LUYS MILAN EL MAESTRO vol. I COMPOSIZIONI PER SOLA VIHUELA TRASCRIZIONE IN NOTAZIONE MODERNA PER CHITARRA DI RUGGERO CHIESA EDIZIONI SUVINI ZERBONI - MILANOFantasia 1 Fantasia IL Fantasia UIT Fantasis 1 Fantasia V Fantasia VI Fanvasia VIE Fantasia VIE Pantasia 1X Fantasia X Fantasia XT Fantasia XI Fantasia XU Fantasia XV Fantasia XV Fantasia XVI Fantasia XVI Fantasia XVILL Fantasia XIX Fantasia XX Fantasia XX1 Pantasia XXL Pavana 1 Pavana IT Pavana IT INDICE (Vol. 1°) Pag, " 2 “4 15 7 18 » 2» 2 2 2% a 30 3B % 7 38 39 Pavana IV Pavana V Pavana VI Fantasie XXII Fantasia XXIV Fantasie XXV Fanusie XXVI Fantasia XXVIL Fantasia XXVILL Fantasia XXIX Fantasie XXX Fantasia XXXT Fantasia XXXIT Fantasie XXXTIT Teatos I Tentos TI Teatos TH Tentos 1V Fantasig XXXIV Fantasie XXXV Fantaria XXXVI Fantasia XXXVIL Fantasia XXXVI Fantasie XXXIX Pansies XL, a 2 2” 46 0 2 sa 8 82 6 ° B 80 85 89 9% 97 100 103 109 43 47FANTASIA I Compas apresurado PP: fe oop ne tau | pee delle EDIZIONT SUNINE ZBRHONT SA. Milano, Gallerie 8h Conn 4 © Copyrighs 1965 by SpA. Milo Rachie mace!» ewer Gr eae All sgh retvedTnernonl Sopa securedFANTASIA II Compas apresurado (a, Nel sti 61 sn Halterazione gel quarto grado 8 propria del movimento ascen~ =] conte non di quello discendeute lin Milan's style 22 the fourth degree, iujlecting is proper of asceraing movemest snd not of the discending o%e, [ Neveriginle Tx the ariginal text =FANTASIA II Compas algo apresurado Netferiginals © Ta the criginat text BoeSart oy = 2d = jd ae a — == # a ae Tf = (SaezFANTASIA IV 5 Compas apresurade ania a o =FANTASIA V Compas batido ape sg Hel stieate (hn the origined teat 8TTP PF aa] rere oT Senza indictslene di tempo © Vichoxt tempo indicationNeteriminate aright te thoorigiea tet 2 % Ie the original text 3FANTASIA VII Compas apresurado oe fg eVoretonte Gorrentore éelt'Autore Y In the originel tex! Correciion by the composerSf The 18. 7 ie || - ye > — ~All +H uf 4 an ee th a {| ae « ( - 4 Ie || | Compas apresurado j = fe AF“FF Re? FANTASIA IX Compas apresurado = “SF a PT i oa rtfe ¢ da preferiesi if is to prefer with“ FANTASIA X Las consonaneias a espacio y los redobles apriesa @ ®% Oo oqLas consonancias a espacio y les redobles apriesaFANTASIA XII Las consonaneias a espacio y los redobles apriesa a a), MelWoriginne o— * tu the orietvel teat[ewesz|FANTASIA XIV Las consonancias a espacio y los sei esa, J} — z ko jp ae ot . OY SSO20 FANTASIA XV ‘Las consonancias a espacio y los redobles apriesa NelPoriginalo (tn the eriginat teattl] FRR ey Neforiztua In si the original ext22 FANTASIA XVI La_consonanclas a espacio y los redobles apriesa ®@— © @ ® 8 6 C = Ce NatVoriginale (0) Tu the original teatfa) FANTASIA XVII Las consonancias a espacio y los redobles apriesa (@ Neulorigtoate Nevoriginate In the original text! In the original taxt az] 2324 Neteriginate ig (2) fu the original textFANTASIA XVII Las consonancias a espacio y los redubles aprivsa @, oy HeVoretnate De tha original eat I RelVorigiaale Neboriginste @ Tn tha original teat Un the eriginal text fg) ¥Woigteate ” Inthe origival text EScieed26 (c) Quests tipo ctimutazione cov infraguente in Milan (v, Pentasie XIX 0 XX) ‘This kind of mutation ig not rare in Milan (ses Pentestes 19 and 20)co Is. (Qui MAutore aoverte che le seguenti somposisiont riprendons ilorosudemerte rogolaro oe Redonies, © gene ibs in fn ¢ » athe compe énizate tht th folowing campsite lake thir regutar ting ate beg the ants of “onsmancia? and “Redobles"exded. = eee ree " (y8t0H0 lnicesion d tempo excoreal Without tempo indication do torsinate lo fartasle i Censonenetas28 PekiO , toveiseae ig aa (9 Lethe sipitet text 8 (Sanz29 wut attest Oath opal text foci (Saez |30 FANTASIA XX 1 ‘ a. @ are @ ie ioe o. sas AIT _ gos TF = 1 ez bd o = = o * Wetiout tempo indication rexreioas SapesCorrertens aut actore 0) Ia the original text sion by the composer eigen ee ee oes Gaur suri Pg tm te origina tet FREED Goerton Uy te cpntr ) be original toxt GE (Saez(Saar)32 Nevoriginale (9 Fy the oviginad text [Some z|FANTASIA XXT Seata Incicatione di tempo Without tonpo indisation (Eawsazy34fa) Ni muy @ espacio ni muy apriesa NatYorigiosle In the original text 4. soe o Cocresione dell Atore eoriginale Correction by the composer (0) Iu the criginal text 35 Corzezione aeliautore Correction by the composer36PAVANA I Compas algo apresurado__ Co Inthe erigina test == [=a]38 Compas algo apresurado - P F 2Q (Saerz]Ketforigivale In the original text (a) (Kawerz|40 TrTT tere Corresiene dell’Aniore () Meloritnate x Correction by the composer‘? In the ordginad eat = (Smz| NeWeriginale (0) Ta the aigénet tantPAVANA IV Compas algo apresurado ettoigieate - (9 im tie original text PAVANA V Compas algo apresurado _ |4243 PANTASIA XXII Ni muy apriesa ni muy a espacio(a inte cgi woe Gee — —S SHEf— per gprs 0 = f7eee r= area © seth crirnet txt eBayAb FANTASIA XXIV Ni muy apriesa ii muy a espacio NelVorigivale (0) tn the original textat aiorigtate 0) ith ripe tat48 (g Seeritoate (1) In the original text Sorigiate = (a) fa the crginal test $e = eo [EaeEzFANTASIA XXV Ni muy apriesa ni muy a espacio ay Ge = tite $—* Netlorieinale Corrosion’ dell’Autor® () Inueorgint woe & Correction by the composer50ane i 9 8 ss ) Setongiate as correnions yartisle el'autore, che aggluege slot La ul terto tengo dela batiuta, (ofits iy fd deg, Comenone ce ana core tat eo —Epy Some ye omnes52 FANTASIA XXVI Ni may apriesa ni muy a espacio er a ere ee ae 9 See a ees (0 beth orgie txt eR Cereton By the conoter33FANTASIA XXVII Compas a espacio ® am Al o = = = = =55 Me e 4 op eS — = = eerie Te tho original teat Se ee nn ERE oe56 “a neta icinel tet es ( Tatheortatuat tat (Sez)37 (Eawz]58 FANTASIA XXVIII Compas a espacio (az]596 ie ss Neloriginale = OS as GES OMe = SwsEZ|61 fy Meloriginete NeVoriginate Tu the original toat D tn te original test62 FANTASIA XXIX ‘Ni muy apriesa ni muy a espacio = =~ ‘6a ee 21-0 ———_—E SSS ===> fq Neloriginate Tn the origina) foat = laste = 0) in the eriginat tort Net'original [Soaie= Ret’otisivale $4 Smee ss beats 9 Himoniginet txt 4 2S 8) Fe vie orig cae Z|64 NelWorisinale — _p (9 ty tho original toxt [Saez]65 ‘NelWorigivale = = = Ot at PES60 FANTASIA XXX Algo apriesaina Yee t tue SEF iter tt wa68 Nelorigiale (9) fu the original teat (emaz|0 FANTASIA XXxXI Compas batide Sis Zo Oe AE re Ih the origina! text Ea (wz, iy Nettie sate st wetterigints te the ongined exe SE (0 fn the criginat textax J. pad emt = ® © = +74 ged bd JFANTASIA XXXII Compas algo apresurado [Raw z|74 ay Be orgieale ©) tu the original tot =F tT Por as ' (Seer ) Fa thn onigteal text E & Conresiens det? astors = Correction bythe composer75,76 ; Jd otPoteuate Nevorigivate pd (a) Sate () Ts the origtant text SS Tu the orteénrd textCompas a espacio 7 FANTASIA XXXII oe = 2 4-2 b Fort ety NelVoriginate © In the origicad text4 ry = ~ oe os dye oo pS Oe : 5 fod p= Pet Guay 4 did) gt = fo) Mavoriivate = I dutheorigined text ort (Saasaz] gS19 ieee tot SETENTOS I Las eonsonaneias a espacio y Los redobles apriesa retoretie ftp ©) tu th original text81NatPeriginaly ty iae onigtnat text fenrorealea Excel85 TENTOS II Las consouancias a espacio y los redobles apriesa Onan GEES (=86 [Saez]a788 o, NelPorizinate Inthe eriginal toot [Sez]TENTOS II Las eonsonancias a espacio y los redobles apriesa a4 jd fr ail F90 = [Saw]9293 TENTOS IV Las consonancias a espacio y los redobles apriesa94 fa) NeMorigioade (On the erigheal test : . Maxteneudo il Dof 2¢ deriverehbe un tipico esempio di seala mageiore ~ snpoleteeny in evince antes! stllsticn erentogicn, (0 naveririnte SWEET EPP poets the Chand reno type explo pon mrs, in enudent stltseic and chronedegien! anihitests. Me ( Neworigicaie mence tl Selb. Fn the eviginal text the G i missing.5 moWeriginale (6) Tn the origéecd text fr ReWoriginale oY9% be i iFANTASIA XXXIV Compas algo apresurado Ss lo = > Ad wun prima osservatione verrebbe spontanco eorsegrere uel segusite mee tun @ inpecbabile che si trait eno ai quogl effet strumentall ai eat Jest tanto si compiace Wautore (I'escoutors ricorti che il Do dey deals {si trove sulla quarta coréa « voto } fax |e the first look it wontd be spontancous to correct es follows: | ours ear secctvey waer ce comceray oe of these tacirimenrar \ affects the composer tx pleased with (the performer wast renen- Ber Wat theCuis on the fourth open string). Neoriginate Gcrresiove deiWautore _/,) Nelorigiuate (8) tn the original toxt ) Correstion by the composer |") Ts the origined tune Sosa Z|98 (Gi) tn stonsn osservasicns th «2 The came a3 () fae99100 FANTASIA XXXV Compas apresurado == ® [Sore][Samz|103 FANTASIA XXXVI Ni muy apriesa ni muy a espacio fay Sotoisinate — ©) Le steasa osservazione di (a) della Fantasia. XXXIV. In the original text = The same as (s) in the Fantasy XEHIV. SoZ]1040 nei a Gi ppts Sez]Ct (az‘Ni muy apriesa ni muy a espacio 107 FANTASIA XXXVII Es a o— d -_ oe ae ea rr ters ~ bp —<— j ro eee ee fy NelWorigiaate 3 = Corretione dell’Autore 4, Nellorigivale 4 -- (pt et GEER tectin car HW tasitaatene BEE $3 SG eZ108 Nelorizinale pe A +d pettoreinate i O Inthe origina ext EPS — PS) 4) tu the originad text BEA am109 FANTASIA XXXVII Compas algo spresurado (a) lin, 24IT] 1 es ov mewn = inl Nelforiginale ge e () Inthe erginat fostnom a = 2 2-2 a ss P FS rT Netteriginale ia the original text GP =| SWZ]J NeWeriginate (9 Ta the original tens (Saez |FANTASIA XXXIX Algun tanto apriesa ®, t 5S —— q — —s [Seweez] n3114usne (0) WetVoriginale to dus bettute sono invertite: Inthe origtact text the two bars are traasposed 8 ‘NetForiginale © Sethe original text Juve Correzione aenvautore Correction by tho composerWz FANTASIA XL Algun tanto apriesa =e pl T a @ Netforiginale In the ariginal fost NeWWorigioate fay © In the eviginal text(a, Bevvorigivale In the origtsal eat9 Wetoriginate Inthe criginal tert afeitale Op the original text ESCTYA120 NelWoriginate (O in tee oreginal toot Saaz |