You are on page 1of 18

SynthwaveDojo.

com

Table of Contents

Table of Contents.........................................................................................................................2
WELCOME!...................................................................................................................................3
What are Triad-Over-Root Chords?........................................................................................... 4
Triad Over Root - Tonic Major.....................................................................................................5
Tonic Triad Over Root in C Major Reference Table................................................................. 7
Tonic Triad Over Root in Any Major Key - Roman Numerals...................................................8
Triad Over Root - Tonic Minor.................................................................................................... 9
Tonic Triad Over Root in A Minor Reference Table................................................................11
Tonic Triad Over Root in Any Minor Key - Roman Numerals.................................................12
80s Drum Machines Free Samples Pack................................................................................. 14
YouTube Playlists...................................................................................................................... 17

www.synthwavedojo.com 2
SynthwaveDojo.com

www.synthwavedojo.com 3
SynthwaveDojo.com

WELCOME!
Hi, my name is Alonso Carballo and I’m a singer, producer, multi-instrumentalist and a
Synthwave fan just like you!

Very frankly, my goal is to help you become a Synthwave Hero. I understand your
frustration in trying to learn how to make Synthwave since there aren’t many reliable
resources online.

I am committed to creating content, programs and tools


that actually help producers like yourself to develop
your skills and finish tracks.

I know you have what it takes to take Synthwave to the


next level!

I hope the concepts and tools shared here will not only
spark your creativity but also help you acquire useful
skills that you can use in your Synthwave journey.

If you have any questions or comments about this


material or anything else related to making Synthwave,
do reach out to me at alonso@synthwavedojo.com. This is my personal inbox and I
read every email that comes in. Just give me a day or two to reply, but I’ll always reply!

Let’s Synthwave!

Alonso Carballo

Founder, Synthwave Dojo

www.synthwavedojo.com 4
SynthwaveDojo.com

What are Triad-Over-Root Chords?


The definition of Triad Over Root Chords is simple. You take a chord triad, for example
C major(consisting of notes C, E, G), and place it over a root note in the bass.

Depending on which bass/root note you pick, in many cases the result will be a more
colorful version of the standard chords from a major or minor key.

Triad Over Root Chords is a very useful device to give color and texture to your chord
progressions.

In my opinion, it’s a great way to quickly dreamify any chord progression without getting
too technical about it.

www.synthwavedojo.com 5
SynthwaveDojo.com

Triad Over Root - Tonic Major


Watch the companion video here: https://youtu.be/3sGIgp31gcY

Read the companion blog post with video and audio examples here:
https://www.synthwavedojo.com/blog/triad-over-root-chords-tonic-major

The table below shows the resulting chords we get if we place a C major triad over all
the possible bass notes in the key of C major.

● C over C is an unaltered C major chord


● C over D is a D11 or D9sus chord
● C over E is a C major chord with the 3rd in the bass
● C over F is a Fmajor9(no3) chord
● C over G is a C major chord with the 5th in the bass
● C over A is an Aminor7 chord
● C over B is a Cmajor7 chord with the 7th in the bass

www.synthwavedojo.com 6
SynthwaveDojo.com

The Triad Over Root Symbol shows in slash notation how to construct each chord. The
left side of the slash refers to the chord triad and the right side gives us the root note.

Using the second line as an example, the way to read it is “a C major chord over a D
note in the bass”. The resulting chord is D11 or D9sus, composed of the notes D-C-E-G
(D is the bass note).

One thing to note is that by using the C major tonic triad over all possible bass notes
from the major key, we don’t get any G or Em chord, only variations of C, D minor, F and
A minor. If we wanted to arrive at a G or Em chord using Triad Over Root, then we’d
have to try another diatonic triad besides C major.

If we want to reapply using the tonic triad over root in any key, it is helpful to normalize
the chords by using Roman Numeral Analysis. Like this:

For example if we’re in the key of G major, and we play G major on top of the IV chord
bass note, we’ll get a “IV major 9 with no 3rd” which is Cmajor 9 (no3).

Experiment with playing other triads from the key, besides the tonic triad, on top of all
the bass notes from the same key. Make note of the combinations you like best and try
them out in your future synthwave tracks.

www.synthwavedojo.com 7
SynthwaveDojo.com

Tonic Triad Over Root in C Major Reference Table

www.synthwavedojo.com 8
SynthwaveDojo.com

Tonic Triad Over Root in Any Major Key - Roman Numerals

www.synthwavedojo.com 9
SynthwaveDojo.com

Triad Over Root - Tonic Minor


Watch the companion video here: https://youtu.be/Dyb6QwC8ByY

Read the companion blog post with video and audio examples here:
https://www.synthwavedojo.com/blog/triad-over-root-chords-tonic-minor

The table below shows the resulting chords we get if we place a C major triad over all
the possible bass notes in the key of C major.

● C over C is an unaltered C major chord


● C over D is a D11 or D9sus chord
● C over E is a C major chord with the 3rd in the bass
● C over F is a Fmajor9(no3) chord
● C over G is a C major chord with the 5th in the bass
● C over A is an Aminor7 chord
● C over B is a Cmajor7 chord with the 7th in the bass

www.synthwavedojo.com
10
SynthwaveDojo.com

The Triad Over Root Symbol shows in slash notation how to construct each chord. The
left side of the slash refers to the chord triad and the right side gives us the root note.

Using the second line as an example, the way to read it is “a C major chord over a D
note in the bass”. The resulting chord is D11 or D9sus, composed of the notes D-C-E-G
(D is the bass note).

One thing to note is that by using the C major tonic triad over all possible bass notes
from the major key, we don’t get any G or Em chord, only variations of C, D minor, F and
A minor. If we wanted to arrive at a G or Em chord using Triad Over Root, then we’d
have to try another diatonic triad besides C major.

If we want to reapply using the tonic triad over root in any key, it is helpful to normalize
the chords by using Roman Numeral Analysis. Like this:

For example if we’re in the key of G major, and we play G major on top of the IV chord
bass note, we’ll get a “IV major 9 with no 3rd” which is Cmajor 9 (no3).

Experiment with playing other triads from the key, besides the tonic triad, on top of all
the bass notes from the same key. Make note of the combinations you like best and try
them out in your future synthwave tracks.

www.synthwavedojo.com
11
SynthwaveDojo.com

Tonic Triad Over Root in A Minor Reference Table

www.synthwavedojo.com
12
SynthwaveDojo.com

Tonic Triad Over Root in Any Minor Key - Roman Numerals

www.synthwavedojo.com
13
SynthwaveDojo.com

www.synthwavedojo.com
14
SynthwaveDojo.com

80s Drum Machines Free Samples Pack


Synthwave Dojo is proud to bring your our first ever sample pack, 80’s Drum Machines!

It contains over 400 samples from a collection of the most iconic drum machines from
the 80’s. If you’re looking to add the retro drums flavor to your productions, look no
further.

Best of all…it’s completely FREE!

GET THE SAMPLE PACK HERE!

The samples have been carefully prepared to ensure they are well volume-matched so
you don't blow your speakers or your ears when auditioning samples. We've also
trimmed the start so you can drag and drop them straight into your productions without
fuss.

Not only that, but we've neatly organized all samples in folders across every collection
so you know that all hi hat samples are in the "Hi Hat" folder.

We've even gone a step further and used a standardized file naming convention across
the entire sample pack, so for example, you know that all hi hat samples will be named
"Hi Hat Closed" or "Hi Hat Open" and not "OP Hat" or "CLH" which is a huge time
waster when you're in your production flow.

www.synthwavedojo.com
15
SynthwaveDojo.com

Here’s how all the samples are named inside their respective folders.

GET THE SAMPLE PACK HERE!

The sample pack includes a 17-page PDF with images, history and relevant songs
made with each drum machine in the collection.

www.synthwavedojo.com
16
SynthwaveDojo.com

Drum Machines included in the pack:

● Oberheim DMX
● Simmons SDSV
● Linn LinnDrum
● E-mu Drumulator
● SCI DrumTraks
● Linn Linn9000
● Roland TR-707
● Roland TR-626
● Roland R8
● Yamaha RX5
● Korg DDD-1

In all honesty, this is simply the best drum sample pack you can get for free online to
make synthwave. Click the link below to get it.

GET THE SAMPLE PACK HERE!

www.synthwavedojo.com
17
SynthwaveDojo.com

YouTube Playlists
Synthwave Dojo has an ever-growing library of tutorial videos on YouTube that I’m sure
you’ll get plenty of actionable knowledge from.

Click on the links below to go directly to the playlist that interests you the most:

● Synthwave Basics
● Composition, Arrangement & Orchestration
● Synthesis & Sound Design
● Mixing & Mastering

While on YouTube, I appreciate it if you subscribe to the channel and activate


notifications, so you never miss out when we publish new videos.

www.synthwavedojo.com
18

You might also like