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PONCE: Concierto z Music Minus One Guitar 3632 Menul JA Puce Concierto del Sur Christian Reichert, Guitar Ploviliv Symphony Orchestra Nayden Todorov, Conductor Includes ovo compact dises and printed solo part Also includes SLOW TEMPO practice versto CLALIT STL TORU OOO IIL IIS IIL ISLS LISI ISL LSS fF ANUAA LALLA ALAA TAAL AAT as ww 4 i) 5 = _ Ss >> s & ; >| mn... j 4 su 8g g AZ mw PSE : & 20 Sa 3 § 3 iw 7, = S { =e os oO UANCULVUAULA CULAR EERE ULLAL OTST SSL Misi MNCS ON CONTENTS Cuitar Tuning Sequence lusesno worenar Orchestraentry ater Rehearsal Number 6 (Bar 49) a lerapo? Rehearsal Nuuaber 2 (Barto) (Pixernimato) elvearsal Number 19 (Bar 17 = ra oer BAF 222) (Fm) on Rehirarsal Number 30 Bar 288) (Ux peo pitt massa) aa Bar 3g: one measure before orchestraentey (Cn pore pile messo) Occhestra entry after Hebearsal Namber 9 (Bar 4 Rolavarsal Number (Bar 60): Poco pita Rohoansal Number 44 (Bar 87)-Poca pte Sea5a 8 Relwareal Nuaber 52 (Uae 138) a Rehearsal Numborg§ (Bar 63) Rehearsal Number 6 (se 373) ©2005 MMO Music Group, [ne-All rights reserved. ISBN 159615073 wwe are ill tng lta CONCIERTO DELSUR com Manuel M Pence Allegro moderato Gn GUITAR, Atempo ce he) Poco rit, 13142 national Rights Secured. Used by Permission. All Rights Reserved. MMosG%2 > Lae 6 a oT env if oo [a] a fasg, “#0, SS ,OEEEFTEErEr ga 244 12 MMO 832 6 (2a BO Poco rat, Atempo 4 : Tk 2 rit Atempo ® 4 CHE a 4 a fod ee — a ev i MMOw6T yi 2 14 2 2 mf 2 P55, ©. ooo C1 ooo, 2+ oF om ¢l—___—., ad fad 124 pai °— _ 0 g r @ od @. @ @ os es 353] 21 para L wo el 27 02 0 92 oe 3 —_ eo, 2 28) 5m = Lope a ——— —S = = t ki Cadenza * Rasy. eur MMO 9632 | | Rasy; see the last page 10 MMO 2 ¢vrcir— ¢y—— cr by = (0 %. = Atempo cry Harms" oo - oo — oy aps Mo 3632 1] Poco pitrmosso —— g— Dora 4 4 O12 L Rasy, » Rasg clk emt @. 2° © ®. ©. Daa CV 2 ‘ : Ba ys 34 MMO 3632 I. (oa Andante oD © Vien Re ? mom om ah pire 2 press MMO 3532 manasa. MMO632 16 a, 24 W444 2 i Fe [2] Sf oo, ® PUTT Pe. qr AIPoco pitt 9 vii = ‘Tempol 5 fren Harm Mar Harn Pie 7 if s_ ? ee II. Allegro moderato c festive 5 ei Te op ’ o Fay. 8 a= = = « - = - 2 GF NGF NGF LSS eg kit rit, [gg] Mtempo = Rasy : Raxg.. + — Ff e242 eBor Mao sex Nag, + Ray. ; Rasg.. ie Fo yo Rasy Stern eer arm El Mg? MMO 3432 t eres MMO 3582 20 pivot CHM 1 MMO 3632 5) hay 6a Emgraving: Wieslaw Novak MMO 3632, SUGGESTIONS FOR USING THIS MMO EDITION 1, there isan inherent lack of flexibility in te invalves.a fixed accompanime ss and techniques will reduce these infle: od p Where cither of the players begins solo, introductory taps have been provided on the accompaniments tohelpyau set your pace. Also, track-breaks have been placed throughout each picee at appropri sections, whieh will allow you {o jump quickly throughout the score. Each of these Lrack-breaks is eross-in- ty ties and help you mal rformance system: pact dexed We have observed generally accepted te i, but some may wish to perform ata different tempo, or to wrehase fram MMO specialized 1 for practice purposes. You can p taining has slow dewnor speed up the accompan players and recorders which allow variable speed while able tool for the serious musician and you may wish to look into pin for full enjoyment of all your MMO editions, We want o provideyou with the most useful practice and performance acco! ritspossible, Ifyou haveanysuggestionsforimprovingthe MMO system, please feel frectocantactus, You can reach usbye-n ‘oper pitela This is an indispens- 1g this useful piece of equipment mmogroup musicminusonescom. PERFORMANCE NOTES those notes The llewinne nts dowith the" ond gers eh times vingln mind eight heed nto tnsonndend emever crema snoimake tou roperspe andhisrecondinget withtonce Sone places difer om Poneto ourding nck te am anatl, be circle, Valways start the edvole with the thi low st his order mo bea Only then can ‘version of the Concierto del Sur, whieh ho used inhis concerts certo, The concerto was writt forhimand he worked out the score very closely hod in the guitar world. In this matter I find cestabli that André degre csich: Mae Pence er secshiing alvseonie Certainly the preludes are not usable in the waryin which theyhave been conceived. Most of them are of adifficulty which is incompatible with the character of elemen. ary shutics which given to them by the soale which precedes each one; and some of them are totally impossible wakes clear how much he worked like gh ‘This quotation should not putdown Ponce’s statu together with Segovia and appreciated his opinion. And we as gu note, but rather try to find the musie between the notes, as acomposer. Butit ‘sts should not st Reichert Freiburg (Germany) November 2005 Mo asic Mi Manuel Maria Ponce was born in where he st Conservatorio N the wildly successful pe cemented a lifelong friendship cd weaching Manuel Ponce A styles, helped to form Such stylistic uniqueness makes itself p as soloist, This concerto remains one ofthe undisputed masterworks fo gu Ami fence. tis these qualities that make ita vial part ofthe modern gui ‘This Music Minus One edition presents a bravura perfor ts One is pleased to present one of Latin America: Manuel Ponce's legendary Cenc xctecas, Mexico, on 8 December 1882, He frst studied wich his sister, and chen with an organist bef fr Martin Krause. Mis involvement ina marking the Mexican centennial furthered lis repatation boul sein 1912 of his piano concerto raised In 1925 he returned to Europe, studying with Pant Dukas in Pars. His f Andres Segovia xi composing. By the time of his death on 24 April 1948, he had, ing many compositions for gultar that stand atthe forefront of Latin American mu Ponee’s eminence among Mexican musicians ofthe 20th — style of musicin that country. Though ls early work was largely rom Mexican musical elements, as well as his experimentation with and frequent utilization of impressionist, neoelassical unique departure from Spanish convention in guitar composiios clear inthe Conctert del Sur It was 6 wand orchestra, and i fa. Though composed ina standard thece movement form, lis unconventional melodic stsle and distinctly perfect halance betwen guitar nd orcaestra. The writing for the guitar is brilliant, forthright and leaves a strong impression on both player and aud ist repertoire ce ofthis 20th century classe from virtuoso gultarist Christian Reichert. Study is technique greatest composttions for guitar and orchestra to ever come out of del Sur noving den to Bologua and Berlin, ned {0 Mexico City and became a professor of plano at the ss (he aters included Faure an Suint Safa) for a competition bus native country and in the musical wes 3 ar into the highest status among Mexican composers. ne increased in Europe during his stay ther, 1933 and con studying 4n Mexico City fe Ie was he who coalesced a national 1 sie his frequent use of aditional e wark premiered in Montevideo, with Segovia greatest guitar concerto co«emenge from Latin tn American (eel predomanace, integrating 4 October 1941 then you stand center stage with the Plovdiv Symphony Orchestra under Maestro Nayden Todorwy for your ow Latin spectacular. Bravol | Master Guitarist Christian Reichert is one of the work's fastestriing | tnsicl artists showing command Othe classical gular that encom pastes both virsosty and extreme Sensitivity. The guitarist with “the fascnoting techie exper and perfect rhythm” won several imterna- {onal prizes in "Spain. Andres Seqvia International Guitar Competition), Poland, Bulgaria “international Gultar Foundation) ad Germany. ‘Since Uh the artist who “isthe auaonc easly with enthasast (EL "Pas Spain concertizes and gives masterclasses frequently allover Europe, fnhintng Rossa sd Bulgaria nthe US and other intemationa ven {ari Moscow Granada, Monte, Sechholm, Krakow Sol, Viena, am in Germany. he stud a the Warburg Freiburg and Cogn aad. “eases with Argentinean master Rober Aussl. as ell as with Sonja _Prunbater, Johannes Tapper an ans Koch ‘Daring hs suds he ook part in master eases with such gularsts ss “go Brouwer, Manel Barrie, Roland Dyens, Sharon Isbin, Alvaro Per |, “he Reichert is requ teacher of waster lasses and regulary performs “os ols and with ll kinds of ensenbles, Several composes have dedicated Sfultar works to him, an in adiom to his tc lauded snd constantly compact dis ering for Msc Minus One, hs recaded tier labels and for may television a rao stations in Europe. Tike oar more abot hisextaornary arti, iss website at snr christannichert com "hose Minus One fees very nore to beable to ofergoitarists aout orld the extraordinary series of eordngs undertaken by Nr. Reichert snarana since 1999. ‘Tus Music Mivus Onx Eb | =a compac Concerto in digitally remastered sre +a second digital stereo version of te concerto minus the soloist, tHoroughly indexed for ease of practice and performance +a second compact dise featuring the reference version repeated a | fulispeed followed by a-20% slow tempo version of the nl for practice Pumposes + am authoritative performance edition of the guitar part, edited by ‘Mr: Reicher: newly engraved and printed on high quality ory paper. 1oN INCLUDES: Tah Tie One of the greatest of the younger generation of conductors working today, Nayden Todorov has forget a ‘solid place for himself an the world ‘stage, and has Tent bis hand to many of Music Minus One's ‘most exciting and successful releases. native of Plovly, Bulgaria, Maestro ‘Fadoros conducted his fist concert at age 16. He studied In Vienna tunder Kari Osterseicher and Uros Lajovic, and has gone on to conduct imajororchestrasaeross the European continent, the US. and in Israel, ‘where he was also resident conduetor ‘of the Haifa Symphony Orchestra. In 2000, Mr, Todorov became Music Dircetor of both the Plovdiv Philharmonic Orchestra and of the Plovdiv National Opera. In 2004, he became music director and prineipal conductor {or the world renowned Sofia Philharmonic. In addition to his recordings for MMO, he huss regularly recorded for Danscord, Naxos, and many other labels worldwide. He commands vast ‘ange of symphonic, ballet and operatic repertoire and is one of te most in ‘demand conductors in the muste world. Atypical itinerary for summer and fall of 2005 reveals the following: con ‘certs_ with the National Radio Symphony tn Sofa. a concert in Austria with the Sofia Philharmonic. followed by concerts widh the same ensemble in Sofia and Bourgas, dhen a tour of Spaln, Germany, Switzerland, Utaly and ‘Aastra with ther foremost resident orchestras within aspan of three weeks, to be followed by 4 one-month (our in Germany with his own orchestra, the Plovdiv Symphony: and an opera tour in the U.S. in Getober. Recordings during the same period inelude an album of opera arias with the Plovdiv Orcstra for Balkanton, the Bulgarian national record compa: ‘ny; a recording of three operas by Rachmaninow with the Safia National (Opera for NAXDS; and for Music Minus One, piano concerti by Saint-Saens a Greg: hs fabled concerto for gta by Manvel Ponce: and two albums fof opera arias. cra sorte 205 heron lw Se | waned ue Pout bi Ian won ot fac ae a” Cee ‘omn Wa

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