{APPROXIMATE TIME OF PERFORMANC! Progam Nets Paul Yoder and Harold Walters, bandsmen extraordinaire, are known and respected by bands and audiences everywhere. While each has been successful in his own way within humerous categories of compositions and ar- rangements, both have had unusually wide acceptance for their many published novelty ‘and humorous works. In Bands Around the World Yoder and Walters have combined their diverse talents and backgrounds in @ potpourri of traditional musical styles heard throughout ‘the world. Skillfully blending both original characteristic themes with familiar melodies of the past they once again have provided an entertaining and delightful musical experience for listeners everywhere. Director's Notes The announcer part is optional but it is highly recommended that some use be made of it to enhance the effectiveness of the perfor- mance. Likewise, its use can be expanded at will in any one of several directions. For ex- ample, an easel may be placed in front of and to one side of the band with the announcer changing cards to indicate the various countries as the band introduces the corresponding theme or section. All instruments in the band are featured somewhere within the work, and their parts are marked where to stand and sit if it is so desired. Each of these groups can don hats typical of the country they represent, ie., England, tall military hats; Germany, Alpine hats; Mexico, sombreros; etc. The announcer can wear a hat in turn with each group, ot for a ‘more simplified presentation he alone can make use of the hat routine, When the entire band stands before (290) regular band uniform hats can be worn by all. Other possibilities include having girls and boys in the various national garbs march or dance across the stage or enter via the center aisle and take @ position on the stage, lantern slides or strip films projected upon a nearby screen, use made of either hand or string puppets, ote. INSTRUMENTATION Parentheses indicate respectively the number of parts in “Full Band” and “Symphonic Band” Conductor (1) (1) Oboe (1) (2) Announcer (1) (1) Bassoon (1) (2) D> Piccolo (1) (1) C Flute (C Piccolo) (3) (5) ‘1st Alto Saxophone (1) (1) “Tot & 2nd Eb or F Home (2) (3) “3rd & 4th E> or F Hors (2) (3) ‘1st Trombone (1) (1) 2nd Trombone (1) (1) 2nd Alto Saxophone (1) (1) Eb Clarinet (1) (1) 3rd Trombone (1) (1) Tenor Saxophone (1) (1) Ist Bb Clarinet (3) (4) 2nd Bb Clarinet (3) (4) rd B> Cl inet (3) (4) Alto Clarinet (1) (2) Bass Clarinet (1) (2) Baritone Saxophone (1) (1) ‘1st Bb Comet (2) (3) 2nd B> Cornet (2) (3) 3rd Bb Cornet (2) (3) “Baritone 6 or > (2) (3) Basses (3) (5) Drums & Percussion (2) (3) Tympani (1) (1) Bells—Vibes—Xylo. (2) (2) “Asterisks indicate parts that are printed back to back.: Bands Around the World Conductor PAUL YODER HAROLD WALTERS Marziale (d - 120) “with 9 ruffle of drums Rubark Symphonie| Bond Library No, 148 “And a sweep of the wood,, raee * winds Cors-Hns. : Tris. 7 atiarrando Moderate march tempo (J - 108) "We bring you— Bends Around the World!” fon a Lble Rot oft “Sim dove 0g > Eos a CY. B De er © Copyright MCMLXXI by Rubonk, Inc, Miami, Fla.Conductor England High WW. (19) Cora-High WW. Bva ars- Sexe.pley [2nd time only. = rine -Tres. Li 7 = oro tym) Ja er [ Gin sate =Conductor 5 (29) cors-High WM. 8va > [i oS 4 rs aes ae leaxs—— jor.-Trbs. ae fe “Tsoxs| Jracthe 2 BM a” = Scotland Moderato (J. 112) Cores Fle, Ba Pics Ob; Cla tst Al. Sax. Stand : ~Cls-Soxs, Mrtroscatroight mutes) |™42nd Al, Sax|-Ten. Sox. Scnifie2 pce] Bec Sox-B|01-Bson Plot6 Conductor Pic-Ob-tst Ct aaa (6s) Let pitch sog Fp sit aConductor Germany ve March tempo (d= 120) pi Cors Fo ‘Tres. open-Bor ee Pa ees é Br, & Cym. Fis. Clee Ob Polka tempo(d= 182) od a —= sy) 4 mf Hts. & Boreflay fend time only"), ie Hrts.& Bar| Zz tt # thers Core, sie Cora oon ahi pe) MO bor yp -pahow ees” ce eitnar ome cesier eran CsConductor Moderate waltz tempo (J= 132) eats France FleOe-cis. and) +Fls. div. Maestoso (Stand ris] A b. Pois-0e. Sana iB, | ge Slee le molto rif. s PP Hes, Hina. Bar dd) Vibes or Bells winy oo * ae ; ‘molto rit, alto rit, Fracttn ik.Conauctor Spain Pago doble (d- s12) Sit het Cor Sit Ai) Tom WM & =tow [Brass ~ Ver ‘Stan (shout) 0-181 | ef Gritey (stows)O-1ét 7 7 houy 0-18 | AF Tt High WM (40) = a marcato We Brass Sit f 210 Conductor Holy Tarantella (d-- 192) Fl-PiceOb-Cls, Play both times Stand a rem Cors-Saxs-Bar [ava basse lSaxs- 2nd time only = ‘Standing — tings Fone Bar, tke] Sax Bose Tk TPT Drs. 5 4 7 2 High WW. — ES Me Trade t eka Bore cym.Conductor ” Russia J Moderato (¢= 100) = Ges) Cis. marcato Cors- straight mutes: 2nd timel only marcato = | SPs 0rs-snares ‘sang v v v G (or torge suspended Cym) g ry Snares off gry | Het ors. * beerR Conductor a High WM Xylophone a Allegro (d - 128) 2 Al, Sax. Cors. Percussion featured Do Tym. Dr. High W.- Xylophone a >_ ews = = z 3 ae br4Brere Tree-andl time only Wra ppro— = Stand-honds together]-bow (SkowéJAh!| So! ) ¥m Wpveriuia [ety Sri t , ) Par ere: va OT Tw rh TP I= 2 eTConductor a (22a) Fadng-tet ring ghejus Sonar oh Lae C Ere peer eer‘Conductor 14 Mexico Con spirito (J-- 128) ag JVI ge ew Taha 8va basso Cor, trio- Stand S tos Tobe Bosses 77 7 Tym, F300 2 * - L 5 5 ; 5 mp ‘2'Dr.-Castanets High WW, Bonds Around the, World 15Conductor 58 usa / 4 = \ ft eee ee Dixieland two-beat (d= 100)/2osenones Stand |p Bosses ‘Swing Cym, ad lib t 4 P Lo t t t t | > Soxs. Sit16 Conductor Soxs- play 2nd time only (aa), Standing :. . =y Conductor 7 (290) Dry Bones — OS least Bontaaed SM alistand — sencho der |So-3 x oii Stand “Winen The Saints Go Marching tn ri trim shots Go F : t fj" oF zt d t t (pat send '0.b 807m SS Se ee ee = alee .