

To the Moon
Composed by Kan "Reives" Gao
Ending Version (OST) Transcribed by Benjamin Whitman

     
Adagio  = 66


          
        
(Tempo rubato)

    
3 3

      3
                  3  



 


     
 
  


 





  
                                
3 3


      
3 3
6

 








 

     
      
        
ritardando a tempo

    


  

                               
            
9


        
            
   




          
 
12

       


          
    
    


 
    
  
         
14

     








         
   
        


2011, Kan Gao


   
       
    
                     



16















  
     
         


 
   
3


  
      
3

            
     
       
19



  
   
 3                
 

    


  
 


3

                

          
23




                     
              


3

  
   
3 3


3

               
              
27














   
     
 

        
ritardando

  




                                          
   
31




      
        
  

           
a tempo

2 2011, Kan Gao



      
          
34

    



            
    
 


          
           

  

 
   
     

36




          
    


     


  
 


   
                
                


   
38




              
 




      



         
                  
 
41

   
        


  


  


  



       
3

      
        
                
  
44

         
     
         
  
2011, Kan Gao 3

 
                         
  
3
47

 



                  
       
     


3


3

              
   
                  
3


50

  





           


         
        



                     
 
53

          
   

        



 3  
  
          
                
55
3

  
              
  

            

 
3

 


3


3

            
          
58 Più mosso  = 72




              
     
   

4 2011, Kan Gao


   

                
       
60

 


      
          
3 3 3

 
3 3

 
3

   
3 3

  


3

                            
     
63


                 
       
        


     
     
            



66




      
           
  

 
 




  
            
Adagio  = 66

            
68




    















 
           
 

  


   
                
          
70


 














 
        
 
 

 

2011, Kan Gao 5


   
                                 

72



    
              
    
    
  

 


 
       
       
  
75





 


    
 

  
dim.

     




6 2011, Kan Gao