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Sheet Music Edition ARIA FROM

B,695 -
Samson and Delilah
(My heart at thy sweet voice)
Violin -
CAMILLE SAINT-SAENS
Zranscribed by
Andantino AºEZY WZAZºº’AVZZZ
4. Fi V Fl

do/cassimo e cantaðale assai

Più lento

III IV III

L/ >- 20
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Copyright, MCMXXII,
22886 - 11 by Carl Ætscher, Wew York
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22886 - 11
 Sheet Music Edition
B,695
ARIA FROM
-
Samson and Delilah
(My heart at thy sweet voice)

-
CAMILLE SAINT-SAENS
Zºranscribed by
Andantino A'EZLY WINTARAWIZZ
R

Piano A2.2 sempre

Yº
- - - -

Violin
- - - -
2–
i-
- I1–1º T- T
EHI I _-I -

- - - -
do/cassimo e cantabile assad

(sºmala)

CC
22886 - 11 Copyright, MCMXX/Z,öy Carl Æ'ischer, Me to York
22886 - 11
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Più lento

Più lento

22886 - 11
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22886 - 11
STRINGS
c :- E. L - Fº T-7–C–ET-E-E TºwavUTUZ-TI

THE VIO L INIST?S LIHBRARY

Staccato. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Samuel
Cheslar 1.25 Mastery the Bow and Bowing Subtleties. ... Pau

L.

of
Edited by Eddy Brown.

of
text book for teachers and students the violin.

A
problem

on
to

The solution the Staccato on the violin and kindred the bow by world pedagogu

of
treatise the technic

a
bowed instruments. Devoted exclusively the detailed study

to

of
;
How to Teach Violin in Classes. Pau
Staccato playing, this considers every problem found

.
.
.
.
.
.
.
.
of ..
.
.
.
.
.
the correct

in
modern guide for teachers and supervisors music for

A
Up-bow and Down-bow Staccato. The book
of

execution divided

is
private public and high schools.

or
at
violin classes

in
into two parts: "Theoretical Analysis" and "Practical Application.”
Violin Master Works and Their Interpretation... Leopold Auer 2.50 How to Produce Beautiful Tone on the Violin

a
i.
Contains aesthetic and practical views the great violinist and Helen

of
guide for violinists all degrees proficiency

A
teacher, with actual opinions and procedure Tartini, Corelli,

of

of

in
of

a
with pedagogic principles

of
Wivaldi. 360 musical illustrations. artistic and Cesar Thor

e
Principles of Bowing and Phrasing. . . . . . . . . . . . . . Franz Kneisel .75 Representative Violin Solos and How Play Therm...]

to
The secret of really beautiful violin playin lies the bowing. hirty-two representative violin solos analyzed and prov

in
When a violinist understands it he has gone This little book º,

as
practical suggestions

is

to
r. their technical demands and
full of enlightening suggestions, and is illustrated with photographs. terpretation. iolinists will be delighted with this work, its:
discusses these essentials of playing; correct position

as
playing

to
It

of
and valuable hints the correct method

i ti
etc.; tone; produc
it,

of body and violin, holding the bow, drawing Illustrated by numerous examples notes and careful

in
tion, with practical examples from famous works.

as
proper interpretation by players.

to
the solo

FIRST POSITION SOLOS FOR VIOLIN AND PIANO

Some solos for violin and piano. They are nearly all for First Position and are specially designed for begi

sp
as

so

as
The young student will find them entertaining and instructive they are develop

to
constructed
skills leading the higher positions and correct technic. second violin part usually included.
to

is
a

Swing Song. Frank Richards .40 Little Sleepy Head. George Perlman .40 Poupée Walsante (Waltzing Doll
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.

For two strings (E-A) with use study Quarter, Half, Dotted Half
of

in

four
A

An amusing concert waltz whic

fingers. The composition tells the story and Whole notes. First Position. Excel
its being first position, dem

in
the swing the orchard. Rhythmically lent Legato exercise.
of

in

siderable speed fingering

in
valuable. The Dancing Master. Edmund Severn transfers.
.
.
.

Airs and Graces. Howard Franklin For four strings, four fingers. graceful
A

Air Gai (I-III

.
.
.
.
.
.
.

Pos., Easy).

F
An old-time Minuet moving with slow, the Dancing Class. The buoyant
of

waltz

.
.
.
.
.
measured grace. Excellent for tone and time encourages the pupil Doll's Lullaby (I-III Pos.,

A
to

draw full

.. ČaA.
a

interpretation. w.
Carnival Echoes. Albert Parker Celebrated Solos Sirmplified Sweet and Dainty. Valse
in
.
.
.
.
.
.
.
.
of .

Pos., Advanced).
For four strings with use four fingers. angernents

.
.
.
.
.
.
.
.
.
.
.
the country Fair, Girl with Spanish Shawl (H.
of

This little dance

is

By W. AMBROSIO

a
F.

telling about the gay occasion spirited,

F.
Med. Diff.).
in

.
.
.
.
.
.
.
.
.
.
.
.
.
.
joyful tempo that encourages the fingers For Violin and Piano (First Position)
Menuetto (Higher Pos., Med.

I
to

move faster. Andantino. Lemare Giuliº

.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.

Shepherd's Song. Frank"Richards charming concert number that calls for

Plantation Song (Based on the
a A
.
.
.
.
.
.
.
.

N
For four strings with the use three fin
of

singing tone, legato bowing and close itual, "Swing Low, Sweet
gers. An Idyl. The shepherd sings and his dynamic changes.
of

observation (Higher Pos., Med. Diff.).

C.
voice heard across the meadows: his La Cinquantaine (Golden Wedding)
is

.
.
.
heart must be gay, for joyous Gabriel-Marie .35 Dark Eyes. Russian Gipsy
is
it

.
.
.
.
.
.
-

melody. all concert-goers, this solo Two Guitars. Russian Gipsy

to

Familiar
in

.
.
.
The Birds' Frolic. Howard Franklin Londonderry Air.
its

simplified form offers opportunities for Old Irish

.
.
.
.
.
.

.
.
.
.
Intermezzo Gavotte tempo. For four
in

the playing easy grace notes and trills Poern.

of

of .
.
.
.
.
.
.
. ..
. .
. .
. .
. .
. .
. .
. .
. .
.
.
.
.
.
strings with use fingers.
it of

three The birds bowing. Song

of

and for varieties India. Rimsky

sing gaily, and the pupil's pleasant Deep River. Negro Spiritual. .Traditional .35
is

Andantino.
as

try
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
to

to

task make his notes clear and high emotional quality this Negro
of

The Elegy (Mélodie).

as true as theirs. melody
to

.
.
.
.
.
.
.
.
.
.
.
.
.
.
well suited the violin. fine
. to is

Call the Boy Scouts. Stanley Preston

of

addition first position repertoire.

VIOLA
.
.

For three strings. (E-A-D) with use Eili, Eili. PIANC

&
of

four Traditional
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.

fingers. camping song. The melodic charm of this traditional JARNEFELT, ARMAS
A

Song the Canoe. Stanley Preston Yiddish air has long since made
of

favor.
it

Berceuse.
a
.
.
.
.

waltz. For two strings (E-A) with use n

.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.

violinists everywhere. None

of

of

of
A

ite the Like all compositions by Nort

three fingers. The canoe glides along, original beauty has been lost the easy
in

to

º
posers, this cradle song has
smoothly, gracefully and the student transcription
teristically poignant quality.
ly

emulates his bowing and tone the flow Hatikwoh. Hebrew National Hymn.
in

fingered and bowed, the cele ir

.
.
.
.

ing rhythm moving waters. its concert form, this number has ap
. of

In

of

now within reach the ave

is

Sailor Song. Howard Franklin peared on the programs many famous

of

er, while for the more advan ce

.
.
.
.
.
.
.
.
.
.

its

For four strings with use four fingers. simplified form,

of

violinists.
In

offers
it

are optional double-stopped

Old seamen tell strange tales the young student solo for study and
of

distant
a

lands. Here the tune of recital purposes. RIMSKY-KORSAKOFF,

is

N.
a

stirring story, which young fiddlers will Kol Nidre. Traditional .35 Song of India.
.
.
.
.
.
.
.
.
.
.
of ..
.
.
.
.
.
.
l

.
.
.
.
.
.
.
.
of ..
.
.

enjoy. The most celebrated all Hebrew melo-- OS

of

One the most famous co:

Dancing Sunbeams. Albert Parker dies an arrangement that requires in
in

fairly simplified arrang

in
a
.
.
.
.
.
of .

For two strings with use four fingers. rhythmic sureness and good right arm first and third positions. Th
a

gaily dancing sun technique.

of

Intermezzo. host ne
of

has lost none its effectiver

A

beams skipping through the leaves and The Merry Widow. Waltz. Lehar transcription, and the piano il
.
.
.
.
.
.
.

boys and girls affords clever and highly effective arrange

of

into the windows

as

the origin
A

most the same

pleasant chance for an excellent rhythm ment that offers no problem
at

to

all the
a

study. inexperienced violinist. Ideal for recital TSCHAIKOWSKY, P.

I.

Song the Night.... George Perlman programs. Ye Who Have Yearned Alon
of
A

peaceful song nighttime, being Military March (Marche Militaire) Schubert broad sustained melody
of

A
A

study Quarter and Half-notes—First This rousing march has never lost its ap beauty. Carefully fingered
in

Position. peal audiences, and the simplified Young players will find this
to

in

Cinderella.
to of

George Perlman arrangement every detail may be brought tion famed solo welc
a

a
.
.
.
.
.
.
.
.
.
.
.
.

For four strings, four fingers. study out with telling effect by players their repertoire. First
of

tion
in
A

Quarter, Half and dotted Half notes. average ability. positions.

M NEG.
[26]
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