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  • Granada Bonita - Tuba

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    lapiruletaxaranga
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    This document contains musical notation for a piece titled "Granada Bonita" by F. Delgado Luna. It includes staffs with notes, rhythms, dynamics, and other musical markings across several pages. The piece is in a mambo style and features tuba, percussion, and other instruments.

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    Granada bonita - Tuba

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    This document contains musical notation for a piece titled "Granada Bonita" by F. Delgado Luna. It includes staffs with notes, rhythms, dynamics, and other musical markings across several pages. The piece is in a mambo style and features tuba, percussion, and other instruments.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    28 views2 pages

    Granada Bonita - Tuba

    Uploaded by

    lapiruletaxaranga
    This document contains musical notation for a piece titled "Granada Bonita" by F. Delgado Luna. It includes staffs with notes, rhythms, dynamics, and other musical markings across several pages. The piece is in a mambo style and features tuba, percussion, and other instruments.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 2

    Tuba GRANADA BONITA

    Mambo cha-cha-cha F. Delgado Luna

               
        
                          
    Ligero ( = 80) 1. 2.

                1.    2.  
                          
    6

            

            
         
                    
    12

                   

    D.C. y

                      
    18 sigue

      
    1.

              

           
                         
    23
    2.

            
                                  
       
    29
    1. 2.

               
          
                       
    34
    1. 2.


    

           1.  
        
                     
             
    39

     

      
                 
           
    44

             
    2.

       

         
                   
    49
    1. 2.

                 

    F. Asuncion
             
    2

                
      
    54

             
    1.

      

              
              
       
    59

            
    cresc.

    F. Asuncion

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