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John Donne
John Donne
Stanza 1
unruly Sunne - the poet has been woken by the Sun. Donne shocks from the start -
the first line conveys arrogance and rudeness, but it is directed at the Sun.
sowre - bad-tempered. In these few lines Donne puts the sun in its place - its job is
with the boring, bad-tempered, ordinary people, not with the lovers. Note that the
lovers are already at a celestial level at this stage - they are above the "countrey
ants" the poet refers to.
Stanza 2
Stanza 3
The conceit continues. The first two lines imply that the lovers are every country,
every where. There is also "conqueror / conquered" imagery here - where the
Prince has completely control of his country, and the country submits to him.
Princes doe but play us...All wealth alchimie - Everything is false, apart from
Donne and his lover.
Thine age askes ease... - the tone is arrogant but playful. Donne decides that the
Sun must be tired continually journeying around the world - and since the rest of
the world is false, there's really no need to. To illuminate the only true, real world,
the Sun need only shine in the room containing Donne and his lover.
Poetically
General Notes
Reuses the notion of "Hundreds of Petrachan and Elizabethan poems" that the
"Sun is the touchstone of ecstatic tribute"
"The exaggeration of language mimics the assurance of love"
"Every insult to the Sun is a compliment to his mistress."
Note the movement of the poem. In Stanza 1, Love and the Sun are separate. By
Stanza 3, Donne has joined the two - love and the Sun are one and the same. The
poem also becomes more intellectual as it advances - possibly as the speaker and
his lover wake up! However, this "intellectuality" also, ironically, takes the poem
from the plausible to the ridiculous. A simple way to examine the movement of
this poem is to examine the first lines of each stanza.
1. Busie olde foole, unruly Sunne
2. Thy beames, so reverend and strong,
Why should'st thou thinke?
3. She'is all States, and all Princes, I
Note the constant use of Sun-related imagery: "Eclipse and cloud" in stanza 2,
"these walls, thy spheare" in Stanza 3. The "spheare" is significant - circles and
spheares were considered the perfect shapes. By the last word of the last stanza,
Donne, his love, and the Sun are united.
There is a very sensual aspect to this poem: the glow of the sun, the extremes of
conceit, perhaps an element of a sexual boast with "All here in one bed lay" in
stanza 2.