POLITICAL COMMENTARY: HERNAN NUNEZ'S
GLOSA A ‘LAS TRESCIENTAS*
HERNAN NONE2’s long and influential commentary om Juan de Mena’s epic
vision, Las vescientas, now better known as the Laberinto de Fortune (1444),
wes fist printed in Seville in 1499. A second, substantially revised, edition
Gaime our in 1505 in Granada, the city where it was originally composed under
the patronage of Santillana’s grandson, fhigo Lopez de Mendoza, the seoond
count of Tendilla. These bare facts immediately invite questions about the
Political relationship between poem and comment
the Laberinto defends the policies of royal absol
advanced by Juan Il and his all-powerful Const
the process, Mena calls for an end to aristo
tion into a concerted campaign against Granada, By the
{hat Mena's general aspirations had been achieved. A working ‘compromise
between the aristocracy and monarchy had been imposed; Granade bed bees
Proken as a politcal and military power; and the forcible conversion of the
Gfanadan mudejares in 499 signaled the beginning ofthe endfor eam as og
offical religion. In allthis, Tendila was one of the most powerful reptesen-
tatives of the Catholic Monarchs, the first Christian governor of the recently