Dragon Boy / The Bottomless Pit

from Miyazaki's "Spirited Away" Composed by Hisaishi Joe

Arr. by E. Libertor

       

 = 120

      
Flutes




     
 
Oboes

       
 
Clarinets in B♭

      
 
Bassoons

     
 
Horns in F

     
 
B♭ Trumpet

     
 
B♭ Trumpet

       

Trumpets in B♭

       

Trombone

       
 
Tuba

       

Timpani

      

Violins I

        
Violins II

 
         
Violin

       

Viola

            
                 
Contrabasses

 
       

Grand Piano 

      
 
      
Glockenspiel




      
Marimba

Cymbal
 6     
  
          
    
Fl.

 
      
Ob.

     
B♭ Cl.

   


    
Bsn.

  

F Hn.

   



 


    
B♭ Tpt.

 
  

     
B♭ Tpt.




       

B♭ Tpt.

Tbn.

    



   

Tba.

     
   
 


  
 

 
Timp.

     

      

Vln. I

      
 
Vln. II

       
Vln.

  
    

Vla.

        
             
Cb.


         

Pno.

 


        
    
   
                                
Glock.

  
      
Mrm.


Cym.

2
 12    
                
Fl.
       
    
                      
      


  
    
Ob.


 

   
                      
 
B♭ Cl.

            

               
Bsn.


 
F Hn.

  
 
 
B♭ Tpt.

 
 


 


    
B♭ Tpt.


 

    
   
B♭ Tpt.

   
Tbn.


   

Tba.

     
   


 
 

 
 
Timp.

  
  


     
Vln. I




     
Vln. II

 
      
Vln.

    
 

Vla.

                 

Cb.

          

    
   

Pno.

     

    
                     
Glock.

  
       
Mrm.

Cym.

3
 17   
            
         
              

Fl.

         
    
Ob.

   
                   
 
B♭ Cl.

         
         

 
Bsn.

        
F Hn.

  


 
B♭ Tpt.

    
  


  
B♭ Tpt.

  
    


     
B♭ Tpt.

    
 


     
Tbn.




     
 
Tba.

 
    
Timp.

  

Vln. I

                   
    
 
Vln. II

     
Vln.

    
 
Vla.

                
 

          
Cb.


   
  

Pno.

    

    

Glock.

    
Mrm.

Cym.

4
 21     

  

Fl.

                   
   
Ob.




     

B♭ Cl.


    

Bsn.

   
 
 
F Hn.

 
B♭ Tpt.

    

 
B♭ Tpt.

    
 
     
B♭ Tpt.

 
   
Tbn.


  
Tba.

    

 
 



   
Timp.

Vln. I      

 
  
 

                     

  
Vln. II

                     


     
Vln.

 

    

Vla.

Cb.
 

                            
  


  

 

  
         
       

  
Pno. 

    

    

Glock.

    
Mrm.

Cym.

5
 25     

                      
        
Fl.

    
Ob.

     
 
B♭ Cl.

    

Bsn.

  
  
F Hn.

   

B♭ Tpt.

  
  
B♭ Tpt.

 
        
B♭ Tpt.


 
Tbn.

        
     


 
Tba.

   
   


     
 
Timp.

Vln. I  

   
  





         
                      
Vln. II

                     

Vln.

     
     

Vla.

                       
       
Cb.

        



                        
          
  

Pno.

    

    

Glock.

    
Mrm.

Cym.

6
 29      
 
     

Fl.


                       
Ob.

      
B♭ Cl.

  
   
                     
Bsn.

              
F Hn.

     
    
B♭ Tpt.

   
         


   
B♭ Tpt.

    





      
B♭ Tpt.

  


           
 
Tbn.

   
 
Tba.

    
  

      
 
Timp.

  
Vln. I 

    
 
 
 

     
                                  
Vln. II

  
 
Vln.

      



      
 
Vla.

                        
Cb.

               
   
                     
                  
 
Pno.

     
 
     

Glock.


      

Mrm.

Cym.


7
 33  
   
    

 
   
    
Fl.



       
Ob.


        
  
B♭ Cl.

      
   
Bsn.

     
  
F Hn.



  
    
B♭ Tpt.



  
    
B♭ Tpt.


        
 
B♭ Tpt.

        
 
Tbn.

      
 
   
Tba.


          
Timp.

       
  
          
      



Vln. I

                
    
   
 

             
Vln. II

   
           
    
    
 
 


          
Vln.

 
 

  

     
Vla.

    
   
 
Cb.

  

     
Pno.

    
   
 
    
   
 
Glock.

       
Mrm.

Cym.

8
 37     
  
  
Fl.

    


 
Ob.

  
 


  
B♭ Cl.

    
 


    
Bsn.




   

F Hn.

   

B♭ Tpt.

   

B♭ Tpt.

      

B♭ Tpt.

     
Tbn.




    
 
 
Tba.

                         
                  
Timp.

Vln. I 


                    
    
  
      


           
                    
    
Vln. II

     
       
     
Vln.

              

   
Vla.

     
 
   
  
      
  
Cb.

             
  


       

 

            


Pno. 

   
  
   
  
Glock.

     
Mrm.

Cym.

9
 41     
     
 
      
Fl.

 
     
   
Ob.

 
        
 
B♭ Cl.

     

Bsn.

    

F Hn.

   
B♭ Tpt.

 


    

B♭ Tpt.

   
  

B♭ Tpt.

      

Tbn.

      
    
Tba.

                             
  
         
   
  
Timp.


              
Vln. I

  
                              
    
  
         
Vln. II

                    
               
       
         
Vln.

           
        
Vla.

   
                   
                     
       
          
Cb.

                  
       
    
                                   
      
Pno.

     

     

Glock.

     
Mrm.

Cym.

10
 46     

    

Fl.

   

Ob.

   
       
 
B♭ Cl.


  
Bsn.

    
   
 
  
 

   
 
F Hn.

 
 
 

   
B♭ Tpt.

   
 
 

  
B♭ Tpt.

  

 

          
B♭ Tpt.

      


     
Tbn.


 

    
 
 
Tba.

           
    
                             
Timp.


                
Vln. I

                    
   
 

    
Vln. II

 
     
 


    
Vln.


                    
 
    
  
Vla.


                                

Cb.

                                  


          
     
Pno.

       

   
   
Glock.

      
Mrm.

Cym.


11
 50      

      

Fl.


  
Ob.

     
 


        
B♭ Cl.

   
 

    
      
Bsn.


 
       
F Hn.

   
 


B♭ Tpt.

           
     
B♭ Tpt.

        
         


        
B♭ Tpt.

         
 


     
Tbn.

         



     
 
Tba.

    
     


               
Timp.

           
               
Vln. I

  




      
Vln. II

 
     
         
Vln.

     
                       
    
Vla.

  
 
       


                  
        
             
Cb.

         
                  
 

       
Pno.

     

    

Glock.

Mrm.        

     


Cym.
12
 55      

     

Fl.

      
Ob.

B♭ Cl.

      
 
     

Bsn.


      
F Hn.

B♭ Tpt.

   
  


 
B♭ Tpt.

    
    

     
B♭ Tpt.

     

    
Tbn.

    

 
 
Tba.

    
 
      
  
Timp.

Vln. I 

     

 


                 
 
Vln. II

 
 
     
Vln.

 
 
 

     
Vla.

        

 
     
     
   
   
   
 
    
Cb.

  

      
             
          

Pno.

    
  
   

    
Glock.

              
       


     
Mrm.
13

Cym.
 60
       
 = 102

      

Fl.

      
Ob.

       
 
B♭ Cl.

      

Bsn.

     

F Hn.

     

B♭ Tpt.

     

B♭ Tpt.

       

B♭ Tpt.

       

Tbn.

       
    
Tba.

      
   
  
Timp.

Vln. I 

                      
            
  

 
Vln. II

          



       
Vln.

   


            
   
  
Vla.


      
Cb.




       

Pno.

      

      

Glock.

      
Mrm.

Cym.

14
 66   
        
         
 = 121

Fl.

    
    
       


  
        

Ob.

         
 

B♭ Cl.

              
      


          
Bsn.

 
  
   


   
                
F Hn.

  
           
B♭ Tpt.

    
   

B♭ Tpt.

      
  
 

         
 
B♭ Tpt.

           
 
Tbn.

             
 
Tba.

       
   
 

  
Timp.

     
      
           


 

Vln. I

                  

 
 
  

     
Vln. II

       
 


           

 
Vln.


Vla.

 
       
 
            


      
Cb.

   
  


       
 
Pno. 

                 
       

 
       
 
Glock.


          

Mrm.

Cym. 15


 72       
       
         
Fl.

    
3

 
            
Ob.


   
      
B♭ Cl.

  
  


        
   
Bsn.

            


     
F Hn.

     

               



  

B♭ Tpt.

                 
3




         
B♭ Tpt.

      
 
3
 

                 
B♭ Tpt.

   
  

        
Tbn.


        
 
Tba.

           
            
Timp.

  
Vln. I

     
                       


       
Vln. II

 


        
Vln.

            
  
Vla.


 
Cb.

                       
                         
  

Pno.

     
       

       

Glock.

       
Mrm.

Cym.


16
 79         

         
    
Fl.


    
          
Ob.




         
 
B♭ Cl.

        

Bsn.

      
       
  
F Hn.


    
B♭ Tpt.

          
  

     
B♭ Tpt.

     
   

  

         

B♭ Tpt.

 
             

Tbn.

Tba.
      
         
 


     


                  

Timp.

 
 

Vln. I

           
              


 

Vln. II

  
           


  
    
Vln.

         



     
   
Vla.

       



    
Cb.

     
 
  
               
      
 

       
                     

Pno.

      
      
        

        

Glock.

        
Mrm.

Cym.

17
 87      

     

Fl.

     
Ob.

      
 
B♭ Cl.

     

Bsn.

 

F Hn.

                  
   
B♭ Tpt.

 
        


    
B♭ Tpt.




      

B♭ Tpt.

         

Tbn.

      
Tba.

 
        
 


     
 

       
Timp.


                        
 

     

                  
Vln. I

       
 



    
Vln. II

  
 
Vln.

               



 

Vla.

       


Cb.


             


            
  

 
 

Pno.

                      


     
      

     

Glock.

     
Mrm.
18
Cym.
 92        

       

Fl.

       
Ob.

        
 
B♭ Cl.

       

Bsn.


F Hn.

                                            
                    
B♭ Tpt.

           
      

B♭ Tpt.

        

B♭ Tpt.

            

Tbn.

       
          
 
Tba.

     
Timp.

                   
     


  
Vln. I

      

  
Vln. II

      
             
         
Vln.

Vla.

        


                            
Cb.

                           
                      

                           
Pno.

   
         

       

Glock.

       
Mrm.

Cym.

19
 99            

1.

           

Fl.

          

Ob.

            

B♭ Cl.


           

Bsn.

          

F Hn.

          

B♭ Tpt.

          

B♭ Tpt.

            

B♭ Tpt.

              

Tbn.

  
            
Tba.

  
         
Timp.

         

     
pizz

          
Vln. I

   



             
 
Vln. II


            
Vln.

     

           
Vla.

   
                      
                      
Cb.


 
      
               
Pno. 



                      
           
Glock.




             
Mrm.


Cym.



20
 
         
        
110

       
Fl.

   
    


         

Ob.

           

B♭ Cl.


          

Bsn.

  
                           
F Hn.

  
B♭ Tpt.

                           


       
B♭ Tpt.

  


           

B♭ Tpt.

           

Tbn.

         
 
 
Tba.

         
   
Timp.

   
Vln. I

            


   
pizz

        
Vln. II

  



pizz

           
Vln.

        

       
 
Vla.

    

 
           
                            
Cb.




       
              
Pno.

 
                    
          
Glock.


  
Mrm.

          

Cym.

21
        

                    
120

 
Fl.

  
     
 
    
  

    
   
Ob.

      
     


 
                
B♭ Cl.

    



    
        
Bsn.

         
        
                     
F Hn.

 
 


     
B♭ Tpt.

 
    

     
   

  

      
B♭ Tpt.

  
        



             

B♭ Tpt.

    
                        
Tbn.

    
       
Tba.

   
        
 

       
        
Timp.

 pizz 
      
Vln. I

        

        
Vln. II

  
 


            
Vln.

          
 
Vla.

    
                               
Cb.

              

 


          
       
Pno.



     
      
       
   

           
Glock.


           
Mrm.

Cym.


22
         

     
    
131
2.
Fl.

       
              
  


  
Ob.

       
       
   

 
  
B♭ Cl.

     
          
 
 

          
Bsn.

  

 


   


                
F Hn.

  
 
           
B♭ Tpt.

 
  

           
 
B♭ Tpt.

                

B♭ Tpt.

Tbn.

        
   
  

Tba.
          
             

 
    

             
 
Timp.

            
 
Vln. I

             
Vln. II

 
              
Vln.

            
 
Vla.


  
Cb.

      
         
               
 

       



   
             
 


 



Pno.

          
   
            
   
   
           
Glock.

     

Mrm.

             
23

Cym.
 Flutes Dragon Boy / The Bottomless Pit
from Miyazaki's "Spirited Away"
Composed by Hisaishi Joe

       
Arr. by E. Libertor

                                     
           
 = 120

                         = 102
 

      
19

           


    
                            
1.
67  = 121

      
                             
 3  

  
123 2.

   
    


141
 Oboes Dragon Boy / The Bottomless Pit
from Miyazaki's "Spirited Away"
Composed by Hisaishi Joe

      
Arr. by E. Libertor

   
   
         
            
 = 120




    
                                       
  
   
15

         
 

  
           
     
 
  
  
  
       
24

  


 
              

    
 = 102


40

              


      
            
    
1.


68  = 121

      
                
       
118 2.

   

      
   
138


 Clarinets in B♭ Dragon Boy / The Bottomless Pit
from Miyazaki's "Spirited Away"
Composed by Hisaishi Joe

    
Arr. by E. Libertor

   
   
  
    
  
  
  
         
    
 = 120

   = 102
 

                     
  
41

 
 
  
 

        
       
                         

1.



67  = 121

      
 

 
           
       
125
2.

 
 


141


 Bassoons Dragon Boy / The Bottomless Pit
from Miyazaki's "Spirited Away"
Composed by Hisaishi Joe

 
Arr. by E. Libertor

       
  
                                      
 = 120

                  


          
     
19

       
  

        
                      

49
 = 102  = 121

        


   
 
                    
1. 2.
99

   
 Horns in F Dragon Boy / The Bottomless Pit
from Miyazaki's "Spirited Away"
Composed by Hisaishi Joe

                           
Arr. by E. Libertor


         
    
 = 120

             
  

  


               
             
18

 


           
       
                 

 
 = 102  = 121

   
46

        
 


          
1.

              
70

 

 




 
    


       
129
2.
 B♭ Trumpet 1 Dragon Boy / The Bottomless Pit
from Miyazaki's "Spirited Away"
Composed by Hisaishi Joe

   
               
Arr. by E. Libertor

 
       
 = 120

                
   

  
  
          
 

      
29

  
   

              
              
     
50
 = 102  = 121

               

 

         
    
           




72

3
 

                                                    
                       
89

     


  

                                        
1.

     
97

  
 


 
        
                               
   
124
2.

   

   
140


 B♭ Trumpet 2 Dragon Boy / The Bottomless Pit
from Miyazaki's "Spirited Away"
Composed by Hisaishi Joe

   
Arr. by E. Libertor

       
        

 

      
 = 120


    

 
                     
         
         
32

  
  

 
                       

 = 102  = 121

          
52

          

  

             
             
72


3
   

                                               
1.
92

  



            

         


116 2.


Trumpets in B♭ Dragon Boy / The Bottomless Pit
from Miyazaki's "Spirited Away"
Composed by Hisaishi Joe

   
Arr. by E. Libertor

     
    
                  

 = 120

    

   
  

                     
        
50
 = 102  = 121

       


                     
      
1. 2.

           
72

 
 Trombone Dragon Boy / The Bottomless Pit
from Miyazaki's "Spirited Away"
Composed by Hisaishi Joe

               
Arr. by E. Libertor

            
 
 = 120

   
  

               


       
28

     
 



               
    
            
 
47

     
  

                       
 = 121

   

 = 102 1. 2.


61

        
 
138

 
 Tuba Dragon Boy / The Bottomless Pit
from Miyazaki's "Spirited Away"
Composed by Hisaishi Joe

 
Arr. by E. Libertor

        

 = 120

                

          
   

          
              
   


           
29

    


                
  
 = 102

                    
 = 121


61

  

                

             
84


 

   
                         
 

         
 
97 1.

  

   
        
2.

         
131

    
Timpani Dragon Boy / The Bottomless Pit
from Miyazaki's "Spirited Away"
Composed by Hisaishi Joe

       
Arr. by E. Libertor

                 

 = 120

       

     = 102  = 121 


            
      

    
36

 


 

 


               


  
            
90 1.

 


  
 
  
124 2.
 Violin I Dragon Boy / The Bottomless Pit
from Miyazaki's "Spirited Away"

           
Composed by Hisaishi Joe


Arr. by E. Libertor

            
 
 = 120

                
       
     

  
  


  
29

                                   
 
   


36

                               
 



40

                           
          

44

     
                    


   
  
  
          
 
48


                          
 



 = 102
55

      
 = 121          
  
  

           
   

           
67

                 
             
    
  

        
79

 
              
                     
  
88

 
                       


     
    
       
      
1.

 
97 pizz

   
  

       
127 2.

2
 Violin II Dragon Boy / The Bottomless Pit
from Miyazaki's "Spirited Away"
Composed by Hisaishi Joe

     
Arr. by E. Libertor

  
          
  
  
      
  
  
  
    
  
  
  
   
 = 120

        
       


   
 
23

             
                                       
  


           
35

 
                                     


                     
38

                     
                     

43

  
  
  
              
  
  
      
  
  
  
    
    
 
47

                                       
 

 
 
61  = 102

               
 

                            
68  = 121

  

       


   
   
   
           
     
79

  
                      
 

  
    
1.


88 pizz

  pizz
      
       
120 pizz 2.

2
 Violin Dragon Boy / The Bottomless Pit
from Miyazaki's "Spirited Away"
Composed by Hisaishi Joe

   
Arr. by E. Libertor

          
      

   
      
  
          
   
 = 120

 

                     

                    
27

       
                                     
    
31

  


                                
               
38


      
                           
                  
43

 


                        
     
 
57  = 102  = 121

    
  


                  
  
83 1. 2.




 
134
 Viola Dragon Boy / The Bottomless Pit
from Miyazaki's "Spirited Away"
Composed by Hisaishi Joe

           
Arr. by E. Libertor

                       
  
 = 120  = 102  = 121

       


 


                                  
     
69

1.  
 

            
             
92 2.
 Contrabasses Dragon Boy / The Bottomless Pit
from Miyazaki's "Spirited Away"
Composed by Hisaishi Joe

           
Arr. by E. Libertor

  
      
 = 120

 
       
 

 
          


     
 
25

      
    
                     


 
    
40


                            

            

47



                            
    


          

52
 = 102

        
                        


  
    
62  = 121

   
  

                           
         
71

               
  


             
  

     
1.
92

    
                   
      
113 2.

   
          

135



2
Grand Piano Dragon Boy / The Bottomless Pit
from Miyazaki's "Spirited Away"
Composed by Hisaishi Joe

       

Arr. by E. Libertor

           

 
 = 120

      



   

    

5

     

        
       

9

       



 
      
               

 
13

 
   

     
  
   

  
17

      

                        
  

21

       
      

      
      

              
     
          
         

                       
25

 
  
   

     

                            
        
 
                           
29

    
      

                       

                       
    
34

                     
        
        
           

       

  














                
                    
43

         

                   
              

                         

47

    

               
   
















 

    

           
50

 
 
    
 

       
                            
 
54

 
                     
   

2
  
             
  
 = 102  = 121


 
58


        
 
 

                 


  
                           
72

                         
       

     

      
          
     
             
80

 
              
 
                



               
          

 
                        
                         
90


                                         
     
1.  
                
                 
           
96

                     
       
     


                                          

104


            
       

3
                                            

113


        
         

                                       

 
122

        
    


  


     
 
  
  2. 
                   
       
133

 
   
            
 


  


        

4
 Glockenspiel Dragon Boy / The Bottomless Pit
from Miyazaki's "Spirited Away"
Composed by Hisaishi Joe

        
Arr. by E. Libertor

  
              
 = 120

       


                
 = 121

     
 = 102

   
47
1.

 


                                  
108

 
    

124 2.
 Dragon
Marimba (Single Staff) Boy / The Bottomless Pit
from Miyazaki's "Spirited Away"
Composed by Hisaishi Joe

   
Arr. by E. Libertor

                                         
 = 120

   

   


                   
      
       
13

     
              
             
1.

       
51
 = 102  = 121

  
      
 


    
     


  
   
119 2.

 
Cymbal Dragon Boy / The Bottomless Pit
from Miyazaki's "Spirited Away"
Composed by Hisaishi Joe

                           = 102 
Arr. by E. Libertor

 
 = 120



    1.        2.  
 

        
68


 = 121

 
