Set de percusión Prólogo

Entre la mente y la muerte.

 = 80 
         
Alan Moreno Alan Moreno. / Héctor Eliot.

  
   
 
 
 
      

    

                              
15

    

                             
20

     

                                
25

                                       
             
30

                                       
             
35

    

              
40

                                       
             
45

                                       
              
50

                                       
              
55

2022 Almova (C) (P). 2022 Anva Records (C).

                    
2

              
60