ancy Wilson UES Ueto eNOS eT UTWhole step 12 step strike note and bend up whole step full T i bend up 1/2 step 2 re Bend-release Notation Guide Slight bend Pre-bend full Pre-bend and release string bent before striking full__ Sn Vibrato bar dive and return w/bar Vibrato bar pre dive Slide Grace note bend = bend Ect pay = rad = s ra => + ———= bend bar down by member of wibarakeadybextdowe «stir first more steps indicated mntercisrms pGkcaed, wise wb Siemorasdmteste ladmoe >aeh full full a 4 2 5 7 5S = z z EA - a 5 ——7#—_ : —— 4 “112 ee LOE LL LOCC ™ aati Pull off Slide from nowhere Vibrato Vibrato w/bar — 8va P w/ bar 8va e z e —— " = T w/ both notes fretted, strike slide froma few left hand vibrato vibrato w/the bar notes are played octave higher than Ist note and pull off that frets below raising and lowering written on staff finger w/ enough force to the pitch sound 2nd note P sl. PRAWNS PRA a. + 45 48 2 a of: 5: # S tf Natural Harmonics Pinched Hamonics Fret hand muting Tap-on ‘Tremolo picking NH) -wc02-e¢2-c50= 2 —— —* = 2 = o =e 2 SS Z place finger lightly above fret indicated and strike string lightly scrape thumb of right hand against siring while picking strings are muted w/ fretting hand and strings are struck creating a percussive sound of finger from pulled off = Ist note is fretted w/ tip hand. 2nd note is sounded when right hand finger is dW notes are picked rapidly picking#1 - Nancy’s “tuning” chords E5 Esus2 Transcribed by Dan Brownfield 2 ° 2 ° 2nd fret ‘Teh fret} eel) 011400 O134Tt #2 - Paul Simon style finger picking G € right hand 1= little or “pinky” — | let ring | P - [A (Pe : #4 - Beatles “Sun King” using Travis style finger picking © AG/E Bb6(#11) Béadd4 & = \ og 2 = a 4 : ae 2 jee aot ae (Ror se eee ee : : sl: Pe fa ee Z a a : + 3E 8 a 0 LA- ee - ig AI a ao oe 7 - i 3 a#6 } alver Wheels” intro Bitoni semacnneses 3 WON eat rr osee ae- an w/ harmonics NH. Srna aS a : $ = Ly i _ one NA E N.H. oF j = : = £ 3 of 4 ‘A : { 6 ms age iat 5 He -—9 # S13 a s 8 #8 - “Love Alive” “Raga feel guitar bit” AS zx PWN (wennnees J RAMA PAA 3 hese at H F frat F r t sl H s [ett oo a Bee ta ESE ie11 #9 - Harmonics guitar part on “Love Alive” H NH. __._., #10 - Next part on “Love Alive” D/FE Asus2 = > = oF 9 sh. let ring 10 #11 - Another guitar doing the low part on “Love Alive” G D/IFH G Asus2 #12 - Nancy’s “open” chords in “Love Alive” C/A Dadd9/A Asus4. Asus2(add6) Asus2(add6)/E ES Em9 A xo 0 xo 0 xo 0 xo 0 xo 0 0 00 2.2.90 Xoo T mT T — 8th fret—> p| 10th fretap | | Sth fret + Tth fret re] 7th fret] 1] 2nd fret +6 [ i 2nd fret] at $6 Tee $¢ fet) 4th fest pete af ! { | > LLiti a itt t } } iy i 1 CTT I 321 341 341 341 WT 234#12 - cont. Al Dadd9/A G5 G/FH ES EEO) xo 0 x00 X000x ooo Sth fret] | and fret—>6.} and fees Feat] | 3rd fret i th fret-9{ 1 i | 1 5 2 1 it 4 #13 - more of Nancy’s open chords Fmaj9(#11)(no3rd) Asus2 Bsus: C#m D6/9(no3rd) E5 E5 FHII/E 200 xo 00 x90 x 90 x 00 0 00 ee 000 Ist fret | IT Ti E Qnd fret [Teo] | 2ndfrersfeT Tt) 4th fretle 7th fret->[@ TL] 2nd fret | 4th fret (oat nana I Sth fret OTT { T | i $ oe | r 4 | co | : ' HH coo CHO 34 23 134 134 134 Tr4 12, Sa ——“—— #13 - cont. G6/E Asus2/E Aadd9 G6 F#7(add4) o 00 00 00 oo 7th fret} Sth fret 3rd fret 2nd a | ‘Sht frei—> T 1342 1342 1342 #14 - “Dog and Butterfly” intro Asus2 A Su > (12 string let ring fe + WeABR Ws tuning) EE B,B GG D,D AA BE octave higher 13#14 - cont. Asus2 A6/9 Asus2 Asus2 A #15 - Chords for next part of oe and Butterfly” ct 7 Fim Bsus4 Bsus2 B7(no3rd) Dsus2 E/G# x x x x xxx xxo_0 xx 0 Seiten! i 4th fret—| 4th fret> 2nd fret 2nd fret—> 2nd fret> 2nd fret—>| 2nd fret—> Ind fret [TT { ; | T3i4t 134111 1333 1334 13411 12 G5 ‘Gmay 70319) G6(no3rd) X00 x00 0 3rd fret—> 3rd fret—> 3rd fret @ ¢ 1516 17 #16 - “D” chord to “E” chord w/ hammer on a | a —# = zs # = H P sl. _ F 3 9-5 = = = a a a a [A 4 6 (B = #17 - Sliding the “A” chord Asus2 AG/9 Xo 00 xo 00 4th frets T9707] 2nd fret 7 #18 - “Mistral Wind” intro (no chord) Tih fret Asus2 A6/9(no3rd) Amaj9 xo 00 xo 00 xo 00 1 oth rete POET] th net He Abmaj7 (no cl hord)#19 - Chords for next part of “Mistral Wind” F Fsus2(#11) A9(no3rd) Asus2 Al3(no3rd) — A9(no3rd) — A9(no3rd) Dm6 00x %o_000 Xo 00 x0 000 Xx0_ 0 Ist fret Ist fret Ast fret: 2nd fret 2nd fret—> 4th fret Sth fret] ‘7th fret} i 134211 134 Fm6/C Fm$/C Dm6 Dm7 E5(b9) Pas aoc XKO xx0 O_ xxx Ast fret Ist fret 2nd fret #20 - Drop “D” tuning or “D” medal Tuning D 20 2nd fret DADGBE. 132 #21 - Double drop “D” Tuning DS Dsus2 200 0 ooo D Gadd2/D G FSI) ° 200000 2000 9000 [| 2nd fret—> 2nd fret Sth fret] ‘3rd fret Sth fret—| Sth fret: Viti 13333 23 19G/ID 90 00 all open 900000 Tuning Ist fret #21 - Tuned to “D” | : Sth fret i Th fret | titi Disus/G 3rd fret t ra2nt rritn #22 - Mandolin chords Tuning G Gsus2 D/A Dm/A Gm A Am 20 200, 90 20 ist fro 9 Ist fret | 2nd fret aoe 2nd fret—» aus 2nd fret i 3rd fret [ 4 fo TH é 4 | | H H d He ro ot ' L HH B CEE { HHH i GDAE 12 2 Ls Bed 1134 1Y24 GDAE all unison 20 #23 - “Battle of Evermore” let all notes ring Ery 8—0- 9-8-8 2 al : AE 6-6-3 0-0-3 ~— [- fo G = = Sara 0-9 €—9—9—_-€-8—8 8-—~8—8- 6 et $838 88 9-8-3 8—0-—-3 §—8—3-——-- 8-8-3 2-2- = 253 \ ae — a9 9990-8 989-8 0, 0-9 o---8-—B 8 egy egy 8 8 8-0-3 @—9-—3- 4—9—3- 4—3 89-3 —| 8—8 4 = 2 \ = =o 9-9-9 88-8 8-9-9-8-—--8-8 8 5 9-99 9 99-09 2-8 _}3—3--3--3 3-2-2 z L 3-333 3-2-9] fp ea ie 2-22 2 6—0—9- 21#23 - cont. cht Guepeaou on siepeigs ise erepcnen tT gees ie hooo beh pep pg thou Nome NEN ON Lede cb COON na Ooo shat { 22 #23 - cont. PEPCNCN oon POM eae cee un eern eNO or cn Tl thebeg bod 3 5-2—9 8—8—8 8—8—9 234 2 @ 9 2-2-5 — 8—§—- 8—8—8 2 2-2-2 8—8- 22 ee ee 2-2. 2—8 22-2 22-2 6-6 3 2—2 odon et mm une it nm AD ae $- 6—8 84 23PCL a on Nancy Wilson is a highly accomplished guitarist on both electric and acoustic guitar. She HA AR MUM NCre Cen TIM Te Cer MICA tune NUR gnCce sponsible for the guitar sounds on more than 20 Top 40 hits, selling more than 30 mil- Leela Crm rCuce Moana Uae TARR Cn AUTOR Con women that set out to play rock-n-roll their own way and in their own voice. That is in- CUMS MCUITN ICON LCM SCM TM CTC ean CCC COTY about Nancy Wilson and Heart at http://www.heart-music.com. WMC TiCs a UL A) Nancy Wilson presents a tare and insightful PeTuT Re Cea LCM Cen (OSC acoustic guitar. She carefully takes you step- USC MUIR MS cet aC Soa TU of her most popular songs. In this incredible DRE ECs eens e) songs as These Dreams, Crazy on You, Love Alive, Dog and Butterfly, The Dragon, Mistral Wind, and Battle of Evermore. Nancy also discusses and demonstrates finger picking, flat picking, open-string chords and more. This is truly a unique opportunity for you to receive a privaie guitar lesson from acs eta sear tenaolo = HALeLEONARD®