Professional Documents
Culture Documents
Gender Ritual and Manipulation of Power
Gender Ritual and Manipulation of Power
2016
2016
Ugarit-Verlag
Münster
Umschlag-Vignette: The God’s Wives of Amun, Amenirdis I and Shepenwepet II, in the chapel of
Amenirdis I in Medinet Habu (photo: A. Lohwasser)
“Prayer and Power”. Proceedings of the Conference on the God’s Wives of Amun in
Egypt during the First Millennium BC
ISBN 978-3-86835-218-4
ISSN 0720-9061
Foreword ................................................................................................................................................. IX
Amr El Hawary
The Figurative Power of Prayer. The “Ode to the Goddess” (EA 194)
as a Theological Justification for Establishing the Office of the God’s Wife
of Amun as an Institution at the End of the 20th Dynasty ......................................................................... 9
Meike Becker
Female Influence, aside from that of the God’s Wives of Amun,
during the Third Intermediate Period ...................................................................................................... 21
Raphaële Meffre
Political Changes in Thebes during the Late Libyan Period
and the Relationship between Local Rulers and Thebes ......................................................................... 47
Claus Jurman
Karomama Revisited ............................................................................................................................... 61
Mariam F. Ayad
Gender, Ritual, and Manipulation of Power. The God’s Wife of Amun (Dynasty 23–26) .................... 89
Robert G. Morkot
The Late-Libyan and Kushite God’s Wives. Historical and Art-historical Questions ......................... 107
Angelika Lohwasser
“Nubianess” and the God’s Wives of the 25th Dynasty.
Office Holders, the Institution, Reception and Reaction ...................................................................... 121
Wienke Aufderhaar
The Sphinxes of Shepenwepet II .......................................................................................................... 137
Carola Koch
Between Tradition and Innovation – the Hwwt-kA of the God’s Wives ................................................ 155
Mariam F. Ayad
Reading a Chapel .......................................................................... ....................................................... 167
Aleksandra Hallmann
Iconography of Prayer and Power.
Portrayals of the God’s Wife Ankhnesneferibre in the Osiris Chapels at Karnak ................................ 205
Olivier Perdu
Une épouse divine à Héracléopolis. Suite ............................................................................................. 223
Mariam F. Ayad
In the aftermath of civil war and a period of intense intra-dynastic turmoil, Osorkon III and Takeloth III,
the last rulers of the Libyan Twenty-third Dynasty, commemorated the installation of Shepenwepet I,
the daughter of the former and sister of the latter, as God’s Wife of Amun by erecting a chapel de-
dicated to Osiris, Ruler of Eternity in East Karnak. The chapel depicts Shepenwepet engaged in
exclusively royal rites of affirmation, and sets the precedent for later God’s Wives’ iconographic
depiction and building activity. The God’s Wives’ appropriation of royal iconography increases under
the Kushite rule of the Twenty-fifth Dynasty, and culminates in Shepenwepet II’s celebration of the sed-
festival. The gradual rise in the power of the God’s Wife coincides with a deliberate marginalization of
the office of the High Priest of Amun and its holders. By the end of the Saite Twenty-sixth Dynasty, the
high priesthood is bestowed on a woman, Ankhnesneferibre, who later becomes God’s Wife of Amun at
Thebes. This paper examines the ritualistic duties of the God’s Wife of Amun and attempts to link the
concurrent rise of their power and the decline of the high priesthood to the tumultuous political situation
of Egypt’s Third Intermediate Period.
During a period spanning almost two centuries (c. 740–525 BCE), a group of five women attained
unprecedented status and power. They all held the title and position of God’s Wife of Amun at Thebes.1
The first was the Libyan Shepenwepet I, who was succeeded in office by two Kushite princesses:
Amenirdis I and Shepenwepet II. Lastly, two Saite princesses Nitocris and Ankhnesneferibre held the
office of God’s Wife. Each of these God’s Wives was a royal princess, the daughter and sister of a
ruling king. None seem to have had spouses – at least none that appear in the historical and archaeo-
logical records.2 Although originally introduced in the early 18th Dynasty, when the founder of the
dynasty Ahmose bestowed the title and office of God’s Wife of Amun on his Chief Royal Wife
Ahmose-Nefertary, the office reached unprecedented heights during the tenure of the God’s Wives of
the Twenty-third to the Twenty-sixth Dynasties. The God’s Wife of Amun of that period dedicated
chapels to the god Osiris – sometimes in association with the ruling king, other times on their own – and
each had a funerary chapel erected in the precinct of the mortuary temple of Ramesses III at Medinet
Habu3 (Fig. 1). Remarkably, despite their different ethnic and cultural backgrounds, and the fact that
they belonged to warring dynasties, these women not only shared several attributes, but each God’s
Wife was able to utilize and build on the power and legitimacy gained by her predecessor. The impetus
for the re-introduction of the office of God’s Wife and giving its holders such unprecedented power and
prestige may be found in the political events immediately preceding the appointment of Shepenwepet I,
the first of this group, as God’s Wife of Amun at Thebes.
1
See, most recently, Ayad 2009 and Koch 2012.
2
Roth 1999.
3
Hölscher 1954, 17–30.
90 MARIAM F. AYAD
4
Kitchen 1995, 91, 476–477 (table 10).
5
Ayad 2009a, 16; Kitchen 1995, 126–127, 201.
6
Török 1997, 148.
7
Redford 1973, 21.
8
Redford 1973, 20–21; Ayad 2009b, 124–129.
9
PM II, 206 (9a–b); Schwaller de Lubicz, pl. 235; Redford 1973, 21, pl. XX; Fazzini 1988, 20–21; Ayad 2009a,
34–37; Ayad 2009b, 125–128.
10
Leclant 1951 and 1960.
11
Bonhême – Forgeau 1988, 85–86, 272–273; Leclant 1960.
GENDER, RITUAL, AND MANIPULATION OF POWER 91
Likewise, bestowing the proper headgear on a king equally declared his newly acquired status. 12 Both
crowning and suckling are considered an integral part of the royal legitimation process;13 and it is
precisely those scenes that dominate the original, Libyan, façade of the chapel of Osiris, Ruler of
Eternity.
The chapel was later enlarged under Nubian rule, with a third, bigger room added at the entrance of
the Libyan chapel, such that the façade of the original chapel was now incorporated as the southern wall
of this new room. Decoration on the façade of the Nubian addition to the chapel of Osiris, Ruler of
Eternity indicates that it was built during the reign of Shebitqo.14 According to the conventional
chronology of the Twenty-fifth Dynasty, Shebitqo reigned from 702–690 BC.15 The traditionally
accepted date of the construction of the Kushite addition is thus traditionally placed closer to c. 706 BC.
Recently though several scholars have suggested a reversal in the order of Kushite kings, by which
Shebitqo, ascending the throne around 712/714 BC, would precede Shabaqo.16 This new order of
Kushite royal succession would impact the proposed date of the construction date of the Kushite
addition to the chapel, placing it closer to 716 BC. These new dates would have Shepenwepet, alive and
performing rituals at the good old age of 70–85, instead of the more unattainable 90–100 years old.17
Rather than erasing her predecessor’s name and cartouche and replacing them with her own,
Amenirdis, the first Kushite God’s Wife, chose not only to keep Shepenwepet I’s name and cartouches
on the walls of this chapel, but she also had Shepenwepet I depicted on the East wall of the Kushite
addition to the chapel as well as on the newly-erected façade. In choosing to do so, Amenirdis
undoubtedly understood and appreciated the legitimating value of the scenes depicting Shepenwepet I.
12
Bonhême – Forgeau 1988, 273–277, 297; Goebs 2008.
13
Bonhême – Forgeau 1988, 85–86; Leclant 1951 and 1960.
14
Kitchen 1995, 386; Ayad 2009a, 38; Ayad 2009b, 18.
15
Kitchen 1995, 383; Török 1997, 166.
16
Bányai 2013; Payraudeau 2014, 127; Broekman 2015.
17
Broekman 2015, 26.
92 MARIAM F. AYAD
Rather than eradicating her memory, Amenirdis decided to build on those scenes that proclaimed
Shepenwepet I’s divine status and use them to validate her own claim to the position/office of God’s
Wife. A close examination of the location and content of the scenes depicting Shepenwepet I in the
Nubian addition reveals the extent of thought and intentionality that went into selecting both the
location and content of those scenes.
On the upper register of the east wall of room 1 (the Nubian addition), Shepenwepet I is depicted
offering Maat to Amun-Re and receiving the menat-necklace from Isis, while Amenirdis I is shown on
the lower register of the same wall receiving life from Amun, and heb-sed symbols from Mut.18
Typically, when a king presents Maat to the gods, he simultaneously receives life from the god with
whom he is depicted in a reciprocal, “tit-for-tat,” kind of transaction.19 But here the presentation of
Maat and the receiving of life are deliberately represented separately. The overall effect of this de-
coupling is that it seems as if one God’s Wife sows and the other reaps. While Shepenwepet I performs
the duties of the officiating king, it is Amenirdis I who is awarded life.20
It is here, in the chapel of Osiris, Ruler of Eternity, that Amenirdis appears to build on the legitimacy
gained by Shepenwepet I most clearly. But she does so cognizant of her status as a member of a new,
victorious dynasty. The newly erected façade of the Nubian addition to the chapel features eight
vignettes that adorn the doorway to the chapel.21 Amenirdis I is consistently represented on the eastern
jamb vignettes, while Shepenwepet I appears in the corresponding vignettes on the western jamb. In
choosing to be depicted on the eastern jamb, Amenirdis reserves for herself the more dominant
rightward orientation as she, the officiant, walks into the chapel.22
18
Schwaller de Lubicz, pl. 234.
19
Bonhême – Forgeau 1988, 132–135; Teeter 1997, 3.
20
Ayad 2009a, 41–42, 44–46, 48–49; Ayad 2009b, 130–131.
21
PM II, 205 (4), XVII.4; Leclant 1965, pl. xxiv, fig. 17; Ayad 2009a, 38–41, 46–47.
22
Ayad 2009a, 47; Robins 1994, 36–38; Arnold 1962, 128; Fischer 1977, 41.
23
Christophe 1952–53; Ritner 2009, 460–461.
24
Baer 1973, 20; Wente 1976, 276; Ritner 2009, 460–461.
25
Christophe 1952–53, 143.
26
Kitchen 1995, 178.
27
Broekman 2009, 94.
28
Jurman 2006, 86–91, also cited in Broekman 2009, 94; see also Kitchen 1995, 177 (§144).
GENDER, RITUAL, AND MANIPULATION OF POWER 93
Now that the inscription has been shown to have been written on two separate occasions, the chapel of
Osiris, Ruler of Eternity remains the only monument clearly associating the Libyan God’s Wife of
Amun, Shepenwepet I with her Nubian successor Amenirdis I.
29
Ayad 2009b, 134; PM II 194 (2); Leclant 1965, 28; Legrain 1902, 210.
30
Ayad 2009b, 133–134.
31
Hölscher 1954, 20; Ayad 2009b, 19, 133.
32
Leahy 1996.
33
Harari 1959; Gitton 1975 and 1976; Bryan 2005.
34
Bryan 2005.
94 MARIAM F. AYAD
Fig. 5: Shepenwepet II performaing the rite of Driving the Four Calves, upper register, eastern half of the southern
wall, courtyard, Funerary Chapel of Amenirdis I, Medinet Habu (western half)
The extensive staff associated with the Domain of the God’s Wife further confirms the financial
independence and extensive holdings of her estate.35 But not since the time of Ahmose-Nefertary do we
get a document as explicit as the Nitocris Adoption Stela.36 There, in addition of the endowment bestowed
upon her by her father, various temples throughout Egypt pledge daily and annual contributions to the
estate of the God’s Wife as well as give her vast tracts of land all over Egypt.37 The language of the stela
also indicates that Shepenwepet II was already in possession of substantial wealth38 that needed to be
legally transferred to her successor. It is here that we find the most explicit use of the adoption
phraseology.39 The explicit transfer of property occurs on line 16, which reads, in part:
“. . . she loved her more than anything and made over to her the testament which her
(Shepenwepet’s) father and mother had executed for her; and her eldest daughter
Amonirdis, daughter of King Ta[harqa], justified, did likewise. Their bidding was done in
writing, to wit: ‘Herewith we give to you all our property in country and in town.”40
The inclusion of dates, the presence of court officials who served as witnesses to the document, and the
fact that it was later engraved in stone and set up for all to see at Karnak, indicate the stela’s legality.
The document meets all the criteria of an Imyt-pr document. The Imyt-pr was a legal means of
transferring property, when such a transfer was intended for someone other than the rightful/legal heir.41
35
Graefe 1981.
36
Caminos 1964.
37
Caminos 1964, 75–76 [lines 17–20 and 24–30].
38
Caminos 1964, 75 [line 16].
39
Caminos 1964, 74 [line 3].
40
Caminos 1964, 75 [line 16].
41
Logan 2000; Ayad 2009b, 140.
GENDER, RITUAL, AND MANIPULATION OF POWER 95
Fig. 6: Shepenwepet II pours libations before Re-Horakhty, Isis, and deified Amenirdis I. lower register, eastern
half of the southern wall, courtyard, Funerary Chapel of Amenirdis I, Medinet Habu
To date, the Saite “adoption” decrees of Nitocris and Ankhnesneferibre remain without immediate
precedent. No documents survive that may shed light on the installation of the Libyan Shepenwepet I, or
the Kushite Amenirdis I and Shepenwepet II.
In the absence of a legal document asserting their right to the new office, each of the Nubian God’s
Wife utilized ritualistic and iconographic means to assert her qualification for the new office and
legitimate her succession to it.
42
Egberts 1995.
43
Egberts 1995, 44–46 and 244–246.
96 MARIAM F. AYAD
In the edifice of Taharqa by the Sacred Lake at Karnak, an unnamed God’s Wife, most probably
Shepenwepet II, appears partnering with the King in the Rites of Protection of the Cenotaph of Osiris.44
While the king is batting 4 balls, the God’s Wife draws an arrow through a double-curved bow.45
Elsewhere in the same room, the God’s Wife, most probably Shepenwepet II, partners with four
different priests in the rites of the elevation of the Tst-column, a ritual that was meant to proclaim Amun-
Re’s university dominion, and by extension, the king’s as well.46 In these rites, the God’s Wife partners
with either the highest ranking priests,47 or the King himself, the ultimate high priest of all gods. There,
she also appears on an equal footing, being represented at the same scale as the king.
Shepenwepet II’s depiction in those rituals was not a fluke. For, it was during Shepenwepet II’s
tenure that the God’s Wife of Amun acquired most of the ritualistic functions of the king, the ultimate
High Priest of all the gods of Egypt. Of the five women who held the office of God’s Wife during the
23–26th Dynasties, Shepenwepet II comes across as the one to borrow most extensively from royal
iconography. The ritualistic duties of a God’s Wife may have peaked during the Kushite period,
possibly reflecting an attempt to express Kushite queenship ideology in a manner acceptable to
Egyptians. For whereas it was common for a Kushite queen to appear next to the king in ritual scenes
depicted on Nubian monuments, it is the God’s Wife, not the queen, who appears next to the king in
Theban scenes.48
Blocks recovered from the ramp of the Ptolemaic temple of Montu in North Karnak depict
Shepenwepet II celebrating, on her own, the sed-festival, the ultimate royal rite.49 The sed-festival was
likely a rite of investiture, where the king was imbued with his priestly powers.50 While other royal
women, particularly royal daughters, could previously take part in the celebrations of the sed-festival, as
seen for example in the sed-festival scenes of Osorkon II,51 their role was primarily restricted to playing
the sistrum and other musical accompaniment.52 Never before had a woman celebrated it in her own
right. Bleeker has suggested that it was during the sed-festival that the king acquired his priestly
functions.53 If so, then, what we have here is an official, ritualistic affirmation of the priestly role of the
God’s Wife. Epigraphic evidence suggests that this dismantled building was probably erected and
decorated sometime during the first nine years of Psametik I’s reign, before he affirmed his control over
the Theban region.54 During this transitional period, the God’s Wife and high officials such as
Montuemhat were virtually unaccountable to anyone and probably had complete authority over the
Theban region.
Whatever priestly powers the God’s Wife of Amun may have had under Libyan and Kushite rule,
these were finally codified and given official expression under the Saites. Ankhnesneferibre, the
daughter of Psametik II, and the last of the five women, officially held the title of High Priest(ess) of
Amun, even while she was “heiress apparent” prior to becoming a God’s Wife.55
44
Parker 1979, 62, pl. 25; Leclant 1965, 23, pl. xvii. For the identification of the GWA as Shepenwepet, see Ayad
2007, 6–8. For a discussion of the scene, see Ayad 2009b, 87–90; Fazzini 1988, 22–23, pl. xxvi; Cooney 2000,
34–36.
45
Parker 1979, 62 and pl. 25; Ayad 2007.
46
Parker 1979, pl. 26; Ayad 2007; Ayad 2009b, 96–99.
47
Ayad 2007, 4–6.
48
Lohwasser 2001, 69–70.
49
Perkins 1951; Barguet – Leclant 1954, 109–111, 116, pl. CVI; Ayad 2009b, 110–115; Bonhême – Forgeau 1988,
304–306.
50
Bleeker 1967, 120–123.
51
Lange, 2009.
52
See Epigraphic Survey 1980 for the Tomb of Kheruef (TT 192), where the royal daughters feature prominently
in Amenhotep III’s sed-festival.
53
Bleeker 1967, 122.
54
Ayad 2009b, 111.
55
Leahy 1996, 148 and 157.
GENDER, RITUAL, AND MANIPULATION OF POWER 97
While the Saite God’s Wives may have been equally bold in borrowing royal iconography, their
surviving monuments are so fragmentary that it is almost impossible to ascertain whether they engaged
in similar ritual activities.56
56
Perdu 2010; Traunecker 2010; Coulon – Masson 2010; Koch 2012.
57
Ayad 2009, Kitchen 1995; Depuydt 1993.
58
Russmann, 116; Kitchen 1995, 151, n. 289; contra Török,1997, 149.
59
Broekman 2009, 96.
60
Kees, 1964, 163–164; Kitchen 1995, 150–151 and 478 (genealogical tables), 197, 201.
61
Kitchen 1995, 197, 201; Török 1997, 168.
62
Török 1997, 168.
63
Török 1997, 168; contra Kitchen 1995, 382.
64
Kees, 1964, 164–168; Kitchen 1995, 151, 197, 390.
65
Parker 1962.
66
Parker 1962, 29.
67
Parker 1962, pl. 1.
68
Parker 1962, 18, 19, and 22.
98 MARIAM F. AYAD
Harkhebi is also mentioned in the Nitocris Adoption Stela, where he pledges to give the newly-installed
Saite God’s Wife “100 debens of bread and 2 hin of milk” daily and “10 cakes, 5 heben of beer and 10
bundles of herbs” on monthly basis.69
Now stripped of all military and political powers,70 a High Priest could no longer pose a threat to the
ruling king. Military leadership of the armies was given to a royal brother, such as Taharqa, while
administrative duties in the Theban area and elsewhere were given to members of the household of the
God’s Wife,71 to local dignitaries,72 or to royal appointees who were brought specifically from Nubia
for the purpose of holding office at Thebes.73
While Kitchen suggested that “with the death or disappearance of Har-Khebi[t], the pontificate of
Amun faded into total insignificance,”74 that was not quite the case. As ‘heiress apparent’, Ankh-
nesneferibre bore the title of Hm-nTr tpy n Imn, or “First Prophet of Amun,” or High Priest of Amun.
The title, which was not modified to reflect Ankhnesneferibre’s gender, appears on line 5 of her
Adoption Stela (Cairo JE 36907).75 Her investiture with the priesthood seems to have been a public
occasion, with the statue of the god Amun brought out of the sanctuary in confirmation of her
appointment, and as a sign of his approval of it.76 Clearly then, the office of the High Priest of Amun
was not abolished, but rather it was re-assigned – progressively and through a rather involved and
gradual process – to the God’s Wife of Amun.77
69
Caminos 1964, 75 [lines 22–23].
70
Kitchen 1995, 201, 382.
71
Graefe 1981; Kitchen, 1995, 370, 387.
72
Kitchen 1995, 390; Leclant 1961. Theban officials such as Montuemhat or Pediamenope constructed huge
funerary monuments (Grabpalast) in the cemetery of Asasif. The size of these monuments attests to their vast
wealth. For the tombs, see most recently, Traunecker 2014 and Gestermann – Gomaà 2014.
73
Pischikova 2014; Schreiber 2014.
74
Kitchen 1995, 405.
75
Leahy 1996, 146–148.
76
Leahy 1996, 157.
77
Ayad 2009b, 116–124.
78
Caminos 1958; Epigraphic Survey 1954.
79
Caminos 1958, 159–160; Ritner 2009a, 359.
80
Ritner 2009a, 366; Epigraphic Survey 1954, pl. 22, lines 2–21; Kitchen 1995, §294.
81
Ritner 2009a, 366.
82
Kitchen 1995, 332.
GENDER, RITUAL, AND MANIPULATION OF POWER 99
of the office of God’s Wife was realized under Kushite rule and specifically during the tenure of
Shepenwepet II. The idea that a woman could be entrusted with rituals the proclaimed/asserted Amun’s
universality and by extension, the king’s global dominion is intriguing. It is around this time that the
office of High Priest of Amun is filled again through the appointment of Haremakhet, son of Shabaqo to
the High Priesthood.83
Not precluding that this appointment served to legitimate the king’s rule, who could not install a
daughter of his own as God’s Wife since that position had been recently filled by Shepenwepet,84 I
would argue that it is precisely the great religious (and undoubtedly political) power attained by the
God’s Wife during the tenure of Shepenwepet II that ultimately allowed for the appointment of a High
Priest of Amun. With military leadership given to a royal brother (e.g. Taharqa) and administrative
duties assigned to various local officials, or those associated with the estate of the God’s Wife, the High
Priest now could no longer pose a danger to the king’s authority.
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Abbreviations