421. The architect whose works clearly express the principle of fnctionalism asd called the“ fathe” of moder exchiteture in Austria is ( b. Biel Saarinen, Adolf Loos d. Henri Labrouste) ue 42. The architect whose works clearly expres the principe of funcionalism and called the “ther” of modem architecture in Germany is (a, Erich Mendelsohn b, Peter Behrens — c. August Endell d, Henri van de Velde). oe423, The architect whose works cleatly express the principle of functionalism, and called the" France is (a 1M, Olbrich —b, Alvar Aalto ¢. Gunnar Asplund 424. The architect whose works clearly express the principle of functionalism and is alled the “father” of modem architecture in Holland is (a, Gunnar Asplund, Walter Gropius _c. Ivar Tengo * tienen. 425. Several buildings in the mid and later 19 century anticipated the use of iron and steel and glass which was to become the ‘materials ofthe architecture of the 20th century, the most noteworthy in London, an exhibition hal is (a, Somerset House b. Bank ofEngland ¢. Crystal Palace d. Queen's House). 426, Several buildings in the mid and later 19% century anticipated the use of iron and steel and glass which was to become the materials of the architecture of the 20” century, the most noteworthy in Paris, a great market is (a. Bibliotheque Nationale att Aisles Cua Royal Exchange | d. Westminster Palace) 427, Most prominent Art Nouveau architect whose work includes the Guell Palace in Spain is (a. Antoni Gaudi Cid”, Henri Labrouste 4. IV. Louis) 428. Most prominent Art nouveau architect whose work includes the Glasgow School of Artis the Scottish architect (a. Sven Markelivs —b, Ragnar Ostberg ¢. CR Mackintosh d. J.P. Oud). 429. Most prominent Art Nouveau architect whose work includes the Maison du Peuple, Brussels is (a, Hendrik Berlage b. Mies van der Rohe c. JM, Olbrich . Victor Horta), 430. The most famous exponent of the Arts & Crafts Movement who is a designer, painter and # poet is (a. William Morris father" of modern architecture in bE b. Norman Shaw ¢, Philip Webb, Charles Garnier). Vi Asian Architecture Time:! 30 minutes Aum em 431, The term used to indicate Muslim architecture in North Affiea (a. Seljur b. Mogul Moorish d. Arab). 432, The term used to indicate Muslim architecture in Turkey during its later stages (@, Islam b. Ottoman _c. Mshomeran é, Mohameddan). 433. Ine Muslim mosque, itis the large open court (a. sahn b, dikka ‘6, mibrab’ 4. muezzin), 434. Ina Muslim mosque, itis the fountain at the center ofthe open court (a. minaret. kibleh mo madrasa 6. ). 435. In 4 Muslim mosque, i isthe reading desk (a. maqsura b. dik «, a-ha} 4, bleh), 436, In a Muslim mosque, itis the niche (a, milrab b. muezzin 4, koran), 437. It is the term used to indicate the Friday mosque (a. kibleh —b, maqsura d, madrasa), 438, This isa Muslim form of surface ornament which is similar to a honeycomb work (a. mandapa —_b. paiston . sialactite - — d, lipeng), 439. 1 is domical mound containing relics of Buddha (a, stupa. lath © sikra 4. tai) 440. This is a gateway to a Dravidian temple (a. hypathrae b. torit ©. torana 441. This is @ Chinese gateway made of sone and wood (a. kalasa b. vimana sc. pailou —d, mandap), 4442, This is Japanese gateway usually with three openings (a. torii . bogyo c. tatami 4. garbagrita). 443, It is the gateway to a stupa (a. cha-sit-su —b. shoji ©. tora, kbleh). 444. It is the finial found in the sikhara (a. kalasa . stambha cc. shichy d. yosemune), 445, In the Hindu temple, itis the porch-like hall used for religious dancing and music (a. garbagriha "b. ——gopuram 4. sha), 446. In Chinese architecture, the color of the roof tile indicates the stature ofthe persons living in a house and red is for the (a. soldier —b, merchants. c. mandarin. d, ordinary citizens). 447, In Chinese architecture, the color of the roof tile indicates the stature of the persons living in a house and yellow is used bythe (@. teachers b. emperor ¢. concubine d, farmer). 448, The Japanese system of construction is called (@. torii b. cha-sit-su ¢, gussho _—_d. kimono). 449, The Chinese pagoda is called (2. yuan ». obi © paitou — d. tatis). ar. 10 450. The Japanese pyramidal roofis called (a, hogyob. shichu kiriume od. myojin). 451. The Japanese teahouse is called (a. chacsit-su b. irimoya —_—«. yosemune —d_moshi). 482. The Japanese emperor who built the Great Walls of China is (a. Yamashita b. Mitsubusbi ¢. Chao Ju Kua 4, Shi Huang Ti). 453, It is the term used to refer to a group of Thai religious buildings (2, chedi ». bot wat 4, pra set). 454, It is the Thai stupa (a. wat b, phraprang —¢. nakora pathom 4. ayudhaya). 455. It isthe Thai monastery (a, wat b, kuti . sala 4. bot). : 456, Iti a Thai structure that is an open pavilion used for resting (a. bot —b. sala. ©. kati a dust). 457. Itis considered as the world's religious structure in the world (a, St, Pete's Basilica b, Istana Nurul Ama ¢. Borubudor d. Angkor Wat). é 458, Its an Indian Muslim temple symbolical of a man’s love fbr a woman (@. Golden Temple of the Sikhs b. Taj Mahal c. Hoysaleswara Temple 4, Bra Temple). 459, Thailand’s most important Buddhist landmark (a, Nakorn Pathomb, Phra Pathom © Prambanen -d, ‘Temple of the Golden Buddha). . 460, Area reserved for entertaining guests in the bahay kubo is the (a. dulang b: Ceida ¢. Sala, bulwagan). 461, The largest & oldest cave dwelling found in southwest of Palawan is (a. Callao cave /b, Tabon cave o ‘Bathala cave. Libmanan cave). 462. The Ifugao house (Souther strain) is known as (a, feyu b. Bale ¢, Chalanan —_d, batalag). 463. The cistern in the bahay na bato is known as (a. azotee ». aljibe ¢, dormitorio 4. caida), 464, The overhanging 2™ floor ofthe bahay na bato is the (a, alcoba b. balcon = c. aoten 465. The screened overhanging balcony which is used by the priests and nuns performing religious ceremonies unexposed to the poblicis the (a. tribune. zaguan ——_«, balcon 4. entresuelo) i466, The oldest chuch builtin Bohol by Fr Juan de Torres and Fr, Gabriel Sanchez (a, Baclayon b. Loboc ¢. Diigo d. Albuquerque) 467. Us 1 builder was Fr. Diego Cera and latest reconstruction done in 1975 was by Arch, Francisco Manosa (a, Las Pinas church —_b, Silang Church e. Maragondong church 4. Kawit church), ‘468. The church in locos wich has the famous Sinking Belltoweris the (. Paoay church b, Sarran church © Laoag church d,_Vigan chureh), Ue 469. The emergency hideout located behind the headboard of the sultan’s bed isthe (@. gibon b. page oat d. dema). 470. A detached structure from the bahay kubo where palay is kept isthe (a. finaryon b, kamalig c.g 4, dema), 471. The low table found in the bulwagan is called (a. dulang b. Abbe 6. Walay bili 472, THe granary in traditional Bontoc house is known as (i. ang-an b. Gillan, Falig d -volada), 475. Used as ood storage in the bahay na bato isthe (a. banggera —b. Dema_-«, Digpensa.d.alibe). 474, The Toaloy house forthe well-to-do families is called (a, sirok. b. Kalapaw —c, Tarakip - d, dem). 475. The Apayao house (northem strain) is known ag(a, tamuyon 6. Binuron ¢, Datag—d. xassaran). 476, The passageway in the Mangyan communal house is (a. gibon _b. Cha-la‘nan ¢. Palaganand. batalan). 477. The only entry allowed to be used by the Chinese in Intramuros is (a. Real b,Postigo c. Parian ‘Aduana) 478. The Meranao royal house, an ancestral house for the datu and his family is called the (a. torogan b. Kodal~—c. Walay 4, barimbingan). 479. The ground floor of the Bontoc houseis (a. dancalan b, ‘Che-la-nan —_—, Batalag 4. tamuyon). 480. Another name for the narra wood in Hlokos is (a. pil _b. Dungon c, Asana. nega), 481. The central space used as a sleeping area in T"boli house is (a. bakdol _b. Kotel ¢. Cuarto’ —_d. Iowa). 482, The decorative slearstorey found above the windows of the bahay na bato isthe (a. ealado b. Ventanilla—«, Gir ¢. rakut). 485. The Bontoc house ofthe southem strains called (a. fayu. b, Kamalig __¢, Bulwagan _—_d, torogaa). ‘484, The Badjao house used primarily for storage and sleeping is the (a. djenging -b. Kumpit ¢, Paraw ‘banca, 485. The cooking area in the bahay kubo is the (a. dapogan . _b, Gili _«, Cocina -—_—d tapayan). 486, The traditional Maranao house forthe ordinary members of the community isthe (a, wally b. Lamin Torogan | d, dem). 437, Referred to as the big house in the Ivatan houses the (a. dema b. Gilir_¢, Kamalig —d, rakeub), 488, The traditional Tausug house is the (a. fayu -b. Bay-sinug —_c. Bale 4, binangiyan). 489, The traditional Kankaney house isthe (a. blab b, Dofil__c. Binangiyan od. da. 490. The only surviving structure of the 1945 war in Intramuros is the (a. San Juan de Letran College b. Manila Cathedral ©. Sen Agustin Church. Iglesia de San Ignacio). 491. In the bahay kubo, the private sleeping room is called (@. cuarto b. Bangahan 6, Silid.—d.tampipi). 492. The kitchen or cooking area'called paglutuan in the dialect is also known as (a. Gilir °b. Dapogan e Banggera” —d, betalan), 493. In the kitchen of the bahay kubo, the table on top of which is the river stone, shoeshaped stove of kalan is known as the (@ Iowa b, Blaba ‘g. Dapogan 4, fayu). 494, Later called banger, this is used as a place for drying and storing pots and pans, drinking glasses, plates and other Kitchen utensils (@. , Paminggelan —c. Dapogan——d. comin). 495, The unroofed area where water jars used for drinking, washing and bathing are kept is the (a, letrina b, Batalan «. Patukuran —_, tapayan). 496. In the Isneg house, the lowest level is called (a, xassaran b. Lowa ¢. Dema d, rakuh), 497. The central area found in the lower kalinga house is called (a. cha-la-nan ‘b. Dattagon c, Gilir 4. sii). 498. The tower atop the torogan where the princess and her ladies in waiting hide during occasions is called (a. kodal Faw c. Lamin 4. bili). 499. The porch in the Tausug house, when found near the kitchen as an open extended platform, and is used as a family area is called (@ sipi:b. Batalan dd, falig) 500, The central open space used as sleeping area for overnight guests in the T”Boli house is the (a. comun —b. Lowa c. Bilik . hanglad). 501. In the T’Boli house, it is the side area used as working and conversational space (a. FatoHu - b, Blaba % Pinagong _. tinuang). a 502, Found in the T"Boli house, itis located opposite the lowa and the blaba and is regarded as the area of honor because itis where the head of the house entertains guests and performs rites under a curtained canopy (a. desyung b. Finaryon ©. Kotel 4, kou). 503. The sleeping quarters forthe wives and children of the headman in the TBoli house is called (, silid b. Dofil Lowa 4, dormitorio). 504. The utility area ofthe T'Boli house is the (a. fatofhu —b. Batslan _ , EEntresuelo —d, silong). 505, Found in the ground floor of the bahay na bato, itis where the carriages and saints" floats or andes are usually kept (a vatio b. Entresuelo sc. Garahe =. zaguan). 4d le